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The Prime Movers Blues Band (Feat. Iggy Pop): "Drinkin' That Orange Driver"
"Digging out these old recordings has been fun, but it also has made me realize what a great place Ann Arbor was in the middle Sixties. The Prime Movers Blues Band formed in the summer of 1965, the same time as the Grateful Dead were doing the identical thing out in San Francisco. Neither knew about the other. Later, of course there was interaction among these new music groups that were appearing all over the country. There was something in the air. It was the Sixties! The Prime Movers had gone to Chicago. We had seen Little Walter, Big Walter, Junior Wells, Buddy Guy, Muddy Waters, and all the blues greats playing live. I can remember one night listening to Howlin' Wolf play in a small club in Chicago. The room was empty and dark; there was no one there but a couple of us. Wolf was up front sitting on a chair next to the great blues guitarist Hubert Sumlin. Wolf's music went into our ears and then deep into my brain. Time just slowed down and then seemed to stop. The walls around me (and my body) became sort of transparent and it was as if I was somewhere out in deep space, just my mind alone, outside of time and place. My body just kind of disappeared. All that I could hear was Wolf's sound in my ear and brain. I lost all sense of a personal who and where I am. When folks ask me why I listen to and study the blues, it is more than just 'good music'. Blues (for me at least) has been a way to touch home, to go between the clock-ticking seconds of my life, somehow stepping outside of time, and get a sense of my life at a deeper level. Blues has always been for me a journey to see the nature of my own mind -- a refresher course in who I am and why I am here. Music has always been that for me." - Michael Erlewine
The main band members included:
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Michigan Music Project: Interview with Michael G. Nastos, Music Historian
Interview by All-Music Guide founder Michael Erlewine with jazz Music Historian Michael G. Nastos, a well known radio announcer and musician. These video-podcasts are part of a series of interviews for the Michigan Music Project, a documentary on Michigan musicians, artists, venues, and music supporters. The interviews in this series represent basic archival footage (roughly edited) from which excerpts will be taken for eventual documentary.
This video originally appeared here.
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Friends of the Sixties: The Prime Movers Blues Band (Solo from "Endless Blues")
"Friends of the Sixties" with Michael Erlewine, a half-hour show on the legendary Ann Arbor blues group the Prime Movers Blues Band, with Iggy Pop as their drummer, complete with dozens of photos, live tunes, and Iggy Pop singing "I'm a Man" with the Prime Movers Blues Band. Michael Erlewine is founder of the All-Music Guide and former lead singer and amplified-harmonica player for the Prime Movers Blues Band.
This video originally appeared here.
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Michigan Music Project: Interview with Peter Madcat Ruth (Part 2)
Part Two of an interview by All-Music Guide founder Michael Erlewine with harmonica virtuoso Peter Madcat Ruth, an internationally known musician. These video-podcasts are part of a series of interviews for the Michigan Music Project, a documentary on Michigan musicians, artists, venues, and music supporters. The interviews in this series represent basic archival footage (roughly edited) from which excerpts will be taken for eventual documentary.
This video originally appeared here.
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Michigan Music Project: Interview with Peter Madcat Ruth (Part 1)
Part One of an interview by All-Music Guide founder Michael Erlewine with harmonica virtuoso Peter Madcat Ruth, an internationally known musician. These video-podcasts are part of a series of interviews for the Michigan Music Project, a documentary on Michigan musicians, artists, venues, and music supporters. The interviews in this series represent basic archival footage (roughly edited) from which excerpts will be taken for eventual documentary.
This video originally appeared here.
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Friends of the Sixties: The Landmark Ann Arbor Blues Festivals 1969-1970
This is a rough-draft of some footage Stephen Erlewine took back in 1970 at the second pivotal Arbor Blues Festival, where his brother Michael was in charge of food and drink for the blues artists, and also served as interviewer for scores of the performers. This was a life-changing experience and led some years later to Michael founding the All-Music Guide (AMG).
This video originally appeared here.
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The Prime Movers Blues Band (Feat. Iggy Pop): "Watch Yourself"
"A question I get a lot is why did the Prime Movers never record and get famous? The short answer is: it was not in the cards. The longer version is actually pretty funny. Here it is in brief: There were two attempts to hitch our wagon to the stars. For a short time early on, we had the now-legendary 'Jeep' Holland, manager of the rock group "The Rationals" as our manager. For sure, he wanted to get us into the mainstream of popular music and to this end he tried to get us to conform, to wear little suits, and whatever he thought would help us. And we did try, but our natural temperament as a band found us wandering off that trail pretty quickly. Included here is an old video of a staged chase of the Prime Movers by a lot of our women fans. We did have some great fans. This video is appropriately stupid, as you will see. Our second near brush with fame came when a subsidiary of Motown courted us to join them as a White band playing Black music. They drove us around in their limousines, set up cool events like my brother Daniel and I having lunch with the Everly Brothers. Now THAT was very cool, because we loved their music. You get the idea. The shit hit the fan, so to speak, when we realized that the Black music they wanted us to play was not the Chicago blues music we loved and were learning, but some really bad arrangements they came up with for us to play. In other words, we would have to play what they gave us to play. Well that was not about to happen and we walked. We were out of there, instantly - short karma for the fame trip. So here is all the actual video of the Prime Movers that I am aware of." - Michael Erlewine
The Prime Movers Blues Band was founded in the summer of 1965 in Ann Arbor, Michigan.
The main band members included:
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The Prime Movers Blues Band (Feat. Iggy Pop): "Two Trains Running"
The Prime Movers Blues Band formed in the summer of 1965 in Ann Arbor, Michigan. This audio track is from fairly early on, a gig at the Schwaben Inn and Jim Osterberg (AKA Iggy Pop) is definitely the drummer on this track. This video is a tribute to Dan Erlewine, lead guitar player for the Prime Movers Blues Band. Subsequent to the Prime Movers Dan played lead guitar for the Sam Lay Blues Band and was considering playing guitar with the Butterfield band, when he decided he really wanted to build some guitars.
The main band members included:
Michael Erlewine: lead singer, harmonica
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Martin Bandyke Under Covers for December 2022: Martin interviews Mitchell Cohen, author of Looking for the Magic: New York City, the ‘70s and the Rise of Arista Records.
Looking for the Magic is a cultural-historical remix, a fresh perspective on how Arista Records reflected its place and time, New York in the 1970s and early 1980s. Through interviews with dozens of artists and executives, music journalist Mitchell Cohen goes inside the business of making and marketing music during this vibrant and diverse period. Under Clive Davis, rock, pop, punk, jazz, R&B, disco, cabaret and Broadway were all represented on Arista. The label sounded like the city it was at the geographical center of.
From its inception as a new entity built on the pop and soul foundation of Bell Records, to groundbreaking artists like Gil Scott-Heron and Patti Smith, to revitalized legends like the Kinks and Aretha Franklin, up to its launching of its biggest star, Whitney Houston, Arista Records’ story has never been told like this. Looking for the Magic covers the wide scope of the label’s roster: its giant pop successes (Barry Manilow), its dedication to cutting-edge jazz (Anthony Braxton) and its embrace of rock royalty (Lou Reed, the Grateful Dead).
Mitchell Cohen has written about music and film for Creem, High Fidelity, Film Comment, the Village Voice, Musician and Phonograph Record. He began working at Arista Records in the late ‘70s as a publicity and advertising copywriter and then as one of the label’s A&R executives.
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Martin Bandyke Under Covers for September 2022: Martin interviews Mark Clague, author of O Say Can You Hear?: A Cultural History of The Star Spangled Banner.
Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore’s Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don’t know is the story of how this everyday “broadside ballad,” one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation’s one and only anthem and today’s magnet for controversy.
In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song’s use in sports, at times of war, and for political protest, he argues that the anthem’s meaning reflects―and is reflected by―the nation’s quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key’s song is the story of America itself.
Each chapter in the book explores a different facet of the anthem’s story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key’s complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Jose Feliciano at the 1968 World Series. At every turn, the book goes beyond the events to explore the song’s resonance and meaning.