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Martin Bandyke Under Covers for June 2022: Martin interviews Scott A. Small, author of Forgetting: The Benefits of Not Remembering.

Dr. Scott Small has dedicated his career to understanding why memory forsakes us. As director of the Alzheimer’s Disease Research Center at Columbia University, he focuses largely on patients who experience pathological forgetting, and it is in contrast to their suffering that normal forgetting, which we experience every day, appears in sharp relief.

Until recently, most everyone—memory scientists included—believed that forgetting served no purpose. But new research in psychology, neurobiology, medicine, and computer science tells a different story. Forgetting is not a failure of our minds. It’s not even a benign glitch. It is, in fact, good for us—and, alongside memory, it is a required function for our minds to work best.

Forgetting benefits our cognitive and creative abilities, emotional well-being, and even our personal and societal health. As frustrating as a typical lapse can be, it’s precisely what opens up our minds to making better decisions, experiencing joy and relationships, and flourishing artistically.

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Martin Bandyke Under Covers for May 2022: Martin interviews Scott Eyman, author of 20th Century Fox: Darryl F. Zanuck and the Creation of the Modern Film Studio

From New York Times bestselling author Scott Eyman, 20th Century Fox: Darryl F. Zanuck and the Creation of the Modern Film Studio is the story one of the most influential studios in film history, from its glory days under the leadership of legendary movie mogul Darryl F. Zanuck up to its 2019 buyout by Disney.

March 20, 2019 marked the end of an era -- Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled -- and one of the greatest stories to come out of Hollywood.

This narrative tells the complete tale of the films, stars, intrigue, and innovations of the iconic studio that was.

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Martin Bandyke Under Covers for April 2022: Martin interviews Lenny Kaye, author of Lightning Striking: Transformative Moments in Rock and Roll.

Martin Bandyke Under Covers for April 2022: Martin interviews Lenny Kaye, author of Lightning Striking: Transformative Moments in Rock and Roll.

“We have performed side-by-side on the global stage through half a century…. In Lightning Striking, Lenny Kaye has illuminated ten facets of the jewel called rock and roll from a uniquely personal and knowledgeable perspective.” –-- Patti Smith

An insider’s take on the evolution and enduring legacy of the music that rocked the twentieth century

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Martin Bandyke Under Covers for February 2022: Martin interviews Marc Ribot, author of Unstrung: Rants and Stories of a Noise Guitarist.

Throughout his genre-defying career as one of the most innovative musicians of our time, iconoclastic guitar player Marc Ribot has consistently defied expectation at every turn. Here, in his first collection of writing, we see that same uncompromising sensibility at work as he playfully interrogates our assumptions about music, life, and death. Through essays, short stories, and the occasional unfilmable film "mistreatment" that showcase the sheer range of his voice, Unstrung captures an artist whose versatility on the page rivals his dexterity onstage.

In the first section of the book, "Lies and Distortion," Ribot turns his attention to his instrument--"my relation to the guitar is one of struggle; I'm constantly forcing it to be something else"--and reflects on his influences (and friends) like Robert Quine (the Voidoids) and producer Hal Willner (Saturday Night Live), while delivering an impassioned plea on behalf of artists' rights. Elsewhere, we glimpse fragments of Ribot's life as a traveling musician--he captures both the monotony of touring as well as small moments of beauty and despair on the road. In the heart of the collection, "Sorry, We're Experiencing Technical Difficulties," Ribot offers wickedly humorous short stories that synthesize the best elements of the Russian absurdist tradition with the imaginative heft of George Saunders. Taken together, these stories and essays cement Ribot's position as one of the most dynamic and creative voices of our time.

Martin’s interview with Marc Ribot was recorded on September 9th, 2021.

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Martin Bandyke Under Covers for January 2022: Martin interviews Eddie Muller, author of Dark City: The Lost World of Film Noir (Revised and Expanded Edition).

The new edition of Eddie Muller's Dark City (first published in 1998) is a film noir lover's bible, taking readers on a tour of the urban landscape of the grim and gritty genre in a definitive, highly illustrated volume.

Dark City expands with new chapters and a fresh collection of restored photos that illustrate the mythic landscape of the imagination. It's a place where the men and women who created film noir often find themselves dangling from the same sinister heights as the silver-screen avatars to whom they gave life. Eddie Muller, host of Turner Classic Movies' Noir Alley, takes readers on a spellbinding trip through treacherous terrain: Hollywood in the post-World War II years, where art, politics, scandal, style -- and brilliant craftsmanship -- produced a new approach to moviemaking, and a new type of cultural mythology.

Martin’s interview with Eddie Muller was recorded on November 18, 2021.

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Martin Bandyke Under Covers for December 2021: Martin interviews Michael Spitzer, author of The Musical Human: A History of Life on Earth

165 million years ago saw the birth of rhythm.

66 million years ago was the first melody.

40 thousand years ago Homo sapiens created the first musical instrument.

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Martin Bandyke Under Covers for October 2021: Martin interviews Charles Casillo, author of Elizabeth and Monty: The Untold Story of Their Intimate Friendship.

Violet-eyed siren Elizabeth Taylor and classically handsome Montgomery Clift were the most gorgeous screen couple of their time. Over two decades of friendship they made, separately and together, some of the era's defining movies--including Cat on a Hot Tin Roof, The Misfits, Suddenly, Last Summer, and Cleopatra. Yet the relationship between these two figures--one a dazzling, larger-than-life star, the other hugely talented yet fatally troubled--has never truly been explored until Elizabeth and Monty: The Untold Story of their Intimate Friendship.

When Elizabeth Taylor was cast opposite Montgomery Clift in A Place in the Sun, he was already a movie idol, with a natural sensitivity that set him apart. At seventeen, Elizabeth was known for her ravishing beauty rather than her talent. Directors treated her like a glamorous prop. But Monty took her seriously, inspiring and encouraging her. In her words, "That's when I began to act."

To Monty, she was "Bessie Mae," a name he coined for her earthy, private side. The press clamored for a wedding, convinced this was more than friendship. The truth was even more complex. Monty was drawn to women but sexually attracted to men--a fact that, if made public, would destroy his career. But he found acceptance and kinship with Elizabeth. Her devotion was never clearer than after his devastating car crash near her Hollywood home when she crawled into the wreckage and saved him from choking.

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Martin Bandyke Under Covers for September 2021: Martin interviews Jonathan Taplin, author of The Magic Years: Scenes from a Rock-and-Roll Life

Martin Bandyke Under Covers for September 2021: Martin interviews Jonathan Taplin, author of The Magic Years: Scenes from a Rock-and-Roll Life.

Jonathan Taplin’s extraordinary journey has put him at the crest of every major cultural wave in the past half century: he was tour manager for Bob Dylan and the Band in the ’60s, producer of major films in the ’70s, an executive at Merrill Lynch in the ’80s, creator of the Internet’s first video-on-demand service in the ’90s, and a cultural critic and author writing about technology in the new millennium. His is a lifetime marked not only by good timing but by impeccable instincts―from the folk scene to Woodstock, Hollywood’s rebellious film movement, and beyond. Taplin is not just a witness but a lifelong producer, the right-hand man to some of the greatest talents of both pop culture and the underground.

With cameos by Janis Joplin, Jimi Hendrix, Eric Clapton, Martin Scorsese, and countless other icons, The Magic Years is both a rock memoir and a work of cultural criticism from a key player who watched a nation turn from idealism to nihilism. Taplin offers a clear-eyed roadmap of how we got here and makes a convincing case for art’s power to deliver us from “passionless detachment” and rekindle our humanism.

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Martin Bandyke Under Covers for August 2021: Martin interviews Richard Thompson, author of Beeswing: Losing My Way and Finding My Voice 1967 – 1975.

In this moving and immersive memoir, Richard Thompson, the brilliant and beloved music legend, recreates the spirit of the 1960s, where he found, and then lost, and then found his way again.

Known for his brilliant songwriting, his extraordinary guitar playing, and his haunting voice, Thompson is considered one of the top twenty guitarists of all time, in the songwriting pantheon alongside Bob Dylan, Paul Simon, and Randy Newman. Now, in his long-awaited memoir, the British folk musician takes us back to the late 1960s, a period of great change and creativity—both for him and for the world at large.

Thompson packed more than a lifetime of experiences into his late teens and twenties. During the pivotal years of 1967 to 1975, just as he was discovering his passion for music, he formed the band Fairport Convention with some schoolmates and helped establish the genre of British folk rock. That led to a heady period of songwriting and massive tours, where Thompson was on the road both in the UK and the US, and where he crossed paths with the likes of Led Zeppelin, Pink Floyd, and Jimi Hendrix. But those eight years were also marked by change, upheaval, and tragedy. Then, at the height of the band’s popularity, Thompson left to form a duo act with his wife Linda. And as he writes revealingly here, his discovery and ultimate embrace of Sufism dramatically reshaped his approach to music—and of course everything else.

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Martin Bandyke Under Covers for July 2021: Martin interviews Glenn Frankel, author of Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic.

Director John Schlesinger’s Darling was nominated for five Academy Awards, and introduced the world to the transcendently talented Julie Christie. Suddenly the toast of Hollywood, Schlesinger used his newfound clout to film an expensive, Panavision adaptation of Far from the Madding Crowd. Expectations were huge, making the movie’s complete critical and commercial failure even more devastating, and Schlesinger suddenly found himself persona non grata in the Hollywood circles he had hoped to conquer.

Given his recent travails, Schlesinger’s next project seemed doubly daring, bordering on foolish. James Leo Herlihy’s novel Midnight Cowboy, about a Texas hustler trying to survive on the mean streets of 1960’s New York, was dark and transgressive.

His decision to film it began one of the unlikelier convergences in cinematic history, centered around a city that seemed, at first glance, as unwelcoming as Herlihy’s novel itself.