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A Quick Guide to the 61st Ann Arbor Film Festival

by christopherporter

The Ann Arbor Film Fest (AAFF) is always a tornado of activity and it's sometimes hard to keep up—not just with all the great events and screenings but also the media coverage.

We've published three articles highlighting the 61st edition of this Ann Arbor institution, which runs March 21-26 in person and through March 29 online, and fellow media outlets have also been on the case. Plus, AAFF published a wonderful series of video interviews with several directors whose films will be shown.

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Sound "Waves": Chien-An Yuan plays off the screen at the Ann Arbor Film Festival

by christopherporter

A portrait of Chien-an Yuan

The Ann Arbor Film Festival celebrates collaboration. Sure, there are some movie mavericks who do everything themselves when creating a film, but it's usually a talented group of people combining their resources to create something special.

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A Portrait Study: Ann Arbor Film Festival highlights the Black, queer, experimental cinema of Edward Owens

by christopherporter

Edward Owens, with his hand on his bowed head, as seen in his film Remembrance: A Portrait Study

Edward Owens as seen in his film Remembrance: A Portrait Study.

Edward Owens' story may have been lost to history were it not for film programmer, writer, and Bard College professor Ed Halter.

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Societies of Cinema: Frank Uhle creates AADL exhibit, hosts a roundtable at the 61st Ann Arbor Film Fest discussing the cultural influence of campus film groups

by christopherporter

Portrait of Frank Uhle on the left; image of a Cinema Guild poster listing events, taken from the Cinema Ann Arbor-related exhibit at AADL.

Left: Frank Uhle photo by Amanda Uhle. Right: Cinema memorabilia seen in the AADL exhibit "Cinema Ann Arbor: Film Societies, Film Festivals, and Filmmaking in the Analog Era"; photo by Nate Pocsi-Morrison.

Frank Uhle's upcoming book, Cinema Ann Arbor, covers the entire scope of film history in the city, from the old theaters no longer with us to the students who went on to be famous moviemakers.

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Keys to the Past: Ann Arbor’s Legacy of Theater Organs Creates Timeless Moviegoing Experience for Patrons

by strattonl

Bob Howland was the Michigan Theater's first organist.

Bob Howland was the Michigan Theater's first organist. Photo taken from Henry Aldridge's book, The Michigan Theater: Ann Arbor's Home for Fine Film and the Performing Arts Since 1928.

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EMU's "King Kong at Ninety: Visualization in the Art of Stop-Motion Animation" celebrates the creativity behind the film that helped launch the Creature Feature

by christopherporter

King Kong at Ninety exhibition image

While spending an hour-plus perusing Eastern Michigan University’s exhibit King Kong at Ninety: Visualization in the Art of Stop-Motion Animation, I was struck by how, in some ways, it’s probably harder for young film buffs to stumble upon the old classics.

Admittedly, nearly all movies that survived are available to us at any moment now, but that tsunami of choices also means viewers must specifically seek out a film like King Kong (1933) instead of merely tumbling out of bed before your parents get up on a Sunday morning, turning on the TV, and sampling that week’s “Creature Feature”—a genre largely spawned by the runaway blockbuster success of King Kong.

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Selina Thompson's “salt: dispersed” is a powerful document of her monologue retracing the transatlantic slave route forced on her ancestors

by christopherporter

Writer and performer Selina Thompson sits on a stage in a white dress with a large rock of salt next to her.

Selina Thompson's monologue salt and its filmed adaptation salt: dispersed document her story of taking a cargo ship across the ocean to retrace the journey of her enslaved ancestors. Photo courtesy of UMS. 

In 2016, Selina Thompson, an interdisciplinary artist based in Birmingham, England, went on a journey to retrace the path of her ancestors. That path was that of the transatlantic slave trade.

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AADL 2022 Staff Picks: Homepage

by christopherporter

AADL's 2022 staff picks

Don't ever write a year-in-review intro before you've had lunch. See below for reasons:

2022 is Pulp’s sixth year of compiling a delectable list of Ann Arbor District Library staff picks, featuring a smorgasbord of media to review and devour. With an insatiable hunger for books, films, TV shows, podcasts, music, and more, our AADL staffer suggestions will whet your appetite for anything you may have missed in 2022—or from previous years.