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AADL Talks To: arwulf arwulf

arwulx
arwulf 

In this wide-ranging conversation, local radio personality and cultural historian, arwulf, recalls the many Ann Arbor institutions, icons, and events that shaped his life. He discusses the impact of Ann Arbor’s counterculture during his youth in the late 1960s, from an early introduction to 1950s-1960s blues, rock, and jazz; psychedelia in its many forms; and Ann Arbor's anti-war movement, to his artistic awakening through film, theater, art, and radio. He also shares memories of his interactions with members of the Rainbow People's Party, his work as a Psychedelic Ranger during the legendary Ann Arbor Blues and Jazz Festivals, and Ann Arbor’s experimental alternative education movement. 

Inscape: Chuck Berry - Nothin' Comes from Nowhere

Day
10
Month
December
Year
2014

When I look for the birth of Rock 'n' Roll, I don't find just one artist, but more like a long braid of influences tied together, overlapping, with one strand tied into another. Of course there is Little Richard, Fats Domino, and Chuck Berry. And I am not forgetting Elvis or Jerry Lee Lewis, but to me the roots of rock are found in Black music. One of my very favorites is Chuck Berry, whom I actually met once at a late-night party in Berkeley, California in 1964. We were both in the back hall of a house, he going one way, I another.

Blasts From the Past: Music in Ann Arbor, 1960s

In the late 1960s, in particular with the Ann Arbor Blues Festivals in 1969 and 1970, the blues were coming to town. Since Chicago is only a few hours drive from Ann Arbor, some of the Chicago blues greats were finding their way here.

I am feeling a little nostalgic. I just read the book on a friend of mine, the great blues guitarist-- “Michael Bloomfield: The Rise and Fall of an American Guitar Hero” by Ed Ward. Excellent book. I don’t blog much on my musical background, but I have one. Here is a little taste of that both in Ann Arbor and elsewhere.

Jerry Lee Lewis Puts His Foot On The Piano For His Performance At The Second Chance Club, February 3, 1981 Photographer: Robert Chase

Jerry Lee Lewis Puts His Foot On The Piano For His Performance At The Second Chance Club, February 3, 1981 image
Year:
1981
Published In:
Ann Arbor News, February 3, 1981
Caption:
Killer's Back - Jerry Lee Lewis shows the form that made Monday night's concert at Second Chance one of the Tidal Wave series' best. Lewis even played the piano with his feet - - and hit all the right notes.