UMS Concert Program, November 16, 2013 - January 12, 2014 - San Francisco Symphony; Brooklyn Rider with Bela Fleck; Handel's

UMS PROGRAM BOOK
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UNIVERSITY OF MICHIGAN I ANN ARBOR
WELCOME.
"UMS is a true jewel within the University of Michigan. Here, students, faculty. staff, alumni, and aspiring performers can see some of the most exceptional performing arts in the world. It is an integral pie~, CAMPUS INN
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Mohamed and Hayat Issa/Issa Foundation
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'IELD
UM~1tl~ CONCERTMASTER, $5,000- $9,999
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H O N IG M A N.
UMS SENATE
The UMS Senate is composed offormer members of the Board of Directors who dedicate time and energy to UMS and our community. Their ongoing commitment and gracious support of UMS are greatly appreciated.
WadadAbed
Michael C. Allemang Carol L. Amster Gail Davis-Barnes Kathleen Benton Lynda Berg
Richard S. Berger Maurice S. Binkow DJ Boehm Lee C. Bollinger Charles W. Borgsdorf Janice Stevens- Botsford Paul C. Boylan
William M. Broucek Barbara Everitt Bryant Robert Buckler Letitia J. Byrd Kathleen G. Charla JillA. Corr
Peter B. Carr Ronald M. Cresswell Hal Davis Sally Stegeman DiCarlo Robert F. DiRomualdo Al Dodds James J. Duderstadt Aaron P. Dworkin David Featherman David J. Flowers George V. Fornero Maxine J. Frankel Patricia M. Garcia Beverley B. GeItner Anne Glendon Patricia Green William S. Hann Shelia M. Harden Randy J. Harris Walter L Harrison Norman G. Herbert Deborah S. Herbert Carl W. Herstein Peter N. Heydon Toni Hoover Kay Hunt Alice Davis Irani Stuart A. Isaac
Thomas E. Kauper David B. Kennedy Gloria James Kerry Thomas C. Kinnear Marvin Krislov
F. Bruce Kulp Leo A Legatski Melvin A. Lester Earl Lewis Patrick B. Long Helen B. Love Cynthia MacDonald judythe H. Maugh Rebecca McGowan Barbara Meadows Joetta Mial Alberto Nacif Shirley C. Neuman Jan Barney Newman Roger Newton Len Niehoff Gilbert S. Omenn Joe E. O·Neal Randall Pittman Phil Power John D. Psarouthakis Rossi Ray-Taylor John W. Reed Todd Roberts Richard H. Rogel Prudence L Rosenthal A Douglas Rothwell Judy Dow Rumelhart Maya Savarino Ann Schriber Edward R. Schulak John J.H. Schwarz Erik H. Serr EllieSerras Joseph A Sesi Harold T. Shapiro George l. Shirley John O. Simpson TImothy P. Slottow Anthony L Smith Carol Shalita SmokIer Jorge A Solis
Peter Sparling
James c. Stanley Lois U. Stegeman Edward D. Surovell James L Telfer Susan B. Ullrich Michael D. VanHemert Eileen Lappin Weiser B. Joseph White Marina v.N. Whitman Clayton E. Wilhite
Iva M. Wilson Karen Wolff
UMS STAFF
The UMS Staff works hard to inspire individuals and enrich communities by connecting audiences and artists in uncommon and engaging experiences.
ADMINISTRATION & FINANCE
Kenneth C. Fischer President
John B. Kennard, Jr.
Director of Administration
Kathy Brown
Executive Assistant
Beth Gilliland
Tessitura Systems Administrator
Patricia Hayes
Financial Manager
John Peckham
Information Systems Manager
DEVELOPMENT
Margie McKinley
Directoro{ Development
Susan Bozell Craig
Senior Manager of Corporate Partnerships
Rachelle Lesko
Development Coordinator
Lisa Michiko Murray
Senior Manager of Foundation and Government Relations
Joanne Navarre
Senior Manager of Annual GMng
Mamie Reid
Senior Manager of Individua/Support
Cindy Straub
Manager of Volunteers & Speckll Events
EDUCATION & COMMUNITY ENGAGEMENT
James P. Leija
Director of Education & Community Engagement
Shannon Fitzsimons Education Specialist
Mary Roeder
Associate Manager of Community Engagement
Omari Rush
Education Manager
MARKETING & COMMUNICATIONS
Sara Billmann
Director of Marketing &
Communications Anna Prushinskaya
Manager 0{ New Media & Online Initiatives
TICKET OFFICE
Jenny Graf Senior Ticket SeNices Manager
Christina Bellows
Ticket OtficeAssociate
Suzie Davidson
Associate Ticket Services Manager
Kate Gorman
Front-of-House Coordinator
Ellen Miller
Ticket OtficeiFront-of- House Assistant
Casey Schmidt Sales & Promotions Coordinator
Dennis Carter, Bruce Oshaben, Brian Roddy Head Ushers
UMS CHORAL UNION
Jerry Blackstone Conductor & Music Director
Tim Keeler. Jonathan King
Assistant Conductors
Kathleen Operhall
Chorus Manager
Nancy Heaton
Chorus Librarian
Jean Schneider Accompanist
Scott Van Ornum
Accompanist
Donald Bryant
Conductor Emeritus
Truly Render Press & Marketing Manager
PROGRAMMING PRODUCTION
Michael J. Kondziolka
&
Director of Programming
Jeffrey Beyersdorf
Production Director Anne Grove
Artist SeNices Manager
Mark Jacobson
Senior Progamming Manager
Michael Michelon
Production Coordinator
Liz Stover
Associate Programming Manager
UMS NATIONAL COUNCIL
The UMS National Council is comprised of U-M alumni and performing arts enthusiasts across the country committed to supporting, promoting, and advocating for UMS with a focus on ensuring that the performing arts are an integral part of the student experience.
Clayton Wilhite Chair
Andrew Bernstein Kathleen Charla Jacqueline Davis Marylene Delbourg-Delphis John and Betty Edman Janet Eilber
Barbara Fleischman Maxine Frankel Eugene Grant Charles Hamlen Katherine Hein David Heleniak
Patti Kenner Elise Kirk Wallis Klein
Jerry and Dale Kolins Zarin Mehta James and Patty Read Herbert Ruben
James and Nancy Stanley Russell Willis Taylor Bruce Tuchman Ann Wilhite
UMS CORPORATE COUNCIL
The UMS Corporate Council is a group ofregional business leaders who serve as advocates and advisors to UMS as we seek to broaden our base of corporate support throughout southeastern Michigan.
A. Douglas Rothwell
Chair
Albert Berriz Bruce Brownlee Robert Buckler Robert Casalou Richard L DeVore
UMS STUDENTS
Nolan Finley Stephen R. Forrest Michele Hodges Mary Kramer Maud Lyon David Parsigian Vivian Pickard
Ora Pescovitz Sharon Rothwell Frederick E. Shell Michael B. Staebler James G. Vella Stephen G. Palms, Ex-Officio
Students in our volunteer internship and work-study program gain valuable experience in all areas of arts management while contributing greatly to UMS's continued success.
Brendan Asante Catherine Cypert Elizabeth Galafa Lauren Jacob Scott Kloosterman Emily Kloska
Kat Lawhead Meaghan Mclaughlin
Gunnar Moll Skye Payne Charlie Reischl Nisreen Salka Kayla Silverstein RhemeSloan Sarah Squillante Haylie Stewart
Rachel Stopchinski Melanie Toney Jocelyn Weberg Hannah Weiner Ian Williams GeorgeXue
UM S TEACHER IN SIGHT Through VMS Teocher Insight, we stay aware of trends, changing resources,
and new opportunities for learning in the K-I2 classroom.
Robin Bailey }ennifer ~ton }eft GayIlOf Neha Shah
Cecelia Sharpe Rebeca PIetrzak Cynthia Page Bogen Mar\( Satzef Karen McDonald Melissa PoIi
UMS ADVISORY COMMITTEE
The UMS Advisory Committee advances the gools 0{ UMS, champions the UMS mission through community engagement, provides and secures !inanclol support, and osslsts in countless other ways as UMS ambassadors.
Gall Ferguson Stout Chair
Pat Bantle Vke Chair
Louise Taylor Secretary
Jane Holland Treostxer
Eileen Thacka
Post Choir
Sandy Aquino Mary Avrakotos Karen Santel Francine Bomar Connie Rizzolo Brown Dennis J. carter JudyCohen
Sheila Crowley Jon Desenberg Annemarle Kilburn Dolan Sharon Peterson Dort
Julie Dunlfon
Gloria J. Edwards Laurel Fisher Rosamund Forrest Unda Grekin
Nicki Griffith Stephanie Hale Nancy Karp Beth ~ley Kendra Kerr Freddl Kilburn Russell Larson Marcl Raver Lash Jean Long Melanie Mandell Ann Martin
Fran Martin Terry Meerkov Robin Miesel Natalie Mobley Christina Mooney Amy J. Moore Kathleen Nolan Marjorie Oliver
Liz Othman Karen Pancost Lisa Pattell Anna Peterson Ruth Petit Susan Pollans Anne Preston leff Reece Polly Ricclardo Nan Richter Valerie A. RoedenbEck Audrey SchwlrlllTlE!f WUtiam Shell
Barb Shoffner Arlene P. Shy Ren Snyder Becld Spangler Unda Spector Elaine T etreault Janet E. Torno Louise Townley Martha S. Williams Sarajane Winkelman Wendy K. Zeller
Ford Motor Company Fund
For opening minds and engaging the community, Ford salutes the University Musical Society Education and Community Engagement Program.
www.comml.lnity.ford.z
Gustav Mahler
Symphony NO.9 in D Major
Andante comodo In the tempo of a comfortable Landler Rondo burleske Adagio
This evening's program will be performed without intermission.
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Following this evening's concert, please feel free to remain in your seats and Join us for a post-performance Q&A with members of the Orchestra.
This evenins's performance is sponsored by the Victors Restaurant at the Campus Inn.
Additional 5Upp:lrt is provided by the Herbert E. and Doris Sloan Endowment Fund.
Funded in part by a grant from the National Endowment for the Arts.
Special thanks to Mark Clasue. associate professor 01 musicology and director of research at the U- M School 01 Music, ThNtre & Dance, for speakins at tonight's Prelude Dinner.
Media partnership is provided by VlGTE 91.3 FM. DetroitJe.vish News, WRC) 90.9 FM, and Ann Arbor's 107oneFM.
Special thanks to Laura )ac.kson lor IwdinG the Tune- In event immediately prior to toniGht's concert by the San Frandsco Symphony.
Special thanks to Tom Thompson of Tom Thompson Flowers. Ann Arbor, for his generous contribution of lobby noral art for this eveninG's concert.
Special thanks to Kipp Cortez for coordinatinG the pre-concert music on the Charles Baird Carillon.
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persist; dramatic abruptions shatter the
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, seamless continuities; urgent trumpet
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signals mark towering climaxes. From
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so far. The coda is virtually chamber music with simultaneous monologues of all but dissociated instruments.The space
nlod..a p,.mlllm ..,11/0hybrid SACO.lIS -n,....udlom....'qu.lnyooWfllu d Dlnllbu,..J'" No""Am"'r SFS has launched Keeping Score on "o PBS-lV, DVD, radio, and at the website w www.keepingscore.org. San Francisco Symphony recordings are available at sfsymphony.org/store, as is a history of
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SAN FRANCISCO SYMPHONY
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Nadya Tichman. Assodate Concertmaster San FrrmciscoSyrnphony Foundatim Chair
MarkV olkert. Assistant Concertmaster 75thAnni~15wyChair
JeremyConstant, Assistunt Concertmaster
Mariko Smiley PrruJa6John GambsSecond CenruryChair
Melissa Kleinbart Katharine Hanmhan Chair
Y unChu SharonGrebanier"' Naomi Kazama Hull InSunJang
Isaac Stem Chair Yukiko Kurakata
Catherine AMuelIer Qnir Suzanne Leon Lear Maltinski Diane Nicholeris
Sam Oliver Florin Parvulescu Victor Romasevich Catherine Van Hoesen Elbert Tsait
Cathryn Down DarJeneGray Iurrf Hiraga KumMoKim Chunrning Mo Kelly Leon-Pearce PolinaSedukh ChenZhao SarahKnutsont YunaLeet
V I O L A Jonathan Vinocour,
FTindpal
Y unJieliu. Assoc-iate Principal
Katie Kadarauch. Assistnnt Prindpal
John Schoening Joanne E Harrington 6 Inny LLokeySecond Centmy Qnir
Nancy Ellis Gina Feinauer David Gaudry DavidKirn Christina King Wi!'frte Roden Nanci$everance AdamSmyla MatthewY oong
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tobuildthepiece.Unfortunately, theseguys •m Night Flight Over W ater (2012) •"
Bela Fleck were so good that they made everything I •m
BomJulyiQ1958inNewYork.NewYork hadcomeupwithsoundamazingsoitwas mZ
Perhapsthispieceisaboutanescapeafter having been found out and ejected from high society? Maybe the banjo player e'-len stole something on the way out so there isa hot pursuit?Atanyrate. Ihadsurvived the premiere of The Impostor, and found a record label thatwas interested in putting i t out. The concerto was 36 minutes long. what would inhabit t he rest of the CD? I had some discussions with various friends including Alexander Buhr from Universal Music, violinist Hilary Hahn, and my manager David Bendett.Of allmyproposed ideas (which induded composing solo banjo sonatas. percussion pieces. andduets with classical players) the one that had the most resonance to me was the idea of writingforbanjoandstringquartet.Ikne'/{ this was a great untapped combination. from the years of listening to my cellist stepfather Joe Paladino playing chamber music. and also from a piece Edgar and I wrote together back in the early 1980s for the BlairStringQuartet.
Now I needed to figure out who I was writing this piece for. I asked around about the string quartet Brooklyn Rider, who Iwas told about by Neil Benson ITrf nev-.r classical agent at Opus 3 Artists.The reaction was very p:>Sitive from everyone Iasked-these guysarereallygoodatne'I{musicandhave a youthful senstbility that would make a lot of sense on a piece that likely would have many influences from outside of classical music. I listened to their music and really enjoyed and respected t heir work. They wereintriguedbytheideatoo- soitwason!
I started out writingNi9ht F1iflht Over Water by comp:>Sing a dozen or so sketches. I took these up North and Brooklyn Rider and Iread tlu"ough them together.The idea wasthattheonesthatreallyworkedoutfor this combination were the ones Iwould use
very hard to figure out what not to use.The goodpartisthatnowIknev-.rthatIcould write virtually anything and they would be abletomakeit come alive.
SoIduginandwrotethepiece.At this point the Flecktones were on hiatus and Iwas touring Europe with the Malian Songbird Oumou Sangare, playing jazz festivals and touring with pianist Marcus Roberts. I had a couple of periods to isolate and write. One was in Amsterdam before the Ournou tour started and the otherwasinCopenhagen.Ididfindmyself enjoying writing on my computer with headphones. in restaurants, coffee joints, and parks. Something about watching people and maybe being a little distracted by t he movement and humanity seemed to unlockmyunconsciousmind.
We workshopped the piece in August 2012 in Stillwater, Minnesota. Workshopping it in this case meant doing several days of work rehearsing the piece followed by an informal perfonnance. At the end of this, Iwas able to study what we had done, make some final adjustments and be ready for the recording in Pittsboro,
North Carolina in November 2012 . Emil Kang at Carolina Performing Arts helped us to connect with Michael and Amy Tieman at Manifold Studios, and we did an infonnal performance there before we began the recording process. This really helpedustofeelthearcofthemusicand give it alive feelin the studio.
Programnote by Bela Fleck
This pi(>~ was commissioned by Oawes Memorial Hall of Blltlt>r University in honor of their 50th Annivers "
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LevNLjova"Zhurbin BomAugust 1& 1978 i n Moscow, Russia
NCulai" was the nickname of Nicolae Neacsu. the elder violinist and vocalist of t he wild and infamous Gypsy ensemble, t he Taraf de Haiidouks.Culai's trademark tugging of the bowhair across a string in the song Balodo Conducotorlui has been widely seen by over 200,000 viewers on YouTube in concerts worldwide, aswell as inTonyGatlifsfilmLatchoDrom.
Nicolae Neacsu died in 200.2, and in writingthispiece,Itookmuchinspiration from the way he seduced the audience with his gaze, told stories of Gypsy life in Romania and played violin, equally with t he innocence of an amateur student and the smirk of a professional who's been on the road for decades and had seen everything.
I first heard Gypsy music recordings in the informal street markets of my native Moscow, when I was barely seven years old. In 2005, I was asked to arrange severalselectionsoftheTarafsrepertoire for Yo-Yo Ma and the Silk Road Ensemble - a few months after that, I heard the Taraf perform live at Carnegie Hall. Thatyear,IalsometInnaBarmash,the vocalist of the New York-based Gypsy band Romashka and nowwe are married with two beautiful children. In 2006,
while assisting Osvaldo Golijov on the film soundtrack to Francis Ford Coppola's Youth Without Youth, we visited the band's village of Clejani, near Bucharest where I even played with the band for a few tunes.
Culoi is cast in five movements that depict a vague Nlife cycle" story.The first movement "The Game" is a jaunty dance, a sort of cat-and-mouse play; the second movement, "The Muse: juxtaposes a soaring melody over an accompaniment pattern that is in a slightly different pulse. Thethirdmovement"TheSong,"wasvery muchinspiredbythesingingoftheGypsy vocalist Romica Puceanu. The fourth movement, "Love Potion Expired" is an arrangement of a tune I had originally written for ITrf ensemble, Ljova and t he Kontraband a breathless tarantella that perpetually falls onto itself. The last movement, "Funeral Doina" is imagined as music for a funeral procession, a last tribute to a master violinist and storyteller.
ProgromnotebyLjava.
This commission has been made possible by the Olamber Music America Oassiool Commissioning Program. with generous funding pr.:wided by The Andn'w W. Mellon FOllIldarion, and the Chamber Music AmeriooEndowmenr Fund
•m ARTISTS •"m
H ailed as Nthe future of chamber music" by Strings magazine, BROO KLYN RIDER offers eclectic repertoire in gripping performances that continue to attract legions of fans and draw rave reviews from classicaL world and rock critics alike. The 2013-14 season sees Brooklyn Rider collaborate with banjo legend Bela Fleck on the Deutsche Gramrnophon/ MercuryOassicsalburn The Impostor and on a 2D-city North American tour.Other season highlights include collaborations withsopranoDawnUpshawatresidencies at the University of Texas at Austin and the University of North Carolina at Chapel Hill in March. and the eighth season of the Stillwater Music Festival a weeklong chamber festival in Minnesota founded by the group in 2006 as a place to unveil
new repertoire and collaborations. The quartet has been increasingly active in the recording studio, including the 2013 release A Walking Fire on Mercury Qassics and the much-praised Brooklyn Rider Ploys Philip Glass on the composer's Orange Mountain Music label. Violinist Johnny Gandelsman launched In A Circle Records in 2008 with the release of Brooklyn Rider's eclectic debut recordingPossport, followed by D?minont
Curve in 2010, and Seven Steps in 2012. A long-standing relationship between Brooklyn Rider and Kayhan Kalhor
~ IUMS ARCHIVES
resulted in the critically acclaimed 2008 recording.Silent City.
BELA ANTON LEOS FLECK was born in New York and named after Bela Bart6k. Leos Janacek. and Anton Webern.Mr. Fleck has been nominated for 30 Grammy Awards in more unique categories than arrj artist in Grammy history, winning 14 of them. Widely considered the premier banjo player alive today, Mr. Fleck is an artist who has completely redefined the limits of the instrument. First making his name in t he seminal bluegrass ensemble New Grass Revival with Sam Bush, Mr. Fleck then formed The Flecktones which combined elements of jazz. jam- band and folk music and have become wildly popular for their brilliant genre- defying live concerts. In 2001 Mr. Fleck finally delivered Perpetual Motion, his acclaimed foray into the classical world which picked up two Gramrny A wards. Since writing and performing concerti with double bassist Edgar Meyer and tabla master Zakir Hussain. Mr.Fleck made his Deutsche Grammophon debut in 2013 with his concerto for solo banjo, The Impostor, corrunissioned by and recorded with The Nashville Symphony. The concerto was paired with a banjo quintet performed by the dynamic young string quartetBrooklynRider.
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This afternoon's performance marks Brooklyn Rider's UMS debut as an ensemble. Its members have appeared with the Silk. Road Ensemble and Yo-Yo Ma in March 2009 and March 2013 at Hill Auditorium. BelaFledt makes his second VMS appearance this afternoon.follcwinghisVMSdebutinFebruary2009atHiliAuditoriumaspartofhisAfrica Project which feah.lred Bassekou Kouyate and Ngoni Ba.Anania Ngoliga andJohn Kitime.
GIVE THE GIFT OF A LIFETIME.
A bequest to UMS is a way to ensure that the artistic experiences that have enriched your life will stimulate and inspire audiences for generations to come. Help us build our endowment to ensure that UMS can continue to bring the very best in performing arts to our community. Please include UMS in your estate plan.
For more information, please contact Margaret McKinley, 734.647.l1n, margiem@umich.edu.
Composed by George Frideric Handel
Ann Arbor Symphony Orchestra
UMS Choral Union
Jerry Blackstone
Conductor
Brenda Rae,Soprano David Trudgen, Countertenor Benjamin Butterfield, Tenor Timothy Mix, Baritone
Edward Parmentier, Harpsichord Scott VanOrnum, Organ
Saturday Evening, December 7, 2013 at 8:00 SUnday Afternoon, December 8, 2013 at 2:00 Hill Auditorium' Ann Arbor
30th and 31st Performances of the 135tl1 Anrual Season
,• , PROGRAM
Part I Sinfonia
2 Arioso /saiah 40: 1
/saiah40:2 /saiah40:3
3 Air
/saiah40:4
4 Chorus
/saiah40: 5
5 Accompanied recitative
Haggai 2: 6 Haggai 2: 7 Maiachi 3:1
6 Air
Malachi 3:2
Mr. Butterfield Comfort ye, comfort ye my people, saith your God. Speak ye comfortably to Jerusalem, and cry unto her that her warfare is accomplished, that her iniquity is pardoned. The voice of him that crieth in the wilderness: Prepare ye the way of the Lord, make straight in the desert a highway for our God.
Mr. Butterfield Every valley shall be exalted, and every hill and mountain. made low: the crooked ... straight, and the rough places plain:
And the glory of the Lord shall be revealed,and all flesh shall see it together: for the mouth of the Lord hath spoken it
Mr. Mix ... thus saith the Lord of hosts: Yet once, ... a little while, and I will shake the heavens and the earth, the sea and the dry land; And I will shake all nations, and the desire of all nations shall come: . . . . the Lord, whom ye seek, shall suddenly come to his temple, €"len the messenger of the covenant, whom ye delight in: behold, he shall come, saith the Lord of hosts.
Mr.Trudgen But who may abide the day of his coming? And who shall stand when he appeareth? For he is like a refiner's fire,.
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performances, and in 1818 the Handel and Haydn Society of Boston gave the work's first complete performance in t he US on Christmas Day - establishing a tradition that continues to the present. UMS is a direct result of this tradition. In 1879, a group of local university and townspeople gathered together to study Handel's Messiah; this group assumed t he name"TheChoralUnion"and inl88Q t he members of the Choral Union established the University MusicalSociety.
Following the pattern of Italian baroque opera Messiah is divided into t hree parts. The first is concerned with prophecies of the Messiah's coming, drawing heavily from messianic texts in the Book of Isaiah, and concludes with an account of t he Christmas story that mixes both Old and New Testament sources. The second part deals with Christ's mission and sacrifice, culminating in t he grand "Hallelujah Chorus." The finaL shortest section is an extended hymn
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directed doctoral
seminars on campus, several small Baroque ensembles. and co- directs the Baroque Chamber Orchestra with Professor Aaron Berofsky. Other recent activities include a faculty recital onhisnewtransposingdoubleharpsichord from Holland; adjudicating and teaching at the harpsichord competition of the Midwest Historical Keyboard Society in Cincinnati. Ohio; teaching two U-M
summer harpsichord workshops on J.P. Sweelinck and on the fundamentals of harpsichord performance and repertoire; and giving a keynote address. directing a concert, and conducting a master class at t he Basso Continuo conference of t he Westfield Center, held at Pacific Lutheran University inTacoma Washington
A strong advocate for education and outreach, Mr. Parmentier both directed and performed at t he annual Michigan Harpsichord Saturday, an outreach program held at t he U-M School of Music,
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Robert J.Stevenson Patriclt Tonks ","""rez.." VinceZuellig
Justin Reed Eli Rhodenhiser James Rhodenhiser Evaristo Rodriguez NeilShadle Paul C. Sclwltz. William Shell """"'S_ Donald Sizemo~· Mark C. SomeIVille Alex Sutton William St("{enson Terrilo. Tompkins Th:m\asL Trevethan John Van Bolt Paul Venema
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NkMishler Travis Ratliff "
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WHY
RENEGADE?
8ecause...through exposure to new ideas and concepts that challenge our thinking, we learn, grow, and create new understanding.
Renegade is a journey. Join us.
Help us meet the multi-year Renegade Ventures Challenle. For more lnlormation or to make a 11ft, contact Margaret McKinley at7l4.647.1m or mallllem@umkh.edu.
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BE PRESENT
Written, Performed, and Co-Directed by Rob Drummond
Co-Directed by David Overend
A production of The Arches., Glasgow
Tuesday Evening, January 7, 2014 at 7:30 Wednesday Evening, January 8, 2014 at 7:30 Thursday Evening, January 9, 2014 at 7:30 Friday Evening, January 10, 2014 at 8:00 Saturday Afternoon,January 11, 2014 at 2:00 Saturday Evening,January 11, 2014 at 8:00 SUnday Afternoon, January 12, 2014 at 2:00 Althur Miller Theatre' Ann Arbor
32nd,33rd, 34th, 35th, 36th, 37th, and 38th Perfonnances of the135th Annual Season 1nternational Theater SerIes
Ptooro:RobOrummcndinBl.(1Q( Cotdl.
,• , CREATIVE TEAM
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PR OG R A M Bullet Catch is approximately one hour and 15 minutes in duration and is
performed without intermission.
The Saturday evening performance is sponsored by the Sarns Family. The Sunday afternoon performance is sponsored by the Unmsity 01 Michigan Health System.
Media partnership is prOYided by Bet\vee1 the Lines, Mkhisan Radio 91.7 FM. WDET 101.9 FM, and Ann ArOOr's 1070ne FM.
Bulla: each is supported by Made In Scotland.
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Vvtiter, Performer, Co-Director
Rob Drummond
Co-Director
David OVerend Production and Stage Manager
Deanne Jones
Stage Designer Francis Gallop
Sound Designer
Ross Ramsay
Lighting Designer
Simon Hayes
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William Wonder Rob Drummond •mZ ~
A stunt so dangerous Houdini refused to attempt it, the Bullet Catch has claimed the lives of at least 12 illusionists. assistants. andspectatorssince its conception in 1613.The show follows the life and death onstage of famed bullet catcher
William Henderson. who died over 100 years ago performing the trick. Now, with a little help from his audience, modern day TnaIVel William Wonder presents a unique theatrical magic show featuring storytelling mind reading. levitation. games of chance andifyou'rebraveenoughtostayfaritthemostnotoriousfinaleinshowbusiness.
"WHETHER IT'S BECOMING A PROFESSIONAL WRESTLER OR DEATH-DEFYING MAGICIAN , ROB DRUMMOND PUSHES AT THE LIMITS OF HIS OWN EXPERIENCE AND IN TURN OUR UNDERSTANDING OF
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HOW WE DEFINE
I t's rare to work with a theater maker whohassomuchtalentinamultitude of disparate areas. having displayed
suc h incredible inventiveness and skill as a writer, director, and performer. Whether it's becoming a professional wrestler or death-defying magician. Rob Drummond pushes at the limits of his ovm experience andin turn our understanding ofhowwedefinetheater.Robispartof a new group of Scottish auteurs, who bring an innovative approach to the
THEA TER ."
whole creative process. and in doing so have recently injected a sense of energy and potential into our national cultural landscape.AttheheartofTheArches' ethosisacommitmenttonurturingtalent and it's been a privilege to have been part of Rob's journey, witnessing t he initial crackle andspark as new conceptual ideas were born and t hen being part of bringing themtolifethroughhisdistinctivevoice.
-JockieWylie,ArchesArtisticDirector
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ROBDRUMMONDisanaward winning playwright. performer. and director from Glasgow.
His wide ranging work includes the critically acclaimed WRESTliNG (Arches. 2011). which involved five months professional wrestling training. and a modern retelling of The Passion (George Square. Glasgow 2011) . Recent projects include The Riot ofSpring, a response to Stravinsky's The Rite of Spring, where he worked with a choreographer for The Arches and National Theatre of Scotland's Auteurs Project. and Quiz Show (Traverse, Edinburgh). Bullet Cotch was a huge hit at the 2012 Edinburgh Fringe. winning a Herald Angel Award and Total Theatre Award.
•o DAVID OVEREND trained at
of theater, performance, dance, visual art. live music. and club nights.The arts programming team employs calculated risk-taking in all of its creative decisions. nurturing emergent talent and rewarding bold approaches with a supportive environment for further innovation - showcased each autumn at Arches LNE. a two-week-long celebration of new, Scottish. contemporary performance talent. Alongside local artists. the Arches presents world-class international artists and companies such as The TEAM. Derevo. Ann Liv Young, Mammalian Diving Reflex, Ontroerend Goed Akhe, Taylor Mac, and Tim Crouch in the venue as part of its annual BEHAVIOUR festival of live performance. The Arches regularly wins awards at t he Edinburgh Fringe and tours work internationally - in recent years this has included taking shows to Brits Off Broadway (New York ). Spoleto Festival (South Carolina). Cultural Inglesa Festival (Sao Paolo), National Theatre (London), and the Barbican (London). For more information, please visit www.thearches.co.uk.
THE ARCHES
Jackie Wylie,ArtisticDirector Gemma Kicks and Jill Smith.
TourProducers Niall Walker, Design 6-Marketing
Manager RosieDavies.DigitolMarketingOfficer Joseph Blythe.PressOfficer
Sp«io1thcmkstooll the sto.ffandmon~menr ("L the Arches, Gosgow.
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RADA and was Associate Artist at The Arches (2007-2010). Recent projects include The Pirate by Stuart Hepburn (Gran M6r, Glasgow, May 2013).Other directing credits include Rolls in Their Fbckets and Top Table by Rob Drummond (Cran M6r); A Work on Progress, Midland Street, and Underneath the Arches (The Arches); Postshow, Demises, and The GyntishSelflIm,),andSalomebyOsc.,. Wilde (RADA). David is also a Lecturer in Performance at the University of the West of Scotland. For more information. please visitwww.davidoverendnet.
THE ARCHES, one of Europe's leading cultural venues, is both an arts receiving and production house with an international reputation as an exciting hubofground-breakingcreativity.Housed within seven Grade A-listed Victorian railway arches in GlasgO'N" city center, the venue presents a year-round program
ARCHES
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corporations and
nonprofits in Washtenaw County and throughout the region to create lasting change. dsem.org
communityfoundation FOR SOUTHEAST MICHIGAN
MULTI-YEAR PLEDGES
To help ensure the future of UMS, the following donors have made pledges that are payabie over a period of up to five years. We are grateful to these generous donors for their commitments.
$50,000- $74,999 Pemyand Ken FIsII jane and Edward Sn FIsrson Thoma,andBarbaraGelel"lrt... ,~
catherine So Arn..e """"""'"'
Barbara K. and La'-""'"'ert Rita and Pel... Heydon
j o h n a n d M a r t h a H \ d ( , Gideon and carol HoII", Ma,11yn G. Ie"' Th"om.a-, C. and Con,tar>O..nJnitySeMc:... Maxine and 5tua1 AIIema"ll and janl, BobrIn
(IN'''' i'l1!ot>Of0(8Q(tI F/,m", (",oIAm,le.Jnd Forrest Ilene H. Forsyth
Chart... H. Gershe""", Trust Richard and Linda Gr"""" MoI\amad Issall,sa Foundation Verne and Judy Islocl::
Franl:: ~lI1 Dennis and Ellie Serra, Nancy and James Slanley' V'oVInla stein' Edward and Natalie SU'oVl'lI SUsan B. Ullrich' United Bani:: &. Trust Unlverslly 0/ Mlchl~an Oedt Union Glom E. watkins RobertO.andOiln'''IIhH.Weisman
[JIwn In hona«Sfd'loy and Iron SibGo'
Robert and Marina Whitman
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CherytCassldy Mary SUe and Kenneth Coleman Cot ofK«1 F/.l G. Mt'Gui'e' New E"Il1and Foundation lor
the Aft, M.HaskellandJanBarney
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VlJ£lnla and Gordon Nordby Rob and QuIncy Norltirup Paula NoYeIII and Paul Lee and Pearl
M A E S T R O S
($20,000- $49,999)
Bank 0/ Ann Arbor Nancy Sayles Day Foundation
ofWn i'1honor 0(Ann seiIrch
VIRTUOSOS ($10,000- $19,999) jeITy and Gloria Abrams- AnnAit>or.(om Ann AIt>OI' Area Commu:"llty
mtt;.. Arl, at Mkhi~an
~ and Lisa Bemsteln ,~~ UndaandMa..lceBlnIrow
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We blend creativity and expertise to c r e a t e b e a u t i f u l . na t u r a l - l o o k i n g s m i l e s .
DONALDSON 734.971.3450 dgdent.com & GUENTHER 3100 Eisenhower, Ann Arbor MI 48108
Caro l Barbour, PhD Alex Barends, PhD Ronald Benson, MD Meryl Berlin, PhD Linda Brake!. MD Robert Cohen, PhD Susan E. Cutler, PhD Sara Dumas, MO Joshua Ehrlich, PhD Lena Ehrlich, PsyD
Harvey Falit, MD Richard Hertel PhD Erika Homann, PhD Giovanni Mincnne, PhD Christina Mueller, MD Jack Novick, PhD
Kerry Novick, MA lean-Paul Pegeron, MD Dwaraka nath Rao, MD Ivan Snerk k, PhD
Michigan Psychoanalytic
Michael Shulman, PhO Michael Singer, PhD Jonathan Sugar, MO Dushyant Trivedi, MO Jeffrey Urist, PhD
Gail van langen, PhO David Votruba, PhD DennisWalsh, MO Margaret Walsh, PhO Mark Ziegler. PhO
INSTITUTE I SOCIETY For change rhot lints.
- - Ratp/'I and Elaine Anthony
~ ~lUId GIetn NeIocn
LIncSo DInlerassand Ken_old
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Stq:>her\ and Pamela 1..0".,... Robert Losn lUId Mard Raver t..sn _ I and "'nne l.a.IrilflCe jean A.. lilwton and james H. EW, ~ ilnd IefrY Lox
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)oM and Marsha ChamberUn Samuet and Roberta Chappell )an~A.Clark Evan H. Cohen and Deborah
Linda and Roteales A.dn
M1chaetHammelIlnd ~ William and Kathleen Han"'"
Georte ilnd Mary Hioddid ,--
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Toyota is proud to support tile UrIivefsitV Uusical ~ and their OJImIitmenl to connecIiIg audiences with performing artists from around the world in uncomrnoo and er'l\laging experiences,
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ASSOCIATES (CONTINUED). Mani'" and """ha Ml'hta Warren and Hilda Mefmant Hefman and Bemke Mefte
Gene and Lois MIIr )ack and Carmen M1Uef
Charles stewart Molt Foundation Mart and Leslanne Navarre
ofWn r.m.","'Y orNona R.
~. E r 1 k a N e l s o n a n d D a v I d W a ~ener Sarah WInans Newman SUsan and RIchard Nisbett L.a\Xa NIIzber~ Artho.x S. Nusbaun Paul and MaryClare Olson EUzabeth On!! Elisa Ostann and 1-Ioo;...ln KeshU:ar DavId and Andrea Pa£" WendyandArdy Palms Karen Part and)ohn 8efanek Anne Parwn. and Donald DIetz Zoe and )oe I'arwn
otwn i'1 m M I a ) ' orOlaiI?! Rut1n John and Mary Pedley
olVen r.m.","'Y orFrorKIs
WUltl Anne Preston Ann Preuss
Karen and 8eflslav PI1morac Blake and sner~ Ral:c:Ulfe
BarbaraReedandRk:hardYIaId DouIIlasand Robin Rlchstone jonathan Rod~ john B. Ronan"
stephanie Rosenbaum stephen and Tanis Rosol! David Ros. and Donna Freund Rosemarie Haa~ Rowney Nancy RU~arM Carol Ru~~ and Rkt\ard
Montmorency Don and)udy Dow Ru:neIharI A "'I Saldn~ and Robert Axelrod Ina and Terry SandaIow Mkhaet and Klrrvn Sarosl
(,lWQ'1 i'1 m.mory ~ ChOOQS RWin Rosalyn Sarver and stephen
~mSpevak
Held Stanl-'M>IsId and Thomas 0WVer
RlckandLlaSt".,..,..,s james L stoddard Brian and Lee Talbot Eva and Sam Taylor Karla Tay\ter TOO\lood and Hanna ~
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ENDOWED FUNDS
Rosenblum AlberlJ. and jane L Sayed jochen and HeI~a SadodI: Rlchardand M a d e lo o W _ " Mary LInda Webster jadf jean and Thomas Shope Edward and Kathy SlIYef Robert and Elaine SIms SanSl~
Carl and jarl Snilh David and Renate Snith Robert W. Snith Sldonle Snith Kale and PtMIlp Soper Doris and Larry Sper\I"Il
The success of UMS is secured in part by income from UMS's endowment funds. We extend our deepest appredation to the many donors who have established and/or contributed to the following funds:
H. Gardner and Bonnie Ackley Endowment Fund Herbert So and Carol Amster Endowment Fund catherine So AA\Xe Endowment Fund Carl and Is.abelle Brauer Endowment Fund Dahlmann SI~ma Nu Endowment VMS R..nd
Hal and Ann Davis Endowment Fund Dofls Duke Charttable Foo..nor
Ann Atbof Art Center Ann Arbor DI,trlct library Ann Att>or Hanm-On Museum AnnAtt>or~IHoIei&.sutes ,~
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The Common GIll Comer Brewery CoIta£E!IM "The'D"ahl-mann~.IM
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linda Spector and Peter Jac:ob5on CynlhlaSIJaYb
DeIJ
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Orchestra
BIador ~ A"""t..'a Ay5e'sTUrkI,hcatl! Kl>nsln£toneo..t babe>: a market by Sava ,-""'" The Bel Towe Health ~In> FIrstMa,UnCorporation ~~ OM
M. Haske. and Jan Barney Newman Nkx>Ia', Books DanIel and Sarah Nicoll GIlbert Omenn and Marlhil. oarUn~ Oz's Mu.o:
Tom and Ann GladwIn PaYI and Anne Glendon The Grand Hotel TheGf~Kltchen&.Bar steveandBettyPal.... LarryandAndlWolf RImard and 5u