Press enter after choosing selection

UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff

UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image UMS Concert Program, October 10, 2013 - October 25, 2013 - Chanticleer; Takacs Quartet; Chris Thile; Andras Schiff image
Day
10
Month
October
Year
2013
Download PDF
Rights Held By
University Musical Society
OCR Text

UMS PROGRAM BOOK
•
UNIVERSITY OF MICHIGAN I ANN ARBOR
WELCOME.
"UMS is a true jewel within the University of Michigan. Here, students, faculty. staff, alumni, and aspiring performers can see some of the most exceptional performing arts in the world. It is an integral pie~, CAMPUS INN
-~
"-"-' t\MC3
~LER
00 0"
Mohamed and Hayat Issa/Issa Foundation
---- -- IlSA~.J!!W. mTTT\JfE lSAiifi':l'.2m- .ors
'IELD
UM~1tl~ CONCERTMASTER, $5,000- $9,999
Rosalie Ecfv.lards/Vibrant Ann Arbor Fund Pfizer Foundation Sarns Ann Arbor Fund The Seattle Foundation
H O N IG M A N.
UMS SENATE
The UMS Senate is composed offormer members of the Board of Directors who dedicate time and energy to UMS and our community. Their ongoing commitment and gracious support of UMS are greatly appreciated.
WadadAbed
Michael C. Allemang Carol L. Amster Gail Davis-Barnes Kathleen Benton Lynda Berg
Richard S. Berger Maurice S. Binkow DJ Boehm Lee C. Bollinger Charles W. Borgsdorf Janice Stevens- Botsford Paul C. Boylan
William M. Broucek Barbara Everitt Bryant Robert Buckler Letitia J. Byrd Kathleen G. Charla JillA. Corr
Peter B. Carr Ronald M. Cresswell Hal Davis Sally Stegeman DiCarlo Robert F. DiRomualdo Al Dodds James J. Duderstadt Aaron P. Dworkin David Featherman David J. Flowers George V. Fornero Maxine J. Frankel Patricia M. Garcia Beverley B. GeItner Anne Glendon Patricia Green William S. Hann Shelia M. Harden Randy J. Harris Walter L Harrison Norman G. Herbert Deborah S. Herbert Carl W. Herstein Peter N. Heydon Toni Hoover Kay Hunt Alice Davis Irani Stuart A. Isaac
Thomas E. Kauper David B. Kennedy Gloria James Kerry Thomas C. Kinnear Marvin Krislov
F. Bruce Kulp Leo A Legatski Melvin A. Lester Earl Lewis Patrick B. Long Helen B. Love Cynthia MacDonald judythe H. Maugh Rebecca McGowan Barbara Meadows Joetta Mial Alberto Nacif Shirley C. Neuman Jan Barney Newman Roger Newton Len Niehoff Gilbert S. Omenn Joe E. O·Neal Randall Pittman Phil Power John D. Psarouthakis Rossi Ray-Taylor John W. Reed Todd Roberts Richard H. Rogel Prudence L Rosenthal A Douglas Rothwell Judy Dow Rumelhart Maya Savarino Ann Schriber Edward R. Schulak John J.H. Schwarz Erik H. Serr EllieSerras Joseph A Sesi Harold T. Shapiro George l. Shirley John O. Simpson TImothy P. Slottow Anthony L Smith Carol Shalita SmokIer Jorge A Solis
Peter Sparling
James c. Stanley Lois U. Stegeman Edward D. Surovell James L Telfer Susan B. Ullrich Michael D. VanHemert Eileen Lappin Weiser B. Joseph White Marina v.N. Whitman Clayton E. Wilhite
Iva M. Wilson Karen Wolff
UMS STAFF
The UMS Staff works hard to inspire individuals and enrich communities by connecting audiences and artists in uncommon and engaging experiences.
ADMINISTRATION & FINANCE
Kenneth C. Fischer President
John B. Kennard, Jr.
Director of Administration
Kathy Brown
Executive Assistant
Beth Gilliland
Tessitura Systems Administrator
Patricia Hayes
Financial Manager
John Peckham
Information Systems Manager
DEVELOPMENT
Margie McKinley
Directoro{ Development
Susan Bozell Craig
Senior Manager of Corporate Partnerships
Rachelle Lesko
Development Coordinator
Lisa Michiko Murray
Senior Manager of Foundation and Government Relations
Joanne Navarre
Senior Manager of Annual GMng
Mamie Reid
Senior Manager of Individua/Support
Cindy Straub
Manager of Volunteers & Speckll Events
EDUCATION & COMMUNITY ENGAGEMENT
James P. Leija
Director of Education & Community Engagement
Shannon Fitzsimons Education Specialist
Mary Roeder
Associate Manager of Community Engagement
Omari Rush
Education Manager
MARKETING & COMMUNICATIONS
Sara Billmann
Director of Marketing &
Communications Anna Prushinskaya
Manager 0{ New Media & Online Initiatives
TICKET OFFICE
Jenny Graf Senior Ticket SeNices Manager
Christina Bellows
Ticket OtficeAssociate
Suzie Davidson
Associate Ticket Services Manager
Kate Gorman
Front-of-House Coordinator
Ellen Miller
Ticket OtficeiFront-of- House Assistant
Casey Schmidt Sales & Promotions Coordinator
Dennis Carter, Bruce Oshaben, Brian Roddy Head Ushers
UMS CHORAL UNION
Jerry Blackstone Conductor & Music Director
Tim Keeler. Jonathan King
Assistant Conductors
Kathleen Operhall
Chorus Manager
Nancy Heaton
Chorus Librarian
Jean Schneider Accompanist
Scott Van Ornum
Accompanist
Donald Bryant
Conductor Emeritus
Truly Render Press & Marketing Manager
PROGRAMMING PRODUCTION
Michael J. Kondziolka
&
Director of Programming
Jeffrey Beyersdorf
Production Director Anne Grove
Artist SeNices Manager
Mark Jacobson
Senior Progamming Manager
Michael Michelon
Production Coordinator
Liz Stover
Associate Programming Manager
UMS NATIONAL COUNCIL
The UMS National Council is comprised of U-M alumni and performing arts enthusiasts across the country committed to supporting, promoting, and advocating for UMS with a focus on ensuring that the performing arts are an integral part of the student experience.
Clayton Wilhite Chair
Andrew Bernstein Kathleen Charla Jacqueline Davis Marylene Delbourg-Delphis John and Betty Edman Janet Eilber
Barbara Fleischman Maxine Frankel Eugene Grant Charles Hamlen Katherine Hein David Heleniak
Patti Kenner Elise Kirk Wallis Klein
Jerry and Dale Kolins Zarin Mehta James and Patty Read Herbert Ruben
James and Nancy Stanley Russell Willis Taylor Bruce Tuchman Ann Wilhite
UMS CORPORATE COUNCIL
The UMS Corporate Council is a group ofregional business leaders who serve as advocates and advisors to UMS as we seek to broaden our base of corporate support throughout southeastern Michigan.
A. Douglas Rothwell
Chair
Albert Berriz Bruce Brownlee Robert Buckler Robert Casalou Richard L DeVore
UMS STUDENTS
Nolan Finley Stephen R. Forrest Michele Hodges Mary Kramer Maud Lyon David Parsigian Vivian Pickard
Ora Pescovitz Sharon Rothwell Frederick E. Shell Michael B. Staebler James G. Vella Stephen G. Palms, Ex-Officio
Students in our volunteer internship and work-study program gain valuable experience in all areas of arts management while contributing greatly to UMS's continued success.
Brendan Asante Catherine Cypert Elizabeth Galafa Lauren Jacob Scott Kloosterman Emily Kloska
Kat Lawhead Meaghan Mclaughlin
Gunnar Moll Skye Payne Charlie Reischl Nisreen Salka Kayla Silverstein RhemeSloan Sarah Squillante Haylie Stewart
Rachel Stopchinski Melanie Toney Jocelyn Weberg Hannah Weiner Ian Williams GeorgeXue
UM S TEACHER IN SIGHT Through VMS Teocher Insight, we stay aware of trends, changing resources,
and new opportunities for learning in the K-I2 classroom.
Robin Bailey }ennifer ~ton }eft GayIlOf Neha Shah
Cecelia Sharpe Rebeca PIetrzak Cynthia Page Bogen Mar\( Satzef Karen McDonald Melissa PoIi
UMS ADVISORY COMMITTEE
The UMS Advisory Committee advances the gools 0{ UMS, champions the UMS mission through community engagement, provides and secures !inanclol support, and osslsts in countless other ways as UMS ambassadors.
Gall Ferguson Stout Chair
Pat Bantle Vke Chair
Louise Taylor Secretary
Jane Holland Treostxer
Eileen Thacka
Post Choir
Sandy Aquino Mary Avrakotos Karen Santel Francine Bomar Connie Rizzolo Brown Dennis J. carter JudyCohen
Sheila Crowley Jon Desenberg Annemarle Kilburn Dolan Sharon Peterson Dort
Julie Dunlfon
Gloria J. Edwards Laurel Fisher Rosamund Forrest Unda Grekin
Nicki Griffith Stephanie Hale Nancy Karp Beth ~ley Kendra Kerr Freddl Kilburn Russell Larson Marcl Raver Lash Jean Long Melanie Mandell Ann Martin
Fran Martin Terry Meerkov Robin Miesel Natalie Mobley Christina Mooney Amy J. Moore Kathleen Nolan Marjorie Oliver
Liz Othman Karen Pancost Lisa Pattell Anna Peterson Ruth Petit Susan Pollans Anne Preston leff Reece Polly Ricclardo Nan Richter Valerie A. RoedenbEck Audrey SchwlrlllTlE!f WUtiam Shell
Barb Shoffner Arlene P. Shy Ren Snyder Becld Spangler Unda Spector Elaine T etreault Janet E. Torno Louise Townley Martha S. Williams Sarajane Winkelman Wendy K. Zeller
Ford Motor Company Fund
For opening minds and engaging the community, Ford salutes the University Musical Society Education and Community Engagement Program.
www.comml.lnity.ford.r arrayofgifts.Inadditiontoherdutiesasa MagistraofherconventtheAbbess- also
a mystic and botanist - experienced her first divine visions at the age of three, as she explains in her autobiography, Vita. A person of letters in the truest sense, not only was von Bingen a confidante of Popes and magistrates, among her accomplishments is the creation of Ordo virtutum. theearliestextantmoralityplay. By the time she had reached adolescence, either because of her unusual nature, or as an attempt to position t hemselves politically, von Bingen's parents enclosed her in a nunnery.Therein she was placed
under t he care of lutta another visionary with her own disciples, who played a pivotal role in Hildegard's education and upbringing. Written by t he Abbess to be sung by the daughters of her convent during the hours of the Office. 0 frondens virga finds its roots in Gregorian Chant. thewellspring of much liturgical melody.
• •r
•
0
,• ,
" ;;
"~ •~ "
Ave Virgo sanctissima
FranciscoGuerrero 1532-1585
Although his music is relatively neglected today, Francisco Guerrero was second in importance only to Victoria during the Spanish Renaissance.Unlike many of his contemporaries. Guerrero received rus musical training in Spain. rather than Rome. studying with his older brother Pedro and. more importantly. Crist6bal de Morales. He taught himself to play the vihuela (a Spanish predecessor of the guitar), cornet and organ. At the recommendation of Morales, Guerrero was appointed maestro decapi11a at laen Cathedral at only 17yearsofage. Hewent on to serve in the same position at the Seville Cathedral. a post he held until his death The effort and money he invested in publishing his music paid off in a
certain degree of fame during his lifetime, becoming known as far away as South America. Indeed. his music remained widely performed in the cathedrals of Spain and New Spain for more than 200 years after his death. His setting of Ave Virgo sanctissima is a fine example of High Renaissance motet composition, drawing the primary melody from plainsong and developing it imitatively in all vocal parts.
II
Tirsi morirvolea
Andrea Gabrieli 1532-1585
Andrea Gabrieli - more famous Giovanni of the same surname - was a leading figure in the musical culture of Renaissance Venice. Like other preeminent composers of the time, the elder Gabrieli was equally comfortable in sacred and secular
spheres. and his skill as a composer is observed equally in his polychoral motets for San Marco and the bawdiest of his madrigals. In Tirsi morir volea, (with a poem by Guarini) Gabrieli persistently and quite evidently plays on the common Renaissance poetic device of equating -dying" with the notion of sexual climax. Seeninthislightthe madrigalrepresents a masterpiece of understated eroticism. In the manner of his double-choir sacred works. Gabrieli uses seven parts. divided into three-pius-four. to create a sensual dialogue between the shepherd Tirsi (represented by the lower voices) and thenymphClori- twoardentlC/'lerswho -return to life in order to die again,"
Quando nascesti. m a r ?
Adrian Willaert 1490-1562
When Adrian Willaert was appointed as maestro di cappella of San Marco - a position he seems to have come upon through special intervention of the Doge - Venice was rivaled in her musical excellence only by private patrons maintaining chapelsparticularlyintended for the singing of polyphonic masses. So well-loved was Willaert's style that he was called by many contemporaries -the new Pythagoras." His perfection of both JXIlyphonic and JXIlychorai styles led contemporary writer Andrea Calmo to effuse."your music, mydearest mend has been distilled in seven alembis, purified in nine waters, and refined in flames·- high alchemical praise for transformative music . His madrigal compositions are beautifully nuanced interpretations of text; in the follClW'ing two selections. the comJXlSE'r sets sonnets. Quando nascesti. Arnor? uses two groups of voices in a JXIlychorai style to create a dialog on the origins of love. The text is a sonnet by
SerafinodelIAquila.
"
•
•~ u
"z •z u
0
uncle to the somewhat
Dime S8 tanto amate
Caudio Monteverdi 1567-1643
Monteverdi's eight books of madrigals span the stylistic gamut from Marenzio-inspired early works to later, groundbreaking continuo madrigals almost akin to dramatic cantatas. From Monteverdi's 1603collection of Madrigals (Book IV), Dime se tanto amate shows the composer clearly looking fOIWard. Line, harmony, and tempo are subservient to the text more often than not. There are early examples of stile rappresentativo - rhythmic declamations of words and phrases in a natural rhythm. dictated by the cadence of speech more than by note valuesorcounterpoint(anearlyprecursor to operatic recitative). Melody is often set clearly in one or two voices. while others supply harmonic support and energy to amplify the emotion in the text. Such is often the case in this selection. which represents the culmination of nearly every halhnark Venetian element of style - iIwentiveharmony,subtlecounterpoint witty double entendre, and wonderfully imaginative text painting.
• III • "SchOne Fremde" from •z
Gartenlieder • Fanny Mendelssohn 1005-1847
"Wasserfahrt"fromSechsLieder, Op.50,No.4
Felix Mendelssohn 1009-1847
The Mendelssohn family hailed from Hamburg. Germany - at the time an independent city-state - and had four children. Fanny and Felix each showed extraordinary promise as musicians at a very young age. playingthepianofromearly childhood and composing major works by the advent of their respective teenage years. Fannywas considered for some time tobethesuperiormusicianandtheirshared musical tutor and mentor (Carl Friedrich , ZeIter) spoke of her quite favorably. She "> complSed well CNer 400 pieces of music in "o her lifetime but was ultimately beholden • totimeandplace- itwasnotconsidered acceptable for a woman to have a musical career, thus her efforts were restricted to chamber music. Nonetheless, her works
have endured earning her a place as one of the best-understood female composers from the period. 'Schone Fremde: from Gorten1ieder, displays her gifts for melody and playful text painting. setting at text by Eichendorff.
Felix Mendelssohn wrote his Secm Lieder just before 1840. Scholars often remarkthatthecomposer'sshorterworks succeed in emotional intensity where longer works are lacking -certainly in "Wasserfahrt: he captures the dreary atmosphere and melancholy mood of
Heinrich Heine's poem.
o
•
" "u ~ Z
Thanks to Valerie Sainte-Agathe. " Alessandro Cattani. Katja Zuske. and "o Elero Shorlcova for assistance. •
•
CaBed Nthe world's reigning male chorus· by The New Y orker magazine,andnamedkEnsemble of the Year" by Musical America in 2008, t he San Francisco-based Grammy Award- winning ensemble CHANTICLEER embarks upon its 36th season in 2013-
2014. A winter international tour of nineEuropeancountrieswillseedebuts in Dublin. Moscow, and St. Petersburg; and returns to Paris. Vienna Budapest Prague, Antwerp. Rotterdam. and Bruges. Chanticleerisknovmaroundtheworldas Nan orchestra of voices· for t he seamless blend of its 12 male voices ranging from countertenor to bass and its original interpretations of vocal literature, from Renaissance to jazz, and from gospel to venturesome new music.
Since Chanticleer began releasing recordingsin1981thegrouphassoldwell over a million copies and garnered two Grammy Awards.Chanticleer'srecordings are distributed by Chanticleer Records, Naxos, Rhino Records, ArkivMusic, and iTunes. In addition to Someone New, Chanticleerwill release a live recording of She Soid/He Said on its Chanticleer live in Concert (CUC)series.
With t he help of individual contributions and foundation and corporate support the Ensemble involves over 5,000 young people annually in its extensive education programs. The Louis A. Botto (LAB) Choir - an after- school honors program for high school andcollegestudents- isnowinitsfourth year,addingtotheongoingprogramofin- schoolclinicsandworkshops,Chanticleer YouthChoralFestivalsintheBayAreaand around the country, master classes for students nationwide, and t he Chanticleer in Sonoma summer workshop for adult choral singers.The Singing Life, a
documentary about Chanticleer's work with young people, was released in 2008. In 2010, Chanticleer's education program was recognized by the Chorus America Education Outreach Award.
Chanticleer's long-standing commitment to commissioning and performing new works was honored in 2008bytheinauguralDaleWarland/ Chorus America Commissioning Award and the ASCAP/Chorus America Award for Adventurous Programming.
NamedfortheMclear-singing"rooster in Geoffrey Chaucer's Canterbury Toles, Chanticleerwas founded in 1978 by tenor Louis Botto, who sang in the Ensemble until 1989 and seIVed as Artistic Director untilhisdeath in 1997.
Cllanticleer
Soprano
Gregory Peebles KoryReid DaritaSeth
Alto
Cortez Mitchell Alan Reinhardt AdamWard
1enor
NlichaelEtesnahan Brian Hinman Ben Jones
Baritone andBass
Eric Alatorre MatthE"N" Knickman MarquesJerreli Ruff
" "u ~ Z
rt:
The National Enclcrwrnent for the Arts Grants for the ArtJ;/&mFraru:ioco Hotel Tax Fund, The William arvi Flora Hewlett Foundation, Cunard Fund USA. The Ann and Gordon Getty Foundation, Otevron The Bernard Osher Fourviation The BOO RossFoundation TheConfideru:e Fourviation The Wallis Foundation The Schlck Fourviation
CHANTI C LEER
Christine Bullin. President and Generol Director liv Nilssen. Director ofDevelopment Curt Hancock. Director of Operations and Touring BenJohns.DirectorofEducationandMerchandise Brian Bauman. Senior Accountant/Budget Manager Joe Ledbetter, Marketing/Development and ITSystems Manager Barbara Bock. Development and Marketing Assodate
Jace Wittig. InterimMusic Director Gregory Peebles. Assistant Music Director Brian Hinman. Road Manager Adam Ward. Merchandise Manager
lisa NaufuL Record Label Manager Louis Botto (1951-1997), Founder
Joseph H. Jennings. MatthewOltman. Music Director Emeriti wwv.r.chanticieer.org
~ IUMS ARCHIVES
Tonight's performance marks ClwLticleer's eighth appearance under UMS auspices. The ensemble made their UMS debut at Rackham Auditorium in October 1989 and appeared at UMS's Hill Auditorium Re-Opening Celebration in January 2004.
Z
~
APOLLO'S FIRE
Sunday, November 3, 4 pm Hill Auditorium
This concert of Bach's Brandenburg concertos makes for an afternoon of rampant virtuosity.
SPONSORED BY
M. ""'==- SUPPORTED BY Anne and Paul Glendon and Phil and Kathy Power
FUNDED IN PART BY
Tickets on Sale Now
For more information. visit
www.ums.oreorcaIl734.764.2538.
Edward Dusinberre, Violin Karoly Schranz, Violin Geraldine Walther, Viola Andras Fejer, Cello
Saturday Evening, October 12, 2013 at 8:00 Rackham Auditorium' Ann Arbor
10th Performance of the 135th Annual Season 51st Annual Chamber Arts Series
Photo: Takacs Quartet, photographer: Keith Saunders.
,• , PROGRAM
Ludwig van Beethoven String Quartet in c minor, Op. 18, NO.4
Allegro rna non tanto Scherzo. Andante scherzoso quasi Allegretto Menuetto. Allegretto Allegro - Prestissimo
Leos}onaeek
String Quartet No. 2
Andante - Con mota - Adagio - Vivace Moderato - Andante - Allegro - Andante - Adagio
INTERMI SS IO N 8edfich Smetana
String Quartet No.1 in e minor
Allegro vivo appassionato Allegro moderato ala Polj(a Largo sostenuto Vivace
r Flemins discovers peniciWn
In his 70s, Leos Janacek was younger at heart than many people half his age. Many of his greatest works were written at a point in life when other composers slow down, if they don't stop working altogether. This late efflorescence had a lot to do with an encounter in 1917 that changed Janacek life forever.The composer, who had just begun to emerge from many years of artistic neglect with t he sensational Prague premiere of his operaJemifa. met ayoungwoman named Kamila Sti:isslova at a spa in Moravia. He was 63, she 26.They were both married- she had two young children. JanaCek fell passionately in love. Rejuvenated by his feelings for Kamila he completed in the space of a decade, four operas, two piano concertos. t he Sinfonietto, the Glogolitic Moss,andtwostringquartets.Thesecond of these, Iisty duvbne (Intimate Letters~ which Janacek originally wanted to call "Love Letters,· is t he most directreflection of this remarkable relationship, in which
few other of his works) he included both scherzo and minuet, eliminating the slow movement instead. It is true, though, that the kScherzo· has the form. if not the tempo, of a slow movement; with its fugal beginning. it would appear to be a close cousin of t he kAndante· from Symphony No.1 . Scored in a bright and sunny C Major, it also has the wit and ingeniosity of many a Beethovenian scherzo.
With t he kMenuetto: we are back in c minor and accordingly, it is a serious and brooding piece, whose atmosphere is only temporarily relieved by a more light-hearted trio inA-flat Major.Theway t he conclusion of t he trio is left open to
, prepareforthereturnoftheminuetisa
t horoughly modern touch. The last movement is a spirited
Rondo, but the dark c-minor tonality is preserved all the way through (except
"
•~
techniques and ways of looking at the world through music.
Diabelli's waltz reached Beethoven in t he early months of 1819, at a time when t he composer was completely deaf, and had to rely on conversation books to communicate with the outside world. The waltz melody has generated a certain amount of controversy in the Beethoven literature; some felt it to betrite and banaL others. like the influential Donald Francis Tovey,founditNrich in solidmusical facts." In any case, the waltz ignited Beethoven's imagination. and within a fev-.r months, he had composed more than half of the variations. Then he set the project aside, and apparently didn't touch it for about three-and-a-half years. During that time, hewrote his monumental Missa Solenmis and the last three piano sonatas. two of which contain sublime sets of variations. He returned to Diabelli's waltz in late 1822 or early 1823 and finished the work
~
"
G
• Sim6n 80tivar is named President 01 Peru • Work begins on the British Museum in London, designed by Robert Smirke. and the Altes M.Jseum
in Ber~n, designed by Karl Friectich Schinkel
For Beethoven, writing variation sets involved an ongoing quest to uncover hidden complexities behind apparently simple surfaces. That quest. to be sure, informs all his music, and variation procedures - constant modifications of an initial theme or rhythmic pattern - are present everywhere in his oeuvre. Yet sometimes Beethoven chose to focus exclusively on t he variation idea and when he did so. he transformed t he somev-.rhat mundane genre he inherited fromhispredecessorsintoatranscendent and deeply personal form of expression.
Beethoven wrote more than 60 sets
r of a veritable encyclopedia of pianistic r
• •m
m "
•
m Z ~
"
0
,• ,
"
" "ser ofMessiah.
Significantly,the lastvariationiswhat William Kindennan. in his masterful 1987 study of the Diabelli Variations,describes as a kfinal spiritualized reminiscence of Diabelli's country dance as a Minuet with all the grace of the classical minuets of Mozart: But Beethoven doesn't stay in the Mozartian mode for very long; soon enough. he launches into a virtuosic coda that recalls. if anything. the end of the pianosonataOp.111.
Musicologist Maynard Salomon has called the Diabelli Variations a klong journey: a kPilgrim's Progress on a Biedermeier waltz: The journey has taken the traveler far from the point of departure. The return to the dance rhythm at the end of this journey marks a homecoming but the complexity of the codaseNes as a symbol that we can never go back to our point of origin - we have inevitably been transformed by what we have experienced during our voyage.
0 variations are unabashedly humoristic,
like t he very first one, a pompous march with startling harmonic clashes between t he right and the left hands. Conventional figurative ornamentation is almost entirely absent from the work, which introduces a large number of innovative virtuoso techniques instead. including large blocks of chords, fast 16th-note runs. and imitative counterpoint as in the short fughetta of variation No. 24 and the monumental fugue just before the end. Textural diversity and contrast is what propels t he work forward as flamboyant variations in fast tempo alternate with lyrical or introspective ones. Dramatic interruptions, extended trills and mysteriously slow chord progressions reveal unsuspected possibilities only Beethoven could have seen in Diabelli's innocent little waltz. A particularly felicitous association of t houghts made
•0 him quote Leporello's aria from the first z scene of Mozart's Don Giovanni - and
" "
••u ~•
II jane and Edward Sn FIsrson Thoma,andBarbaraGelel"lrt... ,~
catherine So Arn..e """"""'"'
Barbara K. and La'-""'"'ert Rita and Pel... Heydon
j o h n a n d M a r t h a H \ d ( , Gideon and carol HoII", Ma,11yn G. Ie"' Th"om.a-, C. and Con,tar>O..nJnitySeMc:... Maxine and 5tua1 AIIema"ll and janl, BobrIn
(IN'''' i'l1!ot>Of0(8Q(tI F/,m", (",oIAm,le.Jnd Forrest Ilene H. Forsyth
Chart... H. Gershe""", Trust Richard and Linda Gr"""" MoI\amad Issall,sa Foundation Verne and Judy Islocl::
Franl:: ~lI1 Dennis and Ellie Serra, Nancy and James Slanley' V'oVInla stein' Edward and Natalie SU'oVl'lI SUsan B. Ullrich' United Bani:: &. Trust Unlverslly 0/ Mlchl~an Oedt Union Glom E. watkins RobertO.andOiln'''IIhH.Weisman
[JIwn In hona«Sfd'loy and Iron SibGo'
Robert and Marina Whitman
,,,-
CherytCassldy Mary SUe and Kenneth Coleman Cot ofK«1 F/.l G. Mt'Gui'e' New E"Il1and Foundation lor
the Aft, M.HaskellandJanBarney
,~
VlJ£lnla and Gordon Nordby Rob and QuIncy Norltirup Paula NoYeIII and Paul Lee and Pearl
M A E S T R O S
($20,000- $49,999)
Bank 0/ Ann Arbor Nancy Sayles Day Foundation
ofWn i'1honor 0(Ann seiIrch
VIRTUOSOS ($10,000- $19,999) jeITy and Gloria Abrams- AnnAit>or.(om Ann AIt>OI' Area Commu:"llty
mtt;.. Arl, at Mkhi~an
~ and Lisa Bemsteln ,~~ UndaandMa..lceBlnIrow
nn Nbc janet and Arnold Afonotf
A
Ya!eIIe and DavId Cante c.rneron FamIly Foundation )ea.n W. Carnpt>eU
(CONt iNUED).
gIwJn In m'rICIf)' ~ Dot R 5 d -- Nathank!( and MeIoeth TIJocotte
EINoOr Pcl.1iIdanc
--
""~- ~a FurInSloat
Prol1 ~ """"""
SIOUISI""""'"
and Mrs. PiI1rIcIa eoreeC _
LEADERS
G -.,,,,,
($2.500- $4,999) )Im ilnd B.1rbiIra Adam. Mkh.leI and SUzan Alnandet )lmTay
CIaiI5chaIne An!;;z
"
"~~
)chn Ande
non..:lL.:,-n_
Peter and Grace o..ftl -'""'"
ROSiIIIe Eo,o,ardS/VIIfant Ann Arbor FUnd
~ua and CIIa,1eS Elserdrath" )can and Eml Envel )oIwIJ\i\ Epstein and st"""" Km Elnn & YOU'll FoI.ncSiatIcn stet". S. Fajins'
"
"
"
"
'
-...., AnIle and Howard Cooper Dr. and Mrs. ~ .....SOiIChef kAIi Donovan CIar\cM' and JOlIn H.1rIene and Hefvy ~
C _ O ·Meara Sandy and Charlie ....~no
RebertL~n
Mir)'Iene OeI>oura-OeIphl$ )oM Orydm MOl 0Iiln.0 ~mI 'ia"iland MlchaelF,;onIn A/rWSond Tefedlll"l Freedman IAon WId Mird.I Frted"Nn l1li...:1 90c Fulton ENd H. Galle!"
C t n $ C".enteeI a n d C a r a " " " " ' "
Dr. SldGiman ond Dr. c.roI BiIrIxlur ~ A. ...:I Phytli'; E.
-~
Gooeaolan' )oM and Helen GrII1"ith Tneoo::Ic:ft M MOl SanlyaA.~ ' Wnes and Palllda ~ Tom and ConnIe IIInr> Howard and Mati..-eI Bond
OJ. MidE'Il Chafles and I..lnda IkKR$dOO1 L.lIwl'"J"lCeand Grace Boxer Dr.MId Mt!.. Ralph 80M D.aIe E. and Nancy M. Br1aS O;MdandAnnds
RM1did _ stephen _ g e l h I'oIodI:
Rk:tIiud .nd Mary PrIce Mr..Gar_C.Q,.Iar(OO· Que;t ProducIlcJn1 Anthony L Reflells Rayand GR\y ReIlly
pfWnh momOf}'0(jan.., Ga~_
".., , " - ,*,onlnmKef RalIton· ElIt...:l CoroI SeT
Michael and)anet S/la1uSlCy _ . . . : I A I $ SHrIadeI'I c.rI SImon and BoI;)I;)I LOw Fr~ U.andScoI:tItSlfronds Nancy _ E!toc*I Sltte.ley Mkhael SIYaI! and Enid
Penroyand AriI"U Ashe "---
Irwin and Fran MarHn M-arina Mala and D.w\d FInk 0 ' I M K I e f a n d M a r y M a l t ' - s
Lob steeeman E l K a n d I . . . . . S t o r l > o t Or....:IMrs.StartleyStras1u5 TheRon,~ Alex.WIdAIbey
5Iber F.1m1y Chat1taIJIe Fund
~i'l1>nQ" t;;floll"attm Don and Kat" SUllHafl Charlotte B. Sundelson Paul Su",tek\
Franc""" TanYeI Betseyn...""", LouI5e T""",1ey IINc:e and PM'rIeIa Tucnman jeff and u... TUln-Sl_ MarIarIn I.Jdow-PhlIlpsWld
Man: Betnsteln and )ennlt", L........ l.a6enBleelOw ) 0 . y )olin Blankley _ Maur""" Foley
Ror\;IId an:! Mlmilloedasarlan Horae. and Francine Bomar ItM. Bradley and C.M. MI"'etta )oeIBr~_ ElanePomeranz D .w :t_ S/Iaron Bn:>cIwn p.....wBrown
""~
len NIehcII Nod LI:5iI RudRets SUsiin and Mark Clnir\fOf
~ Bn>wn _ Em;oruoI ClIlY j;tdIandMarIlynVo\fIderVet::Ie )oM~andTn.odyIUIdey VonBemthalF;amtyFoundatIon· ~andva_1U1en
"""'" , """""'" )I.r.:IIm.Arln_
~-
Lisi Pilyne Lisi and Iohn Peterson P1Iz.. Foundation
)olin and Maur.... voornees Florence S. waener Lnna and Bob W3ll....
gMwIhmcmory~kaa.r_
SUWI.,-.c:I 0tIYer Can-eon Cmopus Realty
~J.iorr
C _ IliI'Ir"NrtGonl>anyANItcw!;
HooperHatNway.P.e. RoDert M.and /o.l F. Howe EIleen and SaU. HyrMm 1(eICI_~1ranI irisDryCiNner!; I'rue_Aml~
~.nd~PIn
W. Scoa Weslll!mlill\ t. R a , I _ foO,n w e t z e l · Or. ;ond Mrs. Max WI5rertIOf. Charles WItIOetsonFund0/the
A m " " ' b o O' . . . . . e a G o r T w n J n l l y
~
-
B
L.any RoOMs
Wa...."nan BII and Andr.... Sn1t11
afVqn h flOnOf 0{Kqn Flsd!oms Or.RodneySn'fth_linet~ aNon"memory0{Erlt1s;r
Ren and SI/Qn Snyo:Ief BIOndoI Strrpfsson P.....urnl.. LlneccJ LoN· FfanclH 4'rNn RoDertand-.on~ MIchaet8.Staet>iefandjet'lrIf", )o.mesItandI$Id;IW.Bert: EOMn.ndcather1neMar(IJS .~ LS.aerOnWIdJeanMcPhail
Ted S Gary and Dlil.ne SlaNe
~onloll!onor o{tINl t.NS AIdn MMyL~"
)Mep/I M SlIuI and Lisa LeutI>E>uey ECMtard K. and)eannll C.00wNr0i' .",..,.
....
",..,.,"'"
ConrOeand.litSmith l'l"l11lo and VIctoria So!Iroll" Uncia.Spector and Pet...)acoboon GrI:'tbroSQIer and)onathan RI.t>In RobbIe _ 8Ia StapIemn
em. _ Hde1c1"l Tlusl"
Kay~.-.d000.CIMC.WOod )o
Ronald and Ann Hotz ~m _ Col,""".....me
"
!a ThomiI5S.Portl!f
0.. Ann O. HunRE""matl On. MaN. Hussa.... and s.al)atar ISCIENCES, L.L.c. )o»ctllm MId CIvIR.iI)anKte Paul and Meredy\ll)ones JoWlcnhWeDstl!fand~~
ClIro4~ _
AlllIhTeam CI\ir1eS_janet~o
)01"," and Gill W oods Maty)fanandJOhnfibIonIcy K.otlvyn iOnd Rlctlard Ya-maln' ThomiI5 and Karen Z...nlle SIers
BoO ind Dannll'lle Hammon """"~- M",on D. and Comle Ham.
Dan and)aM HaY""
)c:hl;one! Ann NIcklas O;Wet;one! SlIt..,. NIcolI Marylen S. Obo/fJniln Robert and EUut>e\II Oneal" Mary:d Georae Smillie
~
-~ .... _L....,.,
Gary T._MMyMWlIltl\ef° .o\rtI"II,I" _ Renata _ _ r N n
[)aWl FIW>er ptwntImorcartn.Jnky HiIfryandNatolle~ ~-MMy-
TetTY and Semyon Mee!Id ~ AmlnoII D.avkIand SarK:n Andt'rson
o.. OIine M )01"," and catl"leflne Allen
.
We blend creativity and expertise to c r e a t e b e a u t i f u l . na t u r a l - l o o k i n g s m i l e s .
DONALDSON 734.971.3450 dgdent.com & GUENTHER 3100 Eisenhower, Ann Arbor MI 48108
Caro l Barbour, PhD Alex Barends, PhD Ronald Benson, MD Meryl Berlin, PhD Linda Brake!. MD Robert Cohen, PhD Susan E. Cutler, PhD Sara Dumas, MO Joshua Ehrlich, PhD Lena Ehrlich, PsyD
Harvey Falit, MD Richard Hertel PhD Erika Homann, PhD Giovanni Mincnne, PhD Christina Mueller, MD Jack Novick, PhD
Kerry Novick, MA lean-Paul Pegeron, MD Dwaraka nath Rao, MD Ivan Snerk k, PhD
Michigan Psychoanalytic
Michael Shulman, PhO Michael Singer, PhD Jonathan Sugar, MO Dushyant Trivedi, MO Jeffrey Urist, PhD
Gail van langen, PhO David Votruba, PhD DennisWalsh, MO Margaret Walsh, PhO Mark Ziegler. PhO
INSTITUTE I SOCIETY For change rhot lints.
- - Ratp/'I and Elaine Anthony
~ ~lUId GIetn NeIocn
LIncSo DInlerassand Ken_old
~ , -
)ames S. HouselUld WI!ndy _.....
A SSOC I A TE S (CONTINUEO) catllo!rlreM . _
"""""""' PIll andlorio!Arbolx
A
ld
e
)'
"
caUlet1ne So Arc......
""""'~~
EtIc and Nancy AuppffIe BrIan _ EIr.1beIh a..ctT;mt1
Ed _ ~ Baec::I"M ottoW.lUId~ B.Freltar
"'" MIcI\Ml Keen )owph and Ma..-ynn Kokoukil G.vy ilnd Sattlara Krenz
~
C. _andWl lkmM """""
~ ~ M.lrIIn ~ and 1lIri M.
l1m _ KalI1y I..aIrV
0Y!sana Brown and)efT)' o..YIs Morton B. and Ray;!. Br...... Sally ind Ian Bund AnthOny and jane B...-ton Heathea Mayo
Stq:>her\ and Pamela 1..0".,... Robert Losn lUId Mard Raver t..sn _ I and "'nne l.a.IrilflCe jean A.. lilwton and james H. EW, ~ ilnd IefrY Lox
FWtn C i n ! ) ' l U I d ~m C r " " " ' o x ......""
--
Eizabeth Duell EdmJnd ilnd Maty o...Iee SWat!Dulta Wolt and EVil Ci n......ay 0I0Iar!es RubtI Dr. AIiIfl GIbtlaId iIf"I(I Dr. Beth
......... " . ~ t l.ac1"lOWlcz"
'""" 0enr0IsB.ilndM.vllilf"l'l:W.c..rro. ~- ArIIIIIandI-iarW!yleo
gMrn n"""""'YofHmbJI Robert~ Gordon M.tx lepIerlUId AI!x L 0c:t50n
,~"'"'" Mel L.esW and Dc:noI!n Hoerrr-.
Michael.LGowInt )a~l_ SusanM.c.ter -~, NonMillIeUpjnSlll
-.~ """"~
AIOe!1 C.cattell )oeny M lUId Moaryl(. Gtiy
Mke a-nd OeCfi I..buU Ooonlel LIttle _ ~ .. Lintz
)oM and Marsha ChamberUn Samuet and Roberta Chappell )an~A.Clark Evan H. Cohen and Deborah
Linda and Roteales A.dn
M1chaetHammelIlnd ~ William and Kathleen Han"'"
Georte ilnd Mary Hioddid ,--
gIYm In IfKIIl"IOtY 01 A-o(. /Ome' "'.AI"""
-,- _.nd)omHenderson
AI.vl Hamil-w
working in concert
At Key Private Bank, we understand that your fiJlanciallife is c omplex, and we take a holistic approach to your planning noods. We listen to your story, get to know your history. identify your unique financial needs. and create an actionable plan designed to help you grow, preserve. and protect your wealth.
Key Private Bank is people, ideas, and flrnmcial instruments. working in concert to provide solutions for your financial well-being.
go 10 key.com/kpb ca ll Susan aI 734-747-7970
BII,.I>"Idtrli!!prcWcto/remKey!l.YlkNatmalAssociabl.MemOOrFOIC;njE~ Ib.iIingl....,IrMlstmoot
I
~~:'FDtCtNSURED•NOTBANKGUARANTEED·MAl LOSEVALUE·NDTADEPDSIT
NOT tNSUREDIT ANllIDERAL ORSTATE GOVERNMENT AGENCY
Key,WT\ i• • federaIy mg~terod """""" mlri:0I KeyCorp, C 2012 KeyC:p, KeyBank is Member FDIC. /,[0520- 1181')
At Toyota, we celebrate differences . And the people who make them.
Toyota is proud to support tile UrIivefsitV Uusical ~ and their OJImIitmenl to connecIiIg audiences with performing artists from around the world in uncomrnoo and er'l\laging experiences,
I•
1
Lets
Go
Places
ASSOCIATES (CONTINUED). Mani'" and """ha Ml'hta Warren and Hilda Mefmant Hefman and Bemke Mefte
Gene and Lois MIIr )ack and Carmen M1Uef
Charles stewart Molt Foundation Mart and Leslanne Navarre
ofWn r.m.","'Y orNona R.
~. E r 1 k a N e l s o n a n d D a v I d W a ~ener Sarah WInans Newman SUsan and RIchard Nisbett L.a\Xa NIIzber~ Artho.x S. Nusbaun Paul and MaryClare Olson EUzabeth On!! Elisa Ostann and 1-Ioo;...ln KeshU:ar DavId and Andrea Pa£" WendyandArdy Palms Karen Part and)ohn 8efanek Anne Parwn. and Donald DIetz Zoe and )oe I'arwn
otwn i'1 m M I a ) ' orOlaiI?! Rut1n John and Mary Pedley
olVen r.m.","'Y orFrorKIs
WUltl Anne Preston Ann Preuss
Karen and 8eflslav PI1morac Blake and sner~ Ral:c:Ulfe
BarbaraReedandRk:hardYIaId DouIIlasand Robin Rlchstone jonathan Rod~ john B. Ronan"
stephanie Rosenbaum stephen and Tanis Rosol! David Ros. and Donna Freund Rosemarie Haa~ Rowney Nancy RU~arM Carol Ru~~ and Rkt\ard
Montmorency Don and)udy Dow Ru:neIharI A "'I Saldn~ and Robert Axelrod Ina and Terry SandaIow Mkhaet and Klrrvn Sarosl
(,lWQ'1 i'1 m.mory ~ ChOOQS RWin Rosalyn Sarver and stephen
~mSpevak
Held Stanl-'M>IsId and Thomas 0WVer
RlckandLlaSt".,..,..,s james L stoddard Brian and Lee Talbot Eva and Sam Taylor Karla Tay\ter TOO\lood and Hanna ~
-~~
ENDOWED FUNDS
Rosenblum AlberlJ. and jane L Sayed jochen and HeI~a SadodI: Rlchardand M a d e lo o W _ " Mary LInda Webster jadf jean and Thomas Shope Edward and Kathy SlIYef Robert and Elaine SIms SanSl~
Carl and jarl Snilh David and Renate Snith Robert W. Snith Sldonle Snith Kale and PtMIlp Soper Doris and Larry Sper\I"Il
The success of UMS is secured in part by income from UMS's endowment funds. We extend our deepest appredation to the many donors who have established and/or contributed to the following funds:
H. Gardner and Bonnie Ackley Endowment Fund Herbert So and Carol Amster Endowment Fund catherine So AA\Xe Endowment Fund Carl and Is.abelle Brauer Endowment Fund Dahlmann SI~ma Nu Endowment VMS R..nd
Hal and Ann Davis Endowment Fund Dofls Duke Charttable Foo..nor
Ann Atbof Art Center Ann Arbor DI,trlct library Ann Att>or Hanm-On Museum AnnAtt>or~IHoIei&.sutes ,~
_-
The Common GIll Comer Brewery CoIta£E!IM "The'D"ahl-mann~.IM
--
linda Spector and Peter Jac:ob5on CynlhlaSIJaYb
DeIJ
or SewIn~ Center
Orchestra
BIador ~ A"""t..'a Ay5e'sTUrkI,hcatl! Kl>nsln£toneo..t babe>: a market by Sava ,-""'" The Bel Towe Health ~In> FIrstMa,UnCorporation ~~ OM
M. Haske. and Jan Barney Newman Nkx>Ia', Books DanIel and Sarah Nicoll GIlbert Omenn and Marlhil. oarUn~ Oz's Mu.o:
Tom and Ann GladwIn PaYI and Anne Glendon The Grand Hotel TheGf~Kltchen&.Bar steveandBettyPal.... LarryandAndlWolf RImard and 5u

Download PDF