UMS Concert Program, November 9, 2013 - November 13, 2013 - Steve Lehman Octet; James Blake, Nosaj Thing; Ukulele Orchestra of
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WELCOME.
"UMS is a true jewel within the University of Michigan. Here, students, faculty. staff, alumni, and aspiring performers can see some of the most exceptional performing arts in the world. It is an integral pie~, CAMPUS INN
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H O N IG M A N.
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The UMS Senate is composed offormer members of the Board of Directors who dedicate time and energy to UMS and our community. Their ongoing commitment and gracious support of UMS are greatly appreciated.
WadadAbed
Michael C. Allemang Carol L. Amster Gail Davis-Barnes Kathleen Benton Lynda Berg
Richard S. Berger Maurice S. Binkow DJ Boehm Lee C. Bollinger Charles W. Borgsdorf Janice Stevens- Botsford Paul C. Boylan
William M. Broucek Barbara Everitt Bryant Robert Buckler Letitia J. Byrd Kathleen G. Charla JillA. Corr
Peter B. Carr Ronald M. Cresswell Hal Davis Sally Stegeman DiCarlo Robert F. DiRomualdo Al Dodds James J. Duderstadt Aaron P. Dworkin David Featherman David J. Flowers George V. Fornero Maxine J. Frankel Patricia M. Garcia Beverley B. GeItner Anne Glendon Patricia Green William S. Hann Shelia M. Harden Randy J. Harris Walter L Harrison Norman G. Herbert Deborah S. Herbert Carl W. Herstein Peter N. Heydon Toni Hoover Kay Hunt Alice Davis Irani Stuart A. Isaac
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Peter Sparling
James c. Stanley Lois U. Stegeman Edward D. Surovell James L Telfer Susan B. Ullrich Michael D. VanHemert Eileen Lappin Weiser B. Joseph White Marina v.N. Whitman Clayton E. Wilhite
Iva M. Wilson Karen Wolff
UMS STAFF
The UMS Staff works hard to inspire individuals and enrich communities by connecting audiences and artists in uncommon and engaging experiences.
ADMINISTRATION & FINANCE
Kenneth C. Fischer President
John B. Kennard, Jr.
Director of Administration
Kathy Brown
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Beth Gilliland
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John Peckham
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DEVELOPMENT
Margie McKinley
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UMS CHORAL UNION
Jerry Blackstone Conductor & Music Director
Tim Keeler. Jonathan King
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Jean Schneider Accompanist
Scott Van Ornum
Accompanist
Donald Bryant
Conductor Emeritus
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PROGRAMMING PRODUCTION
Michael J. Kondziolka
&
Director of Programming
Jeffrey Beyersdorf
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Mark Jacobson
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Michael Michelon
Production Coordinator
Liz Stover
Associate Programming Manager
UMS NATIONAL COUNCIL
The UMS National Council is comprised of U-M alumni and performing arts enthusiasts across the country committed to supporting, promoting, and advocating for UMS with a focus on ensuring that the performing arts are an integral part of the student experience.
Clayton Wilhite Chair
Andrew Bernstein Kathleen Charla Jacqueline Davis Marylene Delbourg-Delphis John and Betty Edman Janet Eilber
Barbara Fleischman Maxine Frankel Eugene Grant Charles Hamlen Katherine Hein David Heleniak
Patti Kenner Elise Kirk Wallis Klein
Jerry and Dale Kolins Zarin Mehta James and Patty Read Herbert Ruben
James and Nancy Stanley Russell Willis Taylor Bruce Tuchman Ann Wilhite
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A. Douglas Rothwell
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Ora Pescovitz Sharon Rothwell Frederick E. Shell Michael B. Staebler James G. Vella Stephen G. Palms, Ex-Officio
Students in our volunteer internship and work-study program gain valuable experience in all areas of arts management while contributing greatly to UMS's continued success.
Brendan Asante Catherine Cypert Elizabeth Galafa Lauren Jacob Scott Kloosterman Emily Kloska
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Robin Bailey }ennifer ~ton }eft GayIlOf Neha Shah
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Post Choir
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to be much more than the figurative embellishments of traditional variation writing. The very first one introduces counterpoint. The second variation may be more conventional but the third is a breathtaking essay in musical color; the fourt h a stunning chromatic chorale; and the fifth a grandiose statement of almost symphonic breadth. One would expect a sixth variation. but instead - after a sudden leap into a remote key- Beethoven appends a coda which is really afreemeditationontheopeningportionof the t heme.
The finale is brilliant and virtuosic, with a swiftly running first theme and a second one that moves quite a bit more slowly. &rth themes are manipulated with great ingenuity and are finally combinedin the witty coda
Program note by Peter Loki and Luke Howard
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Op.l27atatimewhenhiscreativepowers hadbeguntoreturnwithrenewedvitality. especially in the larger. · public" forms. He had just completed t he Missa Solemnis. Symphony No.9, and the Diabelli Variations, and had also talked of a Requiem and a 10th symphony. His return to the string quartet genre at this time signaled another creative re--awakenins expressed through a more private
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the whole world might profit. Thus, Galitzin approached the aging. ailing composer with a commission for three new string quartets. It had been 12 years since Beethoven had composed his last quartet (Op. 9S in 1810~ but he was eager to return to t he genre and accepted t he prince's commission. Returning the favor, Galitzinarranged the first performanceof Beethoven's Missa Solemnis. which took placeinSt. Petersburg in 1824, though the composer had not yet completed the first commissioned quartet later published as Op.l27.
The years between Beethoven's
Op. 95 and Op, 127 quartets were
String Quartet in E-flat Major, Op.127 (lB2>-24)
Beethoven
UMSprmu'ere:fbganiniQuartet JanuaJ'1J 15,1949at Rockham Auditcritun
SNAPSHOTS OF HISTORY_ IN 1823- 1824: ⢠Sctubert wrkes his soneC)'Ckt Ch scfI(InqMI1k1m ⢠LordByrondie5at~Gteecq â¢Clement Clarke MOOfe writes A Visit from St.
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Progromnote by Luke Howard.
pinnacle of musical composition in the major music centers of the world, including Paris. London Vienna Salzburg, and Tokyo.
Among other highlights of its 30th anniversary, in October 2011, the Hagen Quartet was recognized with the prestigious Echo Klassik Award for kEnsemble of the Year,"and in 2012, it was named Honorary Member of Vienna's Konzerthaus. The Quartet also released two acclaimed nev-.r recordings to celebrate its anniversary, both on Myrios Qassics: a disc of string quartets by Beethoven. Mozart and Webern; and a pairingofGrieg'sStringQuortetingminor
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with Brahms's Clarinet Quintet, featuring clarinetist Jarg Widmann This past June, Myrios released an all-Beethoven disc representing the opposite ends of his quartet-composing career: Op. 18, Nos. 3 and5(1798-1800),andOp.135(1826).
The Hagen Quartet's concert repertoire and discography embrace the history of the string quartet. from its pre-Haydn beginnings to Gyargy Kurtag. The Hagen Quartet also works closely with composers of its own generation.
~ IUMS ARCHIVES
whether by reviving existing works or by commissioning and premiering new pieces. Collaborations with other artists. such as Nikolaus Harnoncourt, Maurizio Pollini, Mitsuko Uchida Sabine Meyer, KIystian Zimerrnan and Heinrich Schiff, are also important to the Quartet. As teachers and mentors at the Salzburg Mozarteum and the Hochschule in Basel as well as in international master classes. the Quartet's members pass on their experience to younger colleagues.
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otwn i'1 m M I a ) ' orOlaiI?! Rut1n John and Mary Pedley
olVen r.m.","'Y orFrorKIs
WUltl Anne Preston Ann Preuss
Karen and 8eflslav PI1morac Blake and sner~ Ral:c:Ulfe
BarbaraReedandRk:hardYIaId DouIIlasand Robin Rlchstone jonathan Rod~ john B. Ronan"
stephanie Rosenbaum stephen and Tanis Rosol! David Ros. and Donna Freund Rosemarie Haa~ Rowney Nancy RU~arM Carol Ru~~ and Rkt\ard
Montmorency Don and)udy Dow Ru:neIharI A "'I Saldn~ and Robert Axelrod Ina and Terry SandaIow Mkhaet and Klrrvn Sarosl
(,lWQ'1 i'1 m.mory ~ ChOOQS RWin Rosalyn Sarver and stephen
~mSpevak
Held Stanl-'M>IsId and Thomas 0WVer
RlckandLlaSt".,..,..,s james L stoddard Brian and Lee Talbot Eva and Sam Taylor Karla Tay\ter TOO\lood and Hanna ~
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ENDOWED FUNDS
Rosenblum AlberlJ. and jane L Sayed jochen and HeI~a SadodI: Rlchardand M a d e lo o W _ " Mary LInda Webster jadf jean and Thomas Shope Edward and Kathy SlIYef Robert and Elaine SIms SanSl~
Carl and jarl Snilh David and Renate Snith Robert W. Snith Sldonle Snith Kale and PtMIlp Soper Doris and Larry Sper\I"Il
The success of UMS is secured in part by income from UMS's endowment funds. We extend our deepest appredation to the many donors who have established and/or contributed to the following funds:
H. Gardner and Bonnie Ackley Endowment Fund Herbert So and Carol Amster Endowment Fund catherine So AA\Xe Endowment Fund Carl and Is.abelle Brauer Endowment Fund Dahlmann SI~ma Nu Endowment VMS R..nd
Hal and Ann Davis Endowment Fund Dofls Duke Charttable Foo..nor
Ann Atbof Art Center Ann Arbor DI,trlct library Ann Att>or Hanm-On Museum AnnAtt>or~IHoIei&.sutes ,~
_-
The Common GIll Comer Brewery CoIta£E!IM "The'D"ahl-mann~.IM
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linda Spector and Peter Jac:ob5on CynlhlaSIJaYb
DeIJ
or SewIn~ Center
Orchestra
BIador ~ A"""t..'a Ay5e'sTUrkI,hcatl! Kl>nsln£toneo..t babe>: a market by Sava ,-""'" The Bel Towe Health ~In> FIrstMa,UnCorporation ~~ OM
M. Haske. and Jan Barney Newman Nkx>Ia', Books DanIel and Sarah Nicoll GIlbert Omenn and Marlhil. oarUn~ Oz's Mu.o:
Tom and Ann GladwIn PaYI and Anne Glendon The Grand Hotel TheGf~Kltchen&.Bar steveandBettyPal.... LarryandAndlWolf RImard and 5u
Doc
Subjects
University Musical Society
Music