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UMS Concert Program, Saturday Sep. 23 To Oct. 06: University Musical Society: Fall 2000 - Saturday Sep. 23 To Oct. 06 --

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Day
23
Month
September
Year
2000
Download PDF
Rights Held By
University Musical Society
OCR Text

Season: Fall 2000
University Of Michigan, Ann Arbor

university musical society
University of Michigan
university musical society
University of Michigan Ann Arbor
UMSleadership
3 Letter from the President
4 Letter from the Chair
5 Corporate LeadersFoundations
14 UMS Board of Directors
14 UMS Senate
14 Advisory Committee
15 UMS Staff
15 UMS Teacher Advisory Committee
UMSservices 17 General Information
19 Tickets
19 Group Tickets
19 Gift Certificates
21 The UMS Card
21 www.ums.org
UMSannals 23 UMS History
24 UMS Choral Union
25 AuditoriaBurton Memorial Tower
JMSexperience 29 The 20002001 UMS Season
35 Education & Audience Development
37 Dining Experiences
37 BRAVO!
39 Restaurant & Lodging Packages
39 UMS Preferred Restaurant Program
43 UMS Delicious Experiences
UMSsupport 45 Advisory Committee
45 Sponsorship & Advertising
47 InternshipsCollege Work-Study
47 Ushers
48 Membership
56 UMS Advertisers
Front Cover: Ute Lemper, Wayne Shorter and Herbie Hancock (Michael O'Neill), Havana, Cuba (oDaniel B. Johnson)
Back cover: Samuel Beckett (cHulton-Deutsch CollectionCORBIS), American Repertory Theater The King Stag (Richard Feldman), Flag of Brazil
leadership
LETTER FROM THE PRESIDENT
I'm delighted to welcome you to this performance presented by the University Musical Society (UMS) of the University of Michigan. Thank you for supporting the performing arts in our community by your attendance at this event. Please consider coming to some of our other performances this season. You'll find a complete listing beginning on page 29. UMS, now in our 122nd year, was recently recognized by Musical America as one of the five most influential performing arts present?ing organizations in the US. The others were Lincoln Center, Kennedy Center, Brooklyn Academy of Music, and Cal Performances at Berkeley. We were cited for our commitment to quality, diversity, education, community engagement, and commissioning new work from composers and choreographers. We are excited about this recognition and pleased that our 20002001 season continues our commitment to these important goals.
This season UMS will present ninety per?formances for a total audience expected to exceed 125,000 people. If current trends con?tinue, over 30 of the audience will be first-time UMS ticket purchasers, reflecting UMS' efforts to embrace all of the people in our community and to welcome them to the nine performance venues that we rent throughout southeastern Michigan. We expect to host more than 200 educational events, serving
more than 60,000 people.
More than half of our presentations this season feature artists and ensembles from outside the US, representing more than twenty nations. We will close our regular season with a UMS co-commission and world premiere featuring the Ping Chong Company and Ensemble Sequentia, bringing the number of new music and dance pieces UMS has commissioned over the past decade to twenty-five, most of them in partnership with other presenters from throughout the world.
We are able to maintain our distinctiveness thanks to you who make up our audience and to the corporations, foundations, govern?ment agencies, and thousands of individuals and families who support us through their contributions. During this extraordinary season, when, for example, UMS and the University of Michigan partner with the Royal Shakespeare Company to bring four
UMS President Ken Fishier with newly-appointed Director of Development Christina Thoburn.
of Shakespeare's extraordinary history plays to Ann Arbor in an exclusive US presentation, we must raise more than half of our $8-million budget from donations. I invite you to help us in this effort by becoming a UMS member this season. For more information about membership, turn to page 45. And if you haven't done so already, consider purchasing a copy of BRAVO!, our award-winning 224-page table-top book containing recipes, legends, and lore from 120 years of UMS history. It makes a great gift, and all proceeds benefit UMS.
Overseeing our fundraising efforts with great skill is Christina Thoburn, our newly-appointed Director of Development whom I hope you'll be able to get to know. Christina came to us in April 2000 from The Cleveland Orchestra where she led foundation and gov?ernment relations. Her career also includes being managing director of the Cleveland Chamber Symphony where she developed a passion for diverse programming and community engagement. An avid knitter and baseball fan, Christina is married and the mother of three grown children. She succeeds Catherine Arcure, who left UMS to work with violinist Itzhak Perlman in New York City as Executive Director of the Perlman Music Program.
I'd like to know your thoughts about this performance. I'd also like to learn from you about anything we can do at UMS to make your concert-going experience the best possi?ble. Look for me in the lobby. If we don't connect there, feel free to call my office at 734.647.1174, drop me a note, or send me an e-mail message at kenfisch@umich.edu.
Sincerely,
Kenneth C. Fischer, President
LETTER FROM THE CHAIR
On behalf of the UMS Board of Directors, I am delighted to wel?come you to the 20002001 season. With world-renowned perform?ers bringing their artistry to our stages, new community partnerships enhanc?ing our programs, and our ever-expanding
educational activities serv?ing thousands of students and teachers throughout southeastern Michigan, it is the most exciting and comprehensive season in our 122-year history. As we enjoy tonight's
performance, we want to recognize and thank the many individuals, companies, organiza?tions and foundations whose support makes this extraordinary season possible. In con?tributing to UMS, these donors, including the corporate leaders listed on the following pages, have publicly recognized the impor?tance of the arts in our community. They have demonstrated their commitment to the quality of life in our area, and helped create new educational opportunities for students and audiences of all ages and backgrounds.
So, as we applaud tonight's performers, please join all of us at UMS in applauding our many generous contributors. They are playing an important role in the artistic life of our community, and we are truly grateful for their support.
Sincerely,
Beverley Geltner
Chair, UMS Board of Directors
CORPORATE LEADERS FOUNDATIONS
Don MacMillan President Akan Global Automotive Products "For 121 years, the University Musical Society has engaged and enriched our community with the very best in performing arts and educational programs. Akan salutes your quality and creativity, and your devotion to our youth."
Douglass R. Fox President Ann Arbor Acura, Hyundai, Mitsubishi
"We at Ann Arbor Acura are pleased to support the artistic variety and program excellence given to us by the University Musical Society."
A CURA HYUNDAI MITSUBISHI
driven lo iitiily gou
Larry Weis President AutoCom Associates "AutoCom Associates is a strong supporter of the University Musical Society one of North America's leading presenters of
the performing arts. Along with our corpo?rate public-relations
clients, we're proud to partner with UMS in bringing the arts to appreciative audiences in southeastern Michigan."
AutoCom Associates
Public Relations Bloomficld Hills. Ml
William Broucek President and CEO Bank of Ann Arbor "As Ann Arbor's community bank, we are glad and honored to be a supporter of the cultural enrichment that the University Musical Society brings to our community."
Bink
OF ANN ARBOR
Jorge A. Solis Senior Vice President
Bank One, Michigan "Bank One, Michigan is honored to share in the University Musical Society's proud tradi?tion of musical excellence and artistic diversity."
BANKS ONE
Habte Dadi Manager Blue Nile Restaurant "At the Blue Nile, we believe in giving back to the community that sustains our business. We are proud to support an organi?zation that provides such an important service to Ann .-., Arbor."
x0The Bluv Nite
Carl A. Brauer, Jr. Owner Brauer Investment Company "Music is a gift from God to enrich our lives. Therefore, I enthusiastically support the University Musical Society in bringing great music to our community."
David G. Loesel President T.M.L Ventures, Inc. "Cafe Marie's support of the University Musical Society Youth Program is an honor and a priv?ilege. Together we will enrich and empower our community's youth to carry forward into future generations this fine tradition of artistic talents."
x0Caf? Marie
Clayton Wilhite Managing Partner
CFI Group, Inc.
"Can you imagine a more power?ful demonstration of Ann Arbor's quality of life than the University Musical Society We at CFI can't, and that's why we're so delighted to be a concert sponsor. We salute UMS for its accomplishments and for what it has contributed to the pride in our community."
Group
Charles Hall
C. N. Hall Consulting "Music is one way the heart sings. The University Musical Society helps our hearts enjoy and par?ticipate in song. Thank you."
C. N. Hall Consulting
Eugene Miller Chairman and CEO, Comerica Incorporated "Bravo to the University Musical Society! Their contributions are vital to the arts community. Comerica applauds their tradition of excellence, and their commit?ment to the presentation of arts and promotion of arts education."
x0Comerica
S. Martin Taylor Sr. Vice President, Corporate & Public Affairs and President, Detroit Edison Foundation 'The Detroit Edison Foundation is proud to sponsor the University Musical Society because we share a mission of enhancing south?eastern Michigan's reputation as a great place to live and work. To this end, UMS brings the joy of the performing arts into the lives of community residents, provides an important part of Ann Arbor's uplifting cultural identity and offers our young people tremen?dous educational opportunities."
Detroit Edison Foundation
Larry Denton Global Vice President Dow Automotive "At Dow Automotive, we believe it is through the universal lan?guage of art and music that we are able to transcend cultural and national barriers to reach a deeper understanding of one another. We applaud the University Musical Society for its long?standing support of the arts that enrich all our lives."
Dow Automotive
Edward Surovell President Edward Surovell Realtors "It is an honor for Edward Surovell Realtors to be able to support an institution as distinguished as the University Musical Society. For over a century it has been a national leader in arts presenta?tion, and we encourage others to contribute to UMS' future."
.EDWARD
SUROVELL
REALTORS
Leo Legatski President Elastizell Corporation of America "A significant characteristic of the University Musical Society is its ability to adapt its menu to changing artistic requirements. UMS involves the community with new concepts of education, workshops, and performances."
x0Elastizell
John M. Rintamaki Group Vice President, Chief of Staff Ford Motor Company "We believe, at Ford Motor Company, that the arts speak a universal language that can edu?cate, inspire, and bring people, cultures and ideas together. We invest in the long-term develop?ment of our arts and educational initiatives. We continue to sup?port the University Musical Society and the enriching pro?grams that enhance the lives of today's youth."
x0Ford
Scott Ferguson Regional Director Hudson's
"Hudson's is committed to sup?porting arts and cultural organi?zations because we can't imagine a world without the arts. We are delighted to be involved with the University Musical Society as they present programs to enrich, educate and energize our diverse community."
HUDSON'S
William S. Hann President KeyBank
"Music is Key to keeping our society vibrant, and Key is proud to support the cultural institution rated number one by Key Private Bank clients."
KeyBank
Richard A. Manoogian
Chairman and CEO Masco Corporation "We at Masco applaud the University Musical Society's contributions to diversity in arts programming and its efforts to enhance the quality of life in our community."
MASCO
Ronald Weiser Chairman and CEO
McKinley Associates, Inc. "The arts make our community a vibrant place to live and work. No one contributes more to that than UMS, with its innovative
cultural offerings and edu?cation for all ages.
McKinley is proud to play a 'supporting role' in these time-honored efforts."
mckjnley ossociotes. inc.
Erik H. Serr Principal Miller, Canfield, Paddock and Stone, P.L.C.
"Miller, Canfield, Paddock and Stone is particularly pleased to support the University Musical Society and the wonderful cultural events it brings to our community."
MILLER] CANFIE1 D
Phillip R. Duryea Community President
National City Bank "National City Bank is pleased to continue our historical support of the University Musical Society, which plays such an important role in the richness of our community."
National City
Joe O'Neal President O'Neal Construction "A commitment to quality is the main reason we are a proud supporter of the University Musical Society's efforts to bring the finest artists and special events to our community."
LJo'neal
construction inc
Michael Staebler Partner Pepper Hamilton LLP "Pepper Hamilton congratulates the University Musical Society for providing quality perform?ances in music, dance and the?ater to the diverse community that makes up southeastern Michigan. It is our pleasure to be among your supporters."
IViii! llmiiilliin u.i'
Peter B. Corr, Ph.D. Senior Vice President, Pfizer, Inc.; Executive Vice President, Pfizer Global Research & Development; President, Worldwide Development "The University Musical Society is a cornerstone upon which the Ann Arbor community is based: excellence, diversity and quality. Pfizer is proud to support the University Musical Society for our community and our Pfizer colleagues."
x0pfizer
Kathleen G. Char la Consultant
Russian Matters
'Russian Matters is pleased and
honored to support UMS and
its great cultural offerings to the
community."
Russian Matters
Joseph Sesi President Sesi Lincoln Mercury "The University Musical Society is an important cultural asset for our community. The Sesi Lincoln Mercury team is delighted to sponsor such a fine organization."
x0SESI
Thomas B. McMullen President Thomas B. McMullen Co., Inc. "I used to feel that a U of M Ohio State football ticket was the best ticket in Ann Arbor. Not any?more. UMS provides the best in educational entertainment."
x0McMULLEN
Dr. James R. Irwin Chairman and CEO
Wolverine Technical Staffing, Inc. "For more than sixteen years our support of the University Musical Society has been in grateful appreciation of these UMS concepts: world-class programs, extremely dedicated volunteer involvement, and thoroughly committed profes?sional staff. Congratulations to UMS as it continues to enrich our wonderful Ann Arbor community."
Temp
UNIVERSITY MUSICAL SOCIETY of the University of Michigan
UMS BOARD OF DIRECTORS
Beverley B. Geltner,
Chair Lester P. Monts,
Vice-Chair Len Niehoff,
Secretary David Featherman,
Treasurer
Lee C. Bollinger Janice Stevens Botsford Barbara Everitt Bryant Kathleen G. Charla Jill A. Corr Peter B. Corr Robert F. DiRomualdo Alice Davis Irani Gloria James Kerry
Leo A. Legatski Helen B. Love Alberto Nacif Jan Barney Newman Gilbert S. Omenn Joe E. O'Neal Randall Pittman Rossi Ray-Taylor Prudence L. Rosenthal
Maya Savarino Herbert Sloan Timothy P. Slottow Peter Sparling James L. Telfer Marina v.N. Whitman Karen Wolff Elizabeth Yhouse
UMS SENATE
(former members of the UMS Board of Directors)
Robert G. Aldrich Herbert S. Amster Gail Davis Barnes Richard S. Berger Maurice S. Binkow Paul C. Boylan Carl A. Brauer Allen P. Britton Letitia J. Byrd Leon S. Cohan Jon Cosovich Douglas Crary Ronald M. Cresswell John D'Arms
James J. Duderstadt Robben W. Fleming David J. Flowers Randy J. Harris Walter L. Harrison Norman G. Herbert Peter N. Heydon Howard Holmes Kay Hunt Stuart A. Isaac Thomas E. Kauper David B. Kennedy Richard L Kennedy
Thomas C. Kinnear F. Bruce Kulp Earl Lewis Patrick B. Long Judythe H. Maugh Paul W. McCracken Rebecca McGowan Alan G. Merten John D. Paul Wilbur K. Pierpont John Psarouthakis Gail W. Rector John W. Reed Richard H. Rogel
Ann Schriber Daniel H. Schurz Harold T. Shapiro George I. Shirley John O. Simpson Carol Shalita Smokier Lois U. Stegeman Edward D. Surovell Susan B. Ullrich Jerry A. Weisbach Eileen Lappin Weiser Gilbert Whitaker Iva M. Wilson
ADVISORY COMMITTEE
Dody Viola, Chair Robert Morris, Vice-Chair Sara Frank,
SecretaryTreasurer Martha Ause Barbara Bach Lois Baru Kathleen Benton Victoria Buckler Barbara Busch Phil Cole Patrick Conlin Elly Rose Cooper Nita Cox
Mary Ann Daane Norma Davis Sally Stegeman DiCarlo Lori Director Betty Edman Michael Endres Nancy Ferrario Penny Fischer Anne Glendon Maryanna Graves Linda Greene Karen Gundersen l.iiliui Hartsuff Nina E. Hauser
Debbie Herbert Mercy Kasle Steve Kasle Anne Kloack Maxine Larrouy Beth LaVoie Stephanie Lord Esther Martin Ingrid Merikoski Ernest Merlanti Jeanne Merlanti Candice Mitchell Nancy Niehoff Mary Pittman
leva Rasmussen Penny Schreiber Sue Schroeder Meg Kennedy Shaw Morrine Silverman Maria Simonte Loretta Skewes Cynny Spencer Louise Townley Bryan Ungard Suzette Ungard Wendy Woods
UMS STAFF
Administration Finance
Kenneth C. Fischer,
President Deborah S. Herbert,
RSC Residency
Coordinator Elizabeth E. Jahn,
Assistant to
the President John B. Kennard, Jr.,
Director of
Administration Chandrika Patel, Senior
Accountant John Peckham,
Information Systems
Manager
Box Office
Michael L Gowing,
Manager
Sally A. Cushing, Staff Ronald J. Reid, Assistant
Manager and Group
Sales
Choral Union
Thomas Sheets,
Conductor Andrew Kuster,
Associate Conductor
Jean Schneider-Claytor,
Accompanist Kathleen Operhall,
Manager Donald Bryant,
Conductor Emeritus
Development
Christina Thoburn,
Director Mary Dwyer, Manager
of Corporate Support Lisa Michiko Murray,
Manager of
Foundation and
Government Grants Alison Pereida,
Development Assistant J. Thad Schork, Direct
Mail, Gift Processor Anne Griffin Sloan,
Assistant Director -
Individual Giving L. Gwen Tessier,
Administrative
Assistant
EducationAudience Development
Ben Johnson, Director Kristin Fontichiaro,
Youth Education
Manager
Dichondra Johnson,
Coordinator Anthony Smith,
Audience Development
Specialist Warren Williams,
Manager
MarketingPublic Relations
Sara Billmann, Director Aubrey Alter,
Coordinator Ryonn Clute,
Coordinator Gulshirin Dubash,
Public Relations
Manager
Production
Gus Malmgren, Director Emily Avers, Production
and Artist Services
Manager Jerica L. Humphrey,
Front-of-House
Coordinator Production Supervisors
Mary Cannon
Steven Jarvi Usher Supervisors
Paul Jomantas
Bruce Oshaben
Head Ushers Ken Holmes Joyce Holmes Brian Roddy Sanjay Pavipati Nancy Paul Edward Szabo
Programming
Michael J. Kondziolka,
Director Mark Jacobson, Manager
Work-Study
Erika Banks Megan Besley Patricia Cheng Patrick Elkins Mariela Flambury David Her Benjamin Huisman Laura Kiesler Dawn Low Kathleen Meyer
Interns
Helene Blatter Stephen Dimos Sara Garvey
President Emeritus
Gail W. Rector
UMS TEACHER ADVISORY COMMITTEE
Fran Ampey
Kitty Angus
Alana Barter
Kathleen Baxter
Elaine Bennett
Lynda Berg
Yvette Blackburn
Barbara Boyce
Letitia Byrd
Doug and Nancy Cooper
Naomi Corera
Gail Davis Barnes
Gail Dybdahl Keisha Ferguson Doreen Fryling Brenda Gluth Louise Gruppen Vickey Holley Foster Taylor Jacobsen Callie Jefferson Deborah Katz Deb Kirkland Rosalie Koenig David Leach
Rebecca Logie Dan Long Laura Machida Ed Manning Glen Matis Kim Mobley Ken Monash Eunice Moore Amy Pohl Rossi Ray Taylor Gayle Richardson Katy Ryan
Karen Schulte Helen Siedel )oan Singer Sue Sinta Grace Sweeney Sandy Trosien Melinda Trout Sally Vandeven Barbara Wallgren Jeanne Weinch
UMSservices
GENERAL INFORMATION
Barrier-Free Entrances
For persons with disabilities, all auditoria have barrier-free entrances. Wheelchair loca?tions are available on the main floor. Ushers are available for assistance.
Listening Systems
For hearing impaired persons, the Power Center, Mendelssohn Theatre, and Rackham Auditorium are equipped with infrared listen?ing systems. Headphones may be obtained upon arrival. Please ask an usher for assistance.
Lost and Found
For items lost at Hill Auditorium, Rackham Auditorium, Power Center, and Mendelssohn Theatre please call University Productions at 734.763.5213. For items lost at St. Francis of Assisi Catholic Church and the Michigan Theater, please call the UMS Production Office at 734.764.8348.
Parking
Parking is available in the Tally Hall, Church Street, Maynard Street, Thayer Street, Fletcher Street, and Fourth Avenue structures for a minimal fee. Limited street parking is also available. Please allow enough time to park
before the performance begins. Parking is complimentary for UMS members at the Principal level and above. Reserved parking is available for UMS members at the Leader level and above.
UMS offers valet parking service for all performances in the Choral Union series. Cars may be dropped off in front of Hill Auditorium beginning one hour before each performance. There is a $10 fee for this service. UMS members at the Leader level and above are invited to use this service at no charge.
Refreshments
Refreshments are served in the lobby during intermissions of events in the Power Center for the Performing Arts, and are available in the Michigan Theater. Refreshments are not allowed in the seating areas.
Smoking Areas
University of Michigan policy forbids smok?ing in any public area, including the lobbies and restrooms.
TICKETS
For phone orders and information, please contact:
UMS Box Office Burton Memorial Tower 881 North University Avenue Ann Arbor, MI 48109-1011
on the University of Michigan campus
734.764.2538
Outside the 734 area code, call toll-free 800.221.1229
Order online at the UMS website:
http:www.ums.org
or
Visit our Power Center Box Office
in person
Due to the renovation of Burton Tower,
our Box Office has been relocated to the
Power Center.
Mon-Fri: 10 a.m. to 6p.m.
Sat: 10 a.m. to 1 p.m.
Performance hall box offices open
90 minutes before each performance.
Returns
If you are unable to attend a concert for which you have purchased tickets, you may turn in your tickets up to 15 minutes before curtain time by calling the UMS Box Office. Refunds are not available; however, you will be given a receipt for an income tax deduc?tion. Please note that ticket returns do not count toward UMS membership.
GROUP TICKETS
Many thanks to all of the groups who have joined UMS for an event in past seasons, and welcome to all of our new friends who will be with us in the coming years. The group sales program has grown incredibly in recent years, and our success is a direct result of the wonderful leaders who organize their friends, families, congregations, students, and co-workers and bring them to one of our events.
Last season over 10,000 people came to UMS events as part of a group, and they saved over $51,000 on some of the most popular events around! Many groups who booked their tickets early found themselves in the enviable position of having the only available tickets to sold out events including the Buena Vista Social Club, Yo-Yo Ma, the Berlin Philharmonic, the Chieftains, and many other exciting performances.
This season UMS is offering a wide variety of events to please even the most discriminat?ing tastes, many at a fraction of the regular price. Imagine yourself surrounded by ten or more of your closest friends as they thank you for getting great seats to the hottest shows in town. It's as easy as picking up the phone and calling the UMS Group Sales hotline at 734.763.3100.
SGIFT CERTIFICATES
Looking for that perfect meaningful gift that speaks volumes about your taste Tired of giving flowers, ties or jewelry Give a UMS Gift Certificate! Available in any amount and redeemable for any of more than eighty events throughout our season, wrapped and delivered with your personal mes?sage, the UMS Gift Certificate is ideal for weddings, birthdays, Christmas, Hanukkah, Mother's and Father's Days, or even as a housewarming present when new friends move to town.
Make your gift stand out from the rest: call the UMS Box Office at 734.764.2538, or stop by the Power Center.
THE UMS CARD
UMS and the following businesses thank you for your generous support by pro?viding you with discounted products and services through the UMS Card, a privilege for subscribers and donors of at least $100. Patronize these businesses often and enjoy the quality products and services they provide.
Amadeus Cafe Ann Arbor Acura Ann Arbor Art Center The Back Alley
Gourmet Bivouac Outdoor
Clothing and
Equipment The Blue Nile
Restaurant Bodywise Therapeutic
Massage Cafe Marie Chelsea Flower Shop Dough Boys Bakery Fine Flowers Gandy Dancer Great Harvest John Leidy Shop
John's Pack and Ship Kerrytown Bistro King's Keyboard House Le Dog Michigan Car Services,
Inc. and Airport
Sedan, LTD Nicola's Books, Little
Professor Book Co. Paesano's Restaurant Randy Parrish Fine
Framing Regrets Only Ritz Camera One Hour
Photo Shaman Drum
Bookshop SKR Downtown SKR Uptown
WWW.UMS.ORG
Join the more than 20,000 savvy people who log onto www.ums.org each month!
Why should you log onto www.ums.org
Tickets Forget about waiting in long ticket lines--order your tickets to UMS performances online! And now you'll know your specific seat location before you buy online, thanks to our new relationship with tickets.com!
CyberSavers Special weekly discounts appearing every Tuesday only available by ordering over the Web.
Information Wondering about UMS' history, event logistics, or volunteer opportunities Find all this and more.
Program Notes and Artist Bios Your online source for performance programs and in-depth artist information. Learn about the artists and repertoire before you enter the hall!
Sound Clips Listen to recordings from UMS performers online before the concert.
BRAVO! Cookbook Order your UMS hardcover coffee-table cookbook featur?ing more than 250 recipes from UMS artists, alumni and friends, as well as historic photos from the UMS archives.
Education Events Up-to-date infor?mation detailing educational oppor?tunities surrounding each UMS performance. Choral Union Audition information and performance sched?ules for the UMS Choral Union.
UMSannals
UMS HISTORY
The goal of the University Musical Society (UMS) is clear: to engage, educate, and serve Michigan audi?ences by bringing to our community an ongoing series of world-class artists, who represent the diverse spectrum of today's vigorous and exciting live performing arts world. Over its 121 years, strong leader?ship coupled with a devoted community has placed UMS in a league of internationally-recognized performing arts presenters. Indeed, Musical America selected UMS as one of the five most influential arts presenters in the United States in 1999. Today, the UMS seasonal program is a reflection of a thoughtful respect for this rich and varied history, balanced by a commitment to dynamic and creative visions of where the performing arts will take us in the new millennium. Every day UMS seeks to cultivate, nurture and stimulate public interest and participation in every facet of the live arts. UMS grew from a group of local university and townspeople who gathered together for the study of Handel's Messiah. Led by Professor Henry Frieze and conducted by Professor Calvin Cady, the group assumed the name The Choral Union. Their first performance of Handel's Messiah was in December of 1879, and this glorious oratorio has since been per?formed by the UMS Choral Union annually.
As a great number of Choral Union members also belonged to the University, the University
Musical Society was established in December 1880. UMS included the Choral Union and University Orchestra, and throughout the year presented a series of concerts featuring local and visiting artists and ensembles.
Since that first season in 1880, UMS has expanded greatly and now presents the very best from the full spectrum of the perform?ing arts--internationally renowned recitalists and orchestras, dance and chamber ensem?bles, jazz and world music performers, and opera and theatre. Through educational endeavors, commissioning of new works,
Musical America selected UMS as one of the five most influential arts presenters in the United States in 1999.
youth programs, artist residencies and other collaborative projects, UMS has maintained its reputation for quality, artistic distinction and innovation. UMS now hosts over eighty performances and more than 150 educational events each season. UMS has flourished with the support of a generous community that gathers in Hill and Rackham Auditoria, Power Center for the Performing Arts, Lydia Mendelssohn Theatre, Michigan Theater, St. Francis of Assisi Catholic Church, the Detroit Opera House, Music Hall and the Residential College Auditorium.
While proudly affiliated with the University of Michigan, housed on the Ann Arbor cam?pus, and a regular collaborator with many University units, UMS is a separate not-for-profit organization that supports itself from ticket sales, corporate and individual contri?butions, foundation and government grants, and endowment income.
UMS CHORAL UNION
Throughout its 121-year history, the University Musical Society Choral Union has performed with many of the world's distinguished orchestras and conductors.
Based in Ann Arbor under the aegis of the University Musical Society, the 150-voice Choral Union is known for its definitive per?formances of large-scale works for chorus and orchestra. Seven years ago, the Choral Union further enriched that tradition when began appearing regularly with the Detroit Symphony Orchestra. Among other works, the chorus has joined the DSO in Orchestra Hall and at Meadow Brook for subscription performances of Beethoven's Symphony No. 9, Orff's Carmina Burana, Ravel's Daphnis et Chloe and Brahms' Ein deutsches Requiem, and has recorded Tchaikovsky's The Snow Maiden with the orchestra for Chandos, Ltd. In 1995, the Choral Union began accepting invitations to appear with other major regional orchestras, and soon added Britten's War Requiem, Elgar's The Dream of Gerontius, the Berlioz Requiem and other masterworks to its repertoire. During the 1996-97 season, the Choral Union again expanded its scope to include performances with the Grand Rapids Symphony, joining with them in a rare presentation of Mahler's Symphony No. 8 (Symphony of a Thousand).
The Choral Union is a talent pool capable of performing choral music of every genre. In addition to choral masterworks, the Choral
Union has recently given acclaimed concert presentations of Gershwin's Porgy and Bess with the Birmingham-Bloomfield Symphony Orchestra and musical-theatre favorites with Erich Kunzel and the DSO at Meadow Brook. A 72-voice chorus drawn from the larger choir has performed Durufle's Requiem, the Langlais Messe Solenelle, the Mozart Requiem and other works. The Choral Union's 36-voice Chamber Chorale presented "Creativity in Later Life," a program of late works by nine composers of all historical periods, at the University of Michigan Museum of Art.
During the 1999-2000 season, the Choral Union performed in three major subscription series at Orchestra Hall with the Detroit Symphony Orchestra, including performances of Shostakovitch's Symphony No. 13 (Babi Yar), and Igor Stravinsky's Symphony of Psalms, all conducted by Neeme Jarvi, as well as John Adams' Harmonium, conducted by the composer. Other programs included Mahler's Symphony No. 3 with the Ann Arbor Symphony Orchestra and Scriabin's Symphony No. 5 with the Russian National Orchestra.
During the current season, the UMS Choral Union will again appear in two series with the Detroit Symphony Orchestra, both conducted by Neeme Jarvi. The chorus will join in the DSO's opening night performance of Mahler's Symphony No. 2 (Resurrection), followed later in the season by Carl Orff's Carmina Burana. The Choral Union's 122nd-annual performances of Messiah follow, as the choir is joined by world-class soloists and the Ann Arbor Symphony Orchestra. The chorus will make its debut with the Kalamazoo Symphony in March 2001, performing Mendelssohn's rarely-heard Symphony No. 2. The Choral Union's season will close on April 22, 2001, in a performance of Hector Berlioz' Requiem with the Greater Lansing Symphony Orchestra and members of the U-M School of Music Symphony Band in Hill Auditorium, conducted by Thomas Sheets.
Participation in the Choral Union remains
open to all by audition. Representing a mixture of townspeople, students and faculty, members of the Choral Union share one common passion--a love of the choral art. For more information about the UMS Choral Union, e-mail kio@umich.edu or call 734.763.8997.
AU DITORIABU RTON MEMORIAL TOWER
Hill Auditorium
Standing tall and proud in the heart of the University of Michigan campus, Hill Auditorium is associated with the best perform?ing artists the world has to offer. Inaugurated at the Twentieth Annual Ann Arbor May Festival in 1913, the 4,163-seat Hill Auditorium has served as a showplace for a variety of important debuts and long relationships throughout the past eighty-seven years. With acoustics that highlight everything from the softest notes of vocal recitalists to the grandeur of the finest orchestras, Hill Auditorium is known and loved throughout the world.
Former U-M regent Arthur Hill bequeathed $200,000 to the University for the construction of an auditorium for lectures, concerts and other university events. Then-UMS President Charles Sink raised an additional $150,000, and the concert hall opened in 1913 with the Chicago Symphony Orchestra performing
Hill Auditorium
Beethoven's Symphony No. 5. The auditori?um seated 4,597 when it first opened; subse?quent renovations, which increased the size of the stage to accommodate both an orchestra and a large chorus (1948) and improved wheelchair seating (1995), decreased the seating capacity to its current 4,163.
Rackham Auditorium
Sixty years ago, chamber music concerts in Ann Arbor were a relative rarity, present?ed in an assortment of venues including University Hall (the precursor to Hill Auditorium), Hill Auditorium, and Newberry Hall, the current home of the Kelsey Museum. When Horace H. Rackham, a Detroit lawyer who believed strongly in the importance of the study of human history and human thought, died in 1933, his will established the Horace H. Rackham and Mary A. Rackham Fund, which subsequently awarded the University of Michigan the funds not only to build the Horace H. Rackham Graduate School, which houses the 1,129-seat Rackham Auditorium, but also to establish a $4-million endowment to further the development of graduate studies. Even more remarkable than the size of the gift, which is still considered one of the most ambitious ever given to higher-level educa?tion, is the fact that neither of the Rackhams ever attended the University of Michigan.
Power Center for the Performing Arts
The Power Center for the Performing Arts grew out of a realization that the University of Michigan had no adequate proscenium-stage theatre for the performing arts. Hill Auditorium was too massive and technically limited for most productions, and the Lydia Mendelssohn Theatre too small. The Power Center was designed to supply this missing link in design and seating capacity.
In 1963, Eugene and Sadye Power, together with their son Philip, wished to make a major gift to the University, and amidst a list of
Power Center
University priorities was mentioned "a new theatre." The Powers were immediately inter?ested, realizing that state and federal govern?ment were unlikely to provide financial sup?port for the construction of a new theatre.
The Power Center opened in 1971 with the world premiere of The Grass Harp (based on the novel by Truman Capote).
No seat in the Power Center is more than seventy-two feet from the stage. The lobby of the Power Center features two hand-woven tapestries: Modern Tapestry by Roy Lichtenstein and Volutes by Pablo Picasso.
Due to renovations to Burton Memorial Tower, the Power Center will be home to the UMS Box Office for the duration of the cur?rent season.
Michigan Theater
The historic Michigan Theater opened January 5, 1928 at the peak of the vaude?villemovie palace era. Designed by Maurice Finkel, the 1,710-seat theater cost around $600,000 when it was first built. As was the custom of the day, the theater was equipped to host both film and live stage events, with a full-size stage, dressing rooms, an orchestra pit, and the Barton Theater Organ. At its opening the theater was acclaimed as the best
of its kind in the country. Since 1979, the theater has been operated by the not-for-profit Michigan Theater Foundation. With broad community support, the Foundation has raised over $8 million to restore and improve the Michigan Theater. The beautiful interior of the theater was restored in 1986. In the fall of 1999, the Michigan Theater opened a new 200-seat screening room addi?tion, which also included expanded restroom facilities for the historic theater. The gracious facade and entry vestibule was restored in 2000 and the balcony and backstage will be restored during 2001.
St. Francis of Assisi Catholic Church
In 1950, Father Leon Kennedy was appoint?ed pastor of a new parish in Ann Arbor. Seventeen years later ground was broken to build a permanent church building, and on March 19, 1969 John Cardinal Dearden dedi?cated the new St. Francis of Assisi Church. Father James McDougal was appointed pastor in 1997.
St. Francis of Assisi Catholic Church has grown from 248 families when it first started in 1950 to more than 2,800 today. The present church seats 900 people and has ample free parking. In 1994 St. Francis purchased a splen?did three manual "mechanical action" organ with thirty-four stops and forty-five ranks, built and installed by Orgues Letourneau from Saint Hyacinthe, Quebec. Through ded?ication, a commitment to superb liturgical music and a vision to the future, the parish improved the acoustics of the church build?ing, and the reverberant sanctuary has made the church a gathering place for the enjoy?ment and contemplation of sacred a cappella choral music and early music ensembles.
Lydia Mendelssohn Theatre
Notwithstanding an isolated effort to estab?lish a chamber music series by faculty and students in 1938, UMS recently began presenting artists in the Lydia Mendelssohn
Theatre in 1993, when Eartha Kitt and Barbara Cook graced the stage of the intimate 658-seat theatre for the 100th May Festival's Cabaret Ball. Now, with UMS' programmatic initiative to present song in recital, the superlative Mendelssohn Theatre has become a recent venue addition to UMS' roster and the home of the Song Recital series as well as the venue of choice for the world premiere of Curse of the Gold: Myths from the Icelandic Edda, part of UMS' new International Theater Festival.
Detroit Opera House
The Detroit Opera House opened in April of 1996 following an extensive renovation by Michigan Opera Theatre. Boasting a 75,000 square foot stage house (the largest stage between New York and Chicago), an orchestra pit large enough to accommodate 100 musicians and an acoustical virtue to rival the world's great opera houses, the 2,800-seat facility has
rapidly become one of the most viable and coveted theatres in the nation. In only two seasons, the Detroit Opera House became the foundation of a landmark programming col?laboration with the Nederlander organization and Olympia Entertainment, formed a part?nership with the Detroit Symphony Orchestra and played host to more than 500 performers and special events. As the home of Michigan Opera Theatre's grand opera season and dance series, and through quality program?ming, partnerships and educational initiatives, the Detroit Opera House plays a vital role in enriching the lives of the community.
Music Hall
Originally called the Wilson Theatre, Music Hall was completed in 1928 with funds provided by Matilda Wilson (Mrs. Alfred G.). William E. Kapp of Smith, Hinchman & Grylls, an architectural firm whose works dominated
Detroit's skyline of the 1920s, designed the Art Deco-style edifice. Terra-cotta Greek masks adorn the exterior, and elaborate molded plaster and stenciling complement the interior. The theatre's purpose of offering legitimate productions was initially fulfilled,
but during the Depression its lights dimmed except on sporadic occasions. From 1946 through 1949, the Detroit Symphony Orchestra occupied the structure which was renamed Music Hall. During the 1950s and 1960s, area residents came to the theatre to enjoy cinema. Now the home of the Music Hall Center, Music Hall is restored to its original use and appearance.
The Residential College Auditorium
The Residential College (RC) is an academic unit within the College of Literature, Science and the Arts (LSA), with roughly sixty faculty and 900 students, offering a four-year liberal arts education and a unique living-learning expe?rience in the East Quadrangle -one of the University's student residence complexes. A few years after the opening of the RC in 1967, the RC Auditorium was construct?ed in an alcove between exterior brick walls of the northern and southern parts of East Quad (these walls are still visible). In line with the founding philosophy of the RC Drama Program, the
Auditorium incorporates a thrust stage; more than 200 people can be seated around the stage on the main floor and in an overhanging bal?cony.
The Auditorium has been used as a class?room, lecture hall, movie theater and concert hall, as well as the site for hundreds of pro-
ductions by the RC Drama Program, the RC's "Brecht Company" (staging more than a dozen of Brecht's works), the RC's "Deutsches Theater" (performing plays in German), and the student-run "RC Players." Dramatic pro-
ductions at the Auditorium have ranged from Euripides to Sam Shepard and have included numerous student-written plays--some of them awarded Hopwood Prizes. Other events include Professor Peter Arnott's marionette realizations of Greek tragedies, Asian theater demon?strations, Native American danc?ing, a complete production of Mozart's Cost fan tutti, and a monodrama by lesbian activist Holly Hughes. The RC Auditorium has also been the site of readings by many promi?nent writers, including poets Allen Ginsberg, Jerome Rothenberg and John Sinclair as well as authors Christopher Curtis and John Hawkes.
Burton Memorial Tower
Seen from miles away, Burton Memorial Tower is one of the most well-known University of Michigan and Ann Arbor landmarks. Completed in 1935 and designed by Albert Kahn, the 10-story tower is built of Indiana limestone with a height of 212 feet.
The familiar home of UMS Administrative offices undergoes
significant renovations this season, moving the UMS Box Office to a new, temporary location in the Power Center.
UMS Administrative offices have also been relocated--to 109 E. Madison--but please continue to use our Burton Memorial Tower mailing address.
LJl1
Hill
Auditorium
4,163
Rackham
Auditorium
1,129
Michigan
Theater
1,710
Power Center 1,390
Mendelssohn
Theatre
658
St. Francis 950
Residential College
Auditorium
225
Music Hall 1,700
Detroit Opera House
2,735
University Musical Society
of the University of Michigan 20002001 Fall Season
Event Program Book Saturday, September 23 through Friday, October 6, 2000
General Information
Children of all ages are welcome at UMS Family and Youth Performances. Parents are encouraged not to bring children under the age of three to regular, full-length UMS performances. All children should be able to sit quietly in their own seats throughout any UMS perfor?mance. Children unable to do so, along with the adult accompanying them, will be asked by an usher to leave the auditorium. Please use discretion in choosing to bring a child.
Remember, everyone must have a ticket, regardless of age.
While in the Auditorium
Starting Time Every attempt is made to begin concerts on time. Latecomers are asked to wait in the lobby until seated by ushers at a predetermined time in the program.
Cameras and recording equipment are
prohibited in the auditorium.
If you have a question, ask your usher. They are here to help.
Please take this opportunity to exit the "information superhighway" while you are enjoying a UMS event: electronic-beeping or chiming digital watches, beeping pagers, ringing cellular phones and clicking portable comput?ers should be turned off during perfor?mances. In case of emergency, advise your paging service of auditorium and seat location and ask them to call University Security at 734.763.1131.
In the interests of saving both dollars and the environment, please retain this program book and return with it when you attend other UMS performances included in this edition. Thank you for your help.
Keith Jarrett 3
Gary Peacock Jack DeJohnette
Saturday, September 23, 8:00pm Hill Auditorium
Itzhak Perlman 9
Sunday, September 24,4:00pm Hill Auditorium
Season Opening Dinner
Mary Cleere Haran
Sunday, September 24, 6:30pm Michigan League Ballroom
Bulgarian Women's Choir: Angelite 17
Thursday, October 5, 8:00pm
St. Francis of Assisi Catholic Church
Takacs Quartet and 21
Andreas Haefliger
Friday, October 6, 8:00pm Rackham Auditorium
UMS
and
National City Bank
present
Keith Jarrett Gary Peacock boss Jack DeJohnette Drums
Program
Saturday Evening, September 23, 2000 at 8:00 Hill Auditorium, Ann Arbor, Michigan
Tonight's program will be announced from the stage.
Opening Performance of the 122nd Season
Seventh Annual Jazz Series
The photographing or sound recording of this concert or possession of any device for such photographing or sound recording is prohibited.
This performance is sponsored by National City Bank.
Special thanks to Phil Duryea of National City Bank for his generous sup?port of the University Musical Society.
Presented with additional support from JazzNet, a program of the Nonprofit Finance Fund, funded by the Doris Duke Charitable Foundation and the National Endowment for the Arts.
Additional support provided by media sponsors, WEMU and WDET.
Special thanks to Michael Jewett for his involvement in the pre-performance lecture.
The piano used in this evening's performance is made possible by Mary and William Palmer and Hammell Music, Inc., Livonia, Michigan.
Large print programs are available upon request.
Keith Jarrett and Jack Dejohnette first played together in 1966-68 as members of the Charles Lloyd Quartet, then for one year in 1970 with Miles Davis. The trio first performed together in 1977, when Jarrett and Dejohnette played on Gary Peacock's first ECM Records recording, Tales of Another. They came together as a permanent trio in 1983, when Jarrett invited the other two to join him in New York for a recording session dedicated to playing "standards," the rich body of American popular songs from the 1930s, '40s and '50s. At the time it was considered passe for top players to concen-
trate on standards, instead of original material, but Keith Jarrett thought it was important to show that "music wasn't about material, but what the player brings to the material."
The 1983 sessions produced the trio's first three ECM releases Standards Vol. 1 & 2, and Changes. Eight "live" concert record?ings followed on ECM, each recorded in a different international city: Standards Live (Paris 1985), Still Live (Munich 1986), Changeless (US Tour 1987), Tribute (Cologne 1989), Standards in Norway (Oslo 1989), The Cure (New YorkTown Hall 1990), Tokyo '96, and Keith Jarrett At The Blue Note: The Complete Recordings, a spe?cial 6-CD box set that captured the trio's complete, sold out, three-night engagement
at the Blue Note jazz club in New York in June 1994 which was voted "Album of the Year" in the 1996 Downbeat Critics Poll. In October 2000, ECM will release Whisper Not, a 2-CD set of the trio's July 1999 con?cert in Paris. And in October 1991, exactly two weeks after the death of Miles Davis, the trio went into New York's Power Station stu?dio and recorded Bye Bye Blackbird, their deeply felt tribute to the jazz giant that all three had played with in their early years.
Video releases include: Standards I (1985), Standards II (1986) and Live at Open Theatre East 1993 and Tokyo Concert '96-all featuring full concert performances.
In the past four?teen years, the trio has been nominated for many interna?tional awards. They have been nominated for three American Grammy nomina?tions (including one in early 1999 for Tokyo '96), plus dozens of "Record of the Year" and Critics
Prize awards from the US, European and Japanese music press, including France's top recording award, the "Prix du President de la Republique" from the Charles Cros Academy for the "Best Record of 1991" for Tribute. The trio was voted "Best Acoustic Jazz Group" in the 1998 and 1999 Downbeat Reader's Polls.
t the time [1983] it was considered passe for top players to concentrate on standards, instead of original material, but Keith Jarrett thought it was important to show that 'music wasn't about material, but what the player brings to the material.'
Over the past thirty-five years, Keith Jarrett has come to be rec?ognized as one of the most cre?ative and uncompromising artists on the international music scene. Universally acclaimed as a master jazz pianist and improviser, he has expanded his musical explorations with award-winning
classical recordings of music by Bach, Handel, Mozart, and Shostakovich, and with compositions for orchestra, chamber and jazz groups, and for soloist.
Born in 1945 in Allentown (PA), he began playing piano at age three and began classical studies at age seven. He undertook formal composition studies at age fifteen. In the early-1960s, while still a teenager, he began playing jazz. He toured with Art Blakey, then for three years with Charles Lloyd, and finally with Miles Davis. By the late-'60s, he was leading his own trio, then a quartet, and recording as a leader for Atlantic, Columbia and Impulse Records.
In 1971, he began an exclusive record?ing collaboration with ECM Records, the visionary German label headed by producer Manfred Eicher. This collaboration has pro?duced nearly sixty recordings to date, unparalleled in their diversity and scope, including thirteen trio recordings (on twen?ty CDs) with Peacock and Dejohnette; nine classical recordings of music by Bach, Handel, Mozart, Shostakovich, and Jarrett's groundbreaking solo piano recordings such as Koln Concert and La Scala, which have helped to redefine the piano in contempo?rary music. His most recent solo CD, The Melody At Night, With You, a solo studio recording of songs, was released in 1999 and has already become one of the best selling jazz CDs of the past ten years, winning innumerable awards worldwide including "Best of The Year" awards in Japan, France and the US.
Jarrett has garnered many other awards including six Grammy nominations, several French Grand Prix du Disque and German Deutsche Schallplattenpries awards. In 1989, the French Ministry of Culture elected him an Officer of the Order of Arts and Letters, one of the highest honors the French nation can bestow upon an artist. In 1996, he was elected a member of the Royal Swedish Academy of Music, joining Duke Ellington
as only the second foreign jazz artist to be so honored. He was voted "Best Pianist of the Year" in the Downbeat Readers Polls in 1994,1996 and 1999; and in the Downbeat Critic's Poll in 1996 and 2000.
In 1995, Jarrett became the first musi?cian to perform improvised music at La Scala, the famed opera house in Milan. A recording of this historic concert was released to international acclaim in 1997.
Tonight's concert marks Keith Jarrett's debut under UMS auspices.
Gary Peacock has served as an inspiration for a new generation of jazz bass players, not content with the traditional bassist's role of simple time-keeping and har?monic accompaniment. His ability to bring melodic and rhythmic freedom into any musical setting has been his trademark for forty years.
Born in 1935 in Idaho, Peacock first played in Los Angeles in the late-1950s with Bud Shank, Barney Kessel, Hampton Hawes, and Paul Bley. By the early-'60s, he was in New York playing with Bill Evans, Miles Davis, Albert Ayler, Archie Shepp, Sonny Rollins and others. He moved to Japan for several years in the late-'60s to study Oriental philosophy and medicine, before returning to the US in the early-70s to resume active music-making and to teach at the Cornish Institute in Seattle. Over the years he has also worked with Sarah Vaughn, Chick Corea, Joe Henderson, Helen Merrill, Michel Petrucianni, Don Pullen, and Bill Frisell.
In recent years, Peacock's other major collaborations include duo work with gui?tarist Ralph Towner, and two different piano trio settings featuring either Paul Bley or Marilyn Crispell backed by Peacock and drummer Paul Motian.
In the past twenty-five years, Peacock has played on over twenty-five ECM Records recordings.
Tonight's concert marks Gary Peacock's debut under UMS auspices.
Jack Dejohnette is one of the finest drummers in jazz today. His approach to the drums is that of a complete musician, exploring the varied colors and timbres of his instru?ments, rather than simple time-keeping.
Born in 1942 in Chicago, Dejohnette studied classical music and piano for ten years as a youth. In the mid-1960s he joined Muhal Richard Abrams and Roscoe Mitchell as a member of AACM, Chicago's pioneer?ing avant-garde ensemble of creative impro?vising musicians. He headed to New York in 1966 playing first with Jackie McLean, Betty Carter and Abbey Lincoln, before joining the Charles Lloyd Quartet. By 1967, he was playing with many of the period's greatest improvisers including Bill Evans, John Coltrane, Thelonius Monk and Stan Getz, before joining Miles Davis in 1968 to record the quintessential jazz-rock fusion record, Bitches Brew, along with John McLaughlin, Chick Corea, and Dave Holland. After a few years with Miles, Dejohnette moved on and began recording as leader and sideman with most of the finest players in jazz. In the 1970s, he founded New Directions featuring John Abercrombie, Eddie Gomez and Lester Bowie, followed by Special Edition, and then the Gateway Trio with Dave Holland and John Abercrombie, which is still an active trio today.
Dejohnette has also been featured in recent years on high-profile CD releases by Herbie Hancock, Betty Carter, Sonny Rollins, Joe Henderson, Milton Nascimento, and Michael Brecker, as well as many ses?sions with young emerging players that he
feels are deserving of greater attention.
In 1972, he began a twenty-five-year recording collaboration with ECM Records, where he has played on over forty record?ings with his varied groups as a leader, as a sideman, and as a member of the trio with Jarrett and Peacock.
Other recent projects included a Spring 1999 tour with the World Saxophone Quartet, dates with Danilo Perez and gui?taristbassist Jerome Harris and duo work with keyboardist David Sancious.
Dejohnette has garnered many awards including France's prestigious Grand Prix du Disque (1979), "Album of the Year" awards in the 1984 Downbeat Readers Poll and 1989 Critics Poll, and Swing Journal (Japan). He has the distinction of being voted "Best Drummer" for an unprecedented thirteen straight years (1980-92) in the Downbeat Reader's Poll. In 1991, Boston's Berklee College of Music named him an Honorary Doctor of Music. In 1997, he appeared on the Grammy Awards with Herbie Hancock, Wayne Shorter and Natalie Cole in a tribute to Ella Fitzgerald, and was a featured musi?cian in the film, Blues Brothers 2000.
Tonight's concert marks Jack Dejohnette's debut under VMS auspices.
UMS
and
Pfizer
present
Itzhak Perlman
Rohan De Silva,Piano
Program
Sunday Afternoon, September 24, 2000 at 4:00 Hill Auditorium, Ann Arbor, Michigan
!A tribute to jascha
Celebrating the 100th Anniversary of His Birth
Tommaso Vitali Chaconne
Richard Strauss Sonata in E-flat Major for Violin and Piano, Op. 18
Allegro ma non troppo Improvisation: Andante cantabile Finale: Andante--Allegro
INTERMISSION Jascha Heifetz Transcriptions and arrangements (to be announced from the stage)
Second Performance of the 122nd Season
122nd Annual Choral Union Series
The photographing or sound recording of this concert or possession of any device for such photographing or sound recording is prohibited.
This performance is sponsored by Pfizer Global Research & Development; Ann Arbor Laboratories.
Special thanks to Dr. Peter B. Corr of Pfizer Global Research & Development for his generous support of the University Musical Society.
Additional support provided by media sponsor, WGTE. Artist transportation provided by Sesi Lincoln Mercury.
Special thanks to Zvi Gitelman, Marysia Ostafin, and the Center for Russian and Eastern European Studies for their involvement in this residency.
The piano used in this afternoon's performance is made possible by Mary and William Palmer and Hammell Music, Inc., Livonia, Michigan.
This afternoon's floral art is provided by Cherie Rehkopf and John Ozga of Fine Flowers, Ann Arbor.
Mr. Perlman records for EMIAngel, CBSSony Classical, Deutsche Grammophon, LondonDecca, EratoElektra International Classics, and RCABMG Classics labels.
Mr. Perlman appears by arrangement with IMG Artists.
Large print programs are available upon request.
Heifetz' Influence
on Twentieth-Century Violin Performance
By Peter Laki
In his recent autobiography, My First 79 Years, Isaac Stern calls Itzhak Perlman "perhaps the most success?ful violinist since Heifetz." And he credits Jascha Heifetz with being "the single most dominant influence in the twentieth century" for all string players. It is hardly a coincidence that one of the leading violinists from the generation between Heifetz and Perlman links those two names together. Looking both backwards and for?wards, Stern identified the two artists who, perhaps more than anyone else, epitomize the star violinist for their respective eras.
Volumes have been written about Heifetz' artistry, by people who were fortu?nate enough to hear this legend live, as well as by those who only know him through his extensive recorded legacy. Invariably, they mention the superhuman flawlessness of his technique, the perfection of each note and a magical sound. His stellar career, which started with triumphs as a child prodigy, brought him to the US as a young man, and although he was not the only student of the St. Petersburg school of great Leopold Auer to arrive at these shores, he became, without a doubt, the supreme representative of the Russian tradition of violin playing. His repertoire ranged from Bach through the great concertos and chamber music works of the nineteenth century to virtuoso show?pieces and selected twentieth-century com?positions of the more traditional ilk--a rather wide assortment of music to which he brought a musical personality that was
Ithough Heifetz was not the only
student of the St. Petersburg school of great Leopold Auer to arrive at US shores, he became, without a doubt, the supreme representative of the Russian tradition of violin playing.
Personalized photo of Jascha Heifetz to former UMS President Charles A. Sink. Signed and dated October 18, 1919.
genetically incapable of missing a note.
Twentieth-century violin playing was never the same after him; the stakes had been raised to incredible heights and the challenge facing younger players was enor?mous.
In our time, no violinist has come clos?er to attaining the legendary status of Heifetz as Itzhak Perlman. It goes without saying that Perlman has had Heifetz' sound in his ears--what's more, in his blood-since he picked up his first fiddle.
Mr. Perlman himself has accumulated a prodigiously rich discography that, more?over, contains several works either written for, or popularized by, Heifetz. These include not only the concertos of William Walton and Erich Maria Korngold (which have been taken up by many violinists) but also rarities such as the Halvorsen Passacaglia for violin and viola or Mario Castelnuovo-Tedesco's concerto The Prophets. Mr. Perlman has also recorded Heifetz' arrangements of the Gershwin preludes and of "Golliwogg's Cake Walk" by Debussy. There is no doubt that Itzhak Perlman has a special affinity for Heifetz' preferred repertoire and, moreover, his style of playing, although he has of course embraced the major twentieth-centu?ry concertos of Bartok, Berg, Stravinsly, and Barber, which Heifetz had never performed. And it goes without saying that his supreme originality as a musician is evident in every note he plays. Yet, in a STRAD magazine sur?vey of the 21 -CD set of recordings released by EMI for Perlman's fiftieth birthday, Henry Roth repeatedly compares the two violinists, and concludes by saying:
Perlman has contributed more to expressive, sentiment-tinctured violin performance than any violinist in the post-Kreisler, Heifetz, Elman, Menuhin and Oistrakh era. He, more than any other contemporary, represents and continues the historic traditions of violin art.
Chaconne
attributed to Tommaso Vitali Born 1663 in Bologna, Italy Died 1745 in Modena, Italy
Tommaso Vitali was an Italian composer and violinist active in the city of Modena who published four volumes of instrumen?tal music there between 1693 and 1701. It is an interesting paradox that the present Chaconne, the only piece Vitali is remem?bered by today, is probably not by him at all. It came down to us in an anonymous man?uscript that was ascribed to Vitali only in the nineteenth century.
Questions of authorship aside, this Chaconne is one of the most popular virtu?oso works for the violin from the Baroque period. A Chaconne is a form of variation over a four-note descending bass line, which is played here by the piano before the vio?lin's first entrance. The variations, played without breaks, are increasingly more demanding as the piece proceeds.
Sonata for Violin and Piano in E-flat Major, Op. 18
Richard Strauss Born June 11, 1864 in Munich Died September 8, 1949 in Garmisch-Partenkirchen
The Violin Sonata dates from the period in Richard Strauss' life when he was making his historic transition from the Brahmsian universe of "absolute" music into the New German world of programmatic composi?tions. The twenty-three-year-old composer abandoned the classical chamber genres to which he had made several contributions in previous years, and set his sights on Lisztian symphonic poem and Wagnerian opera, to which he would devote most of his energies in the following decades. The Violin Sonata
is a transitional work, written in a conven?tional form but informed by an entirely new musical aesthetic. Everything in this work seems to function on a symphonic rather than a chamber-music scale, starting with the very first piano motif whose angular rhythms foreshadow Don Juan; some of the later melodies have a definite operatic sweep to them. Sonata form, with its requisite con?trasting themes, development and recapitu?lation, nominally still holds sway in the opening "Allegro ma non troppo," but the music's passion overflows the structural bounds of the form and creates a movement that seems to be defined by cycles of dra?matic outbursts and moments of lyrical reflection rather than by any classical con?siderations.
The second movement, "Improvisation," is a beautiful "song without words" that is sometimes performed separately. The highly ornate cantabile (singing) movement includes a passionate middle section, before the initial theme returns in an even more richly embellished rendering.
A somber piano introduction opens the third-movement "Finale," erupting in a brilliant "Allegro" that takes the level of virtuosity required of both players to dizzy?ing heights. The sequence of wide-spanned melodies and no less grandiose virtuoso figurations is only occasionally interrupted by lighter, scherzo-like episodes. As a final surprise, Strauss introduces an extensive coda in a new time signature (a faster 68 as opposed to the earlier 34). This section is almost a separate movement in its own right, ending the sonata on a climactic point of maximum excitement.
Program notes by Peter Laki.
Undeniably the reigning virtuoso of the violin, Itzhak Perlman enjoys superstar status rarely afforded to a classical musician. Beloved for his charm and humanity as well as his talent, he has come to be recognized by audiences all over the world who respond not only to his flawless technique, but also to the irrepressible joy of making music which he communicates. Born in Israel in 1945, Mr. Perlman completed his initial training at the Academy of Music in Tel Aviv. He came to New York and soon was propelled into the international arena with an appearance on the Ed Sullivan Show in 1958. Following his studies at The Juilliard School with Ivan Galamian and Dorothy DeLay, Mr. Perlman won the prestigious Leventritt Competition in 1964, which led to a burgeoning world?wide career.
Since then, Itzhak Perlman has appeared with every major orchestra and in recitals and festivals throughout the world. In November of 1987 he joined the Israel Philharmonic Orchestra for history-making concerts in Warsaw and Budapest, repre?senting the first performances by this orchestra and soloist in Eastern bloc coun?tries. He again made history as he joined the Israel Philharmonic for its first visit to the Soviet Union in AprilMay of 1990, and was cheered by audiences in Moscow and Leningrad who thronged to hear his recital and orchestral performances. In December of 1994 he joined the Israel Philharmonic for their first visits to China and India.
In December 1990, Mr. Perlman visited Russia for the second time to participate in a gala performance in Leningrad celebrating the 150th anniversary of Tchaikovsky's birth. This concert, which also featured Yo-Yo Ma, Jessye Norman, and Yuri Temirkanov con?ducting the Leningrad Philharmonic, was televised live in Europe and later broadcast throughout the world, and is now available
on home video (RCABMG Classics). In December 1993, Mr. Perlman visited the city of Prague in the Czech Republic to perform in a Dvorak gala concert with Yo-Yo Ma, Frederica von Stade, Rudolf Firkusny and the Boston Symphony Orchestra conducted by Seiji Ozawa. This concert was also tele?vised live with a later worldwide broadcast and was released on CD and home video (Sony Classical) in 1994.
Itzhak Perlman has been honored with four Emmy Awards, most recently for the PBS documentary Fiddling for the Future, a film about the Perlman Summer Music Program and his work as a teacher and con?ductor in that program. His previous Emmy Award recognized his dedication to Klezmer music, as featured in the PBS television spe?cial In the Fiddler's House. This Klezmer music program was filmed in Poland in 1995, and later released in home video and audio formats. A highly successful national
tour of In the Fiddler's House in the summer of 1996 was followed by a second Klezmer music recording released by EMI: Live in the Fiddler's House (from Radio City Music Hall, 1996). Subsequent Klezmer tours have included concerts in Mexico, at the Hollywood Bowl, and at major North American summer festivals.
Mr. Perlman's recordings regularly appear on the best-seller charts and have
won fifteen Grammy Awards. His most recent Grammy was awarded in 1996 for The American Album, with Seiji Ozawa and the Boston Symphony Orchestra. Other recent releases include Cinema Serenade and Cinema Serenade 2, both albums featuring popu?lar hits from movies, with John Williams conducting the Pittsburgh Symphony and Boston Pops Orchestra (Sony), a recording of the Mendelssohn Violin Concerto and the Brahms Double Concerto with Yo-Yo Ma, Daniel Barenboim and the Chicago Symphony (Teldec), and a la Carte, a recording of short violin pieces with orches?tra (EMI). Throughout 1995 EMI honored Mr. Perlman on the occasion of his fiftieth birthday as "Artist of the Year"
with the release of a 21-disc set entitled The Itzhak Perlman Collection. The release of this set coincided with The Definitive Perlman Experience festival in London in which Mr. Perlman performed seven concertos in four concerts at the Royal Festival Hall.
During the past two years, Mr. Perlman has also appeared on the conductor's podi?um, further delighting his audiences through this medium. He has appeared as conduc?torsoloist with the Chicago Symphony, the Philadelphia Orchestra, the Dallas, Detroit,
Houston, National, Pittsburgh, Seattle and Toronto symphonies, at the Ravinia and OK Mozart festivals, with the St. Paul and New York chamber orchestras, and with the Israel Philharmonic and the English Chamber Orchestra. In the 2000-2001 season his con?ducting debuts include engagements with Boston and San Francisco symphonies and the Los Angeles Philharmonic. In January 2000 he was named Principal Guest Conductor for the Detroit Symphony Orchestra, a post he begins in September 2001.
Numerous publications and institutions have paid tribute to Itzhak Perlman for the unique place he occupies in the artistic and humanitarian fabric of our times. Newsweek magazine featured him with a cover story in April of 1980, and in 1981 Musical America pictured him as "Musician of the Year" on the cover of its annual edition. Harvard, Yale, Brandeis, Roosevelt, Yeshiva and Hebrew universities are among the institu?tions that have awarded him honorary degrees. President Reagan honored Mr. Perlman with a "Medal of Liberty" in 1986.
On television, Mr. Perlman has enter?tained and enlightened millions of viewers of all ages on shows as diverse as The Late Show with David Letterman, Sesame Street, the PBS series The Frugal Gourmet, The Tonight Show, the Grammy awards telecasts, several Live From Lincoln Center broadcasts, and the PBS specials A Musical Toast and Mozart by the Masters, both of which he hosted. In 1992, the PBS documentary of his historic trip to the Soviet Union with the Israel Philharmonic, entitled Perlman in Russia (AngelEMI video), was honored with an Emmy award as best music docu?mentary. In July of 1994, Mr. Perlman was seen by millions of viewers when he hosted the US broadcast of the Three Tenors, Encore! live from Dodger Stadium in Los Angeles.
One of Mr. Perlman's proudest achieve?ments was his collaboration with film score composer John Williams in Steven Spielberg's Academy Award-winning film Schindler's List in which he performed the violin solos.
His presence on stage, on camera and in personal appearances of all kinds speaks eloquently on behalf of the disabled, and his devotion to their cause is an integral part of his life.
This afternoon's recital marks Itzhak Perlman's ninth appearance under UMS aus?pices. Mr. Perlman made his UMS debut on April 26, 1970 performing Prokofiev's Violin Concerto No. 2 with the Philadelphia Orchestra under the baton of Maestro Thor Johnson during the 1970 May Festival.
Throughout his magnificent career, Jascha Heifetz made eleven UMS appearances as violin soloist and recitalist between 1919 and 1953. Mr. Heifetz made his UMS debut on December 4, 1919 in a violin recital at Hill Auditorium.
Rohan De Silva's partnership with violin virtuoso Itzhak Perlam, Cho-Liang Lin, Midori, Joshua Bell, Benny Kim, Kyoko Takezawa, Vadim Repin, Gil Shaham, Nadja Salerno-Sonnenberg, and Julian Rachlin have led to highly acclaimed performances at recital venues all over the world. With these and other artists he has performed at Carnegie Hall, Lincoln Center's Avery Fisher Hall and Alice Tully Hall, the Kennedy Center, Library of Congress, Philadelphia Academy of Music, Ambassador Theater in Los Angeles, Concertgebouw in Amsterdam, Wigmore Hall in London, Suntory Hall in Tokyo, the Mozarteum in Salzburg and La Scala in Milan. His Festival appearances include the Aspen, Interlochen, Manchester,
Ravinia and Schleswig-Holstein festivals, the Pacific Music Festival in Sapporo, Japan, and the Wellington Arts Festival in New Zealand. He performs frequently with Itzhak Perlman, and last season was seen with Mr. Perlman on the Live from Lincoln Center broadcast in early January 2000. During the summer of 2000 he also participated in the Perlman Music Program on Long Island.
Mr. De Silva, a native of Sri Lanka, began his piano studies with his mother, the late Primose De Silva and with the late Mary Billimoria. He spent six years at the Royal Academy of Music in London as a student
of Hamish Milne, Sydney Griller, and Wilfred Parry. While in London he received many awards including the Grover Bennett Scholarship, the Christian Carpenter Prize, the Martin Music Scholarship, the Harold Craxton Award for advanced
study in England, and, upon his graduation, the Chappell Gold Medal for best overall performance at the Royal Academy. Mr. De Silva was the first recipient of a special scholarship in the arts from the President Fund of Sri Lanka. This enabled him to enter The Juilliard School, where he received both his Bachelor and Master of Music degrees, studying piano with Martin Canin, chamber music with Felix Galimir, and working closely with violin pedagogue Dorothy DeLay. He was awarded a special prize as "Best Accompanist" at the 1990 Ninth International Tchaikovsky Competition in Moscow.
Mr. De Silva joined the collaborative arts and chamber music faculty of The Juilliard School in 1991, and in 1992 was awarded honorary Associate of the Royal Academy of Music. Radio and television
credits include The Tonight Show with Midori, CNN's Showbiz Today, NHK Television in Japan, National Public Radio, WQXR and WNYC in New York, and Berlin Radio. He has recorded for Deutsche Grammophon, CBSSONY Classical, Collins Classics in London, and RCA Victor.
This afternoon's recital marks Rohan De Silva's debut under UMS auspices.
UMS
and
Kathleen Charla
present
Bulgarian Women's Choir: Angelite
GREGORY Petkov, Conductor
Thursday Evening, October 5, 2000 at 8:00
St. Francis of Assisi Catholic Church, Ann Arbor, Michigan
Works of St. John Kukuzel
Anixantor No. 4
To the Eucharist
To Our Lord and Holy Master
Cherubim Courtly Chant
As the King
It is Really an Honour
INTERMISSION
Anonymous Works
Selected Multiple Psalms to the Bulgarian Woman
We Hymn Thee
I Called Upon Thee, Lord
God, Have Mercy on Us
Mother of God, Thy Virgin
The Great Glorification
Holy God
Great Litany
It is Really an Honour
Our Father in Heaven
Third Performance of the 122nd Season
Sixth Annual Divine Expressions Series
The photographing or sound recording of this concert or possession of any device for such photographing or sound recording is prohibited.
This performance is presented with the generous support of Kathleen Charla.
Special thanks to Inna Naroditskaya for her involvement in the pre-performance lecture.
Large print programs are available upon request.
On Religious And Church Music
By Georgi Petkov
In all historical times music was regarded as a supreme art allowing for the best expression of religious feelings. It has been and will remain the most intelligible language for prayer communion between God and man. As early as the ancient times, the pagan religious cults have exploited the miraculous impact of the art of music on the souls of worshippers during religious rites and sacrifices.
The Christian religion has also intro?duced music as an integral constituent of the worshipping service. Following the example of Jesus Christ, who sang out loud at the Last Supper with the Holy Apostles, the Christian Church, from the very begin?ning of its existence has established and canonised vocal music as the most suitable manner of temple performance, resting on the conviction that human voice is the most perfect musical instrument.
The theory of Eastern Church chants (which are still employed by the Orthodox Church) was set up by St. John of Damascus in the seventh century. From the multiple religious hymns performed by the various Christian communities, St. John of Damascus chose only those which he thought most suitable for the uniform use by the Church and compiled the so-called Vocal Eight-Part Chants Book, which is still in use by the Orthodox Church. The Octoich by St. John of Damascus is strictly defined within certain limits specifically restricting melodic variation.
Bulgaria adopted Christianity as its offi?cial religion in 865. About the same time, the brothers St. Cyril and St. Methodius cre?ated the Slavonic alphabet (the Cyrillic alphabet), which allowed for religious scrip?tures to be translated into the Slavonic lan?guages, whereupon services began to be per-
formed in the language of everyday use. These events served as the impetus of a tremendous cultural and political bloom, which continued for the following two cen?turies.
The development of Eastern Orthodox singing saw another turning point between the thirteenth and the fourteenth centuries when the Byzantine emperor assigned John Kukuzel (The One Blessed with an Angel Voice)--a famous Bulgarian church musi?cologist of the time--to create a new fash?ion of singing: more solemn and impressive than that of John of Damascus, so that it could correspond to the grandeur of the Byzantine Empire. John Kukuzel accom?plished his assignment very successfully and created the new type of singing which was called Papadic singing. He had left to the future generations a legacy of musical com?positions of unattainable beauty and per?forming challenge, one of the most brilliant being Selected Multiple Psalms to the Bulgarian Woman. The artist dedicated this work to his mother and used in it motifs from Bulgarian folk songs, which he had heard from his mother as a child. This set up the beginning of artistic singing in the Orthodox Church.
Another dramatic turn of Bulgarian history was the enslavement of the country by the Turks, which lasted from the end of the fourteenth to the end of the nineteenth centuries. Bulgarian cultural achievements were subjected to mass destruction and crit?icism. Ancient Greek (which was incompre?hensible even to contemporary speakers of Greek) was restored as the language of wor?shipping service. Subsequently, the tradition of church singing was handed down orally --just like the folk song. This, in its course, provided for the mutual influence between folk and church music. All church chants composed between the fourteenth and the seventeenth centuries have reached us as anonymous works handed down from
mouth to mouth. They were carried through Moldavia to Russia where they were preserved and used in the Russian religious services. In scientific theory this phenome?non is known as The Second Southern Slavonic Impact. This process explains how the artistic creation of various authors, both familiar and anonymous, was preserved in the treasury of Bulgarian music culture.
The program of Antique Eastern Orthodox Chants includes presentations of religious music compositions created in the period between the fourteenth and the sev?enteenth centuries. Regardless of the distant historical time when they were created, these artistic works of religious music are still being used in the worshipping practice of the Bulgarian Orthodox Church. The first part of the program comprises the most popular pieces of the first Bulgarian com?poser St. John Kukuzel, the One Blessed with an Angel Voice (1280-1360).
This evening's second part of the program contains works by anonymous authors. The religious musical compositions included are selected in such a manner as to present to the audience all the eight parts of the Octoich of St. John of Damascus.
It is seldom that new and exhilarating musical experiences emerge from the vast canon of musical expression. Yet, from a historic Balkan culture, with musical roots some 2,000 years old, there has sprung a choral phenomenon like no other. Since the demise of the Soviet Union in 1989, The Bulgarian Women's Choir: Angelite has been mystifying audiences around the world with unique and powerful interpretations of their cen?turies-old folk songs.
A confluence of Russian, Czech and German classical harmony, and of ancient vocal melodies developed and refined dur?ing 500 years of Turkish-Ottoman rule, the music of the choir captures the rich and dif?ficult history of a culture buffeted by the pervasive coercion of invading nations. And yet, the enduring spirit of the Balkan women has been emboldened and preserved in their unique yodeling cries and soul-stirring melodies, some of which allude to the musical rudiments of the pre-Christian Thracian and Classical Greek periods. Even from under four-and-a-half decades of Soviet domination, the clarion purity of this exclusively female art form
has survived and blossomed in a clear and emotive voice.
As their songs continue to express timeless sentiments of the human condition: honor, love, mortality and freedom, the Bulgarian Women's Choir surely represents our "Voices of Life."
Tonight's performance marks the Bulgarian Women's Choir: Angelite's debut appearance under UMS auspices.
Bulgarian Women's Choir: Angelite
Georgi Petkov, Conductor
Tzetza Bekova Kera Damyanova Tatyana Duparinova Tonia Iankova Nadezhda Ilieva Kostadinka Inkova Sonia Iovkova Milena Gadzheva Nadezhda Karparova Yuliya Koleva Stoimenka Outchikova-Nedialkova Nelka Petkova Galya Petrova Valeria Petrova Kostadinka Racova Elka Simeonova Tanya Tsambova Vanya Vacara Tanya Velichkova Nadya Vladimirova
Managing Director Tanja Andreeva
Tour Manager Sandra Walker
Tour Coordination International Music Network www.imnworld.com
Special thanks: Eddie Jobson, Globe Music Inc.
Learn more about Bulgarian Women's Choir: Angelite at www.bulgarianwomenschoir.com
UMS
and
Edward Surovell
Realtors
present
Takacs Quartet and Andreas Haefliger
Edward Dusinberre, Violin Karoly Schranz, Violin Roger Tapping, Viola Andras Fejer, Cello
Program
Wolfgang Amadeus Mozart
Leol Janddek
Friday Evening, October 6, 2000 at 8:00 Rackham Auditorium, Ann Arbor, Michigan
String Quartet in D Major, KV 575
Allegretto Andante Menuetto-Trio Allegretto
String Quartet No. 1 (Kreutzer Sonata) Adagio con moto Con moto
Con moto--Vivace--Andante--Tempo I Con moto
INTERMISSION
Antonin Dvofdk
Piano Quintet in A Major, Op. 81
Allegro ma non tanto
Dumka: Andante con moto--Un pochettino piu mosso Scherzo (Furiant): Molto vivace--Trio: Poco tranquillo Finale: Allegro
Andreas Haefliger, piano
Fourth Performance of the 122nd Season
Thirty-eighth Annual Chamber Arts Series
The photographing or sound recording of this concert or possession of any device for such photographing or sound recording is prohibited.
This performance is sponsored by Edward Surovell Realtors.
Special thanks to Edward Surovell for his generous support of the University Musical Society.
The Takacs Quartet appears by arrangement with CramerMarder Artists and records exclusively for DeccaLondon Records.
The Takacs Quartet is Quartet-in-Residence at the University of Colorado in Boulder and Fellow of The Guildhall School of Music and Drama in London.
The Takacs Quartet's attire is courtesy of VESTIMENTA, Milan.
Large print programs are available upon request.
String Quartet in D Major, KV 575
Wolfgang Amadeus Mozart Born January 27, 1756 in Salzburg Died December 5, 1791 in Vienna
Incredible as it may seem, there was a time when heads of state played string quartets for entertainment, and turned to the best composers of the day to write music for their personal use. Friedrich Wilhelm II, King of Prussia, followed a distinguished tradition at the magnificent palace in Potsdam. His uncle Frederick the Great had played host to Bach in 1747 and given him the theme of the Musical Offering. Forty-two years later, Mozart visited Potsdam and was received by Friedrich Wilhelm who prided himself on being an accomplished cello player.
Coming from far-away Vienna and a different Empire, Mozart was hardly a household name in Prussia. His arrival was announced in a court document, dated April 26, 1789, in the following terms:
A certain Mozart here (who declared himself upon entry to be a Kapellmeister from Vienna) states that.. .he desires to lay his talents at Your Majesty's feet, and that he awaits Your command, to know whether he may hope that Your Majesty will be graciously pleased to receive him.
The next month, Mozart was received by the King who commissioned six string quartets from him. Mozart completed only three--the present quartet in D Major and those in B-flat (K. 589) and F (K. 590). As might be expected, many prominent melodies are given to the cello in all three works.
The first movement of the D-Major quartet, nevertheless, opens with a singing melody for the first violin, repeated by the viola. The cello gets its first great moment in the second theme. Afterwards, it is a now intimate, now agitated conversation between four equally strong individuals who some?times hear one another out and sometimes
interrupt one another impatiently.
The second-movement "Andante" is an extended instrumental aria whose first phrase is played by the first violin and the second phrase divided among the four instruments. At the repeat, the cello takes the melody of the first violin and the second phrase is replaced by a shorter coda.
The third-movement "Minuetto" com?pletes an eventful musical journey in the space of just a few measures: its simple theme is developed in manifold ways with a brief dramatic episode in the middle. In the "Trio," the cello takes center stage again with a folk-like Idndler melody.
Mozart started the final rondo twice-he crossed out an eight-measure violin theme in the manuscript and wrote a new one for cello, accompanied by the viola. The rather innocent-looking rondo theme is soon subjected to an elaborate contrapuntal treatment, touching on several different keys. A second theme, left in its "natural" state as an eight-measure melody, serves as a complete contrast. The extensive transfor?mations of the theme distinguish this move?ment from most classical rondos. Alfred Einstein, who wrote about Mozart more elo?quently than anyone, called this movement "a triumph of art and the soul."
String Quartet No. 1 (Kreutzer Sonata)
Leos Janacek
Born July 3, 1854 in Hukvaldy, Moravia
(Austrian Empire) Died August 12, 1928 in Moravskd, Ostrava
(Czechoslovakia)
The literary scholar Harold Bloom has writ?ten at great length about "creative misread-ings," where an artist responds to another artist's work and filters it through his or her own intellectual and emotional personality. Works of art may be perceived very differ?ently from the way originally intended by
the author. Yet even a reading that is not "true" to the original (assuming that we can establish with certainty what that "truth" is) can result in a new work that is true and compelling within its own conceptual framework.
In the realm of music and literature, Beethoven's "Kreutzer" Sonata for violin and piano (1803), Tolstoy's short novel The Kreutzer Sonata (1889) and Janacek 's String Quartet No. 1 (1923) offer unique insights into the ways one work of art may give rise to another through repeated "creative mis-readings." Tolstoy's work is about a jealous husband whose wife performs Beethoven's "Kreutzer" Sonata with a violinist, and he assumes that the two are having an affair. The protagonist Pozdnyshev hears the open?ing "Presto" of the sonata as a wild, destruc?tive force, and in fact the passions aroused in him by the music directly incite him to mur?dering his wife at the novel's end. The better part of the novel is a seething indictment of marriage as an institution; as the husband tells his story on a train, he explains the tragedy of his life in terms of a universally pessimistic life philosophy according to which healthy relationships between men and women are impossible. Janacek, a great lover of Russian literature, was deeply affect?ed by The Kreutzer Sonata (and what reader of the novel wouldn't be). His own mar?riage had been unhappy for years. He was already in his sixties when he met a woman about half his age with whom he soon fell passionately in love. He must have had his own thoughts about the institution of mar?riage. Yet in a letter to his young friend Kamila Stosslova, written shortly after he completed the string quartet, he offered a different interpretation of the novel: "I had in mind a poor woman, maltreated, beaten and murdered, as the Russian writer Tolstoy wrote in his work The Kreutzer Sonata" The interpretation is surprising because Tolstoy presented the story exclusively from the hus-
band's point of view and we never see the wife except through the husband's eyes (in fact, we don't even learn her name). But Janacek, whose operas almost always revolve around great and complex female characters (Jenufa, Katya Kabanova, the Cunning Little Vixen, Elena Makropoulos), may have been less interested in Pozdnyshev than in his wife, and more attracted to the plight of the victim than to the psychology of the mur?derer. What is even more likely, however, is that he sought to capture the deeply disturb?ing, tormented atmosphere of Tolstoy's novel rather than the particulars of the story.
Janacek had been intrigued with The Kreutzer Sonata for a long time before com?posing his quartet. We know that he had earlier intended to write a piano trio after Tolstoy's work; but the trio is lost (if it ever existed). The string quartet--actually the second of his quartets if we count an early student work--may or may not have incor?porated material from the projected trio.
The tense atmosphere is manifest from the very beginning. The first movement opens with a short motto, played very slowly, and repeated several times in alternation with a folk-like melody played in turn by the cello, the first violin, and the second violin. It is followed by a contrasting theme that is melodious yet highly agitated. Out of these building blocks Janacek constructed an enigmatic movement that ends with what seems a musical question mark.
Movement II is a scherzo whose main theme is in polka rhythm; yet the dance character is constantly undermined by men?acing accompaniment figures. There is a second section featuring eerie sul pontkello sounds (played near the bridge of the instruments) and a third one, whose intense emotionality completely erases the memory of the polka-scherzo. This last idea--a singing melody with an increasingly fren?zied accompaniment--eventually takes over the entire movement.
The only allusion to Beethoven's "Kreutzer" Sonata occurs in the third move?ment of Janacek's quartet. The main motif of this movement is almost identical to the second theme in Beethoven's first movement, as Janacek's biographer Jaroslav Vogel point?ed out years ago. The quoted melody--pre?sented in canon between the first violin and the cello--is interrupted by another fast and nervous canon between the second violin and the viola. The emotions finally erupt in a passionate "Vivace" section; at the end, the opening motto of the first movement reappears as a reminder.
The reminder was necessary because the last movement is entirely based on that motto. A mournful song, it contains a great deal of innovative string writing--in partic?ular, a descending scale whose main pitches are reinforced by loud pizzicatos (plucked notes). The music becomes more and more impassioned (Jeroce). At the end of Tolstoy's novel, nothing can relieve the terrible guilt of the man who has killed his wife; likewise, Janacek's quartet concludes without resolving the enormous tensions that have accumulat?ed in the course of its four movements.
Piano Quintet in A Major, Op. 81
Antonin Dvorak
Born September 8, 1841 in Nelahozeves,
Bohemia Died May 1, 1904 in Prague
Dvorak's German publisher, Fritz Simrock, felt the Czech form of his star composer's first name, "Antonin," did not look good on the title page of a respectable German score. He tried hard to persuade Dvorak to use the German form, "Anton," instead, but the patriotic composer insisted on the two extra letters. They finally struck a compromise by abbreviating the name to a neutral and non?committal "Ant."
In a way, Dvorak's entire life and career
revolved around the issue of Anton vs. Antonin. As a proud Bohemian whose country was part of the Austrian Empire, he always resisted the German culture of the rulers. And yet, the road to recognition led through Simrock and the German-speaking world. Dvorak's historic role as a composer was to continue the German tradition of symphonic and chamber music and to fill the Germanic forms with some genuinely Czech content.
In his greatest works Dvorak found the perfect balance between the nationalist Antonin and the universalist Anton. The Piano Quintet in A Major, for instance, over?flows with beautiful melodies in a Czech folk style, and contains both a dumka and a furiant (see below). At the same time, it is without a doubt the only successor to the great piano quintets of Schumann and Brahms that is worthy of the great models in every respect.
The first movement opens with an unforgettable cello melody. The second theme, introduced by the viola, is equally lyrical. Both themes are eventually devel?oped by the entire group and acquire onsid-eable rhythmic energy in the process. The character of the entire movement still remains predominantly lyrical, though the coda (the concluding section) suddenly strikes a heroic tone.
The second movement is a dumka--a type of melancholy folk song originally from Ukraine that inspired Dvorak in many of his works, most famously in the Dumky piano trio of 1891. The trio contains six dumaka movements, greatly varied in tempo and mood. The dumka of the A-Major quin?tet manages to fit some of the same con?trasting characters into a single movement: the brooding "Andante con moto" of the opening is followed by a second idea in a more fluid tempo. The opening melody is heard again, first in the original tempo and then in the form of a vivace variation. The
first two segments (the brooding opening and the more fluid second idea) return, and the movement ends molto tranquillo (very calmly).
The third movement is titled "Scherzo (Furiant)"--a double inscription reflecting the Antonin-Anton duality. To German ears, this movement fits neatly in the category of the scherzo, familiar since the days of Beethoven. Yet Dvorak's immediate inspira?tion was the Czech folk dance, the furiant, whose classical pedigree was established by Smetana's Bartered Bride. Dvorak's furiant is based on two dance melodies, one energetic and one more tender. The "Trio" (middle section) is in a slower tempo but its theme is derived from the energetic theme heard earlier. The recapitulation of the "Scherzo" is much abbreviated.
The last movement has the inflection of another folk dance, the polka, embedded in a rondo scheme with lyrical episodes and a lively fugato (a section with contrapuntal imitation). The movement has a coda where the motion momentarily slows down only to pick up again and end on an exuberant note.
Program notes by Peter Laki.
Andreas Haefliger, sought after for his musicality, command of the piano and the finesse with which he shapes a musical line, thrills audiences and critics alike in con?certs with orchestras, recitals and chamber music in North America, Europe and Asia. Mr. Haefliger began the 20002001 sea?son in his New York Philharmonic debut playing Messiaen's Turangalila at the Lincoln Center Festival. He previously essayed the work last spring with the Minnesota Orchestra, with whom he plays again this season in New York at Carnegie Hall and in Minneapolis. Additional engagements
include Beethoven's Piano Concerto No. 3 in a special gala with the Rochester Philharmonic, David Zinman conducting; Mozart K. 503 with the National Symphony Orchestra at the Kennedy Center under Christopher Hogwood and recitals in Boston, Quebec, San Francisco, Vienna, Berlin and London. With the Bamberger Symphony in Germany, Mr. Haefliger plays Beethoven's Piano Concerto No. 1; Mozart K. 491 with the Philharmonisches Staatsorchester Halle; Beethoven's Piano Concerto No. 2 with the London Philharmonic, under Ingo Metzmacher; Beethoven No. 1 with the Gewandhausorchester in Leipzig and the Grieg Piano Concerto with the Danish Radio Symphony Orchestra, Marek Janowski, con?ducting. Mr. Haefliger also plays chamber music on a US tour with the Takacs String Quartet.
Highlights of the 19992000 season included concerts with the Baltimore Symphony, New World Symphony, Minnesota Orchestra, Los Angeles Philharmonic and Milwaukee Symphony. In Europe he appeared with the Royal Stockholm Philharmonic, the Tonhalle Zurich Orchester, the London Symphony
Orchestra, Hamburg Philharmonic and the Royal Concertgebouw Orchestra in Amsterdam. He presented recitals in England, including Wigmore Hall and in Germany, France, Austria and in Tokyo, Japan played Bartok's Concerto No. 3 with the NHK Symphony led by Charles Dutoit. In the summer of 1999 Mr. Haefliger played with the Scottish Chamber Orchestra at the Barbican in London, with the Chicago Symphony in a re-engagement at the Ravinia Festival and with the Montreal Symphony at the Festival International de Lanaudiere in Quebec under Charles Dutoit. He played Beethoven's Piano Concerto No. 2 with the Los Angles Philharmonic at the Hollywood Bowl, per?formed at the Mostly Mozart Festival in New York and toured England and Spain with the Philharmonia of London.
Other highlights have included Andreas Haefliger's New York Carnegie Hall debut (in the 199899 season); performances with baritone Matthias Goerne in Lisbon, Brussels and in London's Wigmore Hall, where, in his own series, Mr. Haefliger played lieder and chamber music with vari?ous guests. In a three-week series of all-Beethoven programs with the Minnesota Orchestra, he played the complete piano concerti, the Triple Concerto and the Choral Fantasy, Eiji Oue conducting. Mr. Haefliger is a frequent guest of the leading sym?phonies and has concertized with the BBC Symphony Orchestra, the Philharmonie Hamburg in Germany, the Cleveland Orchestra, Indianapolis Symphony, Detroit Symphony, San Francisco Symphony, Atlanta Symphony, Toronto Symphony, the Tonhalle Orchestra in Zurich, the Rotterdam Philharmonic and the Norddeutscher Rundfunk of Hannover.
A prolific recitalist, Mr. Haefliger per?forms regularly in the major music capitals of the world. In recital he has collaborated with several artists which have including Matthias Goerne, flutist Marina Piccinini and his father, tenor Ernst Haefliger, with whom Andreas Haefliger performed Schubert's Winterreise at the Metropolitan Museum of Art in New York as well as in London and Milan in recent seasons.
In addition to his activities as soloist, Mr. Haefliger performs in chamber music concerts and has also appeared at festivals in Lucerne, Davos, Lausanne, Tivoli (Copenhagen), Khumo, Vancouver, Tanglewood, Caramoor and in Newport, Rhode Island.
A native of Switzerland, Andreas Haefliger has been steeped in music since childhood, growing up in a musical house?hold. By the time he was fifteen he had lived in several European capitals; subsequently he chose to reside in New York City, after completing studies at The Julliard School where he was twice awarded the Gina Bachauer Memorial Scholarship. He made his London Proms debut in 1994 with the Philharmonia Orchestra and his London recital debut at the Wigmore Hall in 1993, for which he was immediately re-engaged. In 1988, Mr. Haefliger made his New York recital debut at the 92nd Street Y, as well as his debuts in Tokyo and Berlin.
He has recorded works by Schumann, Schubert, Mozart and Sofia Gubaidulina (Sony Classical), a disc of Schubert Heder with Matthias Goerne, and Schubert's "Trout" Quintet and Dvorak's Piano Quintet with the Takacs String Quartet (both for LondonDecca).
Tonight's performance marks Andreas Haefliger's second appearance under UMS auspices.
The Takacs Quartet is recognized as one of the world's greatest string quartets. Since its formation in 1975, the ensemble has appeared regularly in every major music capital and prestigious festival. The quartet is based in Boulder, Colorado, where it has held a Residency at the University of Colorado since 1983. The Takacs is a Resident Quartet at the Aspen Festival and
its members are also Visiting Fellows at the Guildhall School of Music and Drama in London.
The Takacs Quartet's recording of the Bartok cycle received the Gramophone "Chamber Music Recording of the Year" award for 1998, and in 1999, it was nomi?nated for a Grammy. Its subsequent record?ing release for DeccaLondon, with which it signed an exclusive recording contract in 1988, includes the Schubert "Trout" Quintet with Andreas Haefliger on piano (Grammy nominee, 2000); and DeccaLondon released the ensemble's latest recording featuring
Dvorak's String Quartet, Op. 51 and his Piano Quintet, Op. 81, also with Mr. Haefliger. The Takacs Quartet's discography ranges from Schubert's Quartet in G Major and his "Notturno" to quartets by Smetana and Borodin; Haydn's Op. 76, 77 and 103 quartets; the three Brahms quartets and Piano Quintet in f minor with Andras Schiff; Chausson's Concerto for Violin, Piano, and String Quartet with Joshua Bell and Jean-
Yves Thibaudet; Mozart's String Quintets, K. 515 and 516 with Gyorgy Pauk; and Schubert's Quartettsatz, Rosamunde, and Death and the Maiden.
During the 20002001 sea?son, the Takacs Quartet per?forms over forty concerts in the US, tours extensively in Europe, and returns to Australia and Japan. The ensemble opened the Mostly Mozart Festival's 1998 Haydn Quartet Cycle with five concerts in New York City's Alice Tully Hall, per?formed again for the 1999 Festival in Avery Fisher Hall, and returned in 2000, with pianist Garrick Ohlsson. Other season highlights
include concerts with pianist Andreas Haefliger at UC Berkeley, UCLA, University Musical Society of the University of Michigan, Krannert Center, and La Jolla, concerts at the Schleswig-Holstein and Cheltenham Festivals, a Toronto concert with pianist Louis Lortie, Bartok cycles in Tokyo, Kansas City, and at Middlebury College, and a Beethoven cycle in Sydney, Australia. Other worldwide 20002001 tour cities include Washington, Princeton, Chicago, London, Geneva, Heidelburg, Bayreuth, Brussels, Rotterdam, The Hague, Amsterdam, Osaka, Melbourne, Perth,
Adelaide, St. Louis, Portland, Miami, Cincinnati, Cleveland, and Montreal. The Takacs will also be featured at the 2001 Cliburn Competition.
Recent Takacs seasons have included Bartok cycles in London, Madrid and Seville; Schubert cycles in London, Lisbon, Utrecht and Spain; and a Brahms cycle in London. The ensemble has performed Beethoven cycles in Paris, London, Zurich, Sydney, New York (1990-91), at Middlebury College (1998-99), and numerous concerts surrounding the Mozart anniversary year in 1991. During the summer of 1993, the Takacs gave a cycle of three concerts at the Salzburg Festival featuring the quartets of Bartok and Brahms. Important American engagements have included the quartet's 1989 Lincoln Center debut on the Great Performers series and a six-concert Haydn Festival in 1991 at the Metropolitan Museum in New York with pianist Andras Schiff (repeated in London's Wigmore Hall). The quartet made its Carnegie Hall debut in 1992.
The Takacs Quartet was formed by Gabor Takacs-Nagy, Karoly Schranz, Gabor Ormai and Andras Fejer in 1975, while all four were students at Budapest's Liszt Academy. It first received international attention in 1977, winning First Prize and the Critics' Prize at the International String Quartet Competition in Evian, France. Thereafter, the Takacs won the Gold Medal at the 1978 Portsmouth and Bordeaux Competitions and First Prizes at the Budapest International String Quartet Competition (1978) and the Bratislava Competition (1981). The quartet made its North American debut tour in 1982.
Tonight's performance marks the Takacs Quartet's third appearance under UMS auspices.
experience
THE 20002001 UMS SEASON
All educational activities are free and open to the public unless otherwise noted ($). Many events with artists are yet to be planned--please call the UMS Education Office at 734.647.6712 or the UMS Box Office at 734.764. 2538 for more informa?tion. Activities are also posted on the UMS website at www.ums.org.
The second half of the educational season will be published in the winter program book.
Keith Jarrett, piano Gary Peacock, bass Jack DeJohnette, drums
Saturday, September 23, 8 p.m. Hill Auditorium PREP by Michael Jewett, Program Host, WEMU. Saturday, September 23, 7:00 p.m., Michigan League, 2nd Floor, Henderson Room. Sponsored by National City. Presented with additional support from JazzNet, a program of the Nonprofit Finance Fund, funded by the Doris Duke Charitable Foundation and the National Endowment for the Arts. Media sponsors WEMU and WDET.
Itzhak Perlman, violin Rohan De Silva, piano
Sunday, September 24, 4 p.m. Hill Auditorium PREP "Jascha Heifetz' Vilna: the 'Jerusalem of Lithuania' Yesterday and Today" by Zvi Gitelman, Director, Jean & Samuel Frankel Center for Judaic Studies. Sunday, September 24,2:30-3:30 p.m., Michigan League, 2nd Floor, Hussey Room.
;; collaboration with the Center for Russian and Eastern European Studies. Sponsored by Pfizer. Media sponsor WGTE.
Opening Night Cabaret: Puttin' On The Ritz Mary Cleere Haran, cabaret singer
with
Richard Rodney Bennett, piano
Line Milliman, bass
Sunday, September 24, 6:30 p.m.
(following Perlman recital)
Michigan League Ballroom
Sponsored by Pfizer.
Bulgarian Women's Choir: Angelite
Gregory Petkov, conductor Thursday, October 5, 8 p.m. St. Francis of Assisi Catholic Church
PREP by Inna Nardoditskaya, Lecturer, U-M Flint Music Department. Thursday, October 5,7 p.m., St. Francis of Assisi Parish Activity Center. Presented with the generous support of Kathleen G. Charla.
Takacs Quartet and Andreas Haefliger, piano
Friday, October 6, 8 p.m. Rackham Auditorium Sponsored by Edward Surovell Realtors.
Iceland Symphony Orchestra
Rico Saccani, music director Judith Ingolfsson, violin Thursday, October 12, 8 p.m. Hill Auditorium Co-sponsored by O'Neal Construction and Elastizell Corporation of America. Media sponsor WGTE.
Gate Theatre of Dublin
Michael Colgan, artistic director
Waiting for Godot
by Samuel Beckett
Directed by Walter Asmus
Friday, October 13, 8 p.m.
Saturday, October 14, 8 p.m.
Power Center
Meet the Artist Post-performance
dialogue from the stage. Friday,
October 13.
Panel Discussion "Beckett and the
Irish Theater" with members of the
Gate Theatre of Dublin. Led by Enoch
Brater, U-M Professor of Theater.
Saturday, October 14, 11-12:30 p.m.,
Trueblood Theater, 2nd Floor, Freize
Building.
Presented with support from Charles
Hall and Pepper Hamilton LLP.
Media sponsor Michigan Radio.
Gate Theatre of Dublin Krapp's Last Tape
by Samuel Beckett Directed by Pat Laffan Saturday, October 14, 2 p.m. Saturday, October 14, 5 p.m. Residential College Auditorium (East Quad)
Presented with support from Charles Hall and Pepper Hamilton LLP. Media sponsor Michigan Radio.
Buena Vista Social Club
presents Omara Portuondo
with special guest
Barbarito Torres, laud
Saturday, October 14, 8 p.m.
Hill Auditorium
Sponsored by the Thomas B. McMullen
Co., Inc.
Presented with support from jazzNet, a
program of the Nonprofit Finance Fund,
funded by the Doris Duke Charitable
Foundation and the National
Endowment for the Arts.
Media sponsors WEMU and WDET.
Jose van Dam, bass-baritone
Maciej Pikulski, piano Friday, October 20, 8 p.m. Lydia Mendelssohn Theatre PREP "Lied vs. Melodie" by Richard LeSueur, Music Specialist, Ann Arbor District Library. Friday, October 20, 7:00-7:30 p.m., Michigan League, Michigan Room (2nd Floor). Media sponsor WGTE.
American Repertory Theater
Robert Brustein, artistic director The King Stag
A Tragicomic Tale for the Theater Directed by Andrei Serban Movement, Costumes, Masks and Puppetry by Julie Taymor Saturday, October 21,2 p.m. (Family Performance) Saturday, October 21,8 p.m. Sunday, October 22, 2 p.m. Sunday, October 22, 7 p.m. Power Center
This is a Heartland Arts Fund Program with major support from the National Endowment for the Arts and Michigan Council for Arts and Cultural Affairs. Media sponsor Michigan Radio.
Bryn Terfel, baritone
Rakefet Hak, piano Wednesday, October 25, 8 p.m. Hill Auditorium Sponsored by Bank One. Media sponsor WGTE.
Misia
Thursday, October 26, 8 p.m. Power Center
Bale Folclorico da Bahia
Friday, October 27, 8 p.m. Saturday, October 28, 2 p.m. (One-Hour Family Performance) Saturday, October 28, 8 p.m. Power Center
Capoeira Master Class by company members of the Bal? Folclorico da Bahia. Saturday, October 27,10:00 a.m.-noon, Peter Sparling Dance Gallery, Main Studio, 111 Third Street, Ann Arbor. Contact Susan Byrnes at 734.747.8885 to register. Panel Discussion "Art, Culture and Performance in Brazil" with members of the company and artistic director Jose Carlos Arandiba led Lucia Suarez, Asst. Professor of Romance Languages and Literature. In collaboration with the U-M Center for Latin American and Caribbean Studies. Friday, October 27,4:00-5:00 p.m., Room 1636,1st Floor, International Institute. Sponsored by Dow Automotive. Presented with support from AAA Michigan.
This is a Heartland Arts Fund Program with major support from the National Endowment for the Arts and Michigan Council for Arts and Cultural Affairs. Media sponsors WEMU and WDET.
Nina Simone
Friday, November 3, 8 p.m.
Hill Auditorium
PREP "Nina Simone: Pure Soul" by
Linda Yohn, Music Program Manager,
WEMU. Friday, November 3,7:00
p.m., Michigan League, Michigan
Room (2nd Floor).
Presented with support from JazzNet, a
program of the Nonprofit Finance Fund,
funded by the Doris Duke Charitable
Foundation and the National
Endowment for the Arts.
Media sponsors WEMU and WDET.
Oumou Sangare with Habib Koite and Bamada
Saturday, November 4, 8 p.m. Michigan Theater Media sponsor WEMU.
Liz Lerman Dance Exchange
Saturday, November 4, 8 p.m. Music Hall Detroit Community Dance Master Class led by Liz Lerman. Free and open to the public. Monday, October 30, 7:00-9:00 p.m., Main Studio, Peter Sparling Dance Gallery. Call 734.747.8885 to RSVP. Presented in collaboration with U-M Arts of Citizenship and Detroit's Music Hall.
Funded in part by the National Dance Project of the New England Foundation for the Arts, with lead funding from the National Endowment for the Arts and the Doris Duke Charitable Foundation. Additional funding provided by the Andrew W. Mellon Foundation and the Philip Morris Companies Inc.
Michigan Chamber Players
Sunday, November 5, 4 p.m. Rackham Auditorium Complimentary Admission
Accentus
Laurence Equilbey, artistic
director
Thursday, November 9, 8 p.m.
St. Francis of Assisi Catholic
Church
PREP by Steven Moore Whiting, U-M
Professor of Musicology. Thursday,
November 9, 7:00 p.m., St. Francis of
Assisi, Parish Activity Center.
Camerata Academica Salzburg
Roger Norrington, conductor
Joshua Bell, violin
Friday, November 10, 8 p.m.
Hill Auditorium
This performance is made possible by
the Catherine S. ArcureHerbert E.
Sloan Endowment Fund.
Media sponsor WGTE.
Herbie Hancock and Wayne Shorter
Saturday, November 11,8 p.m. Michigan Theater Sponsored by Comerica, Inc. Presented with support from JazzNet, a program of the Nonprofit Finance Fund, funded by the Doris Duke Charitable Foundation and the National Endowment for the Arts. Media sponsors WEMU and WDET.
Young Uck Kim, violin Menahem Pressler, piano
Sunday, November 12,4 p.m. Rackham Auditorium
Ravi and Anoushka Shankar
Friday, November 17, 8 p.m. Hill Auditorium Media sponsor WDET.
Handel's Messiah
UMS Choral Union
Ann Arbor Symphony Orchestra
Thomas Sheets, conductor
Saturday, December 2, 8 p.m.
Sunday, December 3, 2 p.m.
Hill Auditorium
Presented with the generous support of
Carl and Isabelle Brauer.
Ute Lemper
Bruno Fontaine, piano Saturday, December 9, 8 p.m. Michigan Theater Presented with the generous support of Ronnie and Sheila Cresswell. Media sponsor WDET.
Rudy Hawkins Singers A Gospel Christmas
Saturday, December 16, 8 p.m. Music Hall Detroit Sponsored by Dow Automotive. This performance is co-presented with The Arts League of Michigan. Media sponsor WEMU.
Pilobolus with
The Klezmatics Saturday, January 6, 2 p.m. (One-Hour Family Performance) Saturday, January 6, 8 p.m. Sunday, January 7, 4 p.m. Power Center Media sponsor WDET.
Moses Hogan Singers
Moses Hogan, conductor
Wednesday, January 10, 8 p.m.
St. Francis of Assisi Catholic
Church
Media sponsor WEMU.
Vermeer Quartet
Saturday, January 13, 8 p.m. Rackham Auditorium
Mingus Big Band Blues and Politics
with Kevin Mahogany, vocals
Monday, January 15, 8 p.m.
Hill Auditorium
Sponsored by the Detroit Edison
Foundation.
Presented with support from JazzNet, a
program of the Nonprofit Finance Fund,
funded by the Doris Duke Charitable
Foundation and the National
Endowment for the Arts.
This performance is co-presented with
the U-M Office of Academic
Multicultural Initiatives.
Media sponsors WEMU and WDET.
Michigan Chamber Players
Sunday, January 21,4 p.m. Rackham Auditorium Complimentary Admission
Alvin Ailey American Dance Theater
Judith Jamison, artistic director with the Rudy Hawkins Singers Wednesday, January 31,8 p.m. Thursday, February 1, 8 p.m. Friday, February 2, 8 p.m. Saturday, February 3, 2 p.m. (One-Hour Family Performance) Saturday, February 3, 8 p.m. Sunday, February 4, 3 p.m. Detroit Opera House Detroit
These performances are co-presented with the Detroit Opera House and The Arts League of Michigan, with addition?al support from the Venture Fund for Cultural Participation of the Community Foundation for Southeastern Michigan. Media sponsor WDET.
Dresden Staatskapelle
Giuseppe Sinopoli, conductor Friday, February 2, 8 p.m. Hill Auditorium Media sponsor WGTE.
Brentano String Quartet
Sunday, February 4,4 p.m. Rackham Auditorium Presented in partnership with the Chamber Music Society of Detroit.
Hubbard Street Dance Chicago
James F. Vincent, artistic director
Friday, February 9, 8 p.m.
Saturday, February 10, 8 p.m.
Power Center
Presented with the generous support of
Susan B. Ullrich.
Media sponsor WDET.
Dubravka Tomsic, piano
Sunday, February 11,4 p.m.
Hill Auditorium
This performance is made possible by
the H. Gardner Ackley Endowment
Fund, established by Bonnie Ackley in
memory of her husband.
Media sponsor WGTE.
Dairakudakan Kaiin No Uma
(Sea-Dappled Horse) Akaji Maro, artistic director Wednesday, February 14, 8 p.m. Power Center
Swedish Radio Symphony Orchestra and Choir
Manfred Honeck, conductor Marina Mescheriakova, soprano Nadja Michael, mezzo-soprano Marco Berti, tenor John Relyea, bass-baritone Friday, February 16, 8 p.m. Hill Auditorium Sponsored by KcyBank. Media sponsor WGTE.
Swedish Radio Choir and Eric Ericson Chamber Choir
Eric Ericson, conductor
Saturday, February 17, 8 p.m.
St. Francis of Assisi Catholic
Church
Presented with the generous support of
Kathleen G. Charla.
Manuel Barrueco, guitar
Sunday, February 18, 4 p.m. Rackham Auditorium
Ballet Preljocaj Paysage apres la Bataille
Angelin Preljocaj, artistic director Wednesday, February 21,8 p.m. Power Center
Texaco Sphinx Competition Concerts
Junior Division Honors Concert Friday, February 23, 1 p.m. Hill Auditorium Complimentary Admission
Senior Division Finals Concert Sunday, February 25, 3 p.m. Orchestra Hall Detroit The Sphinx Competition is generously presented by the Texaco Foundation.
Prague Chamber Orchestra with the Beaux Arts Trio
Wednesday, March 7, 8 p.m. Hill Auditorium Sponsored by CFl Group, Inc. Media sponsor WGTE.
Royal Shakespeare Company Shakespeare's History Cycle Henry VI, Parts I, II and III Richard III
Directed by Michael Boyd
Cycle 1: Saturday, March 10 &
Sunday, March 11
Cycle 2: Saturday, March 17 &
Sunday, March 18
Added Cycle!
Cycle 3: Tuesday, March 13-
Thursday, March 15
Power Center
The Royal Shakespeare Company is a
co-presentation of the University
Musical Society and the University of
Michigan.
Media sponsor Michigan Radio.
Les Violons du Roy
Bernard Labadie, conductor David Daniels, countertenor Thursday, March 22, 8 p.m. St. Francis of Assisi Catholic Church
Presented with the generous support of Maurice and Linda Binkow. Media sponsor WGTE.
Academy of St. Martin-in-the-Fields
Murray Perahia, conductor
and piano
Saturday, March 24, 8 p.m.
Hill Auditorium
Sponsored by Pfizer.
Media sponsor WGTE.
Chamber Music Society of Lincoln Center
David Shifrin, artistic director Heidi Grant Murphy, soprano Ida Kavafian, violin Heidi Lehwalder, harp Paul Neubauer, viola Fred Sherry, cello Ransom Wilson, flute with cellists from the U-M School of Music Wednesday, March 28, 8 p.m. Lydia Mendelssohn Theatre Media sponsor WGTE.
Brass Band of Battle Creek
Friday, March 30, 8 p.m. Hill Auditorium Sponsored by Ideation.
Ronald K. BrownEvidence
Ronald K. Brown, artistic director Saturday, March 31,8 p.m. Power Center
Funded in part by the National Dance Project of the New England Foundation for the Arts, with lead funding from the National Endowment for the Arts and the Doris Duke Charitable Foundation. Additional funding provided by the Andrew W. Mellon Foundation and the
Philip Morris Companies Inc. Media sponsor WEMU.
Orion String Quartet and Peter Serkin, piano
Sunday, April 1, 4 p.m. Rackham Auditorium Presented with the generous support of Ami and Prue Rosenthal.
Royal Concertgebouw Orchestra of Amsterdam
Riccardo Chailly, conductor Matthias Goerne, baritone Wednesday, April 4, 8 p.m. Hill Auditorium Sponsored by Forest Health Services. Media sponsor WGTE.
Emerson String Quartet
Friday, April 6, 8 p.m. Rackham Auditorium Sponsored by Bank of Ann Arbor.
John Relyea, bass-baritone
Warren Jones, piano Saturday, April 14, 8 p.m. Lydia Mendelssohn Theatre Sponsored by Miller, Canfield, Paddock and Stone, P.LC. Media sponsor WGTE.
Mark Morris Dance Group
Mark Morris, artistic director Friday, April 20, 8 p.m. Saturday, April 21,8 p.m. Power Center
Sponsored by McKinley Associates, Inc., and The Shiffman Foundation, Sigrid Christiansen and Richard Levey. Funded in part by the National Dance Project of the New England Foundation for the Arts, with lead funding from the National Endowment for the Arts and the Doris Duke Charitable Foundation. Additional funding provided by the Andrew W. Mellon Foundation and the Philip Morris Companies Inc.
Berlioz' Requiem
UMS Choral Union
Greater Lansing Symphony
Orchestra
U-M School of Music
Symphony Band
Thomas Sheets, conductor
Sunday, April 22, 4 p.m.
Hill Auditorium
Sponsored by Jim and Millie Irwin.
UMS Co-Commission & World Premiire Curse of the Gold: Myths from the Icelandic Edda
Conceived and directed by
Benjamin Bagby and Ping
Chong
Performed by Sequentia in
association with Ping Chong
and Company
Wednesday, April 25, 8 p.m.
Thursday, April 26, 8 p.m.
Lydia Mendelssohn Theatre
Presented with the generous support of
Robert and Pearson Macek.
Presented in collaboration with the U-M
Institute for the Humanities.
Media sponsor Michigan Radio.
The Ford Honors Program is made possi?ble by a generous grant from the Ford Motor Company Fund and benefits the UMS Education Program. Each year, UMS
honors a world-renowned artist or ensemble with whom we have maintained a long-standing and significant relationship. In one evening, UMS pays tribute to and presents the artist with the UMS Distinguished Artist Award, and hosts a dinner and party in the artist's honor. Van Cliburn was the first artist so honored, with subsequent honorees being Jessye
Norman, Garrick Ohlsson, The Canadian Brass, and Isaac Stern (left).
This season's Ford Honors Program will be held in early May. The recipient of the 2001
UMS Distinguished Artist Award will be announced in January 2001.
Ford Honors Program Honorees
1996
Van
Cliburn
1997
Jessye Norman
1998 Garrick Ohlsson
1999 The
Canadian Brass
2000
Isaac Stern
EDUCATION & AUDIENCE DEVELOPMENT
In the past several seasons, UMS' Education and Audience Development program has grown significantly. With a goal of deepening the understanding of the importance of the live performing arts and the major impact the arts can have in the community, UMS now seeks out active and dynamic collabora?tions and partnerships to reach into the many diverse communities it serves.
Family Performances
For many years, UMS has been committed to providing the opportunity for families to enjoy the arts together.
This season's Family Performances include:
? American Repertory Theater: The King Stag
? Bale Folclorico da Bahia
? Pilobolus
? Alvin Ailey American Dance Theater
Specially designed for family participation that creates an environment where both chil?dren and adults can learn together, the UMS Family Performances are a great way to spend quality time with your children.
Master of Arts Interview Series
Now entering its fifth year, this series is an opportunity to showcase and engage the cho?reographers in academic, yet informal, dia?logues about their art form, their body of work and their upcoming performances.
This year's series includes interviews with several UMS artists, including Menahem Pressler and others to be announced.
PREPs (Performance-Related Educational Presentations)
This series of pre-performance presentations features talks, demonstrations and workshops designed to provide context and insight into the performance. All PREPs are free and open to the public and usually begin one hour before curtain time.
Meet the Artists: Post-Performance Dialogues
The Meet the Artist Series provides a special opportunity for patrons who attend perform?ances to gain additional understanding about the artist, the performance they've just seen and the artistic process. Each Meet the Artist event occurs immediately after the perform?ance, and the question-and-answer session takes place from the stage.
Artist Residency Activities
UMS residencies cover a diverse spectrum of artistic interaction, providing more insight and greater contact with the artists. Residency activities include interviews, open rehearsals, lecturedemonstrations, in-class visits, master classes, participatory work?shops, clinics, visiting scholars, seminars, community projects, symposia, panel discus?sions, art installations and exhibits. Most activities are free and open to the public and occur around the date of the artist's perform?ance.
Major residencies for the 20002001 season are with:
? Gate Theater of Dublin
Bale Folclorico da Bahia
? Liz Lerman Dance Exchange
Alvin Ailey American Dance Theater
? Royal Shakespeare Company
? Ping ChongBenjamin Bagby
ATTENTION TEACH E AND EDUCATORS
-
Youth Performances
These performances are hour-long or full length, specially designed, teacherand stu?dent-friendly live matinee performances.
The 20002001 Youth Performance Series includes:
American Repertory Theater: The King Stag
? Bale Folclorico da Bahia
Anoushka Shankar & Ensemble
? Mingus Big Band: Blues and Politics
Alvin Ailey American Dance Theater
Hubbard Street Dance Chicago
Royal Shakespeare Company: Richard III
? Ronald BrownEvidence
Teachers who wish to be added to the youth performance mailing list should call 734.615. 0122 or e-mail.umsyouth@umich.edu.
The Youth Education Program is sponsored by
NATIONAL
ENDOWMENT
I UROJ III!
ARTS

COMMUNITY IOUHDADOM
Teacher Workshop Series
This series of workshops for all K-12 teachers is a part of UMS' efforts to provide school?teachers with professional development oppor?tunities and to encourage ongoing efforts to incorporate the arts in the curriculum.
This year's Kennedy Center Workshops are:
? "Autobiography and Biography: Exploring
Point of View through Dance"
"Responding to Visual Art Through
Movement"
? "Songs of the Underground Railroad"
"The Drama of Shakespeare"
Workshops focusing on the UMS youth per?formances are:
? "Indian Music in the Classroom"
? "African American Modern Dance
in the Classroom"
For information and registration, please call 734.615.0122.
The Kennedy Center Partnership
The University Musical Society and Ann Arbor Public Schools are members of the Performing Arts Centers and Schools: Partners in Education Program of the John F. Kennedy Center for the Performing Arts. Selected because of its demonstrated com?mitment to the improvement of education in and through the arts, the partnership team participates in collaborative efforts to make the arts integral to education and creates a multitude of professional development opportunities for teachers and educators.
Special Discounts for Teachers and Students to Public Performances
UMS offers special discounts to school groups attending our world-class evening and weekend performances. Please call the Group Sales hotline at 734.763.3100 for more infor?mation about discounts for student and youth groups.
DINING EXPERIENCES
UMS Camerata Dinners
Now entering their fifth season, Camerata Dinners are a delicious and convenient beginning to your UMS concert evening. Our dinner buffet is open from 6:00 to 7:30 p.m., offering you the perfect opportunity to arrive early, park with ease, and dine in a relaxed setting with friends and fellow patrons. Catered this year by the very popular Food Art, our Camerata Dinners will be held prior to the Choral Union Series performances list?ed below. All dinners will be held in the Alumni Center with the exception of the din?ners on October 12 and November 10, which will be held in the Dow Laboratory Atrium. Dinner is $35 per person. UMS members at the Benefactor level ($500) and above are entitled to a discounted dinner price of $30 per person. All members receive reservation priority. Please reserve in advance by calling 734.647.8009.
We are grateful to Sesi Lincoln Mercury for their support of these special dinners.
Thursday, October 12
Iceland Symphony Orchestra
? Wednesday, October 25
Bryn Terfel
Friday, November 10
Camerata Academica Salzburg
Friday, February 2
Dresden Staatskapelle
Friday, February 16
Swedish Radio Symphony Orchestra and Choir
Wednesday, March 7
Prague Chamber Orchestra
? Saturday, March 24
Academy of St. Martin-in-the-Fields
Wednesday, April 4
Royal Concertgebouw Orchestra of Amsterdam ('Denotes dinners held in the Dow Laboratory Atrium)
BRAVO!
UMS is proud to present BRAVO!, a cookbook with recipes, legends, and lore honoring 120 years of the University Musical Society. Proceeds from sales of the book benefit UMS' nationally-acclaimed performance presentations and its innovative education and outreach programs. Copies are available for sale in the lobby (after select performances), or may be ordered through the UMS website (www.ums.org) or by calling toll-free 877.238.0503.
RESTAURANT & LODGING PACKAGES
Celebrate in style with dinner and a show or stay overnight and relax in luxurious comfort! A delectable meal followed by prior?ity, reserved seating at a performance by world-class artists sets the stage for a truly elegant evening--add luxury accommoda?tions to the package and make it a perfect get-a-way. UMS is pleased to announce its cooperative ventures with the following local establishments:
The Artful Lodger Bed & Breakfast
1547 Washtenaw Avenue Call 734.769.0653 for reservations Join Ann Arbor's most theatrical host and hostess, Fred & Edith Leavis Bookstein, for a weekend in their massive stone house built in the mid-1800s for U-M President Henry Simmons Frieze. This historic house, located just minutes from the performance halls, has been comfortably restored and furnished with contemporary art and performance memorabilia. The Bed & Breakfast for Music and Theater Lovers!
The Bell Tower Hotel & Escoffier Restaurant 300 South Thayer
734.769.3010 for reservations and prices Fine dining and elegant accommodations, along with priority seating to see some of the world's most distinguished performing artists, add up to a perfect overnight holiday. Reserve space now for a European-style guest room within walking distance of the per?formance halls and downtown shopping, a special performance dinner menu at the Escoffier restaurant located within the Bell Tower Hotel, and priority reserved "A" seats to the show. All events are at 8 p.m. with din?ner prior to the performance.
Package includes valet parking at the hotel, overnight accommodations in a European-
style guest room, a continental breakfast, pre-show dinner reservations at Escoffier restaurant in the Bell Tower Hotel, and two performance tickets with preferred seating reservations.
Packages are available for select perform?ances. Call 734.763.3010 for details.
Gratzi Restaurant 326 South Main Street 734.663.5555 for reservations and prices Pre-performance Dinner Package includes guaranteed reservations for a preor post-performance dinner (any selection from the special package menu plus a non-alcoholic beverage) and reserved "A" seats on the main floor at the performance. Packages are available for select perform?ances. Call 734.763.5555 for details.
UMS PREFERRED RESTAURANT P R 0 G R A f
Visit and enjoy these fine area restaurants. Join us in thanking them for their gener?ous support of UMS.
Bella Ciao Trattoria
118 West Liberty 734.995.2107 Known for discreet dining with an air of casual elegance, providing simple and elabo?rate regional Italian dishes for you and your guests' pleasure. Reservations accepted.
Cafe Marie
1759 Plymouth Road 734.662.2272 Distinct and delicious breakfast and lunch dishes, creative weekly specials. Fresh-squeezed juice and captivating cappuccinos! A sunny, casual, smoke-free atmosphere. Take out available.
The Chop House
322 South Main Street 888.456.DINE Ann Arbor's newest taste temptation. An elite American Chop House featuring U.S.D.A. prime beef, the finest in Midwestern grain-
fed meat, and exceptional premium wines in a refined, elegant setting. Open nightly, call for reservations.
The Original Cottage Inn
512 East William 734.663.3379 An Ann Arbor tradition for more than fifty years. Featuring Ann Arbor's favorite pizza, a full Italian menu, banquet facilities and cater?ing services.
D'Amato's Neighborhood Restaurant
102 South First Street 734.623.7400 World class Italian cuisine and thirty-five wines by the glass in sleek atmosphere. Entrees changed daily, private meeting area. Rated 'four stars' by the Detroit Free Press. Lunch weekdays, dinner every night. Reservations welcome.
Gandy Dancer
401 Depot Street 734.769.0592 Located in the historic 1886 railroad depot. Specializing in fresh seafood. Lunches Monday-Friday 11:30-3:30. Dinners Monday-Saturday 4:30-10:00, Sunday 3:30-9:00. Award-winning Sunday brunch 10:00-2:00. Reservations recommended.
Gratzi
326 South Main Street 888.456.DINE Celebrated, award-winning Italian cuisine served with flair and excitement. Sidewalk and balcony seating. Open for lunch and dinner. Reservations accepted.
The Kerrytown Bistro
At the corner of Fourth Avenue and Kingsley in Kerrytown 734.994.6424 The Kerrytown Bistro specializes in fine French Provincial inspired cuisine, excellent wines and gracious service in a relaxed, intimate atmosphere. Hours vary, reservations accepted.
La Dolce Vita
322 South Main Street 734.669.9977 Offering the finest in after dinner pleasures. Indulge in the delightful sophistication of gourmet desserts, fancy pastries, cheeses, fine wines, ports, sherries, martinis, rare scotches,
hand-rolled cigars and much more. Open nightly.
The Moveable Feast
326 West Liberty 734.663.3278 Located just west of Main Street in the restored Brehm estate. Fine American cuisine with a global fare. Full service catering, bakery, wedding cakes.
Palio
347 South Main Street 888.456.DINE Zestful country Italian cooking, fresh flavors inspired daily. Featuring the best rooftop seating in town. Open for dinner nightly. Reservations accepted, large group space available.
Real Seafood Company
341 South Main Street 888.456.DINE As close to the world's oceans as your taste can travel. Serving delightfully fresh seafood and much more. Open for lunch and dinner. Reservations accepted.
Red Hawk Bar & Grill
316 South State Street 734.994.4004 Neighborhood bar & grill in campus historic district, specializing in creative treatments of traditional favorites. Full bar, with a dozen beers on tap. Lunch and dinner daily. Weekly specials. Smoke-free. No reservations.
Seva
314 East Liberty 734.662.1111 Providing fresh, imaginative vegetarian cui?sine since 1973. All dishes, including desserts, are made in-house daily. Be sure to look over our extensive beverage menu.
Sweet Lorraine's Cafe and Bar
303 Detroit Street 734.665.0700 Modern American cooking, daily eclectic spe?cials, seafood, pasta & steaks. Full bar, wines by-the-glass, and courtyard dining. Open 7 days at 11:00 a.m., weekend brunch. Meetings, banquets, and parties easily accommodated. Coming soon: live entertainment and other exciting surprises.
Weber's Restaurant
3050 Jackson Avenue 734.665.3636 Great American restaurant since 1937. Featuring prime rib, live lobster, roast duck, cruvinet wine tasting flights, home-made pastries. Award-winning wine list. Ports, cognacs, entertainment nightly.
Zanzibar
216 South State Street 734.994.7777 Contemporary American food with Mediterranean & Asian influences. Full bar featuring classic and neo-classic cocktails, thoughtfully chosen wines and an excellent selection of draft beer. Spectacular desserts. Space for private and semi-private gatherings up to 120. Smoke-free. Reservations encour?aged.
UMS DELICIOUS EXPERIENCES
Back by popular demand, friends of UMS are offering a unique donation by hosting a variety of dining events. Thanks to the generosity of the hosts, all proceeds go directly to support UMS' educational and artistic programs. Treat yourself, give a gift of tickets, or come alone and meet new people! Call 734.936.6837 to receive a brochure or for more information.
UMSsupport
UMS Volunteers are an integral part of the success of our organi?zation. There are many areas in which volunteers can lend their expertise and enthusiasm. We would like to welcome you to the UMS family and involve you in our exciting programming and activities. We rely on volunteers for a vast array of activities, including staffing the edu?cation residency activities, assisting in artist services and mailings, escorting students for our popular youth performances and a host of other projects. Call 734.936.6837 to request more information.
@@@@ADVISORY COMMITTEE
Now fifty-three members strong, the UMS Advisory Committee serves an integral function within the organization, supporting UMS with a volunteer corps and contribut?ing to its fundraising efforts. Through the Delicious Experiences series, Season Opening Dinner, and the Ford Honors Program gala, the Advisory Committee has pledged to donate $300,000 to UMS this season. Additionally, the Committee's hard work is in evidence at local bookstores with BRAVO!, a cookbook that traces the history of UMS through its first 120 years, with recipes submitted by artists who have performed under our aus?pices. If you would like to become involved
with this dynamic group, call 734.936.6837 for more information.
The Advisory Committee also seeks people to help with activities such as escorting students at our popular youth performances, assisting with mailings, and setting up for special events. Please call 734.936.6837 if you would like to volunteer for a project.
SPONSORSHIP & ADVERTISING
Advertising in the UMS program book or sponsoring UMS performances enables you to reach 130,000 of southeastern Michigan's most loyal concertgoers.
Advertising
When you advertise in the UMS program book you gain season-long visibility, while enabling an important tradition of providing audiences with the detailed program notes, artist biographies, and program descriptions that are so important to performance experi?ences. Call 734.647.4020 to learn how your business can benefit from advertising in the UMS program book.
Sponsorship
As a UMS corporate sponsor, your organiza?tion comes to the attention of an educated, diverse and growing segment of not only Ann Arbor, but all of southeastern Michigan. You make possible one of our community's cultural treasures, and also receive numerous
benefits from your investment. For example, UMS offers you a range of programs that, depending on your level of support, provide a unique venue for:
Enhancing corporate image
? Cultivating clients
? Developing business-to-business relationships
Targeting messages to specific demographic groups
? Making highly visible links with arts and education programs
? Recognizing employees
Showing appreciation for loyal customers
For more information, please call 734.647.1176.
INTERNSHIPS
Internships with UMS provide experience in performing arts administration, mar?keting, publicity, promotion, production and arts education. Semesterand year-long internships are available in many of UMS' departments. For more information, please call 734.764.9187.
COLLEGE WORK-STUDY
Students working for UMS as part of the College Work-Study program gain valu?able experience in all facets of arts manage?ment including concert promotion and marketing, fundraising, event planning and production. If you are a University of Michigan student who receives work-study financial aid and who is interested in working at UMS, please call 734.764.9187.
USHERS
Without the dedicated service of UMS' Usher Corps, our events would not run as smoothly as they do. Ushers serve the essential functions of assisting patrons with seating, distributing program books and pro?viding that personal touch which sets UMS events above others.
The UMS Usher Corps comprises over 300 individuals who volunteer their time to make your concert going experience more pleasant and efficient. The all-volunteer group attends an orientation and training session each fall. Ushers are responsible for working at every UMS performance in a specific hall (Hill, Power Center, or Rackham) for the entire concert season.
If you would like information about becoming a UMS volunteer usher, call the UMS usher hotline at 734.913.9696.
MEMBERSHIP
Great performances--the best in music, theater and dance--are presented by the University Musical Society because of the much-needed and appreciated gifts of UMS supporters, members of the Society. MThe list below represents names of current donors as of July 25, 2000. If there has been an error or omission, we apologize and would appreciate a call at 734.647.1178 so that we can correct this right away. f UMS would also like to thank those generous donors who wish to remain anonymous.
SOLOISTS
Individuals
Mrs. Gardner Ackley Carl and Isabelle Brauer Dr. Kathleen G. Charla Dr. and Mrs. James Irwin Charlotte McGeoch Randall and Mary Pittman Herbert Sloan and several anonymous donors
Businesses
Aetna Corporation
Bank One, Michigan
DaimlerChrysler
Ford Motor Company Fund
Forest Health Services
Corporation
Hudson's Project Imagine Office of the Provost,
University of Michigan Pfizer Global Research and
Development; Ann Arbor
Laboratories
FoundationsGovernment
Community Foundation for Southeastern Michigan
The Ford Foundation
JazzNetDoris Duke Foundation
Lila Wallace Reader's Digest Audiences for the Performing Network
Lila Wallace Reader's Digest Arts Partners Program
Michigan Council for Arts and Cultural Affairs
National Endowment for the Arts
MAESTROS
Individuals
Herb and Carol Amster
Peter and Jill Corr
Ronnie and Sheila Cresswell
Businesses
Bank of Ann Arbor Brauer Investments Comerica Bank Dow Automotive KeyBank
McKinley Associates Thomas B. McMullen Company
National City Bank Sesi Lincoln Mercury Edward Surovell Realtors Texaco
Wolverine Technical Staffing, Inc.
Foundations
Arts Midwest
Detroit Edison Foundation Elizabeth E. Kennedy Fund Benard L. Maas Foundation Mid-America Arts Alliance New England Foundation for the Arts
VIRTUOSI Individuals
Prudence and Amnon
Rosenthal Edward and Natalie Surovell
Businesses
CFI Group
CONCERTMASTERS Individuals
Maurice and Linda Binkow Douglas D. Crary Ken and Penny Fischer Beverley and Gerson Geltner Charles N. Hall David and Phyllis Herzig F. Bruce Kulp and Ronna Romney David G. Loesel Lawrence and Rebecca Lohr Robert and Pearson Macek Robert and Ann Meredith Joe and Karen Koykka O'Neal Loretta M. Skewes Don and Carol Van Curler Marina and Robert Whitman Ann and Clayton Wilhite Roy Ziegler
Businesses
Ann Arbor Acura AutoCom Associates Butzel Long Attorneys Cafe Marie Consumers Energy Elastizell Corp of America Miller, Canfield, Paddock and
Stone P.L.C. O'Neal Construction Pepper Hamilton LLP Visteon
Foundations
Chamber Music America THE MOSAIC FOUNDATION (of R. & P. Heydon)
LEADERS Individuals
Martha and Bob Ause A. J. and Anne Bartoletto Bradford and Lydia Bates Kathy Benton and Robert Brown
Raymond and Janet Bernreuter Mr. and Mrs. William Brannan Barbara Everitt Bryant Amy and Jim Byrne Edward and Mary Cady Edwin and Judith Carlson Mr. Ralph Conger Katharine and Jon Cosovich Molly and Bill Dobson Jim and Patsy Donahey David Eklund and Jeff Green Mr. and Mrs. Thomas C. Evans John and Esther Floyd James and Anne Ford Otto and Lourdes E. Gago Sue and Carl Gingles Debbie and Norman Herbert Keki and Alice Irani Thomas and Shirley Kauper Judy and Roger Maugh Paul and Ruth McCracken Hattie and Ted McOmber Cruse W. and
Virginia Patton Moss George and Barbara Mrkonic Gilbert Omenn and
Martha Darling John Psarouthakis John and Dot Reed Barbara A. Anderson and
John H. Romani Mabel E. Rugen Don and Judy Dow Rumelhart Carol and Irving Smokier Lois A. Theis Richard E. and
Laura A. Van House Mrs. Francis V. Viola III Marion T. Wirick and
James N. Morgan
Businesses
Alf Studios AAA Michigan Alcan Automotive Products Austin & Warburton Blue Nile Restaurant Dennis A. Dahlmann Inc. Lansstyrelsen Vastra Gotaland Ideation, Inc.
Joseph Curtin Studios Masco Corporation Republic Bank Ann Arbor Scandinavian Airlines System
Foundations
Ann Arbor Area Community
Foundation
The Lebensfeld Foundation Shiffman Foundation Trust
(Richard Levey and Sigrid
Christiansen)
PRINCIPALS
Individuals
Dr. and Mrs. Gerald Abrams
Jim and Barbara Adams
Bernard and Raquel Agranoff
Lloyd and Ted St. Antoine
Lesli and Christopher Ballard
Emily W. Bandera, M.D.
Dr. and Mrs. Robert Bartlett
Karen and Karl Bartscht
Ralph P. Beebe
Ruth Ann and Stuart J. Bergstein
L. S. Berlin
Philip C. Berry
Suzanne A. and Frederick J. Beutler
Joan Akers Binkow
Elizabeth and Giles G. Bole
Lee C. Bollinger and
Jean Magnano Bollinger Howard and Margaret Bond Laurence and Grace Boxer Dale and Nancy Briggs Helen L. Brokaw Jeannine and Robert Buchanan Robert and Victoria Buckler Lawrence and Valerie Bullen Mr. and Mrs. Richard J. Burstein Letitia J. Byrd Betty Byrne
Jim and Priscilla Carlson Jean and Kenneth Casey Janet and Bill Cassebaum Anne Chase
George and Patricia Chatas Don and Betts Chisholm Mr. and Mrs. John Alden Clark David and Pat Clyde Leon and Heidi Cohan Anne and Howard Cooper Mary Cordes and Charleen Price
Principal!, continual
Peter and Susan Darrow Beatrice C. DeRocco Jack and Alice Dobson Elizabeth A. Doman Mr. and Mrs.
John R. Edman Dr. and Mrs.
John A. Faulkner Susan Feagin and
John Brown David and
Jo-Anna Featherman Adrienne and
Robert Z. Feldstein Ray and
Patricia Fitzgerald David C. and
Linda L. Flanigan Bob and Sally Fleming Ilene H. Forsyth Michael and Sara Frank Marilyn G. Gallatin James and Cathie Gibson William and Ruth Gilkey Drs. Sid Gilman and
Carol Barbour Alvia G. Golden and
Carroll Smith-Rosenberg Norm Gottlieb and
Vivian Sosna Gottlieb Dr. Alexander Gotz Victoria Green and
Matthew Toschlog Linda and Richard
Greene Frances Greer David and Pamela
Colburn Haron Taraneh and Carl Haske Anne and Harold Haugh Bertram Herzog Julian and Diane Hoff Janet Woods Hoobler Robert M. and
Joan F. Howe Sun-Chien and
Betty Hsiao John and Patricia
Huntington
Stuart and Maureen Isaac Lennart and
Karin Johansson Elizabeth Judson Johnson Robert L. and
Beatrice H. Kahn Robert and Gloria Kerry
Amy Sheon and
Marvin Krislov Bud and Justine Kulka Barbara and
Michael Kusisto Lenore Lamont Jill Latta and
David S. Bach Mr. and Mrs.
Henry M. Lee Leo and Kathy Legatski Carolyn and Paul Lichter Richard and
Stephanie Lord Dean and Gwen Louis Virginia and
Eric Lundquist John and
Cheryl MacKrell Natalie Matovinovic Margaret W. Maurer Joseph McCune and
Georgiana Sanders Rebecca McGowan and
Michael B. Staebler Dr. H. Dean and
Dolores Millard Andrew and
Candice Mitchell Grant W. Moore Julia S. Morris Eva L. Mueller Mr. and Mrs. Homer Neal Shirley Neuman M. Haskell and Jan
Barney Newman William and
Deanna Newman Marylen and
Harold Oberman Dr. and Mrs.
William J. Oliver Mark and Susan Orringer Elizabeth C. Overberger Mr. and Mrs.
William B. Palmer Dory and John D. Paul John M. Paulson Elaine and Bertram Pitt Eleanor and Peter Pollack Stephen and
Agnes Reading Donald H. Regan and
Elizabeth Axelson Kenneth J. Robinson Mrs. Irving Rose Victor Strecher and
Jeri Rosenberg
Gustave and
Jacqueline Rosseels Dr. Nathaniel H. Rowe Mr. and Mrs.
Charles H. Rubin Maya Savarino Mrs. Richard C. Schneider Rosalie and David
Schottenfeld Dr. John J. H. Schwarz Robert Sears and
Lisa M. Waits Joseph and
Patricia Settimi Janet and
Michael Shatusky Helen and George Siedel J. Barry and
Barbara M. Sloat Tim Sparling and
Lynne Tobin
Steve and Cynny Spencer Gus and Andrea Stager James and Nancy Stanley Mrs. Ralph L Steffek Mr. and Mrs.
John C. Stegeman Sally A. Stegeman Victor and
Marlene Stoeffler Bengt L. and
Elaine M. Swenson James L. and
Ann S. Telfer Dr. Isaac Thomas III &
Dr. Toni Hoover Susan B. Ullrich Jerrold G. Utsler Charlotte Van Curler Mary Vanden Belt Elly Wagner John Wagner Gregory and
Annette Walker Willes and
Kathleen Weber Elise and Jerry Weisbach Robert O. and
Darragh H. Weisman Angela and
Lyndon Welch Roy and JoAn Wetzel Max Wicha and
Sheila Crowley Dr. and Mrs. Clyde Wu Paul and
Elizabeth Yhouse Ed and Signe Young
Gerald B. and
Mary Kay Zelenock
Businesses
Allen & Kwan
Commercial Briarwood Mall
Foundations
J. F. Ervin Foundation Harold and Jean
Grossman Family
Foundation Hudson's Community
Giving
Montague Foundation The Power Foundation
BENEFACTORS Individuals
Robert Ainsworth Dr. and Mrs. Robert G.
Aldrich
Michael and Suzan Alexander Carlene and Peter Aliferis Michael Allemang and
Denise Boulange Dr. and Mrs. Rudi Ansbacher Janet and Arnold Aronoff Max K. Aupperle Gary and Cheryl Balint Norman E. Barnett Mason and Helen Barr Astrid B. Beck and
David Noel Freedman Kathleen Beck Harry and Betty Benford )ohn Blankley and
Maureen Foley lane M. Bloom Ron and Mimi Bogdasarian Charles and Linda Borgsdorf David and Sharon Brooks June and Donald R. Brown Virginia Sory Brown Douglas and
Marilyn Campbell lean W. Campbell Michael and
Patricia Campbell Bruce and lean Carlson Jack and Wendy Carman lames S. Chen lanice A. Clark John and Nancy Clark Edward J. and
Anne M. Comeau Jim and Connie Cook Susan and Arnold Coran Elaine Buxbaum Cousins Clifford and Laura Craig
George and Connie Cress Kathleen I. Crispell and
Thomas S. Porter Mary R. and John G. Curtis Roderick and
Mary Ann Daane James M. Deimen Pauline and Jay J. De Lay Katy and Anthony Derezinski Lloyd and Genie Dethloff Marnce and John DeVine Delia DiPietro and
Jack Wagoner, M.D. Dr. and Mrs.
Stephen W. Director Al Dodds Mr. and Mrs.
Raymond D. Dornbusch Charles and Julia Eisendrath Dr. Alan S. Eiser Stefan S. and Ruth S. Fajans Dr. and Mrs. S.M. Farhat Claudine Farrand and
Daniel Moerman Dede and Oscar Feldman Dr. James F. Filgas Sidney and Jean Fine Clare M. Fingerle Phyllis W. Foster Deborah and
Ronald Freedman Gwyn and Jay Gardner Drs. Steve Geiringer and
Karen Bantel Thomas and
Barbara Gelehrter Beverly Gershowitz Elmer G. Gilbert and
Lois M. Verbrugge Joyce and Fred Ginsberg Paul and Anne Glendon Susie and Gene Goodson Cozette Grabb Dr. and Mrs.
William A. Gracie William and Deborah Gray John and Helen Griffith Leslie and Mary Ellen Guinn Carl E. and Julia H. Guldberg Don P. Haefher and
Cynthia J. Stewart Helen C. Hall
Mr. and Mrs. Elmer F. Hamel Susan Harris Paul Hysen and
Jeanne Harrison Anne Vance Hatcher Karl and Eleanor Hauser Nina E. Hauser Jeannine and Gary Hayden Margaret and
Walter Helmrcich J. Lawrence and
Jacqueline Stearns Henkel Carl and Charlene Herstein Mrs. W.A. Hiltner Mr. and Mrs.
William B. Holmes Bellanina Day Spa
David and Dolores Humes Ronald R. and
Gaye H. Humphrey Eileen and Saul Hymans Wallie and Janet Jeffries Jim and Dale Jerome Ellen C. (ohnson Frank and Sharon Johnson Mercy and Stephen Kasle Herbert Katz
Richard and Sylvia Kaufman Richard L Kennedy Emily and Ted Kennedy Howard King and
Elizabeth Sayre-King Dick and Pat King Hermine R. Klingler Bethany and Bill Klinke Philip and
Kathryn Klintworth Jim and Carolyn Knake Joseph and
M.ii iKmi Kokoszka Samuel and Marilyn Krimm Lee and Teddi Landes David and Maxine Larrouy John K. Lawrence Ted and Wendy Lawrence Laurie and Robert LaZebnik Rosebud Solutions Ann M. Leidy Evie and Allen Lichter Charles and Judy Lucas Brigitte and Paul Maassen Edwin and Catherine Marcus Nancy and Philip Margolis Claude and Marie Martin Irwin and Fran Martin Sally and Bill Martin Marilyn Mason Chandler and
Mary Matthews Elaine J. McFadden Eileen Mclntosh and
Charles Schaldenbrand Richard and
Elizabeth McLeary Ted and Barbara Meadows Dr. Gerlinda Melchiori Walter and Ruth Metzger Valerie Meyer Leo and Sally Miedler Myrna and Newell Miller Lester and Jeanne Monts Melinda and Bob Morris Brian and Jacqueline Morton Cyril and Rona Moscow Hillary Murt and
Bruce A. Friedman Martin Neuliep and
Patricia Pancioli Len and Nancy Niehoff Mrs. Marvin Niehuss Gene Nissen Dr. and Mrs.
Frederick C. O'Dell Mr. and Mrs.
James C. O'Neill
Constance L. and
David W. Osier Mitchel Osman, M.D. William C. Parkinson Shirley and Ara Paul Margaret and Jack Petersen Lorraine B. Phillips William and Betty Pierce Murray and Ina Pitt Stephen and Bettina Pollock Richard H. and
Mary B. Price Mrs. Gardner C. Quarton Mrs. Joseph S. Radom Jeanne Raisler and
Jonathan Allen Cohn Jim and leva Rasmussen Jim and Bonnie Reece Rudolph and Sue Reichert Ray and Ginny Reilly Maria and Rusty Restuccia Arthur J. Rose Dr. Susan M. Rose Mrs. Doris E. Rowan James and
Adrienne Rudolph Ina and Terry Sandalow Sheldon Sandweiss Ronald and Donna Santo Drs. Edward and
Virginia Sayles Peter C. Schaberg and
Norma J. Amrhein Meeyung and
Charles Schmitter Sue Schroeder Julianne and Michael Shea Howard and Aliza Shevrin Dr. and Mrs.
Martin Shinedling Frances U. and
Scott K. Simonds George and
Mary Elizabeth Smith Dr. Elaine R. Soller Cynthia J. Sorensen Mr. and Mrs. Neil J. Sosin Juanita and Joseph Spallina Stephen and Gayle Stewart Wolfgang Stolper Nancy Bielby Sudia Charlotte B. Sundelson Ronna and Kent Talcott Bob and Betsy Teeter Mrs. E. Thurston Thieme Dr. and Mrs.
Merlin C. Townley Joan Lowenstein and
Jonathan Trobe Marilyn Tsao and Steve Gao Dr. Sheryl S. Ulin and
Dr. Lynn T. Schachinger Bryan and Suzette Ungard Jack and
Marilyn van der Velde Kate and Chris Vaughan Sally Wacker Warren Herb Wagner and
Florence S. Wagner
Bruce and Raven Wallace Charles R. and
Barbara H. Wallgren Dana M. Warnez Joyce L. Watson Robin and Harvey Wax Karl and Karen Weick Raoul Weisman and
Ann Friedman Dr. Steven W. Werns Harry C. White and
Esther R. Redmount Clara G. Whiting Brymer Williams ). D. and Joyce Woods Mr. and Mrs. A. C. Wooll David and April Wright Don and Charlotte Wyche
Businesses
The Barfield
CompanyBartech Dupuis & Ryden P.C. Guardian Industries
Corporation Public Sector Consultants,
Inc. Charles Reinhart Company
Realtors Stirling Thermal Motors, Inc.
Foundations
The Sneed Foundation, Inc.
ASSOCIATES Individuals
Anastasios Alexiou
Christine Webb Alvey
Dr. and Mrs. David G. Anderson
David and Katie Andrea
Harlenc and Henry Appclman
Patricia and Bruce Ardcn
Jeff and Deborah Ash
Mr. and Mrs. Arthur). Ashe, III
Mr. and Mrs. Dan E. Atkins HI
lmi.itlun and Marlene Ayers
Robert L. Baird
John R. Bareham
Cy and Anne Barnes
Gail Davis Barnes
Victoria and Robin Baron
Lois and David Baru
Gary Beckman and Karla Taylor
Srirammohan S. and
Shamal Beltangady Linda and Ronald Benson Robert Hunt Berry Sheldon and Barbara Berry Dan and Irene Biber Cathie and Tom Bloem Roger and Polly Bookwaltcr Mr. Joel Brcgman and
Ms. Elaine Pomeranz Allen and Veronica Britton Mrs. A. Joseph Brough Morton B. and Raya Brown
Associates, continued
Dr. and Mrs. Donald T. Bryant Sue and Noel Buckner Trudy and Jonathan Bulkley Arthur W. and Alice R. Burks Susan and Oliver Cameron Margot Campos Charles F. Cannell Nancy Cantor
Marshall F. and Janice L. Carr Jeannette and Robert Carr James and Mary Lou Carras Carolyn M. Carty and
Thomas H. Haug Dr. and Mrs. Joseph C. Cerny Tsun and Siu Ying Chang Dr. Kyung and Young Cho Soon K. Cho
Dr. and Mrs. David Church Nancy Cilley
Donald and Astrid Cleveland Gerald S. Cole and
Vivian Smargon John and Penelope Collins Wayne and Melinda Colquitt Nan and Bill Conlin Paul N. Courant and
Marta A. Manildi Merle and Mary Ann Crawford Mr. Michael J. and
Dr. Joan Crawford Constance Crump and
Jay Simrod Sunil and Merial Das Charles and
Kathleen Davenport Ed and Ellie Davidson Peter and Norma Davis Ronald and Dolores Dawson John and Jean Debbink Penny and Laurence B. Deitch Elena and Nicholas Delbanco Ellwood and Michele Derr Elizabeth Dexter Martha and Ron DiCecco Bill and Peggy Dixon lean Dolega
Heather and Stuart Dombey Dr. and Mrs. Edward F. Domino Thomas and Esther Donahue Eugene and Elizabeth Douvan Mr. and Mrs. Daniel G. Dow Phillip Duryea Jane E. Dutton Martin and Rosalie Edwards ludgc and Mrs. S. I. Elden Ethel and Sheldon Ellis Mackenzie and Marcia Endo Joan and I mil Engel Patricia Enns
Dr. and Mrs. James Ferrara Yi-tsi M. and
Albert Feuerwerker Karl and Sara Fiegenschuh Carol Finerman Herschel and Annette Fink Beth B. Fischer (Mrs. G. J.) Dr. C. Peter and
Beverly A. Fischer Susan R. Fisher and
lohn W. Waidlcy lennifer and Guillermo Flores Mr. and Mrs. George W. Ford Doris E. Foss
Paula L. Bockenstedt and
David A. Fox
Howard and Margaret Fox Andrew and Deirdre Freiberg Lela J. Fuester
Mr. and Mrs. William Fulton Harriet and Daniel Fusfeld Bernard and Enid Galler Eugene and Mary Anne Gargaro David and Marian Gates Mr. and Mrs. Michael Gillis James and Janet Gilsdorf Maureen and David Ginsburg Albert and Almeda Girod Edward and Ellen Goldberg Irwin Goldstein and
Martha Mayo Charles Goss
James W. and Maria J. Gousseff Elizabeth Needham Graham Maryanna and
Dr. William H. Graves, III Jerry M. and Mary K. Gray Dr. John and Renee M. Greden Lila and Bob Green Bill and Louise Gregory Lauretta and Jim Gribble Carleton and Mary Lou Griffin Mark and Susan Griffin Werner H. Grilk David and Kay Gugala Ken and Margaret Guire Arthur W. Gulick, M.D. Susan and John Halloran Yoshiko Hamano Mr. and Mrs. Michael Hanna Martin D. and
Connie D. Harris Robert and Jean Harris Robert and Sonia Harris Naomi Gottlieb Harrison and
Theodore Harrison DDS Clifford and Alice Hart Thomas and Connie Heffner Bob and Lucia Heinold Fred and Joyce Hershenson Peter G. Hinman and
Elizabeth A. Young Ms. Teresa Hirth Frances C. Hoffman Matthew C. Hoffmann and
Kerry McNulty Carol and Dieter Hohnke Kenneth and Joyce Holmes Ronald and Ann Holz Drs. Linda Samuclson and
Joel Howell Jane H. Hughes Ann D. Hungerman Thomas and
Kathryn Huntzicker Susan and Martin Hurwitz Robert B. Ingling Margaret and Eugene Ingram Harold and Jean Jacobson Kent and Mary Johnson Tim and Jo Wiese Johnson Elizabeth and Lawrence Jordan Susan and Stevo Julius Douglas and Mary Kahn Steven R. Kalt and
Robert D. Heeren Dr. and Mrs. Mark S. Kaminski
Perry and Denise Kantner
George Kaplan and Mary Haan
David and Sally Kennedy
Frank and Patricia Kennedy
Don and Mary Kiel
Tom and Connie Kinnear
Rhea and Leslie Kish
James and Jane Kister
Beverly Kleiber
Shira and Steve Klein
Laura Klem
Clyde and Anne Kloack
Ruth and Thomas Knoll
Nick Knuth
Dr. and Mrs. Melvyn Korobkin
Michael and Phyllis Korybalski
Ron and Barbara Kramer
Bert and Catherine La Du
Mr. and Mrs. Henry M. Lapeza
John and Theresa Lee
Peter Lee and Clara Hwang
Mr. and Mrs. Fernando S. Leon
Richard LeSueur
Harry and Melissa LeVine
Myron and Bobbie Levine
Jacqueline H. Lewis
Earl Lewis
Leons and Vija Liepa
Alene and Jeff Lipshaw
Rod and Robin Little
Vi-Cheng and Hsi-Yen Liu
Peter and Sunny Lo
Naomi E. Lohr
E. Daniel and Kay Long
Leslie and Susan Loomans
Helen B. Love
Mr. and Mrs. Carl J. Lutkehaus
Edward and Barbara Lynn
Donald and Doni Lystra
Jeffrey Mackie-Mason
Steve and Ginger Maggio
Virginia Mahle
Melvin and Jean Manis
Marcovitz Family
Sheldon and Geratdine Markel
Peter Marshall
Jim and Ann Mattson
Melissa McBrienBaks Family
Margaret E. McCarthy
Ernest and Adele McCarus
W. Bruce McCuaig
Griff and Pat McDonald
Mr. and Mrs. Ernest Merlanti
Bernice and Herman Merte
Helen Metzner
Deanna Relyea and
Piotr Michalowski Prof, and Mrs. Douglas Miller Jeanette and Jack Miller Robert Rush Miller John Mills
Thomas and Doris Miree Kathleen and James Mitchiner Dr. and Mrs.
William G. Mollcr, Jr. lane and Kenneth Moriarty Frederick C. Neidhardt and
Germaine Chipault Laura Nitzberg and
Thomas Carli Donna Parmelee and
William Nolling
Marysia Ostafin and
George Smillic Julie and Dave Owens David and Andrea Page Helen I. Panchuk Drs. Sujit and Uma Pandit William and Hedda Panzer Rene and Hino Papo Elizabeth M. Payne Zoe and loc Pearson im and Julie Phelps Joyce H. and Daniel M. Phillips William and Barbara Pierce Frank and Sharon Pignanelli Richard and Meryl Place Donald and Evonne Plantinga Mary Alice Power Philip and Kathleen Power Bill and Diana Pratt Jerry and Lorna Prescott Larry and Ann Preuss Elizabeth L Prevot Wallace and Barbara Prince Bradley and Susan Pritts J. Thomas and Kathleen Pustell I cl.ni! and
Elizabeth Quackenbush Patricia Randle and James Eng Anthony L. Reffells and
Elaine A. Bennett Glenda Renwick Janet L. Repp
Molly Resnik and John Martin Carol P. Richardson Jack and Margaret Ricketts John and Marilyn Rintamaki Jay and Machree Robinson Mr. and Mrs. Stephen J. Rogers Mary R. Romig-deYoung Armando Lopez Rosas Elly Rose and Hugh Cooper W. Robin Rose Robert and Joan Rosenblum Gay and George Rosenwald Craig and Jan Ruff Bryant and Anne Russell Robert E. Sanecki Mike Savitski and
Christi Balas Savitski Albert J. and Jane L. Sayed Christine J. Schesky-Black David and Marcia Schmidt Monica and
David E. Schteingart Suzanne Selig Harriet Selin Erik and Carol Serr Ruth and Jay Shanberge George and Gladys Shirley Hollis and
Martha A. Showalter Ned Shurc and Jan Onder Sandy and Dick Simon Robert and Elaine Sims Scott and Joan Singer John and Anne Griffin Sloan Tim and Marie Slottow Alene M. Smith Carl and Jari Smith Radlcy and Sandra Smith Mrs. Robert W. Smith Susan M. Smith Jorge and Nancy Solis
Yoram and Eliana Sorokin Tom Sparks Allen and Mary Spivey L. Grasselli Sprankle Curt and Gus Stager Barbara Stark-Nemon and
Barry Nemon Professor Louis and
Glennis Stout
Dr. and Mrs. Stanley Strasius Brian and Lee Talbot Eva and Sam Taylor Mary D. Teal
Dr. Paul and Jane Thielking Mary H. Thieme Christina and Thomas Thoburn Catherine and
Norman Thoburn Edwin J. Thomas Bette M. Thompson Mr. and Mrs. W. Paul Tippett Patricia and Terril Tompkins Paul and Fredda Unangst Dr. and Mrs. Samuel C. Ursu Jim and Emilie Van Bochove Kathleen and Edward Van Dam Hugo and Karla Vandersypen Tanja and Rob Van der Voo J. Kevin and Lisa M. Vasconi William C. Vassell Shirley Verrett Carolyn and Jerry Voight lohn and Maureen Voorhees Wendy L. Wahl and
William R. Lee Mrs. Norman Wait Virginia Wait
Robert D. and Liina M. Wallin Dr. and Mrs. Jon M. Wardner Mr. and Mrs.
Robert M. Warner Drs. Philip and Maria Warren Barry and Sybil Wayburn Deborah Webster and
George Miller Walter L. Wells John and Joanne Werner Susan and Peter Westerman Marcy and Scott Westerman B. Joseph and Mary White Reverend Francis E. Williams Thomas and Iva Wilson Charles Witke and
Aileen Gatten Charlotte A. Wolfe Kalhy and Alan Wright MaryGracc and Tom York Ann and Ralph Youngren Gail and David Zuk
Businesses
Atlas Tool, Inc. Clark Professional Pharmacy Coffee Express Co. Complete Design &
Automation Systems Inc. Edwards Brothers, Inc. John Leidy Shop, Inc. Malloy Lithographing, Inc. Pollack Design Associates Quinn EvansArchitects A. F. Smith Electric, Inc. Milan Vault
ADVOCATES Individuals
John R. Adams
Tim and Leah Adams
Dr. Dorit Adler
Dr. Diane M. Agresla
Thomas Aider
Gordon ana Carol Allardyce
James and Catherine Allen
Richard and Bettye Allen
Barbara and Dean AJseth
Nick and Marcia Alter
Pamela and Gordon Amidon
Helen and David Aminoff
Dr. and Mrs. Charles T. Anderson
Clarence Anderson
Sandra and David Anderson
Joseph and Annette Anderson
Timothy and Caroline Andresen
Martha Andrews-Schmidt
Barbara T. Appelman
Mary C. Arbour
Catherine S. Arcurc
H. C. and Doris Arms
Bert and Pat Armstrong
Gaard and Ellen Arneson
Rudolf and Mary Arnheim
Dwight Ashley
Eric M. and Nancy Aupperle
John and Rosemary Austgen
Shirley and Donald Axon
Virginia and Jeratd Bachman
Drs. John and Lillian Back
Chris and Heidi Bailey
Prof, and Mrs. J. Albert Bailey
Richard W. Bailey and Juiia
Huttar Bailev
Laurence R. ana Barbara K. Baker Barbara and Daniel Balbach Helena and Richard Balon Peter and Paulett Banks David and Monika Barera Maria Kardas Barna Joan W. Barth Robert and Carolyn Bartle Leslie and Anita Bassett Dorothy W. Bauer Mrs. Jerc Bauer
Mr. and Mrs. Gilbert M. Bazil, Jr. James and Margaret Bean Mr. and Mrs. John C. Beatty Mr. and Mrs. Steven R. Beckert Robert Beckley and Judy Dinesen Mr. and Mrs. Bruce Beier Steve and Judy Bemis Walter and Antje Benenson Erling and
Merete Blondal Bengtsson Bruce Benner and
Hcly Merle-Benner Linda Bennett
Mr. and Mrs. Ib Bentzen-Bilkvist Dr. Rosemary R. Berardi Mr. and Mrs. Joel S. Berger Barbara Levin Bergman lim Bergman and
Penny Hommel Marie and Gerald Berlin Abraham and Thelma Berman Susan A. Bernard Pearl Bernstein Michel and Dominique Berny Gene and Kay Berrodin Andrew H. Berry, D.O. Mark Bcrtz
R. Bczak and R. Halstcad Narcn and Nishta Bhatia Bharat C. Bhushan John and Marge Bianckc Eric and Poris Billes John E. Billic and Sheryl Hirsch Jack and Anne Birchfield William and llcne Birge Elizabeth S. Bishop Art and Betty Blair
Donald and Roberta Blitz Marshall and Laurie Blondy Dennis Blubaugh Dr. George and Joyce Blum Mr. and Mrs.
Ralph O. Boehnke, Jr. Beverly J. Bole Mark and Lisa Bomia Dr. and Mrs. Frank P. Bongiorno Harold W. and
Rebecca S. Bonnell Edward and Luciana Borbely Lola J. Borchardt Morris and Reva Bornstein Jeanne and David Bostian Victoria C. Botck and
William M. Edwards Jim Botsford and
Janice Stevens Botsford Bob and Jan Bower Dean Paul C. Boylan Marvin J. and Maureen A. Boyle Dr. and Mrs. Ralph Bozell Stacy P. Brackens Dr. and Mrs. C. Paul Bradley Melvin W. and Ethel R Brandt William R. Brashear Enoch and Liz Brater Mr. and Mrs. Gerald Bright Paul A. Bringer Amy and Clifford Broman Razelle Brooks Olin L. Browder Linda Brown and Joel Goldberg Cindy Browne Molly and John Brueger Mrs. Webster Brumbaugh Dr. Frances E. Bull Margaret E. Bunge Marilyn Burhop Tony and Jane Burton Barbara H. Busch Mr. and Mrs. Dan H. Butler Joanne Cage
Louis and Janet Callaway H. D. Cameron Mrs. Darrell A. Campbell Douglass and Sherry Campbell James H. Campbell Valerie and Brent Carey Barbara Carpenter James and Jennifer Carpenter Deborah S. Carr Margaret P. Carrigan Dennis B. and
Margaret W. Carroll Dean Carter and Dr. Petra
Schindlcr Carter Joseph and Nancy Cavanaugh K. M. Chan
Bill and Susan Chandler J. Wehrlcy and Patricia Chapman Dr. Carey Charles-Angelos Barry and Marjorie Checkoway Joan and Mark Chesler Tim Cholyway Felix and Ann Chow Catherine Christen Edward and Rebecca Chudacoff SalHe R. Churchill Pat Clapper
Brian and Cheryl Clarkson Barbara Clough Roger and Mary Coe Dorothy Coffey Alice S. Cohen Hubert and Ellen Cohen Hilary and Michael Cohen Mr. and Mrs. William Cohen Willis Colburn and Denise Park Marion Collier Matthew and Kathryn Collins Ed and Cathy Colone Gordon and Marjorie Comfort Wendy and Mark Comstock Carolyn and L. Thomas Conlin Patrick and Anneward Conlin Sandra S. Connellan M. C. Conroy
Philip E. and Jean M. Converse
Donald W. Cook
Dr. and Mrs. William W. Coon
Gage R. Cooper
Dr. and Mrs. Richard Cooper
Alan and Belte Cotzin
Malcolm and In.mil.i Cox
Marjorie A. Cramer
Richard and Penelope Crawford
Charles and Susan Cremin
Mary C. Crichton
Mr. and Mrs. James I. Crump
Peggy Cudkowicz
Townley and Joann Culbertson
Jean Cunningham
Richard ). Cunningham
Marylee Dalton
Joyce Damschroder
Mr. and Mrs. Norman Dancy
Mildred and William B. Darnton
Jane and Gawaine Dart
Stephen Darwall and
Rosemarie Hester DarLinda and Robert Dascola Ruth E. Datz
Mr. and Mrs. John L. Dauer Mr. and Mrs. Arthur W. Davidge Judi and Ed Davidson Laning R. Davidson, M.D. Wayne and Patricia Davis Robert and
Barbara Ream Debrodt foe and Nan Decker Dr. and Mrs. Raymond F. Decker Rossanna and George DeGrood Mr. and Mrs. Rolf A. Deininger George and Margaret Demuth Pamela DeTullio and
Stephen Wiseman Don and Pam Devine Sheryl Diamond Macdonald and Carolin Dick T. L. Dickinson and
Lisa Landmeier Gordon and Elaine Didier Jerry and Patti Dobbs Judy and Steve Dobson Paul Dodd and Charlotte Dodd Ed and Betty Doezema Steven and Paula Donn Deanna and Richard Dorner Roland and Diane Drayson Harry M. and Norrene M. Dreflfs Cecilia and Allan Dreyfuss Janet Driver and Daniel Hyde John Dryden and Diana Raimi Rhetaugh Graves Dumas Rosanne and Sandy Duncan Robert and Connie Dunlap Richard F. Dunn Jean and Russell Dunnaback Edmund and Mary Durfee John W. Durstine George C. and Roberta R. Earl Elaine Economou and
Patrick Conlin Richard and Myrna Edgar Morgan H. and Sara O. Edwards Julie and Charles Ellis Richard and Helen Emmons H. Michael and Judith L. Endres Mr. and Mrs. Fred A. Erb Roger E. Erickson Steve and Pamela Ernst Leonard and Madeline Eron Dorothy and Donald Eschman Sally Evaldson and John Posa Barbara Evans Don and Jeanette Faber Mr. and Mrs. Robert B. Fair, Jr. Mark and Karen Ralahtt Elly and Harvey Falit Dr. Cheryl C. Farmer Inka and David Felbeck Reno and Nancy Feldkamp Phil and Phyllis Fellin Ronda and Ron Fcrber Larry and Andra Ferguson Dennis and Claire Fernly
Advocates, continued
Susan FilipiakSwing City
Dance Studio Clarisse (Clay) Finkbeiner Marilyn Finkbeiner Davia A. Finn Gerald B. and
Catherine L. Fischer Lydia H. Fischer Dr. and Mrs. Richard L. Fisher Janet and Tom Fisher Barbara and lames Fitzgerald Linda and Thomas Fitzgerald Beth and Joe Fitzsimmons Morris and Debra Flaum Kathleen and Kurt Flosky Rochtlk' Flumenbaum and
Paul Estenson Jessica Fogel and
Lawrence Weiner George and Kathryn Foltz Susan Goldsmith and
Spencer Ford Dr Linda K. Forsberg Burke and Carol Fossee Jason I. Fox
William and Beatrice Fox Dan and Jill Francis Mark and Gloria Frank Lynn A. Freeland Lucia and Doug Freelh Richard and Joann Freethy Sophia French Marilyn L. Friedman Esther and Peretz Friedmann Susan Froelich and
Richard Ingram Gail Fromes Jerry Frost
Philip and Renee Frost Joseph E. Fugere and
Marianne C. Mussett Jane Galantowicz Frances and Robert Gamble C. J. Gardiner and Cynthia Koch C. Louise Garrison Janet and Charles Garvin Wood and Rosemary Geist Allan and Harriet Gelfond Chuck and Rita Gelman Ms. Jutta Gerber Deborah and Henry Gerst Michael Gerstenberger W. Scott Gerstenberger and
Elizabeth A. Sweet Leo and Renate Gerulaitis Beth Genne and Allan Gibbard Paul and Suzanne Gikas Matthew and Debra Gildea Zita and Wayne Gillis Beverly Jeanne Giltrow Gary and Rachel Glick Albert and Barbara Glover Albert L. Goldberg David and Shelley Goldberg Ed and Mona Goldman Arna and Michael J. Goldstein Beryl and David Goldsweig Mrs. Eszter Gombosi Mitch and Barb Goodkin Ann F. Goodman Selma and Albert Gorlin Enid Gosling Jean and Bill Gosling Michael L. Gowing Mr. and Mrs. Gordon J. Graham Mr. and Mrs. Robert C. Graham Pearl E. Graves Whitmore and Svea Gray Isaac and Pamela Green Lewis R. and Mary A. Green Deborah S. Greer Sandra Gregerman G. Robinson and Ann Gregory Martha J. Greiner Linda and Roger Grekin Raymond ana Daphne M. Grew Marshall J. and Ann C. Grimm Marguerite M. Gritenas
Betty and Chuck Gross Laurie Gross
Richard and Marion Gross Frederick and Iris Gruhl Lionel and Carol Gurcgian Nancy and Jon Gustafson Lorraine Gutierrez and
Robert Peyser Margaret Gutowski and
Michael Marietta Jeff and LeAnn Guyton Caroline and Roger Hackett Icnnifcr Shikes Haines and
David Haines Sarah I. Hamcke Mrs. Frederick G. Hammitt Dora E. Hampel Dr. and Mrs. Carl T. Hanks Grace H. Hanncnin Lourdes S. Bastos Hansen Charlotte Hanson Mary C. Harms Stephen G. and
Mary Anna Harper Laurelynne Daniels and
George Harris Ed Saratn and Joan Harris Susan S. Harris Stephen Haskin and
Karen Soskin Elizabeth C. Hassinen Ruth Hastie
James B. and Roberta Hause Ian and Barbara Hawkins Maureen Hawley D. Keith and Lori Hayward Anne Heacock
Kenneth and Jeanne Heininger Mrs. Miriam Heins Jim and Esther Heitler Bill Heifer Sivana Heller Paula B. Hencken and
George C. Collins Karl Henkel and Phyllis Mann Dr. and Mrs. Keith S. Henley Kathryn Dekoning Hentschel and
Rudi Hentschel Jeanne Hernandez C.C. Herrington, M.D. Ronald D. and Barbara I. Hertz Stuart and Barbara Hilbert Herb and Dee Hildebrandt I or n,i and Mark Hildebrandt Carolyn Hiss
James and Ann Marie Hitchcock Louise Hodgson Jane and Dick Hoerner Robert and Claire Hogikyan Donna M. Hollowell Mr. and Mrs. Howard Holmes Pam and Steve Home Dave and Susan Horvath Mr. and Mrs. F. B. House James and Wendy Fisher House Jeffrey and Allison Housner Helga C. Hover Kenneth and Carol Hovey Drs. Richard and Diane Howlin John 1. Hritz, Jr. Mrs. V. C. Hubbs Hubert and Helen Huebl Jude and Ray Huetteman Harry and Ruth Huff Mr. and Mrs. William Hufford Mr. and Mrs. Thomas J. Hughes Joanne Winkienian Hulce Ralph and Del Hulett Jewel F. Hunter Joyce M. Hunter Marilyn C. Hunting Mr. and Mrs. Jacob Hurwitz Bailie, Brenda and
lason Prouser Imber Diane C. Imrcdy Edward C. Ingraham Ann K. Irish Sid and Harriet Israel Joan L. Jackson
Judith G. Jackson
Dean and Leslie larrett
Marilyn G. Jeffs
Professor and Mrs. Jerome Jelinek
James and Elaine Jensen
Keith and Kay Jensen
Mark and Linda Johnson
Paul and Olga Johnson
Dr. Marilyn S. Jones
Andree Joyaux and Fred Blanck
Tom and Marie Juster
Mary Kalmes and
Larry Friedman Paul Kantor and
Virginia Weckstrom Kantor Helen and Irvine Kao Mr. and Mrs. Wilfred Kaplan Hans Peter Kappus Diana S. Karam Rosalie Brum Karunas Alex and Phyllis Kato Ann F. Katz
Barbara Kaye and John Hogikyan Julie and Phil Kearney William and Gail Keenan Frank and Karen Keesecker Robert and Frances Keiser Janice Keller Linda Atkins and
Thomas Kenney George L. Kenyon and
Lucy A. Waskell Paul and Leah Kileny (eanne M. Kin
Robert and Vicki Kiningham John and Carolyn Kirkendall Leilani and Steven Kitler Anne Kloack Patricia S. Knoy Rosalie and Ron Koenig Charles and Linda Koopmann Alan and Sandra Kortesoja Dimitri and Suzanne Kosacheff Sara Kring William G. Kring Al.in and Jean Krisch Syma and Phil Kroll Bert and Geraldinc Kruse Helen and Arnold Kuethe Danielle and George Kuper Dr. and Mrs. R. A. Kutcipal William and Marie Kuykendall Alvin and Susan Lake Magdalene Lampert Mr. and Mrs. Seymour Lampert Henry and Alice Landau Janet Landsberg LaVonne Lang Patricia M. Lang Mrs. David A. Lanius Lois H. Largo
Joan Larsen and Adam Pritchard Carl F. and Ann L. LaRue Neal and Anne Laurance Beth and George Lavoie Judith and Jerold Lax Chuck and Linda Leahy Francois and Julie Lebel Cyril and Ruth Leder Fred and Ethel Lee Skip and Mary LeFauve Diane and Jeffrey Lehman Richard and Barbara Leite Ron and Lcona Leonard Sue Leong Margaret E. Leslie-David E. Levine Deborah Lewis Tom and Judy Lewis Margaret K. Liu and
Diarmaid M. O'Foighil Jackie K. Livcsay Julie M. Loftin Jane Lombard Ronald Longhofcr and
Norma McKcnna Barbara R. and Michael Lott Bruce Loughry Christopher Loving
Donna and Paul Lowry Ross E. Lucke
Pamela and Robert Ludolph Elizabeth L Lutton Fran Lyman
Becky and Reno Maccardini Pamela J. MacKintosh Marilyn MacLean Walter Allen Maddox Mark Mahlberg Suzanne and Jay Mahler Deborah Malamud and
Neal Plotkin
Claire and Richard Malvin Alan and Carla Mandel Pankaj Manku Pearl Manning Ken Marblcstone and
Janisse Nagel Lee and Greg Marks Alice K. and Robert G. Marks Rhoda and William Martel James E. and Barbara Martin Wendy Massard Vincent and Margot Massey Glenn D. Maxwell Helen Byrm May Susan C. Guszynski and
Gregory F. Mazure LaRuth C. McAfee Margaret and Harris
McClamroch David G. McConncll Dores M. McCree Neil and Suzanne McGinn Michael G. McGuire Mary and Norman Mclver ECO Physics, Inc. Bill and Ginny McKeachie Nancy and Robert Meader William and Marilyn
Meadowcroft Marilyn J. Meeker Robert and Kathleen Mcgginson Allen and Marilyn Menlo Warren and Hilda Merchant Debbie and Bob Merion Hely Mcrle-BenriLT George R. and Brigette Merz Julie and Scott Merz Henry D. Messcr Carl A. House Don and Lee Meyer Shirley and Bill Meyers Helen M. Michaels William and loan Mikkclsen John W. Milford Carmen and Jack Miller James A. and Kathryn Miller Bob and Carol Milstein Dr. and Mrs. James B. Miner Olga Ann Moir Mary Jane Molesky Molloy Foundation Bruce and Ann Moln Jim and Jeanne Montie Mr. Erivan R. Morales and
Dr. Seigo Nakao Arnold ana Gail Morawa Robert and Sophie Mordis Dr. and Mrs. George W. Morley A. A. Moroun Robert C. Morrow Muriel Moskowilz Tom and Hedi Mulford J. Thomas and Carol Mullen Marci Mulligan and
Katie Mulligan
Gavin Eadie and Barbara Murphy Lora G. Myers
Dr. and Mrs. Gunder A. Myran Drs. Louis and Julie Nagel Rosemarie Nagel Eugene and Katherine Napolitan Pennv H. Nasatir loan Nassauer Edward C. Nelson Arthur and Dorothv Nesse Sharon and Chuck Newman Susan and Richard Nisbett
Christer E. Nordman Caroline Norman Richard S. Nottingham Dr. Nicole Obregon John and Lexa O'Brien Patricia O'Connor C.W. and Sally O'Dell Henry and Patricia O'Kray Cherie M. Olsen William and Joan Olsen Elizabeth Olson and
Michele Davis Nels R. and Mary H. Olson Paul L. and Shirley M. Olson J. L Oncley
Robert and Elizabeth Oneal Kathleen I.Operhall Dr. Jon Oscherwitz Elisa Ostafin and
Hossein Keshtkar Mr. and Mrs. James R. Packard Jenny Palmer
Penny and Steve Papadopoulos Michael P. Parin Donna D. Park Bill and Katie Parker Frank and Arlenc Pasley Alka Patel Eszther Pattantyus and
Tibor Nagy Nancy K. Paul Robert and Arlene Paup Edward J. Pawlak Lisa A. Payne
William and Susan Penner Steven and Janet Pepe Don and Giannine Perigo Bradford Perkins Susan A. Perry Neal W. Persky, M.D. Jeff lavowiaz and
Ann Marie Petach Roger and Takako Peterson Robert G. and Diane L. Petit Frank and Nelly Petrock Ruth and Bryan Pfingst Douglas Phelps and Gwendolyn
Jessie-Phetps
C. Anthony and Marie B. Phillips Mr. and Mrs.
Frederick R. Pickard Nancy S. Pickus Robert and Mary Ann Pierce Roy and Winnifrcd Pierce Daniel Piesko
Dr. and Mrs. James Pikulski Wayne and Sucllen Pinch Brcnda Pontillo Mr. and Mrs.
Jeffrey Michael Powers Robert and Mary Pratt Jacob M. Price John and Nancy Prince Yopie Prins and
Michael Daugherty Lisa M. Profcra Ernst Pulgram Morton and Diane Raban Mr. and Mrs. Mitchell Raddiff Dr. and Mrs. Tushar N. Raiji Alex and Natasha Raikhel Nancy L. Rajala
Alfred and Jacqueline Raphelson Dr. and Mrs. Robert Rapp Mr. and Mrs.
Robert H. Rasmussen Rulh Rattner
Dr. and Mrs. Mark Rayport Maxwell and Marjorie Reade Sandra Reagan
Mr. and Mrs. Richard W. Redman Dr. and Mrs. James W. Reese Mr. and Mrs. Stanislav Rehak Georgia Reid Mr. and Mrs. Bernard E. Reisman James and Judith Reiter Anne and Fred Remley Duane and Katie Renken John and Nancy Reynolds
Alice Rhodes
Lou and Sheila Rice
Mr. and Mrs.
Thomas D. Richardson Elizabeth G. Richart Kurt and Lori Riegger Thomas and Ellen Riggs Lita Ristine
Kathleen Roelofs Roberts Dave and Joan Robinson H. James and Kathleen Robinson Jonathan and Anala Rodgers Mary Ann and Willard Rodgers Joseph and Joan Rogers Mary F. Loeffler and
Richard K. Rohrer Michael J. and Yelena M. Romm Elizabeth A. Rose Edith and Raymond Rose Bernard and Barbara Rosen Dr. and Mrs. Gary R. Rosenblatt Richard Z. and Edie W. Rosenfeld Charles VV. Ross Marlene Ross I'.ii 1.1 and Erhard Rothe Christopher Rothko Carol Rugg and
Richard Montmorency Dr. Glenn R. Ruihley Samuel and Irene Rupert Renee Rutz Scott A. Ryan Mitchell and Carole Rycus Ellen and Jim Saalberg Theodore and Joan Sachs Mr. and Mrs. William Sachs Miriam S. JofTe Samson Daren and Maryjo Sandberg John and Reda Santinga Harry and Elaine Sargous Helga and Jochen Schacht Mary A. Schieve Courtland and Injja Schmidt Elizabeth L. Schmitt Gary and Claudia Schnitker Susan G. Schooner Thomas H. Schopmeyer Yihak Schotten and
Katherine Collier Carol H. Schreck and
Ada Herbert David Schultz Ailecn Schulze Ed and Sheila Schwartz David and Darlene Scovell Richard A. Seid Janet C. Sell
Louis and Sherry L. Senunas George H. and Mar)M. Sexton Matthew Shapiro and
Susan Garetz
David and Elvera Shappirio Ingrid and Cliff Sheldon Lorraine Sheppard Dr. and Mrs. Ivan Sherick Mr. and Mrs. Patrick M. Sherry -: William I. Sherer Jean and Thomas Shope Mary Alice Shulman John Shultz Photography Milton and Gloria Siege! Alida and Gene Silverman Geoffrey and Morrine Silverman Carl Simon and Bobbi Low Michael and Maria Simonte Alice Simsar Alan and Eleanor Singer Donald and Susan Sinta Irma J. Sklenar Beverly N. Slater Kirsten Marie Carr and
Theodore A. D. Slawecki William and Sandra Slowey Donald C. and Jean M. Smith Dr. and Mrs. Michael W. Smith Susan E Smith
John L. and Suzanne Smucker Nathan and Patrick Sohnly Hugh and Anne Solomon
James A. Somers
Dora Maria SonderhofT
Dr. Sheldon and Sydelle Sonkin
Errol and Pat Soskolne
Becki Spangler and Peyton Bland
Elizabeth Spencer
Mrs. Herbert W. Spendlove (Anne)
Jim Spevak
Nancy Spezia
Scott Sproat
Edmund Sprunger
Irving M. Stahl and
Pamela M. Rider Mr. and Mrs. Gary R. Stahle David and Ann Staiger Constance D. Stankraufi" Betty and Harold Stark Dr. Erich M. Staudacher Mr. and Mrs. William C. Stebbins Bert and Vickie Steck Virginia and Eric Stein Frank D. Stella Thorn and Ann Sterling William and Georgine Steude Jim and Gayle Stevens Mary Stevens Rick and Lia Stevens Barbara and Bruce Stevenson Harold and Nancy Stevenson John and Beryl Stimson James L. Stoddard Mr. and Mrs.
James Bower Stokoe Robert and Shelly Stoler John Strand Ellen M. Strand and
Dennis C. Regan Clinton and Aileen Stroebel Dr. and Mrs. Jeoffrey K. Stross Mary Stubbins Judy and Sam Slulberg Mr. and Mrs. Patrick Suchy Donald and Barbara Sugerman Mike and Peg Supcrnault Valerie Y. Suslow Alfred Sussman Ronald and Ruth Suttnn Eric and Natalie Svaan Earl and Phyllis Swain Rebecca Sweet and Roland Loup John and Ida Swigart Rebecca Szabo Michael W.Taft and
Catherine N. Herrington Jim and Sally Tamm John Tammmen Denise Tanguay Larry and Roberta Tankanow Jerry and Susan Tarpley Frank and Carolyn Tarzia Robert and Carolyn Tate Stephan Taylor and
Elizabeth Stumbo Margie and Graham Teall James B.Terrill Scott Tcrrill and Maggie Long Carol and Jim Thiry Tom and Judy Thompson Peggy Tieman
Bruce Tobis and Alice Hamele Peter and Linda Tolias Fran Toney
Ronald and Jacqueline Tonks Jim Toy
Angie and Bob Trinka Sara Trinkaus Ken and Sandy Trosien Luke and Mcrling Tsai Jeff and Lisa Tulin-Silver Claire and Jerry Turcottc Jan and Nub Turner Mr. Victor and Dr. Hazel M.
Turner
Alvan and Katharine Uhle Fawwaz T. Ulaby Joyce A. Urba and
David J. Kinsella Morella Urbina Emmanuel-George Vakalo
Paul and Marcia Valenstein
Madeleine Vallier
Carl and Sue Van Appledorn
Rebecca Van Dyke
Bram and Lia van Leer
Eldon and Beth Van Liere
Fred and Carole van Reesema
Leo and Peggy Van Sickle
Phyllis Vegter
Sy and Florence Veniar
Katherine Verdery
Elizabeth Vetter
Jack and Peg Vezina
Alice and Joseph Vining
Mr. and Mrs. Theodore R. Vogt
(ill Wagner
Jerry Walden and
Julia Tiplady-Walden Stanley H.Waldon George and Lorraine Wales David C. and Elizabeth A. Walker Timothy Wang (ill A. Warren Lorraine Nadetman and
Sidney Warschausky Marty Warshaw Evy and Morrie Warshawski Ruth and Chuck Walts Carol Weber Edward C. Weber Joan M. Weber jack and Jerry Weidenbach Carolyn J. Weiele Dr. Neal Weinberg Gerane and Gabriel Weinrcich Rosalyn and Gerald Weintraub Mr. and Mrs. Harvey L. Weisberg Barbara Weiss Lisa and Steve Weiss John, Carol and Ian Welsch Kim Werner Helen Michael West Tim and Mim Westerdale Paul E. Duffy and
Marilyn L Wheaton James B. and Mary F. White Janet F. White Iris and Fred Whitehouse Mr. and Mrs.
Nathaniel Whiteside Thomas F. Wieder Ms. Nancy Wiernik William and Cristina Wilcox Catherine Wilkerson Benjamin D. Williams John Troy Williams Sara S. Williams Shelly F. Williams Christine and Park Willis Anne Marie and Robert J Willis Bruce Wilson and
Carol Hollenshead Richard C. Wilson Leslie C. Wimsatt Beverly and Hadley Wine Donna Winkclman and
Tom East hope
Sarajane and Jan Z. Winkelman Bethandl.W.Winstcn James H. and Mary Anne Winter Dr. and Mrs. Lawrence D. Wise Stanley VVolfe Karen Wixsoo Dr. and Mrs. Ira S. Wollner Nancy and Victor Wong Ronald and Wendy Woods Israel and Fay Woronoff Harry Wright Phyllis B. Wright Alfred and Corinne Wu Fran and Ben Wylie Sandra and Jonathan Yobbagy Mr. Frank Youkstettcr James and Gladys Young Phyllis Zawisza Craig and Margaret Zcchman Mr. and Mrs. Martin Zeilc John J. Zcrbiec Daniel and Mary Zicgeler
Advocates, continued
Ronald W. Zorney
Erik and Lineke Zuiderweg
David S. and Susan H. Zurvalec
Businesses
The BSE Design Group, Inc. Diametron, Inc. Doan Construction Co. Dobbs Opticians Inc.
of Ann Arbor Garris, Garris, Garris & Garris
Law Office Lewis Jewelers Organizational Designs SWEA Inc.
Thalner Electronic Labs Thing-a-majigs for Kids Ann Arbor Center for Financial
Services
Foundations
Erb Foundation
BURTON TOWER SOCIETY
The Burton Tower Society is a very special group of University Musical Society friends. These people have included the University Musical Society in their estate planning. We are grateful for this important support to continue the great tra?ditions of the Society in the future.
Carol and Herb Amster
Mr. Neil P. Anderson
Catherine S. Arcure
Mr. and Mrs. Pal E. Barondy
Mr. Hilbert Beyer
Elizabeth Bishop
Barbara Everitt Bryant
Pat and George Cnatas
Mr. and Mrs. John Alden Clark
Dr. and Mrs. Michael S. Frank
Beverly and Gerson Geltner
Mr. Edwin Goldring
Mr. Seymour Greenstone
Mr. and Mrs. Richard Ives
Marilyn Jeffs
Thomas C. and
Constance M. Kinnear Sally C. Maggio Charlotte McGeoch Michael G. McGuire Dr. Eva Mueller Len and Nancy Niehoff Dr. and Mrs. Frederick O'Dell Mr. and Mrs. Dennis Powers Mr. and Mrs. Michael Radock Herbert Sloan Roy and JoAn Wetzel Mr. and Mrs. Ronald G. Zollars
MEMORIALS
H. Harlan Bloomer Tom Bob Boothby George W. Brooks James A. Davies William G. Dow Kathleen Fischer Edwin Goldring Thomas Michael Karun Anna Marie Kaupcr Fred C. Matthaei, Sr Robert Meredith Valerie Meyer Steffi Reiss Fred C. Shure Clarence H. Stoddard Charles R. Tieman Goverl W. Vanden Bosch Norman Wait Alice Warshaw CarlH.Wilmont
BUSINESS LEADERSHIP CIRCLE
A. F. Smith Electric, Inc.
AAA Michigan
Aetna Corporation
Alcan Automotive Products
Allen & Kwan Commercial
Ann Arbor Acura
Ann Arbor Center for Financial
Services Atlas Tool, Inc. Austin & Warburton AutoCom Associates Bank of Ann Arbor Bank One, Michigan The Barfield CompanyBartech Blue Nile Restaurant Brauer Investments Briarwood Mall The BSE Design Group, Inc Butzel Long Attorneys Cafe" Marie CFI Group Charles Reinhart Company
Realtors
Coffee Express Co. Comerica Bank Complete Design & Automation
Systems Inc. Consumers Energy DaimlerChrysler Dennis A. Dahlmann Inc. Diametron, Inc. Doan Construction Co. Dobbs Opticians Inc. of Ann
Arbor
Dow Automotive Dupuis & Ryden P.C Edward Surovell Realtors Edwards Brothers, Inc. Elastizell Corp of America Ford Motor Company Fund Forest Health Services
Corporation Garris, Garris, Garris & Garris
Law Office
Guardian Industries Corporation Hudson's Project Imagine Ideation, Inc. John Leidy Shop, Inc. Joseph Curtin Studios KeyBank
Lansstyrelsen Vastra Gotaland Lewis Jewelers Malloy Lithographing, Inc. Masco Corporation McKinley Associates Milan Vault Miller, Canfield, Paddock and
Stone P.L.C, National City Bank Office of the Provost, University
ol Michigan O'Neal Construction Organizational Designs Pepper Hamilton LLP Pfizer Global Research and
I Vvelopment; Ann Arbor
Laboratories
Pollack Design Associates Public Sector Consultants, Inc. Quinn EvansArchitects Republic Bank Ann Arbor Scandinavian Airlines System Sesi Lincoln Mercury Stirling Thermal Motors, Inc. SWEA Inc. Texaco
Thalner Electronic Labs Thing-a-majigs for Kids Thomas B. McMullen Company Vistcon Wolverine Technical Staffing, Inc.
Peter Holderness Woods IN-KIND GIFTS
Bernard and Ricky Agranoff
Allen & Kwan
Catherine Arcure
Atys
John Barfield
Kathleen Benton and
Robert Brown Edith Leavis Bookstcin
& The Artful Lodger Briarwood Mall Barbara Busch Busch's Valu-Land Charlie Trotter's Chelsea Flower Shop Chicago Symphony Orchestra Claridge Hotel Common Grill Peter and Jill Corr Paul and Pat Cousins,
Cousins Heritage Inn Dr. and Mrs. Ronald Cresswell Dan Courser
Mary Ann and Roderick Daane David Smith Photography Peter and Norma Davis Katy and Tony Derezinski Dough Boys Bakery Downtown Home and Garden Charles and Julia Eisendrath
Orillworkst Inc. Encore Studio Bob and Chris Euritt Fahrenheit Restaurant (Catherine and Damian Farrell Ken and Penny Fischer Food Art
Ford Racing Technology Sara B. Frank The Gandy Dancer Beverley and Gerson Geltner Anne and Paul Glendon Great Harvest Bread Company Linda and Richard Greene Jeanne Harrison Jim and Esther Heitler Debbie and Norman Herbert Matthew Hoffmann Bob Hughes Dan Huntsbarger Iguanaworks, Inc. John Leidy Shop John's Pack & Ship Jules
Mercy and Stephen Kasle King's Keyboard House Kitchen Port Richard LeSueur Doni Lystra Stephanie Lord Mediterrano Merchant of Vino Ingrid Merikoski Jeanne and Ernest Merlanti Michigan Car Services, Inc. Ron Miller
Richard and Christine Noyes Nicola's Books Little Professor Karen O'Neal Randall and Mary Pittman Bev and Pat Pooley leva Rasmussen Regrets Only Melissa Richter Maya Savarino Schlanderer 8c Sons Bo and Cathy Schembechler Ann and Tom Schriber SeloShcvel Gallery Howard and Aliza Shcvrin Morrine Silverman Grace Singleton Lorctta Skewes Herbert Sloan Irving and Carol Smokier South House Bed and Breakfast
idward Surovell
nn and Jim Telfcr
Pom Thompson Flowers
Donna Tope
?Robert and Marina Whitman
Elizabeth and Paul Yhouse
fouki Asian Bar & Bistro
GIVING LEVELS
Soloists $25,000 or more
Maestro $10,000 24,999
Virtuosi $7,500 9,999
Concertmaster $5,000 7,499
Leader $2,500 4,999
Principal $1,000-2,499
Benefactor $500 999
Associate $250 499
Advocate $100-249
Friend $50 99
Youth $25
UMS ADVERTISERS
38 Ann Arbor Symphony
12 Bank of Ann Arbor 44 Bellanina Day Spa 38 Beresh Icwelcrs
2 Blue Hill Development
38 Bodman, Longlcy, and
Dahling
20 bravo Cookbook
44 Butzcl I-ong Attorneys
43 Carty's Music, Inc.
42 Chelsea Community Hospital
10 Chris Triola Gallery
42 Cleveland's Gill & Grill 22 Comerica Bank
10 Dobson-McOmber Agency, Inc.
13 Edward Surovell Realtors BC Ford Motor Company 34 Foto 1
10 Fraleigh's Nursery
6 Glacier Hills
8 Harmony House
40 Howard Cooper Imports
8 IATSE
44 ohn Schultz Photography 38 Kana Korean Restaurant 44 Kcrrytown Bistro
16 KeyBank
40 King's Keyboard
27 Lewis Jewelers
8 Littlefield and Sons
Furniture
22 Miller, Canfield, Paddock,
and Stone
8 Mundus and Mundus
43 National City
42 Performance Network 40 Prudential Securities
44 Rudolf Steiner School FC St. Joseph Mercy Health
System
10 Sweetwatcrs Cafe
8 Swing City Dance Studio
34 Three Chairs
8 Ufcr & Co. Insurance
43 University Living
8 Washington Street Gallery
42 WDET
12 WEMU
34 WGTE
18 Whole Foods

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