Now That's What I Call Music. 90.

Locations
Call Number: CD Pop Now 90
On Shelf At: Downtown Library, Malletts Creek Branch, Pittsfield Branch, Traverwood Branch, Westgate Branch

Location & Checkout Length	Call Number	Checkout Length	Item Status
Downtown 3rd Floor, CDs 2-week checkout	CD Pop Now 90	2-week checkout	On Shelf
Malletts Adult A/V 2-week checkout	CD Pop Now 90	2-week checkout	On Shelf
Pittsfield Adult A/V 2-week checkout	CD Pop Now 90	2-week checkout	On Shelf
Traverwood Adult A/V 2-week checkout	CD Pop Now 90	2-week checkout	On Shelf
Westgate Adult A/V 2-week checkout	CD Pop Now 90	2-week checkout	On Shelf

Contains material previously released ℗2023-2024.
Beautiful things (Benson Boone) -- Used to be young (Miley Cyrus) -- Yes, and? (Ariana Grande) -- Exes (Tate McRae) -- Houdini (Dua Lipa) -- Murder on the dancefloor (Sophie Ellis-Bextor) -- Everybody (Nicki Minaj feat. Lil Uzi Vert) -- Breathe (Yeat) -- Selfish (Justin Timberlake) -- Saturn (Sza) -- Never lose me (Flo Milli) -- O my mamma (Victoria Monet) -- Redrum (21 Savage) -- Whatever she wants (Bryson Tiller) -- Seasons (Thirty Seconds to Mars) -- White horse (Chris Stapleton) -- World on fire (Nate Smith) -- Where the wild things are (Luke Combs) -- Tennessee love song (Anella Herim) -- Drunk test (Henry Moodie).
Compact disc.

COMMUNITY REVIEWS

Am I Out of Touch? No. It Is the Producers of Now That's What I Call Music! Who Are Wrong. submitted by Meginator on August 3, 2025, 3:38pm This compilation of contemporary pop hits continues to buck the recent trend of homogeny, in ways both good and bad. The so-called "country" songs are basically just R&B and rap molded into a shape that (presumably) makes white people less uncomfortable, but there's a bit of tonal variety throughout the album even if the stylistics still mostly march in step. What these songs are really missing, especially compared to top hits of days past, are distinguishing melodic elements and big, undeniable hooks that make a strong first impression and linger for a long time afterwards. The cardinal sin here, track after track, is that these songs simply aren't memorable, and if they can't even distinguish themselves within a lineup of their contemporaries, it's difficult to see how any of these, save maybe a couple of exceptions if you're feeling exceptionally generous, are going to last the test of time, even if today's top pop artists are starting to feel a little different from one another again. This collection seems to show that the best music being produced today is clearly flying under the radar and not on top-40 radio.