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UMS Concert Program, Sunday Feb. 08 To 14: University Musical Society: 1997-1998 Winter - Sunday Feb. 08 To 14 --

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University Musical Society
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Season: 1997-1998 Winter
University Of Michigan, Ann Arbor

Musical Society
of the University of Michigan, Ann Arbor
The 1998 Winter Season
On the Cover
Included in the montage by local photographer David Smith are images taken from the University Musical Society's 1996-97 season. A member of Steve Turre's Shell Choir plays his conch shell as part of the Blues, Roots, Honks and Moans concert, mezzo-soprano Ewa Podles performs in Hill Auditorium and dancers perform the snow scene from The Harlem Nutcracker at the Power Center.
4 Letter from the President
5 Corporate UnderwritersFoundations
9 UMS Board of DirectorsSenate
StaffAdvisory Committees
10 General Information
13 Ticket Services
14 UMS History
15 UMS Choral Union
16 Auditoria Burton Memorial Tower
20 Education and Audience Development
22 Season Listing
Concert Programs begin after page 26
28 Volunteer Information
30 Hungry
30 Restaurant & Lodging Packages
32 The UMS Card
32 Gift Certificates
34 Sponsorship and Advertising
37 Group Tickets
37 Advisory Committee
37 Acknowledgments
38 Ford Honors Program
40 UMS Contributors
49 UMS Membership
50 Advertiser Index

Dear Friend,
Thanks very much for attending this perfor?mance and for supporting the University Musical Society (UMS) by being a member of the audience. I'd like to invite you to become even more involved with UMS. There are many ways you can do this, and the rewards are great.
Educational Activities. This season UMS is hosting more than 150 performance-related educational events, nearly all of them free and open to the public. Want to learn from a member of the New York City Opera National Company what it's like to be on the road for four months, or find out from Beethoven scholar Steven Whiting why the composer's music, beloved by today's audi?ences, was reviled by many in Beethoven's own time Through our "Master of Arts" interview series, Performance-Related Educational Presentations (PREPs), post-per?formance chats with the artists, and a variety of other activities, I invite you to discover the answers to these and other questions and to deepen your understanding and appreciation of the performing arts.
UMS Choral Union. Does singing with an outstanding chorus appeal to you UMS' own 180-voice chorus, which performs annu?ally on the UMS series and as guest chorus with leading orchestras throughout the region, invites you to audition and to experience the joys of musicmaking with the wonderful people who make up the chorus.
Volunteering. We couldn't exist with?out the marvelous work of our volunteers. I invite you to consider volunteering -usher?ing at concerts, staffing the information kiosk in the lobby, serving on the UMS Advisory Committee, helping prepare our artists' welcome packets, offering your special talent to UMS, etc. -and joining the more than 500 people
who make up this absolutely critical part of the UMS family.
Group Activities. If you are a member of a service club, youth group, religious orga?nization, or any group that enjoys doing things together, I invite you to bring your group to a UMS event. There are terrific dis?counts and other benefits, not to mention the fun your group can have before, during, and after a UMS event.
UMS Membership. If you're not already a UMS member, I hope you'll consider becoming one. Not only do you receive the satisfaction of knowing that your financial support is helping us bring the world's best artists to our community, but there are numerous benefits to enjoy, including advance ticket purchase, invitations to special events, opportunities to meet artists, and more.
You can obtain further information about all of these opportunities throughout this pro?gram book and on our website ( You can also stop by the information kiosk in the lobby or come and talk to me directly. I'd love to meet you, answer any questions you might have, and, most importantly, learn of anything we can do at UMS to make your concertgoing experience the best possible. Your feedback and ideas for ways we can improve are always welcome. If you don't happen to catch me in the lobby, please call me at my office in Burton Tower at 734.647.1174, or send an e-mail message to
Kenneth C. Fischer President
Thank You, Corporate Underwriters
On behalf of the University Musical Society, I am privileged to recognize the following cor?porate leaders whose support of UMS reflects their recognition of the importance of local?ized exposure to excellence in the performing arts. Throughout its history, UMS has enjoyed close partnerships with many corporations who have the desire to enhance the quality of life in our community. These partnerships form the cornerstone of UMS' support and help the UMS tradition continue.
We are proud to be associated with these companies. Their significant participation in our program strengthens the increasingly important partnership between business and the arts. We thank these community leaders for this vote of confidence in the University Musical Society.
F. Bruce Kulp
Chair, UMS Board of Directors
Sam Edwards
President, Beacon Investment Company "All of us at Beacon know that the University Musical Society is one of this community's most
valuable assets. Its long history of present?ing the world's outstanding performers has established Ann Arbor's reputation as a major international center of artistic achievement. And its inspiring programs make this a more interesting, more adven?turous, more enjoyable city."
CARL A. BRAUER, JR. Owner, Brauer Investment Company "Music is a gift from God to enrich our lives. Therefore, I enthusiastically sup?port the University
Musical Society in bringing great music to our community."
DAVID G. LOESEL President, T.M.I.. Ventures, Inc. "Cafe Marie's support of the University Musical Society Youth Program is an honor
and a privilege. Together we will enrich and empower our community's youth to carry forward into future generations this fine tradition of artistic talents."
L. THOMAS CONLIN Chairman of lite Board and Chief Executive Officer, Conlin Inivii "Conlin Travel is pleased to support the significant cultural
and educational projects of the University Musical Society."
JOSEPH CURTIN AND GREGG ALF Owners, Curtin & AJf "Curtin & Alf's support of the University Musical Society is both a priv?ilege and an honor.
Together we share in the joy of bringing the fine arts to our lovely city and in the pride of seeing Ann Arbor's cultural opportunities set new standards of excel?lence across the land."
Chairman and Chief Executive Officer. Detroit Edison "The University Musical Society is one of the organiza?tions that make the
Ann Arbor community a world-renowned center for the arts. The entire community shares in the countless benefits of the excellence of these programs."
Edward surovell
The Edward Surovell
"It is an honor for
Edward Surovell
Company to be able
to support an insti-
tution as distinguished as the University Musical Society. For over a century it has been a national leader in arts presentation, and we encourage others to contribute to UMS' future."
First of America Bank-Ann Arbor "We are proud to be a part of this major cultural group in our community which
perpetuates wonderful events not only for Ann Arbor but for all of Michigan to enjoy."
Alex Trotman
Chairman, Chief Executive Officer, Ford Motor Company "Ford takes particular pride in our long?standing association with the University
Musical Society, its concerts, and the educa?tional programs thai contribute so much to Southeastern Michigan."
Chairman and Chief
Executive Officer,
"Our community is
enriched by the
University Musical
Society. We warmly support the cultural events it brings to our area."
Kathleen G. Charla
President, Kathleen G. Charla Associates, Publishers Representatives "Music is a wondrous gift that nurtures the soul. Kathleen G. Charla Associates is
pleased and honored to support the University Musical Society and its great offerings of gifts to the community."
President, KeyBank. "Music is Key to keep?ing our society vibrant and Key is proud to support the cultural institution rated num?ber one by Key Private Bank clients"
RONALD WEISER Chairman and Chief Executive Officer, McKinley Associates, Inc.
"McKinley Associates is proud to support the University
Musical Society and the cultural contribu?tion it makes to the community."
THOMAS B. MCMULLEN President, Thomas B. McMullen Co., Inc. "I used to feel that a UofM Notre Dame football ticket was the best ticket in Ann
Arbor. Not anymore. The UMS provides the best in educational entertainment."
ERIK H. SERR Principal Miller, Canficld, Paddock and Stone, P.L.C.
Miller, Canfield, Paddock and Stone is particularly
pleased to support the University Musical Society and the wonderful cultural events it brings to our community.
JORGE A. SOUS First Vice President and Manager, NBD Bank "NBD Bank is honored to share in the University Musical Society's
proud tradition of musical excellence and artistic diversity."
Larry McPherson
President and COO, NSK Corporation "NSK Corporation is grateful for the opportunity to con?tribute to the University Musical
Society. While we've only been in the Ann Arbor area for the past 83 years, and UMS has been here for 119, we can still appreci?ate the history they have with the city -and we are glad to be part of that history."
Joe E. O'Neal
O'Neal Construction "A commitment to quality is the main reason we are a proud supporter of the University
Musical Society's efforts to bring the finest artists and special events to our community."
RONALD M. CRESSWELL, PH.D. Chairman, Parke-Davis Pharmaceutical "Parke-Davis is very proud to be associat?ed with the University Musical
Society and is grateful for the cultural enrichment it brings to our Parke-Davis Research Division employees in Ann Arbor."
Michael Staebler
Managing Partner, Pepper, Hamilton & Scheeu "Pepper, Hamilton and Scheetz congratulates the University Musical
Society for providing quality perfor?mances in music, dance and theater to the diverse community that makes up Southeastern Michigan. It is our pleasure to be among your supporters."
President, Regency Travel Agency, Inc. "It is our pleasure to work with such an outstanding organi?zation as the Musical
Society at the University of Michigan."
DR. JAMES R IRWIN Chairman and CEO, The Irwin Group of Companies. President, Wolverine Temporaries, Inc. "Wolverine Temporaries began its support of
the University Musical Society in 1984, believing that a commitment to such high quality is good for all concerned. We extend our best wishes to UMS as it continues to culturally enrich the people of our community."
Thank You, Foundation Underwriters and Government Agencies
David. E. Engelbert
Benard L. Maas
The Benard L. Maas
Foundation is proud
to support the
University Musical Society in honor of its beloved founder: Benard L. Maas February 4,1896 May 13,1984.
We also gratefully acknowledge the support of the following foundations and government agencies listed here:
Arts Midwest
benard l. Maas Foundation
Chamber Music America
The Grayling Fund
The herrick Foundation
kmd foundation
lila wallace-reader's digest fund
michigan council for the arts
and cultural affairs mosaic foundation National Endowment for the arts New England Foundation for
the Arts world heritage Foundation
Benard L. Maas
The University Musical Society of the University of Michigan
F. Bruce Kulp, chair
Marina v.N. Whitman, vice chair
Stuart A. Isaac, secretary
Elizabeth Yhouse, treasurer
Herbert S. Amster
Gail Davis Barnes
Maurice S. Binkow
Lee C. Bollinger
lanice Stevens Botsford
Paul C. Boylan Barbara Everitt Bryant Ixtitia J. Byrd Leon S. Cohan Jon Cosovich Ronald M. Cresswell Robert F. DiRomualdo David Featherman Beverley B. Geltner
Walter L. Harrison Norman G. Herbert Alice Davis Irani Thomas E. Kauper Earl Lewis Rebecca McGowan Lester P. Monts Joe E. O'Neal lohn Psarouthakis
Richard H. Rogel George I. Shirley John O. Simpson Herbert Sloan Carol Shalita Smokier Peter Sparling Edward D. Surovell Susan B. Ullrich Iva M. Wilson
UMS SENATE (former members of the UMS Board of Directors)
Robert G. Aldrich Richard S. Berger Carl A. Brauer Allen P. Britton Douglas Crary John D'Arms James). Duderstadt Robben W. Fleming
Randy J. Harris Harlan H. Hatcher Peter N. Heydon Howard Holmes Kay Hunt David B. Kennedy Richard L. Kennedy Thomas C. Kinnear
Patrick B. Long ludythe H. Maugh Paul W. McCracken Alan G. Merten John D. Paul Wilbur K. Pierpont Gail W. Rector John W. Reed
Harold T. Shapiro Ann Schriber Daniel H. Schurz Lois U. Stegeman E. Thurston Thieme Jerry A. Weisbach Eileen Lappin Weiser Gilbert Whitaker
AdministrationFinance Kenneth C. Fischer, President Elizabeth Jahn, Assistant to
the President ohn B. Kennard, Jr.,
Administrative Manager R. Scott Russell, Systems Analyst
Box Office
Michael L. Gowing, Manager Sally A. Cushing, Staff Ronald J. Reid, Assistant Manager and Group Sales
Choral Union Thomas Sheets, Conductor Edith Leavis Bookstein, Manager Donald Bryant, Conductor Emeritus
Catherine S. Arcure, Director Elaine A. Economou, Assistant
Director -Corporate Support Susan Fitzpatrick,
Administrative Assistant Lisa Murray, Advisory Support J. Thad Schork, Gift Processor Anne Griffin Sloan, Assistant
Director -Individual Giving
EducationAudience Development Ben Johnson, Director Yoshi Campbell, Manager
Sara Billmann, Director
Sara A. Miller, Advertising and
Promotion Coordinator John Peckham, Marketing
Gus Malmgren, Director
Emily Avers, Artist Services and
Production Coordinator Kathi Reister, Head Usher Paul Jomantas, Assistant Head
Michael Kondziolka, Director
Kate Remen, Manager
Work-Study Laura Birnbryer Rebekah Camm Danielle DeSwert Nikki Dobell Ron Dolen Mariela Flambury Amy Hayne Sara Jensen
Bert lohnson Melissa Karjala Un lung Kim Adrienne Levengood Beth Meyer Albert Muzaurieta Rebekah Nye Tansy Rodd
Laura Birnbryer lack Chan Carla Dirlikov Colin Myscuwuec Amy Tubman
President Emeritus Gail W. Rector
Gregg Alf
Martha Ause
Paulett Banks
Kathleen Beck
Janice Stevens Botsford
leannine Buchanan
Lctitia . Byrd
Betty Byrne
Phil Cole
Mary Ann Daane
H. Michael Endres
Don Faber
Kathcrine Hilboldt Farrell
Penny Fischer
Sara Frank
Barbara Gelehrter
Beverley B. Geltner
Joyce Ginsberg
Linda Greene
Dianne Harrison Debbie Herbert Tina Goodin Hertel Matthew Hoffmann Maureen Isaac Darrin Johnson Barbara Kahn Mercy Kasle Steve Kasle Maxine Larrouy Beth LaVoie Barbara Lcvitan Doni Lystra Esther Martin Margie McKinley Jeanne Mcrlanti Scott Merz Ronald G. Miller Robert B. Morris
Len Niehoff Nancy Niehoff Karen Koykka O'Neal Marysia Ostafin Mary Pittman leva Rasmussen Nina Swanson Robinson Maya Savarino Janet Shatusky Meg Kennedy Shaw Aliza Shevrin Loretta Skewes Cynny Spencer Ellen Stress Kathleen Treciak Susan B. Ullrich Dody Viola David White Jane Wilkinson
Fran Ampey
Kitty Angus
Gail Davis Barnes
Alana Barter
Elaine Bennett
Letitia J. Byrd
Diane Davis
Deb Katz
lohn Littlejohn
Dan Long
Laura Machida
Ken Monash
Gayle Richardson
Karen Schulte
Helen Siedel
Sue Sinta
Sandy Trosien
Linda Warrington
Tlte University Musical Society is an equal opportunity employer and services without regard to race, color, religion, national origin, age, sex or handicap. The University Musical Society is supported by the Michigan Council for the Arts and Cultural Affairs.
General Information
Coat Rooms
Hill Auditorium: Coat rooms are located on the east and west sides of the main lobby and are open only during the winter months. Rackham Auditorium: Coat rooms are located on each side of the main lobby. Power Center: Lockers are available on both levels for a minimal charge. Free self-serve coat racks may be found on both levels. Michigan Theater: Coat check is available in the lobby.
Museum of Art: A coat closet is located to the right of the lobby gallery, near the south stair?case.
Drinking Fountains
Hill Auditorium: Drinking fountains are located throughout the main floor lobby, as well as on the east and west sides of the first and second balcony lobbies. Rackham Auditorium: Drinking fountains are located at the sides of the inner lobby. Power Center: Drinking fountains are located on the north side of the main lobby and on the lower level, next to the restrooms. Michigan Theater: Drinking fountains are located in the center of the main floor lobby. Mendelssohn: A drinking fountain is located at the north end of the hallway outside the main floor seating area. St. Francis: A drinking fountain is located in the basement at the bottom of the front lobby stairs.
Handicapped Facilities
All auditoria have barrier-free entrances. Wheelchair locations are available on the main floor. Ushers are available for assistance.
Lost and Found
For items lost at Hill Auditorium, Rackham Auditorium, Power Center, and Mendelssohn Theatre call University Productions: 734.763.5213.
For items lost at St. Francis of Assisi Catholic Church, the Michigan Theater and the U-M Museum of Art, call the Musical Society Box Office at 734.764.2538.
Parking is available in the Tally Hall, Church Street, Maynard Street, Thayer Street, and Fletcher Street structures for a minimal fee. Limited street parking is also available. Please allow enough time to park before the perfor?mance begins. Free parking is available to UMS members at the Principal level. Free and reserved parking is available for UMS mem?bers at the Leader, Concertmaster, Virtuosi, Maestro and Soloist levels.
Public Telephones
Hill Auditorium: A wheelchair-accessible pub?lic telephone is located at the west side of the outer lobby.
Rackham Auditorium: Pay telephones are located on each side of the main lobby. A campus phone is located on the east side of the main lobby.
Power Center: Pay phones are available in the ticket office lobby.
Michigan Theater: Pay phones are located in the lobby.
Mendelssohn: Pay phones are located on the first floor of the Michigan League. St. Francis: There are no public telephones in the church. Pay phones are available in the Parish Activities Center next door to the church.
Museum of Art: No public phones are avail?able at the Museum of Art. The closest public phones are located across the street in the basement level of the Michigan Union.
Refreshments are served in the lobby during intermissions of events in the Power Center for the Performing Arts, and are available in
the Michigan Theater. Refreshments are not allowed in the seating areas.
Hill Auditorium: Men's rooms are located on the east side of the main lobby and the west side of the second balcony lobby. Women's rooms are located on the west side of the main lobby and the east side of the first bal?cony lobby.
Rackham Auditorium: Men's room is located on the east side of the main lobby. Women's room is located on the west side of the main lobby.
Power Center: Men's and women's rooms are located on the south side of the lower level. A Wheelchair-accessible restroom is located on the north side of the main lobby and off of the Green Room. A men's room is located on the south side of the balcony level. A women's room is located on the north side of the bal?cony level.
Michigan Theater: Men's and women's rooms are located in the mezzanine lobby. Wheelchair-accessible restrooms are located on the main floor off of aisle one.
Mendelssohn: Men's and women's rooms are located down the long hallway from the main
floor seating area.
St. Francis: Men's and women's rooms are
located in the basement at the bottom of the
front lobby stairs.
Museum of Art: Women's rooms are located
on the first floor near the south staircase.
Men's rooms are located on the basement level
near the south staircase.
Smoking Areas
University of Michigan policy forbids smok?ing in any public area, including the lobbies and restrooms.
Guided tours of the auditoria are available to groups by advance appointment only. Call 734.763.3100 for details.
UMSMember Information Booth
A wealth of information about UMS events, restaurants and the like is available at the information booth in the lobby of each audi?torium. UMS volunteers can assist you with questions and requests. The information booth is open thirty minutes before each concert, during intermission and after the concert.
Ticket Services
Phone orders and information
University Musical Society Box Office
Burton Memorial Tower
Ann Arbor, MI 48109-1270
on the University of Michigan campus
From outside the 313 and 734 area codes,
call toll-free
M-F 10 a.m. to 6 p.m. Sat. 10 a.m. to 1 p.m. Order online at the UMS Website
Visit our Box Office in person
At the Burton Tower ticket office on the University of Michigan campus. Performance hall box offices open 90 minutes before the performance time.
Returns If you are unable to attend a con?cert for which you have purchased tickets, you may turn in your tickets up to 15 minutes" before curtain time by calling the UMS Box Office. Refunds are not available; however, you will be given a receipt for an income tax deduction. Please note that ticket returns do not count toward UMS membership.
University Musical Society
of the University of Michigan
The goal of the University Musical Society (UMS) is clear: to engage, educate, and serve Michigan audiences by bringing to our community an ongoing series of world-class artists, who represent the diverse spectrum of today's vigorous and exciting live performing arts world. Over its 119 years, strong leader?ship coupled with a devoted community have placed UMS in a league of internationally-recognized performing arts presenters. Today, the UMS seasonal program is a reflection of a thoughtful respect for this rich and varied his?tory, balanced by a commitment to dynamic and creative visions of where the performing arts will take us in the next millenium. Every day UMS seeks to cultivate, nurture and stim?ulate public interest and participation in every facet of the live arts.
The Musical Society grew from a group of
local university and townspeople who gath?ered together for the study of Handel's Messiah. Led by Professor Henry Frieze and conducted by Professor Calvin Cady, the group assumed the name The Choral Union. Their first performance of Handel's Messiah was in December of 1879, and this glorious oratorio has since been performed by the UMS Choral Union annually.
As a great number of Choral Union members also belonged to the University, the University Musical Society was established in December 1880. The Musical Society included the Choral Union and University Orchestra, and throughout the year presented a series of concerts featuring local and visiting artists and ensembles.
Since that first season in 1880, UMS has expanded greatly and now presents the very best from the full spectrum of the performing arts -internationally renowned recitalists and orchestras, dance and chamber ensembles, jazz and world music performers, and opera and theatre. Through educational endeavors, com-missjoning of new works, youth programs, artists residencies and other collaborative pro?jects, UMS has maintained its reputation for quality, artistic distinction and innovation. The Musical Society now hosts over 70 concerts and more than 150 educational events each season. UMS has flourished with the support of a generous community which gathers in Hill and Rackham Auditoria, the Power Center, the Michigan Theater, St. Francis of Assisi Catholic Church, the Museum of Art and the Lydia Mendelssohn Theatre.
While proudly affiliated with the University of Michigan, housed on the Ann Arbor campus, and a regular collaborator with many University units, the Musical Society is a separate not-for-profit organization, which supports itself from ticket sales, corporate and individual contribu?tions, foundation and government grants, and endowment income.
UMS Choral Union
Thomas Sheets, conductor
For more information about the UMS Choral Union, please call 734.763.8997.
Throughout its 119-year history, the University Musical Society Choral Union has performed with many of the world's distinguished orches?tras and conductors.
Based in Ann Arbor under the aegis of the University Musical Society, the 180-voice Choral Union remains best known for its annual per?formances of Handel's Messiah. Four years ago, the Choral Union further enriched that tradition when it began appearing in concert with the Detroit Symphony Orchestra. Among other works, the chorus has joined the DSO in Orchestra Hall and Meadowbrook for subscrip?tion performances of Beethoven's Symphony No. 9, Orff's Carmina Burana, Ravel's Daphnis et Chloe, Prokofiev's Aleksandr Nevsky, and has recorded Tchaikovsky's The Snow Maiden with the orchestra for Chandos, Ltd.
In 1995, the Choral Union entered into an artistic association with the Toledo Symphony,
inaugurating the partnership with a performance of Britten's War Requiem, and continuing with performances of the Berlioz Requiem, Bach's Mass in b minor and Verdi's Requiem. Last sea?son, the Choral Union again expanded its scope to include performances with the Grand Rapids Symphony, joining with them in a rare presen?tation of Mahler's Symphony No. 8.
In this, its 119th season, the Choral Union will present Mendelssohn's Elijah with the Ann Arbor Symphony Orchestra under the direction of Thomas Sheets. The chorus will also perform Porgy and Bess with the BirminghamBloomfield Symphony Orchestra and The Dream ofGerontius with the Toledo Symphony.
Participation in the Choral Union remains open to all by audition. Representing a mixture of townspeople, students and faculty, members of the Choral Union share one common passion -a love of the choral art.
Hill Auditorium
Standing tall and proud in the heart of the University of Michigan campus, Hill Auditorium is associated with the best performing artists the world has to offer. Inaugurated at the 20th Annual Ann Arbor May Festival in 1913, this impressive structure has served as a showplace for a variety of impor?tant debuts and long relationships throughout the past 84 years. With acoustics that highlight everything from the softest high notes of vocal recitalists to the grandeur of the finest orches?tras, Hill Auditorium is known and loved throughout the world.
Former U-M regent Arthur Hill bequeathed $200,000 to the University for the construction of an auditorium for lectures, concerts and other university events. Then-UMS President Charles Sink raised an addi?tional $150,000, and the concert hall opened in 1913 with the Chicago Symphony Orchestra performing Beethoven's ever-popular Symphony No. 5.
The auditorium seated 4,597 when it first opened; subsequent renovations, which increased the size of the stage to accommodate both an orchestra and a large chorus (1948) and improved wheelchair seating (1995), decreased the seating capacity to its current 4,163.
Hill Auditorium is slated for renovation. Developed by Albert Kahn and Associates (architects of the original concert hall), the renovation plans include elevators, expanded bathroom facilities, air conditioning, greater backstage space, artists' dressing rooms, and many other improvements and patron conve?niences.
Rackham Auditorium
Sixty years ago, chamber music concerts in Ann Arbor were a relative rarity, presented in an assortment of venues including University Hall (the precursor to Hill
Auditorium), Hill Auditorium, Newberry Hall and the current home of the Kelsey Museum. When Horace H. Rackham, a Detroit lawyer who believed strongly in the importance of the
study of human history and human thought, died in 1933, his will established the Horace H. Rackham and Mary A. Rackham Fund, which subsequently awarded the University of Michigan the funds not only to build the Horace H. Rackham Graduate School which houses the 1,129-seat Rackham Auditorium, but also to establish a $4 million endowment to further the development of graduate stud?ies. Even more remarkable than the size of the gift, which is still considered one of the most ambitious ever given to higher-level education, is the fact that neither of the Rackhams ever attended the University of Michigan.
Power Center for the Performing Arts
The Power Center for the Performing Arts was bred from a realization that the University of Michigan had no adequate proscenium-stage theatre for the performing arts. Hill Auditorium was too massive and technically limited for most productions, and the Lydia Mendelssohn Theatre too small. The Power Center was designed to supply this missing link in design and seating capacity.
In 1963, Eugene and Sadye Power, together with their son Philip, wished to make a major gift to the University, and amidst a list of University priorities was mentioned "a new theatre." The Powers were immediately interest?ed, realizing that state and federal government were unlikely to provide financial support for
Hill Auditorium
the construction of a new theatre.
The Power Center opened in 1971 with the world premiere of The Grass Harp (based on the novel by Truman Capote). No seat in the Power Center is more than 72 feet from the stage. The lobby of the Power Center fea?tures two hand-woven tapestries: Modern Tapestry by Roy Lichtenstein and Volutes by Pablo Picasso.
Michigan Theater
The historic Michigan Theater opened January 5,1928 at the peak of the vaudeville movie palace era. Designed by Maurice Finkel, the 1,710-seat Theater cost around $600,000 when it was first built. The gracious facade and beautiful interior housed not only the theater, but nine stores, offices on the sec?ond floor and bowling alleys running the length of the basement. As was the custom of the day, the Theater was equipped to host both film and live stage events, with a full-size stage, dressing rooms, an orchestra pit, and the Barton Theater Organ, acclaimed as the best of its kind in the country. Restoration of the bal?cony, outer lobby and facade is planned for 2003.
St. Francis of Assisi Catholic Church
In June 1950, Father Leon Kennedy was appointed pastor of a new parish in Ann Arbor. Seventeen years later ground was broken to build a permanent church building, and on March 19, 1969 John Cardinal Dearden dedicated the new St. Francis of Assisi Church. Father James McDougal was appointed pastor in 1997.
St. Francis of Assisi Catholic Church has grown from 248 families when it first started to more than 2,800 today. The present church seats 900 people and has ample free parking. In 1994 St. Francis purchased a splendid three manual "mechanical action" organ with thirty-four stops and fourty-five ranks, built and installed by Orgues Letourneau from Saint Hyacinthe, Quebec. Through dedication, a commitment to superb liturgical music and a vision to the future, the parish improved the acoustics of the church building, and the reverberant sanctuary has made the church a gathering place for the enjoyment and contem?plation of sacred a cappella choral music and early music ensembles.
Auditoria, continued
Lydia Mendelssohn Theatre
Notwithstanding an isolated effort to estab?lish a chamber music series by faculty and students in 1938, UMS most recently began presenting artists in the Lydia Mendelssohn Theatre in 1993, when Eartha Kitt and Barbara Cook graced the stage of the intimate 658-seat theatre for the 100th May Festival's Cabaret Ball. Now, with a new pro?grammatic initiative to present song in recital, the superlative Mendelssohn Theatre has become a recent venue addition to the Musical Society's roster and the home of the Song Recital series. This year's series cele?brates the alto voice with recitals by Marilyn Home, David Daniels, and Susanne Mentzer.
U-M Museum of Art
The University of Michigan Museum of Art houses one of the finest university art col?lections in the country and the second largest art collection in the state of Michigan. A community museum in a university set?ting, the Museum of Art offers visitors a rich and diverse permanent collection, supple?mented by a lively, provocative series of special exhibitions and a full complement of inter?pretive programs. UMS presents two special concerts in the Museum in the 1997-98 season.
Burton Memorial Tower
Seen from miles away, this well-known University of Michigan and Ann Arbor landmark is the box office and administra?tive location for the University Musical Society.
Completed in 1935 and designed by Albert Kahn, the 10-story tower is built of Indiana limestone with a height of 212 feet. During the academic year, visitors may climb up to the observation deck and watch the carillon being played from noon to 12:30 pm weekdays when classes are in session and most Saturdays from 10:15 to 10:45 am.
Education and Audience Development
During the past year, the University Musical Society's Education and Audience Development program has grown signifi?cantly. With a goal of deepening the under?standing of the importance of live performing arts as well as the major impact the arts can have in the community, UMS now seeks out active and dynamic collaborations and part?nerships to reach into the many diverse com?munities it serves.
Several programs have been established to meet the goals of UMS' Education and Audience Development program, including specially designed Family and Student (K-12) performances. This year, more than 6,000 stu?dents will attend the Youth Performance Series, which includes The Harlem Nutcracker, Chick Corea and Gary Burton, the New York City Opera National Company, Los Munequitos de Matanzas, and STREB.
The University Musical Society and the Ann Arbor Public Schools are members of the Kennedy Center Performing Arts Centers and Schools: Partners in Education Program.
Some highlighted activities that further the understanding of the artistic process and appreciation for the performing arts include:
Master of Arts Interview Series
In collaboration with Michigan Radio WUOM WFUMWVGR, the Institute for the Humanities, and the Institute for Research on Women and Gender, UMS presents a series of informal and engaging dialogues with UMS Artists.
The American String Quartet will be interviewed in conjunction with the Beethoven the Contemporary Series and will discuss their commitment to contemporary classical music and its future.
MacArthur "Genius" grant winner Elizabeth Streb discusses her unique choreographic vision with UMS' Director of Education and Audience Development, Ben Johnson.
Terri Sarris and Gaylyn Studlar, U-M Film
and Video Studies, will interview filmmaker Ngozi Onwurah, Artist in Residence for the Institute for the Humanities and the Paula and Edwin Sidman Fellow in the Arts.
PREPs (Performance-Related Educational Presentations)
Attend lectures and demonstrations that sur?round UMS events. PREPs are given by local and national experts in their field, and some highlights include:
Richard LeSueur, Vocal Arts Information Services, will conduct PREPs on vocal music before David Daniels, Susanne Mentzer, and the New York City Opera National Company.
Alberto Nacif, Cuban music expert, will share his knowledge of Afro-Cuban Music and his personal experiences with the members of Los Mufiequitos de Matanzas.
Glenn Watkins and Travis Jackson of the U-M School of Music will talk about Wynton Marsalis' world premiere being paired with Stravinsky's L'histoire du Soldat in "Marsalis Stravinsky," a joint project with the Chamber Music Society of Lincoln Center and Jazz at Lincoln Center.
A special concertgoer's tour of the new U-M Museum of Art Monet exhibit "Monet at Vetheuil" prior to Jean-Yves Thibaudet's recital.
And many other highlighted PREPs featur?ing Ellwood Derr, Andrew Lawrence-King, Ohad Naharin, and Helen Siedel.
Teacher Workshop Series
A series of workshops for all K-12 teachers, these workshops are a part of UMS' efforts to provide school teachers with professional development opportunities and to encourage on-going efforts to incorporate the arts in the curriculum.
Space, Time and the Body: STREB Workshop Leader: Hope Clark, Associate Artistic Director of STREB and Director of KidACTION. Monday, January 12, 4:00 6:00pm, Washtenaw Intermediate School District, Grades K-12.
A Master Class with Marilyn Home working with U-M Graduate Student. Sylvia Twine.
Scientific Thought in Motion Workshop Leader: Randy Barron, Kennedy Center Arts Educator. Monday, January 26, 4:00 7:00 pm, Washtenaw Intermediate School District, Grade level: K-12
Infusing Opera into the Classroom: New York City Opera National Company's Daughter of the Regiment
Workshop Leader: Helen Siedel, Education Specialist, UMS. Monday, February 9, 4:00 -6:00 pm, Washtenaw Intermediate School District, Grade Level: 4-6
Rhythms and Culture of Cuba: Los Munequitos de Matanzas Workshop Leader: Alberto Nacif, Musicologist, educator and host of WEMU's "Cuban Fantasy" Tuesday, February 17, 4:00 -6:00 pm, Washtenaw Intermediate School District, Grade Level: K-12
To Register or for more information, call 734.763.3100.
Beethoven the Contemporary
We are in the first of three seasons in this historic residency comparing the formidable legacy of Beethoven with the visions of many contemporary composers. Some residency highlights include:
Brown Bag lunches and lectures by three of the featured composers whose contempo?rary works are featured as part of this dynamic series: Kenneth Fuchs, Amnon Wolman, and George Tsontakis.
Professor Steven Whiting's lecture series on Beethoven with live demonstrations by U-M School of Music students which precede all six concerts by Ursula Oppens and the American String Quartet.
A variety of interactive lecturedemon?strations by Ursula Oppens and the American String Quartet on these and other important contemporary composers and Beethoven's canon of works.
Other Educational Highlights
World renowned choral conductor Dale Warland (Dale Warland Singers) will lead conducting seminars and chamber choir mas?ter classes.
Many post-performance Meet the Artists have been planned for concerts including the Petersen Quartet, Hagen Quartet, Susanne Mentzer, STREB, the Australian Chamber Orchestra, Ursula Oppens and the American String Quartet, and Christopher Parkening.
STREB will be in residency for one week for many interactive activities, discussions, and master classes.
For detailed Residency Information,
call 734.647.6712.
Information on the above events can be
found in the season listing in the following
pages of this program book, the UMS
Brochure, or on the UMS Website:
For Master of Arts Interviews, free tickets
(limit two per person) are required. Call or
stop by the UMS Box Office: 734.764.2538.
The 1998 Winter Season
Friday, January 9, 8pm
Mendelssohn Theatre
PREP "David Daniels and His Program"
Richard LeSueur, Vocal Arts Information
Services. Fri. Jan 9, 7pm, Rackham Assembly
Hall, 4th floor.
This performance is presented through the
generous support of Maurice and Linda Binkow.
Saturday, January 10, 8pm Hill Auditorium
Sunday, January 11, 4pm
Rackham Auditorium
Meet The Artist Post-performance dialogue
from the stage.
Sponsored by Thomas B. McMullen Co.
BOYS CHOIR OF HARLEM Sunday, January 18, 7pm Hill Auditorium
Sponsored by the Detroit Edison Foundation. Additional support provided by Beacon Invest?ment Company and media partner WDET. This concert is co-presented with the Office of the Vice Provost for Academic and Multicultural Affairs of the University of Michigan as part of the University's 1998 Rev. Dr. Martin Luther King, Jr. Day Symposium,
Thursday, January 22, 8pm Rackham Auditorium
BEETHOVEN THE CONTEMPORARY AMERICAN STRING QUARTET Friday, January 30, 8pm Rackham Auditorium Master of Arts Members of the American String Quartet, interviewed by Mark Stryker, Arts & Entertainment Reporter, Detroit Free Press. Wed. Jan 28, 7pm, Rackham Amphitheatre.
University Hospital's Gifts of Art free concert by the American String Quartet in the University Hospital Lobby, Thu. Jan 29, 12:10 pm. Open Rehearsal with the American String Quartet and composer George Tsontakis, Jan 29, 7pm, U-M School of Music Recital Hall Brown Bag Lunch with composer George Tsontakis, Fri. Jan 30, 12 noon, Michigan League Vandenberg Rm. PREP "Compliments and Caricatures; or Beethoven Pays His Respects" Steven Whiting, U-MAsst. Professor of Musicology, with U-M School of Music students. Fri. Jan 30, 6:30pm, Rackham Assembly Hall.
Meet the Artists Post-performance dialogue from the stage, with composer George Tsontakis. Sponsored by the Edward Surovell Co. Realtors. Additional funding provided by the Lila Wallace-Reader's Digest Arts Partners Program, the National Endowment for the Arts and media partner Michigan Radio, WUOM WFUM WVGR. The University Musical Society is a grant recipient of Chamber Music Americas Presenter-Community Residency Program fund?ed by the Lila Wallace-Reader's Digest Fund.
Saturday, January 31, 8pm Rackham Auditorium PREP "When Two Movements are Enough: Lyricism, Subversion, Synthesis" Steven Whiting, U-MAsst. Professor of Musicology, with U-M School of Music students. Sat. Jan 31, 6:30pm, Michigan League Hussey Rm. Meet the Artist Post-performance dialogue from the stage, with composer Amnon Wolman. LectureDemonstration "The Adventure of Contemporary Piano Music" Ursula Oppens, Sun. Feb 1, 3pm, Kerrytown Concert House. In collaboration with the Ann Arbor Piano Teachers Guild.
LectureDemonstration with Ursula Oppens and composer Amnon Wolman, Mon. Feb 2, 12:30pm Room 2043, U-M School of Music. Piano Master Class with Ursula Oppens and School of Music students, Mon. Feb 2, 4:30pm, U-M School of Music Recital Hall Sponsored by the Edward Surovetl Co. Realtors. Additional funding provided by the Lila Wallace-Reader's Digest Arts Partners Program, the National Endowment for the Arts and media partner Michigan Radio, WUOM WFUMWVGR.
DALE WARLAND SINGERS Thursday, February 5, 8pm St. Francis of Assisi Catholic Church Conducting Seminar Conductor Dale Warland and U-M conductors, Feb 6, Ham, U-M School of Music Recital Hall Chamber Choir Master Class Conductor Dale Warland works with the U-M Chamber Choir, Feb 6,1:30pm, U-M School of Music Recital Hall
Friday, February 6, 8pm
Hill Auditorium
Sponsored by NBD.
Sunday, February 8,4pm
Hill Auditorium
Co-sponsored by First of America and Miller,
Canfield, Paddock, and Stone, PLC.
Friday, February 13, 8pm
Rackham Auditorium
Presented with support from media partner
CHEN ZIMBALISTA, PERCUSSION Saturday, February 14, 8pm Rackham Auditorium This program is part of the Mid EastWest Fest International Community of Cultural Exchange sponsored by Amstore Corporation, W.K. Kellogg Foundation, Lufthansa, the Ministry for Foreign Affairs of Israel Cultural Department and Ben Teitel Charitable Trust, Gerald Cook Trustee.
Thursday, February 19, 8pm
Rackham Auditorium
Meet the Artists Post-performance dialogue
from the stage.
Friday, February 20, 8pm
Michigan Theater
Presented with support from media partners
Ann Arbor Symphony Orchestra
Thomas Sheets, conductor
Katherine Larson, soprano
Jayne Sleder, mezzo-soprano
Richard Fracker, tenor
Gary Relyea, baritone
Sunday, February 22,4pm
Hill Auditorium
PREP "Felix Mendelssohn-Bartholdy: Felicitous
Choral Conductor and Choral Composer,"
Ellwood Derr, U-M Professor of Music, Feb 22,
3pm, MI League Koessler Library.
This performanct is presented through the
generous support of Carl and Isabelle Brauer.
Master of Arts Ngozi Onwurah, filmmaker and Institute for the Humanities artist-in-residence and the Paula and Edwin Sidman Fellow for the Arts, interviewed by Lecturer Jerri Sarris and Director Gaylyn Studlar of the U-M Program in Film & Video Studies. Mar 9, 7pm, Rackham Amphitheatre
Look for valuable information about UMS, the 199798 season, our venues, educational activities, and ticket information. .....
Tuesday, March 10, 8pm
U-M Museum of Art
PREP A concert goer's tour of "Monet at
Vttheuih The Turning Point" Tue. Mar 10,
6:30pm, West Gallery, 2nd Floor, U-M
Museum of Art. Concert ticket required for
Presented with the generous support of
Dr. Herbert Sloan.
Thursday, March 12, 8pm
Friday, March 13, 8pm
Saturday, March 14, 2pm (75-minute
Family Performance) Saturday, March 14, 8pm Power Center
PREP "The Comic Donizetti" Richard LeSueur, Vocal Arts Information Services, Thu. Mar 12, 7pm, Michigan League, Koessler Library. PREP Member of the New York City Opera National Company, Fri. Mar 13, 7pm, Michigan League Vandenberg Rm. PREP for KIDS "Know Before You Go: An Introduction to Daughter of the Regiment" Helen Siedel, UMS Education Specialist, Sat. Mar 14, 1:15 pm, Michigan League, Hussey Room.
Sponsored by TriMas with support from the National Endowment for the Arts.
MICHIGAN CHAMBER PLAYERS Sunday, March 15, 4pm Rackham Auditorium Complimentary Admission
LOS MUNEQUITOS DE MATANZAS Wednesday, March 18,8pm Power Center
PREP "Los Munequitos: Cuban Ambassadors of the Rumba," Alberto Nadf, Musicologist and Host ofWEMU's "Cuban Fantasy," Wed. Mar 18, 7pm, Michigan League Hussey Rm. Presented with support from media partner WEMU.
Ohad Naharin, artistic director
Saturday, March 21, 8pm
Sunday, March 22,4pm
Power Center
Master class Advanced Ballet with Alexander
Alexandrov, company teacher, Sat. Mar 21,
12:30-2:0Opm, Dance Gallery, Peter Sparling &
Co. Studio. Call 734.747.8885 to register.
PREP "Vie Batsheva Dance Company" Ohad
Naharin, Artistic Director, Sat. Mar 21, 7pm
Michigan League Michigan Room.
Sponsored bythe University of Michigan with
support from Herb and Carol Amster.
Tuesday, March 24,8pm
Hill Auditorium
Sponsored by Kathleen G. Charla Associates
with support from Conlin Travel and British
Wednesday, March 25, 8pm
Rackham Auditorium
Meet the Artists Post-performance dialogue
from the stage.
Friday, March 27, 8pm
Rackham Auditorium
University Hospital's Gifts of Art free concert
performed by Ursula Oppens in the University
Hospital Lobby, Thu. Mar 26, 12:10 pm.
LectureDemonstration "Piano Music: 1945
to the Present" Ursula Oppens, Thu. Mar 26,
3pm, U-M School of Music Recital Hall
PREP "Motivic Comedies, Moonlit Fantasies
and 'Passionate Intensity'" Steven Whiting,
U-M Asst. Professor of Musicology, with U-M
School of Music students, Fri. Mar 27, 6:30pm,
Michigan League Vandenberg Rm.
Meet the Artist Post-performance dialogue
from the stage
Sponsored by the Edward Surovelt Co.
Realtors. Additional funding provided by the
Lila Wallace-Reader's Digest Arts Partners
Program, the National Endowment for the Arts
and media partner Michigan Radio, WUOM
Saturday, March 28, 8pm
Hill Auditorium
Presented with support from media
partner WEMU.
Sunday, March 29,4pm Rackham Auditorium PREP "From Romeo to Lenore: The Operatic Quartet" Steven Whiting, U-M Asst. Professor of Musicology, with U-M School of Music students, Sun Mar 29,230pm, Michigan League Hussey Rtn Meet the Artists Post-performance dialogue from the stage, with composer Kenneth Fttchs. Brown Bag Lunch with composer Kenneth Fuchs, Mon. Mar 30, 12:30pm, Room 2026, U-M School of Music.
LectureDemonstration with the American String Quartet and composer Kenneth Fuchs, Mon. Mar 30, 2:30pm Room 2026, U-M School of Music.
Youth Quartets Master Class with the Ann Arbor School for the Performing Arts, Mon. Mar 30, 6pm, Concordia College. LectureDemonstration An evening with the
American String Quartet and the Michigan American String Teacher's Association (MASTA) and their students. Tue. Mar 31, 5-7pm, Kerrytown Concert House. Sponsored by the Edward SuroveU Co. Realtors. Additional funding provided by the Lila Wallace-Readers Digest Arts Partners Program, the National Endowment for the Arts and media partner Michigan Radio, WUOM WFUM WVGR. The University Musical Society is a grant recipient of Chamber Music America's Presenter-Community Residency Program fund?ed by the Lila Wallace-Readers Digest Fund
Friday, April 3,8pm Saturday, April 4,8pm Power Center
Master of Arts Choreographer and 1997 MacArthur "Genius" Grant recipient Elizabeth Streb, interviewed by Ben Johnson, UMS Director of Education and Audience Development, Thu. Apr 2, 7pm, Rackham Amphitheatre. Meet the Artists Post-performance dialogue from the stage, both evenings. Master Class Family ACTION: Movement Class for Families, Tue. Mar 31, 7pm, Dance GalleryPeter Sparling & Co. Studio. For par?ents and children ages 4 and up, led by Hope Clark, Associate Artistic Director. Call 734.747.8855 to register. Master Class PopACTION: Master Class, Wed. Apr 1, 7pm, Dance GalleryPeter Sparling & Co. Studio. PopACTION technique class led by members of STREB. Call 734.747.8855 to register. Presented with support from media partner WDET, Arts Midwest, New England Foundation for the Arts and the National Endowment for the Arts.
SUSANNE MENTZER, MEZZO-SOPRANO CRAIG RUTENBERG, PIANO Tuesday, April 7, 8pm Mendelssohn Theatre PREP "Susanne Mentzer: The Recital" Richard LeSueur, Vocal Arts Information Services, Tue. Apr 5, 2pm, Ann Arbor District Library. Meet the Artist Post-performance dialogue from the stage.
Monday, April 13, 8pm
Hill Auditorium
Sponsored by Parke-Davis Pharmaceutical
Thursday, April 23, 8pm
Mendelssohn Theatre
PREP Andrew Lawrence-King, Artistic
Director of The Harp Consort, Thu. Apr 23,
7pm, Michigan League Koessier Library.
Presented with support from media partner
continued ...
World Premiere! MARSALIS STRAVINSKY A joint project of the Chamber Music Society of Lincoln Center, David Shifrin, Artistic Director and Jazz at Lincoln Center, Wynton Marsalis, artistic director Friday, April 24, 8pm Rackham Auditorium PREP "Marsalis and Stravinsky: A Dialogue" Travis Jackson, U-M Professor of Musicology ami Music History, and Glenn Watkins, Earl V. Moore Professor of Musicology, Fri. Apr 24, 7pm, MI League Henderson Rrn. Co-Sponsored by Butzel-Long Attorneys and Ann Arbor TemporariesPersonnel Systems Inc. with additional support by media partner WDET.
Wednesday, April 29, 8pm
Rackham Auditorium
Meet the Artists Post-performance dialogue
from the stage.
Friday, NW'I Hill Auditorium
featured artist will be announced in
February, 1998
Saturday, May 9,6pm
Hill Auditorium
Sponsored by Ford Motor Company.
Educational Programming
Performance Related Educational Presentations (PREPs) All are invited, free of charge, to enjoy this series of pre-performance presentations, featuring talks, demonstrations and workshops.
Meet the Artists All are welcome to remain in the auditorium while the artists return to the stage for these informal post-performance discussions.
Master of Arts A free UMS series in
collaboration with the Institute for the Humanities and Michigan Radio, engaging artists in dynamic discussions about their art form. Free tickets required (limit 2 per person), available from the UMS Box Office, 734.764.2538.
University Musical Society
of the University of Michigan 1997-1998 Winter Season
Event Program Book Sunday, February 8,1998 through Saturday, February 14, 1998
General Information
Children of all ages are welcome to UMS Family and Youth performances. Parents are encouraged not to bring children under the age of three to regular, full-length UMS performances. All children should be able to sit quietly in their own seats throughout any UMS performance. Children unable to do so, along with the adult accompa?nying them, will be asked by an usher to leave the auditorium. Please use discretion in choosing to bring a child.
Remember, everyone must have a ticket, regardless of age.
While in the Auditorium
Starting Time Every attempt is made to begin concerts on time. Latecomers are asked to wait in the lobby until seated by ushers at a predetermined time in the program.
Cameras and recording equipment
are not allowed in the auditorium.
If you have a question, ask your usher. They are here to help.
Please take this opportunity to exit the "information superhighway" while you are enjoying a UMS event: Electronic beeping or chiming digi?tal watches, beeping pagers, ring?ing cellular phones and clicking portable computers should be turned off during performances. In case of emergency, advise your paging service of auditorium and seat loca?tion and ask them to call University Security at 313-763-1131.
In the interests of saving both dollars and the environment, please retain this program book and return with it when you attend other UMS perfor?mances included in this editon. Thank you for your help.
The Canadian Brass
Sunday, February 8, 4:00pm Hill Auditorium
Royal Concertgebouw Orchestra 7
Wednesday, February 11, 8:00pm Hill Auditorium
Juan-Jose Mosalini and his 17
Grand Tango Orchestra
Friday, February 13, 8:00pm Rackham Auditorium
Chen Zimbaiista 21
Saturday, February 14, 8:00pm Rackham Auditorium
First of America
Miller, Canfield, Paddock, and Stone, P.L.C.
The Canadian Brass
Charles Daellenbach, Tuba Jens Lindemann, Trumpet David Ohanian, French Horn Ronald Romm, Trumpet Eugene Watts, Trombone
Johann Sebastian Bach an. Arthur Frackenpohl
Giovanni Gabrieli an. John Serry
Giovanni Battista Pergolesi an. Sonny Kompanek
Peter Schickele
Sunday Afternoon, February 8,1998 at 4:00 Hill Auditorium, Ann Arbor, Michigan
The Art of the Fuge, BWV 1080
Contrapunctus 1 Contrapunctus 4 Contrapunctus 9, a 4, alia Duodecima
Canzone per sonare No. 1
A Tribute to Lennon and McCartney
When I'm 64 Yesterday Eleanor Rigby Penny Lane
A Tribute to Lennon and McCartney
Come Together Bye, Bye Blackbird Never Give Me Money
Hornsmoke (A Horse Opera in One Act)
Thirty-ninth Concert of the 119th Season
UMS Favorites Series
This performance is co-sponsored by First of America and Miller, Canfield, Paddock, and Stone, P.L.C. Special thanks to Doug Freeth for his continued support through First of America Bank. Special thanks to Erik Serr for his continued support through Miller, Canfield, Paddock and Stone, P.L.C.
Large print programs are available upon request.
The Canadian Brass, Jens Lindemann, trumpet; David Ohanian, French horn; Ronald Romm, trumpet; Eugene Watts, trombone; and Charles Daellenbach, tuba are now entering their twenty-sev?enth anniversary season. As one of the first "cross-over" classical ensembles, these classically trained virtuoso musicians have transformed a previously neglected group of instruments with a limited repertoire into an exciting and versatile ensemble which performs everything from Bach and Mozart to Gershwin and Dixieland. The innovative brass quintet is famous for keeping audiences entranced with original works for brass quintet (many of which were written specially for them by such distinguished composers as Lukas Foss and Peter Schickele) and transcriptions of exciting, often familiar, works. Added to their unique blend of virtuosity is an irresistible spontaneity and sense of humor.
The Canadian Brass, the first chamber ensemble ever to tour the People's Republic of China, have delighted audiences in North America, Europe, Japan, Australia, the Middle East and the former Soviet Union. Each season they give over 130 concerts in North America alone, performing from coast to coast at such major halls as New York's Carnegie Hall (where they appeared four times in one season), Orchestra Hall in Chicago, the Academy of Music in Philadelphia, the Ambassador Auditorium in the Los Angeles area, and the Kennedy Center in Washington, DC (where their concerts were sold out three times in one season). The Canadian Brass have appeared as featured guest artists with many leading American orchestras, including those of Cleveland, Detroit, Minnesota, Pittsburgh, Saint Louis and San Francisco; the National Symphony and the Boston, New York, and Philadelphia Pops. They are also a popular attraction at many summer music festivals, including Tanglewood, Mostly Mozart, Wolf Trap, Ravinia, Blossom and the Hollywood Bowl. Most recently these festivals have hosted their highly successful joint concerts with the Star of Indiana, one of the country's
premier drum and bugle corps, in spectacular, fully staged programs.
The Canadian Brass have been seen by millions on such television shows as The Tonight Show with Johnny Carson, the Today show, CBS This Morning, Entertainment Tonight, Camera Three and Sesame Street. Collaborating with Philips Classics, The Canadian Brass became the first classical artists ever to record a television and laser disc project on state-of-the-art high definition tape (HDTV) at Thames TV in England as a pro?duction for Rhombus. The film, entitled Home Movies (now available on VHS & laser disc), was nominated for a Grammy Award 1994 in the cat?egory of Best Music Video (Long-Form), and has been aired frequently on Bravo and PBS. Also on PBS, they have appeared as guest artists on Evening at Pops with John Williams and the Boston Pops, Beverly Sills' Music Around the World, Canadian Brass at Wolf Trap, and the Victor Borge 80th Birthday Special They have also starred in their own one-hour PBS special, The Canadian Brass Live.
Music education has always been an impor?tant element of the Brass' annual activities, and they conduct workshops and master classes with young musicians as often as their schedule allows. Their wide and varied experiences on this front have yielded a new series of ensemble publications (Hal Leonard Publishing Corporation), which is graded for young brass students who seek the experience that only chamber music performance can offer. In addition to these publications, the Brass have published over 100 works drawn from their own repertoire. The group also has recently formed its own instrument company based in Wisconsin, featuring instruments designed by them (for both students and professionals alike) and distributed worldwide under the banner of The Canadian Brass Collection.
Having forged a new road for generations of brass players to come, The Canadian Brass can look back on their first quarter-century as a prelude to even greater levels of achievement.
This performance marks The Canadian Brass' eighth appearance under UMS auspices.
The Canadian Brass record exclusively for RCA Victor and Red SealBMG Classics.
The Canadian Brass perform on 24-karat gold plated YAMAHA instruments.
Visit the Canadian Brass World Wide Web site or via e-mail
loyal Concertgebouw
Orchestra Amsterdam
Riccardo Chailly, Chief Conductor
Wednesday Evening, February 11,1998 at 8:00 Hill Auditorium, Ann Arbor, Michigan
Gustav Mahler
Totenfeier (Funeral Feast)
Symphonic Poem for Orchestra
Anton Bruckner
Symphony No. 9 in d minor
Feierlich, misterioso
Scherzo: Bewegt, lebhaft Trio: Schnell
Adagio: Langsam, feierlich
Fortieth Concert of the 119th Season
119th Annual Choral Union Series
The sponsors of the Royal Concertgebouw Orchestra: Canon, ING Group, and Sara LeeD-E.
Tour Direction of the Royal Concertgebouw Orchestra by Columbia Artists Management Inc.
Large print programs are available upon request.
Bruckner and Mahler are still often men?tioned in a single breath. After all, they were both Austrian, their lives overlapped -in fact, they knew each other -and they both wrote symphonies on a mon?umental scale. It was only after World War II that the works of both became staples of the international concert repertoire, and today, with several complete recorded cycles of each man's symphonies readily available, their profound differences in style and artistic outlook become more and more apparent. It is not often, however, that those differences can be shown by placing the two composers on the same program. Beyond their sheer length, the symphonies of Bruckner and Mahler amount to musical journeys of such complexity that one would not normally want to hear them side by side.
With the publication of Mahler's Totenfeier in 1988 -exactly 100 years after it was written -we for the first time have an orchestral work by Mahler that will admit of more music to follow. Although Mahler conducted Totenfeier as a self-contained piece, he had conceived it as the first movement of his Symphony No. 2, which is how the music is universally known. It is also worth remembering that the score of the Symphony No. 2 calls for five minutes' rest after the first movement -an instruction that is almost never observed. As a symphonic movement, Totenfeier is both complete and incomplete, just like Bruckner's unfinished Symphony No. 9. Despite recent attempts to organize Bruckner's finale sketches into a coherent movement, the symphony's sublime third-movement "Adagio" has been universally accepted as a convincing ending, similar to Schubert's two-movement, unfinished symphony in b minor.
(It is worth taking a quick look at the chronology of the two works: the younger composer's work actually predates that of his older colleague. The three completed movements of Bruckner's Symphony No. 9 were written between 1891 and 1894, while Mahler's Totenfeier was completed in 1888. The remaining movements of Mahler's Symphony No. 2 were exactly contemporaneous with Bruckner's Symphony No. 9.)
Totenfeier (Funeral Feast)
Gustav Mahler
Born on July 7, 1860 in Kalischt, now
The Czech Republic Died on May 18, 1911 in Vienna
Totenfeier is the first version of the opening movement from Mahler's Symphony No. 2. It is almost the same music, although it is a few bars longer and is scored for a smaller orchestra than the symphony movement. As Mahler later told his friend and confidante Natalie Bauer-Lechner, the idea for this monumental funeral march originated in January 1888, when Mahler had a vision of himself lying dead on a bier. Immediately after this vision, Mahler set to work and com?posed Totenfeier in February 1888, in Leipzig where he was one of the two principal conduc?tors at the opera house (the other being Arthur Nikisch). The idea of the "funeral feast" was fur?ther reinforced by a work of one of Mahler's close friends, Siegfried Lipiner, who had translated a famous epic poem by the Polish poet Adam Mickiewicz. This work, although called Dziady (Forefathers) in the original, became Totenfeier in Lipiner's translation. Mahler biographer Henry-Louis de La Grange has suggested that the unhappy love affair and suicidal thoughts of one of Mickiewicz's heroes (named, incidentally, Gustav) may have been on Mahler's mind when composing the symphonic movement.
More than five years elapsed before Mahler wrote the additional movements of the Symphony No. 2. In the meantime, Totenfeier existed as a symphonic poem. It was not performed, however, until 1895, when Mahler presented the first three movements of the Symphony No. 2 with the Berlin Philharmonic. As late as 1896, after the entire symphony had been premiered, he once more conducted the first movement as a separate piece, under the title Totenfeier, at a concert in Berlin.
In 1891, when no performances were in sight, Mahler played Totenfeier on the piano for the great pianist and conductor Hans von Biilow, who exclaimed: "If what I just heard is music, then I no longer understand anything about
music!" Mahler was deeply hurt but undaunted. He did not abandon his artistic path, nor did his admiration for Biilow diminish. It is significant that he received the decisive impulse for the finale of his Symphony No. 2 at Billow's funeral in 1894, where Klopstock's Resurrection Ode was performed.
Totenfeier begins, according to Mahler's instructions, in a "very serious and solemn" mood, with a motif emphasizing two notes (the tonic and the fifth) over a mysterious accompaniment. Our expectations to see a more coherent theme develop are at first denied. The two-note figure persists in the bass even as the oboes come for?ward with a more extensive musical idea. The tension continues to build throughout this section; only the enchantingly beautiful second theme provides some relief.
The entire movement is governed by these two themes. The funeral march melody becomes ever more excited and tragic. Time and again, it is interrupted by the second theme that brings some hope, but it is never too long before the fierce pursuit resumes. At one point before the end of the development section, the horns begin to play a chorale-like melody. It is not an actual church hymn, yet, like many Lutheran chorales, it moves in small steps and notes of equal length. The function of such a melody here is to express faith and confidence in the midst of turmoil. The quasi-chorale, however, is suddenly, and brutally, silenced by a return of the march theme, more violent than ever before. At the climactic moment, the theme is reduced to its mere rhyth?mic shape. The tension rises to near-ecstasy; then, after an extremely harsh dissonance (the likes of which probably no one had written pre?viously), the simple bass motifs of the opening return as the recapitulation gets underway.
Symphony No. 9 in d minor
Anton Bruckner
Born on September 4, 1824 in Ansfelden,
Upper Austria Died on October 11, 1896 in Vienna
Bruckner planned to dedicate his Symphony No. 9 -which he knew would be his last -an den lieben Gott (to dear God). One can smile, if one wishes, at the childlike naivete of this devout Catholic from a small village who was often derided as a country bumpkin even after decades of residence in the imperial capital of Vienna. Yet the dedication to God is quite a serious matter. It is an indication that Bruckner's preoccupation with the eternal questions of life and death had become deeper than ever. The work itself differs in very important respects from Bruckner's other symphonies -a fact often missed by those who insist that Bruckner wrote the same symphony nine times over. The words of Robert Simpson, one of the most insightful analysts of the composer, bear quoting here:
[The music is] often dark to the pitch of blackness, and rent with such anguish as he had until now almost succeeded in keeping out of his music. There is tragedy in the first movement of the Eighth... the Fifth is a mightly battleground, but it is like some great classical fresco, and if we turn to the strange and compelling tonal conflicts of the last movement of the Sixth, we do not have the feeling that the composer is himself terri?fied by his own fantasies. But in the Ninth we sometimes receive this parts of the first movement and large tracts of the tormented "Adagio."
Nor does Simpson think that the last movement, had it been completed, would have exorcised that anguish. He finds it even in the sketches to the finale, and claims that Bruckner had not solved the enormous structural problems posed by the ending of this, the most monumental of his sym?phonies, at the time of his death.
Bruckner's anguish may have had something to do with his nagging feelings of insecurity as a composer. These feelings had been fueled by three or four years (1887-1891) spent largely with the revision of some of his earlier sym?phonies (Nos. 1, 2, 3 and 8) at the instigation of well-meaning but misguided disciples. The result was not only the vexing problem of multi?ple versions (where the later revisions do not necessarily represent improvements) but also a loss of precious time: it has been argued that, had Bruckner not spent four years of his life revising his earlier works, he probably would have been able to finish his Symphony No. 9.
As it stands, the gigantic three-movement torso serves, in its very incompleteness, as a stern reminder of the fragility of the human condi?tion. Of course, this message is borne out not only by the missing four movements, but also, and mainly, by the existing three -the tensely dramatic, "solemn-mysterious" opening, the eerie "Scherzo," and, to repeat Simpson's adjec?tive, the "tormented" "Adagio."
The work opens similarly to several other Bruckner symphonies -long measures of tremolos (rapid, "trembling" repeats of the same notes) and brief motivic fragments, inspired by the opening of Beethoven's Symphony No. 9. The relationship is further reinforced here by the common key of d minor. As elsewhere, Bruckner makes short motives grow to tremen?dous climaxes, introduces a lyrical second and an austere third theme. Yet despite the presence of these and other trappings of sonata form, the twenty-minute movement is not organized along the lines of exposition, development (increasing complexity) and recapitulation (resolution). The real form, as Simpson has pointed out, can rather be understood as a massive and complex statement followed by an expanded counterstate-ment based on the same materials and, finally, a brief yet grandiose coda.
The "Scherzo" is unique among Bruckner's scherzos in the bold dissonances and tonal ambi?guities employed. Far from being a "joke" (the
original meaning of the word scherzo), it has been described by one commentator as "frenzied almost throughout, and by turns brutal and fan?tastic." Bruckner's trios (or scherzo middle sec?tions) are usually slower than the main sections; this one is much faster, set in the remote key of F-sharp Major, and characterized by an agility reminiscent of Mendelssohn yet with a dark, unsettling twist to it. In accordance with tradi?tion, the turbulent Scherzo is repeated in its entirety.
The E-Major "Adagio," nearly half an hour in length, is built upon two contrasting groups of themes. The first one is developed into the most chromatic and tonally unstable music Bruckner ever wrote: suspenseful tremolos and tortuous modulations, capped by a striking quote from Wagner's Parsifal, create an atmosphere full of dramatic tension. This contrasts with a cantabile (singing) melody in the violins that is much more traditional in the way it establishes a firm tonal footing before proceeding. The first and part of the second thematic group are repeated; but the climax of the movement arises from the other part of the second group (not previously recapitulated), soaring to unprecedented heights of expression. Originally calm and lyrical, this melody, too, becomes tense and menacing, before it melts into the ethereal coda (which incorporates quotes from Bruckner's Symphony No. 7 and Symphony No. 8).
The intense subjectivity and restlessness of the Symphony No. 9 makes it, in a way, the most "Mahlerian" of Bruckner's symphonies. It is startling to learn that Bruckner, when he realized that he might not be able to finish the finale, contemplated the possibility of using his Te Deum (1884) as the last movement. To be sure, this idea wouldn't really work, if only because of the C-Major tonality of the Te Deum which would be ill-matched to the d-minorE Major of the symphony. Yet the notion of Bruckner even thinking of bringing in the chorus for the finale of one of his symphonies, even as an emergency solution, is more than intriguing. After all, this
was the one aspect of Beethoven's Symphony No. 9 that had never previously seemed to appeal to Bruckner; it was also the one that Mahler seized upon in his Symphony No. 2, written at the same time as Bruckner's Symphony No. 9. Still, for better or worse, we have to accept the ending of Bruckner's swan song in its present form, with its quiet E-Major chords played by the brass and a few plucked chords in the strings: for once, Bruckner achieved catharsis and transcendence entirely through introspection.
Program notes by Peter Laki.
'ilan-born Riccardo Chailly is a conductor whose activities range from the symphonic to the operatic repertoire. He has led the Berlin Philharmonic, the Vienna Philharmonic, l'Orchestre de Paris, .the London Symphony Orchestra, the New York Philharmonic, The Cleveland Orchestra, The Philadelphia Orchestra and the Chicago Symphony Orchestra. He has also per?formed at the world's most famous opera houses, including La Scala in Milan (where he made his debut in 1978), the Vienna State Opera, the Metropolitan Opera, the Royal Opera, Covent Garden (1979 debut), and the Bavarian State Opera in Munich. In 1984, he opened the Salzburg Festival and has
appeared during the city's Easter Festival, conducting the Royal Concertgebouw Orchestra there in 1988 and 1996. From 1983 to 1989, Mr. Chailly was principal conductor of the Berlin Radio Symphony Orchestra, and from 1982 to 1985 served as principal guest conductor of the London Philharmonic Orchestra. From 1986 until 1993, he led the Teatro Comunale of Bologna where he directed many successful opera productions. In 1996, he made his debut at the Zurich Opera House with Verdi's (Trovatore.
Riccardo Chailly has an exclusive recording contract with DeccaLondon. He has recorded a broad repertoire on compact discs which have won many prizes, including two Edison Prizes, a Gramophone Award, a Diapason d'or, an Academy Charles Cros Award, the Japanese Ungalca no tomo Award, the Toblacher Komponier-hauschen and two Grammy nominations.
Riccardo Chailly
Since his appointment in 1988 as principal conductor of the Royal Concertgebouw Orchestra, Mr. Chailly has conducted -in addition to the symphonic repertoire which has earned the Orchestra its international reputation -a wealth of twentieth-century and avant-garde music that has attracted a fast-growing and enthusiastic public. He has scored additional triumphs in Amsterdam with his performances of (excerpts from) Verdi, Rossini and Leoncavallo operas in concert during the Christmas season matinees. His performances of Mahler's Symphony No. 1 and Symphony No. 8 were among the highlights of the Mahler Festival in May 1995. In addition, he has conducted the Orchestra during numerous tours to the most important European festivals (Salzburg, Lucerne, Wiener Festwochen, London Proms), and to Japan, Korea and China, as well as North and South America. He has also con?ducted productions of Verdi's Falstaff and Otello with the Dutch Opera.
In addition to his activities with the Royal Concertgebouw Orchestra, Riccardo Chailly appears frequently with the world's leading symphony orchestras. As an opera conductor, he regularly performs at the Milan, Amsterdam and Zurich opera houses.
Riccardo Chailly was honored in 1994 with the Grand' Ufficiale della Repubblica Italia, and was made an honorary member of the Royal Academy of Music in London in 1996.
This performance marks Riccardo Chailly's second appearance under UMS auspices.
The Royal Concertgebouw Orchestra Amsterdam is widely acknowledged as one of the world's premier symphonic ensembles. Since its first performance in 1888 in the acoustically acclaimed Concertgebouw (Concert Building) from which it takes its name and where it performs to this day, the Orchestra has sustained a tradition of the highest artistic achievement that has earned the esteem of musicians, critics and audiences worldwide. Following a succes?sion of distinguished predecessors: Willem Kes (1888-95), Willem Mengelberg (1895-1945), Eduard van Beinum (1945-59), and Bernard Haitink (1959-88), Italian-born Riccardo Chailly became the Royal Concertgebouw Orchestra's fifth Chief Conductor in 1988.
Throughout its history, the Royal Concertgebouw Orchestra has been especially renowned for its performances of late nineteenth century and post-Romantic works, including the music of Brahms, Mahler, Bruckner and Richard Strauss. In addition, the Orchestra has been hailed for its unique sound, especially the warmth of the strings and the distinctive timbre of the woodwinds. Its reputation for meticulous prepa?ration and broad musical understanding has attracted the attention of illustrious composers, many of whom have conducted the Royal Concertgebouw Orchestra in performances of their own works. They include Richard Strauss, who dedicated Ein Heldenleben to the Orchestra; Mahler, who was a regular guest conductor in Amsterdam; Ravel, Debussy, Stravinsky, Schoenberg, Hindemith and Milhaud. In addi?tion, the orchestra has performed under the direction of many of this century's leading con?ductors, including Fritz Busch, Sir Adrian Boult, Erich Kleiber, Karl Muck, Bruno Walter, George Szell, Pierre Monteux and Rafael Kubelik, the last three on a regular basis for more than a quarter of a century each.
Under the leadership of Riccardo Chailly, a passionate advocate of twentieth-century music, the Royal Concertgebouw Orchestra has main-
tained these valued traditions while broadening its repertoire and renewing its historical commit?ment to the performance of contemporary works. Mr. Chailly and the Orchestra have made more than forty-five recordings together, and have toured extensively to major European music festivals including Salzburg, the London Proms, Vienna, Berlin and Lucerne, as well as to North America and the Far East. Their performances have been widely praised for their explosive emotional impact and remarkable rhythmic pre?cision, as well as for the Orchestra's transparent sound and the exceptional artistry of its first-chair players.
Few ensembles have developed such a rich recorded legacy: the Royal Concertgebouw Orchestra has made more than 1,000 recordings, led by its music directors and other prominent conductors. Many of these recordings, some dating back to the 1920s, are still in the active catalogue and have been reissued on compact disc. The Orchestra currently maintains an active recording schedule, making new recordings each year with Mr. Chailly and leading guest conductors. Its rapidly expanding discography with Mr. Chailly on the LondonDecca label, for which he is an exclusive recording artist, includes symphonies of Brahms, Bruckner, Dvorak, Mahler, Schumann and Tchaikovsky, as well as a broad spectrum of twentieth-century works ranging from Debussy to Berio. Among their prize-winning disks are Hindemith's Kammermusik, which was named "Best Orchestral Recording of the Year" by Gramophone magazine, and Messiaen's Turangalila-Symphonie, which received the 1993 Diapason d'or and the Edison Award for "Best Symphonic Recording."
The Royal Concertgebouw Orchestra's newest recordings with Mr. Chailly are Zemlinsky's Eine florentinische Tragodie, Stravinsky's Firebird Suite, Apollon musagete and Scherzo fantastique, and Mahler's Symphony No. 5. Other recent record?ings include Zemlinsky's Lyric Symphony and Symphonic Songs, a Stravinsky disc that includes Petrouchka and Pulcinella, and a recording of Bruckner's Symphony No. 9.
The Royal Concertgebouw Orchestra's February 1998 tour, its twelfth trip to North America, includes this Ann Arbor performance, three performances at New York's Avery Fisher Hall and concerts in Toronto, Champaign, Chicago and Newark. In addition, the Orchestra appears this season in Europe at the Lucerne and Bergen Festivals, the London Proms, and in Brussels, Paris, Madrid, Jerusalem, Tel Aviv, Vienna and Lisbon. In 1996, the Foundation of American Friends of the Royal Concertgebouw Orchestra was established, with Ambassador William J. vanden Heuvel as President.
This performance marks the Royal Concertgebouw Orchestra's fifth appearance under UMS auspices.
Royal Concertgebouw Orchestra Amsterdam
Riccardo Chailly, Chief Conductor
Violin 1
Alexander Kerr, Leader Rudolf Koelman, Leader Johan Kracht Marijn Mijnders Robert Waterman Marleen Asberg Keiko Iwata-Takahashi Frits Joel Waterman lanke Tamminga Jean Louis Stuurop Antoine van Dongen Henriette Luytjes Andras Lehota Tony Rous Michel Francois Peter Hoekstra lur.ii llles Reiko Sijpkens-Shioyama
Violin II Henk Rubingh Caroline Strumphler Susanne laspers Josef Malkin Angela Davis Anita de Vey Mestdagh Paul Peter Spiering Eleonore Olof-Elias Kirsti Goedhart Wim van Keulen Frans Blanket Petra van de Vlasakker Herre Halbertsma Marc de Groot Frans Hengeveld Cleora Waterman-Keeler
Viola KenHakii Michael Gieler Gert Jan Leuverink Peter Sokole Roland Kramer Hans Dusoswa Imer Saracoglu Pieter Roosenschoon Guus Jeukendrup Herbert van de Velde Eva Mttller Eric van der Wei Ferdinand Hiigel Robert Faltin
Godfried Hoogeveen Gregor Horsch lohan van Iersel Wim Straesser Fred Pot
Saskia van Bergen-Boon i In mm.m Norde Hans Vader Edith Neuman Yke Viersen Truus van Tol Arthur Oomens Daniel Esser
Double Bass Niek de Groot Thomas Braendstrup Jan Wolfs Marietta Feltkamp Ruud Bastiaanse Folkert Rosing Guibert Vrijens Carol Harte Frits Schutter
Emily Beynon Paul Verhey Cecilia Oomes Rien de Reede
Vincent Cortvrint
Werner Herbers
Jan Spronk
Nicoline Alt
Jan Kouwenhoven
English Horn Ruth Visser
Jacques Meertens George Pieterson Hein Wiedijk
E-Flat Clarinet
Willem van der Vuurst
Bass Clarinet Geert van Keulen
Bassoon Gustavo Nunez Joep Terwey )os de Lange Kees Olthuis
Contrabassoon Guus Dral
Jacob Slagler
Julia Studcbaker
Jaap Prinsen
Jaap van der Vliet
Peter Steinmann
Sharon St. Onge
Paulien Weierink-Goossen
Trumpet Frits Damrow Peter Masseurs Hans Alting Klaas Kos Theo Wolters
Trombone Ivan Meylemans Jorgen van Rijen Hans van Balen
Bass Trombone Raymond Munnecom
Donald Blakeslee
Timpani Marinus Komst Gerard Schoonenberg
Percussion Jan Pustjens Niels Le Large Ruud van den Brink
Vera Badings Gerda Ockers
Piano and Celesta
Ruud van den Brink
The American Friends of the Royal Concertgebouw Orchestra salute the generosi?ty of ABN-AMRO, Citicorp Foundation, Coca Cola Enterprises, ING Barings USA, Netherlands Foreign Investment Agency, Rabobank Nederland, Sara Lee Corporation, Sam Spiegel Foundation, Van Ameringen Foundation and Wolters Kluwer U.S. Corporation.
To join them and the many other organizations and individuals who gratiously support the U.S. actions of the orchestra please contact
University Musical Society presents
Saturday, March 28,
8 p.m.
Hill Auditorium
Media partner WEMU
egarded as the greatest living flamenco guitarist, Paco de Lucia brings years of l collaborations with jazz legends Chick Corea and John McLaughlin to his masterful interpretations of this popular Spanish folk music. His performances--which also feature flamenco dancing--are known for an intensity of technique and drama, fusing the passion of flamenco guitar and dance with the modern jazz idiom.
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Juan-Jose Mosalini and his Grand Orchestra de Tango
Juan-Jose Mosalini, Premier Bandoneon, Direction, Arrangements
Osvaldo Calo, Piano
Nicolas Dupin, Violon
Sdbastien Couranjou, Violon
Anne Lepape, Violon
Juliette Wittendal, Violon
Sylvestre Verger, Alto
Juan-Jose Mosalini Junior, Bandonion
Serge Amico, Bandoneon
Ce'cile Girard, Violoncelle
Roberto Tormo, Contrebasse
Astor Piazzolla Carlos Garcia
Julian Plaza Plaza
Anibal Toilo Leopoldo Federico
Vicente Greco Raul Garello Piazzolla
Friday Evening, February 13, 1998 at 8:00 Rackham Auditorium, Ann Arbor, Michigan
Lo que vendri (What Will Come)
Al maestro con nostalgias
(To the Master with Nostalgia)
Dominguera Nostalgico Romance de barrio
Retrato de Julio Ahumada (Portrait of Julio Ahumada)
Ojos Negros (Dark Eyes) Bien al Mango (Crank it Up) Adios Nonino
Piazzolla Bando
Piazzolla Preparense (Get Ready)
Emilio Balcarce De Contrapunto
Balcarce La Bordonna
Luis Berstein Don Goyo
Piazzolla 3 Minutos Con La Realidid
(3 Minutes with Reality)
Roberto Firpo Alma de Bohemio (Bohemian Soul)
Horacio Salgdn A Fuego Lento (Slow Burn)
Federico Cabulero
Osvaldo Tuggiero Bordonco y 900
( in the spirit of spontaneity, the artist may change any of the listed selections during the performance.)
Forty-first Concert of the 119th Season
World Culture Series
Support for this program is provided in part by Media Partner WEMU, 89.1 FM, Public Radio from Eastern Michigan University.
Large print programs are available upon request.
Juan-Jose Mosalini and His Grand Orchestra de Tango
An orquestra tipica de tango (literally a typical tango orchestra) evokes the romantic, fading, sepia-toned images of the tango era's symphonic orchestras and big bands. Made up of strings, piano, and the quintessential tango instrument the bandoneones (a bitter?sweet sounding button squeezebox) the orquestra tipica has a distinct sound; rich, intense, both streetwise and regal, muscular and elegant.
Juan-Jose Mosalini has had quite an extra?ordinary career. He was born in Buenos Aires on November 29, 1943 and learned to play the ban-doneon in the great days of tango from his father, who also played trombone in a military band. Mosalini started playing professionally at the age of thirteen when a neighborhood band leader heard him practicing and hired him on the spot. At eighteen, he won first prize as a ban-doneon player on a television program called Nace Una Estrella (A Star is Born) and signed a six-month contract with the station's house orchestra. This exposure catapulted his career and he was soon playing with the orchestras of Jorge Dragone, Horacio Salgan, Ferico Basso, and Osvaldo Pugliese. He soon accompanied such
premier singers as Argentino Ledesama and Roberto Goyeneche.
Mosalini continued playing both traditional and contemporary styles throughout the early 1970s to some great acclaim, but was forced to move out of the country when the vio?lence of the floundering political situation con?sumed Argentinean life. He went on to organize Tango Argentino in Paris, and later joined a trio that included French bass player
Patrice Caratini. This group stayed together for eleven years and released three albums; La Bordona (1983), Imageries (1987), and Violento (1990).
In 1985, Mosalini wrote the bandoneon method that helped elevate the instrument to legitimacy in the French conservatory system. He was then invited to start the first official ban?doneon class in the country. Incidentally, his teaching position lead to the organization of his own orchestra in 1992. "The idea of the orches?tra was not mine actually but Bernard Cavanna, the Director of the school," says Mosalini. "He is a very curious person and always asked me to play him tango records. One day I played him Pugliese and Salgan, and when he heard the sound of the orquestra tipka he was stunned and asked me, 'why not put an orquestra tipka together' I was moved. Here's this guy who has no obligation to this music pushing me to do this, so I thought I should do it."
Mosalini assembled an orquestra tipka com?prised of three bandoneones, four violins, viola, cello, bass, and piano. "I just wanted to get back the sonorities of the orchestra -the strings with the bandoneones, bass and piano. It's such a great sound." We hope you agree.
77iis performance marks Juan-Jose Mosalini's debut under UMS auspices.
Chen Zimbalista
Gilad Dobrezky, Percussion Asaf Roth, Percussion Nadav Rubinstein, Piano
Program Saturday Evening, February 14, 1998 at 8:00
Rackham Auditorium, Ann Arbor, Michigan
The World of Percussion
This evening's concert will contain the works of Bizet, Steve Reich, J. S. Bach, Shostakovich, as well as Israeli composers Gronich, Levitas, and Chen Zimbalista. The program will be announced from the stage.
Forty-second Concert of the 119th Season
World Culture Series
The University Musical Society is grateful to the many members of the regional Jewish community who have provided support for this series. They include Honorary chairs, Prudence and Amnon Rosenthal, Herb and Carol Amster, Carol and Irving Smokier, and Ronald and Eileen Weiser.
This performance is a part of the Mid EastWest Fest International Community Cultural Exchange and honors the fiftieth anniversary of the State of Israel. Major Mid EastWest Fest sponsors include: Amstore Corporation, W.K. Kellogg Foundation, Lufthansa, Ministry for Foreign Affairs of Israel -Cultural Department, Ben Teitel Charitable Trust, Gerald Cook Trustee
The Mid EastWest Fest would like to thank Hanon McKendry for donating their design and development to the promotional materials and Ludwig Industries (a division of the Seimar Company, Inc.) for their loan of the marimba, vibraphone and xylophone.
Large print programs are available upon request.
In Israel, Chen Zimbalista studied with Mr. Alon Bor; his studies were aided by a schol?arship from the American-Israel Cultural Fund. In addition, he completed his studies at the Tel Aviv Academy of Music. Mr. Zimbalista studied with Professor Morris Lang in New York and with Professor Bent Liloff in Copenhagen.
Mr. Zimbalista's unique creativity motivated many Israeli composers to write especially for him including A Texture for Chen by Noam Sheriff, Eggs by Menachem Vizenberg, Suite
Volard by Benny Nagari and Go by Shlomo Gronich. Mr. Zimbalista recorded his first disc with the cooperation of Jerusalem Music Center.
Mr. Zimbalista has performed with the Israel Philharmonic Orchestra, Israel Sinfonietta Orchestra, Kibbutz Chamber Orchestra, Tel Aviv Symphony Orchestra, and Israel Chamber Orchestra. He has performed concerts in China, Holland, Portugal and Italy and has also partici?pated in the Schlezwig-Holstein Music Festival, the Israel Festival and Kfar Blum Music Festival.
Mr. Zimbalista has won several prizes includ-
Chen Zinbalista
ing the Francois Shapira prize, the Young Artists Performing Israeli Music prize, and first prize from the National Council for Culture and Arts.
This performance marks Chen Zimbalista's debut under UMS auspices.
Percussionist Gilad Dobrecky was born and raised in Israel. He started playing percussion at the age of five and his performing career started when he was only seven. His music compositions and playing are inspired by his native surround?ings: the Middle East, North and West Africa. Living in Israel's multi-cultural society, he was exposed to many different musical styles includ?ing classical and jazz and the cultural traditions of Brazil and India.
He has performed with the Israel Philharmonic Orchestra, in numerous television and theatre productions and with the top popu?lar artists of Israel. He took first prize at the Red Sea International Jazz Festival in 1987 with his group Hameshbesh. He moved to New York in 1990 and has since performed and recorded with Randy Brecker and Ornette Coleman. He has composed for the Discover channel and Warner-Brothers productions. Recently, he was selected as one of the top twelve players in the "Percussionist on Fire" contest conducted by Jazziz magazine and judged by Peter Erskine, Paulinbo DaCosta and Dave Samuels. Gilad was featured in the February issue along with his music on the disc which accompanied the issue.
Gilad also works intensively in his own musi?cal projects including a one man production titled Mosaic and a collaboration of original world fusion music with keyboard player Adam Morisson.
Born in Israel in 1973, percussionist Asaf Roth began his music studies at the age of eight. His first percussion teacher was Chen Zimbalista. He has studied with the Israel Philharmonic Orchestra principal percussionist, Alon Bor, since age sixteen. He was principal percussion player of the Young Israeli Philharmonic Orchestra with whom he has traveled abroad and also received
scholarships. He has received the America-Israel Foundation scholarship since 1989. He played with the Young Symphony Orchestra of the Kibbutzim and has written a paper on the tim?pani. He has played with the Israel Philharmonic Orchestra, the Israeli Broadcasting Orchestra, the Rishon-Lezion Symphonic Orchestra, the Tel-Aviv Symphony, Chamber orchestras and choirs. In the winter of 1992 he performed under Lorin Mazet in the International Orchestra project "Music by the Red Sea." In 1993 He began per?forming with Chen Zimbalista. At present, he is also a soldier, serving as percussionist of the Air Force Band.
Nadav Rubinstein, piano and keyboard, has played the piano since age eight, and clarinet since age twelve. Mr. Rubenstein has studied theory, harmony and composition with teachers in Israel and abroad. During those years, he received scholarships from the America-Israel Cultural Foundation. He did his army service in the Israel Military Band under the leadership of Ytzhak Gratziani. He played clarinet, saxophone and piano and wrote arrangements for the band. He completed a degree in Industrial Engineering at Tel-Aviv University. Today Mr. Rubenstein plays with various groups. He accompanies choirs, composes and records music for plays, films and television programs. During the last two years Mr. Rubenstein has had the role of musical producer for the drama faculty at the Tel-Aviv School of Arts.
Like To Help Out
UMS Volunteers are an integral part of the success of our organization. There are many areas in which volunteers can lend their expertise and enthusiasm. We would like to welcome you to the UMS family and involve you in our exciting programming and activi?ties. We rely on volunteers for a vast array of activities, including staffing the education res?idency activities, helping at the UMS hospital?ity table before concerts and at intermissions, assisting in artists services and mailings, escorting students for our popular youth per?formances and a host of other projects. Call 734.936.6837 for more information.
Internships with the University Musical Society provide experience in performing arts admin?istration, marketing, publicity, promotion, production and arts education. Semester-and year-long internships are available in many of the University Musical Society's departments. For more information, please call 734.763.0611 (Marketing Internships), 734.647.1173 (Production Internships) or 734.764.6179 (Education Internships).
College work-study
Students working for the University Musical Society as part of the College Work-Study
program gain valuable experience in all facets of arts management including concert promo?tion and marketing, fundraising, event planning and production. If you are a college student who receives work-study financial aid and who is interested in working for the University Musical Society, please call 734.764.2538.
UMS Ushers
Without the dedicated service of UMS' Usher Corps, our concerts would be absolute chaos. Ushers serve the essential functions of assist?ing patrons with seating and distributing pro?gram books. With their help, concerts begin peacefully and pleasantly.
The UMS Usher Corps comprises 275 individuals who volunteer their time to make your concertgoing experience more pleasant and efficient. The all-volunteer group attends an orientation and training session each fall. Ushers are responsible for working at every UMS performance in a specific hall (Hill, Power, or Rackham) for the entire concert season.
Our ushers must enjoy their work because 85 of them return to volunteer each year. In fact some ushers have served for 30 years or longer. If you would like information about joining the UMS usher corps, leave a message for head usher Kathi Reister at 734.913.9696.
Camerata Dinners
presented by General Motors
Following last year's great success, the UMS Board of Directors and Advisory Committee are hosting another series of Camerata Dinners before many of the season's great performances. After taking your pick of prime parking spaces, join friends and fellow UMS patrons in the beautiful setting of the Alumni Center, a site within a short walking distance of Hill Auditorium. Our buffet will be open from 6:00 to 7:30 p.m. and costs $25 per person. Make your reser?vations by calling 734.764.8489. UMS members receive reservation priority.
Saturday, January 10
Israel Philharmonic OrchestraZubin Mehta, conductor
Friday, February 6
St. Paul Chamber OrchestraEmanuel Ax, piano
Wednesday, February 11
Royal ConcertgebouwRiccardo Chailly, conductor
Tuesday, March 24
Russian National OrchestraGil Shaham, violin
Monday, April 13
Evgeny Kissin, piano
Friday, May 1 o
MET OujQ&MtfSir Georg Solti, conductor
Dining Experiences to Savor: the Fourth Annual Delicious Experiences
Wonderful friends and supporters of the UMS are again offering a unique donation by hosting a delectable variety of dining events. Throughoul the year there will be elegant candlelight dinners, cocktail parties, teas and brunches to tantalize your tastebuds. And thanks to the generosity ol the hosts, all proceeds will go directly to UMS to continue the fabulous music, dance and educational programs.
Treat yourself, give a gift of tickets, purchase an entire event, or come alone and meet new people. Join in the fun while supporting UMS!
Call 734.936.6837 for more information and to receive a brochure.
Restaurant & Lodging Packages
Celebrate in style with dinner and a show, or stay overnight and relax in comfort! A delicious meal followed by priority, reserved seating at a performance by world-class artists makes an elegant evening. Add luxury accommodations to the package and make it a complete get away. The University Musical Society is pleased to announce their cooperative ventures with the following local establishments:
Paesano's Restaurant
3411 Washtenaw Road, Ann Arbor. Reservations: 734.971.0484 ISun. Feb. 22 Mendelssohn's Elijah
Tue. Mar. 24 Russian National OrchestraGil Shaham, violin IMort. Apr. 13 Evgeny Kissin, piano
[Package price $52 per person (with tax & tip incorporated) ?includes: Guaranteed dinner reservations (select any item from [the special package menu) and reserved "A" seats on the main (floor at the performance for each guest.
The Artful Lodger Bed & Breakfast
1547 Washtenaw Avenue, Ann Arbor. Reservations: 734.769.0653 jjoin Ann Arbor's most theatrical host & hostess, Fred & Edith lcavis Bookstein, for a weekend in their massive stone house built in the mid-1800s for U-M President Henry Simmons Frieze. This historic house, located just minutes from the performance halls, been comfortably restored and furnished with contemporary art and performance memorabilia. The Bed & Breakfast for Music fcnd Theater Lovers!
Package price ranges from $200 to $225 per couple depending upon performance (subject to availability) and includes: two nights' f tdy, breakfast, high tea and two priority reserved tickets to the performance.
The Bell Tower Hotel & Escoffier Restaurant
I 300 S. Thayer, Ann Arbor. Reservations: 734.769.3010 Fine dining and elegant accommodations, along with priority Seating to see some of the world's most distinguished performing prtists, add up to a perfect overnight holiday. Reserve space now for a European-style deluxe guest room within walking distance of the performance halls and downtown shopping, a special performance dinner menu at the Escoffier restaurant located within the Bell Tower Kotel, and great seats to the show. Beat the winter blues in style!
Wri. Jan. 9 David Daniels, countertenor Ear. Jan. 10 Israel Philharmonic Orchestra
Wri. Jan. 30 Beethoven the Contemporary: American String Quartet Wri. Feb. 13 Juan-Jose1 Mosalini and His Grand Tango Orchestra Wat. Feb. 14 Chen Zimbalista, percussion Wri. Feb. 20 Chick Corea, piano and Gary Burton, vibes }: Mar. 13 New York City Opera National Company
Donizetti's Daughter of the Regiment Bar. Mar. 21 Batsheva Dance Company of Israel mat. Mar. 28 Paco de Luda and His Flamenco Orchestra Package price $199 (+ tax & gratuity) per couple ($225 for the Israel Philharmonic Orchestra) includes: valet parking at the Botel, overnight accommodations in a deluxe guest room with a Continental breakfast, pre-show dinner reservations at the Iscoffier restaurant in the Bell Tower Hotel, and two performance fickcts with preferred seating reservations.
Gratzi Restaurant
I 326 S. Main Street, Ann Arbor. Reservations: 734.663.5555
mm. Jan. 18 Boys Choir of Harlem
Whu. Feb. 19 Petersen Quartet
Tlui. Mar. 12 New York City Opera National Company
Donizetti's Daughter of the Regiment Iri. Apr. 3 STREB
Package price $45 per person includes: guaranteed reservations r a pre-show dinner (select any item from the menu plus a non-ilcoholic beverage) and reserved "A" seats on the main floor at the Performance.
Gift Certificates
Looking for that perfect meaningful gift that speaks volumes about your taste Tired of giving flowers, ties or jewelry Give a UMS Gift Certificate! Available in any amount and redeemable for any of more than 70 events throughout our season, wrapped and delivered with your personal message, the UMS Gift Certificate is ideal for birthdays, Christmas, Hanukkah, Mother's and Father's Days, or even as a housewarming present when new friends move to town.
Make your gift stand out from the rest: call the UMS Box Office at 734.764.2538, or stop by Burton Tower.
The UMS Card
The University Musical Society and the following businesses thank you for your generous UMS sup?port by providing you with discounted products and services through the UMS Card, a privilege for subscribers and donors of at least $100. Patronize these businesses often and enjoy the quality products and services they provide.
Amadeus Cafe Ann Arbor Acura Ann Arbor Art Center Cafe Marie Chelsea Flower Shop Dobbs Opticians Inc.
of Ann Arbor Dough Boys Bakery Fine Flowers Gandy Dancer Great Harvest Jacques
John Leidy Shop Kerrytown Bistro King's Keyboard House
Marty's Menswear
Michigan Car Services,
Inc. and Airport
Sedan, LTD Paesano's Perfectly Seasoned Regrets Only Ritz Camera One Hour
SKR Classical Schoolkids Records Shaman Drum Bookshop Zingerman's
The UMS card also entitles you to 10 off your ticket purchases at seventeen other Michigan Presenter venues. Individual event restrictions may apply. Call the UMS box office for more information.
A Sound Investment
Advertising and Sponsorship at UMS
Advertising in the UMS program book or sponsoring UMS performances will enable you to reach 125,000 of southeastern Michigan's most loyal concertgoers.
When you advertise in the UMS program book you gain season-long visibility, while enabling an important tradition of providing audiences with the detailed program notes, artist biographies, and program descriptions that are so important to per?formance experiences. Call 734.647.4020 to learn how your business can benefit from advertising in the UMS program book.
As a UMS corporate sponsor, your organization comes to the attention of an affluent, educated, and growing segment of not only Ann Arbor, but all of southeastern Michigan. You make possible one of our community's cultural treasures. And there are numerous benefits that accrue from your investment. For example, UMS offers you a range of programs that, depending on level, provide a unique venue for:
Enhancing corporate image Launching new products Cultivating clients
Developing business-to-business relationships Targeting messages to specific demographic
Making highly visible links with arts and education programs
Recognizing employees
Showing appreciation for loyal customers
For more information, call 734.647.1176
Eleanor Roosevelt
Vladimir Horowitz
William D Revelli
Eugene Ormandy
Jessye Norman
The many faces of Hill
For over 80 years, Hill Auditorium has hosted great poets, great thinkers and great musical artists. But the years have taken their toll on this magnificent building. The Campaign for Hill is our chance to give something backhand assure that Hill Auditorium will face a bright and beautiful future.
Please, make your pledge today to the Campaign for Hill.
For information, call (313) 647-6065.
A Highlight of the Campaign for Michigan
Advisory Committee
The Advisory Committee is a 53-member organi?zation which raises funds for UMS through a variety of events held throughout the concert season: an annual auction, the creative "Delicious Experience" dinners, season opening and preand post-concert events, and the Ford Honors Program Gala Dinner Dance. The Advisory Committee has pledged to donate $140,000 this current season. In addition to fundraising, this hard-working group generously donates valuable and innumerable hours in assisting with the educational programs of UMS and the behind-the-scenes tasks associated with every event UMS presents. If you would like to become involved with this dynamic group, please give us a call at 734.936.6837 for information.
Group Tickets
Organize the perfect outing for your group of friends, co-workers, religious congregation, class?mates or conference participants. The UMS Group Sales Office will provide you with complimentary promotional materials for the event, free bus parking, reserved block seating in the best available seats and assistance with dining arrangements at a facility that meets your group's culinary criteria.
When you purchase at least 10 tickets through the UMS Group Sales Office your group can save 10-25 off the regular ticket price for most events as well as receive 1-3 complimentary tickets for the group organizer (depending on the size of the group). Certain events have a limited number of discount tickets available, so call early to guarantee your reservation. Call 734.763.3100.
In an effort to help reduce distracting noises, the Warner-Lambert Company provides complimentary Halls Mentho-Lyptus Cough Suppressant Tablets in specially marked dispensers located in the lobbies. Thanks to Ford Motor Company for the use of a Lincoln Town Car to provide transportation for visiting artists.
Ford Honors Program
The Ford Honors program is made possible by a generous grant from the Ford Motor Company and benefits the UMS Education Program. Each year, UMS honors a world-renowned artist or ensemble with whom we have maintained a long-standing and significant relationship. In one evening, UMS presents the artist in concert, pays tribute to and presents the artist with the UMS Distinguished Artist Award, and hosts a dinner and party in the artist's honor. Van Cliburn was the first artist so honored and in 1997 UMS honored Jessye Norman.
This year's Ford Honors Program will be held Saturday, May 9. The recipient of the 1998 UMS Distinguished Artist Award will be announced in early February.
New Directions In Cosmetic Dentistry
Everyone wants their teeth to look nice so they can smile with confidence. Cosmetic dentistry can make your teeth look straighter and whiter so you can smile with confidence and feel great.
Dr. Farah is a graduate of the University of Michigan, and lectures internationally on cosmetic dentistry.
Visit our state-of-the-art facility at 3100 W. Liberty in Ann Arbor. It is easily accessible from 1-96 or 1-94-
For a consultation to improve your smile, call (313) 663-6777.
Dr. John W. Fatah
Thank You!
Great performances--the best in music, theater and dance--are pre?sented by the University Musical Society because of the much-needed and appreciated gifts of UMS supporters, who constitute the members of the Society. The list below represents names of current donors as of November 1, 1997. If there has been an error or omission, we apologize and would appreciate a call at 734.647.1178 so that we can correct this right away. The University Musical Society would also like to thank those generous donors who wish to remain anonymous.
The Burton Tower Society is a very special group of University Musical Society friends. These people have included the University Musical Society in their estate planning. We are grateful for this important support to continue the great traditions of the Society in the future.
Mr. Neil P. Anderson
Catherine S. Arcure
Mr. and Mrs. Pal E. Barondy
Mr. Hilbert Beyer
Elizabeth Bishop
Mr. and Mrs. John Alden Clark
Dr. and Mrs. Michael S. Frank
Mr. Edwin Goldring
Mr. Seymour Greenstone
Marilyn Jeffs
Thomas C. and
Constance M. Kinnear Dr. Eva Mueller Charlotte McGeoch Len and Nancy Niehoff Mr. and Mrs. Dennis Powers Mr. and Mrs. Michael Radock Herbert Sloan Helen Ziegler Mr. and Mrs. Ronald G. Zollars
Randall and Mary Pittman
Herbert Sloan
Paul and Elizabeth Yhouse
Ford Motor Company Fund Forest Health Services Corporation Parke-Davis Pharmaceutical Research
Carl and Isabelle Brauer
Sally and Ian Bund
Kathleen G. Charla
Dr. and Mrs. James Irwin
Carol and Irving Smokier
Mrs. M. Titiev
Ronald and Eileen Weiser
Consumers Energy
Detroit Edison Foundation
Ford Motor Credit Company
JPEincThe Paideia Foundation
McKinley Associates
NSK Corporation
The Edward Surovell Co.Realtors
TriMas Corporation
University of Michigan -
University Relations Wolverine Temporaries, Inc.
Arts Midwest
Grayling Fund
KMD Foundation
Lila Wallace-Reader's Digest
Audiences for the Performing
Arts Network
Lila Wallace-Reader's Digest Arts
Partners Program Benard L. Maas Foundation Michigan Council for Arts
and Cultural Affairs National Endowment for the Arts New England Foundation for the Arts
Individuals Robert and Ann Meredith Prudence and Amnon Rosenthal Edward Surovell and Natalie Lacy
Businesses General Motors Great Lakes Bancorp
Herb and Carol Amster
Douglas Crary
Ronnie and Sheila Cresswell
Robert and Janice DiRomualdo
Michael E. Gellert
Sun-Chien and Betty Hsiao
F. Bruce Kulp and Ronna Romney
Pat and Mike Levine
Mr. David G. LoeselCafe Marie
Charlotte McGeoch
Joe and Karen Koykka O'Neal
Mrs. John F. Ullrich
Marina and Robert Whitman
Roy Ziegler
Beacon Investment Company Curtin & Alf Violinmakers First of America Bank Ford Electronics Thomas B. McMullen Company Michigan Radio Miller, Canfield, Paddock and Stone, PX.C.
The Monroe Street Journal O'Neal Construction Project Management
Associates WDET WEMU
Foundations Chamber Music America Herrick Foundation
Individuals Robert and Martha Ause Maurice and Linda Binkow Barbara Everitt Bryant Dr. and Mrs. James P. Byrne Edwin F. Carlson Mr. Ralph Conger Katharine and Jon Cosovich Mr. and Mrs.
Thomas C Evans Ken, Penny and Matt Fischer John and Esther Floyd Sue and Carl Gingles Mercy and Stephen Kasle (ohn and Dorothy Reed Prudence and
Amnon Rosenthal Don and
Judy Dow Rumelhart Maya Savarino Professor Thomas J. and
Ann Sneed Schriber Raymond Tanter Richard E. and
Laura A. Van House Mrs. Francis V.Viola III Marion T. Wirick and
James N. Morgan
Businesses AAA of Michigan Arbor Temporaries
Personnel Systems, Inc. Butzel Long Attorneys Environmental Research
Institute of Michigan KeyBank
MaudesMain Street Ventures St. Joseph Mercy Hospital Target Waldenbooks
Foundations The Mosaic Foundation (of Rita and Peter Heydon)
Dr. and Mrs. Gerald Abrams
Professor and Mrs.
Gardner Ackley Dr. and Mrs. Robert G. Aldrich Janet and Arnold Aronoff Mr. and Mrs. Max K. Aupperle Dr. Emily W. Bandera Bradford and Lydia Bates Raymond and Janet Bernreuter Joan A. Binkow Howard and Margaret Bond Jim Botsford and
Janice Stevens Botsford Jeannine and Robert Buchanan Lawrence and Valerie Bullen Mr. and Mrs. Richard J. Burstein Letitia J. Byrd Betty Byrne
Jean and Kenneth Casey Pat and George Chatas Mr. and Mrs. John Alden Clark David and Pat Clyde Leon and Heidi Cohan Maurice Cohen Susan and Arnold Coran Alan and Bette Cotzin Dennis Dahlman Peter and Susan Darrow Jack and Alice Dobson Jim and Patsy Donahey Jan and Gil Dorer Cheri and Dr. Stewart Epstein David and Jo-Anna Featherman Adrienne and Robert Feldstein Ray and Patricia Fitzgerald Richard and Marie Flanagan Robben and Sally Fleming Ilene H. Forsyth Michael and Sara Frank Margaret Fisher and
Arthur French Mr. Edward P. Frohlich Lourdes and Otto Gago
Marilyn G. Gallatin Beverley and Gerson Geltner William and Ruth Gilkey Drs. Sid Gilman and
Carol Barbour Enid M. Gosling Norm Gottlieb and
Vivian Sosna Gottlieb Ruth B. and
Edward M. Gramlich Linda and Richard Greene Frances Greer Susan R. Harris Walter and Dianne Harrison Anne and Harold Haugh Debbie and Norman Herbert Dr. and Mrs. Sanford Herman Bertram Herzog Julian and Diane Hoff Mr. and Mrs.
William B. Holmes Robert M. and Joan F. Howe John and Patricia Huntington Keki and Alice Irani Stuart and Maureen Isaac Herbert Katz
Thomas and Shirley Kauper Emily and Ted Kennedy Bethany and
A. William Klinke II Michael and Phyllis Korybalski Helen and Arnold Kuethe Mr. and Mrs. Leo Kulka Barbara and Michael Kusisto Bob and Laurie LaZebnik Elaine and David Lebenbom Carolyn and Paul Lichter Peter and Sunny Lo Robert and Pearson Macek Alan and Carla Mandel Judythe and Roger Maugh Paul and Ruth McCracken Joseph McCune and
Georgiana Sanders Rebecca McGowan and
Michael B. Staebler Dr. and Mrs. Donald A. Meier Jeanne and Ernie Merlanti
Dr. H. Dean and
Dolores Millard Myrna and Newell Miller Andrew and Candice Mitchell Dr. and Mrs. Joe D. Morris George and Barbara Mrkonic Sharon and Chuck Newman William A. and
Deanna C. Newman Bill and Marguerite Oliver
(Pastabilities) Mark and Susan Orringer Constance L. and
David W. Osier Mr. and Mrs. William B. Palmer Dory and John D. Paul John M. Paulson Frances M. Pendleton Maxine and Wilbur K. Pierpont Donald H. Regan and
Elizabeth Axelson Professor and Mrs.
Raymond Reilly Glenda Renwick Molly Resnik and John Martin Jack and Margaret Ricketts Dr. Nathaniel H. Rowe Dick and Norma Sams Rosalie and David Schottenfeld Janet and Mike Shatusky Dr. Hildreth H. Spencer Steve and Cynny Spencer Lloyd and Ted St. Antoine Victor and Marlene Stoeffler Dr. Isaac Thomas III &
Dr. Toni Hoover Jerrold G. Utsler Charlotte Van Curler Mary Vanden Belt John Wagner Elise and Jerry Weisbach Angela and Lyndon Welch Roy and JoAn Wetzel Douglas and Barbara White Elizabeth B. and
Walter P. Work, Jr.
4 2 Principals, continued
3M Health Care
Ann Arbor Public Schools
The Barfield CompanyBartech
Comerica Inc.
General Automotive
Corporation Hudson's
Jacobson Stores Inc. Kantner and Associates Michigan Car Service and Airport Sedan, LTD Mechanical Dynamics Pepper, Hamilton & Scheetz Riverview Lumber &
Building Supply Co., Inc. Shar Products Company Target
Harold and lean Grossman
Family Foundation The Lebensfeld Foundation The Power Foundation
lim and Barbara Adams
Bernard and Raquel AgranofT
M. Bernard Aidinoff
Dr. and Mrs. Peter Aliferis
Dr. and Mrs. Rudi Ansbacher
Catherine S. Arcure
lames R. Baker, Jr., M.D. and
Lisa Baker
Robert and Wanda Bartlett Karen and Karl Bartscht Ralph P. Beebe Mr. and Mrs. Philip C. Berry Suzanne A. and
Frederick J. Beutler John Blankley and
Maureen Foley Ron and Mimi Bogdasarian Charles and Linda Borgsdorf David and Tina Bowen Laurence Boxer, M.D.;
Grace J. Boxer, M.D. David and Sharon Brooks Kathleen and Dennis Cantwell Bruce and Jean Carlson Tsun and Siu Ying Chang
Mrs. Raymond S. Chase Sigrid Christiansen and
Richard Levey Roland J. Cole and
Blsa Kircher Cole James and Constance Cook H. Richard Crane Alice B. Crawford William H. and
Linda J. Damon III Benning and Elizabeth Dexter Judy and Steve Dobson Molly and Bill Dobson Elizabeth A. Doman Mr. and Mrs. Cameron B. Duncan Dr. and Mrs. John H. Edlund Mr. and Mrs. Charles Eisendrath Claudine Farrand and
Daniel Moerman Sidney and Jean Fine Clare M. Fingerle Mrs. Beth B. Fischer Daniel R. Foley Phyllis W. Foster Paula L. Bockenstedt and
David A. Fox
Dr. William and Beatrice Fox David . Fugenschuh and
Karey Leach
Wood and Rosemary Geist Charles and Rita Gelman Henry and Beverly Gershowitz Margaret G. Gilbert Joyce and Fred M. Ginsberg Grace M. Girvan Paul and Anne Glendon Dr. Alexander Gotz Dr. and Mrs. William A. Gracie Elizabeth Needham Graham Jerry M. and Mary K. Gray Lila and Bob Green John R. and Helen K. Griffith Leslie and Mary Ellen Guinn Bita Esmaeli, M.I . and
Howard Gutstein, M.D. Mr. and Mrs. Elmer F. Hamel Mr. and Mrs. Ramon Hernandez Mrs. W.A. Hiltner Matthew C. Hoffmann and
Kerry McNulty
Janet Woods Hoobler Mary Jean and Graham Hovey David and Dolores Humes Ronald R. and
Gaye H. Humphrey Gretchen and John Jackson Jim and Dale Jerome F.d and Juliette Jonna Robert L. and Beatrice H. Kahn Richard and Sylvia Kaufman Robert and Gloria Kerry Howard King and
Elizabeth Sayre-King Dick and Pat King Tom and Connie Kinnear Jim and Carolyn Knake Samuel and Marilyn Krimm Bert and Catherine La Du Lee E. Landes
David and Maxine Larrouy John K. Lawrence Leo A. Legatski Myron and Bobbie Levine Evie and Allen Lichter Dean and Gwen Louis Mr. and Mrs. Carl J. Lutkehaus Brigitte and Paul Maassen John and Cheryl MacKrell Ken Marblestone and
Janisse Nagel Hattie and Ted McOmber Ted and Barbara Meadows Walter and Ruth Metzger Mr. and Mrs. Francis L Michaels John and Michelle Morris Martin Neuliep and
Patricia Pancioli M. Haskell and
Jan Barney Newman Len and Nancy Niehoff Marylen and Harold Oberman Dr. and Mrs. Frederick C. O'Dell Mary R Parker William C. Parkinson Lorraine B. Phillips Mr. and Mrs. William J. Pierce Barry and Jane Pitt Eleanor and Peter Pollack Richard L. Prager, M.D. Jerry and Lorna Prescott
Richard H. and Mary B. Price Tom and Mary Princing Mrs. Gardner C. Quarton William and Diane Rado Mrs. Joseph S. Radom Jim and leva Rasmussen Stephen and Agnes Reading Jim and Bonnie Reece La Vonne and Gary Reed Dr. and Mrs.
Rudolph E. Reichert Maria and Rusty Restuccia (Catherine and William Ribbens Barbara A. Anderson and
John H. Romani Mary R. Romig-deYoung Gustave and Jacqueline Rosseels Mrs. Doris E. Rowan Sheldon Sandweiss Meeyung and Charles Schmitter Mrs. Richard C. Schneider Joseph and Patricia Settimi Helen and George Siedel Mrs. Charles A. Sink Cynthia J. Sorensen Mr. and Mrs. Neil J. Sosin Mrs. Ralph L. Steffek Mr. and Mrs. John C. Stegeman Frank D. Stella Professor Louis and
Glennis Stout
Dr. and Mrs. Jeoffrey K. Stress Nancy Bielby Sudia Mr. and Mrs. Robert M. Teeter James L. and Ann S. Telfer Dr. and Mrs. E. Thurston Thieme Joan Lowenstein and
Jonathan Trobe Herbert and Anne Upton Joyce A. Urba and
David J. Kinsella Don and Carol Van Curler Gregory and Annette Walker Dr. and Mrs. Andrew S. Watson Willes and Kathleen Weber Karl and Karen Weick Raoul Weisman and
Ann Friedman Robert O. and
Darragh H. Weisman Dr. Steven W. Werns Marcy and Scott Westerman Mrs. Elizabeth Wilson Len and Maggie Wolin Frank E. Wolk Dr. and Mrs. Clyde Wu Nancy and Martin Zimmerman
The Ann Arbor News The Ann Arbor District Library B -Because Company's Coming Coffee Express Co. General Systems Consulting
Group Jewish Federation of
Metropolitan Chicago Arbor TemporariesPersonnel
Systems, Inc.
St. Joseph Mercy Hospital United Jewish Foundation of
Metropolitan Detroit Van Boven Shoes, Inc.
Foundations Shiffman Foundation Trust
Anastasios Alexiou Christine Webb Alvey Dr. and Mrs. David G. Anderson Hugh and Margaret Anderson David and Katie Andrea Harlene and Henry Appelman Mr. and Mrs. Arthur J. Ashe Essel and Menakka Bailey Julie and Bob Bailey Gary and Cheryl Balint Lesli and Christopher Ballard John and Betty Barfield Norman E. Barnett Dr. and Mrs. Mason Barr, Jr. Leslie and Anita Bassett Astrid B. Beck and
David Noel Freedman Kathleen Beck Neal Bedford and
Gerlinda Melchiori Harry and Betty Benford P.E. Bennett
Ruth Ann and Stuart J. Bergstein Jerry and Lois Beznos John and Marge Biancke Mary Steffek Blaske and
Thomas Blaske Cathie and Tom Bloem Ruth E. and Robert S. Bolton Roger and Polly Bookwalter C. Paul and Anna Y. Bradley Richard Brandt and
Karina Niemeyer Betsy and Ernest Brater Mr. Joel Bregman and
Ms. Elaine Pomeranz Mr. and Mrs. Gerald Bright Mary Jo Brough June and Donald R. Brown Morton B. and Raya Brown Arthur and Alice Burks Edward and Mary Cady Joanne Cage Jean W. Campbell lim and Priscilla Carlson Marchall F. and Janice L. Carr Jeannette and Robert Carr Janet and Bill Cassebaum Andrew and Shelly Caughey James S. Chen Dr. Kyung and Young Cho Nancy Cilley Janice A. Clark Cynthia and Jeffrey Colton Edward J. and Anne M. Comeau Lolagene C. Coombs Mary K. Cordes
Merle and Mary Ann Crawford Ed and Ellie Davidson I .limit: R. Davidson, M.D. John and Jean Debbink Elena and Nicholas Delbanco Louis M. DeShantz Delia DiPietro and
Jack Wagoner, M.D. Dr. and Mrs. Edward F. Domino Thomas and Esther Donahue Cecilia and Allan Dreyfuss Martin and Rosalie Edwards Dr. Alan S. Eiser Joan and 1 mil Engel Don Faber and Jeanette Luton Dr. and Mrs. Stefan Fajans Dr. and Mrs. John A. Faulkner Dede and Oscar Feldman Dr. James F. Filgas Herschel and Annette Fink Joseph J. Fitzsimmons Stephen and Suzanne Fleming Jennifer and Guillermo Flores Ernest and Margot Fontheim James and Anne Ford Deborah and Ronald Freedman Harriet and Daniel Fusfeld Bernard and Enid Galler Gwyn and Jay Gardner Professor and Mrs.
David M. Gates
Thomas and Barbara Gelehrter Elmer G. Gilbert and
Lois M. Verbrugge James and Janet Gilsdorf Maureen and David Ginsburg Albert and Almeda Girod DASH
Mary L. Golden Dr. Luis Gonzalez and
Ms. Vilma E. Perez Mrs. William Grabb Dr. and Mrs. Lazar J. Greenfield Carleton and Mary Lou Griffin Mark and Susan Griffin Ken and Margaret Guire Philip Guire Don P. Haefher and
Cynthia J. Stewart George N. Hall Margo Halsted
Michael C. and Deanne A. Hardy M. C. Harms Clifford and Alice Hart Kenneth and Jeanne Heininger John L. Henkel and
Jacqueline Stearns Bruce and Joyce Herbert Fred and Joyce Hershenson Herb and Dee Hildebrandt Louise Hodgson Dr. and Mrs. Ronald W. Holz John and Lillian H. Home Linda Samuelson and Joel Howell Che C. and Teresa Huang Ralph and Del Hulett Mrs. Hazel Hunsche George and Kay Hunt Thomas and Kathryn Huntzicker Robert B. Ingling Professor and Mrs.
John H. Jackson
K. John Jarrett and
Patrick T. Sliwinski Wallic and Janet Jeffries Mr. and Mrs. Donald L Johnson Billie and Henry Johnson Kent and Mary Johnson Tim and Jo Wiese Johnson Steven R. Kalt and
Robert D. Heeren Dr. and Mrs. Mark S. Kaminski Allyn and Sherri Kantor Anna M. Kauper David and Sally Kennedy Richard L. Kennedy Donald F. and Mary A. Kiel Rhea and Leslie Kish Paul Kissner M.D. and
Dana Kissner M.D. James and Jane Kister Dr. George Kleiber Philip and Kathryn Klintworth Joseph and Marilynn Kokoszka Charles and Linda Koopmann Dimitri and Suzanne Kosacheff Barbara and Charles Krause Doris and Donald Kraushaar Konrad Rudolph and
Marie Kruger Thomas and Joy Kruger Henry and Alice Landau Marjorie Lansing Mr. and Mrs. Henry M. Lapeza Ted and Wendy Lawrence John and Theresa Lee Richard LeSueur Jody and Leo Lighthammer Leslie and Susan Loomans Dr. and Mrs. Charles P. Lucas Edward and Barbara Lynn Donald and Doni Lystra Jeffrey and Jane Mackie-Mason Frederick C. and
Pamela J. MacKintosh Sally C. Maggio Steve and Ginger Maggio Virginia Mahle Marcovitz Family Edwin and Catherine Marcus Geraldine and Sheldon Markel Rhoda and William Martel Sally and Bill Martin Dr. and Mrs. Josip Matovinovic Mary and Chandler Matthews Mary Mazure and Andy Tampos Margaret E. McCarthy Kevin McDonagh and
Leslie Crofford Griff and Pat McDonald James and Kathleen McGauley Leo and Sally Miedlcr leanctte and Jack Miller Dr. M. Patricia Mortell Sally and Charles Moss Dr. Eva L Mueller Dr. and Mrs. Gunder A. Myran Marianne and Mutsumi Nakao Edward and Betty Ann Navoy Frederick C. Neidhardt and
Germaine Chipault Barry Nemon and
Barbara Stark-Nemon
4 4 Associates, continued
Mr. and Mrs. James O'Neill Mark Ouimet and
Donna Hrozencik Donna D. Park Shirley and Ara Paul Dr. Owen Z. and Barbara Perlman Margaret D. and John Petersen Frank and Nelly Petrock William and Barbara Pierce Frank and Sharon Pignanelli Richard and Meryl Place Donald and Evonne Plantinga Lana and Henry Pollack Stephen and Tina Pollock Bill and Diana Pratt Larry and Ann Preuss Charleen Price Wallace Prince
Mr. and Mrs. H. Pryor J. Thomas and Kathleen Pustell] and
Elizabeth Quackenbush Michael and Helen Radock Homayoon Rahbari, M.D. Anthony t. Reffells and
Elaine A. Bennett Constance Rinehart Ken and Nina Robinson Gay and George Rosenwald Jerome M. and Lee Ann Salle Gary and Arlene Saxonhouse Dr. Albert J. and Jane L. Sayed
David and Marcia Schmidt
Marvin and Harriet Selin
Howard and Aliza Shevrin
George and Gladys Shirley
Alida and Gene Silverman
Scott and Joan Singer
John and Anne Griffin Sloan
Alene M. Smith
Carl and Jari Smith
Mrs. Robert W. Smith
Virginia B. Smith
Jorge and-Nancy Solis
Dr. Elaine R. Soller
Lois and William Solomon
Katharine B. Soper
Dr. Yoram and Eliana Sorokin
Juanita and Joseph Spallina
L. Grassclli Sprankle
Barbara and Michael Steer
Dr. and Mrs. Stanley Strasius
Charlotte Sundelson
Brian and Lee Talbot
Ronna and Kent Talcott
Mary D. Teal
Lois A. Theis
Edwin J. Thomas
Mr. and Mrs. W. Paul Tippett
Dr. Sheryl S. Ulin and
Dr. Lynn T. Schachinger Paul and Fredda Unangst Kathleen Treciak Van Dam Hugo and Karla Vandersypen
Jack and Marilyn van der Veldc
Michael L. Van Tassel
William C. Vassell
John and Maureen Voorhees
Sally Wacker
Ellen C. Wagner
Mr. and Mrs. Norman C. Wait
Charles R. and
Barbara H. Wallgren Robert D. and Liina M. Wallin Dr. and Mrs. Jon M. Wardner Mrs. Joan D. Weber Deborah Webster and
George Miller Harry C. White and
Esther R. Redmount Janet F. White Shirley M. Williams Thomas and Iva Wilson Farris and Ann Womack Mr. and Mrs. A. C.Wooll Phyllis B. Wright Don and Charlotte Wyche Mr. and Mrs. Edwin H. Young Gail and David Zuk
Atlas Tool, Inc.
Edwards Brothers, Inc.
Hagopian World of Rugs
John Lcidy Shop, Inc.
Lewis Jewelers
Mariano Pallares, International
Translating Bureau, Inc. Scientific Brake and
Equipment Company University Microfilms
Ann Arbor Area Community
Foundation Shiomo and Rhonda Mandell
Philanthropic Fund
Jim and famie Abelson
John K. Adams
Tim and Leah Adams
Michihiko and Hiroko Akiyama
Mr. and Mrs. Gordon E. Allardycc
Michael Allemang
James and Catherine Allen
Richard and Bettye Allen
Augustine and Kathleen Amaru
Helen and David Aminoff
Dr. and Mrs. Charles T. Anderson
Howard Ando and Jane Wilkinson
Drs. James and
Cathleen Culotla-Andonian Catherine M. Andrea T. L. Andresen
Dr. and Mrs. Dennis L. Angcllis Elaine and Ralph Anthony Patricia and Bruce Arden Bert and Pat Armstrong Gaard and Ellen Arneson
Mr. and Mrs. Lawrence E. Arnett
Jeff and Deborah Ash
Mr. and Mrs. Dan E. Alkins III
Jim and Patsy Auiler
Eric M. and Nancy Aupperle
Erik W. and Linda Lcc Austin
Eugene and Charlene Axelrod
Shirley and Don Axon
Jonathan and Martcne Ayers
Virginia and Jerald Bachman
lane Bagchi
Prof, and Mrs. I. Albert Bailey
Richard W. Bailey and
Julia Huttar Bailey Doris I. Bailo Robert L. Baird Bill and )oann Baker Laurence R. Baker and
Barbara K. Baker Drs. Helena and Richard Balon Dr. and Mrs. Peter Banks Barbara Barclay John R. Bareham David and Monika Barcra Cy and Anne Barnes Robert and Sherri Barnes Laurie and Jeffrey Barnett Donald C. Barnette, Jr. Mark and Karla Bartholomy Dorothy W. Bauer R. T. Bauer
Mr. and Mrs. Steven R. Beckert Marquila Bedway Walter and Antje Benenson Mcrete and Erling Btondal Bcngtsson Bruce Benner Linda and Ronald Benson Joan and Rodney Bentz Mr. and Mrs. Ib Bcntzcn-Bilkvist Helen V. Berg Mr. and Mrs. S.E. Berki L. S. Berlin
Abraham and Thelma Bcrman Gene and Kay Berrodin Andrew H. Berry, D.O. Robert Hunt Berry Mark Btrtz Bharat C. Bhushan William and llcnc Birge Elizabeth S. Bishop Art and Betty Blair Marshal] and Laurie Blondy Henry Blosser Dr. George and Joyce Blum Beverly J. Bole
Mr. and Mrs. Mark D. Bomia Dr. and Mrs. Frank Bongiorno Rebecca and Harold Bonncll Ed and Luciana Borbely Lola I. Borchardt Gil and Mona Borlaza Dr. and Mrs. David Bostian Bob and Jan Bower Mclvin W. and Ethel F. Brandt Robert and Jacqueline Bree Professor and Mrs. Dale E. Briggs Allen and Veronica Britton Olin L. Browder Linda Brown and Joel Goldberg Molly and John Bruegcr Mrs. Webster Brumbaugh Dr. Donald and Lela Bryant Phil Bucksbaum and Roberta Morris Trudy and Jonathan Bulkley Dr. Frances E. Bull Sherry A. Byrnes Louis and Janet Callaway Susan and Oliver Gameron Jenny Campbell (Mrs. D.A.) Mr. and Mrs. Robert Campbell
Charles and Martha Canncll Dr. and Mrs. James E. Carpenter )an and Steve Carpman Dennis B. and Margaret W. Carroll Carolyn M. Carty and Thomas H. Haug John and Patricia Carver Kathran M. Chan William and Susan Chandler . Wehrley and Patricia Chapman Dr. Carey A. Charles loan and Mark Chester George and Sue Chism Catherine Christen Mr. and Mrs. C. Bruce Christenson Edward and Rebecca Chudacoff Robert J. Cierzniewski Pat Clapper John and Nancy Clark Brian and Cheryl Clarkson Charles and Lynne Clipper! Roger and Mary Coe Dorothy Burke Cofifey Hubert and Ellen Cohen Hilary and Michael Cohen Lois and Avcrn Cohn Gerald S. Cole and Vivian Smargon Howard and Vivian Cole The Michael Collier Family Ed and Cathy Colone Wayne and Melinda Colquitt Gordon and Marjorie Comfort Kevin and Judy Compton Patrick and Anneward Conlin Sandra S. Connellan lanet Cooke
Dr. and Mrs. William W. Coon Gage R. Cooper Mr. and Mrs. Herbert Couf Paul N. Courant and Marta A. Manildi Clifford and Laura Craig M.u it mi1 A. Cramer Mr. Michael J. and Dr. Joan Crawford Mr. and Mrs. Richard Crawford Lawrence Crochier Constance Crump and lay Simrod Mr. and Mrs. James I. Crump, Jr. John and Carolyn Rundell Culotta Richard I. Cunningham Mary R. and John G. Curtis Jeffrey S. Cutter
Roderick and Mary Ann Daane Marylee Dalton Lee and Millie Danielson Jane and Gawainc Dart Dr. and Mrs. Charles Davenport Mr. and Mrs. Arthur W. Davidge Mr. and Mrs. Roy C. Davis David and Kay Dawson Joe and Nan Decker Lloyd and Genie Dethlofif Elizabeth and Edmond DeVine A. Nelson Dingle Dr. and Mrs. Stephen W. Director Dr. and Mrs. Edward R. Doczema Fr. Timothy J. Dombrowski Hilde and Ray Donaldson Steven and Paula Donn Thomas Doran Dick and Jane Dorr Prof William Gould Dow Paul Drake and Joyce Penner Roland and Diane Drayson Harry M. and Norrene M. Dreffs John Dryden and Diana Raimi Jean and Russell Dunnaback Edmund and Mary Durfee John W. Durstine Gloria Dykhouse George C. and Roberta R. Earl
lacquelynne S. Ecdes
Elaine Economou and Patrick Conlin
Mr. and Mrs. Richard Edgar
Mr. and Mrs. John R. Edman
Sara and Morgan Edwards
Rebecca Eisenbcrg and Judah Garber
David A. Eklund
fudge and Mrs. S. J. Elden
Sol and ludith I lkm
Ethel and Sheldon Ellis
James Ellis and Jean Lawlon
Mrs. Genevieve Ely
Mackenzie and Marcia Endo
Jim and Sandy Eng
David and Lynn Engelbert
Carolyne and Jerry Epstein
Stephen H. Epstein
Mr. and Mrs. Frederick A. Erb
Dorothy and Donald F. Eschman
James and Mary Helen Eschman
Eric and Caroline Ethington
Barbara Evans
Adele Ewell
Mr. and Mrs. Robert B. Fair, Jr.
Barbara and Garry C. Faja
Elly and Harvey FaJit
Richard and Shelley Farkas
Mr. and Mrs. H. W. Farrington, Jr.
Inka and David Felbeck
Reno and Nancy Feldkamp
Phil and Phyllis Fellin
Ruth Fiegel
Carol Finerman
Clay Finkbeiner
C. Peter and Bev A. Fischer
Mr. and Mrs. Gerald B. Fischer
Lydia H. Fischer
Patricia A. Fischer
Eileen and Andrew Fisher
Dr. and Mrs. Richard L. Fisher
Susan R. Fisher and John W. Waidley
Winifred Fisher
Barbara and James Fitzgerald
Linda and Thomas Fitzgerald
Morris and Debra Flaum
David and Ann Flucke
Scott and Janet Fogler
Mr. and Mrs. George W. Ford
Susan Goldsmith and Spencer Ford
Bob and Terry Foster
Ronald Fracker
Tom Franks, Jr.
Richard and Joann Freethy
Andrew and Deirdre Freiberg
Otto W. and Helga B. Freitag
Gail Frames
Philip And Renee Frost
Lcla J. Fuester
Joseph E. Fugere and
Marianne C. Mussett Ari and liana Gafhi Jane Gatantowicz Thomas H. Galantowicz Arthur Gallagher Mrs. Shirley H. Garland Del and Louise Garrison Janet and Charles Garvin Jutta Gerber Ina Hanel-Gerdenich Michael Gcrstcnbcrger W. Scott Gcrstenbcrger and
Elizabeth A. Sweet Beth Gcnne and Allan Gibbard James and Cathie Gibson Paul and Suzanne Gikas 11.hi Gittlen
Peter and Roberta Gluck Sara Goburdhun Mr. and Mrs. Robert Gockcl
Mr. and Mrs. Edward W. Godsalve
Albert L. Goldberg
Dr. and Mrs. Edward Goldberg
Ed and Mona Goldman
Irwin J. Goldstein and Marty Mayo
Mrs. Eszter Gombosi
Mitch and Barb Goodkin
Selma and Albert Gorlin
William and Jean Gosling
Charles Goss
Naomi Gottlieb and
Theodore Harrison DDS Siri Gottlieb Michael L. Gowing Christopher and Elaine Graham Mr. and Mrs. Robert C. Graham Dr. William H. and Maryanna Graves Alan Green and Mary Spencc Jeff Green
BUI and Louise Gregory Daphne and Raymond Grew Mr. and Mrs. James . Gribble Werner H. Grilk Richard and Marion Gross Robert M. Grover Robert and Linda Grunawalt Dr. Robert and Julie Grunawalt Arthur W. Gulick, M.D. Sondra Gunn Joseph and Gloria Gurt Margaret Gutowski and
Michael Marietta Caroline and Roger Hackett Helen C Hall
Harry L and Mary L Hallock Sarah I. Hamcke
Mrs. Frederick G. Hammitt
Dora E. Hampel
Lourdes S. Bastos Hansen
Charlotte Hanson
Herb and Claudia Harjes
Dr. Rena Harold
Nile and Judith Harper
Stephen G. and Mary Anna Harper
Mr. and Mrs. Randy J. Harris
Robert and Susan Harris
Robert and lean Harris
Phyllis Harrison-Ross
M. lean Harter
Jerome P. Hartweg
Elizabeth C. Hassinen
Harlan and Anne Vance Hatcher
Icannine and Gary Hayden
Dr. Lucy K. Hayden
Mr. and Mrs. Edward J. Hayes
Charles S. Heard
Bob and Lucia Heinold
Mrs. Miriam Heins
Sivana Heller
Margaret and Walter Helmreich
Karl Henkcl and Phyllis Mann
Margaret Martin Hermel
C.C Herrtngton, M.D.
Carl and Charlcnc Herstein
Peter G. Hinman and
Elizabeth A. Young Ms. Teresa Hirth Jacques Hochglaube, M.D., P.C. Jane and Dick Hoerner Anne Hoff and George Villec Bob and Fran Hoffman Carol and Dieter Hohnke
4 6 Advocates, continued
John and Donna Hollowcll Arthur G. Homer, Jr. Dave and Susan Horvath George M. Houchens and
Caroline Richardson Dr. Nancy Houk Dr. and Mrs. Joseph A. Houlc Fred and Betty House Jim and Wendy Fisher House Dr. and Mrs. Jeffrey Housner Helga Hover
Drs. Richard and Diane Howlin Charles T. Hudson Mr. and Mrs. William Hufford Joanne Winkleman Hulce Ann D. Hungerman Diane Hunter and Bill Ziegler Jewel and John C. Hunter Mr. and Mrs. David Hunting Russell and Norma Hurst Mr. & Mrs. Jacob Hurwitz Eileen and Saul Hymans Edward Ingraham Margaret and Eugene Ingram Ann K. Irish Perry Irish Carol and John Isles Morito Ito Judith G. Jackson Dr. and Mrs. Manuel Jacobs Harold and Jean Jacobson Marilyn G. Jeffs
Professor and Mrs. Jerome Jelinek Keith Jensen JoAnn J. Jcromin
Paul and Olga Johnson Dr. Marilyn S. Jones Stephen G. Joscphson and
Sally C. Fink Tom and Marie luster Mary Kalmes and Larry Friedman Paul Kantor and
Virginia Weckstrom Kantor Mr. and Mrs. Irving Kao Mr. and Mrs. Wilfred Kaplan Mr. and Mrs. Richard L. Kaplin Thomas and Rosalie Karunas Bob and Atsuko Kashino Alex F. and Phyllis A. Kato Maxine and David Katz Nick and Meral Kazan Janice Keller
James A. Kelly and Mariam C Noland John B. Kennard Frank and Patricia Kennedy Linda Atkins and Thomas Kenney Paul and Leah Kileny Andrew Kim
William and Betsy Kincaid Dr. David E. and
Heidi Castleman Klein Shira and Steve Klein Drs. Peter and Judith Klcinman Sharon L. KnightTitle Research Ruth and Thomas Knoll Rosalie and Ron Koenig Melvyn and Linda Korobkin Edward and Marguerite Kowaleski Richard and Brenda Krachenberg Jean and Dick Kraft
David and Martha KrehbicI
William ). Bucci and Janet Kreiling
William G. Kring
Alan and Jean Krisch
Bert and Geraldine Kruse
Danielle and George Kuper
Ko and Sumiko Kurachi
Dr. and Mrs. Richard A. Kutcipat
Dr. and Mrs. lames Labes
lane Laird
Mr. and Mrs. Seymour Lampert
Janet Landsberg
Patricia M. Lang
Lome L. Langlois
Carl and Ann La Rue
Ms. Jill Latta and Mr. David S. Bach
Beih and George Lavoic
Robert and Leslie Lazzerin
Chuck and Linda Leahy
Fred and Ethel Lee
Moshin and Christina Lee
Diane and Jeffrey Lehman
Mr. and Mrs. Fernando S. Leon
Ron and Leona Leonard
Sue Leong
Margaret E. Leslie
David E. Levine
Mr. and Mrs. Harry Levine, HI
Deborah Lewis
Donald and Carolyn Dana Lewis
Jacqueline H. Lewis
Norman Lewis
Thomas and Judy Lewis
Lawrence B. Lindemer
Mark Lindlcy
Mr. Ronald A. Lindroth
Rod and Robin Little
Vi-Cheng and Hsi-Yen Liu
Naomi E. Lohr
Jane Lombard
Dan and Kay Long
Ronald Longhofer
Armando Lopez R.
Mr. and Mrs. Richard S. Lord
Joann Fawn Love
Ross E. Lucke
Pamela and Robert Ludolph
Fran Lyman
Susan E. Marias
Marcia M.u M.ih.m
Suzanne and Jay Mahler
Deborah Malamud and Neal Plotkin
Claire and Richard Malvin
Melvin and Jean Manis
Alice and Bob Marks
Ann W. Martin
Rebecca Martin
Mr. and Mrs. Stephen D. Marvin
Debra Mattison
Margaret Maurer
Jeffrey and Sandra Maxwell
Mr. and Mrs. Donald C. May, Jr.
Mr. and Mrs. Brian McCall
Thomas and Jackie McClain
Margaret and Harris McClamroch
Dores M. McCree
Jeffrey T. McDole
Eileen Mclntosh and
Charles Schaldenbrand Mary and Norman Mclver Bill and Ginny McKeachie Fred McKenzic
Daniel and Madelyn McMurtrie Nancy and Robert Meader Anthony and Barbara Medeiros Samuel and Alice Mciscls Robert and Doris Melling Mr. and Mrs. Warren A. Merchant Debbie and Bob Merion Hely Merle
Bernice and Herman Merte
Russ and Brigettc Mcrz
Henry D. Messer Carl A. House
Ms. Anna Meyendorff
Professor and Mrs. Donald Meyer
Valerie Meyer
Shirley and Bill Meyers
Dr. William P. Mies
William and loan Mikkelsen
Carmen and lack Miller
Robert Rush Miller
Kathleen and James Mitchiner
Mr. and Mrs. William G. Moller, Jr.
Jim and Jeanne Montie
Lester and Jeanne Monts
Rosalie E. Moore
Mr. Erivan R. Morales and
Dr. Seigo Nakao Arnold and Gail Morawa Robert and Sophie Mordis Dr. and Mrs. George W. Morley Paul and Terry Morris Robert C. Morrow Brian and Jacqueline Morton Cyril and Rona Moscow James and Sally Mueller Marci Mulligan and
Katie Mulligan (youth) Gavin Eadie and Barbara Murphy Laura and Charles Musil Linda M. Nadeau Roscmarie Naget Isabelle Nash
Randy and Margaret Nesse Susan and Jim Newton John and Ann Nicklas Mrs. Marvin Nichuss Shinobu Niga Susan and Richard Nisbett Laura Nitzberg and Thomas Carli Dr. Nicole Obregon John and Lcxa O'Brien Patricia O'Connor Richard and Joyce Odell Mr. J. L.Oncley
Karen Koykka O'NeaJ and Joe O'Neal Kathleen I. Operhall Dr. Jon Oscherwitz Lillian G. Ostrand Julie and Dave Owens Penny and Steve Papadopoulos Michael P. Parin Evans and Charlene Parrott Mr. and Mrs. Brian P. Paichen Mr. and Mrs. Ronald J. Patterson Robert and Arlene Paup Hon. Steven and Janet Pepe Susan A. Perry Ann Marie Petach Joyce and Daniel Phillips Joseph W. Phillips Mr. and Mrs. Frederick R. Pickard Robert and Mary Ann Pierce Roy and Winnifred Pierce Dr. and Mrs. James Pikulski Martin Podolsky
Russell and Elizabeth Pollard Hines Robert and Mary Pratt Jacob M. Price Ernst Pulgram
Mr. and Mrs. Mitchell Radcliff Patricia Randle and James Eng Alfred and Jackie Raphaelson Dr. and Mrs. Robert Rapp Mr. and Mrs. Douglas J. Rasmussen Mr. and Mrs. Robert H. Rasmussen Sandra Reagan Katherine R. Rcebcl Stanislav and Dorothy R. Rehak John and Nancy Reynolds
Alice Rhodes
Ms. Donna Rhodes
Paul Rice
James and Helen Richards
Mrs. F.E. Richart (Betty)
John and Marilyn Rintamaki
Sylvia Ristic
Mary Ann Ritter
Kathleen Roclofs Roberts
Peter and Shirley Roberts
Dave and Joan Robinson
anet K. Robinson, Ph.D.
Richard C. Rockwell
Mary Ann and Willard Rodgers
Marilyn L. Rodzik
Mr. and Mrs. Stephen J. Rogers
Mary E Loeffler and
Richard K. Rohrer Elizabeth A. Rose Bernard and Barbara Rosen Drs. Stephen Roscnblum and
Rosalyn Sarver
Richard Z. and Edie W. Rosenfeld Marilynn M. Rosenthal Michael and Margie Rudd Roger and O.J. Rudd Dr. and Mrs. Raymond W. Ruddoi Samuel and Irene Rupert Robert and Beth Ruskin Mitchell and Carole Rycus Ellen and Jim Saalberg Theodore and Joan Sachs Arnold Sameroff and
Susan McDonough Miriam S. Joffe Samson Ina and Terry Sandalow John and Reda Santinga Sarah Savarino Helga and Jochen Schacht Lawrence and Marilyn Schlack Courtland and Inga Schmidt Charlcne and Carl Schmult, Ii. Thomas Schramm Carol Schreck
Gerald and Sharon Schreiber Sue Schroeder Albert and Susan Schultz Aileen M. Schulze Drs. R. R. Lavellc and M. S. Schustet Alan S. and Sandra Schwartz Ed and Sheila Schwartz Jonathan Brombcrg and
Barbara Scott David and Darlene Scovell Michael and Laura Seagram E. J. Sedlander Sylvia and Leonard Segel Suzanne Selig Gerda Seligson
Stan and JudaJyn Greer Scling Louis and Sherry L. Senunas George H. and Mary M. Sexton Dr. and Mrs. J. N. Shanberge Matthew Shapiro and
Susan Garetz, M.D. David and Elvera Shappirio Rev. William J. Sherzer Cynthia Shcvel Drs. Jean and Thomas Shope Holiis and Martha Showalter Pam and Ted Shultz Ned Shurc and Jan Onder John and Arlenc Shy Milton and Gloria Siegcl Eldy and Enrique Signori Drs. Dorit Adler and Terry Silver Costella Simmons-Wjnbush Sandy and Dick Simon Frances U. and Scott K. Simonds Michael and Maria Simonte
Robert and Elaine Sims
Donald and Susan Sinla
Mrs. Loretta M. Skewes
Irma J. Skienar
Beverly N. Slater
Dr. and Mrs. Michael W. Smith
Susan M. Smith
Richard Soble and Barbara Kessler
Richard and Julie Sohnly
James A. Somers
Mina Diver Sonda
Mrs. Herbert W. Spendlove (Anne)
Jeff Spindler
Edmund Sprunger
Francyne Stacey
Samuel T. and Randy Dean Stahl
David and Ann Staiger
Betty and Harold Stark
Dr. and Mrs. William C. Stebbins
Bert and Vickie Steck
Ron and Kay Stefanski
Virginia and Eric Stein
William and Georginc Steude
Barbara and Bruce Stevenson
Harold and Nancy Stevenson
Steve and Gayle Stewart
John and Beryl Stimson
Mr. lames L. Stoddard
Robert and Shelly Stoler
W. F. Stolper
Anjanette M. Stoltz, M.D.
Ellen M. Strand and Dennis C Regan
Mrs. William H. Stubbins
Valerie Y. Suslow
Peg Talburtt and im Peggs
Larry and Roberta Tankanow
Jerry and Susan Tarpley
Frank and Carolyn Tarzia
Leslie and Thomas Tentler
George and Mary Tewksbury
Gauri Thcrgaonkar and Giri Iyengar
Paul Thielking
Bette M. Thompson
Mrs. Peggy Tieman
Mr. Andrew Tomasch
Dr. and Mrs. Merlin C. Townley
James W. Toy
Angie and Bob Trinka
Sarah Trinkaus
Kenneth and Sandra Trosien
Luke and Merling Tsai
Marilyn Tsao and Steve Gao
Jeff and Lisa Tulin-Silver
(an and Nub Turner
Carol Turner
Dolores J. Turner
Dr. Hazel M. Turner
William H. and Gerilyn K. Turner
Taro Ueki
Alvan and Katharine Uhle
Mary L. Unterburger
Dr. and Mrs. Samuel C. Ursu
Emmanuel-George Vakalo
Madeleine Vallier
Carl and Sue Van Appledorn
Tanja and Rob Van der Voo
Rebecca Van Dyke
Robert P. Van Ess
Bram and l.i.i van Leer
Fred and Carole S. Van Rcesema
Kate and Chris Vaughan
Phyllis Vegter
Sy and Florence Vcniar
Alice and Joseph Vining
Jane and Mark Vogel
Carolyn and Jerry Voight
Wendy L. Wahl, M.D. and
William Lee, M.D. Jerry Walden and Julia Tiplady Richard and Mary Walker
Bruce and Raven Wallace Mr. and Mrs. Chip Warrick Lorraine Nadelman and
Sidney Warschausky Ruth and Chuck Watts Robin and Harvey Wax Barry and Sybil Wayburn Edward C. Weber Joan M. Weber
Leone Buyse and Michael Webster lack and Jerry Weidcnbach Donna G. Weisman Barbara Weiss Carol Campbell Welsch and
lohn Welsch
Rosemary and David Wesenberg Mr. and Mrs. Peter Westen Tim and Mim Westerdale Ken and Cherry Westerman Susan and Peter Wcstcrman Marjorie Westphal Paul E. Duffy and Marilyn L Wheaton Ruth and Gilbert Whitaker B. Joseph and Mary White Iris and Fred Whitehouse Mr. and Mrs. Nathaniel Whiteside Mr. and Mrs. Carl A. Widmann William and Cristina Wilcox Brymer and Ruth Williams Reverend Francis E. Williams Beverly and Hadley Wine an and Sarajane Winkelman Beth and I. W. Winsten Dr. and Mrs. Lawrence D. Wise Charles Witke and Aileen Gatten Jeffrey and Linda Witzburg Charlotte Wolfe
Patricia and Rodger Wolff
Dr. and Mrs. Ira S. Wollner
Muriel and Dick Wong
Nancy and Victor Wong
I. D. Woods
Charles R. and Jean L. Wright
Ben and Fran Wylie
Mr. and Mrs. R. A. Yaglc
Teruhiko Yamazaki
Toshihiko Yarita
Sandra and Jonathan Yobbagy
Frank O. Youkstetter
James P. Young
Mr. John G. Young
Ann and Ralph Youngren
Dr. and Mrs. Joe H. Yun
Mr. and Mrs. F.L Zclsler
Peter and Teresa Ziolkowski
David S. and Susan H. Zurvalec
Ann Arbor Bivouac, Inc. Garris, Garris, Garris 5c
Garris Law Office Loomis, Sayles and Co. LP. Organizational Designs Alice Simsar Fine Art, Inc. University Bank
Alan and Marianne Schwartz-The Shapiro Foundation
John H. Bryant Margaret Crary Mary Crawford George R. Hunsche Alexander Krezel, Sr. (Catherine Mabarak Frederick C. Matthaei, Sr. Steffi Reiss Ralph L. Steffek Clarence Stoddard William Swank Charles R. Tieman John F. Ullrich Ronald VandenBelt Francis Viola III Carl H. Wilmot Peter Holderness Woods Helen Ziegler
Bernard and Ricky Agranoff Ann Arbor Symphony Orchestra Anneke's Downtown Hair
and Company Applause Salon Catherine Arcure The Ark
Bj Because Company's Coming Dr. Emily Bandera Paulett and Peter Banks Gail Davis Barnes Ede Bookstein Janice Stevens Botsford The Boychoir of Ann Arbor Brcwbakers Barbara Everitt Bryant Butzel Long
David G. LoeselyCafe Marie Tomas Chavez Chelsea Flower Shop Chianti Tuscan Grill Elizabeth Colburn Conlin Travel Curtin & Alf Violinmakers Mary Ann and Roderick Daanc Sam Davis
Katy and Tony Derezinski Dough Boys Bakery Rosanne Duncan Einstein's Bagel Pat Eriksen
Espresso Royale Caffes Damian and {Catherine Farrell Judy Fike of J'Cakes Belli and Joe Fitzsimmons Guillermo and Jennifer Flores Ford Electronics Gallery Von Glahn The Gandy Dancer Beverly and Gerson Geltner Generations for Children Lee GillesGreat Frame Up Renee GrammaticoVoila Linda and Richard Greene Daphne Grew Jim Harbaugh Foundation Marilyn HarberGcorgetown Gifts Esther Heitler J. Downs Herold Matthew and Kerry Hoffmann Kim Hornberger Kay and Tom Huntzicker Stuart and Maureen Isaac John Isles
Jeffrey Michael Powers Beauty Spa
Urban Jupena and Steve Lcvicki
Gerome Kamrowski
Stephen and Mercy Kasle
(Catherine's Catering
Martha Rock Keller
Ed Klum
Craig L. Kruman
Diane Kurbatoff
Henry and Alice Landau
John 1 i-ulv Shop
Don and Gerri Lewis
Stephanie Lord
Market Strategies, Inc.
Marty's Menswcar
Michigan Theater
Ron Miller
Moe Sport Shops
Monahan's Seafood Market
Motif Hair by Design
The Moveablc Feast
Roscmarie Nagel
Susan and Richard Nisbett
lohn and Cynthia Nixon
Baker O'BrienThe Labino Studio
Christine Oldenburg
Karen Koykka O'Neal
Mary and Bill Palmer
Pen in Hand
Maggie LongPerfectly Seasoned
Chris W. Petersen
Mary and Randall Pittman
Sharon and Hugo Quiroz
Radrick Farms Golf Course
leva Rasmussen
Regrets Only
Nina Hauser Robinson
Richard and Susan Rogcl
Susan Tait of Fitness Success
Maya Savarino and Raymond Tanter
Sarah Savarino
Ann and Tom Schriber
Boris Sellers
Richard Shackson
I.met and Mike Shatusky
Aliza and Howard Shcvrin
George Shirley
lohn Shultz
Dr. Herbert Sloan
David Smith
Steven Spencer
John Sprentall
Deb Odom Stern
Nat Lacy and Ed Surovell
Sweet Lorraine's
Tom Thompson
TIRA's Kitchen
Donna Tope
Tom TrocchioAtys
University of Michigan
Charlotte Van Curler
Kathleen and Edward VanDam
Karla Vandersypen
Warner Electric Atlantic
Emil Weddige
Ron and Eileen Weiser
Marina and Robert Whitman
Whole Foods
Sabrina Wolfe
Young People's Theater
Ann and Ralph Youngren
Zinger man's
Advertiser Index
42 Afterwords
27 Ann Arbor Acura
50 Ann Arbor Commerce Bank
12 Ann Arbor Reproductive
32 Ann Arbor Symphony
39 Austin Diamond
8 Bank of Ann Arbor
11 Beacon Investments
26 Blue Nile Restaurant
31 Bodman, Longley, and
l-l Butzel Long
50 Cafe Marie
26 Charles Reinhart Company
44 Chelsea Community
34 Chris Triola Gallery
38 The Dental Advisor
50 Dobb's Opticians
13 Dobson-McOmbcr
?17 Dough Boys Bakery
24 Edward Surovell CoVRealtors
(] Emerson School
15 Fralcighs Landscape Nursery
33 Ford Motor Company
46 Garris, Garris, Garris,
& Garris
37 General Motors Corporation
27 Glacier Hills
42 Gubbins & McGlynn Law
13 Harmony House
38 Harris Homes
35 Hill Auditorium Campaign

28 Howard Cooper Imports 34 Individualized Home Care
Nursing 13 Interior Development
50 John Lcidy Shop, Inc.
44 Kcrrytown Bistro
18 KeyBank
30 King's Keyboard House 3 Lewis Jewelers 39 Market Strategies
19 Maude's
41 Michigan Media
12 Miller, Canfield, Paddock,
& Stone
Mir's Oriental Rugs Mundus and Muiulus NBD Bank Nina Howard Studio Performance Network Red HawkZanzibar Regrets Only Schwartz Investment
Council, Inc. Seva Restaurant SKR Classical Sweet Lorraine's Swcetwaters Cafe Ufer and Company U-M Matthaei Botanical
45 U-M Vocal Health Center 17 University Productions
13 Van Boven Shoes 48 WDET
51 Whole Foods Market

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