Not that it's news, but the self-styled Dean of American Rock Critics, one Robert Christgau. a pleasant chap who edits the music section of the Village Voice, has come out in the January 26th issue of his paper with a long think-piece on the emergence of what he calis the "Rock-Critic Establishment,", a loóse grouping of five print-media hotshots based in New York City which has (among other splendid accomplishments) insured the I financial success of the young Bruce Springsteen, a particular darling of these RockCritic types. The Fab Five, according to Christgau, who gives himself top billing, includes Rolling Stone record review editor Dave Marsh; RS columnist and Springsteen producer Jon Landau (Marsh 's predecessor as record review editor for Rolling Stone); New York Times rock writer John Rockwell, who helped consolídate the Springsteen ruse with a lead feature in Rolling Stone; Paul Nelson, the idiot behind the New York Dolls super-hype of 1973; and Christgau himself, who is perhaps best known for his "Consumer Guide" record review column in the Voice, Creem and Newsday. These five white young men, all currently residents of the Big Apple, are, in Christgau's words, "all convinced that what is called rock is America 's most vital popular music, at its best the aesthetic equal of any other art form. "Christgau explains the group's heady hegemony over matters of taste in popular music circles: "Not only do we all hold down key writing posts, but three ofus (four when Landau utilizes his input channcls at Stone ) also have the power to dole out space (and what money there is) to other critics. " Since doling out space is what it's all about - a review of any kind means exposure for an artist to a mass audience, while no mention means no exposure, fewer record sales, less radio airplay (11 any), in short, less audience recogrution oí the artist and nis or her work - it's easy to see how a shared conviction that "rock is America 's most vital popular music" translates into full coverage for the (mostly white) rock and semi-rock acts, and table scraps for the (mostly black) artists who have lent their vitality and drive to "rock" while continuing to explore the roots or the branches of the form... SPEAKING OF Jon Landau and Dave Marsh, it's interesting to note that Marsh is now completing his official authorized biography of Bruce Springsteen, a work Christgau describes as a '"quickie." Only time will teil if Dave, the spunky former White Panther from Detroit who is described by Christgau as the central figure in the nèw Rock-Critic Establishment, will get the rights to do the bio on rockdom's latest fave rave, Patti Smith, or Whether he'll spend his time chronicling Landau's latest pick-to-click, an amusing Los geles tolkster callea Tom Waits... Meanwhile, pioneer rockster Frank Zappa, in a December 1975 interview with waukee's Bugle-American, had these kind words concerning the -" tentates of pop: "Youknow, the problem with Jon Landau and all the rest of these rock writers is that fjiey 're so immensely f uil of shit. They have no sense of humor, nu interest in lust, no knowledge ofmusic in a general sense, have no idea of what musical history is allabout, no concept of craftsmanship, intcgrity, or anything really artistic, and are doing that - writing, shall we cali it? - for a living... How can a person hear about Bruce Springsteen and even take the whole idea of rock and roll journalism seriously? I mean, let 's face it, for half a lion dollars, you're Bruce Springsteen." Uh, no thanks, Frank... YOU MIGHT REMEMBER that we pulled your coat last time to the weekly magazine City of San Francisco, published by film producerdirector Francis Ford Coppola. Well, as we go to press, word from the West Coast has it that Coppola is throwing in the towel on his costly publishing venture, a free-wheeling operation which the Godfather producer has been subsidizing to the tune of $15,000 a week for some months now. For the record, the February 18th issue of this slick, over-sized, eclectic, and always interesting San Francisco weekly will be the last. Nice try, Brother Coppola, and we hope you try it again some day... A local publication you mignt enjoy is the Raza Art & Media Collective Journal, Volume I Number I of which was issued January lst from 4316 Michigan Union, University of Michigan, Ann Arbor 48109. The first number features poetry byZaragosa Vargas, Laura Parra, and Zaneta Kosiba Vargas; Anna Cardona on "Raza Art," with drawings by George Vargas and Bruno Andrade; Jesse Gonzales on "Commercial Televisión and the Chicano, 1975" - all very well done and well worth your time. Subscriptions are available at $6.00 for 6 issues at the above address... And you should know about another local publication, Detroit Dances!, published by the Detroit Metropolitan Dance Project and edited by Harriet Berg. Detroit Dances! is "a comprehensive directory of dance opportunities public and private in the metropolitan Detroit área"; subscriptions may be obtained from the Project at 200 East Kirby, Detroit 48202, and be sure to ask for Volume 1 , Number 1 when you wnte them - it's a monster! ON THE AIR: Strange doings coming down at WDET-FM, where people are preparing lo ueai WHii uie siimy maneuvenngs 01 nu President George Gullen and the Board of Governors, who plan to cut WSU's funding of the public radio station sometime this spring. What exactly will happen is still up in the air, but we hope to bring you a full report in our next issue, on the streets February 26th. Meanwhile, please check out some of WDET's excellent community programming, including Bud Spangler's "Jazz Today" (Mondays, 9:00 p.m.) and "New Jazz in Review" (Fridays, 1 0:00 p.m.); Juay Adams and Morphogenesis," every afternoon continued 011 -- page 18 WtJtJWwp continued from page 12 at 3:00; "Dimensión" with Jim Wanless and the Detroit Writers Cooperative (Tuesdays, 10:30 p.m.); the "Thedamu" programs, especially Jim Mathenia's reggae show on Tuesdays at 1 1 :30 pjii.; "Seminar in Black," produced by WSU's Center for Black Studies, every Monday at 6:30 p.m.; "All Together Now," with the Women's Radio Collective, Tuesday mornings at 1 1 :00 a.m.; "Gayly Speaking," with the Gay Radio Collective (Thursdays, 1 1:30 p.m.); Band Pass" with Jerry Stormer (Thursdays, 12:30 a.m.); Jim Gallert's "Jazz Yesterday" (Fridays, 7:30 p.m.); Project BAIT's "Forum" show, Saturday afternoonsat 3:30 p.m.; the daily news from Washington, D.C., "All Things Considered," (5 :00 p.m.); "Blues After Hours," with the Fabulous Coach man and the Detroit Blues Club, Saturday nights at 2:00 a.m.; and Geoffrey Jacques' "Kaleidophone" program, every Saturday afternoon. . . Congrats to WJZZ-FM deejay Jack Broderick, who went fuU-time on February 9 with the 2-6:00 p.m. daily shift on the jazzy one. . . Ann Arbor's WIQB-FM (formerly WNRZ), after adopting a totally disastrous plastic-rock format conceived by the station's out-of-town owners (they're from Rochester, N.Y.), now reported to be up for sale. Tough luck, kids. . . On the other hand, Treetown's WCBN-FM, the l Al Campus Broadcast Network, has added an interview program to its imaginative Saturday afternoon line-up- and the show will feature talks with local (Ann ArborDetroitMichigan) musicians for halfan hour each week. Musicians and bands wishing to make the scène can contact David Haas at WCBN, 763-3500 in Ann Arbor. . . Finally, West In dia n Radio, the popular WIID-AM program heard Thursdays at 12 noon on 1090 AM, will be hosting its second 1976 fund-raising cabaret at the W.I.A. Hall, 2015 E. 7 Mile, Detroit, on Saturday, I-eb. 21st. The Heatwavcs Express, Linda Knight, and the Trinidad Tripoli Steel Band will be featured, tickets are $3 in advance, $4 at the door, and your friendly West Indian Radio host, Horatio Bennett, will handle the M.C. duties. All proceeds go to the maintenance of West Indian Radio, which is a non-profit organization funded by events like this one. If you're a reggae, calypso, steel band or West Indian music fan of whatever description, this is the one where you can have some fun. . . AROUND TOWN: Leon Thomas and his Full Circle band (Neal Creeque, keyboards; Merv "The Curve" Bronson, electric bass; Babatunge, percussion) did a 10-day stand at Baker's, followed by Ahmad Jamal (thru Feb. 15) and the great Elvin Jones (Feb. 20-29). León has released a 45 on his own label, NowSound, and has just signed with sportsmedia impressario Don King, who will be launching his own label soon. . . The Music Hall has added some welcome jazz and gospel shows to its current season, including "The Sound of the Traditional Gospel" with Marión Williams, the Radio Choir of New Bethel Baptist Church, and Councilwoman l-.rma Henderson narra ting (Feb. 15); Bobby Short (Feb. 22); the Keith Jarrett Quartet, (Jarrett, piano & saxophones; Dewey Redman, reeds; Charlie Haden, bass; and Paul Motian, drums). March 8th; and the Preservation Hall Jazz Band trom New Orleans, later ín March or April. Sarah Vaughan, "The Divine One," was there Feb. lOth to start things off, and a theatrical presentation, "Give 'Em Heil, Harry," will visit the Music Hall I eb. 17-21. .. Local folkster Phil Marcus Esser now teaching a class in "Folk & Popular Music from Leadbelly to Brei" for the UM's Extensión Service on Tuesdays from 7-9 p.m., starting Feb. 10... Valentine's Day has a lot to offer music fans this year, with the Lyman Woodard Organización Tribe show at the Showcase; Keith Jarrett & Co. at Ann Arbor's HUI Auditorium (an Eclipse Jazz UAC production); Ted Lucas and Muggles, David & Roselyn, Dr. Don, and the Primitive Lust Theatre in a benefit for the Detroit Free School at Formerly Alvin's on Cass north of Palmer; R.F.B.R. in a , disco party at Cleary College in Ypsilanti; Van McCoy, Donna Summers et al. in Richard Nader's Disco Dance Party at Olympia; and who knows what else. . . Point Blank Records in Jackson, Michigan, has just issued an LP and 45 on the Ron Shauü Shakedown titled Makin' Ya Feel Good, distributed by Detroit 's InterSoul Distributors. Point Blank, headed by Neil Avery, Michael Davis, and Cari Fracala (of Jackson's Central Sounds Studio), offers as its motto "Aim to Funkifize"-look out!. . . John Salvadore's Subway Disco (525 West Lafayette, downtown Detroit) has "live disco music" with Maddness, Wed-Sat. . . Detroit photographer J. Edward Bailey has mounted a stunning photograph exhibit at the Detroit Historical Museum, Woodward at Kirby. Titled "Living Legends in Black," the show runs through March before taking off around the country. . . Showcase: Jazz at MSU continued on page 19 Ss continued from page 18 in F.ast Lansing has saxophonist Dave Leibman with Richie Bierach (keyboards), plus Oregon (with guitarist Ralph Towner). coming to Erikson Kiva Feb. 20-21 , two shows each night, cali I 5 17-353-4604 for Information. . . ThePoison Apple discotheque, at 38418 Ford Rd. Qust west of Waync Rd.), has newly remodeled its space and now features the popular pulsating dance floor, etc, along with Toronto deejay the Big B. Warner Bros. recording group Calhoun ("Do You Wanna Dance, Dance, Dance?") slides in Feb. 26-28, and disco queen Gloria Gaynor is scheduled for sometime in April. . . Watts' Club Mozambique was hit by a fire Jan. 29th which completely gutted the insides, causing the popular jazz hotspot to close its doors until Cornelius Watts can come up with a new ior. The Jazz West, next door al lenkell near Northlawn, was unscathed and remains open with all-night disco trom midnight to 6:00. . . Happy to hear that ace guitarist Dallas Hodge is back in action with a new band. . . Speaking of ace guitarists, Jody Blair is at the Golden Ducat, in the heart of the sleaze district on 2nd Avenue; BUI Hodgson and Shadowfax are at Cobb's every Thurs-Sat. now;and James McCarty, ex-Detroit WheelsBuddy MilesCactusRockets, is rumored ! to be rehearsing again with drummer iohnny Bee (just back trom ;i stint with Dr. John), f ist John Fraga, and vocalist Rusty Day (ex-Amboyl sounds good trom here!. . . "Inez." Detroit's bluegrass opera, will be staged again Feb. 21 at the General Lecture-. Bldg., WSU. 8:00 p.m.. . . And finally, with do more space lelt, we will f'orego our usual run commentary on the incredible musical action around town and refer you to our Super Calendar, where you can tlnd out the necessary whowhat-when-where-and-why when youet ready to give your ears a break. Don 't let the snow get j you down, and weil see you around town. . .
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