UMS Concert Program, Wednesday Mar. 18 To 29: University Musical Society: Winter 2009 - Wednesday Mar. 18 To 29 --
Season: Winter 09
University Of Michigan, Ann Arbor
WINTER 2009 SEASON UNIVERSITY OF MICHIGAN, ANN ARBOR
university musical society
Winter 09 University of Michigan Ann Arbor
P2 Letters from the Presidents
5 Letter from the Chair
UMSLeadership 7 UMS Corporate and Foundation Leaders
14 UMS Board of DirectorsNational Council
15 UMS StaffCorporate Council
Teacher Advisory Committee
UMSlnfo 17 General Information
19 UMS Tickets
UMSAnnals 21 UMS History
22 UMS Venues and Burton Memorial Tower
Event Program 24 Your Event Program Book follows page 24
UMSExperience 27 UMS Education and Community
34 UMS Student Programs
UMSSupport 37 Corporate Sponsorship and Advertising
37 Individual Donations
39 UMS Volunteers
41 Annual Fund Support
45 Endowment Fund Support
48 UMS AdvertisersMember Organizations
Cover: (R-L) Compagnie Marie Chouinard (photo: Michael Slobodian), Lorin Maazel and
the New York Philharmonic (Chris Lee). Wynton Marsalis (Clay McBride), Batsheva Dance
Company, Julia Fischer, Hill Auditorium audience (Spencer & Wycoff)
FROM THE U-M PRESIDENT
Welcome to this University Musical Society (UMS) performance. We at the University of Michigan are proud of UMS and of the world-class artists and ensembles that it brings each season to the University and southeast Michigan. As UMS marks its 130th continuous season, making it the oldest university-related presenter in the United States, we are also cele?brating the outstanding educational programs it offers to people of all ages and the new works in dance, theater, and music it commissions.
When I consider which UMS events best exemplify the melding of artistic performance and education, I point to the three-week residencies of the Royal Shakespeare Company (RSC) that we have enjoyed in 2001, 2003, and 2006, two of which were US exclusive presentations attracting audiences from 39 states and five countries.
I am pleased UMS has chosen to celebrate the partnership between the RSC, UMS, and U-M at this year's 14th Ford Honors Program. At the heart of this unique partnership has been the extraordinary artist-scholar relation?ship between the RSC's Olivier Award-winning Artistic Director Michael Boyd and U-M's beloved Professor Ralph Williams, both of whom will be honored at the program. This year's Ford Honors Program, usually held in May, will take place Saturday, January 24, 2009, so that students who have participated in the RSC residencies or who have had Professor Williams in class will be able to attend. Professor Williams will retire from U-M at the end of this academic year, and I hope you will join me at this very special event.
This UMS winter season also brings us multi-day performances combined with numerous educational opportunities when the New York Philharmonic visits on March 7 and 8, and when Yo-Yo Ma brings his Silk Road Project to campus March 13 and 14.
Audience members also have a chance to delve into the rich diversity of cultural expressions from the Arab world, as UMS completes its Performing Arts of the Arab World series this term. I encourage you to attend Gilgamesh in January, Aswat: Celebrating the Golden Age of Arab Music in March, and Mohammed Bennis and the Hmadcha Ensemble in April along with the educational programs surrounding them.
There are many other UMS events as well as performances, exhibitions, and cultural activities offered by our faculty and students in U-M's many other units. To learn more about arts and culture at Michigan, including the March 21 performance commemorating the 25th anniversary of U-M's acclaimed musical theater program and the March 28 grand re-opening of the restored and expanded U-M Museum of Art, please visit the University's website at www.umich.edu.
Mary Sue Coleman
President, University of Michigan
FROM THE UMS PRESIDENT
Welcome to this UMS performance. Thank you for supporting UMS through your attendance, especially during these challenging times. The entire UMS family of Board, Senate, and Advisory Committee members; staff colleagues; Choral Union members; ushers; and hundreds of other volunteers are grateful that you're here and hope that you'll enjoy the experience and attend more UMS events during this second half of our 130th season. You'll find all of our remaining performances listed on page 2 of your program insert.
At UMS, we try to make sure that our events offer a chance to learn something new, to look at the world through a different lens, or even to change lives. You'll find much to choose from as solo artists and ensembles from all over the world visit our community and engage with our audiences in many ways. Artists can lift the spirit, challenge perceptions, provide comfort, and deepen understanding. So whether it's the Guarneri Quartet's Farewell Tour concert; the New York Philharmonic's residency; Simon Shaheen's Aswat production; Yo-Yo Ma's two Silk Road events; Chick Corea and John McLaughlin s reunion; or our 2009 Ford Honors Program celebrating the Royal Shakespeare Company, its Artistic Director Michael Boyd, and U-M Professor Ralph Williams, we hope you'll find meaning and value as we connect you with our artists for uncommon and engaging experiences.
I have had the pleasure over the past two years of working in partnership with UMS Board Chair Carl Herstein, who has provided outstanding lay leader?ship to UMS. His term comes to an end in June. Be sure to read his letter on P5 of this program book, and you'll get a sense of how we've benefited from his knowledge of our history, his understanding of the power of the arts, and his deep appreciation of each member of the UMS family who attends our per?formances, donates to our organization, or volunteers their services. Thanks for your dedicated service, Carl.
Feel free to get in touch with me if you have any questions, comments, or problems. If you don't see me in the lobby, send me an e-mail message at email@example.com or call me at 734.647.1174.
And thanks again for coming to this event.
Very best wishes,
Kenneth C. Fischer UMS President
FROM UMS CHAIRMAN, CARL HERSTEIN
In these times of economic uncertainty and unease about the future, the power of the arts reminds us of enduring values. In its 130 years, UMS and its numerous generations of patrons and audiences have seen many times of anxiety and turmoil, each of which was unprecedented in its day. Throughout that time, great artists performing important works helped the UMS community come to grips with the world. In some cases this occurred because the perform?ance of a classic work brought a sense of reassurance, harmony, and peace. In others, a modern work challenged the audience to come to terms with unsettling new realities. The best of these performances were transformative events, helping to shape the emotional and intellectual response of each audience member to contemporary events.
We are immensely fortunate that an appreciation of this powerful legacy led these audiences to steward UMS safely through the vicissitudes of world wars, global depression, demographic and cultural changes, and intellectual and sci?entific revolutions. The arts which UMS has presented and fostered have remained an indispensable part of our common ability to make sense of a world that never ceases to amaze, surprise, and sometimes frighten us. Succeeding generations have bequeathed to us a legacy of involvement and support so that we too are able to enjoy the sustenance and inspiration that is the gift of great art.
It is, therefore, critically important that we do our part to cherish and preserve the legacy that our community is so fortunate to enjoy. By bringing friends to performances, becoming involved with the UMS Advisory Committee, partici?pating in educational events, supporting youth performances, and providing the ever-critical financial support that makes the work of UMS possible, you are continuing the work of bringing the power of the arts to us all at a time when it is very much needed. We want to thank all of you who have participated in this work with your support of the UMS Difference Campaign, which has been a success due to the commitment not merely of a few, but of 4,279 of you who believe that what UMS does makes a real difference in the life of our community. If you are one of those 4,279, you have our deepest thanks and our encourage?ment to continue to be a vital part of the UMS family; if you have not yet con?tributed, please consider deepening your engagement with us. We think you will find, as so many others have before you, that it will make your UMS experience more meaningful, more personal, and will have the added benefit of making it more accessible to others who have not yet enjoyed the experiences that have been so important to you and to us.
Thank you for coming to this performance. Whether you have come a hun?dred times before or for the first time today, please know that you are always welcome in the UMS family; a group which gathers strength from its diversity, honors its extraordinary past, and works for a future of excellence no matter what transient challenges we may face.
Carl W. Herstein
Chair, UMS Board of Directors
CORPORATE AND FOUNDATION LEADERS
James G. Vella
President, Ford Motor Company Fund ( and Community Services 'Through music and the arts, we are inspired to broaden our horizons, bridge differences among cultures, and set our spirits free. We are proud to support the University Musical Society and acknowledge the important role it plays in our community."
Douglas L. LaFleur Managing Director, Global Power Group "We at TAQA New World, Inc. are proud to lend our support to UMS, and are extremely honored to be involved with the performing arts community. Truly, human potential is the most valuable commodity on earth. In joining with other Corporate and Foundation leaders supporting UMS, we find ourselves renewed and inspired."
Robert P. Kelch
Executive Vice President for Medical Affairs, University of Michigan Health System "The arts are an important part of the University of Michigan Health System. Whether it's through perform?ances for patients, families, and visitors sponsored by our Gifts of Art program, or therapies such as harmonica classes for pulmonary patients or music relaxation classes for cancer patients, we've seen firsthand the power of music and performance. That's why we are proud to support the University Musical Society's ongoing effort to bring inspiration and entertainment to our communities."
Douglass R. Fox
President, Ann Arbor Automotive "We at Ann Arbor Automotive are pleased to support the artistic variety and program excellence given to us by the University Musical Society."
Laurel R. Champion
Publisher, The Ann Arbor News "The people at The Ann Arbor News are honored and pleased to partner with and be supportive of the University Musical Society, which adds so much depth, color, excite?ment, and enjoyment to this incredible community."
President, American Syrian Arab Cultural Association
"ASACA is a proud sponsor of the UMS 0809 season.
We applaud UMS's effort to diversify and globalize its
programs to reach different communities in the US."
Timothy G. Marshall
President and CEO, Bank of Ann Arbor "A commitment to the community can be expressed in many ways, each different and all appropriate. Bank of Ann Arbor is pleased to continue its long term support of the University Musical Society by our sponsorship of the 0809 season."
Manager, Blue Nile Restaurant "At the Blue Nile, we believe in giving back to the community that sustains our business. We are proud to support an organization that provides such an important service to Ann Arbor."
President and CEO, Borders Group, Inc. 'Borders embraces its role as a vital, contributing member of the community that reaches out to connect with people. We know that what our customers read, listen to, and watch is an integral part of who they are and who they aspire to be. Borders shares our community's passion for the arts and we are proud to continue our support of the University Musical Society."
Chairman, CFI Croup, Inc.
"The University Musical Society is a marvelous magnet for attracting the world's finest in the performing arts. There are many good things in Ann Arbor, but UMS is a jewel. We are all richer because of it, and CFI is proud to lend its support."
Ann Arbor Regional Bank President, Comerica Bank 'Comerica is proud to support the University Musical Society and to sponsor the presentation of the world-renowned Tokyo String Quartet. UMS continues to enrich the local community by bringing the finest performing arts to Ann Arbor, and we're pleased to continue to support this long?standing tradition."
Vice President, Corporate and Government Affairs, DTE Energy
"The DTE Energy Foundation is pleased to support exemplary organizations like UMS that inspire the soul, instruct the mind, and enrich the community."
President, Edward Surovell Realtors
"Edward Surovell Realtors and its 300 employees and sales asso?ciates are proud of our 20-year relationship with the University Musical Society. We honor its tradition of bringing the world's leading performers to the people of Michigan and setting a standard of artistic leadership recognized internationally."
President, Elastizell Corporation of America "Elastizell is pleased to be involved with UMS. UMS's strengths are its programming--innovative, experimental, and pioneering--and its education and outreach programs in the schools and the community."
Kingsley P. Wootton
Plant Manager, GM Powertrain Ypsilanti Site "Congratulations on your 130th season! Our community is, indeed, fortunate to have an internationally renowned musical society. The extraordinary array of artists; the variety, breadth, and depth of each season's program; and the education and community component are exceptional and are key ingredients in the quality of life for our community, region, and state. It is an honor to contribute to UMS!"
Carl W. Herstein
Partner, Honigman Miller Schwartz and Conn IIP --
Honigman is proud to support non-profit organizations in the communities where our partners and employees live and work. We are thrilled to support the University Musical Society and commend UMS for its extraordinary programming, com?missioning of new work, and educational outreach programs."
Mark A. Davis
President and CEO, Howard & Howard '
"At Howard & Howard, we are as committed to enriching the communities in which we live and work as we are to providing sophisticated legal services to businesses in the Ann Arbor area. The performing arts benefit us all, and we are proud that our employees have chosen to support the cultural enrichment provided by the University Musical Society."
Director, Issa Foundation
"The Issa Foundation is sponsored by the Issa family, which has been established in Ann Arbor for the last 30 years, and is involved in local property management as well as area pub?lic schools. The Issa Foundation is devoted to the sharing and acceptance of culture in an effort to change stereotypes and promote peace. UMS has done an outstanding job bringing diversity into the music and talent of its performers."
District President, KeyBank
"KeyBank remains a committed supporter of the performing arts in Ann Arbor and we commend the University Musical Society for its contribution to the community. Thank you, UMS. Keep up the great work!"
Owner, Mainstreet Ventures, Inc. "As restaurant and catering service owners, we consider ourselves fortunate that our business provides so many opportunities for supporting the University Musical Society and its continuing success in bringing internationally acclaimed talent to the Ann Arbor community."
Sharon J. Rothwell
Wee President, Corporate Affairs and Chair,
Masco Corporation Foundation
'Masco recognizes and appreciates the value the
performing arts bring to the region and to our young
people. We applaud the efforts of the University Musical
Society for its diverse learning opportunities and the
impact its programs have on our communities and the
cultural leaders of tomorrow."
CEO, Michigan Critical Care Consultants, Inc. (MC3) 'MC3 is proud to support UMS in recognition of its success in creating a center of cultural richness in Michigan."
Erik H. Serr
Principal, Miller, Canfield, Paddock and Stone, P.L.C. "Miller Canfield proudly supports the University Musical Society for bringing internationally-recognized artists from a broad spectrum of the performing arts to our community, and applauds UMS for offering another year of music, dance, and theater to inspire and enrich our lives."
Michael B. Staebler
Senior Partner, Pepper Hamilton LLP 'The University Musical Society is an essential part of the great quality of life in southeastern Michigan. We at Pepper Hamilton support UMS with enthusiasm."
President, Sesi Lincoln Mercury Volvo Mazda "The University Musical Society is an important cultural asset for our community. The Sesi Lincoln Mercury Volvo Mazda team is delighted to sponsor such a fine organization."
Thomas B. McMullen
President, Thomas B. McMullen Co., Inc.
"I used to feel that a U-M-Ohio State football ticket was
the best ticket in Ann Arbor. Not anymore. UMS provides
the best in educational and artistic entertainment."
Robert R. Tisch
President, Tisch Investment Advisory "Thank you, Ann Arbor, for being a wonderful community in which to live, raise a family, and build a successful business."
Owner, Tom Thompson Flowers
"Judy and I are enthusiastic participants in the UMS family. We appreciate how our lives have been elevated by this relationship."
President, Toyota Technical Center "Toyota Technical Center is proud to support UMS, an organization with a long and rich history of serving diverse audiences through a wide variety of arts programming."
President, University of Michigan Credit Union "Thank you to the University Musical Society for enriching our lives. The University of Michigan Credit Union is proud to be a part of another great season of performing arts."
FOUNDATION AND GOVERNMENT SUPPORT
UMS gratefully acknowledges the support of the following foundations and government agencies:
$100,000 or more
Doris Duke Charitable Foundation
W.K. Kellogg Foundation
Michigan Council for Arts and Cultural Affairs
The Power Foundation
Doris Duke Foundation for Islamic Art DTE Energy Foundation Esperance Family Foundation National Endowment for the Arts
Maxine and Stuart Frankel Foundation Charles H. Gershenson Trust The Mosaic Foundation, Washington DC National Dance Project of the New England Foundation for the Arts
Bustan al-Funun Foundation for Arab Arts Community Foundation for Southeast Michigan Eugene and Emily Grant Family Foundation Martin Family Foundation THE MOSAIC FOUNDATION (of R. & P. Heydon) Performing Arts Fund
Consulate General of The Netherlands in New York Mohamed and Hayat Issalssa Foundation Sarns Ann Arbor Fund Target
Thomas and Joann Adler Family Foundation
UNIVERSITY MUSICAL SOCIETY of the University of Michigan
UMS BOARD OF DIRECTORS
Carl W. Herstein,
Chair James C. Stanley,
Vice Chair Kathleen Benton,
Secretary Michael C. Allemang,
Treasurer Wadad Abed Carol L. Amster Lynda W. Berg
D.J. Boehm Charles W. Borgsdorf Robert Buckler Mary Sue Coleman Martha Darling Junia Doan Al Dodds Aaron P. Dworkin Maxine J. Frankel Patricia M. Garcia Chris Genteel
Anne Glendon David J. Herzig Christopher Kendall Melvin A. Lester Robert C. Macek Joetta Mial Lester P. Monts Roger Newton Todd Roberts A. Douglas Rothwell Edward R. Schulak
John J. H. Schwarz Ellie Serras Joseph A. Sesi Anthony L. Smith Cheryl L. Soper Michael D. VanHemert Masayo Arakawa,
Board Fellow Marcus Collins,
UMS NATIONAL COUNCIL
Clayton E. Wilhite, Chair Marylene Delbourg-
Delphis John Edman
Janet Eilber Eugene Grant Charles Hamlen David Heleniak
Toni Hoover Judith Istock Wallis Klein Zarin Mehta
Herbert Ruben Russell Willis Taylor
UMS SENATE (former members of the UMS Board of Directors)
Robert G. Aldrich Herbert S. Amster Gail Davis Barnes Richard S. Berger Maurice S. Binkow Lee C. Bollinger Janice Stevens
Botsford Paul C. Boylan Carl A. Brauer William M. Broucek Barbara Everitt Bryant Letitia J. Byrd Kathleen G. Charla Leon S. Cohan Jill A. Corr Peter B. Corr Ronald M. Cresswell
Sally Stegeman DiCarlo Robert F. DiRomualdo Cynthia Dodd James J. Duderstadt David Featherman Robben W. Fleming David J. Flowers George V. Fornero Beverley B. Geltner William S. Hann Randy J. Harris Walter L. Harrison Deborah S. Herbert Norman G. Herbert Peter N. Heydon Toni Hoover Kay Hunt
Alice Davis Irani Stuart A. Isaac Thomas E. Kauper David B. Kennedy Gloria James Kerry Thomas C. Kinnear Marvin Krislov F. Bruce Kulp Leo A. Legatski Earl Lewis Patrick B. Long Helen B. Love Judythe H. Maugh Paul W. McCracken Rebecca McGowan Barbara Meadows Alberto Nacif Shirley C. Neuman
Jan Barney Newman Len Niehoff Gilbert S. Omenn Joe E. O'Neal John D. Paul Randall Pittman Philip H. Power John Psarouthakis Rossi Ray-Taylor John W. Reed Richard H. Rogel Prudence L. Rosenthal Judy Dow Rumelhart Maya Savarino Ann Schriber Erik H. Serr Harold T. Shapiro George I. Shirley
John 0. Simpson Herbert Sloan Timothy P. Slottow Carol Shalita Smokier Jorge A. Solis Peter Sparling Lois U. Stegeman Edward D. Surovell James L. Telfer Susan B. Ullrich Eileen Lappin Weiser B. Joseph White Marina v.N. Whitman Clayton E. Wilhite Iva M. Wilson Karen Wolff
UMS ADVISORY COMMITTEE
Phyllis Herzig, Chair Janet Callaway, Wee Chair Elizabeth Palms, Secretary Sarah Nicoli, Treasurer
Ricky Agranoff MariAnn Apley Lone Arbour Barbara Bach Rula Kort Bawardi Francine Bomar Luctana Borbely Mary Breakey Mary Brown Betty Byrne
Heather Byrne Laura Caplan Cheryt Cassidy Patricia Chapman Cheryl Clarkson Wendy Comstock Norma Davis Mary Dempsey Mary Ann Faeth Michaelene Farrell Sara Fink Susan A. Fisher Susan R. Fisher Kathy Goldberg Walter Graves
Joe Grimley Susan Gross Susan Gutow Lynn Hamilton Charlene Hancock Alice Hart Rafe Juarez Jeri Kelch
Meg Kennedy Shaw Pam Krogness Mary LeDuc Joan Levttsky Eleanor Lord Jane Maehr Jennifer J Maisch
Joanna McNamara Liz Messiter Robin Miesel Natalie Mobley Kay Ness Thomas Ogar Allison Poggi Lisa Psarouthakis Swanna Saltiel Agnes Moy Sams Penny Schreiber Bev Seiford Aliza Shevrin Alida Silverman Loretta Skewes
Andrea Smith Becki Spangler Nancy Stanley Carlin C. Stockson Karen Stutz Eileen Thacker Janet Torno Louise Townley Amanda Uhle Dody Viola Enid Wasserman Ellen Woodman Mary Kate Zelenock
Kenneth C. Fischer, President Luciana Borbely,
Assistant to the President John B. Kennard, Jr.,
Director of Administration Beth Gilliland,
Gift ProcessorIT Assistant Patricia Hayes, Senior Accountant John Peckham,
Information Systems Manager
Conductor and Music Director Jason Harris, Assistant Conductor Kathleen Operhall, Chorus Manager Nancy K. Paul, Librarian Jean Schneider, Accompanist Scott VanOrnum, Accompanist Donald Bryant, Conductor Emeritus
Susan McClanahan, Director Susan Bozell, Manager of
Corporate Partnerships Rachelle Lesko,
Development Assistant Lisa Michiko Murray,
Manager of Foundation and
Government Grants M. Joanne Navarre, Manager of
Annual Giving Marnie Reid, Manager of
Lisa Rozek, Assistant to the Director of Development
Cynthia Straub, Advisory Committee and Events Coordinator
Claire C. Rice, Interim Director Bree Juarez, Education and
Audience Development Manager Mary Roeder,
Residency Coordinator Omari Rush, Education Manager
Sara Billmann, Director James P. Leija, Public Relations
Mia Milton, Marketing Manager Stephanie Normann, Marketing
Douglas C. Witney, Director Emily Avers, Production
Operations Director Jeffrey Beyersdorf,
Michael J. Kondziolka, Director Mark Jacobson,
Programming Manager Carlos Palomares,
Artist Services Coordinator Liz Stover, Programming
Jennifer Graf, Ticket Services
Sally A. Cushing, Ticket Offke Associate Suzanne Davidson, Assistant Ticket
Services Manager Adrienne Escamilla,
Ticket Office Associate Sara Sanders, Front-of-House
Karen Zobel, Group Sales Coordinator Dennis Carter, Bruce Oshaben,
Brian Roddy, Head Ushers
Catherine Allan Gabriel Bilen Greg Briley Tyler Brunsman Allison Carron Shannon Deasy Vinal Desai Rebecca Dragonetti Kelsy Durkin Daniel Erben Carrie Fisk Natalie Freilich Charlie Hack Dana Harlan Jennifer Howard Andy Jones Bryan Langlitz Francesca Lollini Brooke Lundin Alejandro Manso Mary Martin Michael Matlock Bryan McGivern
Ashley McNees Michael Michelon Grace Morgan Paula Muldoon Leonard Navarro Jack O'Connell Stephanie Overton Andrew Smith Cahill Smith Trevor Sponseller Catherine Tippman Julie Wallace Sarah Wilbur Sophia Zhuo
UMS CORPORATE COUNCIL
Chair Albert Berriz
Bruce Brownlee Bob Buckler Jim Garavaglia
Rob Gruen Steve Hamp Carl Herstein
Bob Kelch Mary Kramer Sharon Rothwell
Mike Staebler Jim Vella
UMS TEACHER ADVISORY COMMITTEE
Abby Alwin Fran Ampey Robin Bailey Greta Barfield Joey Barker Alana Barter Judy Barthwell Rob Bauman Bnta Beitier Eli Bleiler Ann Marie Borders
David Borgsdorf Sigrid Bower Marie Brooks Susan Buchan Deb Clancy Carl Clark Ben Cohen Julie Cohen Leslie Cnscenti Orelia Dann Saundra Dunn
Johanna Epstein Susan Filipiak Katy Fillion Delores Flagg Joey Fukuchi Jeff Gaynor Joyce Gerber Barb Grabbe Joan Grissing Linda Jones Jeff Kass
Rosalie Koenig Sue Kohfeldt Laura Machida Fran Marroquin Jose Mejia Kim Mobley Eunice Moore Michelle Peet Anne Perigo Rebeca Pietrzak Cathy Reischl
Jessica Rizor Vicki Shields Sandra Smith Gretchen Suhre Julie Taylor Cayla Tchalo Dan Tolly Alex Wagner Barbara Wallgren Kimberley Wright Kathryn Young
For persons with disabilities, all venues have barrier-free entrances. Wheelchair locations vary by venue; visit www.ums.orgtickets or call 734.764.2538 for details. Ushers are available for assistance.
For hearing-impaired persons, Hill Auditorium, Power Center, and Rackham Auditorium are equipped with assistive listening devices. Earphones may be obtained upon arrival. Please ask an usher for assistance.
Lost and Found
For items lost at Hill Auditorium, Lydia Mendelssohn Theatre, Power Center, or Rackham Auditorium, please call University Productions at 734.763.5213. For the Michigan Theater, call 734.668.8397. For St. Francis of Assisi, call 734.821.2111.
Please allow plenty of time for parking as the campus area may be congested. Parking is available in the Church Street, Maynard Street, Thayer Street, Fletcher Street, and Fourth Avenue structures for a minimal fee. Limited street parking is also available. Please allow enough time to park before the performance begins. UMS donors at the Patron level and above ($1,000) receive 10 complimentary park?ing passes for use at the Thayer Street or Fletcher Street structures in Ann Arbor.
UMS offers valet parking service for Hill Auditorium performances in the 0809 Choral Union series. Cars may be dropped off in front of Hill Auditorium beginning one hour before
each performance. There is a $20 fee for this service. UMS members at the Concertmaster level ($7,500) and above are invited to use this service at no charge.
Other recommended parking that may not be as crowded as on-campus structures: Liberty Square structure (formerly Tally Hall), entrance off of Washington Street between Division and State; about a two-block walk from most per?formance venues, $2 after 3 pm weekdays and all day SaturdaySunday. Maynard Street struc?ture, entrances off Maynard and Thompson between Willliam and Liberty, $.80hr, free on Sunday.
For up-to-date parking information, please visit www.ums.orgparking.
Refreshments are available in the lobby during intermissions at events in the Power Center, in the lower lobby of Hill Auditorium (beginning 75 minutes prior to concerts--enter through the west lobby doors), and in the Michigan Theater. Refreshments are not allowed in the seating areas.
University of Michigan policy forbids smoking in any public area, including the lobbies and restrooms.
UMS makes every effort to begin concerts at the published time. Most of our events take place in the heart of central campus, which does have limited parking and may have several events occurring simultaneously in different theaters. Please allow plenty of extra time to park and find your seats.
Latecomers will be asked to wait in the lobby until seated by ushers. Most lobbies have been outfitted with monitors andor speakers so that latecomers will not miss the performance.
The late-seating break is determined by the artist and will generally occur during a suitable repertory break in the program (e.g., after the first entire piece, not after individual movements of classical works). There may be occasions where latecomers are not seated until intermis?sion, as determined by the artist. UMS makes every effort to alert patrons in advance when we know that there will be no late seating.
UMS tries to work with the artists to allow a flexible late-seating policy for family perform?ances.
Treat 10 or more friends, co-workers, or family members to an unforgettable performance of live music, dance, or theater. Whether you have a group of students, a business gathering, a college reunion, or just you and a group of friends, the UMS Group Sales Office can help you plan the perfect outing. You can make it formal or casual, a special celebration, or just friends enjoying each other's company. The many advantages to booking as a group include:
Reserving tickets before tickets go on sale to the general public
Discounts of 15-25 for most performances
No-risk reservations that are fully refundable up to 14 days before the performance
1-3 complimentary tickets for the group organizer (depending on size of group). Complimentary tickets are not offered for performances without a group discount.
For more information, please contact 734.763.3100 or e-mail firstname.lastname@example.org.
Classical Kids Club
Parents can introduce their children to world-renowned classical music artists through the Classical Kids Club. For more information please see page P33.
Members of the UMS African American Arts Advocacy Committee receive discounted tickets to certain performances. For more information please see page P29.
Discounted tickets are available for University students and teenagers. Information on all UMS University Student Ticketing programs can be found on page P34. Teen Ticket infor?mation can be found on page P33.
Available in any amount and redeemable for any of more than 60 events throughout our season, delivered with your personal message, the UMS Gift Certificate is ideal for weddings, birthdays, Christmas, Hanukkah, Mother's and Father's Days, or even as a housewarming pres?ent when new friends move to town.
UMS Gift Certificates are valid for 12 months from the date of purchase. For more information, please visit www.ums.org.
If you are unable to attend a concert for which you have purchased tickets, you may turn in your tickets up to 15 minutes before curtain time by calling the Ticket Office. Refunds are not available; however, you will be given a receipt for an income tax deduction.
Subscribers may exchange tickets free of charge. Non-subscribers may exchange tickets for a $6 per ticket exchange fee. Exchanged tickets must be received by the Ticket Office (by mail or in person) at least 48 hours prior to the performance. The value of the tickets
may be applied to another performance or will be held as UMS Credit until the end of the season. You may also fax a copy of your torn tickets to 734.647.1171. Lost or misplaced tickets cannot be exchanged. UMS Credit for this season must be redeemed by April 26, 2009.
HOW DO I BUY TICKETS
League Ticket Office
911 North University Ave.
Outside the 734 area code, call toll-free 800.221.1229
By Fax: 734.647.1171
UMS Ticket Office Burton Memorial Tower 881 North University Ave. Ann Arbor, Ml 48109-1011
On-site ticket offices at performance venues open 90 minutes before each performance.
Through a commitment to presentation, education, and the creation of new work, the University Musical Society (UMS) serves Michigan audiences by bringing to our community an ongo?ing series of world-class artists, who represent the diverse spectrum of today's vigorous and exciting live performing arts world. Over the past 130 years, strong leadership coupled with a devoted community has placed UMS in a league of internationally recognized performing arts presenters. Today, the UMS seasonal program is a reflection of a thoughtful respect for this rich and varied history, balanced by a commit?ment to dynamic and creative visions of where the performing arts will take us in this new millennium. Every day UMS seeks to cultivate, nurture, and stimulate public interest and participation in every facet of the live arts.
UMS grew from a group of local university and townspeople who gathered together for the study of Handel's Messiah. Led by Professor Henry Simmons Frieze and conducted by Professor Calvin Cady, the group assumed the name The Choral Union. Their first perform?ance of Handel's Messiah was in December of 1879 and this glorious oratorio has since been performed by the UMS Choral Union annually.
As many Choral Union members also belonged to the University, the University Musical Society was established in December, 1880. UMS included the Choral Union and University Orchestra, and throughout the year presented a series of concerts featuring local and visiting artists and ensembles.
Since that first season in 1880, UMS has expanded greatly and now presents the very best from the full spectrum of the performing arts--internationally renowned recitalists and orchestras, dance and chamber ensembles, jazz and world music performers, and opera and theater. Through educational endeavors, commissioning of new works, youth programs, artist residencies, and other collaborative projects, UMS has maintained its reputation for quality, artistic distinction, and innovation. UMS now hosts over 50 performances and more than 125 educational events each sea?son. UMS has flourished with the support of a generous community that this year gathers in eight different Ann Arbor venues.
The UMS Choral Union has likewise expanded its charge over its 130-year history. Recent collaborations have included the Grammy Award-winning recording of William Bolcom's Songs of Innocence and of Experience (2004), John Adams's On the Transmigration of Souls with the Detroit Symphony Orchestra (2007), and Shostakovich's Symphony No. 13 ("Babi Yar") with the Kirov Orchestra of St. Petersburg (2006).
While proudly affiliated with the University of Michigan, housed on the Ann Arbor campus, and a regular collaborator with many University units, UMS is a separate not-for-profit organi?zation that supports itself from ticket sales, corporate and individual contributions, founda?tion and government grants, special project support from U-M, and endowment income.
UMS VENUES AND BURTON MEMORIAL TOWER
After an 18-month $38.6-million dollar renova?tion overseen by Albert Kahn Associates, Inc. and historic preservation architects Quinn EvansArchitects, Hill Auditorium re-opened to the public in January 2004. Originally built in 1913, renovations have updated Hill's infra?structure and restored much of the interior to its original splendor. Exterior renovations include the reworking of brick paving and stone retaining wall areas, restoration of the south entrance plaza, reworking of the west barrier-free ramp and loading dock, and improvements to landscaping.
Interior renovations included the creation of additional restrooms, the improvement of barrier-free circulation by providing elevators and an addition with ramps, new seats to
increase patron comfort, introduction of barrier-free seating and stage access, the replacement of theatrical performance and audio-visual systems, and the complete replacement of mechanical and electrical infrastructure systems for heating, ventilation, and air conditioning. Hill Auditorium seats 3,575.
The historic Michigan Theater opened January 5, 1928 at the peak of the vaudevillemovie palace era. Designed by Maurice Finkel, the 1,710-seat theater cost around $600,000 when it was first built. As was the custom of the day, the theater was equipped to host both film and live stage events, with a full-size stage, dressing rooms, an orchestra pit, and the Barton Theater Organ. At its opening, the theater was acclaimed as the best of its kind in the country. Since 1979, the theater has been operated by the not-for-profit Michigan Theater Foundation. With broad community support, the Foundation has raised over $8 million to restore and improve the Michigan Theater. The beautiful interior of the theater was restored in 1986.
In the fall of 1999, the Michigan Theater opened a new 200-seat screening room addi?tion, which also included expanded restroom facilities for the historic theater. The gracious facade and entry vestibule was restored in 2000.
The Power Center for the Performing Arts grew out of a realization that the University of Michigan had no adequate proscenium-stage theater for the performing arts. Hill Auditorium was too massive and technically limited for most productions, and the Lydia Mendelssohn Theatre was too small. The Power Center was built to supply this missing link in design and seating capacity.
In 1963, Eugene and Sadye Power, together with their son Philip, wished to make a major gift to the University, and amidst a list of University priorities "a new theater" was
mentioned. The Powers were immediately inter?ested, realizing that state and federal govern?ments were unlikely to provide financial support for the construction of a new theater.
Opening in 1971 with the world premiere of The Grass Harp (based on the novel by Truman Capote), the Power Center achieved the seemingly contradictory combination of providing a soaring interior space with a unique level of intimacy. Architectural features include two large spiral staircases leading from the orchestra level to the balcony and the well-known mirrored glass panels on the exterior. The lobby of the Power Center presently "eatures two hand-woven tapestries: Modern Tapestry by Roy Lichtenstein and Volutes Arabesque) by Pablo Picasso.
The Power Center seats approximately 1,400 people.
Arbor Springs Water Company is generously providing :omplimentary water to UMS artists backstage at the Dower Center throughout the 0809 season.
iackham Auditorium Sixty years ago, chamber music concerts in Ann Arbor were a relative rarity, presented in an assortment of venues including University Hall (the precursor to Hill Auditorium), Hill Auditorium, and Newberry Hall, the current iome of the Kelsey Museum. When Horace H. Rackham, a Detroit lawyer who believed strongly in the importance of the study of numan history and human thought, died in 1933, his will awarded the University of Michigan the funds not only to build the Horace H. Rackham Graduate School, which nouses Rackham Auditorium, but also to estab-ish a $4 million endowment to further the development of graduate studies. Even more 'emarkable than the size of the gift is the fact :hat neither he nor his wife ever attended the Jniversity of Michigan.
Designed by architect William Kapp and architectural sculptor Corrado Parducci, Rackham Auditorium was quickly recognized
as the ideal venue for chamber music. In 1941, UMS presented its first chamber music festival with the Musical Art Quartet of New York per?forming three concerts in as many days, and the current Chamber Arts Series was born in 1963. Chamber music audiences and artists alike appreciate the intimacy, beauty, and fine acoustics of the 1,129-seat auditorium, which has been the location for hundreds of chamber music concerts throughout the years.
St. Francis of Assisi Catholic Church
Dedicated in 1969, St. Francis of Assisi Catholic Church has grown from 248 families when it first started to more than 2,800 today. The present church seats 1,000 people and has ample free parking. In 1994, St. Francis pur?chased a splendid three manual "mechanical action" organ with 34 stops and 45 ranks, built and installed by Orgues Letourneau from Saint Hyacinthe, Quebec. Through dedication, a commitment to superb liturgical music, and a vision to the future, the parish improved the acoustics of the church building, and the reverberant sanctuary has made the church a gathering place for the enjoyment and con?templation of sacred a cappella choral music and early music ensembles.
Burton Memorial Tower
Seen from miles away, Burton Memorial Tower is one of the most well-known University of Michigan and Ann Arbor landmarks. Designed by Albert Kahn in 1935 as a memorial to U-M President Marion Leroy Burton, the 10-story tower is built of Indiana limestone with a height of 212 feet. The carillon, one of only 23 in the world, is the world's fourth heaviest containing 55 bells and weighing a total of 43 tons. UMS has occupied administrative offices in this building since its opening, with a brief pause in the year 2000 for significant renovations.
Winter 2009 Season 130th Annual Season
On-site ticket offices at performance venues open 90 minutes before each performance.
Children of all ages are welcome at UMS Family and Youth Performances. Parents are encouraged not to bring children under the age of 3 to regular, full-length UMS performances. All children should be able to sit quietly in their own seats throughout any UMS performance. Children unable to do so, along with the adult accompany?ing them, will be asked by an usher to leave the auditorium. Please use discre?tion in choosing to bring a child.
Remember, everyone must have a ticket, regardless of age.
While in the Auditorium
Starting Time Every attempt is made to begin concerts on time. Latecomers are asked to wait in the lobby until seated by ushers at a predetermined time in the program.
Cameras and recording equipment are prohibited in the auditorium.
If you have a question, ask your usher. They are here to help
Please turn off your cellular phones and other digital devices so that everyone may enjoy this UMS event disturbance-free. In case of emergency, advise your paging service of auditorium and seat location in Ann Arbor venues, and ask them to call University Security at 734.763.1131.
In the interests of saving both dollars and the environment, please either retain this program book and return with it when you attend other UMS performances included in this edition or return it to your usher when leaving the venue.
Event Program Book
Wednesday, March 18 through Sunday, March 29, 2009
Altenberg Trio Vienna 3
Wednesday, March 18, 8:00 pm Rackham Auditorium
Ustad Zakir Hussain 7
Pandit Shivkumar Sharma
Sunday, March 22, 7:00 pm Rackham Auditorium
The Romeros 11
Thursday, March 26, 8:00 pm Rackham Auditorium
Dan Zanes & Friends 17
Sunday, March 29, 1:00 pm Sunday, March 29, 4:00 pm (Family Performances) Rackham Auditorium
UMS Educational Events
through Sunday, March 29, 2009
All UMS educational activities are free, open to the public, and take place in Ann Arbor unless otherwise noted. For complete details and updates, please visit www.ums.org or contact the UMS education department at 734.647.6712 or email@example.com.
Please find a complete listing of the remaining performances of the 130th UMS season on page 20 of this program insert.
PREP: Classical Guitar
Thursday, March 26, 7:00 pm 202 South Thayer Building, Room 2022, 915 East Washington (the corner of Thayer and Washington)
Classical guitar performer and teacher Matthew Ardizzone conducts a lecturedemonstration focusing on The Romeros, their history, sound, and legacy in the world of classical guitar. Mr. Ardizzone has performed and led master classes throughout the country. The first guitarist to receive a doctorate in performance from the Eastman School of Music, his other accolades include First Prize in the 1995 Rantucci Guitar Competition and fifth place in the 1997 Stotsenberg International Guitar Competition.
Altenberg Trio Vienna
Claus-Christian Schuster, Piano Amiram Ganz, Violin Alexander Gebert, Cello
Wednesday Evening, March 18, 2009 at 8:00 Rackham Auditorium Ann Arbor
Tom Takemitsu Between Tides...
Franz Joseph Haydn Trio in C Major, Op. 71, No. 1 (Hob. XV:21) Adagio pastorale--Vivace assai Molto andante Finale (Presto)
Antonin Dvorak Piano Trio No. 3 in f minor, Op. 65 (B. 130) Allegro ma non troppo Allegretto grazioso Poco adagio Finale (Allegro con brio)
49th Performance of the 130th Annual Season
46th Annual Chamber Arts Series
The photographing or sound and video recording of this concert or possession of any device for such recording is prohibited.
Media partnership provided by WGTE 91.3 FM and Observers Eccentric Newspapers.
Altenberg Trio Vienna appears by arrangement with California Artists Management in association with Mariedi Anders Artists Management.
Large print programs are available upon request.
Now that you're in your seat...
Unlike the string quartet, the piano trio is not a conversation among equals but rather a contest between two fundamentally different sides: the piano, with its rich polyphonic possibilities, is opposed by two string instruments that are designed primarily to play single melodic lines. Nor do the sound colors achieve that complete blend which four members of the string family can produce. Yet this is precisely the main attraction of the piano trio as a genre: the piano, which tends to dominate proceedings, is constantly challenged by the two string instruments; their harmony is not a given but is arrived at through a laborious process, like an agreement among three totally dissimilar characters who always preserve their individuality. The three works on tonight's program come from three different centuries and three different countries, and illustrate the extraordinary versatility of this beloved chamber formation.
Between Tides... (1993) Toru Takemitsu
Born October 8, 1930 in Tokyo, Japan Died February 20, 1996 in Tokyo
Snapshot of History... In 1993:
Bill Clinton becomes the US President
War in Bosnia
The first bombing of the World Trade Center
Steven Spielberg releases both Jurassic Park and Schindler's List
Death of Takemitsu's friend, novelist Kobo Abe, author of A Woman in the Dunes, whose film version had a score by Takemitsu
"I have a preference for peaceful music"--Toru Takemitsu once wrote, and his entire voluminous output bears witness to that statement. At the time this work was written as a commission for the Berlin Festival, Takemitsu had long enjoyed great prestige as the first Japanese composer fully accepted in the West. His unique, peaceful voice brought the Oriental influences of Debussy and Messiaen back to their home of origin; his love of nature--water, trees, and flowers--inspired work after work of gentle, sensuous sounds and a profoundly meditative character.
Between Tides..., a 15-minute work written for Pamela Frank, Yo-Yo Ma, and Peter Serkin, is a succession of mighty crescendo and decrescendo curves, where the volume in turn increases and decreases, imitating the ebb and flow of the sea. There are several powerful dramatic eruptions (a relatively rare occurrence with this composer),
but the music moves mostly in long, expressive melodic lines and dreamy sonorities left hanging in the air. In his harmonies, Takemitsu is noticeably more conventionally tonal than he had been earlier in his career. Critic Malcolm MacDonald has called Between Tides... "perhaps one of [Takemitsu's] greatest works. It certainly has a lot of competition in the composer's extensive catalog, but it is definitely a major addition to the contemporary piano-trio repertoire."
Trio in C Major, Op. 71, No. 1 (Hob. XV:21)
Franz Joseph Haydn
Born March 31, 1732 in Rohrau, Lower Austria Died May 31, 1809 in Vienna
Snapshot of History... In 1795:
The French Revolution enters a period of consolida?tion with the establishment of the Directory
Poland is partitioned for the third time between Russia, Prussia, and Austria
Goethe publishes Wilhelm Meister's Apprenticeship
Kamehameha I founds the Kingdom of Hawaii
William Blake creates his celebrated print Nebuchadnezzar
Beethoven publishes his three piano trios. Op. 1
In the first printed edition, the present work and its companions were not called "trios" but rather pianoforte sonatas with violin and cello accompaniment. Although the violinist does
frequently share the limelight with the keyboard player, the cello part basically doubles the left hand of the piano, providing a harmonic foundation but doing little else. From the vantage point of 19th-century chamber music, in which all the players are equal, this may seem like a deficiency. Yet, instead of trying to apply anachronistic ideas to Haydn, we should take him on his own terms and accept this imbalance as an important characteristic of his instrumentation. In fact, this state of affairs tums out to be the source of a unique sound world in the Haydn trios--glorified piano sonatas with a kind of string "halo," as it were.
Haydn wrote such trios throughout his long career, producing about 40 of them over the years. As with the symphonies and string quartets, his art reached its apex in the 1790s, at the time of his two extended sojoums in London. Tonight's selection is one of the London trios, published as part of a set of three in 1795, just before Haydn left England for good. It is a particularly sunny work in three movements which begins in an unusual way, with a brief adagio introduction, marked, significantly, "Adagio pastorale." Yet the mood doesn't remain "pastoral" (that is, quiet and peaceful) for very long; a lively sonata form soon gets underway with its attendant thematic contrasts, exciting motivic transformations, and dramatic surprises. Even the second movement is not too slow but maintains a steady walking speed throughout. The last movement, finally, is a playful romp that, in a typically Haydnesque way, reserves some major surprises for the audience. An extended trill in the piano prepares a powerful dramatic outburst with an exceptional series of diminished chords (the strongest dissonance possible in classical music), and it is a while before the music may resume its initial light-hearted mood which now prevails to the end.
Piano Trio No. 3 in f minor. Op. 65 (B. 130)
Bom September8, 1841 in Nelahozeves, Bohemia Died May 1, 1904 in Prague
Snapshot of History... In 1883:
Richard Wagner dies
The Brooklyn Bridge opens
The Orient Express runs from Paris to Constantinople
Nietzsche publishes Thus Spake Zarathustra
The Metropolitan Opera opens
Gaudi begins work on the Sagrada Familia in Barcelona
Dvorak wrote a total of six piano trios, but the first two are lost. The present work, in the " dark" key of f minor, is one of the most dramatic works written by this usually cheerful and optimistic master. The years 1883-85 marked a crisis in Dvorak's life. His mother had recently died, and he was facing major dilemmas in his professional career. The invitation from Vienna to write an opera in German pitted his desire for advancement against his Czech national feelings. (He finally declined the offer.) His feelings at the time found expression in the f-minor trio and, soon afterwards, in Symphony No. 7.
The trio opens with a soft melody played by the violin and the cello in unison; the melody ends with the musical equivalent of a question mark. The hesitant question is answered by an energetic, march-like theme that gathers more and more momentum but eventually yields to a lyrical second idea first introduced by the cello. The initial "question" and the two opposing "answers" dominate the movement. At one point, the "question" is repeated with great insistence in a stormy fortissimo, but even after the recapitulation of both "answers," the doubts are not dispelled: the question is repeated in the movement's coda in its original tentative form, only to be abruptly cut off by a few energetic chords.
The second movement is a scherzo in the rhythms of a Czech folk dance with a middle section that is romantic, brooding, and agitated all at the same time. The mood lightens up a bit, yet the tonality remains predominantly minor, which gives the movement a subtle touch of wistfulness despite the playful dance rhythms. Even the middle section, which modulates to the major, borrows
many of its harmonies from the "sad" minor mode.
The slow movement, which is in third place, is-most of the time--an emotional duet between the two string instruments with an exquisitely sensitive piano accompaniment, "restoring calm but not peace" according to an earlier commentator. There are some agitated moments with abrupt, dreamy modulations; yet the ending of the movement (the only one in the trio to be unequivocally in the major mode) is quiet and delicate.
Rhythmically, the last movement was inspired by the well-known Czech dance, the furiant. Yet it is hardly one of Dvorak's happy "Slavonic Dances." It is tense and exciting movement in f minor (with no major-mode relief at the end) that keeps the listener constantly on the edge of his or her seat.
Program notes by Peter Laki.
Since its "official" debut during the Salzburg MozartWeek in January 1994, the Altenberg Trio Vienna--one of the few full-time piano trios in the world of chamber music--has, in over 1,000 performances, earned a reputation as one of the most daring and consistent ensembles of its kind.
The Altenberg Trio enjoys a splendid reputation among international chamber music ensembles and has been enthusiastically received in the US, Canada, and throughout Europe. Repertoire encompasses no fewer than 200 piano trios, including works which were composed for and premiered by the ensemble.
At the time it was formed, the ensemble became Trio-in-residence of Vienna's Gesellschaft der Musikfreunde, the renowned Musikverein, where it gives an annual series of concerts in the Brahms Saal. They are also Trio-in-residence of the Vienna Conservatory, where the ensemble gives master classes and seminars.
The instrumentalists have impressive individual reputations in chamber music, taking great pride in remaining faithful to the style and tradition of the "Viennese sound" so often admired. They chose their name in honor of the revered Viennese poet Peter Altenberg, who was a contemporary and compatriot of several renowned Viennese composers and artists at the turn of the century: Arnold Schoenberg, Alban Berg, Gustav Mahler, Egon Schiele, Oskar Kokoschka, and Gustav Klimt.
The Altenberg Trio currently has 10 recordings on the Challenge label in repertoire ranging from German and French classics to American music. Their recording of trios of Ives, Copland, and Bernstein won the Edison Award in Amsterdam in 2000.
The Altenberg Trio's last live performance cycles were particularly highly acclaimed, including 10 concerts of the series "Strolling through the Rediscovered Europe," which explored the music of the European Union's 10 new member states.
Amiram Ganz plays a violin by Goffredo Cappa (Saluzzo, 1686), Alexander Gebert, a cello by Nicolas Vuillaume (1800-1871).
This evening's performance marks the Altenberg Trio Vienna's UMS debut.
Altenberg Trio Vienna
Ustad Zakir Hussain
Pandit Shivkumar Sharma
Sunday Evening, March 22, 2009 at 7:00 Rackham Auditorium Ann Arbor
Tonight's program will be announced by the artists from the stage and will be performed with one intermission.
50th Performance of the 130th Annual Season
The photographing or sound and video recording of this concert or possession of any device for such recording is prohibited.
Media partnership provided by WEMU 89.1 FM.
The Oriental rug used in this evening's performance is made possible by Ali A. Amiri and Persian House of Imports, Ann Arbor, Michigan.
Ustad Zakir Hussain and Pandit Shivkumar Sharma appear by arrangement with IMG Artists, New York, NY.
Large print programs are available upon request.
Any performance of North Indian classical music depends considerably on the mood and inspiration of the artists and their rapport with the audience. Therefore, the selection of ragas and talas will be chosen according to the mood of the evening and announced just prior to the performance by the artist. Moods from solemn and sad, to romantic and restless are said to be embodied like personalities in the thousands of ragas in classical literature.
Indian classical music is a highly developed musical language which expresses itself entirely through melodic tone rows called raga. Whereas in Western music a major key may be said to symbolize happiness and a minor key sadness, different ragas express or symbolize a whole variety of emotions as well as the various times of day and seasons of the year. In Indian music there is no harmony, so all musical meaning must rest with the interrelation of the notes in each particular raga. The octave is divided into the same number of semitones as the Western chromatic scale, but the intervals are not tempered. Furthermore, most musicians deviate from these intervals in certain ragas by sharpening or flattening specified notes micro-tonally. In North Indian music, such as will be heard in tonight's program, microtonal inflections are used as a means of emotional expression on certain predetermined notes.
The most important note in any raga is the tonic, around which the development of the raga evolves. It must be pointed out that in Indian music, once the instrument has been tuned, the tonic never changes, as opposed to Western music where the tonic may change frequently during a work by way of modulation and harmonic development. Indian music is entirely melodic, firmly rooted in its tonic, and any apparent harmony is a matter of coincidence rather than intention.
The santoor was known in India as the "Shata Tantri Veena" or the 100-stringed lute. Unlike other string instruments which are usually plucked, the santoor is played by striking the strings with two curved hammers made of walnut. The santoor was first presented on the classical stage by Shivkumar Sharma in Bombay in 1955, when the maestro was only 17 years old. Used in the early decades of the 20th century to accompany a style of singing known as Sufiana Mausiqi, the santoor is thought
to have been spread around the world by itinerant Gypsies.
The tabla, the premiere North Indian classical percussion instrument, consists of a pair of single-headed tuned kettledrums. The left-hand drum, banya, is made of an alloy of copper and silver with a goatskin membrane and provides a bass note of indefinite pitch. The right-hand drum, tabla, has a hardwood body and the membrane is stretched by a number of thongs and eight wooden blocks which are used for tuning the drum to the keynote Sa. In the center of the membrane there is a small black circular area composed of a dried paste made from flour, iron, manganese filings, and other ingredients. This increases the resonance of the drum considerably. Each drum stroke has its own particular name: Aa, Ta, Dha, Dhin, Trik, and so forth, and the rhythmic patterns are transmitted orally through these onomatopoeic names.
A true master will tell you he is only a good student. A student of Indian classical music, where the term master is codified ("Ustad" for musicians of Muslim descent, "Pandit" for Hindu), will tell you quite confidently that Pandit Shivkumar Sharma and Ustad Zakir Hussain are true masters.
Pandit Shivkumar Sharma, one of India's most popular and revered classical musicians, is India's greatest living santoor player. He has single-handedly brought about a revolution in the development and history of his instrument, both re-designing and re-defining it. If the santoor today needs no introduction, it is due to his work and genius, since he has brought this little-known Kashmiri folk instrument to the classical concert halls of India and the world.
Born in 1938 in Jammu, Kashmir, he studied vocals, tabla, and santoor with his father, the late Pandit Uma Dutt Sharma, a prominent exponent of Indian classical music. In order to achieve the subtleties of Indian classical music, Shivji, early in his career, made important modifications to his instrument: he refined the santoor to 86 strings, increased the range to cover a full three octaves, and created a new technique to masterfully sustain notes and maintain sound continuity. He has made popular and innovative recordings, including Call of the Valley, Feelings, and Mountains. He made the sound of the santoor indispensable to Indian film music, composing music for such films as
Silsila, Lamhe, Chandni, and Dan. He is also a dedicated teacher, imparting his knowledge in the Guru Shishya tradition to the next generation of musicians and training students from all over the world. His son and disciple Rahul Sharma has already made a name for himself as a formidable talent and performer.
Since making his first public performance in 1955, Shivji has traveled throughout the world and has garnered prestigious awards and titles, including Padma Vibhushan (2001), the Ustad Hafiz AN Khan Award (1998), Padma Shri (1991), an Honorary Doctorate from the University of Jammu (1991), and the Sangeet Natak Akademi Award (1986).
Ustad Zakir Hussain is today appreciated both in the field of percussion and in the music world at large as an international phenomenon. A classical tabla virtuoso of the highest order, his consistently brilliant and exciting performances have not only established him as a national treasure in his own country, India, but earned him worldwide fame. His playing is marked by uncanny intuition and masterful improvisational dexterity, founded in formidable knowledge and study. The favorite accompanist for many of India's greatest classical musicians and dancers, he has not let his genius rest there.
Widely considered a chief architect of the contemporary world music movement, Zakir's contribution to world music has been unique, with many historic collaborations including Shakti (which he founded with John McLaughlin and L. Shankar in the early 1970s), the Diga Rhythm Band, Making Music, Planet Drum (with drummer Mickey Hart), Tabla Beat Science, Sangam (with saxophonist Charles Lloyd and drummer Eric Harland), and recordings and performances with artists as diverse as George Harrison, Joe Henderson, Van Morrison, Airto Moreira, Giovanni Hidalgo, Pharoah Sanders, Billy Cobham, Rennie Harris, and the Kodo drummers of Japan.
A child prodigy, Zakir was touring by the age of 12, the gifted son of his great father, tabla legend Ustad Allarakha. Zakir came to the US in 1970, embarking on an international career which includes no fewer than 150 concert dates a year. Zakir received the distinct honor of co-composing the opening music for the 1996 Summer Olympics in Atlanta. In 2002, his commissioned work for choreographer Mark Morris's Kolam premiered as part of Yo-Yo Ma's Silk Road Project. In 2006,
Tonight's performance marks Ustad Zakir Hussain's second appearance under UMS auspices. He made his UMS debut in concert with Ali Akbar Khan in March 2000.
Tonight's performance marks Pandit Shivkumar Sharma's UMS debut.
Triple Concerto for Banjo, Bass, and Tabla, a piece co-composed by Zakir, Edgar Meyer, and Bela Fleck, was performed by the trio with the Nashville Symphony at the gala opening of the Schermerhorn Symphony Hall in Nashville.
In 1992, Planet Drum, an album co-created and produced by Zakir and Mickey Hart, was awarded the first Grammy Award for "Best World Music Album." In the same year, Zakir founded Moment! Records, which features original collaborations in the field of contemporary world music, as well as live concert performances by great masters of the classical music of India.
Zakir is the recipient of the 1999 National Heritage Fellowship, the US's most prestigious honor for a master in the traditional arts, presented by First Lady Hillary Rodham Clinton at the US Senate in 1999.
Michigan Critical Care
Celin Romero, Guitar Pepe Romero, Guitar Lito Romero, Guitar Celino Romero, Guitar
Thursday Evening, March 26, 2009 at 8:00 Rackham Auditorium Ann Arbor
Ruperto Chapi y Lorente, Arr. Lorenzo Palomo La Revoltosa (excerpt) Preludio
Gaspar Sanz, Arr. C. Romero Suite Espanola Celino Romero
Joaquin Rodrigo Tonadilla Allegro ma non troppo Minueto pomposo Allegro vivace
Pepe and Celino Romero
Pepe Romero Farrucas Lito Romero
Luigi Boccherini, Trans. Romeros Quintet No. 4 in D Major for Guitar and Strings, G. 448 (excerpts) Introduction Fandango
Federico Moreno Torroba
Isaac Albeniz, Trans. Pepe Romero
Geronimo Gimenez, Arr. Romeros
Bailando un fandango charro
Fiesta en el pueblo
Prelude No. 1 Prelude No. 3
Suite Espanola, Op. 47 (excerpt) Granada
Celin and Pepe Romero Gran jota
Fiesta en Cadiz (Homenage a Sabicas) La Boda de Luis Alonso
51st Performance of the 130th Annual Season
The photographing or sound and video recording of this performance or possession of any device for such recording is prohibited.
Tonight's performance is co-sponsored by Michigan Critical Care Consultants, Inc. (MC3) and Edward Surovell Realtors.
Media partnership provided by Metro Times.
Special thanks to Matthew Ardizzone for his participation in this residency.
The Romeros appear by arrangement with Columbia Artists Management LLC.
Large print programs are available upon request.
La Revoltosa (excerpt)
Ruperto Chapi y Lorente
Born March 27, 1851 in Villena, near Alicante, Spain
Died March 25, 1909 in Madrid
Ruperto Chapi is most well known for his zarzuelas. The zarzuela originated in 1657 and was named for the hunting lodge of King Philip IV of Spain. The zarzuela is a light opera that runs the gamut from comic theater to high classical opera. The genre became so popular in Spain that even foreign composers like Boccherini from Italy were commissioned to write them.
La Revoltosa was premiered in Madrid at the Teatro Apolo in November 1897. Not only has it been the inspiration for numerous films, but it has formed the template of a whole genre of imitations. The "Preludio" is a lively orchestral overture that is based on the main themes of the zarzuela.
Born c. 1640 in Calanda, Spain
Trained early in life as a priest, Gaspar Sanz received his principal musical training in Italy. During the second half of the 17th century, the first great renaissance period for the guitar, Gaspar Sanz became the outstanding virtuoso of the late-Spanish school of guitarists. This suite is in nine movements, each based on dance forms. The final movement, "Canarios," is among the most famous in the guitar literature, and was adapted by the renowned 20th-century composer Joaquin Rodrigo as the theme for the final movement of his famous guitar concerto Fantasia para un gentilhombre.
Unlike today's modern guitar, the instrument that Sanz wrote for was smaller and had five sets of double strings.
Born November 22, 1901 in Sagunto, Valencia, Spain
Died July 6, 1999 in Madrid
Joaquin Rodrigo was born on November 22, 1901 in the Spanish province of Valencia. Blinded at the age of three, he had from an early age
devoted himself completely to music. In 1926, after early artistic successes in his homeland, he traveled to Paris where he studied composition with Paul Dukas for five years. There he made the acquaintance of Manuel de Falla, whose friendship greatly influenced Rodrigo's later career. Best known for his Concerto de Aranjuez for guitar and orchestra, Rodrigo has composed numerous compositions for the guitar that have become staples in the instrument's repertoire.
The Tonadilla was written in 1959 for Ida Presti and Alexandre Lagoya. In this highly virtuosic piece, Rodrigo alludes to the short comic operas which were played as intermezzos between the acts of theater performances in 18th-century Spain.
Program note by Claudia Tornsaufer.
Born March 8, 1944 in Malaga, Spain
"Farrucas" is a male dance in the category of lighter flamenco, as opposed to the serious cante jondo. The dance uses a slower rhythm that asserts masculinity and dignity, which explodes with inner power and pride, expelling inner freedom with its melodies. This "farrucas" is my tribute to the great guitarists Sabicas and Carmen Amaya who could take a "farruca" and transform it into a beautiful female dance while keeping the power and strength of the dance form.
Quintet No. 4 in D Major for Guitar and
Strings, G. 448 (excerpts) Luigi Boccherini
Born February 19, 1743 in Lucca, Italy Died May 28, 1805 in Madrid, Spain
Of all the Italian composers who devoted themselves to instrumental music, Boccherini was one of the greatest.
It was in Madrid in the 1770s that Boccherini began composing his famous string quintets, among the first of their genre. Shortly thereafter, he started writing piano quintets--a medium
which he introduced and pioneered; these were the first works to integrate the texture of the string quartet with an idiomatic piano part. From these innovative piano quintets, Boccherini derived most of his guitar quintets.
After a slow introduction marked Grave assai, the lengthy last movement takes the form of a fandango, a Castillian and Andalusian courtship dance in triple-meter and moderately fast in tempo, exhibiting the voluptuousness of its gypsy origins. In testament to Boccherini's originality, the last movement includes optional parts for castanets and sistrum, an Arabic tambourine-like instrument. The Quintet presents a charming picture of 18th-century Madrid, masterfully melding grace and impishness with a festive popular mood.
Federico Moreno Torroba
Born March 3, 1891 in Madrid, Spain
Died September 12, 1982 in Madrid
Federico Moreno Torroba began to compose for the guitar after Segovia put out a call to all composers for guitar compositions. His guitar compositions are now his most popular works.
Written while director of the Academia de Bellas Artes de San Fernando, Estampas was one of his later works. Its six movements comprise an album of little portraits or scenes of Spanish life. "Bailando un fandango charro" refers to the festive country dance, the fandango. "Remanso" illustrates a peaceful waterside place. "La siega" is a harvest song that quotes traditional folk melodies, as does "Fiesta en el pueblo" (festival in the village). "Amanecer" is an evocative daybreak portrait. "La boda" is a musical wedding celebration ending this fascinating excursion through situations in everyday Spanish life.
Prelude No. 1 Prelude No. 3
Born March 5, 1887 in Rio de Janeiro, Brazil
Died November 17, 1959 in Rio de Janeiro
Heitor Villa-Lobos has almost certainly had more of an impact than any other composer has on 20th-century guitar music. As a cellist and guitarist who played popular music, Villa-Lobos spent his lifetime
collecting popular tunes of Brazil. The characteristic rhythms and melodic shapes of Brazilian music permeate his compositions. The five-set Preludes were composed at the height of his creative life in 1940. They each depict the nostalgic folk feeling that Brazilians call saudosismo.
Suite Espanola, Op. 47 (excerpt) Isaac Albeniz
Born May 29,1860 in Camprodon. Spain Died May 18, 1909 in Cambo-les-Bains, France
As a composer primarily of piano music, Albeniz is known for his nationalistic style and the creation of an indigenous school of piano in Spain. His early works are varied, showing not only the virtuosic influence of Liszt, but the French impressionistic influence of Debussy, Faure, and d'lndy. Although his two books of the Suite Iberia were his greatest successes, his early nationalistic compositions that comprised his Suite Espanola, Op. 47 are wonderful examples of the native Spanish style that made him so famous. This piece is originally written for solo piano, but is transcribed for guitar by Pepe Romero.
Each movement of the Suite Espanola represents a city or province of Spain. "Granada," the first movement, is in the form of a serenade. Its lazy melody, in the lower register, recalls the sound of the bandola, a small lute-like instrument, and carries with it the humidity and perfumes of the city of Grenada.
Born November 21, 1852 in Villarreal,
Castellon, Spain Died December 75, 1909 in Barcelona
Fiesta en Cadiz (Homenage a Sabicas)
This composition was inspired by the friendship and mutual admiration shared by the Romero family and the great flamenco guitarist, Agustin Castell6n "Sabicas." It is based on the characteristic rhythm of alegrias from Cadiz, where it is performed at fiestas by a singer, dancer, and guitarist. It requires the very best from the guitarist as he accompanies
the spontaneous quick-changing movements of the dancer using a great variety of melodies in which he can display his virtuosity.
La Boda de Luis Alonso
Bom October 10, 1854 in Seville, Spain
Died February 19, 1923 in Madrid
Geronimo Gim?nez's musical talent was recognized and developed at an early age. His first lessons were with his father, and he began playing in the first violin section of the Teatro Principal by age 12. Today, Gimenez's fame as a composer rests primarily on his masterpiece, La Tempranica, the one-act musical farce El Baile de Luis Alonso, and what has been called the most famous zarzuela of all time, La Boda de Luis Alonso.
The "Royal Family of Guitar" and a veritable institution in the world of classical music, The Romeros celebrate their 50th anniversary this season. Celedonio Romero, founder and creator of the Romeros guitar dynasty, was a renowned soloist in Spain who began teaching his sons as they approached the age of two or three. Although Celedonio passed away in 1996, his descendants--Celin, Pepe, Lito, and Celino Romero--continue to perform in his honor. This unparalleled family ensemble has become the international emissary for guitar chamber music, their name synonymous with style, elegance, and technique.
In 1957, the family immigrated to the US, where the Romeros' guitar quartet stepped onto the stage, becoming the first of its kind. Since then, the Romeros have performed with virtually every major symphony orchestra in the US, including those of Boston, Cleveland, Chicago, Philadelphia, Los Angeles, San Francisco, Pittsburgh, and Detroit. The family has twice been invited to the White House; in 1983 they appeared at the Vatican in a special concert for His Holiness Pope John Paul II; and in 1986 they performed for His Royal Highness Prince Charles, Prince of Wales. Regular festival appearances include the Hollywood Bowl, Blossom, Wolf Trap, Saratoga, Flagstaff, and Garden State. For over 40 years, three generations of Romeros have inspired composers to enrich the repertoire
Tonight's performance marks The Romeros' fourth appearance under UMS auspices. The Romeros made their UMS debut in 1974 and were last presented by UMS in January 2000.
of guitar quartet with orchestra, which includes works by such distinguished composers as Joaquin Rodrigo, Federico Moreno Torroba, Morton Gould, Francisco de Madina, and Lorenzo Palomo.
The Romeros have been the subject of many television programs, including PBS's documentary The Romeros: Guardians of the Holy Grail of Classical Guitar.
In addition to a rigorous performance schedule, the family continues to function as a cultural icon. In 2000, His Royal Majesty Juan Carlos I knighted Pepe and Celin Romero into the Order of Isabel la Catolica, Spain's highest honor.
Photo: Sandy Scheller
Rachel Bendit and
Dan Zanes & Friends
Dan Zanes, Lead Vocals and Guitar
Colin Brooks, Drums
Sonia de los Santos, Guitar and Vocals
John Foti, Accordion
Saskia Sunshine Lane, Bass
Elena Moon Park, Violin
Sunday Afternoon, March 29, 2009 at 1:00 Sunday Afternoon, March 29, 2009 at 4:00 Rackham Auditorium Ann Arbor
This afternoon's program will be announced by the artists from the stage and will be performed without intermission.
52nd and 53rd Performances of the 130th Annual Season
The photographing or sound and video recording of this performance or possession of any device for such recording is prohibited.
Today's performances are sponsored by Rachel Bendit and Mark Bernstein.
Funded in part by the National Endowment for the Arts as part of American Masterpieces: Three Centuries of Artistic Genius.
The 200809 Family Series is sponsored by Toyota.
Media partnership provided by Ann Arbor's 107one and Metro Times.
Dan Zanes & Friends appear by arrangement with Pomegranate Arts.
Large print programs are available upon request.
Photo: Gala Narezo
Hello Friends and Neighbors,
It's with great pleasure and anticipation that we've tuned up our instruments and warmed up our voices in your city today. Thank you for coming out to join us in the festivities! Since our gathering is a musical one I have some musings on the subject...
When my daughter was born I spent quite a while trying to decide what song she would first hear when she came home from the hospital. The first song in her life! What record would I play for her I had been playing guitar and singing since I was eight years old and yet it never occurred to me that I could sing her that first song myself. Although we ended up listening to some great recorded music that day (The Melodians, a Jamaican rocksteady vocal trio, just fantastic) lately I've been considering the place where the recordings end and the soulful homemade singing and playing can begin.
Yes, these days I have a vision of a new and improved America! A singing, dancing, freewheeling, shaking, inclusive America. Someone
once asked me "Dan, how can we sing 'Cock-a-doodle-doo' when there are all these crazy
things happening in the world " That's just it! That's why we sing! It restores our
spirits and gives us hope for the future, it gives us a sense
of life's best possibilities. When we make music together we share our
stories. We welcome each other into our lives. We give our children new ideas for social living and in return they show us how to dance like bears, or birds, or ice cream cones. And we have fun... unbelievable fun.
I love being in the world of families because these are the people (from lack of sleep perhaps) who seem most likely to step into the unknown, and spontaneous casual music-making is, for most people, the unknown. I can't say that it won't feel a little awkward the first time someone suggests to dinner guests that they all sing "Rock Island" or "El Canario" before the meal but I can guarantee that it will be memorable and probably exciting. The first time family and friends sing together in any capacity new traditions are made, bonds are created, spirits are lifted, and the world suddenly becomes a more musical and peaceful place.
Thank you for joining us today. It may look at first like a show or a performance with a band and an audience but in truth we're all in it together. Think of it as a house party, family reunion, or
neighborhood block party. Some of us have instruments but everyone has a voice or dancing
feet or clapping hands. This is our day together and when the house lights
go up and we all head on down the road, let's be sure to make it a musical one!
Dan Zanes is the 21st-century version of the guy who in the old days used to conduct the town band from the gazebo, though in lieu of a gazebo he and his scruffy band are playing places like Carnegie Hall and The Melbourne International Arts Festival. He is a ringmaster, introducing new songs and reconnecting people to songs that have always been there. Lately, Dan has been having a rocking time with new musical friends from the Latino world in and around New York City. The result: Dan Zanes & Friends' jNueva York!, a collection of songs from Puerto Rico, Mexico, Colombia, the Dominican Republic, and other parts of the Spanish-speaking Americas, released in June 2008. Dan Zanes's first family-oriented CD was Rocket Ship Beach (2000), an immediate hit with families around America. This was followed by several more home-recorded family discs, including the Grammy-nominated House Party (2003) and the Grammy Award-winning Catch That Train (2006), which was co-released by Starbucks. His Festival Five Folk CDs include Sea Music, a collection of maritime songs that was featured in Rolling Stone's 2003 "Hot Issue," and Parades and Panoramas: 25 Songs Collected by Carl Sandburg for The American Songbag, a collection of songs gathered by the poet in 1927 and dragged kicking and screaming into the 21st century by Dan Zanes.
Keeping things all in the family, Dan also spent some time in 2007 with bandmate Father Goose (aka Wayne Rhoden) and longtime recording ally Rob Friedman co-producing It's a Bam Bam Diddly!--a musical memoir of sorts, sounding very much like the most incredible block party stretching from Jamaica to Brooklyn and spilling out into neighborhoods around the globe. Dan has recorded in his basement and living room studios with a long list of people, including Lila Downs, Aimee Mann, Dahphne Rubin-Vega, Lou Reed, Dar Williams, Deborah Harry, Angelique Kidjo, Bob Weir, Philip Glass, the Kronos Quartet, and the Blind Boys of Alabama. Dan is the author of two books with artist Donald Saaf, Jump Up! and Hello Hello (Little, Brown and Company), and he can be seen in the Dan Zanes & Friends concert video and DVD entitled All Around the Kitchen!. Dan Zanes is currently in pre-production for a pilot with Playhouse Disney.
This afternoon's performances mark the fourth and fifth UMS appearances by Dan Zanes & Friends. Dan and the group made their UMS debut in March 2005 and last appeared in November 2006 at Rackham Auditorium.
Dan Zanes & Friends
Pomegranate Arts, Worldwide Tour Representation
Linda Brumbach, Director Alisa E. Regas, Associate Director Kaleb Kilkenny, Business Manger Jim Woodard, Senior Tour Manager Amanda Shank, Project Manager
Ben McGuire, Tour Manager
Carla Sacks and Brian Shimkovitz; Sacks & Co., NYC, Press Agents Peter WrightVirtual Label LLC, Business Management
Donna Walker-Kuhne, Audience Development Consultant Kayma Englund, Office Manager
Management and Record Label
Festival Five Records Irene Cabrera, Managing Director Robert Krevolin, Project Manager Astrid Lewis-Reedy, Creative Director
Recordings by Dan Zanes & Friends are produced by Festival Five Records. For more information on Dan Zanes & Friends including upcoming tour dates, and to purchase CDs, the All Around the Kitchen DVD, and t-shirts, please visit the website www.danzanes.com.
10-14 Wed-Sun Complicite: A Disappearing Number
19-20 Fri-Sat Mark Morris Dance Group
27 Sat Wayne Shorter Quartet and the Imani Winds
4 SatThe Art of the Oud featuring Omar Bashir, Rahim AlHaj, and Farida and the Iraqi Maqam Ensemble 12 Sun Sphinx Orchestra
12 Sun Tokyo String Quartet with
Sabine Meyer, clarinet
15 WedCompagnie Heddy Maalem: The Rite of Spring
17 Fri'Soweto Gospel Choir
18 SatMilton Nasomento and the Jobim Trio
19 Sun Camerata Salzburg with
Anne-Sophie Mutter, violin 24 Fri Andras Schif f: Beethoven Concert 5
26 Sun Andras Schiff: Beethoven Concert 6
27 Mon Michigan Chamber Players
7 FriJoe Lovano "Us Five" Quintet and Jason Moran
8 Sat Emanuel Ax and Yefim Bronfman, pianos
13 Thu Estonian Philharmonic Chamber Choir
16 Sun Jerusalem Symphony Orchestra with Robert
6-7 Sat-Sun Handel's Messiah
9-11 Fri-Sun Rubberbandance Group 11 Sun Guarneri String Quartet 16 Fri Tord Gustavsen Trio
23-24 Fri-SatGilgamesh: Kinan Azmeh, clarinet and Kevork Mourad, MaxMSP
24 Sat Ford Honors Program honoring the Royal
Shakespeare Company, Michael Boyd, and Ralph Williams
25 Sun Richard Goode, piano 29 Thu Chanticleer
31 SatMichigan Chamber Players
7 SatLawrence Brownlee, tenor with
Martin Katz, piano 12 Thu Sweet Honey In The Rock 13fr-Kodo 14-15 Sat-Sun Batsheva Dance Company
7-8 Sat-Sun New York Philharmonic
10 Tue Wynton Marsalis and Jazz at Lincoln Center
11 Wed Brentano String Quartet with Peter Serkin,
piano and Thomas Meglioranza, baritone
12 Thu Aswat: Celebrating the Golden Age of Arab
Music with Simon Shaheen and the Golden Age
Orchestra 13-14 Fri-Sat The Silk Road Ensemble with
Yo-Yo Ma, cello 18 WedAltenberg Trio Vienna
22 Sun Zakir Hussain, tabla with
Pandit Shivkumar Sharma, santoor 26 Thu The Romeros 29 Sun Dan Zanes & Friends
1 Wed John Williams, guitar
2 Thu St. Louis Symphony Orchestra with
Anssi Karttunen, cello 4 Sat Chick Corea and John McLaughlin:
Five Peace Band
9 Thu Andras Schiff: Beethoven Concert 7 11 SatAndras Schiff: Beethoven Concert 8
16 Thu Kurt Elling Sings the ColtraneHartman
17 Fri-Takacs Quartet with Marc-Andre Hamelin, piano 18-19 Sat-Sun Mohammed Bennis and the Hmadcha
Ensemble (from the Fez Festival of Sufi Culture)
23 Thu UMS Choral Union
24 FriJulia Fischer, violin with Milana Chernyavska, piano 25-26 Sat-Sun Compagnie Marie Chouinard
8 Fri Breakin' Curfew
UMS EDUCATION AND AUDIENCE DEVELOPMENT PROGRAMS
UMS's Education Program deepens the relation?ship between audiences and art, while efforts in Audience Development raise awareness of the positive impact the performing arts and education can have on the quality of life in our community. The program creates and presents the highest quality arts education and community engagement experiences to a broad spectrum of community constituencies, proceeding in the spirit of partnership and collaboration. Details about all educational and residency events are posted online at www.ums.org approximately one month before the performance date. Join the UMS Email Club to have updated event information sent directly to you. For immediate event info, please email firstname.lastname@example.org, or call the numbers listed below.
ADULT & COMMUNITY ENGAGEMENT
Please call 734.647.6712 or email email@example.com for more information.
The UMS Adult and Community Engagement Program serves many different audiences through a variety of educational events. With over 100 unique regional, local, and university-based partnerships, UMS has launched initiatives for the area's Arab American, African,
MexicanLatino, AsianChinese, and African American audiences. UMS has earned national acclaim for its work with diverse cultural groups, thanks to its proactive stance on part?nering with and responding to individual com?munities. Though based in Ann Arbor, UMS Audience Development programs reach the entire southeastern Michigan region.
UMS hosts a wide variety of educational and community events to both inform the public about arts and culture and provide forums for discussion and celebration of the performing arts. These events include:
PREPs Pre-performance lectures
Meet the Artists Post-performance Q&A with the artists
Artist Interviews Public dialogues with performing artists
Master Classes Interactive workshops
PanelsRound Tables In-depth adult edu?cation related to a specific artist or art form
Artist-in-Residence Artists teach, create, and meet with community groups, university units, and schools
Book Clubs Discussions on UMS-related literature
Community Receptions Opportunities for audiences to network and socialize with each other and with artists
UMS is grateful to the University of Michigan for its support through the U-MUMS Partner?ship Program of many educational activities scheduled in the 0809 season. These activities provide opportunities for students, faculty, and other members of the University and southeast Michigan communities to deepen their connection with the artists on the UMS series.
The NETWORK: UMS African American Arts Advocacy Committee
Celebrate. Socialize. Connect.
734.615.0122 I www.ums.orgnetwork
The NETWORK was launched during the 0405 season to create an opportunity for African-Americans and the broader community to cele?brate the world-class artistry of today's leading African and African-American performers and creative artists. NETWORK members connect, socialize, and unite with the African-American community through attendance at UMS events and free preor post-concert receptions. NET?WORK members receive ticket discounts for selected UMS events; membership is free.
WINTER 2009 NETWORK PERFORMANCES
Lawrence Brownlee Martin Katz
Sweet Honey In The Rock
Jazz at Lincoln Center Orchestra with Wynton Marsalis
UMS YOUTH, TEEN, AND FAMILY EDUCATION
Please call 734.615.0122 or email firstname.lastname@example.org for more information.
UMS has one of the largest K-12 education ini?tiatives in the state of Michigan. Designated as a "Best Practice" program byArtServe Michigan and the Dana Foundation, UMS is dedicated to making world-class performance opportunities and professional development activities available to K-12 students and educators.
0809 Youth Performance Series
These daytime performances give pre-K through high school students the opportunity to see the same internationally renowned per?formances as the general public. The Winter 2009 season features special youth presenta?tions of Rubberbandance Group, Sweet Honey
In The Rock, Jazz at Lincoln Center Orchestra, Aswat: Celebrating the Golden Age of Arab Music, and Dan Zanes & Friends. Tickets range from $3-6 depending on the performance; each school receives free curriculum materials.
Teacher Workshop Series
UMS is part of the Kennedy Center Partners in Education Program, offering educators mean?ingful professional development opportunities. Workshops, cultural immersions, and book clubs bring the best in local and national arts education to our community, through presen?tations by Kennedy Center teaching artists, UMS performing artists, and local arts and cul?ture experts. This series focuses on arts integra?tion, giving teachers techniques for incorporating the arts into everyday classroom instruction.
Some think anticipation.
We think track record.
New York Philharmonic
We look at things from a different perspective for the benefit of our clients. An approach we share with the New York Philharmonic. As Global Sponsor we are proud to support a renowned institution that continuously sets new standards in innovation redefining classical music. This mutual tradition of challenging conventional thinking helps us to realize new opportunities for our clients. This has been our ambition since 1856. www.credit-suisse.comsponsorship
Thinking New Perspectives. CREDIT SUISSE
K-12 Arts Curriculum Materials
UMS creates teacher curriculum packets, CDs, and DVDs for all of the schools participating in UMS's Youth Education Program. Further, the UMS curricular materials are available online at no charge to the general public. All materials are designed to connect to the curricular stan?dards via the Michigan Grade Level Content Expectations.
Teacher Appreciation Month!
March 2009 has been designated UMS Teacher Appreciation Month. All teachers will be able to purchase tickets for 50 off at the venue on the night of the performance (subject to availability). Limit of two tickets per teacher, per event. Teachers must present their official school ID when purchasing tickets. Check out www.ums.org for March events!
School FundraisersGroup Sales
Raise money for your school and support the arts. UMS offers a wide range of fundraising opportunities and discount programs for schools. It is one of the easiest and most rewarding ways to raise money. For information contact UMS Group Sales at email@example.com or 734.763.3100.
Teacher Advisory Committee
This group of regional educators, school administrators, and K-12 arts education advo?cates advises and assists UMS in determining K-12 programming, policy, and professional development. If you would like to participate, please contact firstname.lastname@example.org.
UMS is in partnership with the Ann Arbor Public Schools and the Washtenaw Intermediate School District as part of the Kennedy Center: Partners in Education Program. UMS also participates in the Ann Arbor Public Schools' "Partners in Excellence" program.
UMS Teen Teen Tickets
Teens can attend UMS performances at signifi?cant discounts. Tickets are available to teens for $10 the day of the performance (or on the Friday before weekend events) at the Michigan League Ticket Office and $15 beginning 90 minutes before the performance at the venue. One ticket per student ID, subject to availability.
In a special collaboration with the Neutral Zone, Ann Arbor's teen center, UMS presents this yearly performance highlighting the area's best teen performers. This show is curated, designed, marketed, and produced by teens under the mentorship of UMS staff. This year's Breakin' Curfew takes place on Friday, May 8, 2009.
The Winter 2009 season features family per?formances of Rubberbandance Group and Dan Zanes & Friends. Family-friendly performances also include the Silk Road Ensemble and Kodo. Please visit www.ums.org for a complete list of family-friendly performances.
The 0809 Family Series is sponsored by TOYOTA
Classical Kids Club
Parents can introduce their children to world-renowned classical music artists through the Classical Kids Club. Designed to nurture and cre?ate the next generation of musicians and music lovers, the Classical Kids Club allows students in grades 1-8 to purchase tickets to all classical music concerts at a significantly discounted rate. Parents can purchase up to two children's tickets for $10 each with the purchase of a $20 adult ticket beginning two weeks before the concert. Seating is subject to availability. UMS reserves a limited number of Classical Kids Club tickets to each eligible performance--even those that sell out! For information, call 734.764.2538 or visit www.ums.org and sign up for UMS E-News and check the box for Classical Kids Club.
Education Program Supporters
Ford Motor Company Fund and Community Services
Michigan Council for Arts and Cultural Affairs University of Michigan
Anonymous Arts at Michigan Bank of Ann Arbor Bustan al-Funun Foundation
for Arab Arts The Dan Cameron Family
Swanna Saltiel CFI Group Community Foundation for
Southeast Michigan Doris Duke Charitable
DTE Energy Foundation The Esperance Family Foundation GM Powertrain
Willow Run Site David and Phyllis Herzig
Endowment Fund Honigman Miller Schwartz
and Cohn LLP JazzNet Endowment WK Kellogg Foundation Masco Corporation
Miller. Canfield. Paddock and
Stone. P.L.C. The Mosaic Foundation,
Washington DC THE MOSAIC FOUNDATION
(of R. & P. Heydon) National Dance Project of the
New England Foundation
for the Arts
National Endowment for the Arts Performing Arts Fund Prudence and Amnon
Rosenthal K-12 Education
Endowment Fund Rick and Sue Snyder Target
UMS Advisory Committee University of Michigan Credit Union University of Michigan
Health System U-M Office of the Senior Vice
Provost for Academic Affairs U-M Office of the Vice
President for Research Wallace Endowment Fund
UMS STUDENT PROGRAMS
UMS offers four programs designed to fit stu?dents' lifestyles and save students money. Each year, 18,000 students attend UMS events and collectively save over $350,000 on tickets through these programs. UMS offers students additional ways to get involved in UMS, with internship and workstudy programs, as well as a UMS student advisory committee.
Half-Price Student Ticket Sales
At the beginning of each semester, UMS offers half-price tickets to college students. A limited number of tickets are available for each event in select seating areas. Simply visit www.ums.orgstudents, log in using your U-M unique name and Kerberos password, and fill out your form. Orders will be processed in the order they are received. You will pay for and pick up your tickets at a later date at the Michigan League Ticket Office.
Winter Semester: Begins Sunday, January 11, 2009 at 8 pm and ends Tuesday, January 13 at 5 pm.
Sponsored by UMM5
Sometimes it pays to procrastinate! UMS Rush Tickets are sold to college students for $10 the day of the performance (or on the Friday before weekend events) and $15 beginning 90 minutes before the event. Rush Ticket availability and seating are subject to Ticket Office discretion. Tickets must be purchased in person at the Michigan League Ticket Office or at the per?formance venue ticket office. Just bring your valid college ID. Limit two tickets per student.
UMS Student Card
Worried about finding yourself strapped for cash in the middle of the semester The UMS Student Card is a pre-paid system for Rush Tickets. The Card is valid for any event for
which Rush Tickets are available, and can be used up to two weeks prior to the perform?ance. The UMS Student Card is available for $50 for five performances or $100 for 10 per?formances. Please visit www.ums.orgstudents to order online.
Arts & Eats
Arts & Eats combines two things you can't live without--great music and free pizza--all in one night. For just $15, you get great seats to a UMS event (at least a 50 savings) and a free pizza dinner before the concert, along with a brief talk by someone knowledgeable about the performance. Tickets go on sale approximately two weeks before the concert.
Winter 2009 Arts & Eats Events:
Rubberbandance Group, Sun. 111
Sweet Honey In The Rock, Thurs. 212
Silk Road Ensemble with Yo-Yo Ma, Fri. 313
St. Louis Symphony Orchestra, Thurs. 42
With support from the U-M Alumni Association
Internships and College Work-Study
Internships with UMS provide experience in performing arts administration, marketing, ticket sales, programming, production, and arts education. Semesterand year-long unpaid internships are available in many of UMS's departments. For more information, please call 734.615.1444.
Students working for UMS as part of the College Work-Study program gain valuable experience in all facets of arts management including concert promotion and marketing, ticket sales, fundraising, arts education, arts programming, and production. If you are a University of Michigan student who receives work-study financial aid and are interested in working at UMS, please call 734.615.1444.
Student Advisory Committee
As an independent council drawing on the diverse membership of the University of Michigan community, the UMS Student Advisory Committee works to increase student interest and involvement in the various pro?grams offered by UMS by fostering increased communication between UMS and the student community, promoting awareness and accessi?bility of student programs, and promoting the student value of live performance. For more information or to participate on the Committee, please call 734.615.6590.
There are many ways to support the efforts of UMS, all of which are critical to the success of our season. We would like to welcome you to the UMS family and involve you more closely in our exciting programming and activities. This can happen through corporate sponsorships, business advertising, individual donations, or through volunteering. Your financial investment andor gift of time to UMS allows us to continue connecting artists and audiences, now and into the future.
CORPORATE SPONSORSHIP AND ADVERTISING
When you advertise in the UMS program book you gain season-long visibility among ticket buyers while enabling an important tradition of providing audiences with the detailed program notes, artist biographies, and program descrip?tions that are so important to the performance experience. Call 734.764.6833 to learn how your business can benefit from advertising in the UMS program book.
As a UMS corporate sponsor, your organization comes to the attention of an educated, diverse, and growing segment not only of Ann Arbor, but all of southeastern Michigan. You make possible one of our community's cultural treas?ures and also receive numerous benefits from your investment. For example, UMS offers you a range of programs that, depending on your level of support, provide a unique venue for:
Enhancing corporate image
Developing business-to-business relationships
Targeting messages to specific demographic groups
Making highly visible links with arts and education programs
Showing appreciation for loyal customers
For more information, please call 734.647.1176.
We could not present our season without the invaluable financial support of individual donors. Ticket revenue only covers half of the cost of our performances and educational events. UMS donors help make up the differ?ence. If you would like to make a gift, please fill out and mail the form on page P40 or call 734.647.1175.
UMS Advisory Committee
The UMS Advisory Committee is an organization of 70 volunteers who contribute approximately 7,000 hours of service to UMS each year. The purpose of the UMS Advisory Committee is to raise community awareness and funds for UMS's nationally acclaimed arts education program. Members contribute their time and talents in a wide variety of ways consistent with their interests.
Fundraising projects include the Ford Honors Program Gala, On the Road Auction, and Delicious Experiences Advisory Ambassadors and Youth Performance Ushering are two projects that involve direct contact with local school?children, teachers, and community groups.
All Advisory Committee members serve as UMS advocates to the greater community by encouraging attendance at UMS performances and participation in UMS and Advisory Committee programs and events.
Two upcoming events include:
Ford Honors Program and Gala January 24, 2009
This year's program will honor the Royal Shakespeare Company, RSC Artistic Director Michael Boyd, and U-M Professor Ralph Williams with UMS Distinguished Artists awards. Following the program and award presenta?tions, the UMS Advisory Committee will host a Gala reception and dinner to benefit UMS Education Programs.
On the Road Auction
For each of the last three years, approximately 300 people have enjoyed an evening of food, music, and silent and live auctions, netting more than $70,000 each year to support UMS Education Programs. On the Road 2009 will be held on September 11, 2009.
Please call 734.764.8489 for more information.
Without the dedicated service of UMS's Usher Corps, our events would not run as smoothly as they do. Ushers serve the essential functions of assisting patrons with seating, distributing pro?gram books, and providing that personal touch which sets UMS events apart from others.
The UMS Usher Corps is comprised of over 500 individuals who volunteer their time to make your concert-going experience more pleasant and efficient. Orientation and training sessions are held each fall and winter, and are open to anyone 18 years of age or older. Ushers may commit to work all UMS perform?ances in a specific venue or sign up to substi?tute for various performances throughout the concert season.
If you would like information about becoming a UMS volunteer usher, contact our UMS Front-of-House Coordinator at 734.615.9398 or e-mail email@example.com.
ANNUAL FUND SUPPORT
July 1, 2007-November 1, 2008
Thank you to those who make UMS programs and presentations possible. The cost of presenting world-class performances and education programs exceeds the revenue UMS receives from ticket sales. The difference is made up through the generous support of individuals, corporations, foundations, and government agencies. We are grateful to those who have chosen to make a difference for UMS! This list includes donors who made an annual gift to UMS between July 1, 2007 and November 1, 2008. Due to space constraints, we can only list those who donated $250 or more. Every effort has been made to ensure the accuracy of this list. Please call 734.647.1175 with any errors or omissions. Listing of donors to endowment funds begins on page P45.
$100,000 or more
Maurice S. and Linda G. Binkow
Leonore M. Delanghe Trust
Doris Duke Charitable Foundation
Ford Motor Company Fund and
Community Services W.K. Kellogg Foundation Michigan Council for Arts and Cultural Affairs Pfizer Global Research & Development:
Ann Arbor Laboratories University of Michigan Health System
$50,000-$99,999 Doris Duke Foundation for Islamic Art Esperance Family Foundation National Endowment for the Arts TAQA New World, Inc.
Brian and Mary Campbell
Charles H. Gershenson Trust
DTE Energy Foundation
Maxine and Stuart Frankel Foundation
Lillian A. Ives
Robert and Pearson Macek
Masco Corporation Foundation
THE MOSAIC FOUNDATION (of R. & P. Heydon)
Mosaic Foundation, Washington, DC
National Dance Project of New England
Foundation For The Arts National Endowment for the Arts Gilbert Omenn and Martha Darling Laurence and Beverly Price Jane and Edward Schulak Dennis and Ellie Serras Toyota University of Michigan Office of the
Vice President for Research
Michael Allemang and Janis Bobrin
Arts at Michigan
Beverly Franzblau Baker
Emily Bandera and Richard Shackson
Bank of Ann Arbor
Linda and Maurice Binkow Philanthropic Fund
Carl and Isabelle Brauer Fund
Bustan al-Funun Foundation for Arab Arts
Mary Sue and Kenneth Coleman
Community Foundation for Southeast Michigan
Alice B. Dobson
Eugene and Emily Grant
David W. and Kathryn Moore Heleniak
David and Phyllis Herzig
Honigman Miller Schwartz and Cohn
Frank Legacki and Alicia Torres
Lawrence and Rebecca Lohr
Charlotte McGeoch Mrs. Robert E. Meredith Donald L. Morelock Performing Arts Fund A. Douglas and Sharon J. Rothwell University of Michigan Credit Union Marina and Robert Whitman Ann and Clayton Wilhite
Rachel Bendit and Mark Bernstein
Carl and Charlene Herstein
Miller, Canfield, Paddock and
Stone, P.L.C. Pfizer Foundation Herbert and Ernestine Ruben Loretta M. Skewes Barbara Furin Sloat
$5,000-$7,499 American Syrian Arab
Cultural Association Herb and Carol Amster Ann Arbor Automotive Anonymous
Essel and Menakka Bailey Blue Nile Restaurant Marilou and Tom Capo Dennis Dahlmann and Patricia Garcia Marylene Delbourg-Delphis The Doan Family Foundation Jim and Patsy Donahey Ken and Penny Fischer llene H. Forsyth General Motors Powertrain--
Paul and Anne Glendon Debbie and Norman Herbert Howard & Howard Attorneys, PC Keki and Alice Irani ISSA Foundation Judy and Verne Istock David and Sally Kennedy Gay and Doug Lane Jill Latta and David Bach Leo and Kathy LegatskiElastizell
Corporation of America Richard and Carolyn Lineback Mainstreet Ventures Martin Family Foundation Masco Corporation Susan McClanahan and
Bill Zimmerman Marion T. Wirick and
James N. Morgan National City Pepper Hamilton LLP Prue and Ami Rosenthal
Don and Judy Dow Rumelhart Alan and Swanna Saltiel Sesi Investment Nancy and Brooks Sitterley Rick and Sue Snyder James and Nancy Stanley Ed and Natalie Surovell
Edward Surovell Realtors Thomas B. McMullen Company Tisch Investment Advisory United Bank & Trust Max Wicha and Sheila Crowley Jay and Mary Kate Zelenock
Jerry and Gloria Abrams Bernard and Raquel Agranoff Anonymous
Kathy Benton and Robert Brown Raymond and Janet Bernreuter Suzanne A. and Frederick J. Beutler Edward and Mary Cady Sara and Michael Frank Susan and Richard Gutow H. David and Dolores Humes Martin Neuliep and Patricia Pancioli M. Haskell and Jan Barney Newman Virginia and Gordon Nordby Eleanor and Peter Pollack Duane and Katie Renken Kenneth J. Robinson and
Marcia Gershenson John J. H. Schwarz MD Craig and Sue Sincock Rick and Sue Snyder Lois A. Theis Dody Viola
Robert O. and Darragh H. Weisman Keith and Karlene Yohn
Jim and Barbara Adams Barbara A. Anderson and
John H. Romani Janet and Arnold Aronoff Bob and Martha Ause Paulett Banks DJ and Dieter Boehm Gary Boren
Charles and Linda Borgsdorf Jeannine and Robert Buchanan Robert and Victoria Buckler Barbara and Al Cain Bruce and Jean Carlson Jean and Ken Casey Pat and Dave Clyde Anne and Howard Cooper Stuart and Heather Dombey John Dryden and Diana Raimi David and Jo-Anna Featherman Fidelity Investments Stephen and Rosamund Forrest William and Ruth Gilkey Sid Gilman and Carol Barbour Tom and Katherine Goldberg Linda and Richard Greene John and Helen Griffith Janet Woods Hoobler
Robert L. and Beatrice H. Kahn
Robert and Jeri Kelch
Jim and Patti Kennedy
Samuel and Marilyn Krimm
Donald and Carolyn Dana Lewis
Jeffrey Mason and Janet Netz
Ernest and Adele McCarus
William C. Parkinson
Jim and Bonnie Reece
John and Dot Reed
Dr. and Mrs. Nathaniel H. Rowe
Frances U. and Scott K. Simonds
Muaiad and Aida Shihadeh
Lewis and Judy Tann
Don and Carol Van Curler
Don and Toni Walker
Roger Albin and Nili Tannenbaum
Robert and Katherine Aldrich
Susan and Alan Aldworth
Michael and Suzan Alexander
Dr. and Mrs. David G. Anderson
Dr. and Mrs. Rudi Ansbacher
Harlene and Henry Appelman
Jonathan Ayers and Teresa Gallagher
Laurence R. and Barbara K Baker
Dr. Lesli and Mr. Christopher Ballard
Norman E. Barnett
Robert H. and Wanda Bartlett
Bradford and Lydia Bates
Dr. Astrid B. Beck
Linda and Ronald Benson
Ruth Ann and Stuart Bergstein
Anne Beaubien and Philip Berry
Naren and Nishta Bhatia
John Blankley and Maureen Foley
Howard and Margaret Bond
Laurence and Grace Boxer
Dr. and Mrs. Ralph R. Bozell
Dale E. and Nancy M. Briggs
Barbara Everitt Bryant
Lawrence and Valerie Bullen
Charles and Joan Burleigh
Letitia J. Byrd
Amy and Jim Byrne
Jean W. Campbell
David and Valerie Canter
Carolyn M. Carty and Thomas H. Haug
John and Patricia Carver
Janet and Bill Cassebaum
Tsun and Siu Ying Chang
Pat and George Chatas
Leon S. Cohan
Hubert and Ellen Cohen
Cynthia and Jeffrey Colton
Consulate General of The Netherlands
in New York
Jane Wilson Coon and A. Rees Midgley, Jr. Paul N. Courant and Marta A. Manildi Connie D'Amato Julia Donovan Darlow and
John Corbett O'Meara Susan Tuttle Darrow Dr. and Mrs. Charles Davenport Hal and Ann Davis Andrzej and Cynthia Dlugosz Molly Dobson
Robert J. and Kathleen Dolan Domino's Pizza
Ivo Drury and Sun Hwa Kim
Jack and Betty Edman
Emil and Joan Engel
Dede and Oscar Feldman
Yi-Tsi M. and Albert Feuerwerker
Clare M. Fingerle
Susan A. Fisher
Susan R. Fisher and
John W. Waidley Robben Fleming Food Art
Mr. and Mrs. George W. Ford James W. and Phyllis Ford Dan and Jill Francis Leon and Marcia Friedman Enid H. Galler Tom Gasloli Prof. David M. Gates Thomas and Barbara Gelehrter Beverley and Gerson Geltner Sue Gingles Karl and Karen Gotting Cozette T. Grabb Elizabeth Needham Graham Robert A. Green MD Leslie and Mary Ellen Guinn Helen C. Hall Alice and Clifford Hart Sivana Heller Diane S. Hoff Carolyn B. Houston Cheryl and Kevin Hurley Eileen and Saul Hymans Perry Irish Jean Jacobson Wallie and Janet Jeffries John E. Fetzer Institute Timothy and Jo Wiese Johnson Shirley Y. and Thomas E. Kauper David and Gretchen Kennard Gloria and Bob Kerry Tom and Connie Kinnear Diane Kirkpatrick Drs. Paul and Dana Kissner Philip and Kathryn Klintworth Carolyn and Jim Knake Michael J. Kondziolka and
Melvyn and Linda Korobkin Bud and Justine Kulka Scott and Martha Larsen Wendy and Ted Lawrence Melvin A. Lester MD Richard LeSueur Myron and Bobbie Levine Carolyn and Paul Lichter Jean E. Long
John and Cheryl MacKrell Cathy and Edwin Marcus Ann W. Martin and
Claude and Marie Martin Marilyn Mason and
William Steinhoff Mary and Chandler Matthews Judythe and Roger Maugh Raven McCrory Griff and Pat McDonald Bernice and Herman Merte Lester and Jeanne Monts Alan and Sheila Morgan Melinda Morris Cyril Moscow Susan and Richard Nisbett William Nolting and
Donna Parmelee NuStep, Inc. Marylen S. Oberman
J. Elizabeth Othman Marie L. Panchuk Judith Ann Pavitt Elaine and Bertram Pitt Stephen and Bettina Pollock Peter and Carol Polverini Richard and Lauren Prager Mrs. Gardner C. Quarton Mr. Donald Regan and
Ms. Elizabeth Axelson Ray and Ginny Reilly Malverne Reinhart Doug and Nancy Roosa Rosalie Edwards
Vibrant Ann Arbor Fund Jeffrey and
Huda Karaman Rosen Corliss and Dr. J. C. Rosenberg Doris E. Rowan David and Agnes Sams Norma and Dick Sarns Maya Savarino Erik and Carol Serr Janet and Michael Shatusky Carl Simon and Bobbi Low Elaine and Robert Sims Rodney W. Smith MD Susan M. Smith and
Robert H. Gray Kate and Philip Soper Joseph H. Spiegel Michael B. Staebler Lloyd and Ted St. Antoine Lois and John Stegeman Victor and Marlene Stoeffler Dr. and Mrs. Stanley Strasius David and Karen Stutz Charlotte Sundelson Jan Svejnar and Katherine Terrell Brad and Karen Thompson Jeff and Lisa Tulin-Silver Susan B. Ullrich
Jack and Marilyn van der Velde Florence S. Wagner Harvey and Robin Wax W. Scott Westerman, Jr. Roy and JoAn Wetzel Dianne Widzinski and
James Skupski MD Dr. and Mrs. Max V. Wisgerhof II Charles Witke and Aileen Gatten
3Potnt Machine, Inc. Fahd Al-Saghir and Family Richard and Mona Alonzo
Helen and David Aminoff Anonymous Penny and Arthur Ashe J. Albert and Mary P. Bailey Reg and Pat Baker Nancy Barbas and Jonathan Sugar David and Monika Barera Frank and Lindsay Tyas Bateman James K. and Lynda W. Berg Ramon Berguer MD L.S. Berlin
Jack Bilh and Sheryl Hirsch William and llene Birge Jerry and Dody Blackstone Paul and Anna Bradley Jane Bridges
David and Sharon Brooks Morton B. and Raya Brown Trudy and Jonathan Bulkley Frances E. Bull, MD Louis and Janet Callaway H.D. Cameron
Nathan and Laura Caplan
Jack and Wendy Carman
J. W. and Patricia Chapman
John and Camilla Chiapuris
Dr. Kyung and Young Cho
Cheryl and Brian Ctarkson
Alice S. Cohen
Wayne and Melinda Colquitt
Jean and Philip Converse
Jim and Connie Cook
Arnold and Susan Coran
Malcolm and Juanita Cox
Mr. Michael and Dr. Joan Crawford
Mary C. Crichton
Jean Cunningham and
Roderick and Mary Ann Daane Mr. and Mrs.
Robert L Damschroder Timothy and Robin Damschroder Norma and Peler Davis Jean and John Debbink ElKvood and Michele Derr Linda Dintenfass and Ken Wisinski Steve and Judy Dobson Cynthia M. Dodd Bill and Marg Dunifon Eva and Wolf Duvernoy Dr. Alan S. Eiser Stefan and Ruth Fajans Harvey and Elly Falit Margaret and John Faulkner Carol Finerman David Fink and Marina Mata John and Karen Fischer Ray and Patricia Fitzgerald Howard P. and Margaret W. Fox Jerrold A. and Nancy M. Frost Tavi Fulkerson James M. and
Barbara H. Garavagiia Beverly Gershowitz Dr and Mrs. Paul W. Gikas Zita and Wayne Gillis Jean and William Gosling Amy and Glenn Gottfried James and Maria Gousseff Dr. John and Renee M. Greden Arthur W. Gulick MD Don P. Haefner and
Cynthia J. Stewart Martin and Connie Harris Susan R. Harris
Jeanne Harrison and Paul Hysen Dan and Jane Hayes Alfred and Therese Hero Herb and Dee Hildebrandt Nina Howard Harry and Ruth Huff Jane Hughes Ann D. Hungerman John and Patricia Huntington Thomas and Kathryn Huntzicker Maha Hussain and Sal Jafar Eugene and Margaret Ingram Invia Medical Imaging Solutions Stuart and Maureen Isaac Rebecca S. Jahn Jim and Dale Jerome Drs. Kent and Mary Johnson Paul and Olga Johnson Mark and Madolyn Kaminski Christopher Kendall and
Susan Schilperoort Nouman and Iman Khagani Elie R. and Farideh Khoury Rhea Kish
Hermine Roby Klingler Anne Kloack
Charles and Linda Koopmann Rebecca and Adam Kozma Barbara and Michael Kratchman Donald J. and Jeanne L. Kunz Donald John Lachowicz Jane F. Laird LaVonne L. Lang
John K. Lawrence and
Jeanme A. De Lay Oavid Lebenbom Richard LeSueur Ken and Jane Lieberthal Marilyn and Martin Lindenauer Mark Lindley and Sandy Talbott Rod and Robin Little Julie M Loftin E. Daniel and Kay Long Frances Lyman Bngitte and Paul Maassen Pamela MacKintosh Martin and Jane Maehr Manpower, Inc. of Southeastern
Michigan Carole J. Mayer Margaret E. McCarthy James H. Mclntosh and
Elaine K. Gazda Merrill Lynch
Henry D. Messer and Carl A. House Fei Fei and John Metzler Don and Lee Meyer Joetta Mial James M. Miller and
Rebecca H. Lehto Myrna and Newell Miller Bert and Kathy Moberg Lewis and Kara Morgenstern Kay and Gayl Ness Randolph and Margaret Nesse Eugene W. Nissen Elizabeth Ong Susan and Mark Or ringer Constance and David Osier Marysia Ostafin and George Smillie Donna D. Park Shirley and Ara Paul Zoe and Joe Pearson Evelyn Pickard
Dr. Steven and Paula Poplawski Wallace and Barbara Prince Patricia L Randle and James R. Eng Anthony L. Reffells and
Elaine A. Bennett R.E. Reichert
Richard and Edie Rosenfeld Margaret and Haskell Rothstein Samuel H. Kress Foundation Linda Samuelson and Joel Howell Miriam Sandweiss Dr. Lynn Schachinger and
Dr. Sheryl Ulin
Ann and Thomas J. Schriber David E. and Monica Schteingart Harriet Selin Julie and Mike Shea Howard and Aliza Shevrin Johnson Shiue Edward and Kathy Silver Sandy and Dick Simon Irma J. Sklenar Andrea and William Smith Gregory and Margaret Smith Shelly Soenen and Michael Sprague Mrs. Gretchen Sopcak Gus and Andrea Stager Gary and Diane Stahle Naomi and James Starr Virginia and Eric Stein James Christen Steward Eric and Ines Storhok Timothy W. Sweeney Manuel Tancer John and Geraldine Topliss Fr. Lewis W. Towler Louise Townley Claire and Jerry Turcotte Doug and Andrea Van Houweling Steven and Christina Vantrease Drs. Bill Lee and Wendy Wahl David C. and Elizabeth A. Walker Liina and Bob Wallin Shaomeng Wang and Ju-Yun Li Jo Ann Ward
Arthur and Renata Wasserman Gary Wasserman
Zachary 6. Wasserman
Angela and Lyndon Welch
Iris and Fred Whitehouse
Leslie C. Whitfield
Rev. Francis E. Williams
Robert J. and Anne Marie Willis
I.W. and Beth Winsten
Dr. Lawrence and Mary Wise
Frances A. Wright
Jeanne and Paul Yhouse
Chris and Tena Achen
Thomas and Joann Adler Family
Martha Agnew and Webster Smith Dr. Diane M. Agresta James and Catherine Allen Doug Anderson and Peggy McCracken Catherine M Andrea Anonymous Arboretum Ventures Bert and Pat Armstrong Frank Ascione James and Dons August Susan and Michael Babinec Robert L Baird
Bruce Baker and Genie Wolfson Daniel and Barbara Balbach John and Ginny Bareham Cheryl Barget and Tom Darnton Frank and Gail Beaver Gary M. Beckman and Karla Taylor Harry and Kathryn Benford Erling and Merete Blonda! Bengtsson Linda Bennett and Bob Bagramian Dr. Rosemary R. Berardi Marc Bernstein and Jennifer Lewis Beverly J. Bole Mark D. Bomia Luciana Borbely Bob and Sharon Bordeau Amanda and Stephen Borgsdorf Victoria C. Botekand
William M. Edwards Susie Bozell Roben M. Bradley and
Charlotte M. Mistretta William R Brashear Joel Bregman and Elaine Pomerantz Alexander and Constance Bridges Donald R. and June G. Brown Pamela Brown Richard and Karen Brown Tony and Jane Burton Heather Byrne Doris Caddell Brent and Valerie Carey Jim and Lou Carras Dennis J. Carter Albert C.Cattell
Andrew Caughey and Shelly Neitzel Samuel and Roberta Chappell Charles Stewart Mott Foundation Joan and Mark Chesler Andy and Dawn Chien Kwang and Soon Cho Reginald and Beverly Ciokajto Donald and Astrid Cleveland Coffee Express Co. Anne and Edward Comeau Nancy Connell Phelps and Jean Connell M.J. Coon Dr. Hugh Cooper and
Elly Rose-Cooper Ceha and Peter Copeland Katharine Cosovich Cliff and Kathy Cox Lloyd and Lois Crabtree Clifford and Laura Craig Merle and Mary Ann Crawford Jean C. Crump Sunil and Merial Das Arthur and Lyn Powrie Davidge Ed and Ellie Davidson Alice and Ken Davis Dale and Gretchen Davis Mr. and Mrs. William J. Davis
Dawda. Mann. Mukahy & Sadler. PLC
Elena and Nicholas Delbanco
Sophie and Marytene Delphis
Judith and Kenneth DeWoskin
Sally and Larry DiCarlo
Mark and Beth Dixon
Elizabeth A. Doman
Michael and Elizabeth Drake
Peter and Grace Duren
Jane E. Dutton
Kim and Darlene Eagle
Morgan and Sally Edwards
The Equisport Agency
Mary Ann Faeth
Dr. and Mrs. S.M. Farhat
Inka and David Felbeck
Phil and Phyllis Fellin
James and Flora Ferrara
Sidney and Jean Fine
Herschel and Adrienne Fink
C. Peter and Beverly A. Fischer
Dr. Lydia Fischer
Jessica Fogel and Lawrence Werner
Scott and Janet Fogier
David Fox and Paula Bockenstedt
Howard and Margaret Fox
Philip and Renee Frost
Carol Gagliardi and Dave Flesher
Sandra Gast and Greg Kolecki
Martin Garber and Beth German
Richard L. Garner
Michael Gatti and Lisa Murray
Beth Genne and Allan Gibbard
Deborah and Henry Gerst
Walter Z. Graves
Ronald Gibala and Janice Grichor
Milton and Susan Gross
Elmer G. Gilbert and
Lois M. Verbrugge J. Martin Gillespie and
Tara Gillespie Beverly Jeanne Giltrow Maureen and David Ginsburg Edie Goldenberg Richard Gonzalez and
Carrie Berkley Mitch and Barb Goodkin Enid Gosling and Wendy Comstock William and Jean Gosling Mr. and Mrs. Charles and Janet Goss Michael L. Gowing Steve and Carol Grafton Christopher and Elaine Graham Walter Z. Graves Martha and Larry Gray Jeffrey B. Green
Nancy Green and William Robinson Raymond and Daphne Grew Mark and Susan Griffin Werner H. Grilk Dick and Marion Gross Milton and Susan Gross Bob and Jane Grover Robin and Stephen Gruber Anna Grzymala-Busse and
Joshua Berke Ken and Margaret Guire George and Mary Haddad M. Peter and Anne Hagrwara Yoshiko Hamano Marrys Hamill Tom Hammond Walt and Charlene Hancock Martin and Connie Harris Abdelkader and Huda Hawasli Anne M. Heacock Rose and John Henderson J. Lawrence Henkel and
Jacqueline Stearns Keith and Marcelle Henley Dr. and Mrs. Michael Hertz Paul and Erin Hickman Peter Hinman and Elizabeth Young John Hogikyan and Barbara Kaye Ronald and Ann Holz Mabelle Hsueh
Dr. Howard Hu and Ms. Rani Kotha Hubert and Helen Huebl Robert B. Ingling Mr. and Mrs. Eugene 0. Ingram ISCIENCES. LLC. John H. and Joan L. Jackson Mel and Myra Jacobs
Beverly P. Jahn Elizabeth Jahn Jerome Jelinek Harold R. Johnson Mark and Linda Johnson Mary and Kent Johnson The Jonna Companies Jack and Sharon Kalbfleisch Irving and Helen Kao Arthur A. Kaselemas MD Morris and Evelyn Katz Nancy Keppelman and
Michael Smerza Alfred Kellam
Drs. Nabil and Mound Khoury Robert and Bonnie Kidd Don and Mary Kiel Fred and Sara King Richard and Patricia King James and Jane Kister Shira and Steve Klein Laura Klem
Rosalie and Ron Koenig Joseph and Manlynn Kokoszka Alan and Sandra Kortesoja Barbara and Ronald Kramer Donald and Doris Kraushaar Mary and Charles Krieger Dorothea Kroell and
Michael Jometz Bert and Geraldine Kruse Kathy and Timothy Laing Lucy and Kenneth Langa Neal and Anne Laurance Jean Lawton and James Ellis Bob and Laurie Lazebnik Cyril and Ruth Leder John and Theresa Lee Sue Leong
Melvyn and Joan Levitsky David Baker Lewis Jacqueline H Lewis Michael and Debra Usull Dr. Daniel Little and
Dr. Bernadette Lintz Gail Solway Little Dr. and Mrs. Lennart Lofstrom Bill and Lois Lovejoy Charles and Judy Lucas Claire and Richard Marvin Melvin and Jean Mams Michael and Pamela Marcovttz Nancy and Philip Margolis Milan Marich W. Harry Marsden Irwm and Fran Martin HI Mason Regent Olivia Maynard and
Martha Mayo and Irwin Goldstein Laurie McCauley and Jessy Grizzle Margaret and Hams Me Clam roth James and Mary E. McConville Liam T. McDonald Eileen Mclntosh and
Charles Schal den brand Bill and Ginny McKeachie Sylvia M. Meloche Mercantile Bank of Michigan Warren and Hilda Merchant Russ and Brigitte Merz Liz and Art Messiter Walter and Ruth Metzger Gabrielle M. Meyer Shirley and Bill Meyers Leo and Sally Miedler George Miller and Deborah Webster Kitty and Bill Moeller Olga Moir
William G. and Edith 0. Mollei Mr. and Mrs. Michael Morgan Frieda H. Morgenstern Sean Morrison and Theodora Ross Mark and Lesley Mozola Thomas and Hedi Mulford Douglas Mullkoff and Kathy Evaldson Drs. Louis and Julie Jaffee Nagel Gerry and Joanne Navarre Laura Nitzberg Christer and Outi Nordman Arthur S. Nusbaum Kathleen I. Operhall David and Andrea Page Betty and Steve Palms Karen Park and John Beranek John and Mary Pedley
Jean and Jack Peirce
David and Renee Pinsky
Donald and Evonne Plantinga
Allison and Gregory Poggi
Pomeroy Financial Services, Inc.
Bill and Diana Pratt
Richard and Mary Price
The Produce Station
Peter Railton and Rebecca Scott
Stephen and Agnes Reading
Timothy and Teresa Rhoades
Jack and Aviva Robinson
Jonathan and Anala Rodger s
Stephen J. Rogers
Dr. Susan M. Rose
Stephen Rosenblum and
Rosalyn Sarver Steve Rosoff and Tanis Allen Rosemarie Rowney Lisa and William Rozek Carol Rugg and Richard Montmorency Arnold Sameroff and
Susan McDonough Ina and Terry Sandalow Jamie Saville
Stephen J. and Kim Rosner Saxe Albert and Jane Sayed Betina Schlossberg David and Marcia Schmidt Matthew Shapiro and Susan Garetz David and Ehera Shappirio Patrick and Carol Sherry James Shields George and Gladys Shirley Jean and Thomas Shope George and Nancy Shorney Hollis and Martha A. Showalter Bruce M. Siegan Dr. Terry M. Silver Gene and Alida Sirverman Scott and Joan Singer Tim and Marie Slottow Carl and Jari Smith David and Renate Smith Robert W. Smith Doris and Larry Sperling Jim Spevak Jeff Spindler Judy and Paul Spradlin David and Ann Staiger Rick and Lia Stevens James L. Stoddard Cynthia Suaub Bashar and Hoda Succar Barbara and Donald Sugerman Brian and Lee Talbot Peg Talburtt and Jim Peggs Louise Taylor Sam and Eva Taylor Steve and Diane Telian Mark and Patricia Tessler Mary H. Thieme Edwin J. Thomas Nigel and Jane Thompson Dr. Hazel M. and Victor C. Turner, Jr. Alvan and Katharine Uhle Drs. Matthew and Alison Uzieblo Hugo and Karia Vandersypen Marie Vogt
Drs. Harue and Tsuguyasu Wada Virginia Wait
Charles R. and Barbara H. Wallgren Enid Wasserman Carol Weber
Jack and Jerry Weidenbach Connie Witt and John Glynn Charlotte A. Wolfe Bryant Wu and Theresa Chang Betty and Bob Wurtz Don and Charlotte Wyche Mary Jean and John Yablonky Richard and Kathryn Yarmain MaryGrace and Tom York Zakhour and Androulla Youssef Erik and lineke Zuiderweg Gail and David Zuk
ENDOWMENT FUND SUPPORT July 1, 2007-November 1, 2008
The University Musical Society is grateful to those have supported UMS endowment funds, which will generate income for UMS in perpetuity and benefit UMS audiences in the future.
$100,000 or more
Doris Duke Charitable
Foundation Estate of Eva Mueller The Power Foundation
llene H. Forsyth
Estate of Lillian G. Ostrand
Bernard and Raquel Agranoff Ralph G. Conger Trust Susan and Richard Gutow David and Phyllis Herzig
Maxine and Stuart Frankel
Foundation Toni Hoover
Richard and Carolyn Lineback Robert and Pearson Macek Dr. Robert J. and Janet M. Miller Estate of Betty Ann Peck James and Nancy Stanley
Herb and Carol Amster
Joan Akers Binkow
John R. Edman and Betty B. Edman
Robert and Frances Gamble Trust
Mrs. Robert E. Meredith
Stephen and Agnes Reading
Susan B. Ullrich
Marina and Robert Whitman
Ann and Clayton Wilhite
Michael Allemang and
Essel and Menakka Bailey Robert H. and Wanda Bartlett DJ and Dieter Boehm Jean W. Campbell Jean and Ken Casey Kathleen Crispell and Tom Porter Molly Dobson Jack and Betty Edman Charles and Julia Eisendrath Dede and Oscar Feldman Sid Gilman and Carol Barbour Paul and Anne Glendon David W. and
Kathryn Moore Heleniak Debbie and Norman Herbert Carl and Charlene Herstein Robert M. and Joan F. Howe Jim Irwin
Robert L. and Beatrice H. Kahn Gloria and Bob Kerry Richard and Stephanie Lord Natalie Matovinovic Jerry A. and Deborah Orr May Melinda Morris Susan and Mark Orringer Mrs. Charles Overberger (Betty) Richard N. Peterson and
Wayne T. Bradley Stephen and Bettina Pollock Jeffrey and Huda Karaman Rosen Corliss and Dr. J. C. Rosenberg Prue and Ami Rosenthal Nancy W. Rugani Norma and Dick Sarns Frances U. and Scott K. Simonds Herbert Sloan Lewis and Judy Tann Karl and Karen Weick Ronald and Eileen Weiser Jeanne and Paul Yhouse Jay and Mary Kate Zelenock
Jerry and Gloria Abrams Mrs. Bonnie Ackley Dr. Joann Aebersold Barbara A. Anderson and
John H. Romani Anonymous
Arts League of Michigan Lynne Aspnes Bob and Martha Ause John U. Bacon Daniel and Barbara Balbach Emily Bandera and Richard Shackson Harvey Berman and
Rochelle Kovacs Berman Inderpal and Martha Bhatia Stan and Sandra Bies Sara Billmann and Jeffrey Kuras Maurice and Linda Binkow Martha and David Bloom Blue Nile Restaurant Paul Boylan Carl A. Brauer, Jr. Dale E. and Nancy M. Briggs Jeannine and Robert Buchanan Andrew and Emily Buchholz John and Janis Burkhardt David Bury and Marianne Lockwood Letitia J. Byrd
Carolyn Carty and Thomas Haug Sue and Bill Chandler Shana Meehan Chase Dr. Kyung and Young Cho Edward M. and Rebecca Chudacoff Toby Citrin and Phyllis Blumenfeld Astrid and Donald Cleveland Hilary and Michael Cohen Sandra and Ted Cole Phelps and Jean Connell Katharine Cosovich Malcolm and Juanita Cox George and Connie Cress Mary C. Crichton Dana Foundation Linda Davis and Robert Richter Neeta Delaney and Ken Stevens Macdonald and Carolin Dick Steve and Lori Director Steve and Judy Dobson Cynthia M. Dodd Robert J. and Kathleen Dolan
Hal and Ann Doster Janet Eilber
Cheryl and Bruce Elliott Beth B. Fischer Gerald B. and
Catherine L. Fischer Harold and Billie Fischer Jeanne and Norman Fischer Esther M. Floyd Bob and Terry Foster Neal and Meredith Foster Lucia and Doug Freeth Marilyn L. Friedman Bart and Cheryl Frueh Tavi Fulkerson Luis and L. April Gago Otto and Lourdes Gago Michael Gatti and
Beverley and Gerson Geltner Gail Gentes and
Joyce and Steve Gerber Heather and Seth Gladstein Kathleen and Jack Glezen Tom and
Katherine Goldberg William and Jean Gosling Mr. and Mrs. Charles and
Lewis and Mary Green Robert A. Green MD Larry and Sandy Grisham Charles Hamlen Walt and Charlene Hancock Alice and Clifford Hart Daniel and Jane Hayes Joyce and John Henderson Dr. John and
Mrs. Donna Henke J. Lawrence Henkel and
Jacqueline Stearns John and Martha Hicks Lorna and
Mark Hildebrandt Diane S. Hoff Jerry and Helga Hover Ralph M. Hulett Joyce M. Hunter Judith Hurtig
IATSE Local 395 Stagehands Richard Ingram and
Susan Froelich Keki and Alice Irani Mel and Myra Jacobs Dolores R. Jacobson Beverly P. Jahn Ellen Janke and Ian Lewis Marilyn G. Jeffs Ben Johnson Christopher Kendall and
Susan Schilperoort John B. Kennard, Jr. David and Sally Kennedy Paul and Leah Kileny Diane Kirkpatrick
Dr. David E. and
Heidi Castleman Klein Anne Kloack Mary L. Kramer Gary and Barbara Krenz Daniel H. Krichbaum Amy Sheon and Marvin Krislov Edna LandauIMG Artists Wendy and Ted Lawrence Leslie Lazzerin Cyril and Ruth Leder Mary LeDuc
Leo and Kathy Legatski Elastizell Corporation of America Melvin A. Lester MD Lewis & Company Marketing
Communications, Inc. David Baker Lewis Donald and
Carolyn Dana Lewis David Lieberman Ken and Jane Lieberthal Marilyn and
Martin Lindenauer Barbara and Michael Lott Jimena Loveluck and
Timothy Veeser Jonathan Trobe and Joan Lowenstein Dale Schatzlein and Emily Maltz Fund Shirley Dorsey Martin Mary and
Chandler Matthews Regent Olivia Maynard and Olof Karlstrom Jon McBride Laurie McCauley and
Jessy Grizzle Susan McClanahan and
Bill Zimmerman Dores McCree Joe McCune and Gigi Sanders
Bill and Ginny McKeachie Joanna McNamara and
Mel Guyer Barbara Meadows Joetta Mial Patricia E. Mooradian Jean M. Moran Mary Morse
Gerry and Joanne Navarre Fred Neidhardt Kay and Gayl Ness M. Haskell and
Jan Barney Newman Susan and Richard Nisbett Patricia and
Max Noordhoorn Jan Onder
Constance and David Osier Anne Parsons and Donald Dietz
Frances and Arlene Pasley Michelle Peet and
Rex Robinson Steven and Janet Pepe Marv Peterson John and Dot Reed Marnie Reid Theresa Reid and
Marc Hershenson Kenneth J. Robinson and
Marcia Gershenson Doris E. Rowan Bill and Lisa Rozek Herbert and
Ernestine Ruben Harry and Elaine Sargous Maya Savarino Ann and Thomas J. Schriber Ingrid and Cliff Sheldon Mikki Shepard Don and Sue Sinta Carl and Jari Smith Rhonda SmithStanding
Ovation Productions Lois and John Stegeman Victor and
Marlene Stoeffler Ronald Stowe and
Donna Power Stowe David and Karen Stutz Teresa A. Sullivan and
Douglas Laycock Charlotte Sundelson Mark and Patricia Tessler Norman and
Marcia Thompson Carrie and Peter Throm Claire and Jerry Turcotte Frank and Amanda Uhle Elizabeth and
Stephen Upton Richard and
Madelon Weber W. Scott Westerman, Jr. Mary Ann Whipple Max Wicha and
Sheila Crowley Dianne Widzinski and
James Skupski MD Phyllis B. Wright
Joseph Ajlouny Friends at Alverno Arts Alliance of the
Ann Arbor Area Barbara Bach Jenny Bilfield-Friedman and
Joel Friedman Ed and Luciana Borbely Barbara Everitt Bryant Ruth Carey Simon Carrington Mark Clague
Edward S. and Ruth P. Cogen Guy L. Cooper Richard and Edith Croake
Sally Cushing Diana R. Engel Madeleine Faith Stefan and Ruth Fajans Martha Fischer and Bill Lutes Kristin Fontichiaro John N. Gardner Enid and Richard Grauer Walter Helmreich Kenneth and Joyce Holmes John and Patricia Huntington Judie and Jerry Lax Shelley MacMillan and
Jaclin L. and David H. Marlin Janice Mayer Ronald G. Miller Shelley and Dan Morhaim Warren and Shelley Perlove Julianne Pinsak
Sue Ann Reisdorph
Charles E. Sproger
Lloyd and Ted St. Antoine
Peg Talburtt and Jim Peggs
Denise Thai and David Scobey
Christina and Tom Thoburn
Harvey and Robin Wax
The future success of the University Musical Society is secured in part by income from UMS's endowment. UMS extends its deepest apprecia?tion to the many donors who have established andor con?tributed to the following funds:
H. Gardner and Bonnie
Ackley Endowment Fund Herbert S. and
Carol Amster Fund Catherine S. Arcure
Endowment Fund Carl and Isabelle Brauer
Endowment Fund Frances Mauney Lohr Choral
Union Endowment Fund Hal and Ann Davis
Endowment Fund Doris Duke Charitable
Ottmar Eberbach Funds Epstein Endowment Fund David and Phyllis Herzig
JazzNet Endowment Fund William R. Kinney
Endowment Fund Natalie Matovinovic
Endowment Fund NEA Matching Fund Palmer Endowment Fund Mary R. Romig-deYoung
Music Appreciation Fund Prudence and Amnon
Rosenthal K-12 Education
Endowment Fund Charles A. Sink Endowment
Fund Catherine S. Arcure
Herbert E. Sloan
Endowment Fund University Musical Society
Endowment Fund The Wallace Endowment Fund
Burton Tower Society
The Burton Tower Society recognizes and honors those very special friends who have included UMS in their estate plans. UMS is grateful for this important support, which will continue the great traditions of artistic excellence, educational opportunities, and community partnerships in future years.
Bernard and Raquel Agranoff Carol and Herb Amster Mr. Neil P. Anderson Or. and Mrs.
David G. Anderson Catherine S. Arcure Barbara K. and
Laurence R. Baker Kathy Benton and
Robert Brown Linda and Maurice Binkow Elizabeth S. Bishop Mr. and Mrs.
W. Howard Bond Mr. and Mrs. Pal E. Borondy Carl and Isabelle Brauer Barbara Everitt Bryant Pat and George Chatas Mr. and Mrs.
John Alden Clark Mary C. Crichton H. Michael and
Judith L. Endres Dr. James F. Filgas Ken and Penny Fischer Ms. Susan Ruth Fischer Meredith L. and Neal Foster Beverley and Gerson Geltner Paul and Anne Glendon Debbie and Norman Herbert John and Martha Hicks Mr. and Mrs. Richard Ives Marilyn G. Jeffs
Thomas C. and
Constance M. Kinnear Diane Kirkpatrick Richard LeSueur Pearson and Robert Macek Susan McClanahan Charlotte McGeoch Michael G. McGuire M. Haskell and
Jan Barney Newman Len Niehoff Dr. and Mrs.
Frederick C. O'Dell Mr. and Mrs.
Dennis M. Powers Mr. and Mrs. Michael Radock Mr. and Mrs. Jack Ricketts Mr. and Mrs.
Willard L. Rodgers Prudence and
Amnon Rosenthal Margaret and
Haskell Rothstem Irma J. Sklenar Herbert Sloan Art and Elizabeth Solomon Roy and JoAn Wetzel Ann and Clayton Wilhite Mr. and Mrs.
Ronald G. Zollars
Contributions have been made in honor andor memory of the following people:
H. Gardner Ackley
Nancy L. Ascione
Naren and Nishta Bhatia
Linda and Maurice Binkow
Jean W. Campbell
Charles and Evelyn Carver
Jean Burnett Cassidy
Douglas D. Crary
Angela S. Dobson
John S. Dobson
Mrs. Jane D. Douglass
Maxine and Stuart Frankel
Mary Carol Frames
E. James Gamble
Fred M. Ginsberg
Dr. Sidney S. Hertz
David and Phyllis Herzig
Dr. Julian T. Hoff
Doug Kelbaugh and Kat Nolan
Francis W. Kelsey
Elizabeth Earhart Kennedy
Zelma K. Marich
Sharon Anne McAllister
Valerie D. Meyer
Ella Baker Munger
Holmes E. and Susan E. Newton
Gwen and Emerson Powrie
Gail W. Rector
Margaret E. Rothstein
Eric H. Rothstein
George E. Smith
Edith Marie Snow
Virginia W. Stuart
Sonja Astrid Stutz
Dr. and Mrs. E. Thurston Ttiieme
Charles R. Tieman
Francis V. Viola III
Elea C. and Alexandra Vlisides
Martha J. Whitney
Carl H. Wilmot '19
Peter Holderness Woods
4 Seasons Perfume and
LingerieAllure Boutique Wadad Abed Abracadabra Jewelry
Gem Gallery Acme Mercantile Benjamin Acosta-Hughes Bernie and Ricky Agranoff Alice Lloyd Residence Hall Carol and Herb Amster Blair Anderson Ann Arbor Art Center Ann Arbor Art Center
Ann Arbor Aviation Center Ann Arbor District Library Ann Arbor Framing Ann Arbor Hands-On Museum Ann Arbor Public Schools Ann Arbor Tango Club Ann Arbor's 107one Arbor Brewing Company Avanti Hair Designers Ayla & Company John U. Bacon Bailey, Banks & Biddle Bana Salon and Spa Bob and Wanda Bartlett Joseph W. Becker Gary Beckman Bellanina Day Spa Kathy Benton and Robert Brown Yehonatan Berick Lynda Berg
The Betty Brigade
Maurice and Linda Binkow
Bloomfield Gourmet Shoppe
Boychoir of Ann Arbor
Beth BruceThe Carlisle Collection
Patty ButzkeOrbit Hair Design
Lou and Janet Callaway
Mary CampbellEveryday Wines
Nathan and Laura Caplan
Cass Technical High School
Cesar Chavez High School
The Chippewa Club
Coach Me Fit
Cole Street Salon & Spa
The Common Grill
Community High School
Community High School
Dance Program Complete Chiropractic and
Bodywork Therapy Howard CooperHoward
Cooper Import Center Liz Copeland James Corbett and
Mary Dempsey Curves Habte Dadi Gary Decker Judith DeWoskin Sally and Larry DiCarlo Andrew S. DixonPersonal
Computer Advisor Heather Dombey Downtown Home & Garden DTE Energy
Duggan Place Bed and Breakfast Aaron Dworkin The Earle Restaurant Eastern Michigan University
Dance Department Eastern Michigan University
Department of Theater
Education Gillian Eaton Jack and Betty Edman Lisa and Jim Edwards El Bustan Funoun Anthony Elliott Julie Ellison Equilibrium Espresso Royale Mary Ann Faeth Fantasy Forest
Jo-Anna and David Featherman Susan Filipiak Ucal Finley
Susan Fisher and John Waidley Kristin Fontichiaro Frame Factory Fran Coy Salon Sara Frank
Maxine and Stuart Frankei Traianos Gagos Deborah Gabrion
Glass Academy LLC
Kathy and Tom Goldberg
The Golden Apple
Greenstone's Fine Jewelry
Groom & Go
Susan and Richard Gutow
Walt and Charlene Hancock
David W. and
Kathryn Moore Heleniak Carl and Charlene Herstein Hill Top Greenhouse and Farms Barbara Hodgdon The Homestead Bed
and Breakfast Hong Hua
Howell Nature Center Carol and Dan Huntsbarger
The Moveable Feast Iguanaworks Integrated Architecture Inward Bound Yoga Julie's Music Imagining America Mohammad Issa Andrew Jennings Mercy and Stephen Kasle Meg Kennedy Shaw Ken's Flower Shops Kerrytown Concert House Patty and David Kersch Iman Khagant Kenneth Kiesler Tom and Liz Knight Knit A Round Yarn Shop Knit Pickers Joan Knoertzer Gayle LaVictoire Lynnae Lehfeldt Lori Lentini-Wilbur Richard LeSueur Bobbie and Myron Levine Lewis Jewelers Karen Lindenberg Logan An American Restaurant Eleanor Lord Stephanie Lord Martin and Jane Maehr
Mariachi Especial de Alma Martha Cook Residence Hall Marygrove College Dance
Department Masri Sweets
Chandler and Mary Matthews Marilyn McCormick Zarin Mehta Kate Mendeloff The Metro Cafe MFit Culinary Team MFit Fitness Center Michigan Theater Carla Milarch Miles of Golf
Jeff MoreAshley's Restaurant Morgan and York Mosaic Youth Theater Motawi Tileworks Vince Mountain Louis Nagel The Neutral Zone John Neville-Andrews M. Haskell and
Jan Barney Newman Sarah and Dan Nicoli Tom OgarMerrill Lynch Jane Onder and Pat Shure
Pacific Rim by Kana
Penny Stamps Visiting
Distinguished Visitors Series
Peter's Palate Pleaser
Pierre Paul Art Gallery
Gregory and Allison Poggi
The Polo Fields Golf and Country Club
Phil and Kathy Power
Purple Rose Theater
Putterz Golf & Games
The Quarter Bistro and Tavern
Paula RandJuliana Collezione
Russell S. Bashaw Faux Finish Studio, LLC
Sam's Clothing Store
Agnes and David Sams
Jamie Saville and Rusty Fuller
Schakolad Chocolate Factory
Sesi Lincoln Mercury Volvo Mazda
Shaman Drum Bookshop
Nelson Shantz Piano Service
John Shultz Photography
Tim and Marie Slottow
The Spa at Liberty
Jim and Nancy Stanley
St. Anne's Church in Detroit
Stonebridge Golf Club
Ed and Natalie Surovell
Edward Surovell Realtors Sweet Gem Confections Swing City Dance Studio Ten Thousand Villages Tom Thompson Flowers Liz Toman Trader Joe's
Travis Pointe Country Club Sue Ullrich
U-M Alumni Association U-M Arts of Citizenship U-M Arts on Earth U-M Arts at Michigan U-M Black Arts Council U-M Center for Afroamerican
and African Studies U-M Center for Chinese Studies U-M Center for Latin American
and Caribbean Studies
U-M Center for Middle Eastern
and North African Studies U-M Center for Russian and
East European Studies U-M Department of Dance U-M Department of Internal
Medicine U-M Department of Musical
U-M Gifts of Art U-M Golf Course U-M Hatcher Graduate Library U-M Honors Program U-M Institute for the
U-M International Institute U-M Museum of Art U-M Office of New Student
U-M Residential College U-M School of Art and Design U-M School of Education U-M School of Law U-M School of Music,
Theatre and Dance Urban Jewelers Van Boven Shoes Arthur Verhoogt Vie Fitness and Spa Viking Sewing Center VOLUME Youth Poetry Project Martin Walsh
Washtenaw Community College Washtenaw Intermediate
School District Enid Wasserman Waterscape Wayne State University Dance
Department Weber's Inn and Hotel The West End Grill Steven Whiting Ann and Clayton Wilhite Cassie Williams Ralph Williams Debbie Williams-Hoak Yolles-Samrah Wealth Management, LLC Yotsuba Japanese
Restaurant & Bar Tom Zimmerman Zingerman's Bakehouse Zingerman's Delicatessen
Alumni Association of U-M 28
Ann Arbor City Club 33
Ann Arbor Public Schools Ed. Found. 31
Ann Arbor Symphony Orchestra 38
Bank of Ann Arbor 24
Cardea Construction 18
Center for Plastic and Reconstructive
Surgery 26 Charles Reinhart 29 Credit Suisse 30 Detroit Jazz Festival 39 Donaldson and Gunther, DOS 25 Edward Surovell Realtors 18 Edwards Brothers 36 Honigman Miller Schwartz and
Cohn UP 4
Howard Cooper Imports 16 IATSE 38 Iris Cleaners 35
Jaffe Raitt Heuer and Weiss 26 Kellogg Eye Center 6 Kensington Court inside front cover Measure For Measure 36 Michigan RadioWUOM 26 Paul and Charlie HickmanThe
Collaboration 18 Performance Network 25 Red Hawk 32 Schakolad16
Stacey M. Washington, Attorney 16 Tisch Investments 38 Totoro Japanese Restaurant 18 United Bank and Trust 4 U-M Museum of Art 20 WEMU inside back cover WGTE 35 WKAR 32
Wright Griffen Davis 24 Zanzibar 32
UMS is proud to be a member of the following organizations:
Ann Arbor Area Convention & Visitors Bureau
Ann Arbor Chamber of Commerce
Arts Alliance of the Ann Arbor Area
Association of Performing Arts Presenters
Chamber Music America
International Society for the Performing Arts
Main Street Area Association
Michigan Association of Community
National Center for Nonprofit Boards State Street Association Think Local First
IN UNCOMMON AND ENGAGING EXPERIENCES FOR 130 YEARS
University Musical Society