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UMS Concert Program, Thursday Oct. 12 To 14: University Musical Society: Fall 2000 - Thursday Oct. 12 To 14 --

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Day
12
Month
October
Year
2000
Download PDF
Rights Held By
University Musical Society
OCR Text

Season: Fall 2000
University Of Michigan, Ann Arbor

university musical society
of Michigan
FALL 2000 SEASON
FALL 2000 SEASON
university musical society
University of Michigan Ann Arbor
U MS leadership 3 4
UMSservices
Letter from the President
Letter from the Chair
Corporate LeadersFoundations
UMS Board of Directors
UMS Senate
Advisory Committee ;
UMS Staff
UMS Teacher Advisory Committee
General Information Tickets Group Tickets Gift Certificates The UMS Card www.ums.org
r UMSannals 23 UMS History S
UMS Choral Union I""1--
AuditoriaBurton Memorial Tower
JJMSexperience 29 The 20002001 UMS Season '?HKS$i
35 Education & Audience Development
37 Dining Experiences
37 BRAVO!
39 Restaurant & Lodging Packages
39 UMS Preferred Restaurant Program jj
43 UMS Delicious Experiences jfl
UMSsupport 45 Advisory Committee 9BBSI
45 Sponsorship & Advertising BB
47 InternshipsCollege Work-Study MB
47 Ushers HfllHEv n
48 Membership ?MiidH
56 Lemper. Wayne Shorter and Herbie Hancock (Michael O'Neill), luel leckett (cHulton-Dcutsch CollectionCORIIS), American Ri UMS Advertisers'B Havana, Cuba (cDaniel 1. Johnson) H ?pertorv Theater The Kint Sttt (Richard Feldman), Flat of Irazil HHHHHHH

ership
LETTER FROM THE PRESIDENT
? 'm delighted to welcome you to this performance presented by the University Musical Society (UMS) of the University of Michigan. Thank fl I you for supporting the performing ; arts in our community by your attendance at this event. Please consider coming to some of our other performances this season. You'll find a complete listing beginning on page 29. UMS, now in our 122nd year, was recently recognized by Musical America as one of the five most influential performing arts present?ing organizations in the US. The others were Lincoln Center, Kennedy Center, Brooklyn Academy of Music, and Cal Performances at Berkeley. We were cited for our commitment to quality, diversity, education, community engagement, and commissioning new work from composers and choreographers. We are excited about this recognition and pleased 1 that our 20002001 season continues our j commitment to these important goals. ? This season UMS will present ninety per?formances for a total audience expected to exceed 125,000 people. If current trends con?tinue, over 30 of the audience will be first-time UMS ticket purchasers, reflecting UMS' efforts to embrace all of the people in our community and to welcome them to the nine performance venues that we rent throughout southeastern Michigan. We expect to host more than 200 educational events, serving
more than 60,000 people.
More than half of our presentations this season feature artists and ensembles from outside the US, representing more than twenty nations. We will close our regular season with a UMS co-commission and world premiere featuring the Ping Chong Company and Ensemble Sequentia, bringing the number of new music and dance pieces UMS has commissioned over the past decade to twenty-five, most of them in partnership with other presenters from throughout the world.
We are able to maintain our distinctiveness thanks to you who make up our audience and to the corporations, foundations, govern?ment agencies, and thousands of individuals and families who support us through their contributions. During this extraordinary season, when, for example, UMS and the University of Michigan partner with the Royal Shakespeare Company to bring four
of Shakespeare's extraordinary history plays to Ann Arbor in an exclusive US presentation, we must raise more than half of our $8-million budget from donations. I invite you to help us in this effort by becoming a UMS member this season. For more information about membership, turn to page 45. And if you haven't done so already, consider purchasing a copy of BRAVO!, our award-winning 224-page table-top book containing recipes, legends, and lore from 120 years of UMS history. It makes a great gift, and all proceeds benefit UMS.
Overseeing our fundraising efforts with great skill is Christina Thoburn, our newly_ appointed Director of Development whom I hope you'll be able to get to know. Christina came to us in April 2000 from The Cleveland Orchestra where she led foundation and gov?ernment relations. Her career also includes being managing director of the Cleveland Chamber Symphony where she developed a passion for diverse programming and community engagement. An avid knitter and baseball fan, Christina is married and the mother of three grown children. She succeeds Catherine Arcure, who left UMS to work with violinist Itzhak Perlman in New York City as Executive Director of the Perlman ; Music Program.
I'd like to know your thoughts about this performance. I'd also like to learn from you about anything we can do at UMS to make your concert-going experience the best possi?ble. Look for me in the lobby. If we don't connect there, feel free to call my office at 734.647.1174, drop me a note, or send me an e-mail message at kenfisch@umich.edu.
Sincerely,
Kenneth C. Fischer, President
LETTER FROM THE CHAIR
F" "
. n behalf of the UMS Board of Directors, I am delighted to wel?come you to the 20002001 season. With world-renowned perform?ers bringing their artistry to our stages, new community partnerships enhanc?ing our programs, and our ever-expanding
educational activities serv?ing thousands of students and teachers throughout southeastern Michigan, it is the most exciting and comprehensive season in our 122-year history. As we enjoy tonight's
performance, we want to recognize and thank the many individuals, companies, organiza?tions and foundations whose support makes this extraordinary season possible. In con?tributing to UMS, these donors, including the corporate leaders listed on the following pages, have publicly recognized the impor?tance of the arts in our community. They have demonstrated their commitment to the quality of life in our area, and helped create new educational opportunities for students and audiences of all ages and backgrounds.
So, as we applaud tonight's performers, please join all of us at UMS in applauding our many generous contributors. They are playing an important role in the artistic life of our community, and we are truly grateful for their support.
Sincerely,
Beverley Geltner
Chair, UMS Board of Directors
CORPORATE LEADERS FOUNDATIONS
Don MacMillan President Alain Global Automotive Products "For 121 years, the University Musical Society has engaged and enriched our community with the very best in performing arts and educational programs. Alcan salutes your quality and creativity, and your devotion to our youth."
Douglass R. Fox President Ann Arbor Acura, Hyundai, Mitsubishi
"We at Ann Arbor Acura are . pleased to support the artistic variety and program excellence given to us by the University Musical Society."
Larry Weis President AutoCom Associates "AutoCom Associates is a strong supporter of the University Musical Society one of North America's leading presenters of
the performing arts. Along with our corpo?rate public-relations
clients, we re proud to partner with UMS in bringing the arts to appreciative audiences in southeastern Michigan."
William Broucek
President and CEO Bank of Ann Arbor "As Ann Arbor's community bank, we are glad and honored to be a supporter of the cultural enrichment that the University Musical Society brings to our community."
Jorge A. Solis Senior Vice
President
Bank One, Michigan "Bank One, Michigan is honored to share in the University Musical Society's proud tradition of musical excellence and artistic diversity."
Habte Dadi Manager Blue Nile Restaurant "At the Blue Nile, we believe in giving back to the community that sustains our business. We are proud to support an organi?zation that provides such an f important service to Ann -. Arbor."
Carl A. Brauer, Jr. Owner Burner Investment Company "Music is a gift from God to enrich our lives. Therefore, I enthusiastically support the University Musical Society in bringing great music to our community."
David G. Loesel President T.M.L. Ventures, Inc. "Cafe Marie's support of the University Musical Society Youth Program is an honor and a priv?ilege. Together we will enrich and empower our community's youth to carry forward into future generations this fine tradition of artistic talents."
Clayton Wilhite Managing Partner
CFI Group, Inc. "Can you imagine a more power?ful demonstration of Ann Arbor's quality of life than the University Musical Society We at CFI can't, and that's why we're so delighted to be a concert sponsor. We salute UMS for its accomplishments and for what it has contributed to the pride in our community."
Charles Hall
C. N. Hall Consulting "Music is one way the heart sings. The University Musical Society helps our hearts enjoy and par?ticipate in song. Thank you."
Eugene Miller Chairman and CEO, Comerica Incorporated "Bravo to the University Musical Society! Their contributions are vital to the arts community. Comerica applauds their tradition of excellence, and their commit?ment to the presentation of arts and promotion of arts education."
S. Martin Taylor Sr. Vice Presidoit, Corporate & Public Affairs and President, Detroit Edison Foundation "The Detroit Edison Foundation is proud to sponsor the University Musical Society because we share a mission of enhancing south?eastern Michigan's reputation as a great place to live and work. To this end, UMS brings the joy of the performing arts into the lives of community residents, provides an important part of Ann Arbor's uplifting cultural identity and offers our young people tremen?dous educational opportunities."
Larry Denton Global Vice President Dow Automotive "At Dow Automotive, we believe it is through the universal lan?guage of art and music that we are able to transcend cultural and national barriers to reach a deeper understanding of one another. We applaud the University Musical Society for its long?standing support of the arts that enrich all our lives." a
Edward Surovell President Edward Surovell Realtors "It is an honor for Edward Surovell Realtors to be able to support an institution as distinguished as the University Musical Society. For over a century it has been a national leader in arts presenta?tion, and we encourage others to contribute to UMS' future."
Leo Legatski President ', Elastizell Corporation of America "A significant characteristic of the University Musical Society is its ability to adapt its menu to changing artistic requirements. UMS involves the community with new concepts of education, workshops, and performances."
John M. Rintamaki Group Vice President, Chief of Staff Ford Motor Company "We believe, at Ford Motor Company, that the arts speak a universal language that can edu?cate, inspire, and bring people, cultures and ideas together. We invest in the long-term develop?ment of our arts and educational initiatives. We continue to sup?port the University Musical Society and the enriching pro?grams that enhance the lives of today's youth." ,,r ' L
Scott Ferguson Regional Director Hudson's
'Hudson's is committed to sup?porting arts and cultural organi?zations because we can't imagine a world without the arts. We are delighted to be involved with fl the University Musical Society as they present programs to enrich, educate and energize our diverse community."
William S. Hann President
KeyBank .flPL.
"Music is Key to keeping 6ur society vibrant, and Key is proud to support the cultural institution rated number one by Key Private Bank clients."
Richard A. Manoogian
Chairman and CEO Masco Corporation "We at Masco applaud the University Musical Society's contributions to diversity in arts programming and its efforts to enhance the quality of life in our community."
Ronald Weiser Chairman and CEO
McKinley Associates, Inc. "The arts make our community a vibrant place to live and work. No one contributes more to that than UMS, with its innovative
cultural offerings and edu?cation for all ages.
McKinley is proud to play a 'supporting role' in these time-honored efforts."
Erik H. Serr Principal Miller, Canfield, Paddock and Stone, P.L.C.
"Miller, Canfield, Paddock and Stone is particularly pleased to support the University Musical Society and the wonderful cultural events it brings to our community."
Phillip R. Duryea Community President
National City Bank 'National City Bank is pleased to continue our historical support of the University Musical Society, which plays such an important role in the richness of our community."
Joe O'Neal President O'Neal Construction "A commitment to quality is the main reason we are a proud supporter of the University Musical Society's efforts to bring the finest artists and special events to our community."
Michael Staebler Partner Pepper Hamilton LLP 'Pepper Hamilton congratulates the University Musical Society for providing quality perform?ances in music, dance and the?ater to the diverse community that makes up southeastern Michigan. It is our pleasure to be among your supporters."
Peter B. Corr, Ph.D. Senior Vice President, Pfizer, Inc.; Executive Vice President, Pfizer Global Research & Development; President, Worldwide Development "The University Musical Society is a cornerstone upon which the Ann Arbor community is based: excellence, diversity and quality. Pfizer is proud to support the University Musical Society for our community and our Pfizer colleagues."
Kathleen G. Charta Consultant Russian Matters
"Russian Matters is pleased and honored to support UMS and its great cultural offerings to the community."
Joseph Sesi President
Sesi Lincoln Mercury
'The University Musical Society
is an important cultural asset for
our community. The Sesi Lincoln
Mercury team is delighted to
sponsor such a fine organization."
Thomas B. McMullen President Thomas B. McMullen Co., Inc. "I used to feel that a U of M Ohio State football ticket was the best ticket in Ann Arbor. Not any?more. UMS provides the best in educational entertainment."
Dr. James R. Irwin Chairman and CEO
Wolverine Technical Staffing, Inc. For more than sixteen years our support of the University Musical Society has been in grateful appreciation of these UMS concepts: world-class programs, extremely dedicated volunteer involvement, and thoroughly committed professional staff. Congratulations to UMS as it continues to enrich our wonderful Ann Arbor community."
UMS gratefully acknowledges the support of the following foundations and government agencies.
Ann Arbor Area Community
Foundation Arts Midwest Chamber Music America Community Foundation for
Southeastern Michigan Detroit Edison Foundation JazzNetDoris Duke
Foundation Erb Foundation The J.F. Ervin Foundation '? The Ford Foundation Harold and Jean Grossman
Family Foundation The Heartland Arts Fund Hudson's Community Giving KMD Foundation Knight Foundation
The Lebensfeld Foundation Benard L Maas Foundation Michigan Council for Arts
and Cultural Affairs Mid-America Arts Alliance Montague Foundation The Mosaic Foundation _
(of R. & P. Heydon) National Endowment
for the Arts New England Foundation
for the Arts The Power Foundation The Shiftman Foundation State of Michigan--Arts,
Cultural and Quality of
Life Grant Program Wallace-Reader's Digest Funds
UNIVERSITY MUSICAL SOCIETY of the University of Michigan
m.
Beverley B. Geltner,
Chair Lester P. Monts,
Vice-Chair Len Niehoff,
Secretary David Featherman,
Treasurer
Lee C. Bollinger Janice Stevens Botsford Barbara Everitt Bryant Kathleen G. Charla Jill A. Corr Peter B. Corr Robert F. DiRomualdo Alice Davis Irani Gloria James Kerry v
Leo A. Legatski Helen B. Love Alberto Nacif JMfiw Jan Barney Newman Gilbert S. Omenn Joe E. O'Neal Randall Pittman ' Rossi Ray-Taylor Prudence L. Rosenthal
Maya Savarino Herbert Sloan Timothy P. Slottow Peter Sparling James L. Telfer Marina v.N. Whitman Karen Wolff Elizabeth Yhouse
(former members of the UMS Board of Directors)
Robert G. Aldrich Herbert S. Amster Gail Davis Barnes Richard S. Berger Maurice S. Binkow Paul C. Boylan Carl A. Brauer Allen P. Britton Letitia J. Byrd Leon S. Cohan Jon Cosovich Douglas Crary Ronald M. Cresswell John D'Arms
James J. Duderstadt Robben W. Fleming David J. Flowers Randy J. Harris Walter L. Harrison Norman G. Herbert Peter N. Heydon Howard Holmes Kay Hunt Stuart A. Isaac Thomas E. Kauper David B. Kennedy Richard L. Kennedy
Thomas C. Kinnear F. Bruce Kulp Earl Lewis Patrick B. Long Judythe H. Maugh Paul W. McCracken Rebecca McGowan Alan G. Merten John D. Paul Wilbur K. Pierpont John Psarouthakis Gail W. Rector John W. Reed Richard H. Rogel
Ann Schriber Daniel H. Schurz Harold T. Shapiro George I. Shirley John O. Simpson Carol Shalita Smokier Lois U. Stegeman Edward D. Surovell Susan B. Ullrich Jerry A. Weisbach Eileen Lappin Weiser Gilbert Whitaker Iva M. Wilson
ADVISORY COMMITTEE
Dody Viola, Chair Robert Morris, Vice-Chair Sara Frank,
SecretaryTreasurer Martha Ause Barbara Bach Lois Baru Kathleen Benton Victoria Buckler Barbara Busch Phil Cole Patrick Conlin Elly Rose Cooper Nita Cox
Mary Ann Daane Norma Davis Sally Stegeman DiCarlo Lori Director Betty Edman Michael Endres Nancy Ferrario Penny Fischer Anne Glendon Maryanna Graves Linda Greene Karen Gundersen Jadon Hartsuff Nina E. Hauser
Debbie Herbert Mercy Kasle Steve Kasle Anne Kloack Maxine Larrouy Beth LaVoie Stephanie Lord Esther Martin Ingrid Merikoski Ernest Merlanti leanne Merlanti Candice Mitchell Nancy Niehoff Mary Pittman
leva Rasmussen Penny Schreiber Sue Schroeder Meg Kennedy Shaw Morrine Silverman Maria Simonte Loretta Skewes Cynny Spencer Louise Townley Bryan Ungard Suzelte Ungard Wendy Woods
x0UMS STAFF
Administration Finance
Kenneth C. Fischer,
President Deborah S. Herbert,
RSC Residency
Coordinator Elizabeth E. Jahn,
Assistant to
the President John B. Kennard, Jr.,
Director of
Administration Chandrika Patel, Senior
Accountant John Peckham,
Information Systems
Manager
Box Office
Michael L. Gowing,
Manager
Sally A. Cushing, Staff Ronald J. Reid, Assistant
Manager and Croup
Sales
Choral Union
Thomas Sheets, Conductor i
Andrew Kuster, Associate Conductor
Jean Schneider-Claytor, Accompanist t
Kathleen Operhall, '? Manager
Donald Bryant, Conductor Emeritus
Development
Christina Thoburn,
Director Mary Dwyer, Manager
of Corporate Support Lisa Michiko Murray,
Manager of
Foundation and
Government Grants Alison Pereida,
Development Assistant J. Thad Schork, Direct
Mail, Gift Processor Anne Griffin Sloan,
Assistant Director -
Individual Giving L. Gwen Tessier,
Administrative
Assistant
EducationAudience Development
Ben Johnson, Director Kristin Fontichiaro,
Youth Education -?
Manager
Dichondra Johnson,
Coordinator Anthony Smith,
Audience Development
Specialist Warren Williams,
Manager
MarketingPublic Relations
Sara Billmann, Director Aubrey Alter,
Coordinator Ryonn Clute,
Coordinator Gulshirin Dubash,
Public Relations
Manager
Production
Gus Malmgren, Director Emily Avers, Production
and Artist Services
Manager Jerica L. Humphrey,
Front-of-House
Coordinator Production Supervisors
Mary Cannon
Steven Jarvi Usher Supervisors
Paul Jomantas
Bruce Oshaben
Head Ushers Ken Holmes Joyce Holmes Brian Roddy Sanjay Pavipati Nancy Paul Edward Szabo
Programming
Michael). Kondziolka,
Director Mark Jacobson, Manager
Work-Study
Erika Banks Megan Besley Patricia Cheng Patrick Elkins Mariela Flambury David Her Benjamin Huisman Laura Kiesler . Dawn Low Kathleen Meyer
Interns
Helene Blatter Stephen Dimos Sara Garvey
President Emeritus
Gail W. Rector
x0UMS TEACHER ADVISORY COMMITTEE
Fran Ampey
Kitty Angus
Alana Barter
Kathleen Baxter
Elaine Bennett
Lynda Berg
Yvette Blackburn
Barbara Boyce
Letitia Byrd
Doug and Nancy Cooper
Naomi Corcra
Gail Davis Barnes
Gail Dybdahl Keisha Ferguson Dorecn Fryling Brenda Gluth Louise Gruppen Vickey Holley Foster Taylor lacobsen Callie leffcrson Deborah Katz Deb Kirkland Rosalie Koenig David Leach
Rebecca Logie Dan Long Laura Machida Ed Manning Glen Matis Kim Mobley Ken Monash Eunice Moore Amy Pohl Rossi Ray Taylor Gayle Richardson Katy Ryan
Karen Schulte Helen Siedel loan Singer Sue Sinta
Grace Sweeney f Sandy Trosien Melinda Trout Sally Vandevcn Barbara Wallgren leanne Weinch
vice
ENERAL INFORMATIO
Barrier-Free Entrances
For persons with disabilities, all auditoria have barrier-free entrances. Wheelchair loca?tions are available on the main floor. Ushers are available for assistance.
Listening Systems
For hearing impaired persons, the Power Center, Mendelssohn Theatre, and Rackham Auditorium are equipped with infrared listen?ing systems. Headphones may be obtained upon arrival. Please ask an usher for assistance.
Lost and Found
For items lost at Hill Auditorium, Rackham Auditorium, Power Center, and Mendelssohn Theatre please call University Productions at 734.763.5213. For items lost at St. Francis of Assisi Catholic Church and the Michigan Theater, please call the UMS Production Office at 734.764.8348.
Parking
Parking is available in the Tally Hall, Church Street, Maynard Street, Thayer Street, Fletcher Street, and Fourth Avenue structures for a minimal fee. Limited street parking is also available. Please allow enough time to park
efo'fe'the'perForfnance begins. Parking is complimentary for UMS members at the Principal level and above. Reserved parking is available for UMS members at the Leader level and above.
UMS offers valet parking service for all performances in the Choral Union series. Cars may be dropped off in front of Hill Auditorium beginning one hour before each performance. There is a $10 fee for this service. UMS members at the Leader level and above are invited to use this service at no charge.
Refreshments
Refreshments are served in the lobby during intermissions of events in the Power Center for the Performing Arts, and are available in the Michigan Theater. Refreshments are not allowed in the seating areas.
Smoking Areas
University of Michigan policy forbids smok?ing in any public area, including the lobbies and restrooms.
or phone orders and information, rplease contact:
UMS Box Office Burton Memorial Tower 881 North University Avenue Ann Arbor, MI 48109-1011
on the University of Michigan campus
734.764.2538
Outside the 734 area code, call toll-free 800.221.1229
Order online at the UMS website: http:www.ums.org or
Visit our Power Center Box Office in person
Due to the renovation of Burton Tower, our Box Office has been relocated to the Power Center. Mon-Fri: 10 a.m. to 6 p.m. Sat: 10 a.m. to 1 p.m. Performance hall box offices open ,.90 minutes before each performance.
Returns
If you are unable to attend a concert for which you have purchased tickets, you may turn in your tickets up to 15 minutes before curtain time by calling the UMS Box Office. Refunds are not available; however, you will be given a receipt for an income tax deduc?tion. Please note that ticket returns do not count toward UMS membership.
any thanks to all of the groups who have joined UMS for an event in past seasons, and welcome to all of our new friends who will be with us in the coming years. The group sales program has grown incredibly in recent years, and our success is a direct result of the wonderful leaders who organize their friends, families, congregations, students, and co-workers and bring them to one of our events.
Last season over 10,000 people came to UMS events as part of a group, and they saved over $51,000 on some of the most popular events around! Many groups who booked their tickets early found themselves in the enviable position of having the only available tickets to sold out events including the Buena Vista Social Club, Yo-Yo Ma, the Berlin Philharmonic, the Chieftains, and many other exciting performances.
This season UMS is offering a wide variety of events to please even the most discriminat?ing tastes, many at a fraction of the regular price. Imagine yourself surrounded by ten or more of your closest friends as they thank you for getting great seats to the hottest shows in town. It's as easy as picking up the phone and calling the UMS Group Sales hotline at 734.763.3100.
ooking for that perfect meaningful gift --that speaks volumes about your taste Tired of giving flowers, ties or jewelry Give a UMS Gift Certificate! Available in any amount and redeemable for any of more than eighty
events throughout our season, wrapped and delivered with your personal mes?sage, the UMS Gift Certificate is ideal for weddings, birthdays, Christmas, Hanukkah, Mother's and Father's Days, or even as a housewarming
present when new friends move to town.
Make your gift stand out from the rest: call the UMS Box Office at 734.764.2538, or stop by the Power Center, i
MS and the following businesses thank you for your generous support by pro?viding you with discounted products and services through the UMS Card, a privilege for subscribers and donors of at least $100. Patronize these businesses often and enjoy the quality products and services they provide.
Amadeus Cafe Ann Arbor Acura Ann Arbor Art Center The Back Alley "Jgj
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Equipment The Blue Nile
Restaurant Bodywise Therapeutic
Massage j Cafe Marie Chelsea Flower Shop Dough Boys Bakery Fine Flowers Gandy Dancer Great Harvest John Leidy Shop
John's Pack and Ship Kerrytown Bistro King's Keyboard House Le Dog Michigan Car Services,
Inc. and Airport
Sedan, LTD Nicola's Books, Little
Professor Book Co. Paesano's Restaurant Randy Parrish Fine
Framing Regrets Only Ritz Camera One Hour
Photo Shaman Drum
Bookshop SKR Downtown SKR Uptown
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____________ tunities surrounding
each UMS performance. Choral Union
Audition information and performance sched?ules for the UMS Choral Union.
UMSannals
he goal of the University Musical Society (UMS) is clear: to engage, educate, and serve Michigan audi?ences by bringing to our community an ongoing series of world-class artists, who represent the diverse spectrum of today's vigorous and exciting live performing arts world. Over its 121 years, strong leader?ship coupled with a devoted community has placed UMS in a league of internationally-recognized performing arts presenters. Indeed, Musical America selected UMS as one of the five most influential arts presenters in the United States in 1999. Today, the UMS seasonal program is a reflection of a thoughtful respect for this rich and varied history, balanced by a commitment to dynamic and creative visions of where the performing arts will take us in the new millennium. Every day UMS seeks to cultivate, nurture and stimulate public interest and participation in every facet of the live arts. UMS grew from a group of local university and townspeople who gathered together for the study of Handel's Messiah. Led by Professor Henry Frieze and conducted by Professor Calvin Cady, the group assumed the name The Choral Union. Their first performance of Handel's Messiah was in December of 1879, and this glorious oratorio has since been per?formed by the UMS Choral Union annually.
As a great number of Choral Union members also belonged to the University, the University
Musical Society was established in December 1880. UMS included the Choral Union and University Orchestra, and throughout the year presented a series of concerts featuring local and visiting artists and ensembles.
Since that first season in 1880, UMS has expanded greatly and now presents the very best from the full spectrum of the perform?ing arts--internationally renowned recitalists and orchestras, dance and chamber ensem?bles, jazz and world music performers, and opera and theatre. Through educational endeavors, commissioning of new works,
Musical America selected UMS as one of the five most influential arts presenters in the United States in 1999.
youth programs, artist residencies and other collaborative projects, UMS has maintained its reputation for quality, artistic distinction and innovation. UMS now hosts over eighty performances and more than 150 educational events each season. UMS has flourished with the support of a generous community that gathers in Hill and Rackham Auditoria, Power Center for the Performing Arts, Lydia Mendelssohn Theatre, Michigan Theater, St. Francis of Assisi Catholic Church, the Detroit Opera House, Music Hall and the Residential College Auditorium.
While proudly affiliated with the University of Michigan, housed on the Ann Arbor cam?pus, and a regular collaborator with many University units, UMS is a separate not-for-profit organization that supports itself from ticket sales, corporate and individual contri?butions, foundation and government grants, and endowment income.
hroughout its 121-year history, the University Musical Society Choral Union has performed with many of the world's distinguished orchestras
__ and conductors.
Based in Ann Arbor under the aegis of the University Musical Society, the 150-voice Choral Union is known for its definitive per?formances of large-scale works for chorus and orchestra. Seven years ago, the Choral Union further enriched that tradition when began appearing regularly with the Detroit Symphony Orchestra. Among other works, the chorus has joined the DSO in Orchestra Hall and at Meadow Brook for subscription performances of Beethoven's Symphony No. 9, Orff's Carmina Burana, Ravel's Daphnis et Chloe and Brahms' Ein deutsches Requiem, and has recorded Tchaikovsky's The Snow Maiden with the orchestra for Chandos, Ltd. In 1995, the Choral Union began accepting invitations to appear with other major regional orchestras, and soon added Britten's War Requiem, Elgar's The Dream of Gerontius, the Berlioz Requiem and other masterworks to its repertoire. During the 1996-97 season, the Choral Union again expanded its scope to include performances with the Grand Rapids Symphony, joining with them in a rare presentation of Mahler's Symphony No. 8 (Symphony of a Thousand).
The Choral Union is a talent pool capable of performing choral music of every genre. In addition to choral masterworks, the Choral
Union has recently given acclaimed concert presentations of Gershwin's Porgy and Bess with the Birmingham-Bloomfield Symphony Orchestra and musical-theatre favorites with Erich Kunzel and the DSO at Meadow Brook. A 72-voice chorus drawn from the larger choir has performed Durufle's Requiem, the Langlais Messe Solenelle, the Mozart Requiem and other works. The Choral Union's 36-voice Chamber Chorale presented "Creativity in Later Life," a program of late works by nine composers of all historical periods, at the University of Michigan Museum of Art.
During the 1999-2000 season, the Choral Union performed in three major subscription series at Orchestra Hall with the Detroit Symphony Orchestra, including performances of Shostakovitch's Symphony No. 13 (Babi Yar), and Igor Stravinsky's Symphony of Psalms, all conducted by Neeme Jarvi, as well as John Adams' Harmonium, conducted by the composer. Other programs included Mahler's Symphony No. 3 with the Ann Arbor Symphony Orchestra and Scriabin's Symphony No. 5 with the Russian National Orchestra.
During the current season, the UMS Choral Union will again appear in two series with the Detroit Symphony Orchestra, both conducted by Neeme Jarvi. The chorus will join in the DSO's opening night performance of Mahler's Symphony No. 2 (Resurrection), followed later in the season by Carl Orff's Carmina Burana. The Choral Union's 122nd-annual performances of Messiah follow, as the choir is joined by world-class soloists and the Ann Arbor Symphony Orchestra. The chorus will make its debut with the Kalamazoo Symphony in March 2001, performing Mendelssohn's rarely-heard Symphony No. 2. The Choral Union's season will close on April 22, 2001, in a performance of Hector Berlioz' Requiem with the Greater Lansing Symphony Orchestra and members of the U-M School of Music Symphony Band in Hill Auditorium, conducted by Thomas Sheets.
Participation in the Choral Union remains
open to all by audition. Representing a mixture of townspeople, students and faculty, members of the Choral Union share one common passion--a love of the choral art. For more information about the UMS Choral Union, e-mail kio@umich.edu or call 734.763.8997.
Hill Auditorium
tanding tall and proud in the heart of the University of Michigan campus, Hill Auditorium is associated with the best perform?ing artists the world has to offer. Inaugurated at the Twentieth Annual Ann Arbor May Festival in 1913, the 4,163-seat Hill Auditorium has served as a showplace for a variety of important debuts and long relationships throughout the past eighty-seven years. With acoustics that highlight everything from the softest notes of vocal recitalists to the grandeur of the finest orchestras, Hill Auditorium is known and loved throughout the world.
Former U-M regent Arthur Hill bequeathed $200,000 to the University for the construction of an auditorium for lectures, concerts and other university events. Then-UMS President Charles Sink raised an additional $150,000, and the concert hall opened in 1913 with the Chicago Symphony Orchestra performing
Beethoven's Symphony No. 5. The auditori?um seated 4,597 when it first opened; subse?quent renovations, which increased the size of the stage to accommodate both an orchestra and a large chorus (1948) and improved wheelchair seating (1995), decreased the seating capacity to its current 4,163.
Rackham Auditorium
Sixty years ago, chamber music concerts in Ann Arbor were a relative rarity, present?ed in an assortment of venues including University Hall (the precursor to Hill Auditorium), Hill Auditorium, and Newberry Hall, the current home of the Kelsey Museum. When Horace H. Rackham, a Detroit lawyer who believed strongly in the importance of the study of human history and human thought, died in 1933, his will established the Horace H. Rackham and Mary A. Rackham Fund, which subsequently awarded the University of Michigan the funds not only to build the Horace H. JS)!!IBJjjft Rackham Graduate School, which houses the 1,129-seat Rackham Auditorium, but also to establish a $4-million endowment to further the development of graduate studies. Even more remarkable than the size of the gift, which is still considered one of the most ambitious ever given to higher-level educa?tion, is the fact that neither of the Rackhams ever attended the University of Michigan.
Power Center for the Performing Arts
'he Power Center for the Performing Arts grew out of a realization that the University of Michigan had no adequate proscenium-stage theatre for the performing arts. Hill Auditorium was too massive and technically limited for most productions, and the Lydia Mendelssohn Theatre too small. The Power Center was designed to supply this missing link in design and seating capacity.
In 1963, Eugene and Sadye Power, together with their son Philip, wished to make a major gift to the University, and amidst a list of
Hill Auditorium
Power Center
University priorities was mentioned "a new theatre." The Powers were immediately inter?ested, realizing that state and federal govern?ment were unlikely to provide financial sup?port for the construction of a new theatre.
The Power Center opened in 1971 with the world premiere of The Grass Harp (based on the novel by Truman Capote).
No seat in the Power Center is more than seventy-two feet from the stage. The lobby of the Power Center features two hand-woven tapestries: Modern Tapestry by Roy J? Lichtenstein and Volutes by Pablo Picasso.
Due to renovations to Burton Memorial Tower, the Power Center will be home to the UMS Box Office for the duration of the cur?rent season.
Michigan Theater
"he historic Michigan Theater opened
January 5, 1928 at the peak of the vaude?villemovie palace era. Designed by Maurice Finkel, the 1,710-seat theater cost around $600,000 when it was first built. As was the custom of the day, the theater was equipped to host both film and live stage events, with a full-size stage, dressing rooms, an orchestra pit, and the Barton Theater Organ. At its opening the theater was acclaimed as the best
of its kind in the country. Since 1979, the theater has been operated by the not-for-profit Michigan Theater Foundation. With broad community support, the Foundation has raised over $8 million to restore and improve the Michigan Theater. The beautiful interior of the theater was restored in 1986. In the fall of 1999, the Michigan Theater opened a new 200-seat screening room addi?tion, which also included expanded restroom facilities for the historic theater. The gracious facade and entry vestibule was restored in 2000 and the balcony and backstage will be restored during 2001.
St. Francis of Assisi Catholic Church
In 1950, Father Leon Kennedy was appoint?ed pastor of a new parish in Ann Arbor. Seventeen years later ground was broken to build a permanent church building, and on March 19, 1969 John Cardinal Dearden dedi?cated the new St. Francis of Assisi Church. Father James McDougal was appointed pastor in 1997.
St. Francis of Assisi Catholic Church has grown from 248 families when it first started in 1950 to more than 2,800 today. The present church seats 900 people and has ample free parking. In 1994 St. Francis purchased a splen?did three manual "mechanical action" organ with thirty-four stops and forty-five ranks, built and installed by Orgues Letourneau from Saint Hyacinthe, Quebec. Through ded?ication, a commitment to superb liturgical music and a vision to the future, the parish improved the acoustics of the church build?ing, and the reverberant sanctuary has made the church a gathering place for the enjoy?ment and contemplation of sacred a cappella choral music and early music ensembles.
Lydia Mendelssohn Theatre
? otwithstanding an isolated effort to estab?lish a chamber music series by faculty and students in 1938, UMS recently began presenting artists in the Lydia Mendelssohn
Theatre in 1993, when Eartha Kitt and Barbara Cook graced the stage of the intimate 658-seat theatre for the 100th May Festival's Cabaret Ball. Now, with UMS' programmatic initiative to present song in recital, the superlative Mendelssohn Theatre has become a recent venue addition to UMS' roster and the home of the Song Recital series as well as the venue of choice for the world premiere of Curse of the Gold: Myths from the Icelandic Edda, part of UMS' new International Theater Festival.
Detroit Opera House
'he Detroit Opera House opened in April of 1996 following an extensive renovation by Michigan Opera Theatre. Boasting a 75,000 square foot stage house (the largest stage between New York and Chicago), an orchestra pit large enough to accommodate 100 musicians and an acoustical virtue to rival the world's great opera houses, the 2,800-seat facility has
rapidly become one of the most viable and coveted theatres in the nation. In only two seasons, the Detroit Opera House became the foundation of a landmark programming col?laboration with the Nederlander organization and Olympia Entertainment, formed a part?nership with the Detroit Symphony Orchestra and played host to more than 500 performers and special events. As the home of Michigan Opera Theatre's grand opera season and dance series, and through quality program?ming, partnerships and educational initiatives, the Detroit Opera House plays a vital role in enriching the lives of the community.
Music Hall
? riginally called the Wilson Theatre, Music Hall was completed in 1928 with funds provided by Matilda Wilson (Mrs. Alfred G.). William E. Kapp of Smith, Hinchman & Grylls, an architectural firm whose works dominated
Detroit's skyline of the 1920s, designed the Art Deco-style edifice. Terra-cotta Greek masks adorn the exterior, and elaborate molded plaster and stenciling complement the interior. The theatre's purpose of offering legitimate productions was initially fulfilled,
but during the Depression its lights dimmed except on sporadic occasions. From 1946 through 1949, the Detroit Symphony Orchestra occupied the structure which was renamed Music Hall. During the 1950s and 1960s, area residents came to the theatre to enjoy cinema. Now the home of the Music Hall Center, Music Hall is restored to its original use and appearance.
The Residential College Auditorium
'he Residential College (RC) is . an academic unit within the College of Literature, Science and the Arts (LSA), with roughly sixty faculty and 900 students, offering a four-year liberal arts education and a unique living-learning expe?rience in the East Quadrangle -one of the University's student residence complexes. A few years after the opening of the RC in 1967, the RC Auditorium was construct?ed in an alcove between exterior brick walls of the northern and southern parts of East Quad (these walls are still visible). In line with the founding philosophy of the RC Drama Program, the
Auditorium incorporates a thrust stage; more than 200 people can be seated around the stage on the main floor and in an overhanging bal?cony.
The Auditorium has been used as a class?room, lecture hall, movie theater and concert hall, as well as the site for hundreds of pro-
ductions by the RC Drama Program, the RC's "Brecht Company" (staging more than a dozen of Brecht's works), the RC's "Deutsches Theater" (performing plays in German), and the student-run "RC Players." Dramatic pro-
ductions at the Auditorium have ranged from Euripides to Sam Shepard and have included numerous student-written plays--some of them awarded Hopwood Prizes. Other events include Professor Peter Arnott's marionette realizations of Greek tragedies, Asian theater demon?strations, Native American danc?ing, a complete production of Mozart's Cost fan tutti, and a monodrama by lesbian activist Holly Hughes. The RC Auditorium has also been the site of readings by many promi?nent writers, including poets Allen Ginsberg, Jerome Rothenberg and John Sinclair as well as authors Christopher Curtis and John Hawkes.
Burton Memorial Tower
een from miles away, Burton
Memorial Tower is one of the most well-known University of Michigan and Ann Arbor landmarks. Completed in 1935 and designed by Albert Kahn, the 10-story tower is built of Indiana limestone with a height of 212 feet.
The familiar home of UMS Administrative offices undergoes
significant renovations this season, moving the UMS Box Office to a new, temporary location in the Power Center.
UMS Administrative offices have also been relocated--to 109 E. Madison--but please continue to use our Burton Memorial Tower mailing address.
Auditorium 4,163
Rackham : Auditorium-; 1,129
Michigan Theater 1,710 i
Power Center 1,390
Mendelssoh Theatre
658
St. Francis 950
tesidential College Auditorium --
225 ?
Music Hall 1,700
Detroit Oper House
University Musical Society
of the University of Michigan 20002001 Fall Season
Event Program Book Thursday, October 12 through Saturday, October 14,2000
General Information
Children of all ages are welcome at UMS Family and Youth Performances. Parents are encouraged not to bring children under the age of three to regular, full-length UMS performances. All children should be able to sit quietly in their own seats throughout any UMS perfor?mance. Children unable to do so, along with the adult accompanying them, will be asked by an usher to leave the auditorium. Please use discretion in choosing to bring a child.
Remember, everyone must have a ticket, regardless of age.
While in the Auditorium
Starting Time Every attempt is made to begin concerts on time. Latecomers are asked to wait in the lobby until seated by ushers at a predetermined time in the program.
Cameras and recording equipment are
prohibited in the auditorium.
If you have a question, ask your usher. They are here to help.
Please take this opportunity to exit the "information superhighway" while you are enjoying a UMS event: electronic-beeping or chiming digital watches, beeping pagers, ringing cellular phones and clicking portable comput?ers should be turned off during perfor?mances. In case of emergency, advise your paging service of auditorium and seat location and ask them to call University Security at 734.763.1131.
In the interests of saving both dollars and the environment, please retain this program book and return with it when you attend other UMS performances included in this edition. Thank you for your help.
Iceland Symphony Orchestra
Thursday, October 12,8:00pm Hill Auditorium
Gate Theatre Dublin Waiting for Godot
Friday, October 13, 8:00pm Saturday, October 14, 8:00pm Power Center
Gate Theatre Dublin Krapp's Last Tape
Saturday, October 14, 2:00pm Saturday, October 14, 5:00pm Residential College Auditorium
Buena Vista Social Club presents Omara Portuondo with special guest Barbarito Torres
Saturday, October 14,8:00pm Hill Auditorium
UMS
with
O'Neal Construction, Inc.
and
Elastizell Corporation of America
present
Iceland Symphony Orchestra
Rico Saccani Music Director Judith Ingolfsson Violin
Program Thursday Evening, October 12,2000 at 8:00
Hill Auditorium, Ann Arbor, Michigan
. AtliHeimir Sveinsson Icerapp 2000 (US Premiere)
Aram Khachaturian
Concerto for Violin and Orchestra in d minor
Allegro con fermezza Andante sostenuto Allegro vivace
? . ':. ?:i,:u'.v .
Judith Ingolfsson,
Jean Sibelius
INTERMISSION."51
Symphony No. 1 in e minor, Op. 39
Andante ma non troppo--Allegro energico .-. Andante (ma non troppo) Scherzo (Allegro) . Finale (Quasi una fantasia)
Fifth Performance of the 122nd Season
122nd Annual Choral $ Union Series 0m '
The photographing or sound' recording of this concert or possession of any device for '] such photographing or sound) recording is prohibited. 5'
This performance is co-sponsored by Elastizell Corporation of America and t O'Neal Construction, Inc. ; j
Special thanks to Joe O'Neal of O'Neal Construction and to Leo Legatski of Elastizell Corporation of America for their generous support of the University Musical Society.
Additional support provided by media sponsor, WGTE.
The Iceland Symphony Orchestra with Rico Saccani, Music Director, appears) by arrangement with New World Classics, Kerby Lovallo, Director. Sauifc Rico Saccani is represented in North America by Robert Lombardo & Associates. Judith Ingolfsson is represented for this tour by Concert Artists Guild. , .
The Iceland Symphony Orchestra may be heard on Arsis Classics, BIS, ; Chandos, and Naxos recordings.
The Iceland Symphony Orchestra's North American tour is made possible : through the generosity of the Leif Eriksson Millennium Commission.
Large print programs are available upon request.
Icerapp 2000
Atli Heimir Sveinsson Born September 21, 1938 in Reykjavik, Iceland
I have written many pieces similar to my piece on tonight's program. The first was written in 1980, before the "rapp" was discovered for Zygmunt Krauze and his ensemble. It was played at the Warsaw Autumn Festival and on the festival of the International Society for Contemporary Music in Brussels.
Originally I called these pieces "rondo fantastico," which is a more accurate descrip?tion of the music itself. The last rap before Icerapp was Eurorapp for youth choir and solo trombone, which was performed last summer in nine European cultural capitals, among them, Reykjavik, Iceland.
My idea was to try to revive the spirit of the divertimento of the eighteenth century-music that does not take itself or the world too seriously, but is there to entertain on an intellectual level--with a layer of humor.
John Cage once said, "take it easy but take it." He also said, "I have nothing to say and I say it." The postmodernists say that no new creation is possible, only the recycling of the old ones. When I have no ideas I can always compose rap. I just start; steal from myself rather than from others. But I imitate others sometimes more or less precisely. This time there are quotations from Stravinsky, the Icelandic national com?poser Jon Leifs, Beethoven, Gershwin and possibly others without me knowing it.
The piece is based on the rhythm of the Icelandic rimur. It is contains the irregular rhythm of 1234-123-1234-12, etc. I invent endless nonsense-melodies on this rhythmic pattern. There is no form, no variation, but hopefully always something new to hear.
As John Cage said, "Happy new ears."
-Atli Heimir Sveinsson
Concerto for Violin and Orchestra in d minor
Aram Khachaturian
Born June 6, 1903 in Tiflis (now Tbilisi,
Republic of Georgia) Died May 1, 1978 in Moscow
When Aram Khachaturian arrived in Moscow from the provinces, he was eigh?teen years old, and had very little musical training to speak of. His parents were not particularly well educated or wealthy, and a musical career for their son was the furthest thing from their minds. But Aram had a brother named Suren, who was fourteen years older than he and had long been active in the Moscow arts world as a stage director. In the summer of 1921, Suren (who used the Russianized surname Khachaturov) came back to Tiflis on the heels of the Red Army which had just established the Soviet Republics of Armenia, Georgia, and Azerbaijan in the Caucasian region. Suren's mission was to recruit talented young peo-pie to take back to Moscow where they '.' would be educated as Soviet artists and intellectuals. One of his recruits was his own little brother. The following year, Aram was admitted to the Gnessin Music School i where he took up the cello (which he touched for the first time at the age of nine?teen) and composition. After seven years of hard work, he was ready to be admitted to the Moscow Conservatory, where he studied with the revered Nikolai Myaskovsky. He ' was over thirty by the time he graduated, rr; but he emerged from school as a composer with a solid technique and a natural gift for melody. Even more importantly, he was imbued with the musical traditions of his native Transcaucasia, where he had grown up in an ethnically mixed environment, ?... exposed to Armenian, Georgian, and Azerbaijani music. Since the nineteenth cen-tury, Russian musicians had been drawn to
the traditions of the East; now, finally, there was a native-born composer who was able to draw on these sources to enrich the palette of Russian music with exotic colors and melodies. That was the idea to which Khachaturian devoted his talents. He became the first Armenian composer to achieve an international reputation, some?thing he always believed wouldn't have been possible without the Soviet system.
The Concerto for Violin was written a few years after Khachaturian established his international reputation with his Piano Concerto. It was inspired by the artistry of David Oistrakh, one of the greatest violinists of the twentieth century. Oistrakh played the first performance of the piece in Moscow in 1940, and the work soon triumphed all over the world.
It is evident from the outset that Khachaturian had the gift of melody, some?thing that can't be taught in school. All three movements of the concerto are posi?tively overflowing with the most ingratiating tunes, some of a distinctly Oriental flavor. At the same time, Khachaturian speaks the idiom of the Romantic virtuoso concerto with the same natural fluency as the nine?teenth-century proponents of the genre. In Khachaturian's extended cadenza for the first movement, the first clarinet interjects a few phrases; Oistrakh later wrote another one that the composer later preferred to his own.
The expressive lyrical theme of the slow movement undergoes considerable develop?ment, with some brilliant passagework and considerable dynamic growth. A mysterious second theme, played by the violas to the pizzicato (plucked) accompaniment of cellos and basses, has reminded an Armenian commentator of two nostalgic Armenian songs. The last movement is a rondo over an irresistible and unforgettable theme in clas?sical style, with episodes in turn songful and virtuosic. The musical pyrotechnics contin?ue to the very end of the work.
Symphony No. 1 in e minor, Op. 39
Jean Sibelius
Born December 8, 1865 in Hameenlinna,
Finland Died September 20,1957 in Jarvenpdd, Finland
Only six years separate Tchaikovsky's last symphony from Sibelius' Symphony No. 1. The Russian master--a modern master in the last years of the nineteenth century-was one of the most important early influ?ences on Sibelius who once confided in a letter to his wife: "There is much in that man that I recognize in myself." Later, how?ever, he declared that the differences between himself and Tchaikovsky were more important than the similarities:
I cannot understand why my symphonies are so often compared with Tchaikovsky's. His symphonies are very human, but they represent the soft part of human nature. Mine are the hard part.
Of course, Sibelius' later symphonies have less and less to do with Tchaikovsky or any other model for that matter. In Symphony No. 1, those links are still fairly apparent, not least in the way the opening melody returns in the last movement. Yet the style of that melody, and of all the other themes in the work, bears the unmistakable stamp of a new symphonic genius, one who was destined to carry the tradition into the twentieth century and steer a unique course between traditionalism and innovation in seven masterpieces written over a period of twenty-five years.
It is hard to say what has made so many people, for the last 100 years, feel that Sibelius' music is redolent of the cold winds and dark skies of the North, yet the impres?sion is definitely hard to shrug off when we listen to this music. The very opening, a slow introduction in which a solitary clar?inet playing a sad tune over a soft tremolo in
the timpani, strikes an austere and forebod'ing note. The "Allegro" theme is passionate " but terse; it grows into a grandiose statement, combined with a second idea that begins more subdued but undergoes its own remarkable transformation. After a wonder-j ful lyrical expansion, the "Allegro" theme . returns triumphantly, and the second theme, now greatly excited, brings about an unex? pected dramatic ending. j
The opening theme of the second-move-; ment "Andante" is simple, yet profound; a ' classical cadential figure, almost a cliche, sounds on two clarinets playing parallel ? sixths as never before. A second, fugal idea fl leads to the movement's first fortissimo pas? sage. Then the music takes a step back, and W the French horns sing a haunting melody J against the Wagnerian "forest murmurs" of the violins. The opening theme returns, much more richly orchestrated; the sad song is gradually transformed into an agitated statement as the tempo is doubled. After the climactic moment, the opening melody returns in its original form.
The "Scherzo" grows out of a brief melodic gesture, like several of Bruckner's scherzos. Interestingly, the elements of m scherzo and dance do not completely allevi-'S ate that unique brooding quality that is so M typical of Sibelius except, perhaps, in the J brief fugal section. The trio, slower in r
tempo, is dominated by horns, clarinets, bassoons and flutes--instruments creating iSj an atmosphere that is, in equal parts, pasa toral idyll and mysterious oracle. A recapitu? lation of the "Scherzo" follows.
The finale is marked "quasi una fantasia" because its form is somewhat unusual: a slow introduction is followed by a stormy M fast section alternating with a sweeping, m hymn-like melody. The suspenseful intro-duction is based on the clarinet melody that opened the first movement. The allegro _ molto takes a dance-like motif and develops it in a most dramatic way. The hymn
melody brings a total contrast. The return?ing allegro is even more agitated and tense than before. Finally, the return of the ; ? hymn--in E Major--brings much-needed v respite at first, but the tonality soon changes back to e minor and with it, the mood dark?ens and more and more dramatic elements appear. The tempo remains stately and dig?nified, which only increases the tension at i the end of this remarkable symphony. i
:i
Program notes by Peter Laki.
------celandic violinist Judith Ingolfsson
is the 1998 gold medal winner of ; the quadrennial International Violin Competition of Indianapolis. Her ui artistry was recently heralded as "effortless; her tone ravishingly beautiful, pure and adaptable; her sense of style unerr?ing; and her expressiveness simple, direct and strongly felt." ;5
Ms. Ingolfsson's Carnegie Hall debut recital in April 2000 affirmed her ascendancy as a rising star and gave notice of a virtuoso of extraordinary technical command, sensi?tivity, and compelling presence. In addition to her triumph in Indianapolis, that same year she received the Nathan Wedeen Management Award sponsored by Concert Artists Guild. She was also third prize laure?ate and audience favorite at the 1997-f Paganini Violin Competition. "
Since making her solo orchestral debut in Germany at the age of eight, Ms. Ingolfsson has appeared with numerous orchestras internationally. Recent season highlights include the Philadelphia Orchestra led by Wolfgang Sawallisch, the St. Louis Symphony conducted by Jesus Lopez-Cobos, the Indianapolis Symphony, and the San Diego Symphony with Gerard Schwarz. She has also performed with the Kansas City Symphony, Pacific Symphony, Grand Rapids
Symphony, Chautauqua Symphony Orchestra, and the Orchestra of Teatro Carlo Felice in Italy. This October, Ms. Ingolfsson embarks on a fifteen-city North American tour with the Iceland Symphony that will include Kennedy Center, the University Musical Society of the University of Michigan and a return visit to Carnegie Hall.
As a recitalist, Ms. Ingolfsson is admired for her lyricism, profound musical convic?tion, and elegance of interpretation. She has performed throughout the US, including recent engagements in New York City, Philadelphia, Cleveland, and abroad in Austria, Spain, Switzerland, Hong Kong and Iceland. Her festival appearances include the Spoleto Festival, the Cape and Islands ---------?; Chamber Music :
Festival, the Menuhin Festival in
Switzerland, and the Orlando Festival in the Netherlands.
Ms. Ingolfsson's critically acclaimed performances have : been broadcast on PBS and WQXR of New York City, CBS Sunday Morning, and
NHK of Japan. In 1999, National Public Radio's Performance Today named her "Debut Artist of the Year" praising her "remarkable intelligence, musicality, and sense of insight." Her debut recital CD will be released later this year on the Catalpa
A native of Reykjavik, Ms. Ingolfsson' studied with Jascha Brodsky at the Curtis: Institute, and David Cerone and Donald ;, Weilerstein at the Cleveland Institute. She plays the 1683 Stradivarius formerly owned by Josef Gingold and currently on loan from the International Violin Competition of ;i_ Indianapolis.
Tonight's performance marks Judith .? Ingolfsson's UMS debut.

ico Saccani was appointed Musk Director of the Iceland Symphony Orchestra beginning in Fall 1998. Mr. Saccani is also Music Director . and Artistic Advisor of the -----Budapest Philharmonic Orchestra. He began his career as a concert pianist, quickly establishing himself as a soloist in appear.3 ances with prestigious ensembles including the San Francisco Symphony, the Vienna Symphoniker and the London Royal Philharmonic Orchestra. From 1982 to 1984 he was the assistant to Giuseppe Patane with the American Symphony Orchestra and the Arena di Verona; during this period he won First Prize in the Herbert von Karajan con?ducting competition in Berlin which led to
engagements with the Berlin Radio .
Orchestra, the
77"
Stuttgart Radio Orchestra, the Royal Danish Philharmonic in Copenhagen, the Hungarian State
n__ . . l____ . J .1. _
UllllLllVllT UIIU H
Spoleto Festival.
In 1985 Maestro Saccani made his -p debut at the Vienna
State Opera where he was called to substitute for Carlos Kleiber and was re-eneaeed for .. performances of Rigoletto, La Boheme, 3 Cavalleria RusticanaPagliacci, and Lucia di Lammermoor. During the same season, he conducted Luciano Pavarotti in La Boheme for a PBS-TV broadcast from the Philadelphia Opera as well as Rossini's Turco in Italia at... the Rossini Festival (Pesaro, Italy). f
?.; Maestro Saccani has returned on numer?ous occasions as guest conductor of the Bayerische Rundfunk Orchestra (Munich), the Czech Philharmonic, the Irish National Symphony, the Madrid and Bilbao Symphony Orchestras and the Tokyo Yomiuri Orchestra. He has appeared at the Hamburg State Opera
conducting Othello, the Lyon Opera (Andrea Chenier), Toulouse Opera {Adriana Lecouvreur), Arena di Nimes Festival (Carmen), Monte-Carlo Opera (Barber of Seville with Cecila Bartoli), Paris Opera Comique (Count Ory), Rome, Dresden and Cologne Operas (Madame Butterfly, Tosca, and Falstaff).
In 1990, Maestro Saccani made his Metropolitan Opera debut in Trovatore and was re-engaged for the first International Texaco radio broadcast (La Traviata) and later Aida.
Important future projects include his returning to the Avenches Opera Festival for Rigoletto (he already had enormous success there with his Turandot and Nabucco perfor?mances) as well as to the Santander Festival in Spain (where he debuted with Turandot).
Maestro Saccani is a graduate of the University of Michigan's School of Music.
Tonight's performance marks Maestro Rico Saccani's UMS debut.
tli Heimir Sveinsson was born in Reykjavik, Iceland in 1938. At age ten he undertook piano lessons. At the Reykjavik College of Music he studied piano with Rognvaldur Sigurjonsson and received his diploma in 1957. He studied at Staatliche Hochschule fur Musik in Cologne, Germany between 1959-1962.
He studied composition with Giinther , Raphael and Rudolf Petzold, instrumenta?tion with Bernd Alois Zimmermann, con?ducting with Wolfgang von der Nahmer and piano with Hermann Pillney and Hans Otto Schmidt. He also took private lessons ' with Gottfried Michael Koenig. Sveinsson received his diploma in composition and theory in 1963 and shortly after attended summer courses in Darmstadt, making the acquaintance of Oliver Messiaen, Pierre
Boulez, Gyorgi Ligety, and Bruno Maderna. In 1964 he studied with Karl Heinz Stockhausen at Kolner kurse fur neue Musik at Reiniscke Musikhochschule. In 1965 he went to Holland and studied electronic music with Gottfried Michael Koenig in Bilthoven.
Mr. Sveinsson has since lived in Iceland where he founded a class of composition at Reykjavik Collega of Music. Among his stu?dents are Atli Ingolfsson, Haukur Tomasson, Porsteinn Hauksson, Kjartan Olafsson and Helgi Petursson.
Mr. Sveinsson was president of the Icelandic Composers' Association between 1972-83. He organized the festival and ;. general assembly of International Society,; for Contemporary Music in Iceland in 1973. He was also president of the Nordic .--Composers' Council between 1974-76 and organized the Nordic Music Days in Reykjavik in 1976. In 1980, he founded Dark Music Days, a festival for contempo' rary Icelandic music.
Mr. Sveinsson was elected a member of " the Royal Swedish Academy of Music in 1993.
he Iceland Symphony Orchestra, ? ' founded in 1950, is one of the youngest national orchestras in Europe, and its high level of artistry is a remarkable statement by a nation of just 270,000 people. Iceland's literary his?tory dates to its acclaimed medieval Sagas, while the history of the performing arts is unusually short. First attempts to form an orchestra started around 1920 but it was not until 1950 that the Symphony Orchestra was ; established with forty musicians. The .HS" Orchestra has grown slowly but surely over' ' the years, and in 1982 parliamentary legisla?tion gave it the security of federal support Today there are eighty permanent musicians,"v augmented as repertoire requires.
The Iceland Symphony Orchestra's music
directors over the years have greatly influ?enced the orchestra's development, among them Olav Kielland, Jean-Pierre Jacquillat, Petri Sakari, and Osmo Vanska. Since September 1998, American conductor Rico Saccani has filled this post. Guest artists have further enriched the orchestra, most notably Icelandic citizen Vladimir Ashkenazy, as well as conductors Gennady Rozhdestvensky, Rafael Friihbeck de Burgos, Andre Previn, Daniel Barenboim, composer Aram Khatchaturian, and soprano Teresa Bergenza.
The Iceland Symphony Orchestra makes its home in the Haskolabio Concert Hall in Reykjavik where it has a twenty-six-week season. Twice a year tours are made to dif?ferent parts of the island, and tours abroad have been to the Faroe Islands, Germany, Austria, France, Finland, Sweden, Denmark, and, in 1996, to the US. Their Carnegie Hall concert prompted this response from The New York Times: "defied expectations with a sensational Carnegie Hall debut...one began noticing the orchestra's fine qualities: smooth, burnished string tone, bright, focused winds and handsome, well-behaved brass, an excellent balance overall."
Regular recordings are made for the National Broadcasting Company, which are broadcast in both Iceland and numerous radio stations abroad. The ISO has recorded works by Grieg, Sibelius (a complete sym?phony cycle), Medotoja, Svendsen and Icelander Jan Liefs, for the Chandos, Bis, and Naxos labels.
Tonight's performance marks the Iceland Symphony Orchestra's UMS debut.
Iceland Symphony Orchestra
Rico Saccani, Music Director
First Violin j
Sigriin E6valdsd6ttir, '
Conccrtmaster '?
Andrzej Kleina
Agusta 6nsd6ttir 1
Asdis Iorsteinsd6ttir ',
Rut Ing6Ifsd6ttir ,
Juliana Elin Kjartansdbttir Ragnhildur Petursdottir ,
Margret Kristjdnsd6ttir ?''
Martin Frcwcr Olga Bjork Olafsdbttir Rosa Gudmundsd6ttir Mark Rcedman Zbigniew Dubik Roland Hartwell Hjorlcifur Valsson
Second Violin
Greta Gudnad6ttir
Hildigunnur Halld6rsd6ttir
Armcn Sargsyan
Christian Diethard
D6ra Bjorgvinsd6ttir '.
Kristjan Matthiasson
Margret I'orsteinsd6ttir
Hildur Arsa:lsd6ttir
S61run Gar6arsd6ttir
Maria Weiss
Lilja Hjakad6ttir
t6rdis Stross
Ari Vilhjalmsson
(ma I'oll lonsdottir
Viola ?
Helga I'6rarinsd6ttir Gudmundur Kristmundsson Anna Maguire Eyjdlfur Alfredsson Gu6riin I6rarinsd6ttir )6nina Hilmarsd6ttir Kathryn Harrison Laufey Petursd6ttir Margret Hjaltested Mrarinn Baldursson Gufinin Hrund Haroard6ttir 1 Sesselja Halld6rsd6ttir J
Cello
Bryndis Halla Gylfad6ttir j
Richard Talkowsky r.
Audur Ingv.idottir i
Bryndis Bjorgvinsddttir "j
Victoria Tarevschi ;
Inga Ros lngolfsdottir :
Lovisa Fjeldsted
Olof S. Oskarsd6ttir j
Sigurgeir Agnarsson '
Sigurdur Bjarki Gunnarsson
Double Bass
Hivardur Tryggvason J6hannes Georgsson Dean Ferrcll Pall Hannesson Richard Korn l'6rir )6hannsson Gunnlaugur T. SteHnsson Olfar I. Haraldsson
Flute
Hallfridur Olafsdbttir Arna Kristin Einarsd6ttir Martial Nardeau
Oboe
Dadi Kolbeinsson H61mfrfdur 6roddsd6ttir Kristjan 1 Stephensen
Clarinet
Einar lohannesson Kjartan Oskarsson
Bassoon
Hafsteinn Gudmundsson
Riinar Vilbergsson
Brjann Ingason
Kristin Mjoll )akobsd6ttir
Horn
Joseph Ognibene
Porkell J6elsson
Lilja Valdimarsd6ttir
Emil Fridfinnsson
Stefan 6n Bernhardsson
Trumpet
Asgeir Steingrimsson Einar )6nsson Eirikur Orn Pllsson
Trombone Oddur Bjornsson Sigurdur horbergsson David Bobroff
Tuba
Bjarni Gudmundsson
Harp
Monika Abendroth
Elisabet Waage
Timpani
Eggert Pilsson
Percussion
Steef van Oostcrhout Reynir Sigurdsson Ami Askelsson P?tur Grdtarsson
Charles Hall
Pepper Hamilton LLP
present
Gate Theatre Dublin
Michael Colgan,Director
Friday Evening, October 13, 2000 at 8:00 Saturday Evening, October 14, 2000 at 8:00 Power Center, Ann Arbor, Michigan
Waiting Tor Qodat
Lighting Designer
by Samuel Beckett
Walter D. Asmus Louis le Brocquy Rupert Murray
Sixth and
Seventh Performances
of the 122nd Season
Samuel Beckett Mini-Festival
First Annual International Theater Festival
The photographing or sound recording of this concert or possession of any device for such photographing or sound recording is prohibited.
The Friday evening performance is sponsored by Pepper Hamilton LLP.
? 'ii
The Saturday evening performance is presented with the generous support ' of Charles Hall. ....
Special thanks to Michael Staebler and Rebecca McGowan of Pepper
Hamilton and to Charles Hall for their generous support of the University i Musical Society. ?raittw ?-??'
Additional support provided by media sponsor, Michigan' Radio. 3i
Special thanks to area theater professionals, organizations and aficionados for" j their support of this production, and specifically Enoch Brater, Performance M Network, and Erik Fredricksen for their involvement in this residency. .635
Presented through special arrangement with Georges Borchardt, Inc., on M behalf of the Estate of Samuel Beckett. .-iSj
Large print programs are available upon request. $
x0CAST
Vladimir
Estragon
Pozzo
Lucky
Boy
Barry McGovern Johnny Murphy Alan Stanford Stephen Brennan Dan Colley
a tragicomedy in two acts
Act One
A country road. A tree. Evening.
Intermission
Act Two
Next day. Same time. Same place.
Waiting for Godot was premiered (in French as En Attendant Godot) at the Theatre de Babylone (Paris) on January 5, 1953.
A Note From The Company
amuel Beckett has lived with most of us on this tour for many years. David Kelly was the first actor to play Krapp in Ireland when he was a very old youn man in 1959. He also played a memorable Vladimir at Stratford East in London. Johnny Murphy has played in more Beckett productions than any of us. Apart from playing the reader in Ohio Impromptu, he is the quintessential Estragon and I am the eighth (or is it ninth) Vladimir he has played with. Alan Stanford and Stephen Brennan have strong Beckett pedigrees, there being a Krapp, Man in Play, Hamm in Endgame, Speaker in A Piece of Monologue ; and 'C in Rough for Theatre II between ; them. (Work it out for yourselves as to who played what!) Dan Colley is now an old hand at playing the boy. And I've been in a few productions myself too.
Touring with Godot has taken us to a variety of places from Seville in Spain for Expo '92 (where theatre is usually of a more bloody kind: in the round with swords and bulls) to the Melbourne Festival in Australia in 1997. We've also played towns in Ireland like Tralee and Kilkenny as well as big cities like London, Chicago and New York. Each time the experience varies. Playing Beckett to audiences who don't have a great sense of irony can be tricky. In Charleston, South Carolina, when I was playing my one-man show I'll Go On at the Spoleto Festival, one very old man left at the interval saying in a deep southern drawl, "He keeps talkin' about dayith the whole tahm!"
I
In the global village we now inhabit,
where television pumps an anodyne of" Western culture into most living rooms, : we're more aware ol cultural differences.
Dublin humor tends to be sardonic l with a lot of irony. So in New York there isfe no problem. In the global village we now ?_ inhabit, where television pumps an anodyne of Western culture into most living rooms, we're more aware of cultural differences.
Perhaps the most intrusive phenome-jsjjjj non of modern living is the ubiquitous 'Wt? mobile phone. Though audiences are nowjpi asked to switch these off, there are always $ftj one or two people who don't. It was in ourS;, home city of Dublin that one such phone ,'g rang during a performance of Waiting for aj,,. Godot. It was during a long pause and I was ' '" sorely tempted to turn to Johnny Murphy and say "It's Godot!" Y""" "
Maybe it was. '3
Barry McGovern j
September 2000
Samuel Beckett A Chronology
Samuel Barclay Beckett born on Good Friday, April 13, at Foxrock, Dublin, the second son of William and Mary Roe Beckett.
1920-23
Educated at Portora Royal School, Enniskillen.
1923-27
Reads French and Italian at Trinity College, Dublin. In BA examinations placed first in class in Modern Literature. Spends summer vacation in France, on a bicycle tour of the Chateaux of the Loire.
1928
Exchange lecturer at Ecole Normale Superieure in Paris. Meets James Joyce.
1930
First separately published work, a poem, Whoroscope. Appointed assistant lecturer in French, Trinity College, Dublin.
1931
Performance of first dramatic work, Le Kid, a parody of Corneille, at the Peacock Theatre, Dublin. Proust, his only major piece of literary criticism, published. Resigns his lectureship in Trinity.
1932
Lives for brief periods in Kassel, Paris, London and Dublin.
1933
Death of his father.
1934
Publication of More Pricks than Kicks.
Echo's Bones, a cycle of thirteen poems, pub?lished.
1937
Moves to Paris. In November testifies in Dublin at the libel trial of Oliver St. John Gogarty.
1938
Stabbed on the street by a Parisian pimp named Prudent. Murphy, his first novel, is published after forty-two rejections.
French Resistance group in which Beckett is active is betrayed to the Gestapo. Beckett escapes and flees to Roussillon, near Avignon, where he remains during the next two years.
1945
Awarded the Croix de Guerre for his work in the Resistance movement.
1946
Begins writing the trilogy of novels Molly, Malone Dies and The Unnamable in French.
1949
Finishes writing En Attendant Godot.
1950
Death of his mother.
1953
World premiere of En Attendant Godot at the Theatre de Babylone in Paris.
1954
Waiting for Godot, translated by Beckett, is published by Grove Press in New York.
1957
World premiere of Fin de Partie, in French, at the Royal Court Theatre, London.
1958
World premiere of Krapp's Last Tape in London.
1959
Receives an honorary degree from Trinity College, Dublin. Embers, a radio play, wins the Italia Prize.
1961
World premiere of Happy Days in New York.
World premiere of Play in German translation in Ulm.
Film made in New York starring Buster Keaton.
1968
Come and Go performed for the first time in English at the Peacock Theatre, Dublin.
1969
Awarded the Nobel Prize for Literature.
1972
World premiere of Wot I at the Lincoln Center, New York.
1975
Directs Waiting for Godot at the Schiller Theatre, Berlin.
1976
That Time and Footfalls performed in London. Ends and Odds published in London and New York.
1978
Publication of Mirlitonnades (short poems).
1980
Publication of Company, a novella.
1981
World premiere of Rockaby and Ohio Impromptu in America.
1982
Catastrophe, dedicated to the imprisoned Czech dramatist Vaclav Havel, is performed in France. Quad is premiered on German television. Ill Seen III Said is published in London.
1983
What Where is premiered in New York.
1984
Collected Shorter Prose, 1945-1980 is published in London.
1986
Samuel Beckett: The Complete Dramatic Works is published in London.
1988
"What is the word" is published in Grand Street, New York.
Stirrings Still is published in London and New York and as Soubresauts in Paris. Beckett dies in Paris on December 22.
Stephen Brennan (Lucky) has worked almost exclusively at the Gate since 1988 j with appearances including An Ideal ? Husband, Private Lives, Waiting for Godot with which he toured to Seville, Chicago,'j New York, Toronto and London, Tartuffe i and A Midsummer Night's Dream. He also' " appeared in Betrayal during the Gate's 1997 ' Pinter Festival, Present Laughter, Pride and Prejudice, She Stoops to Conquer, The Picture of Dorian Gray, Stella by Starlight, Art and Cyrano de Bergerac. He was a member of the Abbey Theatre for eight years, where he played more than sixty leading and support-ing roles, including the title role in Hamlet. He joined the National Theatre of Great -is Britain in 1983. Other stage appearances -include Frank'n'Furter in The Rocky Horror Show and Petruchio in The Taming of the :. Shrew. Film work includes Eat the Peach, 'fp Conspiracy of the Rings, Stolen Minds and The General. His television work includes El Cid, Ballykissangel, Father Ted and ?r Mystic Knights. Most recently, Mr. Brennan appeared in A Life by Hugh Leonard at the Abbey Theatre and he has just completed J A Piece of Monologue for the Beckett Filmjp Project. ,rj_ ,__?_-__Jr&"
Dan Colley (Boy) is a drama student at the ; Betty Ann Norton School. He appeared as the Boy in the Gate's production of Waiting for Godot at the World Stage Festival in : " Toronto in April 1998 and again for the : Gate's Beckett Festival at the Barbican ,-,_, Centre, London, in September 1999. Dan ;Bs also appeared in the Gate's 1998 Christmas production of Cyrano de Bergerac and most
You Like It. He is a first-year student at Mount Temple Comprehensive School.
Barry McGovern (Vladimir) trained at the Abbey Theatre where he spent four years as a member of the company. Theatre work includes the title roles in Ivanov and Stephen
D., Tom in The Norman Conquests, Jaques in As You Like It, Aston in The Caretaker, Quince in A Midsummer Nights Dream, Dodge in Buried Child, Launcelot Gobbo in The Merchant of Venice, Caiaphas in Jesus Christ Superstar, Lucky and Estragon in Waiting for Godot, Austin in True West, John Lennon in John, Paul, George, Ringo...and Bert, the Major-General in The Pirates of Penzance, the Director in Noises Off, Fredrik in A Little Night Music, Krapp in Krapp's Last Tape, Gonzalo in The Tempest, Creon in Oedipus, Father Jack in the original Abbey Theatre production of Dancing at Lughnasa and Kreon in Medea. Television work includes Dear Sarah, The Treaty, Amongst Women, Ballykissangel and Disney's Miracle at Midnight. Films include Joe Versus the Volcano, Billy Bathgate, Far and Away,..,., . .r Braveheart and The General. ]
In the Gate's Beckett Festival, Mr. McGovern played Vladimir in Waiting for''. Godot, Willie in Happy Days and Clov in Endgame. Beckett radio work includes Embers (with Billie Whitelaw), Rough for Radio II and Stirrings Still. He directed All That Fall. His award-winning one-man show, 77 Go On, adapted from Beckett's novels, was produced by the Gate Theatre and has played all over the world. JMJjut!
Johnny Murphy (Estragon) starred in the hit film The Commitments. He most recently appeared at the Gate as Corin in As You Like It. Previous appearances at the Gate include Arrah-na-Pogue and The Saints Go Cycling In. For the Gate's Beckett Festival at Lincoln Center in New York and the Barbican Centre in London, he appeared in Waiting for Godot, Ohio Impromptu and Catastrophe. His recent theatre productions include Buddleia at the Donmar Warehouse,
London, Do Not Like Thee, Dr. Fell at the Gaiety, Brothers of the Brush at the Olympia, Sive at the Abbey, and A Picture of Paradise, At Swim Two Birds and The Passion of Jerome at the Peacock. Film credits include Angela's Ashes, The War of the Buttons, Into the West, I Went Down and Fools of Fortune. Television credits include Scarlett, Against All Odds and The Bill. Mr. Murphy has recently completed Two Gallants for BBC Radio.
Alan Stanford (Pozzo) has for the past twen?ty years been both a principal actor and leading director with the Gate Theatre Dublin. Notable performances include Salieri in Amadeus, Astrov in Uncle Vanya, Higgins in Pygmalion, Valmont in Les Liaisons Dangereuses, Illingworth in A Woman Of No Importance, and Sir in The' Dresser. His performance as Herod in Oscar . Wilde's Salome has been acclaimed interna?tionally. During the Gate's 1991 Beckett Festival he performed as Pozzo in Waiting ;for Godot and as Hamm in Endgame--per; formances he repeated to considerable criti.] cal acclaim at Lincoln Center in New York and the Barbican Centre in London. ?
As a director with the Gate, Mr. Stanford's work includes Romeo and Juliet, Tartuffe, Present Laughter, Pride and Prejudice, The Picture of Dorian Gray (which he co-adapted), Great Expectations, A Tale of Two Cities, The Collection starring Harold Pinter, Lady Windermere's Fan, An Ideal Husband, Cyrano de Bergerac, A Christmas Carol and most recently Arms and the Man. He has considerable experience as a director of Shakespeare and earlier this year directed a new version of Oedipus. He was also nom?inated for an Irish Times Theatre Award for his production of The Mayor of Casterbridge.
Walter D. Asmus (Director, Waiting for Godot) first directed Waiting for Godot for the Gate Theatre in 1988. He is a well-known German theatre director who worked with Samuel Beckett on many occaj sions for the stage and television, from the time they first met at the Schiller-Theatre in Berlin, and became his assistant director on the famous 1975 production of Waiting for Godot. He has directed all of Beckett's plays internationally, including Waiting for Godot at the Brooklyn Academy of Music in 1978. His television work includes Footfalls, Rockaby and Eh Joe with Billie Whitelaw, and a French version of Waiting for Godot with Roman Polanski as Lucky. This year he directed Footfalls with Irish actress Susan FitzGerald for the Beckett Film Project. He has recently established a German Beckett Society and is the co-director of this September's international Beckett-festival "Beckett in Berlin 2000." Mr. Asmus was a"" close friend of Beckett until the writer's death in 1989. !
Louis le Brocquy (Designer, Waiting for : Godot) is Ireland's most distinguished living artist. Born in Dublin in 1916, he left Ireland and his grandfather's business in 1938 to become a painter. Self-taught, he studied in museums in London, Paris, Venice and Geneva, then exhibiting the Prado collection during the Spanish Civil War. In 1946 he began his long association with Gimpel Fils and settled in London, where he became a prominent member of a disparate group of painters that included Nicholson, Pasmore, Scott, Heron, Freud and Bacon. During this period he began to exhibit internationally, winning a major prize at the Venice Biennale in 1956. In 1958 he married the young Irish painter Anne Madden and left London to work with her in the relative isolation of the French Midi. Following his discovery in 1964 of decorated Polynesian ancestral skulls in the Paris Musie de L'Homme, le Brocquy set
out upon his long series of head images. Initially anonymous, these images later depicted specific artists such as Yeats, Joyce and Beckett. It was at the latter's request that le Brocquy illustrated his valedictory book, Stirrings Still, and designed the set and cos?tumes for Waiting for Godot.
Retrospective exhibitions of the artist's work have been held in museums in the US, France, Belgium, Japan, Australia and Ireland, and he is represented in numerous public collections including Foundation Maeght, St. Paul; Guggenheim Museum, New York; Hirshhorn Museum & Sculpture Garden, Washington DC; Irish Museum of Modern Art, Dublin; Kunsthaus, Zurich; Musee d'Art Moderne de la Ville de Paris; Musee Picasso, Antibes and the Tate Gallery, London. The artist now lives and works in Ireland. Further details about his work can be obtained at www.lebrocquy.com.
This weekend's performances mark The Gate Theatre's debut appearances under UMS auspices.
Pepper Hamilton LLP
Charles Hall
present
Gate Theatre Dublin
Michael Colgan,Director
Saturday Afternoon, October 14,2000 at 2:00 Saturday Afternoon, October 14, 2000 at 5:00 Residential College Auditorium, Ann Arbor, Michigan
rapp's Last Tape
by Samuel Beckett
Director
Pat Laffan Giles Cadle Rupert Murray
Eighth and
Ninth Performances
of the 122nd Season
Samuel Beckett Mini-Festival
First Annual International Theater Festival
The photographing or sound recording of this concert or possession of any device for such photographing or sound recording is prohibited.
The 2:00 performance is sponsored by Charles Hall.
The 5:00 performance is sponsored by Pepper Hamilton LLR-;
Special thanks to Charles Hall and to Michael Staebler and Rebecc McGowan of Pepper Hamilton for their generous support of the University Musical Society. i. . . . ..
Additional support provided by media sponsor, Michigan Radio. '"'
Special thanks to area theater professionals, organizations and aficionados for their support of this production, and specifically Enoch Brater, Performance Network, and Erik Fredricksen for their involvement in this residency. .'
Presented through special arrangement with Georges Borchardt, Inc., otiVK behalf of the Estate of Samuel Beckett. Vt$!r
Large print programs are available upon request.
x0CAST
Krapp
David Kelly
A PLAY IN ONE ACT
A late evening in the future. Krapp's den.
Krapp's Last Tape was premiered at the Royal Court (London) on October 28, 1958.
I
avid Kelly (Krapp) has an associa?tion with the Gate Theatre that spans over forty years. He played regularly with Longford Players and Edwards-MacLiammoir and was on stage with MacLiammoir for his final performance. In 1980, with Lady Longford, he briefly re-established Longford Productions for just two seasons of Chekhov and Pinter. His recent Gate performances include Tartuffe, The Seagull and The Sunshine Boys. Having created the role of Krapp in the Irish premiere of Krapp's Last Tape in 1959, he re-created it for the Gate's Beckett Festival in Dublin in 1991, going on to play it in Chicago, Seville, and at the Gate's Beckett Festival at Lincoln Center, New York, in 1996. Mr. Kelly has appeared throughout the US, earning the Freedom of the City of Buffalo, and a 1990 nomination in Washington, DC for the Helen Hayes Award. In 1997, Mr. Kelly again played Krapp's Last Tape to great acclaim in Australia at the Melbourne Festival.
Much of Mr. Kelly's past few years have been spent in front of the film camera, including Ordinary Decent Criminal with Kevin Spacey and starring opposite Helen Mirren in Joel Hershman's Greenfingers. He was the star of the award-laden Waking Ned Devine, winning Hollywood's Golden Satellite Award for Best Actor 1998. He also won a nomination with Robert Duvall and James Coburn for Best Actor at the Screen Actors Guild Awards in Hollywood, at which ceremony he also received an award for outstanding performance. He has just finished filming Rough for Theatre I with Milo O'Shea for the Beckett Film Project.
This afternoon's performances mark David Kelly's UMS debut.
Pat Laffan (Director, Krapp's Last Tape) was a resident director of the Gate in the early 1980s. His stage performances there include The Seagull. He performed in many plays at the Abbey Theatre while he was a member of that company in the 1960s and 1970s. From the mid-seventies on, he also began work as a director, putting his stamp on productions at the Abbey, the Peacock and the Gate. Stage appearances include The Well of the Saints at the Abbey, The Silver Tassie at the Almeida Theatre, London and as 'The Bull McCabe' in The Field at the Gaiety Theatre, Dublin. Film credits include The Snapper, Braveheart, An Awfully Big Adventure, Spacetruckers, Trojan Eddie, The Closer You Get and Country, yet to be released. In 1999, Mr. Laffan appeared in the Abbey's Freedom of the City at the Lincoln Center Festival in New York. He is a director of the Gaiety School of Acting.
Giles Cadle (Designer, Krapp's Last Tape) studied architecture at Kingston Polytechnic and stage design at Nottingham Polytechnic. His work for the Gate includes She Stoops to Conquer and set and costumes for Phaedra, Catalpa and the Gate's Beckett Festival at Lincoln Center, for which he designed Krapp's Last Tape and four composite pro?grams. Other work includes The Midsummer Marriage (Bayerische Staatsoper, Munich), Eugene Onegin (Opera North), costumes for Katya Kabanova (New Zealand International Festival), set design for Penelope (GSMD), set and costumes for Gangster Number One (Almeida) and Svejk (Gate Theatre, Notting Hill), Wrong Mountain (San Francisco, Broadway) and The Beggar's Opera (Opera du Rhin, Strasbourg). Future plans include The Magic Flute for English Touring Opera, Agrippina for Glimmerglass Opera and Six Characters in Search of an Author for the Young Vic.
Rupert Murray (Lighting Designer) is a freelance lighting designer and producer. His work has been seen on numerous occasions at the Gate, where he has designed the lighting for many of its most successful productions. Most recently, he designed the lighting for Bernard Shaw's Arms and the Man, Shakespeare's As You Like It, John Mortimer's adaptation of Charles Dickens' A Christmas Carol, Bernard Farrell's latest play The Spirit of Annie Ross and the hugely successful ' Go On, adapted from Samuel Beckett's trilogy Molloy, Malone Dies and The Unnamable. Outside the Gate he designed the lighting for Riverdance -The Show which opened at the Gershwin Theatre on Broadway last March and Riverdance The Homecoming which opened in Dublin's Point Theatre in July. He also designed the lighting for the Irish Pavilion at Expo 2000 Hannover. His next major lighting project will be to design the lighting for all the productions at this year's Wexford Festival Opera.
Rupert was Festival Director of the St. Patrick's Festival from 1995-1999. In August he directed a street festival for the Dublin Docklands Development Authority, and will be responsible for staging and directing the opening and closing ceremonies at the Wexford Festival Opera. Through his com?pany, Creative Events, he produces and stages major corporate, civic and theatrical events throughout Ireland.
. he Gate Theatre was founded in 1928 by Hilton Edwards and Micheal MacLiammoir and is unique in the fact that in the inter?vening seventy years it has had only two artistic directorates, the founders and the current director Michael Colgan. It was at the Gate that Dublin audiences were introduced to international theatre--to the work of Ibsen, Chekhov, O'Neill and Zola-and that the first ever English-speaking pro?duction of Wilde's Salome was seen. It was here, too, that Orson Welles and James Mason began their prodigious acting careers and the Gate became established as the home of European and experimental drama.
In December 1983 Michael Colgan became director of the Gate Theatre. Since then, the Gate has continued to flourish, y combining high-quality productions with groundbreaking theatrical events. The the?atre's international reputation is better than ever before, enhanced by the Gate's world?wide tours. In August 1996, The Beckett Festival met with international acclaim ?'' when the Gate toured to the inaugural Lincoln Center Festival. Previously that same year, the Gate's Molly Sweeney enjoyed . an extensive run, also in New York. In 1997, selected Beckett plays toured to the Melbourne Festival of the Arts, while in 1998 ' Go On and Waiting for Godot visit?ed the World Stage Festival in Toronto. Later the same year Lady Windermere's Fan toured to the Spoleto Festival, Charleston. Uncle Vanya and Aristocrats toured to the Lincoln Center Festival, New York in July 1999, and in September 1999, the Gate presented The Beckett Festival at the Barbican Centre in London.
ichael Colgan is the Artistic Director of the Gate Theatre, Dublin. He was born in 1950 in Dublin and was educated at Trinity College where as a stu?dent he became chairman of Trinity Players. From 1983 until the present he has been the Artistic Director of the Gate Theatre and before then he was a director of the Abbey Theatre, manager of the Irish Theatre Company and Artistic Director of the Dublin Theatre Festival. He has produced many award-winning productions at the Gate which have toured to over twenty countries. He has produced two Pinter Festivals and three Beckett Festivals.
The first Beckett Festival was produced at the Gate in 1991, in which the Theatre presented all nineteen of Samuel Beckett's stage plays in Dublin over a three-week period. This Festival was presented again at Lincoln Center, New York in 1996 and at the Barbican Centre, London in 1999. These Beckett productions have also been seen in many other cities throughout the world, notably in Chicago, Toronto and at the Melbourne Festival where the productions won the prestigious Critics Award.
Mr. Colgan was co-founder and execu?tive director of Little Bird Productions, a film and television company based in Dublin and London. In 1986 he produced the RTfi television series Two Lives and in 1998 co-founded Belacqua Films which will be producing the feature film Mary Mary in the spring of 2001. In 1999 he formed Blue Angel Films specifically to produce the Beckett Film Project in which all nineteen of Beckett's plays are being filmed using inter?nationally renowned directors and actors. Mr. Colgan is a Board Member of the Gate Theatre, the Dublin Theatre Festival, Millennium Festivals Ltd., the Laura Pels Foundation (New York) and the Governing Authority of Dublin City University. From 1989-94 he was a member of the Irish Arts
Council and he was Chairman of the St. Patrick's Festival from 1996-99. In 1996 he received the Eamonn Andrews Award for excellence in the National Entertainment Awards and in 1999 he won the People of the Year Award. In 1985 and 1987 he was a recipient of Sunday Independent Arts Award. In July 2000, he received the degree of Doctor in Laws honoris causa from Trinity College, Dublin.
This weekend's performances mark The Gate Theatre's debut appearances under UMS aus?pices.
David Eden Productions (Tour Producer) is a leading producer of international cultural attractions and events, which most recently, in association with the John F. Kennedy Center for the Performing Arts, toured the full Bolshoi Ballet to Washington, DC, New York, Chicago, Seattle, Los Angeles, and --1-1 Orange County, California, marking the company's first American tour since the end of the Soviet era. Producer David Eden also organized the Kennedy Center's "Island: Arts from Ireland" Festival this year, which was applauded by critics and audiences .Mm alike, presenting premiere works and reper?tory pieces selected across the spectrum of Irish culture and art. Additional work j includes projects with Lincoln Center, the Brooklyn Academy of Music, Jacob's Pillow, Wolf Trap, the World Financial Center, and regional arts presenters across America. Notable among the many participating companies are the Batsheva Dance Company (Tel Aviv), the Kirov Ballet & Vaganova Academy (St. Petersburg), the Maly Drama Theatre (St. Petersburg), and the Theatre Nanterre Amandiers (Paris). Mr. Eden has also produced acclaimed interna?tional touring projects in Israel and Russia.
Thomas B. McMullen Co.
Buena Vista Social Club presents
Omara Portuondo with, Barbarito Torres w
with special guest
Program
Saturday Evening, October 14, 2000 at 8:00 Hill Auditorium, Ann Arbor, Michigan
Tenth Performance of the 122nd Season
Seventh Annual Jazz Series
The photographing or sound recording of this concert or possession of any device for such photographing or sound recording is prohibited.
This performance is sponsored by the Thomas B. McMullen Co.
Special thanks to Tom McMullen for his generous support of the University Musical Society.
Additional support provided by media sponsors, WDET and WEMU.
This performance is presented with support from JazzNet, a program of the Nonprofit Finance Fund, funded by the Doris Duke Charitable Foundation and the National Endowment for the Arts.
The piano used in this evening's performance is made possible by Mary and William Palmer and Hammell Music, Inc., Livonia, Michigan.
Large print programs are available upon request.
x0Daniel B. Johnson
Omara Portuondo's Ensemble
Singer
Omara Portuondo
Rhythm
Alejandro Fabian, Bass Rolando Baro, Piano Chiang A Liang, Congas Julio Guerra, Bongos Carlos R. Valdez, Percussion
Horns
Miguel A. Valdez, Trumpet
Roberto Garcia, Trumpet
Antonio Sesma, Trombone
Jesus "Aguaje" Ramos, Trombone, Omara's band leader
Braulio C. Hernandez, Saxophone
Raul Nacianceno, Saxophone
Ventura Garcia, Saxophone
Tres
Gilberto Oviedo
Barbarito Torres' Ensemble
Barbarito Torres, Musical Director, Laud
Conchita Torres, Lead Vocal
Sonia Perez Cassola, Vocals
Victor Martinez, Lead Vocal, Contrabass ' Nilso Arias, Lead Vocal, Guitar
Pedro Vargas, Timbales, Percussion""
Onelio Arias, Tres .??
Robin Martinez, Trumpet J

@@@1
I
ften dubbed Cuba's own Edith Piaf, Omara Portuondo has been thrilling audiences in the cabarets and nightspots of Havana with the passionate and moving honesty of her voice.
Born in Havana in 1930, Omara began : her career as a singer and dancer at the Tropicana Revue. To this day, Omara remains a flamboyant fixture of this now famous nightclub. -1
In 1952, Omara and her sister Haydee formed a female vocal quartet with Elena Burke and Moraima Secada that was led by the pianist Aida Deistro. They were to
become one of the most impor?tant groups in Cuban musical history and Omara was to remain with the Quarteto Las D'Aida for fif?teen years. "We toured America and Aida's vocal arrangements
were very innovative. We were acclaimed everywhere and when Nat King Cole played : the Tropicana we sang on stage with him," Omara recalls. Two years later, she was with Las D'Aida singing in a Miami hotel when the Cuban missile crisis caused the rupture in relations with America and began Cuba's long period of isolation. Omara returned to Cuba while her sister Haydee stayed in America. Omara stayed with Las D'Aida :
until 1967 when she left to pursue her solo career, singing bittersweet boleros and "feel-in," a vocal style influenced by American jazz. She has since become one of the world's great divas who is only now emerg?ing from Cuba's long isolation to achieve the international acclaim she so richly deserves. Nearly thirty years later, Ry Cooder first came across Omara in 1995 when he was in Cuba recording with the Chieftains. The fol?lowing year when the American guitarist returned to Havana with World Circuit's Nick Gold for the Buena Vista sessions, Omara was by coincidence in the Egrem studios at the same time. Cooder immedi-
ately invited her to sing the bolero "Veinte Anos" with " Compay Segundo, and it became one of the highlights of the album.
Omara went on
to become part of the legendary Buena Vista performances in Amsterdam and at New York's Carnegie Hall and has toured exten-aL sively as a special guest on the Buena Vista tour featuring Orquesta Ibrahim Ferrer and Ruben Gonzalez y su Grupo. She also appeared on Ibrahim Ferrer's self titled debut album. Now following in the foot?steps of her Buena Vista alumni, Ibrahim Ferrer and Ruben Gonzalez, World Circuit gp has released the third solo album of the BVSC series--"Buena Vista Social Club pre?sents. . .Omara Portuondo" which finally -2 places her expressive voice center stage Jpj where it belongs. JIP
Tonight's performance marks O'mafa Portuondo's second appearance under UMS ? auspices. Ms. Portuondo was a featured sonero in 1999's UMS presentation of Orquesta Ibrahim Ferrer & Ruben Gonzalez y su Grupo.
'... Omara Portuondo, the only woman in the
'Club' more than makes up for the gender gap.'
--People's Weekly World
---arbarito Torres is widely regarded
as one of Cuba's greatest lute players. He has remained true to the musical folklore of his native region, the genre known as musi-ca guajira, or the "blues" of the Cuban countryside. He expresses a modern sophis?ticated, but authentically traditional style,
more likely to be found in a rural hamlet deep in his beloved countryside, than in urban Havana, where he now resides. His musical expression continues to be the gutsy, heartfelt outcry of his true origin and upbringing, since he remains after all a true guajiro, or countryman.
He was born Barbara Alberto Torres Delgado in Matanzas, Cuba. At ten he was capable of "picking" the lute with extreme proficiency, and began accompanying his father. In 1970, he started his professional career with Serenata Yumurina, a group led by Higinio Mullens. Torres traveled all over Cuba performing with Siembra Cultural-later renamed Grupo Yarabi--until he wise?ly decided to settle in Havana.
He became a permanent member of the Orquesta Cubana de Cuerdas and was also featured in the recordings of the most rec?ognizable names in popular Cuban music, such as Elio Reve, Grupo Sierra Maestra and "Albita," who now resides in the States.
Finally, he joined the legendary queen of the musica guajira Celina Gonzalez and her Grupo Campoalegre as their musical director. Concurrently, he was featured with Grupo Manguare. He recorded and toured extensively with both groups visiting Latin America and Europe. In 1992, Torres found?ed his own group--Piquete Cubano--but he continued to accompany the great Celina until 1995, when they finally went their sep?arate ways. In addition, Torres was promif" nently featured in the recordings of Afro Cuban All Stars, and the 1998 Grammy win?ning Buena Vista Social Club album.
Tonight's performance marks Barbarito Torres' UMS debut.
experience

@@@x0THE 20002001 UMS SEASON
11 educational activiti i are free and open to e public unless otherwii ted ($). Many events ith artists are yet to be anned--please call the MS Education Office at J4.647.6712 or the UMS ox Office at 734.764. 538 for more informa-bn. Activities are also Gsted on the UMS rebsite at www.ums.org.
Se second half of the educational L-----.._y je published in the winter
Keith Jarrett, piano Gary Peacock, bass Jack DeJohnette, drums
Saturday, September 23, 8 p.m. Hill Auditorium PREP by Michael Jewett, Program Host, WEMU. Saturday, September 23, 7:00 p.m., Michigan League, 2nd Floor, Henderson Room. Sponsored by National City. Presented with additional support from lazzNet, a program of the Nonprofit Finance Fund, funded by the Doris Duke Charitable Foundation and the National Endowment for the Arts. Media sponsors WEMU and WDET.
Itzhak Perlman, violin Rohan De Silva, piano
Sunday, September 24,4 p.m. Hill Auditorium PREP"]ascha Heifetz'Vilna: the 'Jerusalem of Lithuania' Yesterday and Today" by Zvi Gitelman, Director, Jean & Samuel Frankel Center for Judaic Studies. Sunday, September 24,2:30-3:30 p.m., Michigan League, 2nd Floor, Hussey Room.
In collaboration with the Center for Russian and Eastern European Studies. Sponsored by Pfizer. Media sponsor WGTE.
Opening Night Cabaret: Puttin' On The Ritz Mary Cleere Haran, cabaret singer
with
Richard Rodney Bennett, piano
Line Milliman, bass
Sunday, September 24, 6:30 p.m.
(following Perlman recital)
Michigan League Ballroom
Sponsored by Pfizer.
Bulgarian Women's Choir: Angelite
Gregory Petkov, conductor Thursday, October 5, 8 p.m. St. Francis of Assisi Catholic Church
PREP by Inna Nardoditskaya, Lecturer, U-M Flint Music Department. Thursday, October 5,7 p.m., St. Francis of Assisi Parish Activity Center. Presented with the generous support of Kathleen G. Charla.
Takacs Quartet and Andreas Haefliger, piano
Friday, October 6, 8 p.m. Rackham Auditorium
Sponsored by Edward Surovell Realtors.
Iceland Symphony Orchestra
Rico Saccani, music director Judith Ingolfsson, violin Thursday, October 12, 8 p.m. Hill Auditorium Co-sponsored by O'Neal Construction and Elastizell Corporation of America. Media sponsor WGTE.
Gate Theatre of Dublin
Michael Colgan, artistic director Waiting for Godot -------
by Samuel Beckett
Directed by Walter Asmus
Friday, October 13, 8 p.m.
Saturday, October 14, 8 p.m.
Power Center
Meet the Artist Post-performance
dialogue from the stage. Friday,
October 13.
Panel Discussion "Beckett and the
Irish Theater" with members of the
Gate Theatre of Dublin. Led by Enoch
Brater, U-M Professor of Theater.
Saturday, October 14, 11-12:30 p.m.,
Trueblood Theater, 2nd Floor, Freize
Building.
Presented with support from Charles
Hall and Pepper Hamilton LLP.
Media sponsor Michigan Radio.
Gate Theatre of Dublin Krapp's Last Tape
by Samuel Beckett Directed by Pat Laffan Saturday, October 14, 2 p.m. Saturday, October 14, 5 p.m. Residential College Auditorium (East Quad)
Presented with support from Charles Hall and Pepper Hamilton LLP. Media sponsor Michigan Radio.
Buena Vista Social Club
presents Omara Portuondo
with special guest
Barbarito Torres, laud
Saturday, October 14, 8 p.m.
Hill Auditorium
Sponsored by the Thomas B. McMullen
Co., Inc.
Presented with support from JazzNct, a
program of the Nonprofit Finance Fund,
funded by the Doris Duke Charitable
Foundation and the National
Endowment for the Arts.
Media sponsors WEMU and WDET.
Jose van Dam, bass-baritone
Maciej Pikulski, piano Friday, October 20, 8 p.m. Lydia Mendelssohn Theatre PREP "Lied vs. Melodic" by Richard LeSueur, Music Specialist, Ann Arbor District Library. Friday, October 20, 7:00-7:30 p.m., Michigan League, Michigan Room (2nd Floor). Media sponsor WCTE.
American Repertory Theater
Robert Brustein, artistic director The King Stag
A Tragicomic Tale for the Theater Directed by Andrei Serban Movement, Costumes, Masks and Puppetry by Julie Taymor Saturday, October 21,2 p.m. (Family Performance) 3
Saturday, October 21,8 p.m. Sunday, October 22, 2 p.m. Sunday, October 22, 7 p.m. Power Center
This is a Heartland Arts Fund Program with major support from the National Endowment for the Arts and Michigan Council for Arts and Cultural Affairs. Media sponsor Michigan Radio.
Bryn Terfel, baritone
Rakefet Hak, piano Wednesday, October 25, 8 p.m. Hill Auditorium Sponsored by Bank One. Media sponsor WGTE.
Misia
Thursday, October 26, 8 p.m.
Power Center
Bale Foldorico da Bahia
Friday, October 27, 8 p.m. Saturday, October 28, 2 p.m. (One-Hour Family Performance) Saturday, October 28, 8 p.m. Power Center
Capoeira Master Class by company members of the Bale Folcl6rico da Bahia. Saturday, October 27, 10:00 a.m.-noon, Peter Sparling Dance Gallery, Main Studio, 111 Third Street, Ann Arbor. Contact Susan Byrnes at 734.747.8885 to register. Panel Discussion "Art, Culture and Performance in Brazil" with members of the company and artistic director Jose Carlos Arandiba led Lucia Suarez, Asst. Professor of Romance Languages and Literature. In collaboration with the U-M Center for Latin American and Caribbean Studies. Friday, October 27,4:00-5:00 p.m., Room 1636, 1st Floor, International Institute. Sponsored by Dow Automotive. Presented with support from AAA Michigan.
This is a Heartland Arts Fund Program with major support from the National Endowment for the Arts and Michigan Council for Arts and Cultural Affairs. Media sponsors WEMU and WDET.
Nina Simone
Friday, November 3, 8 p.m. Hill Auditorium PREP "Nina Simone: Pure Soul" by Linda Yohn, Music Program Manager, WEMU. Friday, November 3, 7:00 p.m., Michigan League, Michigan Room (2nd Floor). Presented with support from JazzNet, a program of the Nonprofit Finance Fund, funded by the Doris Duke Charitable Foundation and the National Endowment for the Arts. Media sponsors WEMU and WDET.
Oumou Sangare with Habib Koite and Bamada
Saturday, November 4, 8 p.m. Michigan Theater
Media sponsor WEMU.
Liz Lerman Dance Exchange
Saturday, November 4, 8 p.m. Music Hall Detroit Community Dance Master Class led
by Liz Lerman. Free and open to the public. Monday, October 30, 7:00-9:00 p.m., Main Studio, Peter Sparling Dance Gallery. Call 734.747.8885 to RSVP. Presented in collaboration with U-M Arts of Citizenship and Detroit's Music Hall.
Funded in part by the National Dance Project of the New England Foundation for the Arts, with lead funding from the National Endowment for the Arts and the Doris Duke Charitable Foundation. Additional funding provided by the Andrew W. Mellon Foundation and the Philip Morris Companies Inc. ,
Michigan Chamber Players
Sunday, November 5, 4 p.m. Rackham Auditorium Complimentary Admission
Accentus
Laurence Equilbey, artistic : director J
Thursday, November 9, 8 p.m. St. Francis of Assisi Catholic Church
PREP by Steven Moore Whiting, U-M Professor of Musicology. Thursday, November 9, 7:00 p.m., St. Francis of Assisi, Parish Activity Center.
Camerata Academics Salzburg
Roger Norrington, conductor
Joshua Bell, violin
Friday, November 10, 8 p.m.
Hill Auditorium
77ns performance is made possible by
the Catherine S. ArcureHerberl E.
Sloan Endowment Fund.
Media sponsor WGTE.
Herbie Hancock and Wayne Shorter
Saturday, November 11,8 p.m. Michigan Theater Sponsored by Comerica, Inc. Presented with support from JaziNet, a program of the Nonprofit Finance Fund, funded by the Doris Duke Charitable Foundation and the National Endowment for the Arts. Media sponsors WEMU and WDET.
Young Uck Kim, violin Menahem Pressler, piano
Sunday, November 12, 4 p.m. Rackham Auditorium
Ravi and Anoushka Shankar
Friday, November 17, 8 p.m. Hill Auditorium Media sponsor WDET.
Handel's Messiah
UMS Choral Union
Ann Arbor Symphony Orchestra
Thomas Sheets, conductor
Saturday, December 2, 8 p.m.
Sunday, December 3, 2 p.m.
Hill Auditorium
Presented with the generous support of
Carl and Isabelle Braucr.
Ute Lemper
Bruno Fontaine, piano Saturday, December 9, 8 p.m. Michigan Theater Presented with the generous support of Ronnie and Sheila Cresswell. Media sponsor WDET.
Rudy Hawkins Singers A Gospel Christmas
Saturday, December 16, 8 p.m. Music Hall Detroit Sponsored by Dow Automotive. This performance is co-presented with The Arts League of Michigan. Media sponsor WEMU.
Pilobolus with The Klezmatics
Saturday, January 6, 2 p.m. (One-Hour Family Performance) Saturday, January 6, 8 p.m. Sunday, January 7,4 p.m. Power Center Media sponsor WDET.
Moses Hogan Singers
Moses Hogan, conductor
Wednesday, January 10, 8 p.m.
St. Francis of Assisi Catholic
Church
Media sponsor WEMU.
Vermeer Quartet
Saturday, January 13, 8 p.m. Rackham Auditorium
Mingus Big Band Blues and Politics
with Kevin Mahogany, vocals
Monday, January 15, 8 p.m.
Hill Auditorium
Sponsored by the Detroit Edison
Foundation.
Presented with support from JazzNet, a
program of the Nonprofit Finance Fund,
funded by the Doris Duke Charitable
Foundation and the National
Endowment for the Arts.
This performance is co-presented with
the U-M Office of Academic
Multicultural Initiatives.
Media sponsors WEMU and WDET.
Michigan Chamber Players
Sunday, January 21,4 p.m. Rackham Auditorium
Complimentary Admission
Alvin Ailey American Dance Theater
Judith Jamison, artistic director with the Rudy Hawkins Singers Wednesday, January 31,8 p.m. Thursday, February 1, 8 p.m. Friday, February 2, 8 p.m. Saturday, February 3, 2 p.m. (One-Hour Family Performance) Saturday, February 3, 8 p.m. Sunday, February 4, 3 p.m. Detroit Opera House Detroit
These performances are co-presented with the Detroit Opera House and The Arts League of Michigan, with addition?al support from the Venture Fund for Cultural Participation of the Community Foundation for Southeastern Michigan. Media sponsor WDET.
Dresden Staatskapelle
Giuseppe Sinopoli, conductor
Friday, February 2, 8 p.m.........
Hill Auditorium J
Media sponsor WGTE.
Brentano String Quartet
Sunday, February 4, 4 p.m. Rackham Auditorium Presented in partnership with the Chamber Music Society of Detroit.
Hubbard Street Dance Chicago
James F. Vincent, artistic director
Friday, February 9, 8 p.m.
Saturday, February 10,8 p.m.
Power Center
Presented with the generous support of
Susan B. Ullrich.
Media sponsor WDET.
Dubravka Tomsic, piano
Sunday, February 11,4 p.m.
Hill Auditorium
This performance is made possible by
the H. Gardner Ackley Endowment
Fund, established by Bonnie Ackley in
memory of her husband.
Media sponsor WGTE.
Dairakudakan Kaiin No Uma
(Sea-Dappled Horse) Akaji Maro, artistic director Wednesday, February 14, 8 p.m. Power Center
Swedish Radio Symphony Orchestra and Choir
Manfred Honeck, conductor Marina Mescheriakova, soprano Nadja Michael, mezzo-soprano Marco Berti, tenor John Relyea, bass-baritone Friday, February 16, 8 p.m. Hill Auditorium . Sponsored by Keytiank. Media sponsor WGTE.
Swedish Radio Choir and Eric Ericson Chamber Choir
Eric Ericson, conductor
Saturday, February 17, 8 p.m.
St. Francis of Assisi Catholic
Church
Presented with the generous support of
Kathleen G. Charla.
Manuel Barrueco, guitar
Sunday, February 18, 4 p.m. Rackham Auditorium
Ballet Preljocaj Paysage apres la BataiUe
Angelin Preljocaj, artistic director Wednesday, February 21,8 p.m. Power Center
Texaco Sphinx Competition Concerts
Junior Division Honors Concert Friday, February 23, 1 p.m. Hill Auditorium Complimentary Admission
Senior Division Finals Concert Sunday, February 25, 3 p.m. Orchestra Hall Detroit The Sphinx Competition is generously presented by the Texaco Foundation.
Prague Chamber Orchestra with the Beaux Arts Trio
Wednesday, March 7, 8 p.m. Hill Auditorium Sponsored by CFI Group, Inc. Media sponsor WGTE.
Royal Shakespeare Company Shakespeare's History Cycle Henry VI, Parts I, II and III Richard III
Directed by Michael Boyd
Cycle 1: Saturday, March 10 &
Sunday, March 11
Cycle 2: Saturday, March 17 &
Sunday, March 18 ( '
Added Cycle!
Cycle 3: Tuesday, March 13-
Thursday, March 15
Power Center
The Royal Shakespeare Company is a
co-presentation of the University
Musical Society and the University of
Michigan.
Media sponsor Michigan Radio.
Les Violons du Roy
Bernard Labadie, conductor David Daniels, countertenor Thursday, March 22, 8 p.m. St. Francis of Assisi Catholic Church
Presented with the generous support of Maurice and Linda Binkow. Media sponsor WGTE.
Academy of St. Martin-in-the-Fields
Murray Perahia, conductor and piano
Saturday, March 24, 8 p.m. Hill Auditorium Sponsored by Pfizer. ( Media sponsor WGTE. ' ' '
Chamber Music Society of Lincoln Center
David Shifrin, artistic director Heidi Grant Murphy, soprano Ida Kavafian, violin Heidi Lehwalder, harp Paul Neubauer, viola Fred Sherry, cello Ransom Wilson, flute with cellists from the U-M School of Music Wednesday, March 28, 8 p.m. Lydia Mendelssohn Theatre Media sponsor WGTE.
Brass Band of Battle Creek
Friday, March 30, 8 p.m. Hill Auditorium Sponsored by Ideation.
Ronald K. BrownEvidence
Ronald K. Brown, artistic director Saturday, March 31,8 p.m. Power Center
Funded in part by the National Dance Project of the New England Foundation for the Arts, with lead funding from the National Endowment for the Arts and the Doris Duke Charitable Foundation. Additional funding provided by the Andrew W. Mellon Foundation and the
Philip Morris Companies Inc. Media sponsor WEMU.
Orion String Quartet and Peter Serkin, piano
Sunday, April 1, 4 p.m. Rackham Auditorium Presented with the generous support of Ami and Prue Rosenthal.
Royal Concertgebouw Orchestra of Amsterdam
Riccardo Chailly, conductor Matthias Goerne, baritone Wednesday, April 4, 8 p.m. Hill Auditorium Sponsored by Forest Health Services. Media sponsor WGTE.
Emerson String Quartet
Friday, April 6, 8 p.m. Rackham Auditorium Sponsored by Hank of Ann Arbor.
John Relyea, bass-baritone
Warren Jones, piano Saturday, April 14, 8 p.m. Lydia Mendelssohn Theatre Sponsored by Miller, Canficid, Paddock and Stone, P.LC. Media sponsor WGTE.
Mark Morris Dance Group
Mark Morris, artistic director Friday, April 20, 8 p.m. Saturday, April 21,8 p.m. Power Center
Sponsored by McKinley Associates, Inc., and The Shiffman Foundation, Sigrid Christiansen and Richard Levey. Funded in part by the National Dance Project of the New England Foundation for the Arts, with lead funding from the National Endowment for the Arts and the Doris Duke Charitable Foundation. Additional funding provided by the Andrew W. Mellon Foundation and the Philip Morris Companies Inc.
Berlioz' Requiem
UMS Choral Union Greater Lansing Symphony Orchestra
U-M School of Music Symphony Band Thomas Sheets, conductor Sunday, April 22, 4 p.m. Hill Auditorium
Sponsored by Jim and Millie Invin.
UMS Co-Commission & World Premiere Curse of the Gold: Myths from the Icelandic Edda
Conceived and directed by
Benjamin Bagby and Ping
Chong
Performed by Sequentia in
association with Ping Chong
and Company
Wednesday, April 25, 8 p.m.
Thursday, April 26, 8 p.m.
Lydia Mendelssohn Theatre
Presented with the generous support of
Robert and Pearson Macek.
Presented in collaboration with the U-M
Institute for the Humanities.
Media sponsor Michigan Radio.
r he Ford Honors Program is made possi?ble by a generous grant from the Ford Motor Company Fund and benefits the UMS Education Program. Each year, UMS
honors a world-renowned artist or ensemble with whom we have maintained a long-standing and significant relationship. In one evening, UMS pays tribute to and presents the artist with the UMS Distinguished Artist Award, and hosts a dinner and party in the artist's honor. Van Cliburn was the first artist so honored, with subsequent honorees being Jessye
Norman, Garrick Ohlsson, The Canadian Brass, and Isaac Stern (Left).
This season's Ford Honors Program will be held in early May. The recipient of the 2001
UMS Distinguished Artist Award will be announced in January 2001.
Ford Honors Program Honorces
1996
Van
Cliburn
1997
Jessye Norman
1998 Garrick Ohlsson
1999
The
Canadian Brass
2000
Isaac Stern
DEVE
n the past several seasons, UMS' Education and Audience Development program has grown significantly. With a goal of deepening the understanding of the importance of the live performing arts and the major impact -the arts can have in the community, UMS now seeks out active and dynamic collabora?tions and partnerships to reach into the many diverse communities it serves.
Family Performances
For many years, UMS has been committed to providing the opportunity for families to enjoy the arts together. ? ?
i
This season's Family Performances include:
American Repertory Theater: The King Stag
Bale Folclorico da Bahia
Pilobolus
Alvin Ailey American Dance Theater
Specially designed for family participation that creates an environment where both chil?dren and adults can learn together, the UMS Family Performances are a great way to spend quality time with your children.
Master of Arts Interview Series
Now entering its fifth year, this series is an opportunity to showcase and engage the cho?reographers in academic, yet informal, dia?logues about their art form, their body of work and their upcoming performances.
This year's series includes interviews with several UMS artists, including Menahem Pressler and others to be announced.
1
PREPs (Performance-Related ; Educational Presentations)
This series of pre-performance presentations features talks, demonstrations and workshops designed to provide context and insight into the performance. All PREPs are free and open to the public and usually begin one hour before curtain time.
Meet the Artists: Post-Performance Dialogues
The Meet the Artist Series provides a special opportunity for patrons who attend perform?ances to gain additional understanding about the artist, the performance they've just seen and the artistic process. Each Meet the Artist event occurs immediately after the perform?ance, and the question-and-answer session takes place from the stage.
Artist Residency Activities
UMS residencies cover a diverse spectrum of artistic interaction, providing more insight and greater contact with the artists. Residency activities include interviews, open rehearsals, lecturedemonstrations, in-class visits, master classes, participatory work?shops, clinics, visiting scholars, seminars, community projects, symposia, panel discus?sions, art installations and exhibits. Most activities are free and open to the public and occur around the date of the artist's perform-
Major residencies for the 20002001 season fi are with: __"'
? Gate Theater of Dublin
Bale Folclorico da Bahia
Liz Lerman Dance Exchange
Alvin Ailey American Dance Theater
Royal Shakespeare Company
? Ping ChongBenjamin Bagby
1
Youth Performances
These performances are hour-long or full length, specially designed, teacherand stu?dent-friendly live matinee performances.
The 20002001 Youth Performance Series includes:
American Repertory Theater: The King Stag ? Bale Folclorico da Bahia
Anoushka Shankar & Ensemble
Mingus Big Band: Blues and Politics
Alvin Ailey American Dance Theater
Hubbard Street Dance Chicago
Royal Shakespeare Company: Richard III
Ronald BrownEvidence
Teachers who wish to be added to the youth performance mailing list should call 734.615. 0122 or e-mail umsyouth@umich.edu.
The Youth Education Program is sponsored by
Teacher Workshop Series
This series of workshops for all K-12 teachers is a part of UMS' efforts to provide school?teachers with professional development oppor?tunities and to encourage ongoing efforts to incorporate the arts in the curriculum.
This year's Kennedy Center Workshops are:
"Autobiography and Biography: Exploring
Point of View through Dance" ? "Responding to Visual Art Through Movement"
"Songs of the Underground Railroad"
"The Drama of Shakespeare"
Workshops focusing on the UMS youth per?formances are:
"Indian Music in the Classroom"
"African American Modern Dance
in the Classroom"
For information and registration, please call 734.615.0122.
The Kennedy Center Partnership
The University Musical Society and Ann Arbor Public Schools are members of the Performing Arts Centers and Schools: Partners in Education Program of the John F. Kennedy Center for the Performing Arts. Selected because of its demonstrated com?mitment to the improvement of education in and through the arts, the partnership team participates in collaborative efforts to make the arts integral to education and creates a multitude of professional development opportunities for teachers and educators.
Special Discounts for Teachers and Students to Public Performances
UMS offers special discounts to school groups attending our world-class evening and weekend performances. Please call the Group Sales hotline at 734.763.3100 for more infor?mation about discounts for student and youth groups.
UMS Camerata Dinners
Now entering their fifth season, Camerata Dinners are a delicious and convenient beginning to your UMS concert evening. Our dinner buffet is open from 6:00 to 7:30 p.m., offering you the perfect opportunity to arrive early, park with ease, and dine in a relaxed setting with friends and fellow patrons. Catered this year by the very popular Food Art, our Camerata Dinners will be held prior to the Choral Union Series performances list?ed below. All dinners will be held in the Alumni Center with the exception of the din?ners on October 12 and November 10, which will be held in the Dow Laboratory Atrium. Dinner is $35 per person. UMS members at the Benefactor level ($500) and above are entitled to a discounted dinner price of $30 per person. All members receive reservation priority. Please reserve in advance by calling 734.647.8009. .
We are grateful to Sesi Lincoln Mercury for their support of these special dinners.
Thursday, October 12
Iceland Symphony Orchestra ? Wednesday, October 25 Bryn Terfel ,
Friday, November 10
Camerata Academica Salzburg
Friday, February 2
Dresden Staatskapelle
Friday, February 16
Swedish Radio Symphony Orchestra and Choir
Wednesday, March 7 .-,--r---------------
Prague Chamber Orchestra
Saturday, March 24
Academy of St. Martin-in-the-Fields
Wednesday, April 4 ,
Royal Concertgebouw Orchestra of Amsterdam (Denotes dinners held in the Dow Laboratory Atrium)
' elebrate in style with dinner and a show or stay overnight and relax in luxurious comfort! A delectable meal followed by prior?ity, reserved seating at a performance by world-class artists sets the stage for a truly elegant evening--add luxury accommoda?tions to the package and make it a perfect get-a-way. UMS is pleased to announce its cooperative ventures with the following local -establishments: I
The Artful Lodger Bed & Breakfast ...
1547 Washtenaw Avenue Call 734.769.0653 for reservations
Join Ann Arbor's most theatrical host and hostess, Fred & Edith Leavis Bookstein, for a weekend in their massive stone house built in the mid-1800s for U-M President Henry Simmons Frieze. This historic house, located just minutes from the performance halls, has been comfortably restored and furnished with contemporary art and performance memorabilia. The Bed & Breakfast for Music and Theater Lovers!
The Bell Tower Hotel & Escoffier Restaurant
300 South Thayer
734.769.3010 for reservations and prices Fine dining and elegant accommodations, along with priority seating to see some of the world's most distinguished performing artists, add up to a perfect overnight holiday. Reserve space now for a European-style guest room within walking distance of the per?formance halls and downtown shopping, a special performance dinner menu at the Escoffier restaurant located within the Bell Tower Hotel, and priority reserved "A" seats to the show. All events are at 8 p.m. with din?ner prior to the performance.
Package includes valet parking at the hotel, overnight accommodations in a European-
style guest room, a continental breakfast, pre-show dinner reservations at Escoffier restaurant in the Bell Tower Hotel, and two performance tickets with preferred seating reservations.
Packages are available for select perform?ances. Call 734.763.3010 for details.
Gratzi Restaurant
326 South Main Street 734.663.5555 for reservations and prices Pre-performance Dinner Package includes guaranteed reservations for a preor post-performance dinner (any selection from the special package menu plus a non-alcoholic beverage) and reserved "A" seats on the main floor at the performance. Packages are available for select perform?ances. Call 734.763.5555 for details.
RESTAURA'
isit and enjoy these fine area restaurants. Join us in thanking them for their gener?ous support of UMS. 1
Bella Ciao Trattoria
118 West Liberty 734.995.2107 Known for discreet dining with an air of casual elegance, providing simple and elabo?rate regional Italian dishes for you and your guests' pleasure. Reservations accepted.
Cafe Marie
1759 Plymouth Road 734.662.2272 Distinct and delicious breakfast and lunch dishes, creative weekly specials. Fresh-squeezed juice and captivating cappuccinos! A sunny, casual, smoke-free atmosphere. Take out available.
The Chop House
322 South Main Street 888.456.DINE Ann Arbor's newest taste temptation. An elite American Chop House featuring U.S.D.A. prime beef, the finest in Midwestern grain-
fed meat, and exceptional premium wines in i a refined, elegant setting. Open nightly, call for reservations.
The Original Cottage Inn
512 East William 734.663.3379 An Ann Arbor tradition for more than fifty years. Featuring Ann Arbor's favorite pizza, a full Italian menu, banquet facilities and cater?ing services.
D'Amato's Neighborhood Restaurant
102 South First Street 734.623.7400 World class Italian cuisine and thirty-five wines by the glass in sleek atmosphere. Entrees changed daily, private meeting area. Rated 'four stars' by the Detroit Free Press. Lunch weekdays, dinner every night. Reservations welcome.
Gandy Dancer MiiW
401 Depot Street 734.769.0592 Located in the historic 1886 railroad depot. Specializing in fresh seafood. Lunches Monday-Friday 11:30-3:30. Dinners Monday-Saturday 4:30-10:00, Sunday 3:30-9:00. Award-winning Sunday brunch 10:00-2:00. Reservations recommended.
Gratzi
326 South Main Street 888.456.DINE Celebrated, award-winning Italian cuisine served with flair and excitement. Sidewalk and balcony seating. Open for lunch and dinner. Reservations accepted.
The Kerrytown Bistro
At the comer of Fourth Avenue and Kingsley in Kerrytown 734.994.6424 The Kerrytown Bistro specializes in fine French Provincial inspired cuisine, excellent wines and gracious service in a relaxed, intimate atmosphere. Hours vary, reservations accepted.
La Dolce Vita
322 South Main Street 734.669.9977 Offering the finest in after dinner pleasures. Indulge in the delightful sophistication of gourmet desserts, fancy pastries, cheeses, fine wines, ports, sherries, martinis, rare scotches,
hand-rolled cigars and much more. Open
nightly. ,
The Moveable Feast
326 West Liberty 734.663.3278 Located just west of Main Street in the restored Brehm estate. Fine American cuisine with a global fare. Full service catering, bakery, wedding cakes.
Palio
347 South Main Street 888.456.DINE Zestful country Italian cooking, fresh flavors inspired daily. Featuring the best rooftop seating in town. Open for dinner nightly. ; Reservations accepted, large group space available.
Real Seafood Company
341 South Main Street 888.456.DINE As close to the world's oceans as your taste can travel. Serving delightfully fresh seafood : 5 and much more. Open for lunch and dinner, j Reservations accepted. j
Red Hawk Bar & Grill
316 South State Street 734.994.4004 }
Neighborhood bar & grill in campus historic' district, specializing in creative treatments of traditional favorites. Full bar, with a dozen beers on tap. Lunch and dinner daily. Weekly specials. Smoke-free. No reservations. k
Seva
314 East Liberty 734.662.1111 Providing fresh, imaginative vegetarian cui1 sine since 1973. All dishes, including desserts, 1 are made in-house daily. Be sure to look over j our extensive beverage menu. . ?
Sweet Lorraine's Cafe and Bar
303 Detroit Street 734.665.0700 --;
Modern American cooking, daily eclectic spe?cials, seafood, pasta & steaks. Full bar, wines by-the-glass, and courtyard dining. Open 7 days at 11:00 a.m., weekend brunch. Meetings, banquets, and parties easily accommodated. Coming soon: live entertainment and other ! exciting surprises.
Weber's Restaurant
3050 Jackson Avenue 734.665.3636 Great American restaurant since 1937. i
Featuring prime rib, live lobster, roast duck, ' cruvinet wine tasting flights, home-made pastries. Award-winning wine list. Ports, cognacs, entertainment nightly.
Zanzibar
216 South State Street 734.994.7777 j Contemporary American food with g?9
Mediterranean & Asian influences. Full bar j featuring classic and neo-classic cocktails, j thoughtfully chosen wines and an excellent selection of draft beer. Spectacular desserts. ; Space for private and semi-private gatherings up to 120. Smoke-free. Reservations encouraged. '
UMS DELICIOUS EXPERIENCES
ack by popular demand, friends of UMS are offering a unique donation by hosting a variety of dining events. Thanks to the generosity of the hosts, all proceeds go directly to support UMS' educational and artistic programs. Treat yourself, give a gift of tickets, or come alone and meet new people! Call 734.936.6837 to receive a brochure or for more information.
U MS support
MS Volunteers are an integral part of the success of our organi?zation. There are many areas in which volunteers can lend their ? expertise and enthusiasm. We would like to welcome you to the UMS family and involve you in our exciting programming and activities. We rely on volunteers for a vast array of activities, including staffing the edu?cation residency activities, assisting in artist services and mailings, escorting students for our popular youth performances and a host of other projects. Call 734.936.6837 to request more information.
ow fifty-three members strong, the UMS Advisory Committee serves an integral function within the organization, supporting UMS with a volunteer corps and contribut?ing to its fundraising efforts. Through the Delicious Experiences series, Season Opening Dinner, and the Ford Honors Program gala, the Advisory Committee has pledged to donate $300,000 to UMS this season. Additionally, the Committee's hard work is in evidence at local bookstores with BRAVO!, a cookbook that traces the history of UMS through its first 120 years, with recipes submitted by artists who have performed under our aus?pices. If you would like to become involved
with this dynamic group, call 734.936.6837 for more information.
The Advisory Committee also seeks people to help with activities such as escorting students at our popular youth performances, assisting with mailings, and setting up for special events. Please call 734.936.6837 if you would like to volunteer for a project.
dvertising in the UMS program book or sponsoring UMS performances enables you to reach 130,000 of southeastern Michigan's most loyal concertgoers.
Advertising
When you advertise in the UMS program book you gain season-long visibility, while enabling an important tradition of providing audiences with the detailed program notes, artist biographies, and program descriptions that are so important to performance experi?ences. Call 734.647.4020 to learn how your business can benefit from advertising in the UMS program book.
Sponsorship
As a UMS corporate sponsor, your organiza?tion comes to the attention of an educated, diverse and growing segment of not only Ann Arbor, but all of southeastern Michigan. You make possible one of our community's cultural treasures, and also receive numerous
benefits from your investment. For example, UMS offers you a range of programs that, depending on your level of support, provide a unique venue for:
Enhancing corporate image H
Cultivating clients
Developing business-to-business relationships "
Targeting messages to specific demographic groups
Making highly visible links with arts and education programs
? Recognizing employees ,
Showing appreciation for loyal customers
For more information, please call 734.647.1176.
nternships with UMS provide experience in performing arts administration, mar?keting, publicity, promotion, production and arts education. Semesterand year-long internships are available in many of UMS' departments. For more information, please call 734.764.9187.
@@@@mm-
tudents working for UMS as part of the College Work-Study program gain valu?able experience in all facets of arts manage?ment including concert promotion and marketing, fundraising, event planning and production. If you are a University of Michigan student who receives work-study financial aid and who is interested in working at UMS, please call 734.764.9187.
ithout the dedicated service of UMS' Usher Corps, our events would not run as smoothly as they do. Ushers serve the essential functions of assisting patrons with seating, distributing program books and pro?viding that personal touch which sets UMS events above others.
The UMS Usher Corps comprises over 300 individuals who volunteer their time to make your concert going experience more pleasant and efficient. The all-volunteer group attends an orientation and training session each fall. Ushers are responsible for working at every UMS performance in a specific hall (Hill, Power Center, or Rackham) for the entire concert season.
If you would like information about becoming a UMS volunteer usher, call the UMS usher hotline at 734.913.9696.
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Great performances--the best in music, theater and dance--are presented by the University Musical Society because of the much-needed and appreciated gifts of UMS supporters, members of the Society, fa The list below represents names of current donors as of July 25, 2000. If there has been an error or omission, we apologize and would appreciate a call at 734.647.1178 so that we can correct this right away. J UMS would also like to thank those generous donors who wish to remain anonymous.
SOLOISTS
Individuals
Mrs. Gardner Ackley Carl and Isabelle Brauer Dr. Kathleen G. Charla Dr. and Mrs. James Irwin Charlotte McGeoch Randall and Mary Pittman Herbert Sloan } and several anonymous donors
Businesses
Aetna Corporation -?--
Bank One, Michigan '
DaimlerChrysler
Ford Motor Company Fund
Forest Health Services
Corporation
Hudson's Project Imagine Office of the Provost,
University of Michigan Pfizer Global Research and
Development; Ann Arbor
Laboratories
FoundationsGovernment
Community Foundation for Southeastern Michigan
The Ford Foundation
JazzNetDoris Duke Foundation
Lila Wallace Reader's Digest Audiences for the Performing Network
Lila Wallace Reader's Digest Arts Partners Program
Michigan Council for Arts and Cultural Affairs
National Endowment for the Arts
MAESTROS
Individuals
Herb and Carol Amster
Peter and Jill Corr
Ronnie and Sheila Cresswell
Businesses
Bank of Ann Arbor Brauer Investments Comerica Bank Dow Automotive KeyBank
McKinley Associates Thomas B. McMullen Company
National City Bank Sesi Lincoln Mercury Edward Surovell Realtors Texaco
Wolverine Technical Staffing, Inc.
Foundations
Arts Midwest
Detroit Edison Foundation Elizabeth E. Kennedy Fund Benard L. Maas Foundation Mid-America Arts Alliance New England Foundation for the Arts
VIRTUOSI Individuals
Prudence and Amnon
Rosenthal Edward and Natalie Surovell
Businesses j
CFI Group
CONCERTMASTERS Individuals
Maurice and Linda Binkow Douglas D. Crary Ken and Penny Fischer Beverley and Gerson Geltner Charles N. Hall ' David and Phyllis Herzig F. Bruce Kulp and Ronna Romney David G. Loesel Lawrence and Rebecca Lohr Robert and Pearson Macek Robert and Ann Meredith Joe and Karen Koykka O'Neal Loretta M. Skewes Don and Carol Van Curler Marina and Robert Whitman Ann and Clayton Wilhite Roy Ziegler . . ?
Businesses
Ann Arbor Acura AutoCom Associates Butzel Long Attorneys Cafe Marie Consumers Energy Elastizell Corp of America Miller, Canfield, Paddock and
Stone P.L.C. O'Neal Construction Pepper Hamilton LLP Visteon
Foundations
Chamber Music America THE MOSAIC FOUNDATION (ofR.&P. Heydon)
LEADERS Individuals
Martha and Bob Ause A. J. and Anne Bartoletto Bradford and Lydia Bates Kathy Benton and Robert Brown
Raymond and Janet Bernreuter Mr. and Mrs. William Brannan Barbara Everitt Bryant Amy and Jim Byrne Edward and Mary Cady Edwin and Judith Carlson Mr. Ralph Conger Katharine and Jon Cosovich Molly and Bill Dobson Jim and Patsy Donahey David Eklund and Jeff Green Mr. and Mrs. Thomas C. Evans John and Esther Floyd James and Anne Ford Otto and Lourdes E. Gago Sue and Carl Gingles Debbie and Norman Herbert Keki and Alice Irani Thomas and Shirley Kauper Judy and Roger Maugh Paul and Ruth McCracken Hattie and Ted McOmber Cruse W. and
Virginia Patton Moss George and Barbara Mrkonic Gilbert Omenn and
Martha Darling John Psarouthakis John and Dot Reed Barbara A. Anderson and
John H. Romani Mabel E. Rugen Don and Judy Dow Rumelhart Carol and Irving Smokier Lois A. Theis g$gfi
Richard E. and
Laura A. Van House Mrs. Francis V. Viola III Marion T. Wirick and
James N. Morgan i
Businesses
Alf Studios AAA Michigan Alcan Automotive Products Austin & Warburton Blue Nile Restaurant Dennis A. Dahlmann Inc. Lansstyrelsen Vastra Gotaland Ideation, Inc.
Joseph Curtin Studios
Masco Corporation -----
Republic Bank Ann Arbor Scandinavian Airlines System
Foundations
Ann Arbor Area Community
Foundation
The Lebensfeld Foundation Shiffman Foundation Trust
(Richard Levey and Sigrid
Christiansen)
PRINCIPALS
Individuals ""
Dr. and Mrs. Gerald Abrams ' ''
Jim and Barbara Adams
Bernard and Raquel Agranoff
Lloyd and Ted St. Antoine
Lesli and Christopher Ballard
Emily W. Bandera, M.D.
Dr. and Mrs. Robert Bartlett
Karen and Karl Bartscht
Ralph P. Beebe
Ruth Ann and Stuart J. Bergstein
L. S. Berlin
Philip C. Berry
Suzanne A. and Frederick J. Beutler
Joan Akers Binkow
Elizabeth and Giles G. Bole
Lee C. Bollinger and
Jean Magnano Bollinger Howard and Margaret Bond Laurence and Grace Boxer Dale and Nancy Briggs s Helen L. Brokaw Jeannine and Robert Buchanan Robert and Victoria Buckler Lawrence and Valerie Bullen Mr. and Mrs. Richard J. Burstein Letitia J. Byrd Betty Byrne "
Jim and Priscilla Carlson ' Jean and Kenneth Casey Janet and Bill Cassebaum Anne Chase
George and Patricia Chatas ?? Don and Betts Chisholm Mr. and Mrs. John Alden Clark David and Pat Clyde 3
Leon and Heidi Cohan Anne and Howard Cooper Mary Cordes and Charleen Price
Principals, continued
Peter and Susan Darrow Beatrice C. DeRocco Jack and Alice Dobson Elizabeth A. Doman Mr. and Mrs.
John R. Edman Dr. and Mrs.
John A. Faulkner Susan Feagin and
John Brown David and
Jo-Anna Featherman Adrienne and
Robert Z. Feldstein Ray and
Patricia Fitzgerald David C. and
Linda L. Flanigan Bob and Sally Fleming Ilene H. Forsyth Michael and Sara Frank Marilyn G. Gallatin James and Cathie Gibson William and Ruth Gilkey Drs. Sid Gilman and
Carol Barbour Alvia G. Golden and
Carroll Smith-Rosenberg Norm Gottlieb and
Vivian Sosna Gottlieb Dr. Alexander Gotz Victoria Green and
Matthew Toschlog Linda and Richard
Greene Frances Greer David and Pamela
Colburn Haron Taraneh and Carl Haske Anne and Harold Haugh Bertram Herzog Julian and Diane Hoff Janet Woods Hoobler Robert M. and
Joan F. Howe Sun-Chien and
Betty Hsiao John and Patricia
Huntington
Stuart and Maureen Isaac Lennart and
Karin Johansson Elizabeth Judson Johnson Robert L. and
Beatrice H. Kahn Robert and Gloria Kerry
Amy Sheon and
Marvin Krislov Bud and Justine Kulka Barbara and
Michael Kusisto Lenore Lamont Jill Latta and
David S. Bach Mr. and Mrs.
Henry M. Lee Leo and Kathy Legatski Carolyn and Paul Lichter Richard and
Stephanie Lord Dean and Gwen Louis Virginia and
Eric Lundquist John and
Cheryl MacKrell Natalie Matovinovic Margaret W. Maurer Joseph McCune and
Georgiana Sanders Rebecca McGowan and
Michael B. Staebler Dr. H. Dean and
Dolores Millard Andrew and
Candice Mitchell Grant W. Moore Julia S. Morris Eva L. Mueller Mr. and Mrs. Homer Neal Shirley Neuman M. Haskell and Jan
Barney Newman William and
Deanna Newman Marylen and
Harold Oberman Dr. and Mrs.
William J. Oliver Mark and Susan Orringer Elizabeth C. Overberger Mr. and Mrs.
William B. Palmer Dory and John D. Paul John M. Paulson Elaine and Bertram Pitt Eleanor and Peter Pollack Stephen and
Agnes Reading Donald H. Regan and
Elizabeth Axelson Kenneth J. Robinson Mrs. Irving Rose Victor Strecher and
Jeri Rosenberg
Gustave and
Jacqueline Rosseels Dr. Nathaniel H. Rowe Mr. and Mrs.
Charles H. Rubin Maya Savarino Mrs. Richard C. Schneider Rosalie and David
Schottenfeld Dr. John J. H. Schwarz Robert Sears and
Lisa M. Waits Joseph and
Patricia Settimi Janet and
Michael Shatusky Helen and George Siedel J. Barry and
Barbara M. Sloat Tim Sparling and
Lynne Tobin
Steve and Cynny Spencer Gus and Andrea Stager James and Nancy Stanley Mrs. Ralph L. Steffek Mr. and Mrs.
John C. Stegeman Sally A. Stegeman Victor and
Marlene Stoeffler Bengt L. and
Elaine M. Swenson James L. and
Ann S. Telfer Dr. Isaac Thomas III &
Dr. Toni Hoover Susan B. Ullrich Jerrold G. Utsler Charlotte Van Curler Mary Vanden Belt Elly Wagner John Wagner Gregory and
Annette Walker Willes and
Kathleen Weber Elise and Jerry Weisbach Robert O. and
Darragh H. Weisman Angela and
Lyndon Welch Roy and JoAn Wetzel Max Wicha and
Sheila Crowley Dr. and Mrs. Clyde Wu Paul and
Elizabeth Yhouse Ed and Signe Young
Gerald B. and
Mary Kay Zelenock
Businesses
Allen & Kwan Commercial Briarwood Mall
Foundations
J. F. Ervin Foundation Harold and Jean
Grossman Family
Foundation Hudson's Community
Giving
Montague Foundation The Power Foundation
BENEFACTORS Individuals
Robert Ainsworth Dr. and Mrs. Robert G.
Aldrich
Michael and Suzan Alexander Carlene and Peter Aliferis Michael Allemang and
Denise Boulange Dr. and Mrs. Rudi Ansbacher lanet and Arnold Aronoff Max K. Aupperle Gary and Cheryl Balint Norman E. Barnett Mason and Helen Barr Astrid B. Beck and
David Noel Freedman Kathleen Beck Harry and Betty Benford John Blanklcy and
Maureen Foley lane M. Bloom Ron and Mimi Bogdasarian Charles and Linda Borgsdorf David and Sharon Brooks lime and Donald R. Brown Virginia Sory Brown Douglas and
Marilyn Campbell Jean W. Campbell Michael and
Patricia Campbell Bruce and Jean Carlson Jack and Wendy Carman James S. Chen Janice A. Clark John and Nancy Clark Edward J. and
Anne M. Comeau Jim and Connie Cook Susan and Arnold Coran Elaine Buxbaum Cousins Clifford and Laura Craig
George and Connie Cress Kathleen ). Crispell and
Thomas S. Porter ?_
Mary R. and John G. Curtis Roderick and
Mary Ann Daane lames M. Deimen Pauline and lay J. De Lay Katy and Anthony Derezinski Lloyd and Genie Dethloff Marnee and John DeVine Delia DiPietro and
Jack Wagoner, M.D. Dr. and Mrs. i
Stephen W. Director Al Dodds Mr. and Mrs.
Raymond D. Dornbusch Charles and Julia Eisendrath Dr. Alan S. Eiser Stefan S. and Ruth S. Fajans Dr. and Mrs. S.M. Farhat Claudine Farrand and
Daniel Moerman Dede and Oscar Feldman Dr. James F. Filgas Sidney and Jean Fine Clare M. Fingerle Phyllis W. Foster Deborah and
Ronald Freedman . Gwyn and Jay Gardner Drs. Steve Geiringer and
Karen Bantel
Thomas and
Barbara Gelehrter Beverly Gershowitz Elmer G. Gilbert and ------
Lois M. Verbrugge Joyce and Fred Ginsberg Paul and Anne Glendon Susie and Gene Goodson Cozette Grabb Dr. and Mrs. J
William A. Gracie William and Deborah Gray John and Helen Griffith Leslie and Mary Ellen Guinn Carl E. and Julia H. Guldberg Don P. Haefner and
Cynthia J. Stewart Helen C. Hall
Mr. and Mrs. Elmer F. Hamel Susan Harris Paul Hysen and
Jeanne Harrison Anne Vance Hatcher Karl and Eleanor Hauser Nina F.. Hauser Jeannine and Gary Hayden Margaret and
Walter Helmreich J. Lawrence and
Jacqueline Stearns Henkel Carl and Charlene Herstein Mrs. W.A. Hiltner Mr. and Mrs.
William B. Holmes Bellanina Day Spa
David and Dolores Humes Ronald R. and
Gaye H. Humphrey Eileen and Saul Hymans Wallie and Janet Jeffries Jim and Dale Jerome Ellen C. Johnson Frank and Sharon Johnson Mercy and Stephen Kasle Herbert Katz
Richard and Sylvia Kaufman Richard L. Kennedy Emily and Ted Kennedy Howard King and
Elizabeth Sayre-King Dick and Pat King Hermine R. Klingler Bethany and Bill Klinke Philip and
Kathryn Klinrworth Jim and Carolyn Knake Joseph and
Marilynn Kokoszka Samuel and Marilyn Krimm Lee and Teddi Landes David and Maxine Larrouy John K. Lawrence Ted and Wendy Lawrence Laurie and Robert LaZebnik Rosebud Solutions Ann M. Leidy F.vie and Allen Lichter Charles and Judy Lucas Brigitte and Paul Maassen Edwin and Catherine Marcus Nancy and Philip Margolis Claude and Marie Martin Irwin and Fran Martin Sally and Bill Martin Marilyn Mason Chandler and
Mary Matthews Elaine J. McFadden Eileen Mclntosh and
Charles Schaldenbrand Richard and
Elizabeth McLeary Ted and Barbara Meadows Dr. Gerlinda Melchiori Walter and Ruth Metzger Valerie Meyer Leo and Sally Miedler Myrna and Newell Miller Lester and Jeanne Monts Melinda and Bob Morris Brian and Jacqueline Morton Cyril and Rona Moscow Hillary Murt and
Bruce A. Friedman Martin Neuliep and
Patricia Pancioli Len and Nancy Niehoff Mrs. Marvin Niehuss Gene Nissen Dr. and Mrs.
Frederick C. O'Dell Mr. and Mrs.
James C. O'Neill
Constance L. and
David W. Osier Mitchcl Osman, M.D. "' William C. Parkinson Shirley and Ara Paul Margaret and Jack Petersen Lorraine B. Phillips William and Betty Pierce Murray and Ina Pitt Stephen and Bettina Pollock Richard H. and
Mary B. Price Mrs. Gardner C. Quarton Mrs. Joseph S. Radom Jeanne Raisler and
Jonathan Allen Cohn Jim and leva Rasmussen Jim and Bonnie Recce Rudolph and Sue Reichert Ray and Ginny Reilly Maria and Rusty Restuccia Arthur J. Rose Dr. Susan M. Rose Mrs. Doris E. Rowan James and
Adricnne Rudolph Ina and Terry Sandalow Sheldon Sandweiss Ronald and Donna Santo Drs. Edward and
Virginia Sayles ? Peter C. Schaberg and
Norma J. Amrhein Meeyung and
Charles Schmitter " Sue Schroeder Julianne and Michael Shea Howard and Aliza Shevrin Dr. and Mrs. f
Martin Shinedling Frances U. and
Scott K. Simonds George and
Mary Elizabeth Smith Dr. Elaine R. Soller Cynthia J. Sorensen Mr. and Mrs. Neil J. Sosin Juanita and Joseph Spallina Stephen and Gayle Stewart Wolfgang Stolper Nancy Bielby Sudia Charlotte B. Sundelson Ronna and Kent Talcott Bob and Betsy Teeter Mrs. E. Thurston Thieme Dr. and Mrs.
Merlin C Townley Joan Lowenstein and
Jonathan Trobe Marilyn Tsao and Steve Gao Dr. Sneryl S. Ulin and
Dr. Lynn T. Schachinger Bryan and Suzctte Ungard Jack and
Marilyn van der Velde Kate and Chris Vaughan Sally Wacker Warren Herb Wagner and
Florence S. Wagner
Bruce and Raven Wallace Charles R. and
Barbara H. Wallgren Dana M. Warnez Joyce L. Watson Robin and Harvey Wax Karl and Karen Weick Raoul Weisman and
Ann Friedman Dr. Steven W. Werns Harry C. White and
Esther R. Rcdmount Clara G. Whiting Brymer Williams ). D. and Joyce Woods Mr. and Mrs. A. C.WooIl David and April Wright Don and Charlotte Wyche
Businesses
The Barfield
CompanyBartech Dupuis & Ryden P.C. Guardian Industries
Corporation Public Sector Consultants,
Inc. Charles Reinhart Company
Realtors Stirling Thermal Motors, Inc.
Foundations
The Sneed Foundation, Inc.
ASSOCIATES
Individuals
Anastasios Alexiou
Christine Webb Alvey
Dr. and Mrs. David G. Anderson
David and Katie Andrea
Harlene and Henry Appelman
Patricia and Bruce Arden
Jeff and Deborah Ash
Mr. and Mrs. Arthur . Ashe, III
Mr. and Mrs. Dan E. Atkins III
Jonathan and Marlene Ayers
Robert L. Baird
lohn R. Bareham
Cy and Anne Barnes
Gail Davis Barnes
Victoria and Robin Baron
Lois and David Baru
Gary Beckman and Karla Taylor
Srirammohan S. and
Shamal Beltangady Linda and Ronald Benson Robert Hunt Berry Sheldon and Barbara Berry Dan and Irene Biber Cathie and Tom Bloem Roger and Polly Bookwalter Mr. loci Bregman and
Ms. Elaine Pomeranz Allen and Veronica Brilton Mrs. A. Joseph Brough Morton B. and Raya Brown
Associates, continued
Dr. and Mrs. Donald T. Bryant Sue and Noel Buckner Trudy and Jonathan Bulkley Arthur W. and Alice R. Burks Susan and Oliver Cameron Margot Campos Charles F. Cannell Nancy Cantor
Marshall F. and Janice L. Carr Jeannette and Robert Carr James and Mary Lou Carras Carolyn M. Carty and
Thomas H. Haug Dr. and Mrs. Joseph C. Cerny Tsun and Siu Ying Chang Dr. Kyung and Young Cho Soon K. Cho
Dr. and Mrs. David Church Nancy Cilley
Donald and Astrid Cleveland Gerald S. Cole and
Vivian Smargon John and Penelope Collins Wayne and Melinda Colquitt Nan and Bill Conlin Paul N. Courant and
Marta A. Manildi Merle and Mary Ann Crawford Mr. Michael J. and
Dr. Joan Crawford Constance Crump and
Jay Simrod Sunil and Mcrial Das Charles and
Kathleen Davenport Ed and HI lie Davidson Peter and Norma Davis Ronald and Dolores Dawson John and Jean Debbink Penny and Laurence B. Deitch Elena and Nicholas Delbanco Ellwood and Michclc Derr Elizabeth Dexter Martha and Ron DiCecco Bill and Peggy Dixon Jean Dolega
Heather and Stuart Dombey Dr. and Mrs. Edward F. Domino Thomas and Esther Donahue Eugene and Elizabeth Douvan Mr. and Mrs. Daniel G. Dow Phillip Duryea Jane E. Dutton Martin and Rosalie Edwards Judge and Mrs. S. J. Eldcn Ethel and Sheldon Ellis Mackenzie and Marcia Endo loan and Emil Engel Patricia Enns
Dr. and Mrs. James Ferrara Yi-tsi M. and
Albert Feuerwerker Karl and Sara Fiegenschuh Carol Finerman Herschel and Annette Fink Beth B.Fischer (Mrs. G.J.) Dr. C. Peter and
Beverly A. Fischer Susan R. Fisher and
John W. Waidlcy Jennifer and Guillermo Flores Mr. and Mrs. George W. Ford Doris E. Foss
Paula L. Bockenstedt and
David A. Fox
Howard and Margaret Fox Andrew and Deirdre Freiberg Lela 1. Fuester
Mr. and Mrs. William Fulton Harriet and Daniel Fusfeld Bernard and Enid Galler Eugene and Mary Anne Gargaro David and Marian Gates Mr. and Mrs. Michael Gillis James and lanet Gilsdorf Maureen and David Ginsburg Albert and Almeda Girod Edward and Ellen Goldberg Irwin Goldstein and
Martha Mayo Charles Goss lames W. and Maria J. Gousseff Elizabeth Necdham Graham Maryanna and
Dr. William H. Graves, III lerry M. and Mary K. Gray Dr. John and Renee M. Greden Lila and Bob Green Bill and Louise Gregory Lauretta and Jim Gribble Carleton and Mary Lou Griffin Mark and Susan Griffin Werner H. Grilk David and Kay Gugala Ken and Margaret Guire Arthur W. Gulick, M.D. Susan and John Halloran Yoshiko Hamano Mr. and Mrs. Michael Hanna Martin D. and
Connie D. Harris Robert and lean Harris Robert and Sonia Harris Naomi Gottlieb Harrison and
Theodore Harrison DDS Clifford and Alice Hart Thomas and Connie Heffner Bob and Lucia Heinold Fred and Joyce Hershenson Peter G. Hinman and
Elizabeth A. Young Ms. Teresa Hirth Frances C. Hoffman Matthew C. Hoffmann and
Kerry McNulty Carol and Dieter Hohnke Kenneth and Joyce Holmes Ronald and Ann Holz Drs. Linda Samuelson and
loel Howell Jane H. Hughes Ann D. Hungcrman Thomas and
Kathryn Huntzicker Susan and Martin Hurwitz Robert B. Ingling Margaret and Eugene Ingram Harold and lean lacobson Kent and Mary lohnson Tim and Jo Wiese lohnson Elizabeth and Lawrence Jordan Susan and Stevo Julius Douglas and Mary Kahn Steven R. Kalt and
Robert D. Heeren Dr. and Mrs. Mark S. Kaminski
Perry and Denise Kantner
George Kaplan and Mary Haan
David and Sally Kennedy
Frank and Patricia Kennedy
Don and Mary Kiel
Tom and Connie Kinnear
Khca and Leslie Kish
lames and Jane Kister
Beverly Kleiner
Shira and Steve Klein
Laura Klem
Clyde and Anne Kloack
Ruth and Thomas Knoll
Nick Knuth
Dr. and Mrs. Mclvyn Korobkin
Michael and Phyllis Korybalski
Ron and Barbara Kramer
Bert and Catherine La Du
Mr. and Mrs. Henry M. Lapeza
lohn and Theresa Lee
Peter Lee and Clara Hwang
Mr. and Mrs. Fernando S. Leon
Richard LeSueur
Harry and Melissa LeVine
Myron and Bobbie Levine
Jacqueline H. Lewis
Earl Lewis
Leons and Vija Liepa
Alene and Jeff Lipshaw
Rod and Robin Little
Vi-Cheng and Hsi-Yen Liu
Peter and Sunny Lo
Naomi E. Lohr
E. Daniel and Kay Long
Leslie and Susan Loomans
Helen B. Love
Mr. and Mrs. Carl . Lutkehaus
Edward and Barbara Lynn
Donald and Doni Lystra
Jeffrey Mackie-Mason
Steve and Ginger Maggio
Virginia Mahle
Melvin and Jean Manis
Marcovitz Family
Sheldon and Geraldine Markel
Peter Marshall
Jim and Ann Mattson
Melissa McBrienBaks Family
Margaret E. McCarthy
Ernest and Adcle McCarus
VV. Bruce McCuaig
Griff and Pat McDonald
Mr. and Mrs. Ernest Merlanti
Bernice and Herman Merte
Helen Metzner
Deanna Relyea and
Piotr Michalowski Prof, and Mrs. Douglas Miller Jeanette and Jack Miller Robert Rush Miller John Mills
Thomas and Doris Mirce Kathleen and James Mitchiner Dr. and Mrs.
William G. Moller, Jr. Jane and Kenneth Moriarty Frederick C. Neidhardt and
Germaine Chipault Laura Nitzberg and
Thomas Carli Donna Parmclce and
William Nolting
Vtarysia Ostafin and
George Smillie lulie and Dave Owens Oavid and Andrea Page
lelcn I. Panchuk
Jrs. Sujit and Uma Pandit
Villiam and Hedda Panzer
tene and Hino Papo
ilizabeth M. Payne rrl
'.oe and Joe Pearson ffiQB ? im and Julie Phelps " loyce H. and Daniel M. Phillips William and Barbara Pierce Frank and Sharon Pignanelli Richard and Meryl Place Donald and Evonne Plantinga Mary Alice Power Philip and Kathleen Power Bill and Diana Pratt Jerry and Lorna Prcscott Larry and Ann Prcuss Elizabeth L. Prcvot Wallace and Barbara Prince Bradley and Susan Pritts J. Thomas and Kathleen Pustell Leland and
Elizabeth Quackenbush Patricia Randlc and James Eng Anthony L. Reffells and
Elaine A. Bennett Glenda Renwick Janet L. Repp
Molly Resnik and John Martin Carol P. Richardson Jack and Margaret Rickctts John and Marilyn Rintamaki Jay and Machrec Robinson Mr. and Mrs. Stephen J. Rogers Mary R. Romig-deYoung Armando Lopez Rosas Elly Rose and Hugh Cooper W. Robin Rose Robert and Joan Rosenblum Gay and George Rosenwald Craig and )an Ruff Bryant and Anne Russell Robert E. Sanecki Mike Savitski and
Christi Balas Savitski Albert). and Jane L. Sayed Christine J. Schesky-Black David and Marcia Schmidt Monica and
David E. Schteingart Suzanne Selig Harriet Selin Erik and Carol Serr Ruth and Jay Shanberge George and Gladys Shirley Hollis and
Martha A. Showalter Ned Shure and Jan Onder Sandy and Dick Simon Robert and Elaine Sims Scott and Joan Singer John and Anne Griffin Sloan Tim and Marie Slottow Alene M. Smith Carl and Jari Smith Radley and Sandra Smith Mrs. Robert W. Smith Susan M. Smith Jorge and Nancy Solis
Yoram and Eliana Sorokin
Tom Sparks
Allen and Mary Spivcy
L. Grasselli Spranklc irfki'"
Curt and Gus Stager vAt?j
Barbara Stark-Nemon and
Barry Nemon Professor Louis and
Glennis Stout
Dr. and Mrs. Stanley Strasius Brian and Lee Talbot Eva and Sam Taylor Mary D. Teal
Dr. Paul and Jane Thielking Mary H. Thieme Christina and Thomas Thoburn Catherine and
Norman Thoburn Edwin J. Thomas Bette M. Thompson Mr. and Mrs. W. Paul Tippctt Patricia and Terril Tompkins Paul and Fredda Unangst Dr. and Mrs. Samuel C. Ursu Jim and Emilie Van Bochove Kathleen and Edward Van Dam Hugo and Karla Vandersypen Tanja and Rob Van der Voo J. Kevin and Lisa M. Vasconi William C. Vassell Shirley Verrett Carolyn and Jerry Voight John and Maureen Voorhees Wendy L Wahl and
William R. Lee Mrs. Norman Wait Virginia Wait
Robert D. and Liina M. Wallin Dr. and Mrs. Jon M. Wardner Mr. and Mrs.
Robert M.Warner Drs. Philip and Maria Warren Barry and Sybil Wayburn Deborah Webster and _____
George Miller 1
Walter L. Wells John and Joanne Werner Susan and Peter Westerman Marcy and Scott Westerman B. Joseph and Mary White Reverend Francis E. Williams Thomas and Iva Wilson Charles Witke and
Aileen Gatten Charlotte A. Wolfe Kathy and Alan Wright MaryGracc and Tom York Ann and Ralph Youngren Gail and David Zuk
Businesses
Atlas Tool, Inc. Clark Professional Pharmacy Coffee Express Co. Complete Design &
Automation Systems Inc. Edwards Brothers, Inc. John Lcidy Shop, Inc. Malloy Lithographing, Inc. Pollack Design Associates Quinn EvansArchitects A. F. Smith Electric, Inc. Milan Vault
ADVOCATES
Individuals
John R. Adams ;
Tim and Leah Adams :
Dr. Dorit Adlcr i
Dr. Diane M. Agresta i
Thomas Aider '----
Gordon and Carol Allardyce James and Catherine Allen Richard and Bettye Allen Barbara and Dean Alseth Nick and Marcia Alter Pamela and Gordon Amidon Helen and David Aminoff Dr. and Mrs. Charles T. Anderson Clarence Anderson Sandra and David Anderson Joseph and Annette Anderson Timothy and Caroline Andresen Martha Andrews-Schmidt Barbara T. Appelman Mary C. Arbour Catherine S. Arcure H. C. and Doris Arms Bert and Pat Armstrong Gaard and Ellen Arneson Rudolf and Mary Arnheim Dwight Ashley Eric M. and Nancy Auppcrle John and Rosemary Austgcn Shirley and Donalcl Axon Virginia and Jerald Bachman Drs. John and Lillian Back Chris and Heidi Bailey Prof, and Mrs. J. Albert Bailey Richard W. Bailey and Julia
Huttar Bailey
Laurence R. ana Barbara K. Baker Barbara and Daniel Balbach Helena and Richard Balon i Peter and Paulett Banks ; David and Monika Barera Maria Kardas Barna I
Joan W. Barth :
Robert and Carolyn Bartle i Leslie and Anita Bassett ,
Dorothy W. Bauer -----
Mrs. Jerc Bauer
Mr. and Mrs. Gilbert M. Bazil, Jr. ] James and Margaret Bean ;
Mr. and Mrs. John C. Beatty Mr. and Mrs. Steven R. Beckert Robert Beckley and Judy Dincsen Mr. and Mrs. Bruce Beier T Steve and Judy Bemis Walter and Antje Benensr Erling and
Merete Blondal Bengtsson Bruce Benner and
Hely Merle-Benner Linda Bennett
Mr. and Mrs. Ib Bentzen-Bilkvist Dr. Rosemary R. Berardi Mr. and Mrs. Joel S. Berger Barbara Levin Bergman im Bergman and
Penny Hommel Marie and Gerald Berlin Abraham and Thelma Berm Susan A. Bernard Pearl Bernstein
Michel and Dominique Berny Gene and Kay Berrodin Andrew H. Berry, D.O. Mark Bert
R. Bezak and R. Halstead Naren and Nishta Bhatia Bharat C Bhushan John and Marge Biancke Eric and Doris BiNcs John E. Billie and Sheryl Hirsch Jack and Anne Birchfield William and llene Birge Elizabeth S. Bishop Art and Betty Blair
Donald and Roberta Blitz Marshall and Laurie Blondy Dennis Blubaugh Dr. George ana Joyce Blum Mr. and Mrs.
Ralph O. Boehnke, Jr. Beverly J. Bole Mark and Lisa Bomia Dr. and Mrs. Frank P. Bongiorno Harold W. and
Rebecca S. Bonnell Edward and Luciana Borbely Lola J. Borchardt Morris and Reva Bornstein Jeanne and David Bostian Victoria C. Botek and
William M. Edwards Jim Botsford and
Janice Stevens Botsford Bob and Jan Bower Dean Paul C. Boylan Marvin J. and Maureen A. Boyle Dr. and Mrs. Ralph Bozell Stacy P. Brackens Dr. and Mrs. C. Paul Bradley Melvin W. and Ethel F. Brandt William R. Brashear Enoch and Liz Bratcr Mr. and Mrs. Gerald Bright Paul A. Bringer Amy and Clifford Broman Razclle Brooks Olin L. Browder Linda Brown and Joel Goldberg Cindy Browne Molly and John Brueger Mrs. Webster Brumbaugh Dr. Frances E. Bull Margaret E. Bunge -Marilyn Burhop Tony and Jane Burton Barbara H. Busch Mr. and Mrs. Dan H. Butler; Joanne Cage Louis and Janet Callai H. D. Cameron Mrs. Darrell A. Campbell Douglass and Sherry Campbell James H. Campbell Valerie and Brent Carey Barbara Carpenter James and Jennifer Carpenter Deborah S. Carr Margaret P. Carrigan Dennis B. and
Margaret W. Carroll Dean Carter and Dr. Pctra
Schindler Carter Joseph and Nancy Cavanaugh K. M. Chan
Bill and Susan Chandler J. Wchrlcy and Patricia Chapman Dr. Carey Charles-Angelos Barry and Marjorie Cneckoway Joan and Mark Chesler Tim Cholyway Felix and Ann Chow Catherine Christen Edward and Rebecca Chudacoff Sallie R. Churchill Pat Clapper
Brian and Cheryl Clarkson Barbara Clough Roger and Mary Coc Dorothy Coffey Alice S. Cohen Hubert and Ellen Cohen Hilary and Michael Cohen Mr. and Mrs. William Cohen Willis Colburn and Denise Park Marion Collier Matthew and Kathryn Collins Ed and Cathy Colone Gordon and Marjorie Comfort Wendy and Mark Comstock Carolyn and L. Thomas Conlin Patrick and Anncward Conlin Sandra S. Connellan M. C. Conroy
Philip E. and Jean M. Converse
Donald W. Cook
Dr. and Mrs. William W. Coon
Gage R. Cooper
Dr. and Mrs. Richard Cooper
Alan and Belte Colzin
Malcolm and Juanita Cox
Marjoric A. Cramer
Richard and Penelope Crawford
Charles and Susan Cremin
Mary C. Crichlon
Mr. and Mrs. James I. Crump
Peggy Cudkowicz
Townlcy and Joann Culberison
Jean Cunningham
Richard J. Cunningham
Marylee Dalton
loyce Damschroder
Mr. and Mrs. Norman Dancy
Mildred and William B. Darnton
fane and Gawaine Dart
Stephen Darwall and
Rosemarie Hester DarLinda and Robert Dascola Ruth E. Datz
Mr. and Mrs. John L. Daucr Mr. and Mrs. Arthur W. Davidgc Judi and Ed Davidson Laning R. Davidson, M.D. Wayne and Patricia Davis Robert and
Barbara Ream Debrodt Joe and Nan Decker Dr. and Mrs. Raymond F. Decker Rossanna and George DeGrood Mr. and Mrs. Rolf A. Deininger George and Margaret Demutn Pamela DcTullio and
Stephen Wiseman Don and Pam Devine Sheryl Diamond Macdonald and Carotin Dick T. L. Dickinson and
Lisa Landmeier Gordon and Elaine Didier Jerry and Palti Dobbs Judy and Steve Dobson Paul Dodd and Charlotte Dodd Ed and Betty Doe.ema Steven and Paula Donn Deanna and Richard Dorner Roland and Diane Drayson Harry M. and Norrene M. Dreffs Cecilia and Allan Dreyfuss Janet Driver and Daniel Hyde John Drydcn and Diana Raimi Rhetaugn Graves Dumas Rosanne and Sandy Duncan Robert and Connie Dunlap Richard F. Dunn Jean and Russell Dunnaback Edmund and Mary Durfce John W. Durstine George C. and Roberta R. Earl Elaine Economou and
Patrick Conlin Richard and Mvrna Edgar Morgan H. and Sara O. Edwards Julie and Charles Ellis Richard and Helen Emmons H. Michael and Judith L End res Mr. and Mrs. Fred A. Erb Roger E. Erickson Steve and Pamela Ernst Leonard and Madeline Eron Dorothy and Donald Eschman Sally Evaldson and John Posa Barbara Evans Don and Jcanette Fabcr Mr. and Mrs. Robert B. Fair, Jr. Mark and Karen Falahee FJly and Harvey Falit Dr. Cheryl C. Farmer Inka and David Felbeck Reno and Nancy Feldkamp Phil and Phyllis Fcllin Ronda and Ron Ferber Larry and Andra Ferguson Dennis and Claire Fernly
Advocates, continued
Susan FilipiakSwing City
Dance Studio Clarisse (Ctay) Finkbciner Marilyn Finkbeiner David A. Finn '
Gerald B. and
Catherine L. Fischer ' Lydia H. Fischer Dr. and Mrs. Richard L. Fisher lanet and Tom Fisher Barbara and James Fitzgerald Linda and Thomas Fitzgerald Beth and Joe Fitzsimmons Morris and Dcbra Flaum Kathleen and Kurt Flo; Rochclle Flumenbaum and
Paul Estenson Jessica Fogel and
Lawrence Weiner George and Kathryn Foltz Susan Goldsmith and
Spencer Ford Dr Linda K. Forsberg Burke and Carol Fossee Jason I. Fox
William and Beatrice Fox Dan and Jill Francis Mark and Gloria Frank Lynn A. Freeland Lucia and Doug Freeth Richard and Joann Freethy Sophia French Marilyn L. Friedman Esther and Perctz Fricdmann Susan Froelich and
Richard Ingram . Gail Fromes 1
Jerry Frost Philip and Renee Frost Joseph E. Fugere and,
Marianne C. Mussctt Jane Galantowicz Frances and Robert Gamble C. J, Gardiner and Cynthia Koch C. Louise Garrison lanet and Charles Garvin Wood and Rosemary Geist Allan and Harriet Gelfond Chuck and Rita Gelman
Deborah and Henry Gerst Michael Gerstenberger W. Scott Gerstenberger and
Elizabeth A. Sweet Leo and Renate Gerulaitis Beth Genne and Allan Gibbard Paul and Suzanne Gikas Matthew and Debra Gildea Zita and Wayne Gillis Beverly Jeanne Giltrow Gary and Rachel Glick Albert and Barbara Glover Albert L. Goldberg David and Shelley Goldberg Ed and Mona Goldman Arna and Michael J. Goldstein Beryl and David Goldsweig Mrs. Eszter Gombosi Mitch and Barb Goodkin Ann F. Goodman Selma and Albert Gorlin Enid Gosling Jean and Bill Gosling Michael L. Gowing Mr. and Mrs. Gordon J. Graham Mr. and Mrs. Robert C. Graham Pearl E. Graves Whitmorc and Svca Gray Isaac and Pamela Green Lewis R. and Mary A. Green Deborah S. Greer Sandra Gregerman G. Robinson and Ann Gregory Martha . Grciner Linda and Roger Grckin Raymond ana Daphne M. Grew Marshall J. and Ann C. Grimm Marguerite M. Gritenas
Betty and Chuck Gross Laurie Gross
Richard and Marion Gross Frederick and Iris Gruhl Lionel and Carol Guregian Nancy and )on Gustafson Lorraine Gutierrez and '
Robert Peyser Margaret Gutowski and
Michael Marietta Jeff and LeAnn Guyton Caroline and Roger Hackett Jennifer Shikes Haines and
David Haines Sarah I. Hamcke Mrs. Frederick G. Hammitt Dora E. Hampel Dr. and Mrs. Carl T. Hanks ' Grace H. Hanncnin Lourdes S. Bastos Hansen ? Charlotte Hanson -Mary C. Harms Stephen G. and
Mary Anna Harper '
Laurelynne Daniels and
George Harris Ed Sarath and loan Harris Susan S. Harris m
Stephen Haskin and
Karen Soskin Elizabeth C. Hassinen Ruth Hastie
lames B. and Roberta Hause Ian and Barbara Hawkins Maureen Hawley D. Keith and Lori Hayward Anne Hcacock Kenneth and Jeanne Heining Mrs. Miriam Heins Jim and Esther Hcitler Bill Heifer Sivana Heller Paula B. Hencken and George C. Collins Karl Henkel and Phyllis Mann Dr. and Mrs. Keith S. Henley Kathryn Dekonine Hcntschcl and
Rudi Hcntschel Jeanne Hernandez C.C. Herrington, M.I). Ronald I), and Barbara I. Hertz Stuart and Barbara Hilbert Herb and Dee Hildebrandt Lorna and Mark Hildebrandt Carolyn Hiss
lames and Ann Marie Hitchcock Louise Hodgson Jane and Dick Hoerner Robert and Claire Hogikyan Donna M. Hollowell Mr. and Mrs. Howard Holmes Pam and Steve Home Dave and Susan Horvath Mr. and Mrs. F. B. House James and Wendy Fisher House Jeffrey and Allison Housner Helga C. Hover Kenneth and Carol Hovey Drs. Richard and Diane Howlin John l.Hritz, Jr. Mrs.V.C. Hubbs Hubert and Helen Huebl Jude and Ray Huetteman ' Harry and Ruth Huff Mr. and Mrs. William Hufford Mr. and Mrs. Thomas . Hughes Joanne Winkleman Hulce Ralph and Del Huletl Jewel F. Hunter Joyce M. Hunter Marilyn C. Hunting Mr. and Mrs. Jacob Hurwitz Bailie, Brcnda and
Jason Prouser Imber --?--Diane C. Imredy Edward C. Ingraham Ann K. Irish Sid and Harriet Israel Joan L. Jackson w
Judith G. Jackson
Dean and Ixslic Jarrctt
Marilyn G. Jeffs
Professor and Mrs. Jerome Jelinek
James and Elaine Jensen
Keith and Kay Jensen
Mark and Linda Johnson
Paul and Olga Johnson
Dr. Marilyn S. Jones
Andree Joyaux and Fred Blanck
Tom and Marie Juster
Mary Kalmes and
Larry Friedman Paul Kantor and
Virginia Weckstrom Kantor Helen and Irvine Kao Mr. and Mrs. Wilfred Kaplan Hans Peter Kappus Diana S. Karam Rosalie Bruni Karunas Alex and Phyllis Kato Ann F. Katz
Barbara Kayc and John Hogikyan Julie and Phil Kearney William and Gail Keenan Frank and Karen Keesecker Robert and Frances Kciser Janice Keller Linda Atkins and
Thomas Kenney Geocge L. Kenyon and
Lucy A. Waskell Paul and Leah Kilcny Jeanne M. Kin
Robert and Vicki Kiningham John and Carolyn Kirkendall Leilani and Steven Killer Anne Kloack Patricia S. Knoy Rosalie and Ron Koenig Charles and Linda Koopmann Alan and Sandra Kortesoja Dimitri and Suzanne KosachetT Sara Kring William (I. Kring Alan and Jean Krisch Syma and Phil Kroll Bert and Geraldine Kruse Helen and Arnold Kucthe Danielle and George Kuper Dr. and Mrs. R. A. Kutcipal William and Marie Kuykendall Alvin and Susan Lake Magdalene Lampert Mr. and Mrs. Seymour Lampert Henry and Alice Landau Janet Landsberg LaVonnc Lang Patricia M. Lang Mrs. David A. Lanius Lois H. Largo
Joan Larsen and Adam Pritchard Carl F. and Ann L. LaRue Neal and Anne Laura-Beth and George Lav Judith and Jerold Lax Chuck and Linda Leahy Francois and Julie Lcbel Cyril and Ruth Leder Fred and Ethel Lee Skip and Mary LcFauve Diane and Jeffrey Lehman Richard and Barbara Leite
Ron and Leona Ionard Sue Leong Margaret E. Uslie David E. Levine 1 Deborah Lewis Tom and Judy Lewis Margaret K. Liu and
Diarmaid M. O'Foighil Jackie K. Livesay Julie M. Loftin Jane Lombard Ronald Longhofer and
Norma McKenna Barbara R. and Michael Lott Bruce Loughry Christopher Loving
Donna and Paul Lowry Ross E, Lucke
Pamela and Robert Ludolph Elizabeth L. Lutton Fran Lyman
Becky and Reno Maccardini Pamela J. MacKintosh Marilyn MacLean Walter Allen Maddox Mark Mahlberg Suzanne and Jay Mahler Deborah Malamud and
Neal Plotkin
Claire and Richard Malvin Alan and Carla Mandel Pankaj Manku Pearl Manning Ken Marblestone and
Janisse Nagel Lee and Greg Marks Alice K. and Robert G. Marks Rhoda and William Martel lames E. and Barbara Martin Wendy Massard Vincent and Margot Massey Glenn D. Maxwell Helen Byrm May Susan C. Guszynski and
Gregory F. Mazurc LaRuth C. McAfee f Margaret and Harris :ijt&l6t&X
McClamroch nL David G. McConncll J Dorcs M. McCrce ? Neil and Suzanne McGinn Michael G. McGuirc Mary and Norman Mclver ECO Physics, Inc. Bill and Ginny McKeachie Nancy and Robert Meader William and Marilyn
Meadowcroft Marilyn J. Meeker Robert and Kathleen Megginson Allen and Marilyn Mcnlo Warren and Hilda Merchant Debbie and Bob Merion Hely Merlc-Benner George R. and Brigctte Mcrz Julie and Scott Mere Henry D. Messer Carl A. House Don and Lee Meyer Shirley and Bill Meyers Helen M. Michaels William and loan Mikkclsen John W. Milford Carmen and Jack Miller James A. and Kathryn Miller Bob and Carol Milstcin Dr. and Mrs. lames B. Miner Olga Ann Moir Mary Jane Molcsky Molloy Foundation Bruce and Ann Moln Jim and Jeanne Montie Mr. Erivan R. Morales and
Dr. Seigo Nakao Arnold and Gail Morawa Robert and Sophie Mordis Dr. and Mrs. George W. Morley A. A. Moroun Robert C. Morrow Muriel Moskowitz Tom and Hcdi Mulford J. Thomas and Carol Mullen Marci Mulligan and
Katie Mulligan
Gavin Eadie and Barbara Murphy Lora G. Myers
Dr. and Mrs. Gunder A. Myran Ors. I.ouis and Julie Nagel Roscmarie Nagel Eugene and Katherinc Napolitan Penny H. Nasatir Joan Nassauer Edward C. Nelson Arthur and Dorothy Nesse Sharon and Chuck Newms Susan and Richard Nisbctt
Chrisler E. Nordman Caroline Norman Richard S. Nottingham Dr. Nicole Obregon John and Lcxa (5'Bricn Patricia O'Connor C. W. and Sally O'Dell Henry and Patricia O'Kray Cheric M. Olsen William and Joan Olsen Elizabeth Olson and
Michclc Davis Nels R. and Mary H. Olson Paul L and Shirley M. Olson J. L. Onclcy
Robert and Elizabeth Oneal Kathleen 1. Operhall Dr. Jon Oscherwitz Elisa Ostafin and
Hossein Keshtkar Mr. and Mrs. James R. Packard Jenny Palmer
Penny and Steve Papadopoulos Michael P. Parin Donna D. Park Bill and Katie Parker Frank and Arlenc Pasley Alka Patcl Eszther Pattantyus and
Tibor Nagy Nancy K. Paul Robert and Arlene Paup Edward I. Pawlak Lisa A. Payne
William and Susan Pcnner Steven and Janet Pepe Don and Giannine Perigo Bradford Perkins Susan A. Perry NealW.Persky.M.D. JefT Javowiaz and
Ann Marie Petach Roger and Takako Pc Robert G. and Diane L. Petit Frank and Nelly Petrock Ruth and Bryan Pfingst Douglas Phelps and Gwendolyn
Jessie-Phelps
C. Anthony and Marie B. Phillips Mr. and Mrs.
Frederick R. Pickard Nancy S. Pickus Robert and Mary Ann Pierce Roy and Winnifred Pierce Daniel Piesko
Dr. and Mrs. fames Pikulski Wayne and Suellen Pinch Brenda Pontillo Mr. and Mrs.
Jeffrey Michael Powers Robert and Mary Pratt Jacob M. Price John and Nancy Prince Yopie Prins and
Michael Daugherty Lisa M. Profera Ernst Pulgram Morton and Diane Raban Mr. and Mrs. Mitchell Radcliff Dr. and Mrs. Tushar N. Raiji Alex and Natasha Raikhel Nancy L. Rajala
Alfred and Jacqueline Raphelson Dr. and Mrs. Robert Rapp Mr. and Mrs.
Robert H. Rasmussen Ruth Rattner
Dr. and Mrs. Mark Rayport Maxwell and Marjorie Reade Sandra Reagan
Mr. and Mrs. Richard W. Redman Dr. and Mrs. James W. Reese Mr. and Mrs. Stanislav Rehak Georgia Reid
Mr. and Mrs. Bernard E. Reisn James and Judith Reiter Anne and Fred Rcmlcy Duane and Katie Rcnken John and Nanq' Reynolds
Alice Rhodes
Lou and Sheila Rice
Mr. and Mrs.
Thomas D. Richardson Elizabeth G. Richart Kurt and Lori Kicgra Thomas and EllenRiggs Lita Ristinc
Kathleen Roelofs Roberts Dave and Joan Robinson H. James and Kathleen Robinson lonathan and Anala Rodgers Mary Ann and Willard Rodgers Joseph and loan Rogers Mary F. Loeffler and
Richard K. Rohrer Michael J. and Yelena M. Romm Elizabeth A. Rose Edith and Raymond Rose Bernard and Barbara Rosen Dr. and Mrs. Gary R. Rosenblatt Richard Z. and Edie W. Rosenfeld Gharles W. Ross Marlene Ross Daria and Erhard Rothe Christopher Rothko Carol Rugg and
Richard Montmorcncy Dr. Glenn R. Ruihley Samuel and Irene Rupert Renee Rut Scott A. Ryan Mitchell and Carole Rycus Ellen and Jim Saalberg Theodore and Joan Sachs Mr. and Mrs. William Sachs Miriam S. Joffe Samson Daren and Maryjo Sandberg John and Reda Santinga Harry and Elaine Sargous Helga and Jochen Schacht Mary A. Schievc Courtland and Inga Schmidt Elizabeth L.Schmitt Gary and Claudia Schnitker Susan G. Schooner Thomas H. Schopmcyer Yizhak Schotten and
Katherine Collier Carol H.Schreckand
Ada Herbert David Schultz Aileen Schulze Ed and Sheila Schwartz David and Darlcne Scovell Richard A. Seid Janet C. Sell
Louis and Sherry L. Senunas George H. and Mary M. Sexton Matthew Shapiro and
Susan Garctz "f1
David and Elvera Shappirio riG Ingrid and Clifi" Sheldon J " Lorraine Sheppard i
Dr. and Mrs. Ivan Shcrick 8 Mr. and Mrs. Patrick M. Sherry Rev. William J. Sherzer Jean and Thomas Shope Mary Alice Shulman John Shultz Photography Milton and Gloria Siegel Alida and Gene Silvennan Geoffrey and Morrine Silverman Carl Simon and Bobbi Low Michael and Maria Simonte Alice Simsar Alan and Eleanor Singer Donald and Susan Sinta Irma J. Sklenar Beverly N. Slater Kirsten Marie Carr and
Theodore A. D. Slawccki William and Sandra Slowey Donald C. and Jean M. Smith Dr. and Mrs. Michael W. Smith : Susan E Smith !
John L. and Suzanne Smuckcr Nathan and Patrick Sohnly Hugh and Anne Solomon
lames A. Somers d
Dr. Sheldon and Sydelle Sonkin
Errol and Pal Soskolne
Becki Spangler and Peyton Bland
Elizabeth Spencer
Mrs. Herbert W. Spendlove (Anne)
Jim Spevak
Nancy Spezia
Scott Sproat
Edmund Sprungcr
Irving M. Stahl and
Pamela M. Rider Mr. and Mrs. Gary R. Stahle David and Ann Staiger Constance D. Stankrauff Betty and Harold Stark Dr. Erich M. Staudacher Mr. and Mrs. William C. Stebbins Bert and Vickie Stcck Virginia and Eric Stein Frank D. Stella Thorn and Ann Sterling William and Georgine Steude Jim and Gayle Stevens Mary Stevens Rick and Lia Stevens Barbara and Bruce Stevenson Harold and Nancy Stevenson John and Beryl Stimson James L. Stoddard Mr. and Mrs.
James Bower Stokoe Robert and Shelly Stoler John Strand Ellen M. Strand and
Dennis C. Regan Clinton and Aileen Stroebel Dr. and Mrs. Jeoffrcy K. Stross Mary Stubbins Judy and Sam Stulberg Mr. and Mrs. Patrick Suchy Donald and Barbara Sugerman Mike and Peg Supernault Valerie Y. Suslow
Alfred Sussman Ronald and Ruth Sutton Eric and Natalie Svaan Earl and Phyllis Swain Rebecca Sweet and Roland Loup John and Ida Swigart Rebecca Szabo Michael W. Taft and
Catherine N. Herrington Jim and Sally Tamm John Tamminen Denise Tanguay Larry and Roberta Tankanow Jerry and Susan Tarpley Frank and Carolyn Tarzia Robert and Carolyn Tatc Stephan Taylor and
Elizabeth Stumbo Margie and Graham Teall James B. Terrill Scott Terrill and Maggie Long Carol and Jim Thiry Tom and Judy Thompson Peggy Ticman
Bruce Tobis and Alice Hamele Peter and Linda Tolias Fran Toney
Ronald and Jacqueline Tonks Jim Toy
Angie and Bob Trinka Sara Trinkaus Ken and Sandy Trosien Luke and Meriing Tsai Jeff and Lisa Tulin-Silver Claire and Jerry Turcolte Jan and Nub Turner Mr. Victor and Dr. Hazel M.
Turner Alvan and Katharine Uhle
Joyce A. Urba and
David J. Kinsclla Morella Urbina Emmanuel-George Vakalo
Paul and Marcia Valcnstcin
Madeleine Vallier
r:irl and Sue Van Appledorn
;cca Van Dyke Bram and Lia van Leer Eldon and Beth Van Uere Fred and Carole van Reescma Leo and Peggy Van Sickle Phyllis Vegter Sv and Florence Veniar Kaiherinc Vcrdery Elizabeth Vcttcr Jack and Peg Vezina Alice and Joseph Vining Mr. and Mrs. Theodore R. Vogt Jill Wagner ferry Waldcn and
Julia Tiplady-Walden Stanley H. Waldon George and Lorraine Wales David C. and Elizabeth A. Walker Timothy Wang Jill A. Warren Lorraine Nadelman and
Sidney Warschausky Marty Warshaw Evy and Morrie Warshawski Ruth and Chuck Watts Carol Weber Edward C. Weber Joan M. Weber Jack and Jerry Weidenbach Carolyn J. Weigle Dr. Neal Wcinbcrg Gerane and Gabriel Weinreich Rosalyn and Gerald Weintraub Mr. and Mrs. Harvey L. Wcisberg Barbara Weiss Lisa and Steve Weiss John, Carol and Ian Welsch Kim Werner Helen Michael West Tim and Mini Westerdalc Paul E. Duffy and
Marilyn L. Wheaton James B. and Mary F. White Janet F. White Iris and Fred Whitchouse Mr. and Mrs.
Nathaniel Whiteside Thomas F. Wicder Ms. Nancy Wiernik William and Cristina Wilcox Catherine Wilkerson Benjamin D. Williams
Sara S. Williams Shelly F. Williams Christine and Park Willis Anne Marie and Robert ) Willis Bruce Wilson and
Carol Hollenshcad Richard C. Wilson Leslie C. Wimsatt Beverly and Hadley Wine Donna Winkelman and
Tom East hope
Sarajane and Jan Z. Winkelman Beth and I. W. Winsten James H. and Mary Anne Winter Dr. and Mrs. Lawrence D. Wise Stanley Wolfe Karen Wixson Dr. and Mrs. Ira S. Wollner Nancy and Victor Wong Ronald and Wendy Woods Israel and Fay WoronofF Harry Wright Phyllis B. Wright Alfred and Corinnc Wu Fran and Ben Wylie Sandra and Jonathan Yobbagy Mr. Frank Youkstettcr James and Gladys Young Phyllis Zawisza Craig and Margaret Zechman Mr. and Mrs. Martin Zeile John J. Zerbiec Daniel and Mary Ziegeler
Advocates, continued
Ronald W. Zorney
Erik and Linekc Zuiderweg
David S, and Susan H. Zurvatec
Businesses
The BSF. Design Group, Inc. Diametron, Inc. Doan Construction Co. Dobbs Opticians Inc.
of Ann Arbor Garris, Garris, Garris & Garris
Law Office Lewis Jewelers Organizational Designs SWEA Inc. Thalner Electronic Labs Thing-a-majigs for Kids Ann Arbor Center for Financial
Foundations
Hrb Foundation
BURTON TOWER SOCIETY '
The Burton Tower Society is a very special group of University Musical Society friends. These people have included the University Musical Society in their estate planning. We are grateful for this important support to continue the great tra?ditions of the Society in the future.
Carol and Herb Amster
Mr. Neil P. Anderson
Catherine S. A re u re
Mr. and Mrs. Pal E. Barondy
Mr. Hilbert Beyer
Elizabeth Bishop
Barbara Everitt Bryant
Pat and George Cnatas
Mr. and Mrs. John Alden Clark
Dr. and Mrs. Michael S. Frank
Beverly and Gerson Geltner
Mr. Edwin Goldring
Mr. Seymour Greenstone
Mr. and Mrs. Richard Ives
Marilyn Jeffs
Thomas C. and
Constance M. Kinncar Sally C. Maggio Charlotte McGeoch Michael G. McGuire Dr. Eva Mueller Len and Nancy Niehoff Dr. and Mrs. Frederick O'Dell Mr. and Mrs. Dennis Powers Mr. and Mrs. Michael Radock Herbert Sloan Roy and JoAn Wetzcl Mr. and Mrs. Ronald G. Zollars
H. Harlan Bloomer Tom Bob Boothby George W. Brooks James A. Davies William G. Dow Kathleen Fischer Edwin Goldring Thomas Michael Karun Anna Marie Kaupcr Fred C. Matthaei, Sr Robert Meredith Valerie Meyer StcfTi Keiss Fred C. Shure Clarence Fl.Stoddard Charles R. Tieman Govert W. Vandcn Bosch Norman Wait Alice Warshaw CarlH.Wilmont
IUSINESS LEADERSHIP CIRCLE
A. F. Smith Electric, Inc.
AAA Michigan
Aetna Corporation
Alcan Automotive Products
Allen & Kwan Commercial
Ann Arbor Acura
Ann Arbor Center for Financial
Services Atlas Tool, Inc. Austin & Warburton AutoCom Associates -7t"
Bank of Ann Arbor Bank One, Michigan ; .
The Barficld CompanyBartech Blue Nile Restaurant Brauer Investments Briarwood Mall The BSE Design Group, Inc. Butzcl Long Attorneys Cafe Marie CFI Group Charles Rcinhart Company
Realtors
Coffee Express Co. Comcrica Bank Complete Design & Automation
Systems Inc. Consumers Energy DaimlerChrysler Dennis A. Dahlmann Inc. Diametron, Inc. Doan Construction Co. Dobbs Opticians Inc. of Ann
Arbor
Dow Automotive Dupuis 5c Ryden P.C. Edward Surovcll Realtors Edwards Brothers, Inc. Elastizell Corp of America Ford Motor Company Fund Forest Health Services
Corporation Garris, Garris, Garris & G arris
Law Office
Guardian Industries Corporation Hudson's Project Imagine Ideation, Inc. John Lcidy Shop, Inc. Joseph Curtin Studios KeyBank
Lansstyrelsen Vastra Gotaland Lewis jewelers Malloy Lithographing, Inc. Masco Corporation McKinlcy Associates Milan Vault Miller, Canfield, Paddock and
Stone P.LX. National City Bank Office of the Provost, University
of Michigan O'Neal Construction Organizational Designs Pepper Hamilton LLP Pfizer Global Research and
Development; Ann Arbor
Laboratories
Pollack Design Associates Public Sector Consultants, Inc. Quinn EvansArchitects Republic Bank Ann Arbor Scandinavian Airlines System Sesi Lincoln Mercury Stirling Thermal Motors, Inc. SWEA Inc. Texaco
Thalner Electronic Labs Thing-a-majigs for Kids Thomas B. McMullcn Company Visteon Wolverine Technical Staffing, Inc.
Peter Holderness Woods IN-KIND GIFTS
Bernard and Ricky Agranoff
Allen & Kwan
Catherine Arcure
Atys
John Barfield
Kathleen Benton and
Robert Brown Edith Leavis Bookstein
& The Artful Lodger Briarwood Mall Barbara Busch Busch's Valu-Land Charlie Trotter's Chelsea Flower Shop Chicago Symphony Orchi Claridge Hotel Common Grill Peter and Jill Corr Paul and Pat Cousins,
Cousins Heritage Inn Dr. and Mrs. Ronald Crcsswell Dan Courser
Mary Ann and Roderick Daane David Smith Photography Peter and Norma Davis Katy and Tony Derezinski Dough Boys Bakery Downtown Home and Garden Charles and Julia Eisendrath
Grillworks, Inc. Encore Studio Bob and Chris Euritt Fahrenheit Restaurant [Catherine and Damian Farrell Ken and Penny Fischer Food Art
Ford Racing Technology Sara B. Frank The Gandy Dancer Beverley and Gerson Geltncr Anne and Paul Glendon Great Harvest Bread Company Linda and Richard Greene Jeanne Harrison Jim and F.sther Heitler Debbie and Norman Herbert Matthew Hoffmann Bob Hughes Dan Huntsbargcr [guanaworks. Inc. John Leidy Shop John's Pack & Ship Jules
Mercy and Stephen Kasle King's Keyboard House Kitchen Port Richard LeSueur Doni Lystra Stephanie Lord Mediterrano Merchant of Vino Ingrid Mcrikoski Jeanne and Ernest Merlanti Michigan Car Services, Inc. Ron Miller
Richard and Christine Noyes Nicola's Books Little Professor Karen O'Neal Randall and Mary Pittman
leva Rasmussen Regrets Only .1
Melissa Richter .___
Maya Savarino
Schlandcrer & Sons
Bo and Cathy Schembechler
Ann and Tom Schribcr
SeloShevel Gallery
Howard and Aliza Shevrin
Morrine Silverman
Grace Singleton
Lorctta Skcwes
Herbert Sloan
Irving and Carol Smokier
South House Bed and Breakfast
Kdward Surovcll
Ann and Jim Tclfer
Tom Thompson Flo1
Donna Tope
Robert and Marina Whitman
Elizabeth and Paul Yhouse
Youki Asian Bar & Bistro
GIVING LEVELS
Soloists $25,000 or more
Maestro $10,000-24,999
Virtuosi $7,500 9,999
Conccrtmaster $5,000 7,499
Leader $2,500 4,999
Principal $1,000-2,499
Benefactor $500 999
Associate $250 499
Advocate $100-249
Friend $50 99
Youth $25
38 Ann Arbor Symphony _
12 Bank of Ann Arbor 44 Bdlanina Day Spa 38 Beresh Jewelers
2 Blue Hill Development
38 Bodman, Longley, and
Dahling
20 hkai'o.' Cookbook "'
44 Butzel Long Attorneys
43 Carty's Music, Inc.
42 Chelsea Community Hospital
10 Chris Triola Gallery
42 Cleveland's Gill & Grill 22 Comerica Bank
10 Dobson-McOmber Agency, Inc.
13 Edward Surovell Realtors BC Ford Motor Company 34 Foto 1
10 Fralcigh's Nursery
6 Glacier Hills
8 Harmony House
40 Howard Cooper Imports
8 IATSE
44 John Schult. Photography 38 Kana Korean Restaurant 44 Kerrytown Bistro
16 KeyBank
40 King's Keyboard
27 Lewis Jewelers
t Littlcficld and Sons
Furniture
22 Miller, Canficld, Paddock,
and Stone
S Mundus and Mundus
43 National City
42 Performance Network 40 Prudential Securities
44 Rudolf Steincr School FC St. Joseph Mercy Health
System
10 Sweetwaters Cafe
8 Swing City Dance Studio
34 Three Chairs
8 Ufer & Co. Insurance
43 University Living
8 Washington Street Gallery
42 WDET
12 WEMU
34 WGTE
18 Whole Foods

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