Press enter after choosing selection
Graphic for events post

Blog Post

Joyce Brienza's "Floating Points" exhibit explores dichotomous realities

by christopherporter

Joyce Brienza's Hands painting

Joyce Brienza's Madonna painting

Joyce Brienza's Hands (top) and Madonna.

Graphic for events post

Blog Post

Dalia Reyes' "Rainbow Body" exhibit explores cosmic lightness

by christopherporter

Three paintings by Dalia Reyes

Portal practice: Dalia Reyes' painitngs explore metaphysical concepts.

Dalia Reyes is a Detroit-based artist and arts administrator with an undergraduate degree from the College for Creative Studies. In her artist statement for the exhibition Rainbow Body at the Connections Gallery in U-M's North Campus Research Complex, Reyes suggests her work “focuses on pushing fantasy into everyday scenery; where plants have names and all that glitters is definitely gold.”

Graphic for events post

Blog Post

Ann Arbor Art Center's "Art Now: Drawing" leaps off the page

by christopherporter

Lilian Crum's Untitled 1607

Lilian Crum's Untitled 1607 won second place in Ann Arbor Art Center's Art Now: Drawing exhibition.

What is drawing now?

Graphic for events post

Blog Post

Causing Moments: WSG Gallery's “Lynda Cole: Recent Places and Themes”

by christopherporter

Lynda Cole, Two-2

Lynda Cole's Two-2; oil stick, cold wax on Terraskin, mounted on Gator Board.

Local artist Lynda Cole is back at the WSG Gallery with another adventure in abstraction that’s as much about her sense of self as it is an exploration of art itself.

Graphic for events post

Blog Post

UMMA's "Aftermath: Landscapes of Devastation" ponders our relationship to disaster images

by christopherporter

Peter Turnley, New York, 9-11

Peter Turnley's New York, 9-11-01, 2001, archival pigment print; University of Michigan Museum of Art; gift of David and Jennifer Kieselstein, 2016/2.504.

Aftermath: Landscapes of Devastation is a small, excellently curated photo exhibition at UMMA that addresses the relationship between disasters, their images, and viewers. Chronicling an immense range of historical disasters, the exhibit is comprised of shots from the beginning days of photography that have captured remnants of destruction.

Graphic for events post

Blog Post

"Border Crossers" asks viewers to consider a boundaries-free world in the tech age

by christopherporter

Chico MacMurtrie's Border Crossers

Chico MacMurtrie holds a prototype for Border Crossers at the University of Michigan's Wilson Student Team Project Center. Photo by Robyn Han.

Border walls are only as strong as the robot overlords who can smash them to rubble allow them to be.

Graphic for events post

Blog Post

Two Stamps exhibitions explore the intersection of the political and the personal

by christopherporter

Celebrate People's History posters at Stamps Gallery

Two complementary exhibitions at Stamps Gallery engage in themes of social and political progress through photography and graphic design.

Celebrate People’s History posters, a project organized by Josh MacPhee since 1998, is “rooted in the do-it-yourself tradition of mass-produced and distributed political propaganda,” according to the Stamps website. Furthermore, “in dark times, it’s rare that a political poster is celebratory, and when it is, it almost always focuses on a small canon of male individuals: MLK, Gandhi, Che, or Mandela.”

Graphic for events post

Blog Post

"Ruth Gruber, Photojournalist" exhibit celebrates the brilliant trailblazer

by christopherporter

Ruth Gruber

In her 105 years on the planet, Ruth Gruber didn't half step anything. 

Born in Brooklyn in 1911, Gruber earned a Ph.D. at age 20 from the University of Cologne in German Philosophy, Modern English Literature, and Art History -- the youngest person in the world at that time to complete a doctorate.

Graphic for events post

Blog Post

Black Lives Matter: Ebony G. Patterson's "Of 72" & "...and babies too..."

by christopherporter

Ebony G. Patterson's Of 72 & ...and babies too...

Ebony G. Patterson's complementary works at U-M Institute for the Humanities address violence, identity, and the forgotten. Foreground: …and babies too… (mixed media, 120" x 58" x 10", 2016). Background: Of 72 (mixed media on paper, 19" x 13", 2011). Photo by Christopher Porter.

On May 23, 2010, Jamaican police and military entered the impoverished Kingston neighborhood Tivoli Gardens, a stronghold of drug lord Christopher Coke, leader of the infamous Shower Posse. The United States had ordered the extradition of the now-convicted Coke, and at least 73 civilians were killed by security forces as they searched for the man more commonly known as Dudus. (He wasn’t captured until June 23.)

Graphic for events post

Blog Post

WSG's "Sixteen Plus Sixteen" pairs gallery members & their selected artists

by christopherporter

Stewards of Creation, La Palouse, WA photo by Nina Hauser

Nina Hauser's Stewards of Creation, La Palouse, WA; iPhone photograph printed on archival paper using pigment inks; 5"x7"; 1/10.

The annual Sixteen Plus Sixteen features the work of WSG gallery members and their chosen guests. The 16 invited artists’ works are then shown alongside the works of WSG’s 16 represented artists.