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UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic

UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; 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Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image UMS Concert Program, March 14, 2014 - March 21, 2014 - Alfredo Rodriguez Trio, The Pedrito Martinez Group; Israel Philharmonic image
Day
14
Month
March
Year
2014
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WELCOME.
"UMS is a true jewel within the University of Michigan. Here, students, faculty. staff, alumni, and aspiring performers can see some of the most exceptional performing arts in the world. It is an integral pieotO~rS DU~I
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UMS SENATE
The UMS Senate is composed offormer members of the Board of Directors who dedicate time and energy to UMS and our community. Their ongoing commitment and gracious support of UMS are greatly appreciated.
WadadAbed
Michael C. Allemang Carol L. Amster Gail Davis-Barnes Kathleen Benton Lynda Berg
Richard S. Berger Maurice S. Binkow DJ Boehm Lee C. Bollinger Charles W. Borgsdorf Janice Stevens- Botsford Paul C. Boylan
William M. Broucek Barbara Everitt Bryant Robert Buckler Letitia J. Byrd Kathleen G. Charla JillA. Corr
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TICKET OFFICE
JennyGraf
Senior T/cblt ~rvlcQS Managete Rodin, The Burghers of Calais (1SS9)
• Notable ewnts in science and technolow. Loo..is Pas\eu" introduces the rabies viKdne(1SS5~ Kart Benz patents the first automobile (1886); the Eiffel Tower is erected in Paris (1SS9)
The lights are dimmed the conductor stepson the podium. raises his baton after a moment of suspenseful silence, and we
and festive.The slow pace at which the §
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music unfolds is a clear indication that time has to bemeasuredin unusually long " units.We are listening to a symphony by "o Anton Bruckner. •
inordertoenjoyBruckner,wemustbe able to place ourselves on his wavelength, andaccepthimforthemaverickcomposer he was. He is often accused of having written the same symphony nine times aver,and this is a grossly unfair judgment or at least an extremely superficial one. However, it cannot be denied that t here is a single idea underlying all the mature symphonies, although it is expressed differently in each case.Each symphony is a new solution to the same compositional problem. a new manifestation of the same fascinating personality .
To understand that personality, commentators have time and again drawn attention to t he many peculiarities in Bruckner's biography: his seemingly endless years of study, his awkward country-bumpkin demeanor which
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became the butt of so many jokes in cosmopolitan Vienna and his devout CatholicismltfollO'N'sfromthesepersonal characteristicsthatsymphony-writing did not mean the same thing to Bruckner as it did to Brahms (his great rival) or any of his contemporaries. To Bruckner, composition was nothing less than a re- enactment of the Divine Creation. He did not waste his time on Ntrifles" like songs or short piano pieces.Almost all of his compositions are large-scale symphonies or sacred works, grandiose and solemn in tone,andsymbolicallyreachingouttothe Deity.
NO'N'here is this artistic intent more apparent than in t he Eighth, t he last symphony Bruckner ever completed. As Robert Simpson, one of the best authorities on Bruckner, haswritten:
The sweepingdramaticforceofthe Eighth isalrnostnewinBruckner.Nowholework anticipates its character, not even the Third. the most dramatically inclined of the earlier symphonies. The Fifth has an immense inner tension resembling that of Gothic arc hitecture, and is dramatic as a totality rather than as a process; there is nothing in it that quite suggests the dark sense of crisis that fills the first movementofNo.8.TheEighthisthefirst full upshot of matters hitherto hidden in undercurrents and only intermittently allowed to erupt. But it eventually reveals its true background in the ' Finale,' the background. in a sense, of Bruckner's life- work, a contemplative magnificence of mind beyond the battle. This Finale is not so much a victory over tribulation as a statethathadtobefoundbehinditslowly and somewhat painfully uncovered by the ' Adagio.'
The slow uncovering of hidden magnificence starts right at the very beginning. Bruckner was nothing if not a master of Steigerung, a German
term whose connotations include intensification gradual increase in pitch, dynamics, harmonic activity, and/or tempo.Bruckner'sthemesaresimpleand relatively unremarkable in themselves: short scales and other melodic fragments that usually don't add up to full-fledged Qassical periodic structures. Yet t hey are particularly susceptible to treatment by Steigerung, as in the first movement of the Eighth, where the music goes from pianissimo to fortissimo so gradually that the change is almost imperceptible. Thesametechniqueisalsousedinthe opposite direction, so that our first impression of the movement's form is a series of mighty surges alternating with moments of relaxation a kind of musical ebb and flow on a monumental scale. That is just the first impression hO'N'ever; the movement in fact observes traditional sonata form. with exposition. development, and recapitulation, although it is hard to say exactly where the recapitulation begins. That moment is concealed behind one of Bruckner's most dramatic transitions, in t he course ofwhichhepresentsbothmainthemes of the movement simultaneously in triple forte, and then repeats this statement two more times, each time raising the pitch by a third.What a contrast, after this tremendous climax, to hear a single flute accompanied by a soft timpani roll. The rest of the orchestra gradually joins in, and when we finally hear the second theme played by the strings, we realize that we have been in the recapitulation forsometime.Butinthisreprisenothing is repeated literally.The exposition is only hinted at (and strongly abridged~ rather than brought back unchanged.
The ending of the first movement was completely rewritten in 1890. Originallytherewasapowerfulfortissimo coda, which Bruckner discarded., and
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FOR OPUS 3 ARTISTS DwidV.Foster,President6 CEO Earl Blackt:urn. Senkr Vu:e President,
Alex Ziv,Financt'Moncger YaelYardeni-Sela.Mork~Moroger
ShoshEIad, Assistnnt~ RacheliMizrachi. Treasurer Irit RlIb.K1!Ij'l~eDirectting
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C.P.E. Bach J.c. Bach
and Basso Continuo, WQ. 182 Concerto in E-Flat MajorforOboe. Strire>. and Basso Continuo. WQ. 185 5ymphonyin e minor Op. 6 . No.6 for 5trires. Two Oboes. Tv.o Horns.and Basso Continuo
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Sara Bit1Ioch, Violin Donald Grant, Violin Martin Saving, Viola Marie Bitlloch, Cello
Tuesday Evening, March 18, 2014 at 7:30 Rackham Auditorium' Ann Arbor
60th Performance of the 135th Annual Season 51st Annual Chamber Arts Series Photo; Etias String Quartet; photogr3pher; Benia.min E31ovega.
,• , PROGRAM
Claude Debussy
String Quartet in g minor, Op. 10
Anime et tres decide Assez vif et bien rythme Andantino doucement expressif Tres modere - Tres mOLNemente et avec passion
Gyorgy Kurt6g Officium Breve in Memoriam Andreae Szervanszky, Op. 28
1. Largo 2. Piuandante 3. Sostenuto, quasi giusto 4. Grave, malta sostenuto; quasi doppio piu lento, calando alfine 5. Presto 6. Motto agitato (canon a 4) 7. Sehr Riessend (canon a 2) (free, after last fT'IO.IeITIentof Webem's Cortela No. 2, cp. 31) 8. Lento
•o 9.Largo " 10. Sehr Riessend
• lOa. A tempo (10. Da capo at fine) ~
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12. Sostenuto, quasi giusto 13. Sostenuto, con slado 14. Disperato, vivo 15. Larghetto
I N T E R M I SS I O N Ludwig van Beethoven
String Quartet NO.8 in e minor, Op. 59, No.2
Allegro Malta adagio Allegretto Presto
Media partnership provided by WGTE 91.3 FM. The Elias Strins Quartet appedI'S by arTdnsement with David Rowe Artists.
NOW THAT YOU'RE IN YOUR SEAT... •m •"m
In t he beginning. the string quartet was very much a Viennese genre. Despite the very •mZ
significant efforts of composers like Luigi Boccherirti, Joseph Haydn was essentially unchallenged as the father of the genre.Together with Mozart and Beethoven. he was largely responsible for making the quartet a central art form of the classical and romantic eras. I t took a long time for the quartet to become truly international: when Debussy wrote his great string quartet in 1893, there were very few precedents to speak of in France.Not until the 20th century did composers around theworld embrace quartet composition; when that happened the genre became stylistically diverse like neverbefore,yetwhatneverchangedwastheBeethoveniannotionthatthequartethad to express emotions in an extremely pure and highly condensed form manifested itself inmyriadnewways.Tothisday,thestringquartethasaveryspecialaesthetic.achieving seriousnessandtranscendencethroughfinelynuancedpart-writingandatightmusical structure.Tonight's program demonstrates the incredible diversity ofwhich the string quartet has become capable during its history which nOV{ spans over 250 years.
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StringQuartetingminor,Op.10 (1893)
Oaude Debussy BomAugust 22, 1862 in Saint-Germain-en
Laye, France Died March 25. 1918in Paris
UMSpremiere: Lener StringQuartet December 1929inHill Auditoriwn
SNAPSHOTS OF HISTORY .IN 1893: • Notable m.JSka1 premieres: D;ooi;ik's "New World" Symphony, Tchai:oysky's Sixth Symphony, Verdi's
Fd> dssolved b'i Nap:iloon • The Lewi"l and CIclassiccomedy JhQ
Brokm}", • The great poet Friedrich HoIder~n suffers a mental
breakdown that wiU force him to spend the next J1 §
years in confinement z ~ m
Prince Andrey Razumovsky,the Russian " " 0
Ambassador in Vienna and the Princes • lichnowsky and Lobkowitz. two Viennese aristocrats to whom he was related by marriage, together received the dedications of more t han a dozen major works by Beethoven. One might almost
say that their kdan" underwrote a great part of what later became known as Beethoven'sl1eroic" or middle period.
The three quartets of Op. 59, known as the "Razumovsky" quartets, were written shortly after the Third Symphony (kEroica") and the f-minor Piano Sonata (kAppassionata"). In those works. Beethoven made a bold leap into the future: music had never expressed such intense emotions before, nor had the formal conventions of music been changed so radically in such a short time. With Op. 59, Beethoven extended his musical revolution to the quartet medium. producing three masteIWorks after which
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the genre was never the same again One of t he most striking features of Beethoven's "heroic"style is a reduction of thethematicmaterialtoasmallnumberof motifsandanexpansionofthetechniques that serve to develop t hose motifs. The most extreme example is probably t he first movement of t he Fifth Symphony, with its famous four-note theme, but the opening of t he e-minor quartet is equally striking. Beethoven begins suspensefully with a pair of chords. follOW"ed by a short phrase. which is punctuated by rests and repeated a half-step higher, immediately calling the e-minor tonality into question Eventually, continuity is restored but t he form remains rather fragmented reflecting an agitated state of mind. We hear many insistent syncopated rhythms and rapid passages in unison or parallel motion. in dramatic contrast with the occasional gentler moments. In associating minor mode with emotional turbulence, Beethoven followed the tradition of Haydn and Mozart, t hough his radically new way of writing gave this
NAllegro· a very special edge . It was not for nothing that Beethoven
inscribed t he second movement "Molto adagio· with the words N$i tratto questo pezzo con molto sentiment" ("This piece must be played with much feeling").Here is one oHris great hymn-like slOW" movements. with the quiet majesty of the later "Emperor· Concerto and Ninth Symphony - yet entirely within the intimate world of chamber music The melody is emiched by chromatic harmonies and surrounded by complex figurations. Then. at the end of the movement all embellislunents are stripped away and the melody is stated by the four instruments in bold fortiss1mo chords. with harsh harmonies and strong accents - before t he gentle closing measures end the movementinanidyllicmood.
Beethoven refrained from calling t he third movement a Nscherzo: and
surely the first section of the movement is too serious to qualify as a Mjoke: Yet its syncopated motion and sudden dynamic and harmonic changes are definitely scheno-likefeatures.Thehighpointofthe movement hO'Never, is the second section (which elsewhere would be called a Ntrio1. In honor of his dedicatee, Beethoven inserted a Russian theme here (marked theme russe in the score).The source of the theme was the influential folk song collection published by Nikolai Lvov and Ivan Prach in 1790.(Thismelody,"To the RedSUl\ Gloryr'was. famously, used again by Mussorgsky in the coronation scene of Boris Godunov.) Beethoven had the four instruments take turns in repeated this melody identically over and over again. against a faster-moving counterpoint that also makes its rounds among the four players. As in several other Beethoven works, the usual A-B-A scheme of the scherzo is expanded to A-B-A-B-A, with the theme russe section appearing twice and the opening section three times.
The finale is a galloping sonata rondo where Beethoven constantly plays games with our (possibly unconscious) tonal expectations. Seemingly reluctant to establish the home key of e minor, he keeps the first few measures in C Major before making a sudden shift just before the end of t he phrase. (The last movement of the Fourth Piano Concerto, Op. 58, written around the same time, uses a similar strategy.)The rhythmic momentum never flags, though the galloping pulse is temporarily replaced by quieter motion in the lyrical second theme. Yet t he main theme never stays away for very long; and as if the initial NPresto· tempo weren't fast enough, Beethoven demands Piu presto (Nfaster·) forthe final measures.
Progromnotes by PeterLoki.
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•~ ,80QJartetwaschooen as"Best Recording" on BOC Radio 3'sBuilding a Library in September 2009.They have also releasedadiscofFrenchharpmusicwith harpist Sandrine Chatron for the French label Ambroisie and Goehr'sPiono Quintet with Daniel Becker for Meridian Records. In addition. they made a recording of Britten quartets,releasedbySonimage.
UMS welcomes the EliasString Quartet as they make their UMSdebut this evening.
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BRAHMS'S GERMAN REQUIEM
UMSChoral Union Ann Arbor Symphc:lnf Orchestra Jerry Blackstone, conductor Nadine Sierra, soprano John Relyea, bass
Friday,April4. 8 pm Hin Auditorium
The UMS Choral Union and Ann NbJr Symphony Orchestra perform this momentous wort
This concert features three songs by Respighi. all originally composed for mezzo-soprano and piano. The first. -0 faicediluna' {Owaningcrescentmoon)isa setting of a p:>em byGabriele D"Annunzia. published in 1909 as the first of Respighi's
Sei Uriche (Six Lyric Fberns). The second song. "Nebbie' {Mistsl was the product of an unusual creative process.One morning in the t hroes of depression. Respighi composed a short piano work. Later that day, one of Respighi's friends gave him abookofpoemsbyAdaNegri.Respighi immediately realized that his piano work
was (without changing a single note) a perfect musical setting of Negri's "Mists.' The final song. 'Notte' (Night). also to a poem by Negri. was published in 1912. partofthesecondseriesofSeiUriche.
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M:Jdop.._IYyIll.Don,Duh _ _ i""""!">mi~An. tho I.tl-.nyO'lM~'" _ .o;y"... ",dOfflAd'hol',wrlont,
>r>d«h" _ _ _ _ rtugaJ. Belgium France. andGermany.
Since t he death of the world famous Nusrat Fateh Ali Khan in 1997, there have been many contenders to inherit his place as "Emperor of Qaw.va.li" There is no doubt nOV{ that Asif Ali Khan has emerged as the one of the genre's reining princes. While remaining hue to the Punjabi tradition that was Nusrat's hallmark. he has developed a style and presence all of hisO'Nl"L
Asif Ali Khan's tour is organized by ROBERT BROWNING ASSOCIATES. Robert Browningwas the co-founcler of the Alternative Museum and the World Music Institute in New York. Under his direction these two organizations presented more t han 1,800 concerts and US-organized tours by some of the most influential artists from Asia the Middle East, and Europe, including Nusrat Fateh Ali Khan. Masters of Persian Music and The Gypsy Caravan. For more information plea:!eWjt www.robertbrovmingassociates.com
VMS welcomes AsifAli Khan and the Asif Ali Khan Qawwali Ensemble os they make their VMS debuts this evening.
corporations and
nonprofits in Washtenaw County and throughout the region to create lasting change. dsem.org
communityfoundation FOR SOUTHEAST MICHIGAN
ENDOWED FUNDS
The success of UMS is secured in part by income from UMS endowment funds. You may contribute to an existing endowment fund or establish a named endowment with a minimum gift of $25,000. We extend our deepest appreciation to the many donors who have established and/or contributed
to the following funds:
H. Gardner and Bonnie Ackley Enc!owmnt Fund Hert>ert S. a nd Carol Arnst... Endowment Fund catherine S. A/,,,,..,, Endowment Fund carl and Is.abetle Brauer Endowment Fund Dahlmann Sl~ma Nu Endowment UMS R..nd
Hal and Ann Davis Endowment Fund Dof" DuIre Charitable FO..noral Union Endowment Fund Natalie M atOYlno\Ot Endowment Fund Medical Community Endowment Fund Dr. Robert and janet Miller ,~
NeU P. ArK!efson Dr. and M,.. David G. Anderson
catherine So Ar",.... """"""'"'
Bart>.Ya It and Laurenc:.. R Baker Kathy Benton and Robert Brown Linda and Mau:'k:e Blnkow EUzabeth S. BIshop
Mr. and Mr.. W. Howard Bond Mr. and Mr.. Pill E. Borondy Bart>.Ya Eveara Gelel"lrt.... Be_1l>y and """"'" c.eltnef
u-n Nlehotf Dr. and Mr.. F,ederlck O"DelI Mr. and Mrs. Oeml' M. Power. Mr. and Mrs. MIc:t\aet Radock Mr. and Mrs.)ac:II: Rkl::etts Prue and Ani Rosenthal Irma). Sklenar Art and EUzabeth Solomon Hildreth Spencer Roy and)cAn Wetzel Ann and Clayton Wlhlte Male WlstHea!!hS5
....... H.FOIWIh Ma>dneand SlwrtFranl:el FoundiItlon Rlc:hardand UIIiIn tve; Trust TheAnd'ewW.MelIon~ ~Coundla ArtsandCUlt..-alAIIah
UMS SUPPORT - JULY 1, 2012 - NOVEMBER 1, 2013
The following list includes donors who made gifts to UMS between July 1, 2012 andNovember1,2013. Duetospaceconstraints,wecanonlylistintheUMS programbookthosewhodonated$250ormore. Pleasecail734.64Z1175with any errors or omissions.
... indicates the donor made a contribution toa UMS Endowment Fund
PRODUCERS
($500,000 OR MORE) Ilene H. Forsyth· candIrn" UnlYel!;lty ot Mkhl~an
DIRECTORS ($100,000- $499,999) Anonymous Fund of the Comm.ln!ty
MAESTROS
VIRTUOSOS
($10,000 - $19,999) )erJyand GIofIa~am" The Ann Arbor News, part of the
MU"" MedIa Group Ann Mlbeft E. Meredith Mlchillan Critical ClreConsuttant, Inc. Mkt11ear> Humanities Cou'KiI Miller. Canl\eld, Paddock and
stone, P.LC. Monta£UE! Foundation Donald L. Morelocli: Allnes Moy-Sarns and Da\Od Sarns
and the Sarns Family Gilbert Omenn and Martha DarUn~ MIc:t\aet). and LesIee PerIslona ~ Am end Cklywn
Foundation Eu~eneandEmily(,fant ~,.
Wal"s C. Klein ' The A rIti_ W. Mellon Foundation Mkt11ear> Economk Development
Caporatlon Unt"",,11y 0/ Mkntear> Health System
Southeast Mlcnt~an -'
Ma.sco Corporation Foundation Mkhl~an Councillor Arts and
CUn..al Mairs Tl-lE MOSAIC FOUNDAnON
(0/ R & P. Heydon) Roiler and Coco N_ton PNC Foundation jane and Edward Schulak Sesl Lincoln ) omc:e of the
Senior \lice PrOYOSt lor Academic
Alia... Untvemty 0/ Mkt11ear> omc:e of the
\lice President lor Researthwel Den..., and EWe SelTas
Nancy and James stanley' Vlrelnlilstein· Edward and Nalalle SW.,.,.ell SUs.1n B. Ullrich·
United BanI§ Un""",,1ty ot Mktliean Credll Union Un""",,1ty ot Mktliean Inter\lusonstout Karen and David Stutz·
($5,000-$9,999) ~, MkIIaet Allemane and Janis BobrIn -IIfWnhhonor0(BIIIhFlsd!Qf ArtsM~tTOISlneFund w.Rkl\ardand)oya!P.SUmmerwlU· -carotAmste Anckew and Usa Befn-Anna F Mkhaet Boehnke and BeI,y Foxman Barbara E_1tt Btyanl Edward and Mary cady H.D.Cameron
P A TRONS
PhIlanthropic Fund Gary Boren valene and DavId canter jean and Ken Casey. Cheryl Cmldy MarySUeandKennethColeman ~~ - ~~~ JudyandMakotmCollen Dr.andMrs.DavidG.Anderson
CiIrt>WI M. carty and Thomas H. HabacI\er Har\ene and Hervy Appelman Sandy and CharUata Gelehrtett Greenbere )oM and Helen Grlmth
Theodore M and SanlyaA. Hamady" )ames and Patrkiil Kennedy Tom and Connie KInnear Dr. E~se K. KIlt
DIane KIrkpatrick Philp and Kathryn KlIntworth jean and Arnold Kluee Samuel and Martyn Ktlmm leo and Kall?; Leeatsld Donald and carolyn Dana Lewi.
RIch and Emlly Belaneer ee.:.IaBenner Linda Bennett and Bob Baeramlan
IIfWnhhonoro(rhe UMS
AcMsoIyCommIrrH
Kathy Benton and Robert Brown Dr. RosemaryR BeI"~ Karl and Karen GattI"!! CozetteGrabb On. Patr\c:1a andStephenGreen Robert A. Green and Martha. SUllivan
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Robert J. Groll ' leslie and Mary Ellen GuInn Kelu"ah Tl"uIder Haab Stephanie Hale and Pete SIers Robert and Elizabeth Hamel Steven and SheIla Hamp )ell Hannah and Nos AIoca.su
Mo5cow Phllanthl"opIc R..nd Dana MuIr and Tracy Groilan Daniel and Sarah Nicoli Len NIl'hoII. Usa Rud\l..... and
~ and Mrs. PatJlCla Anne Chase
9/VM tl m M IO f)' c( D".juIkJn /-/efT jane and Thoma, Holland'
Pat and Geo M)U"I~ Chol CI.rt HIli PLC
Cheryl and BI'Iiln Clarkson l-lubeft and Ellen Cohen ChrlsConlin Conlin Travel
Robert M. and Joan F. Howe Eileen and Saul Hyman. Ked and Alke ~anl 1m Cry Cleanen
jean Jacobson wattle and JaneI)effJ1e"l Kent and Mary JoI"Inson llrnotl?; and)o WIese johnson J"""" A. Kelly and Mariam C. Noland David and Gretchen Kennard
RIchard and E "" Rosenfeld Prue and Ami Ro5enthal
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J.j. NIehoII SUsan and Marlerver Judith Ann Pavitt Lisa Payne Lisa and john Peterson Juliet s. PIerson Bertram and Elaine PItt Randall and Mary Pittman Stephen and BettIna Pollock rd an-d M-a-ry Pnce Mrs. Gardner C. Quartan'
ny L
Qlwn hmomOlYo(AI CMrles and)an B..IeI~h Ba/bara and AlbertCain Lou and janet callaway CUlfard and Alke Hart
Dan Cameron Family Foundation Jean W. campbell SallyAnnCamperandRobert4'on' fJ/WntlmMIOf)'c(j~ Thoma, and Marl"'" capo C~ -Ya"llCMne,MD' Tsun and SIu 'Vl"ll CM"Il
Slvana Heller Paul and Nancy HllleI/nd'i
DIaneS.HoI! """""'"
Prof. ~ ,~- HooperHathaway.P.C. BellyandLarryRobert,
Phelparleo;W.andKathleenP.~t' MichaelKondzlot;aand
Maya Savarino Qlwn h momOlY o(CIK!I1... RuDt>
Sava·. Restaosant AnnS.andThoma,J.Sctw1bei"
QlwnhmomOlYo(Dor_ Paul and Audrey Schwlmmer>anandEmilE~ joanandMelvynLevlt,ky BillandAndreaSmith
9/VM tl honoI 0( £mallla"joshuo carolyn and Paul Lichter Fra""esi.yman EdwinandCatheI'Ine Marn..
Irwin and Fran MartIn Marina Mat!. and David FlnIaeIene Farrell Mar~a"'t and john Far..O:"", )o5eph Fazio and Lisa PatreU Dede and Oscar Feldman
'Vl-fsj M. andAlbert F...............'" Scott and Km Fisher Esthel" Floyd _ M
Dan and Jill Fr.....o. PaulandJudithFreedman Leon and Mama FrIedman Bill and Boc Fulton EnidH.Galler BertandKall?;Mober~ I,1I\IMtl~o(D"./-ubortSIoal
Chrls Genteel and Dara Mose5 Harry and Natalie Mobley Paul SUn,leIn Zila and Wayne Glm, lest", and jeanne Mont. Francoise Tanves
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-, Gary and Diane stahle ~,.,...,." Eric and I..... StorhoInathan SUIlar Stantom O. Bardwell· DavId and Monlka Barera Frank and Lind§,])' Tyas Bateman A.nathan and Trudy Buldey
Don P. HaeIneI' and ""IhIaJ. Slewart HeIenC. Hall Mkhael Halpern Bob and Dannlelle Hamilton
MarUn O.and Connie HaITI5 Dan and Jane Hayes TMc!a and st.....e HaY'"
Katherine 0. Heln Qmar Kelth Heltench Trust·
IjtVM Inm""""Y 0( Nona R.
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Marty and Marilyn Llndenauer· MarlIl and ~ Elizabeth othman Jack and)ean PeIrce ' W esen and William Pet...son Thoma, S. Porteeusef HamelSeUn' Malthew ShapIro and SUsan Garetz Heward and Altza st......nn
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)oM SNJttz PI1oto£faphy lInKe M. SIe\!an SUe and Don Slnta Irma~SIo\X cathel'lne S. Arc..e Mkhael Atzmon
Eric and Nancy Aupperle BrIan and Elizabeth Bachynski Ed and Gall Baeate Mary and AI BaIley Robert L. Baird Rosalyn, )",t..;a, and Beth Barclay
gI\w1 tlman Bentz
HelenV. Ber~ Robert Hunl Berry
9/VM tl lTlMlOf)' ~ Hawad S. Holmes and fnhonoI ofSll«> Davb Linda Davt5 and Robert RIchter
IIfWn h honor ~ K«1 Flschor Elena and Nkholas Deiba..,o Linda OInlenlas, and Ken WI,I"""I Thoma,OI"""
Annemarle and Paul Dolan EUzabeth Duell Edmund and Mary DIX(ee SwaliOUlta
W olf and Eva Deri! PhI lip and PhyU/'l FeWn
)a" " " and Flora Ferrara Jean Rne
IIfWn h momOl)' o(S/d'IQy FInnathan FUIIn Robbie and BII Stapleton BobandMarlenestawski ...,.~
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IIfWn h momOl)' 0 ( Anl/Q/a \VQ/ch Dr,andMrs. Fred Whltehoo..tse Tabb and OeaMa Wile La..en and Gareth Wlilam,
Sheldon and Barbara Berry Elizabeth S. BIshop
Allan and Marcia SIlIIw~ DorIs H. T.........~ · Tom~Rowen; Peter, Carrie, and Emma Tlvom' ClareandJerryn.colte· ,~- MkI\aetGalliandLI5aM...,ay
joy«> and Daniel GjWland Maureen and David GInU )a" " " and Gall W ood, Mary)ean and)otln YabIonIan and Mr. MkI\aet Crawford carolyn R Culotta
gI\w1tlm Arnold and SUsan Coran Wenctj and Rkhard Correll
TiM FYlkl'fSOl'l and Bll Hampton
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Places
ASSOCIATES (CONTINUED). Allred and Ther"", Hero Ron and SUe Heys Ml llkentHI\l~'"
G-Ideon and ca,oI Hotferve and (,jadys Shl~..,. jean and Thoma, Shope Nina SlIber~lelt Edward and Kathy SIlver Robert and ElaIne Slm, ScottandjoanSln~
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tl lu1a~su.rn M MabeUe Hsuet>
Audrey). Hunt ofWn tl m....,"'Yo(ROU* E:. /;ter TOO\lood KateandPhl~pSopeor Dof" and Larry SperU~ )Im Spevak
Held stant-WoIskl and Tl"Ioma )ac:QUI'~ne LewI,
Aitho.x and Ka,en Undenl>el1! Ann Marie Uplnsld MIke and Debra L/suU Daniel uttle and BeY1oY
Char.... P. and Judy B. Luca, M~S.Luthef Frode and Marilyn Maaseidv""l! Donald and Jane MacQueen Wnllam and Jutta Maim
)ohn P!;.a,outhak" and Antl~onl Kelatoe\annl'
The Q.>arter B"lJo and Tavean L. )adfVIrripwn PalJk\a and TeJT'IITompIdn' Hitom Tonomo.xa
Cumln~ham
HuIlo and Karla Vandersypen V1lla~e COfner Cha,.... R and 8art>ara H. W all~ren )oAnn ward
Wnllam and SUsan WeadodI: Rkt\a,dand Madelon W eber· Mary linda Wl'bster ladst.....ant jane and EdHard Sd.....ak )otIn SN.JItz PI"IoIorS~Orchestra (111mHoIdIn~Inc.
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Mr and Nonna DavISan"U'>dF""",t Sara and Mlc:haeI "'aniIa's BooIcs DanIel and Sarah Nic:oli M~1e 0ItYI'r GilbertOmennandMarthaoarlln~ Oz\ Mus!r'slm RonandEileen~ The West End GI1U WhatCrepe? Ann and Clayton Wilhite Larry and Andl Wolf YanIoI:o£rap/'ly Glen Arbor cabin LLC Anne and Paul Glendon The G
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The Bel T""""" Hotel '00 """""" JudiBobrowandjonDl'serbel'l! ~~ FrancineBomar L~ All""""""'anRestao.xant Unda and Maur\c:e BI!i::N e harll'5 and Judith Lucas BladrstarF"'m5 RobertandPeill'sonMacek BedUsIM ~~~
Irwin and Fran Marn" TheM-OenonCampus
PrOf Geor£"andGIa

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