They All Do It

They can instantaneously photograph un expresa train going at sixty milos an liour, so tliat it looks, smoke and all, au t' it wero taken at a stand-still. And yet they can't, or won't, photograph a man sitting in a chair without screwing bis hoad round in a vice like a movable dol), and keeping liiui looking at a sniudge on the wall till his tip drops and his eyes water, and the pleas ant little speech hc meant to think about, jii.it to hola the czpression, goes maundermg through his head like the ghost of a homeless echo. Every " photographer's studio" must be at least twenty years