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Ann Arbor 200
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The Ann Arbor Ozone Homecoming Parade

In 1972, the University of Michigan decided to cancel their homecoming parade due to lack of interest and dwindling attendance.  Into that vacuum stepped counterculture artists, musicians, filmmakers, and performers to create the Ozone Parade, a free-for-all that showcased the wild creativity of Ann Arbor in the 1970s.  In The Ann Arbor Ozone Homecoming Parade, filmmaker Terri Sarris takes us through the life of the parade through archival footage and the voices of participants and creators.  

And for more stories about the Ozone Parade, check out the 75-minute director's cut.

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The Ann Arbor Ozone Homecoming Parade: The Director's Cut

In 1972, the University of Michigan decided to cancel their homecoming parade due to lack of interest and dwindling attendance.  Into that vacuum stepped counterculture artists, musicians, filmmakers, and performers to create the Ozone Parade, a free-for-all that showcased the wild creativity of Ann Arbor in the 1970s.  In The Ann Arbor Ozone Homecoming Parade, filmmaker Terri Sarris takes us through the life of the parade through archival footage and the voices of participants and creators.  

This is the director's cut of Sarris's 24-minute original created for Ann Arbor 200.

Ann Arbor 200
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AADL Talks To: Peter Andrews

Peter Andrews, photo by Leni Sinclair
Peter Andrews, circa 1971. Photo by Leni Sinclair.

In this wide-ranging interview from 2010, Peter Andrews recalls his varied career producing and managing local and regional music talent — from managing the Scot Richard Case (SRC) band and bringing bands like The Who, Jimi Hendrix, and the Yardbirds to Ann Arbor’s Fifth Dimension club, to booking national acts for University of Michigan student groups. He also discusses his role in Ann Arbor’s legendary Blues and Jazz Festivals, producing the John Sinclair Freedom Rally at Crisler Arena in 1971, and bringing John Lennon and Yoko Ono to town.

Articles and photos about Peter Andrews