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The Eleventh House Featuring Larry Coryell

The Eleventh House Featuring Larry Coryell image
Parent Issue
Day
17
Month
July
Year
1975
OCR Text

The Eleventh House featuring Larry Coryell, Level, Arista AL 4052 To borrow stock market parlance, The Eleventh House fluctuates between upper and lower resistence levéis of support. Or, more comfortably, it ain't bad. Coryell is clearly a devotee of the rockjazz strain encouraged, if not founded, by Miles Davis circa "In A Silent Way". Coryell's gifted guitar is surrounded by competence, including fleet-wristed drummer, Alphonse Mouzon, a solid trumpet in Michael Lawrence, with Mike Mandel on keyboards and John Lee on bass. Suggesting sources of influences is normally an exercise ijj subjectivism. Chicken-egg problems are bound to result-who's influencing whom, and who did it first. Still it is apparent that body's been listening to Weather Report. Like Weather Report, Coryell's clan isn't afraid of establishing a theme from which they can freely improvise. The opening cut on side one, "Level One", and its follow up, "The Other Side", are heavy-handed. higlily acoustic pieces with technically accomplished performances by Coryell and guest guitarist, Steve Kahn. A personal favorite, and a cut with less electricity and more melody, is the graceful "Diedra". It is a well-integrated, textured show of romance. This brings up the album's most striking, if not positive, characteristic. Diversity. Boogie, rock (and sometimes roll), and even blues themes abound, all plugged into a mold of acoustic rock-jazz. A personal low is the hey-look-what-wecan-do "Nyctaphobia", a frenzy on side one. Here too much is going on, too quickly, with little attention to conceptual development. Afterwards, the listener says, "Okay, so you can blow." Coryell is a youthful part of the maturing vanguard of jazz-rockers marching alongside Chick Corea, Tony Williams. Billy Cobham, et al. This latest offering, says the saleman with the unlit cigar, lias something for everybody and everything for some. ,