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UMS Concert Program, Wednesday Apr. 01 To 11: University Musical Society: Winter 2009 - Wednesday Apr. 01 To 11 --

UMS Concert Program, Wednesday Apr. 01 To 11: University Musical Society: Winter 2009 - Wednesday Apr. 01 To 11 --  image UMS Concert Program, Wednesday Apr. 01 To 11: University Musical Society: Winter 2009 - Wednesday Apr. 01 To 11 --  image UMS Concert Program, Wednesday Apr. 01 To 11: University Musical Society: Winter 2009 - Wednesday Apr. 01 To 11 --  image UMS Concert Program, Wednesday Apr. 01 To 11: University Musical Society: Winter 2009 - Wednesday Apr. 01 To 11 --  image UMS Concert Program, Wednesday Apr. 01 To 11: University Musical Society: Winter 2009 - Wednesday Apr. 01 To 11 --  image UMS Concert Program, Wednesday Apr. 01 To 11: University Musical Society: Winter 2009 - Wednesday Apr. 01 To 11 --  image UMS Concert Program, Wednesday Apr. 01 To 11: University Musical Society: Winter 2009 - Wednesday Apr. 01 To 11 --  image UMS Concert Program, Wednesday Apr. 01 To 11: University Musical Society: Winter 2009 - Wednesday Apr. 01 To 11 --  image UMS Concert Program, Wednesday Apr. 01 To 11: University Musical Society: Winter 2009 - 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Day
1
Month
April
Year
2009
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Rights Held By
University Musical Society
OCR Text

Season: Winter 09
University Of Michigan, Ann Arbor

ums
university musical society
WINTER 2009 SEASON UNIVERSITY OF MICHIGAN ANN ARBOR
P2 Letters from the Presidents
5 Letter from the Chair
UMSLeadership 7 UMS Corporate and Foundation Leaders
14 UMS Board of DirectorsNational Council
SenateAdvisory Committee
15 UMS StaffCorporate Council
Teacher Advisory Committee
MSlnfo 17 General Information
19 UMS Tickets
UMSAnnals 21 UMS History
22 UMS Venues and Burton Memorial Tower
Event Program 24 Your Event Program Book follows page 24
UMSExperience 27 UMS Education and Community
Engagement Programs
34 UMS Student Programs
UMSSupport 37 Corporate Sponsorship and Advertising
37 Individual Donations
39 UMS Volunteers
41 Annual Fund Support
45 Endowment Fund Support
48 UMS AdvertisersMember Organizations
Cover: (R-L) Compagnie Marie Chouinard (photo: Michael Slobodian), Lorin Maazel and
the New York Philharmonic (Chris Lee), Wynton Marsalis (Clay McBride), Batsheva Dance
Company, Julia Fischer, Hill Auditorium audience (Spencer & Wycoff)

FROM THE U-M PRESIDENT
Welcome to this University Musical Society (UMS) performance. We at the University of Michigan are proud of UMS and of the world-class artists and ensembles that it brings each season to the University and southeast Michigan. As UMS marks its 130th continuous season, making it the oldest university-related presenter in the United States, we are also cele?brating the outstanding educational programs it offers to people of all ages and the new works in dance, theater, and music it commissions.
When I consider which UMS events best exemplify the melding of artistic performance and education, I point to the three-week residencies of the Royal Shakespeare Company (RSC) that we have enjoyed in 2001, 2003, and 2006, two of which were US exclusive presentations attracting audiences from 39 states and five countries.
I am pleased UMS has chosen to celebrate the partnership between the RSC, UMS, and U-M at this year's 14th Ford Honors Program. At the heart of this unique partnership has been the extraordinary artist-scholar relation?ship between the RSC's Olivier Award-winning Artistic Director Michael Boyd and U-M's beloved Professor Ralph Williams, both of whom will be honored at the program. This year's Ford Honors Program, usually held in May, will take place Saturday, January 24, 2009, so that students who have participated in the RSC residencies or who have had Professor Williams in class will be able to attend. Professor Williams will retire from U-M at the end of this academic year, and I hope you will join me at this very special event.
This UMS winter season also brings us multi-day performances combined with numerous educational opportunities when the New York Philharmonic visits on March 7 and 8, and when Yo-Yo Ma brings his Silk Road Project to campus March 13 and 14.
Audience members also have a chance to delve into the rich diversity of cultural expressions from the Arab world, as UMS completes its Performing Arts of the Arab World series this term. I encourage you to attend Gilgamesh in January, Aswat: Celebrating the Golden Age of Arab Music in March, and Mohammed Bennis and the Hmadcha Ensemble in April along with the educational programs surrounding them.
There are many other UMS events as well as performances, exhibitions, and cultural activities offered by our faculty and students in U-M's many other units. To learn more about arts and culture at Michigan, including the March 21 performance commemorating the 25th anniversary of U-M's acclaimed musical theater program and the March 28 grand re-opening of the restored and expanded U-M Museum of Art, please visit the University's website at www.umich.edu.
Sincerely,
Mary Sue Coleman
President, University of Michigan
FROM THE UMS PRESIDENT
Welcome to this UMS performance. Thank you for supporting UMS through your attendance, especially during these challenging times. The entire UMS family of Board, Senate, and Advisory Committee members; staff colleagues; Choral Union members; ushers; and hundreds of other volunteers are grateful that you're here and hope that you'll enjoy the experience and attend more UMS events during this second half of our 130th season. You'll find all of our remaining performances listed on page 2 of your program insert.
At UMS, we try to make sure that our events offer a chance to learn something new, to look at the world through a different lens, or even to change lives. You'll find much to choose from as solo artists and ensembles from all over the world visit our community and engage with our audiences in many ways. Artists can lift the spirit, challenge perceptions, provide comfort, and deepen understanding. So whether it's the Guarneri Quartet's Farewell Tour concert; the New York Philharmonic's residency; Simon Shaheen's Aswat production; Yo-Yo Ma's two Silk Road events; Chick Corea and John McLaughlin's reunion; or our 2009 Ford Honors Program celebrating the Royal Shakespeare Company, its Artistic Director Michael Boyd, and U-M Professor Ralph Williams, we hope you'll find meaning and value as we connect you with our artists for uncommon and engaging experiences.
I have had the pleasure over the past two years of working in partnership with UMS Board Chair Carl Herstein, who has provided outstanding lay leader?ship to UMS. His term comes to an end in June. Be sure to read his letter on P5 of this program book, and you'll get a sense of how we've benefited from his knowledge of our history, his understanding of the power of the arts, and his deep appreciation of each member of the UMS family who attends our per?formances, donates to our organization, or volunteers their services. Thanks for your dedicated service, Carl.
Feel free to get in touch with me if you have any questions, comments, or problems. If you don't see me in the lobby, send me an e-mail message at kenfisch@umich.edu or call me at 734.647.1174.
And thanks again for coming to this event.
Very best wishes,
Kenneth C. Fischer UMS President
FROM UMS CHAIRMAN, CARL HERSTEIN
In these times of economic uncertainty and unease about the future, the power of the arts reminds us of enduring values. In its 130 years, UMS and its numerous generations of patrons and audiences have seen many times of anxiety and turmoil, each of which was unprecedented in its day. Throughout that time, great artists performing important works helped the UMS community come to grips with the world. In some cases this occurred because the perform?ance of a classic work brought a sense of reassurance, harmony, and peace. In others, a modern work challenged the audience to come to terms with unsettling new realities. The best of these performances were transformative events, helping to shape the emotional and intellectual response of each audience member to contemporary events.
We are immensely fortunate that an appreciation of this powerful legacy led these audiences to steward UMS safely through the vicissitudes of world wars, global depression, demographic and cultural changes, and intellectual and sci?entific revolutions. The arts which UMS has presented and fostered have remained an indispensable part of our common ability to make sense of a world that never ceases to amaze, surprise, and sometimes frighten us. Succeeding generations have bequeathed to us a legacy of involvement and support so that we too are able to enjoy the sustenance and inspiration that is the gift of great art.
It is, therefore, critically important that we do our part to cherish and preserve the legacy that our community is so fortunate to enjoy. By bringing friends to performances, becoming involved with the UMS Advisory Committee, partici?pating in educational events, supporting youth performances, and providing the ever-critical financial support that makes the work of UMS possible, you are continuing the work of bringing the power of the arts to us all at a time when it is very much needed. We want to thank all of you who have participated in this work with your support of the UMS Difference Campaign, which has been a success due to the commitment not merely of a few, but of 4,279 of you who believe that what UMS does makes a real difference in the life of our community. If you are one of those 4,279, you have our deepest thanks and our encourage?ment to continue to be a vital part of the UMS family; if you have not yet con?tributed, please consider deepening your engagement with us. We think you will find, as so many others have before you, that it will make your UMS experience more meaningful, more personal, and will have the added benefit of making it more accessible to others who have not yet enjoyed the experiences that have been so important to you and to us.
Thank you for coming to this performance. Whether you have come a hun?dred times before or for the first time today, please know that you are always welcome in the UMS family; a group which gathers strength from its diversity, honors its extraordinary past, and works for a future of excellence no matter what transient challenges we may face.
Sincerely,
Carl W. Herstein
Chair, UMS Board of Directors
Leadership
CORPORATE AND FOUNDATION LEADERS
James G. Vella
President, Ford Motor Company Fund 4 and Community Services 'Through music and the arts, we are inspired to broaden our horizons, bridge differences among cultures, and set our spirits free. We are proud to support the University Musical Society and acknowledge the important role it plays in our community."
Douglas L. LaFleur
Managing Director, Global Power Group "We at TAQA New World, Inc. are proud to lend our support to UMS, and are extremely honored to be involved with the performing arts community. Truly, human potential is the most valuable commodity on earth. In joining with other Corporate and Foundation leaders supporting UMS, we find ourselves renewed and inspired."
Robert P. Kelch
Executive Vice President for Medical Affairs, University of Michigan Health System "The arts are an important part of the University of Michigan Health System. Whether it's through perform?ances for patients, families, and visitors sponsored by our Gifts of Art program, or therapies such as harmonica classes for pulmonary patients or music relaxation classes for cancer patients, we've seen firsthand the power of music and performance. That's why we are proud to support the University Musical Society's ongoing effort to bring inspiration and entertainment to our communities."
Douglass R. Fox
President, Ann Arbor Automotive 'We at Ann Arbor Automotive are pleased to support the artistic variety and program excellence given to us by the University Musical Society."
Laurel R. Champion
Publisher, The Ann Arbor News j.
"The people at The Ann Arbor News are honored and pleased to partner with and be supportive of the University Musical Society, which adds so much depth, color, excite?ment, and enjoyment to this incredible community."
Hoda Succar
President, American Syrian Arab Cultural Association
"ASACA is a proud sponsor of the UMS 0809 season.
We applaud UMS's effort to diversify and globalize its
programs to reach different communities in the US."
Timothy G. Marshall
President and CEO, Bank of Ann Arbor "A commitment to the community can be expressed in many ways, each different and all appropriate. Bank of Ann Arbor is pleased to continue its long term support of the University Musical Society by our sponsorship of the 0809 season."
Habte Dadi
Manager, Blue Nile Restaurant "At the Blue Nile, we believe in giving back to the community that sustains our business. We are proud to support an organization that provides such an important service to Ann Arbor."
George Jones
President and CEO, Borders Group, Inc. "Borders embraces its role as a vital, contributing member of the community that reaches out to connect with people. We know that what our customers read, listen to, and watch is an integral part of who they are and who they aspire to be. Borders shares our community's passion for the arts and we are proud to continue our support of the University Musical Society."
Claes Fornell
Chairman, CFI Group, Inc.
"The University Musical Society is a marvelous magnet for attracting the world's finest in the performing arts. There are many good things in Ann Arbor, but UMS is a jewel. We are all richer because of it, and CFI is proud to lend its support."
Bruce Duncan
Ann Arbor Regional Bank President, Comerica Bank "Comerica is proud to support the University Musical Society and to sponsor the presentation of the world-renowned Tokyo String Quartet. UMS continues to enrich the local community by bringing the finest performing arts to Ann Arbor, and we're pleased to continue to support this long?standing tradition."
Fred Shell
Wee President, Corporate and Government Affairs, DTE Energy
"The DTE Energy Foundation is pleased to support exemplary organizations like UMS that inspire the soul, instruct the mind, and enrich the community."
Edward Surovell
President, Edward Surovell Realtors
"Edward Surovell Realtors and its 300 employees and sales asso?ciates are proud of our 20-year relationship with the University Musical Society. We honor its tradition of bringing the world's leading performers to the people of Michigan and setting a standard of artistic leadership recognized internationally."
Leo Legatski
President, Elastizell Corporation of America ''Elastizell is pleased to be involved with UMS. UMS's strengths are its programming--innovative, experimental, and pioneering--and its education and outreach programs in the schools and the community."
Kingsley P. Wootton
Plant Manager, GM Powertrain Ypsilanti Site "Congratulations on your 130th season! Our community is, indeed, fortunate to have an internationally renowned musical society. The extraordinary array of artists; the variety, breadth, and depth of each season's program; and the education and community component are exceptional and are key ingredients in the quality of life for our community, region, and state. It is an honor to contribute to UMS!"
Carl W. Herstein _
Partner, Honigman Miller Schwartz and Cohn LLP J
"Honigman is proud to support non-profit organizations in the communities where our partners and employees live and work. We are thrilled to support the University Musical Society and commend UMS for its extraordinary programming, com?missioning of new work, and educational outreach programs."
Mark A. Davis
President and CEO, Howard & Howard "At Howard & Howard, we are as committed to
enriching the communities in which we live and work as we are to providing sophisticated legal services to businesses in the Ann Arbor area. The performing arts benefit us all, and we are proud that our employees have chosen to support the cultural enrichment provided by the University Musical Society."
Mohamad Issa
Director, Issa Foundation
"The Issa Foundation is sponsored by the Issa family, which has been established in Ann Arbor for the last 30 years, and is involved in local property management as well as area pub?lic schools. The Issa Foundation is devoted to the sharing and acceptance of culture in an effort to change stereotypes and promote peace. UMS has done an outstanding job bringing diversity into the music and talent of its performers."
Bill Koehler
District President, KeyBank
'KeyBank remains a committed supporter of the performing arts in Ann Arbor and we commend the University Musical Society for its contribution to the community. Thank you, UMS. Keep up the great work!"
Dennis Serras
Owner, Mainstreet Ventures, Inc. 'As restaurant and catering service owners, we consider ourselves fortunate that our business provides so many opportunities for supporting the University Musical Society and its continuing success in bringing internationally acclaimed talent to the Ann Arbor community."
Sharon J. Rothwell
Wee President, Corporate Affairs and Chair, Masco Corporation Foundation "Masco recognizes and appreciates the value the performing arts bring to the region and to our young people. We applaud the efforts of the University Musical Society for its diverse learning opportunities and the impact its programs have on our communities and the cultural leaders of tomorrow."
Scott Merz
CEO, Michigan Critical Care Consultants, Inc. (MC3) "MC3 is proud to support UMS in recognition of its success in creating a center of cultural richness in Michigan."
Erik H. Serr
Principal, Miller, Canfield, Paddock and Stone, P.L.C. "Miller Canfield proudly supports the University Musical Society for bringing internationally-recognized artists from a broad spectrum of the performing arts to our community, and applauds UMS for offering another year of music, dance, and theater to inspire and enrich our lives."
Michael B. Staebler
Senior Partner, Pepper Hamilton LLP 'The University Musical Society is an essential part of the great quality of life in southeastern Michigan. We at Pepper Hamilton support UMS with enthusiasm."
Joe Sesi
President, Sesi Lincoln Mercury Volvo Mazda "The University Musical Society is an important cultural asset for our community. The Sesi Lincoln Mercury Volvo Mazda team is delighted to sponsor such a fine organization."
Thomas B. McMullen
President, Thomas B. McMullen Co., Inc.
"I used to feel that a U-M-Ohio State football ticket was
the best ticket in Ann Arbor. Not anymore. UMS provides
the best in educational and artistic entertainment."
Robert R. Tisch
President, Tisch Investment Advisory "Thank you, Ann Arbor, for being a wonderful community in which to live, raise a family, and build a successful business."
Tom Thompson
Owner, Tom Thompson Flowers
"Judy and I are enthusiastic participants in the UMS family. We appreciate how our lives have been elevated by this relationship."
Shigeki Terashi
President, Toyota Technical Center "Toyota Technical Center is proud to support UMS, an organization with a long and rich history of serving diverse audiences through a wide variety of arts programming."
Jeff Trapp
President, University of Michigan Credit Union "Thank you to the University Musical Society for enriching our lives. The University of Michigan Credit Union is proud to be a part of another great season of performing arts."
FOUNDATION AND GOVERNMENT SUPPORT
UMS gratefully acknowledges the support of the following foundations and government agencies:
5100,000 or more
Doris Duke Charitable Foundation
W.K. Kellogg Foundation
Michigan Council for Arts and Cultural Affairs
The Power Foundation
$50,000-S99,999
Anonymous
Doris Duke Foundation for Islamic Art DTE Energy Foundation Esperance Family Foundation National Endowment for the Arts
$20,000-549,999
Cairn Foundation
Maxine and Stuart Frankel Foundation Charles H. Gershenson Trust The Mosaic Foundation, Washington DC National Dance Project of the New England Foundation for the Arts
S10.000-S 19,999
Bustan al-Funun Foundation for Arab Arts
Community Foundation for Southeast Michigan
Eugene and Emily Grant Family Foundation
Martin Family Foundation
THE MOSAIC FOUNDATION (of R. & P. Heydon)
Performing Arts Fund
$1,000-59,999
Consulate General of The Netherlands in New York Mohamed and Hayat Issalssa Foundation Sarns Ann Arbor Fund Target
S250-S999
Thomas and Joann Adler Family Foundation
UNIVERSITY MUSICAL S 0 C I E T Y of the University of Michigan
UMS BOARD OF DIRECTORS
Carl W. Herstein,
Chair James C. Stanley,
Wee Chair Kathleen Benton,
Secretary Michael C. Allemang,
Treasurer Wadad Abed Carol L. Amster Lynda W. Berg
D.J. Boehm Charles W. Borgsdorf Robert Buckler Mary Sue Coleman Martha Darling Junia Doan Al Dodds Aaron P. Dworkin Maxine J. Frankel Patricia M. Garcia Chris Genteel
Anne Glendon David J. Herzig Christopher Kendall Melvin A. Lester Robert C. Macek Joetta Mial Lester P. Monts Roger Newton Todd Roberts A. Douglas Rothwell Edward R. Schulak
John J. H. Schwarz Ellie Serras Joseph A. Sesi Anthony L. Smith Cheryl L. Soper Michael D. VanHemert Masayo Arakawa,
Board Fellow Marcus Collins,
Board Fellow
UMS NATIONAL COUNCIL
Clayton E. Wilhite, Chair Marylene Delbourg-
Delphis John Edman
Janet Eilber Eugene Grant Charles Hamlen David Heleniak
Toni Hoover Judith Istock Wallis Klein Zarin Mehta
Herbert Ruben Russell Willis Taylor
UMS SENATE (former members of the UMS Board of Directors)
Robert G. Aldrich Herbert S. Amster Gail Davis Barnes Richard S. Berger Maurice S. Binkow Lee C. Bollinger Janice Stevens
Botsford Paul C. Boylan Carl A. Brauer William M. Broucek Barbara Everitt Bryant Letitia J. Byrd Kathleen G. Charla Leon S. Cohan Jill A. Corr Peter B. Corr Ronald M. Cresswell
Hal Davis
Sally Stegeman DiCarlo Robert F. DiRomualdo Cynthia Dodd James J. Duderstadt David Featherman Robben W. Fleming David J. Flowers George V. Fornero Beverley B. Geltner William S. Hann Randy J. Harris Walter L. Harrison Deborah S. Herbert Norman G. Herbert Peter N. Heydon Toni Hoover Kay Hunt
Alice Davis Irani Stuart A. Isaac Thomas E. Kauper David B Kennedy Gloria James Kerry Thomas C. Kinnear Marvin Krislov F. Bruce Kulp Leo A. Legatski Earl Lewis Patrick B. Long Helen B. Love Judythe H. Maugh Paul W. McCracken Rebecca McGowan Barbara Meadows Alberto Nacif Shirley C. Neuman
Jan Barney Newman Len Niehoff Gilbert S. Omenn Joe E. O'Neal John D. Paul Randall Pittman Philip H. Power John Psarouthakis Rossi Ray-Taylor John W. Reed Richard H. Rogel Prudence L. Rosenthal Judy Dow Rumelhart Maya Savarino Ann Schriber Erik H. Serr Harold T. Shapiro George I. Shirley
John 0. Simpson Herbert Sloan Timothy P. Slottow Carol Shalita Smokier Jorge A. Solis Peter Sparling Lois U. Stegeman Edward D. Surovell James L. Telfer Susan B. Ullrich Eileen Lappin Weiser B. Joseph White Marina v.N. Whitman Clayton E. Wilhite Iva M. Wilson Karen Wolff
UMS ADVISORY COMMITTEE
Phyllis Herzig, Chair Janet Callaway, Vice Chair Elizabeth Palms, Secretary Sarah Nicoli, Treasurer
Ricky Agranoff MariAnn Apley Lorie Arbour Barbara Bach Rula Kort Bawardi Francine Bomar Luciana Borbely Mary Breakey Mary Brown Betty Byrne
Heather Byrne Laura Caplan Cheryt Cassidy Patricia Chapman Cheryl Clarkson Wendy Comstock Norma Davis Mary Dempsey Mary Ann Faeth Michaelene Farrell Sara Fink Susan A. Fisher Susan R. Fisher Kathy Goldberg Walter Graves
Joe Grimley Susan Gross Susan Gutow Lynn Hamilton Charlene Hancock Alice Hart Rafe Juarez Jen Kelch
Meg Kennedy Shaw Pam Krogness Mary LeDuc Joan Levitsky Eleanor Lord Jane Maehr Jennifer J Maisch
Joanna McNamara Liz Messiter Robin Miese! Natalie Mobley Kay Ness Thomas Ogar Allison Poggi Lisa Psarouthakis Swanna Salnel Agnes Moy Sams Penny Schreiber Bev Seiford Aliza Shevrin Alida Silverman Loretta Skewes
Andrea Smith Becki Spangler Nancy Stanley Carlin C. Stockson Karen Stutz Eileen Thacker Janet Torno Louise Townley Amanda Uhle Dody Viola Enid Wasserman Ellen Woodman Mary Kate Zelenock
UMS STAFF
AdministrationFinance
Kenneth C. Fischer, President Luciana Borbely,
Assistant to the President John B. Kennard, Jr.,
Director of Administration Beth Gilliland,
Gift ProcessorIT Assistant Patricia Hayes, Senior Accountant John Peckham,
Information Systems Manager
Choral Union
Jerry Blackstone,
Conductor and Music Director Jason Harris, Assistant Conductor Kathleen Operhall, Chorus Manager Nancy K. Paul, Librarian Jean Schneider, Accompanist Scott VanOrnum, Accompanist Donald Bryant, Conductor Emeritus
Development
Susan McClanahan, Director Susan Bozell, Manager of
Corporate Partnerships Rachelle Lesko,
Development Assistant Lisa Michiko Murray,
Manager of Foundation and
Government Grants M. Joanne Navarre, Manager of
Annual Giving Marnie Reid, Manager of
Individual Support
Lisa Rozek, Assistant to the Director of Development
Cynthia Straub, Advisory Committee and Events Coordinator
EducationAudience Development
Claire C. Rice, Interim Director Bree Juarez, Education and
Audience Development Manager Mary Roeder,
Residency Coordinator Omari Rush, Education Manager
MarketingPublic Relations
Sara Billmann, Director James P. Leija, Public Relations
Manager
Mia Milton, Marketing Manager Stephanie Normann, Marketing
Coordinator
Production
Douglas C. Witney, Director Emily Avers, Production
Operations Director Jeffrey Beyersdorf,
Technical Manager
Programming
Michael J. Kondziolka, Director Mark Jacobson,
Programming Manager Carlos Palomares,
Artist Services Coordinator Liz Stover, Programming
Coordinator
Ticket Services
Jennifer Graf, Ticket Services
Manager
Sally A. Cushing, Ticket Office Associate Suzanne Davidson, Assistant Ticket
Services Manager Adrienne Escamilla,
Ticket Office Associate Sara Sanders, Front-of-House
Coordinator
Karen Zobel, Group Sales Coordinator Dennis Carter, Bruce Oshaben,
Brian Roddy, Head Ushers
Students
Catherine Allan Gabriel Bilen Greg Briley Tyler Brunsman Allison Carron Shannon Deasy Vinal Desai Rebecca Dragonetti Kelsy Durkin Daniel Erben Carrie Fisk Natalie Freilich Charlie Hack Dana Harlan Jennifer Howard Andy Jones Bryan Langlitz Francesca Lollini Brooke Lundin Alejandro Manso Mary Martin Michael Matlock Bryan McGivern
Ashley McNees Michael Michelon Grace Morgan Paula Muldoon Leonard Navarro Jack O'Connell Stephanie Overton Andrew Smith Cahill Smith Trevor Sponseller Catherine Tippman Julie Wallace Sarah Wilbur Sophia Zhuo
UMS CORPORATE COUNCIL
Doug Rothwell,
Chair Albert Berriz
Bruce Brownlee Bob Buckler Jim Garavaglia
Rob Gruen Steve Hamp Carl Herstein
Bob Kelch Mary Kramer Sharon Rothwell
Mike Staebler Jim Vella
UMS TEACHER ADVISORY COMMITTEE
Abby Alwiri Fran Ampey Robin Bailey Greta Bariield Joey Barker Alana Barter Judy Barthwell Rob Bauman Brita Beitler Eli Bleiler Ann Mane Borders
David Borgsdorf Sigrid Bower Marie Brooks Susan Buchan Deb Clancy Carl Clark Ben Cohen Julie Cohen Leslie Cnscenti Orelia Dann Saundra Dunn
Johanna Epstein Susan Filipiak Katy FiiIiom Delores Flagg Joey Fukuchi Jeff Gaynor Joyce Gerbec Barb Grabbe Joan Gnssing linda Jones Jeff Kass
Rosalie Koenig Sue Kohfeldt Laura Machida Fran Marroquin Jose Mejia Kim Mobley Eunice Moore Michelle Peet Anne Perigo Rebeca Pietrzak Cathy Reischl
Jessica Rizor Vfckl Shields Sandra Smith Grelchen Suhre Julie Taylor Cayla Tchalo Dan Tolly Alex Wagner Barbara Wallgren Kimberley Wright Kathryn Young
UMSlnfo
GENERAL INFORMATION
Barrier-Free Entrances
For persons with disabilities, all venues have barrier-free entrances. Wheelchair locations vary by venue; visit www.ums.orgtickets or call 734.764.2538 for details. Ushers are available for assistance.
Listening Systems
For hearing-impaired persons, Hill Auditorium, Power Center, and Rackham Auditorium are equipped with assistive listening devices. Earphones may be obtained upon arrival. Please ask an usher for assistance.
Lost and Found
For items lost at Hill Auditorium, Lydia Mendelssohn Theatre, Power Center, or Rackham Auditorium, please call University Productions at 734.763.5213. For the Michigan Theater, call 734.668.8397. For St. Francis of Assisi, call 734.821.2111.
Parking
Please allow plenty of time for parking as the campus area may be congested. Parking is available in the Church Street, Maynard Street, Thayer Street, Fletcher Street, and Fourth Avenue structures for a minimal fee. Limited street parking is also available. Please allow enough time to park before the performance begins. UMS donors at the Patron level and above ($1,000) receive 10 complimentary park?ing passes for use at the Thayer Street or Fletcher Street structures in Ann Arbor.
UMS offers valet parking service for Hill Auditorium performances in the 0809 Choral Union series. Cars may be dropped off in front of Hill Auditorium beginning one hour before
each performance. There is a $20 fee for this service. UMS members at the Concertmaster level ($7,500) and above are invited to use this service at no charge.
Other recommended parking that may not be as crowded as on-campus structures: Liberty Square structure (formerly Tally Hall), entrance off of Washington Street between Division and State; about a two-block walk from most per?formance venues, $2 after 3 pm weekdays and all day SaturdaySunday. Maynard Street struc?ture, entrances off Maynard and Thompson between Willliam and Liberty, $.80hr, free on Sunday.
For up-to-date parking information, please visit www.ums.orgparking.
Refreshments
Refreshments are available in the lobby during intermissions at events in the Power Center, in the lower lobby of Hill Auditorium (beginning 75 minutes prior to concerts--enter through the west lobby doors), and in the Michigan Theater. Refreshments are not allowed in the seating areas.
Smoking Areas
University of Michigan policy forbids smoking in any public area, including the lobbies and restrooms.
Start Time
UMS makes every effort to begin concerts at the published time. Most of our events take place in the heart of central campus, which does have limited parking and may have several events occurring simultaneously in different theaters. Please allow plenty of extra time to park and find your seats.
Latecomers
Latecomers will be asked to wait in the lobby until seated by ushers. Most lobbies have been outfitted with monitors andor speakers so that latecomers will not miss the performance.
The late-seating break is determined by the artist and will generally occur during a suitable repertory break in the program (e.g., after the first entire piece, not after individual movements of classical works). There may be occasions where latecomers are not seated until intermis?sion, as determined by the artist. UMS makes every effort to alert patrons in advance when we know that there will be no late seating.
UMS tries to work with the artists to allow a flexible late-seating policy for family perform?ances.
UMS TICKETS
Group Tickets
Treat 10 or more friends, co-workers, or family members to an unforgettable performance of live music, dance, or theater. Whether you have a group of students, a business gathering, a college reunion, or just you and a group of friends, the UMS Group Sales Office can help you plan the perfect outing. You can make it formal or casual, a special celebration, or just friends enjoying each other's company. The many advantages to booking as a group include:
Reserving tickets before tickets go on sale to the general public
Discounts of 15-25 for most performances
Accessibility accommodations
No-risk reservations that are fully refundable up to 14 days before the performance
1-3 complimentary tickets for the group organizer (depending on size of group). Complimentary tickets are not offered for performances without a group discount.
For more information, please contact 734.763.3100 or e-mail umsgroupsales@umich.edu.
Classical Kids Club
Parents can introduce their children to world-renowned classical music artists through the Classical Kids Club. For more information please see page P33.
NETWORK Tickets
Members of the UMS African American Arts Advocacy Committee receive discounted tickets to certain performances. For more information please see page P29.
Student Tickets
Discounted tickets are available for University students and teenagers. Information on all UMS University Student Ticketing programs can be found on page P34. Teen Ticket infor?mation can be found on page P33.
Gift Certificates
Available in any amount and redeemable for any of more than 60 events throughout our season, delivered with your personal message, the UMS Gift Certificate is ideal for weddings, birthdays, Christmas, Hanukkah, Mother's and Father's Days, or even as a housewarming pres?ent when new friends move to town.
UMS Gift Certificates are valid for 12 months from the date of purchase. For more information, please visit www.ums.org.
Retums
If you are unable to attend a concert for which you have purchased tickets, you may turn in your tickets up to 15 minutes before curtain time by calling the Ticket Office. Refunds are not available; however, you will be given a receipt for an income tax deduction.
Ticket Exchanges
Subscribers may exchange tickets free of charge. Non-subscribers may exchange tickets for a $6 per ticket exchange fee. Exchanged tickets must be received by the Ticket Office (by mail or in person) at least 48 hours prior to the performance. The value of the tickets
may be applied to another performance or will be held as UMS Credit until the end of the season. You may also fax a copy of your torn tickets to 734.647.1171. Lost or misplaced tickets cannot be exchanged. UMS Credit for this season must be redeemed by April 26, 2009.
HOW DO I BUY TICKETS
In Person:
League Ticket Office
911 North University Ave.
Hours:
Mon-Fri: 9am-5pm
Sat: 10am-1 pm
By Phone:
734.764.2538
Outside the 734 area code, call toll-free 800.221.1229
By Internet:
www.ums.org
By Fax: 734.647.1171
By Mail:
UMS Ticket Office Burton Memorial Tower 881 North University Ave. Ann Arbor, Ml 48109-1011
On-site ticket offices at performance venues open 90 minutes before each performance.
UMSAnna Is
UMS HISTORY
Through a commitment to presentation, education, and the creation of new work, the University Musical Society (UMS) serves Michigan audiences by bringing to our community an ongo?ing series of world-class artists, who represent the diverse spectrum of today's vigorous and exciting live performing arts world. Over the past 130 years, strong leadership coupled with a devoted community has placed UMS in a league of internationally recognized performing arts presenters. Today, the UMS seasonal program is a reflection of a thoughtful respect for this rich and varied history, balanced by a commit?ment to dynamic and creative visions of where the performing arts will take us in this new millennium. Every day UMS seeks to cultivate, nurture, and stimulate public interest and participation in every facet of the live arts.
UMS grew from a group of local university and townspeople who gathered together for the study of Handel's Messiah. Led by Professor Henry Simmons Frieze and conducted by Professor Calvin Cady, the group assumed the name The Choral Union. Their first perform?ance of Handel's Messiah was in December of 1879 and this glorious oratorio has since been performed by the UMS Choral Union annually.
As many Choral Union members also belonged to the University, the University Musical Society was established in December, 1880. UMS included the Choral Union and University Orchestra, and throughout the year presented a series of concerts featuring local and visiting artists and ensembles.
Since that first season in 1880, UMS has expanded greatly and now presents the very best from the full spectrum of the performing arts--internationally renowned recitalists and orchestras, dance and chamber ensembles, jazz and world music performers, and opera and theater. Through educational endeavors, commissioning of new works, youth programs, artist residencies, and other collaborative projects, UMS has maintained its reputation for quality, artistic distinction, and innovation. UMS now hosts over 50 performances and more than 125 educational events each sea?son. UMS has flourished with the support of a generous community that this year gathers in eight different Ann Arbor venues.
The UMS Choral Union has likewise expanded its charge over its 130-year history. Recent collaborations have included the Grammy Award-winning recording of William Bolcom's Songs of Innocence and of Experience (2004), John Adams's On the Transmigration of Souls with the Detroit Symphony Orchestra (2007), and Shostakovich's Symphony No. 73 ("Babi Yar") with the Kirov Orchestra of St. Petersburg (2006).
While proudly affiliated with the University of Michigan, housed on the Ann Arbor campus, and a regular collaborator with many University units, UMS is a separate not-for-profit organi?zation that supports itself from ticket sales, corporate and individual contributions, founda?tion and government grants, special project support from U-M, and endowment income.
UMS VENUES AND
BURTON MEMORIAL TOWER
Hill Auditorium
After an 18-month $38.6-million dollar renova?tion overseen by Albert Kahn Associates, Inc. and historic preservation architects Quinn EvansArchitects, Hill Auditorium re-opened to the public in January 2004. Originally built in 1913, renovations have updated Hill's infra?structure and restored much of the interior to its original splendor. Exterior renovations include the reworking of brick paving and stone retaining wall areas, restoration of the south entrance plaza, reworking of the west barrier-free ramp and loading dock, and improvements to landscaping.
Interior renovations included the creation of additional restrooms, the improvement of barrier-free circulation by providing elevators and an addition with ramps, new seats to
increase patron comfort, introduction of barrier-free seating and stage access, the replacement of theatrical performance and audio-visual systems, and the complete replacement of mechanical and electrical infrastructure systems for heating, ventilation, and air conditioning. Hill Auditorium seats 3,575.
Michigan Theater
The historic Michigan Theater opened January 5, 1928 at the peak of the vaudevillemovie palace era. Designed by Maurice Finkel, the 1,710-seat theater cost around $600,000 when it was first built. As was the custom of the day, the theater was equipped to host both film and live stage events, with a full-size stage, dressing rooms, an orchestra pit, and the Barton Theater Organ. At its opening, the theater was acclaimed as the best of its kind in the country. Since 1979, the theater has been operated by the not-for-profit Michigan Theater Foundation. With broad community support, the Foundation has raised over $8 million to restore and improve the Michigan Theater. The beautiful interior of the theater was restored in 1986.
In the fall of 1999, the Michigan Theater opened a new 200-seat screening room addi?tion, which also included expanded restroom facilities for the historic theater. The gracious facade and entry vestibule was restored in 2000.
Power Center
The Power Center for the Performing Arts grew out of a realization that the University of Michigan had no adequate proscenium-stage theater for the performing arts. Hill Auditorium was too massive and technically limited for most productions, and the Lydia Mendelssohn Theatre was too small. The Power Center was built to supply this missing link in design and seating capacity.
In 1963, Eugene and Sadye Power, together with their son Philip, wished to make a major gift to the University, and amidst a list of University priorities "a new theater" was
mentioned. The Powers were immediately inter?ested, realizing that state and federal govern?ments were unlikely to provide financial support for the construction of a new theater.
Opening in 1971 with the world premiere of The Grass Harp (based on the novel by Truman Capote), the Power Center achieved the seemingly contradictory combination of providing a soaring interior space with a unique level of intimacy. Architectural features include two large spiral staircases leading from the orchestra level to the balcony and the well-known mirrored glass panels on the exterior. The lobby of the Power Center presently features two hand-woven tapestries: Modern Tapestry by Roy Lichtenstein and Volutes (Arabesque) by Pablo Picasso.
The Power Center seats approximately 1,400 people.
Arbor Springs Water Company is generously providing complimentary water to UMS artists backstage at the Power Center throughout the 0809 season.
Rackham Auditorium
Sixty years ago, chamber music concerts in Ann Arbor were a relative rarity, presented in an assortment of venues including University Hall (the precursor to Hill Auditorium), Hill Auditorium, and Newberry Hall, the current home of the Kelsey Museum. When Horace H. Rackham, a Detroit lawyer who believed strongly in the importance of the study of human history and human thought, died in 1933, his will awarded the University of Michigan the funds not only to build the Horace H. Rackham Graduate School, which houses Rackham Auditorium, but also to estab?lish a $4 million endowment to further the development of graduate studies. Even more remarkable than the size of the gift is the fact that neither he nor his wife ever attended the University of Michigan.
Designed by architect William Kapp and architectural sculptor Corrado Parducci, Rackham Auditorium was quickly recognized
as the ideal venue for chamber music. In 1941, UMS presented its first chamber music festival with the Musical Art Quartet of New York per?forming three concerts in as many days, and the current Chamber Arts Series was born in 1963. Chamber music audiences and artists alike appreciate the intimacy, beauty, and fine acoustics of the 1,129-seat auditorium, which has been the location for hundreds of chamber music concerts throughout the years.
St. Francis of Assisi Catholic Church
Dedicated in 1969, St. Francis of Assisi Catholic Church has grown from 248 families when it first started to more than 2,800 today. The present church seats 1,000 people and has ample free parking. In 1994, St. Francis pur?chased a splendid three manual "mechanical action" organ with 34 stops and 45 ranks, built and installed by Orgues Letourneau from Saint Hyacinthe, Quebec. Through dedication, a commitment to superb liturgical music, and a vision to the future, the parish improved the acoustics of the church building, and the reverberant sanctuary has made the church a gathering place for the enjoyment and con?templation of sacred a cappella choral music and early music ensembles.
Burton Memorial Tower
Seen from miles away, Burton Memorial Tower is one of the most well-known University of Michigan and Ann Arbor landmarks. Designed by Albert Kahn in 1935 as a memorial to U-M President Marion Leroy Burton, the 10-story tower is built of Indiana limestone with a height of 212 feet. The carillon, one of only 23 in the world, is the world's fourth heaviest containing 55 bells and weighing a total of 43 tons. UMS has occupied administrative offices in this building since its opening, with a brief pause in the year 2000 for significant renovations.
Winter 2009 Season 130th Annual Season
General Information
On-site ticket offices at performance venues open 90 minutes before each performance.
Children of all ages are welcome at UMS Family and Youth Performances. Parents are encouraged not to bring children under the age of 3 to regular, full-length UMS performances. All children should be able to sit quietly in their own seats throughout any UMS performance. Children unable to do so, along with the adult accompany?ing them, will be asked by an usher to leave the auditorium. Please use discre?tion in choosing to bring a child.
Remember, everyone must have a ticket, regardless of age.
While in the Auditorium
Starting Time Every attempt is made to begin concerts on time. Latecomers are asked to wait in the lobby until seated by ushers at a predetermined time in the program.
Cameras and recording equipment
are prohibited in the auditorium.
If you have a question, ask your usher. They are here to help.
Please turn off your cellular phones and other digital devices so that everyone may enjoy this UMS event disturbance-free. In case of emergency, advise your paging service of auditorium and seat location in Ann Arbor venues, and ask them to call University Security at 734.763.1131.
In the interests of saving both dollars and the environment, please either retain this program book and return with it when you attend other UMS performances included in this edition or return it to your usher when leaving the venue.
Event Program Book
Wednesday, April 1 through Saturday, April 11, 2009
John Williams 5
Wednesday, April 1, 8:00 pm Rackham Auditorium
Saint Louis Symphony Orchestra 7
Thursday, April 2, 8:00 pm Hill Auditorium
Chick Corea and John McLaughlin 17
Five Peace Band
Saturday, April 4, 8:00 pm Hill Auditorium
Andras Schiff 21
Beethoven Sonata Project Concert VII Thursday, April 9, 8:00 pm Hill Auditorium
Andras Schiff 23
Beethoven Sonata Project Concert VIII Saturday, April 11, 8:00 pm Hill Auditorium
Fall 2008
II
September
10-14 Wed-Sun Complicite: A Disappearing Number
19-20 Fri-SatMark Morris Dance Group
27 Sat Wayne Shorter Quartet and the Imani Winds
October
4 Sat The Art of the Oud featuring Omar Bashir, Rahim AlHaj, and Farida and the Iraqi Maqam Ensemble 12 Sun Sphinx Orchestra
12 Sun Tokyo String Quartet with
Sabine Meyer, clarinet
15 WedCompagnie Heddy Maalem: The Rite of Spring
17 Ft)Soweto Gospel Choir
18 SatMilton Nascimento and the Jobim Trio
19 Sun Camerata Salzburg with
Anne-Sophie Mutter, violin 24 Ft) Andras Schiff: Beethoven Concert 5
26 Sun Andras Schiff: Beethoven Concert 6
27 Mon Michigan Chamber Players
November
7 Ft) Joe Lovano "Us Five" Quintet and Jason Moran
8 SatEmanuel Ax and Yefim Bronfman, pianos
13 Thu Estonian Philharmonic Chamber Choir
16 Sun Jerusalem Symphony Orchestra with Robert
McDuffie, violin
December
6-7 Sat-Sun Handel's Messiah
January
9-11 Fri-Sun Rubberbandance Group 11 Sun Guarneri String Quartet 16 Ft) Tord Gustavsen Trio
23-24 Fri-SatGilgamesh: Kinan Azmeh, clarinet and Kevork Mourad, MaxMSP
24 SafFord Honors Program honoring the Royal
Shakespeare Company, Michael Boyd, and Ralph Williams
25 Sun Richard Goode, piano 29 Thu Chanticleer
31 SatMichigan Chamber Players
February
7 SatLawrence Brownlee, tenor with
Martin Katz, piano 12 Thu Sweet Honey In The Rock 13fr-Kodo 14-15 Sat-Sun Batsheva Dance Company
March
7-8 Sat-Sun New York Philharmonic
10 Tue Wynton Marsalis and Ja2Z at Lincoln-Center
Orchestra
11 Wed Brentano String Quartet with Peter Serkin,
piano and Thomas Meglioranza, baritone
12 Thu Aswat: Celebrating the Golden Age of Arab
Music with Simon Shaheen and the Golden Age
Orchestra 13-14 Fn-Sat The Silk Road Ensemble with
Yo-Yo Ma, cello 18 Wed Altenberg Trio Vienna
22 Sun Zakir Hussain, tabla with
Pandit Shivkumar Sharma, santoor 26 Thu The Romeros 29 Sun Dan Zanes & Friends
April
1 Wed-John Williams, guitar
2 Thu Saint Louis Symphony Orchestra with
Anssi Karttunen, cello 4 Sat Chick Corea and John McLaughlin:
Five Peace Band
9 Thu Andras Schiff: Beethoven Concert 7 11 SatAndras Schiff: Beethoven Concert 8
16 Thu Kurt Elling Sings the ColtraneHartman
Songbook
17 Fri Takacs Quartet with Marc-Andre Hamelin, piano 18-19 Sat-Sun Mohammed Bennis and the Hmadcha
Ensemble (from the Fez Festival of Sufi Culture)
23 Thu UMS Choral Union
24 FriJulia Fischer, violin with Milana Chernyavska, piano 25-26 Sat-Sun Compagnie Marie Chouinard
May
8 Fri Breakin' Curfew
UMS Educational Events
through April 11, 2009
All UMS educational activities are free, open to the public, and take place in Ann Arbor unless otherwise noted. For complete details and updates, please visit www.ums.org or contact the UMS education department at 734.647.6712 or umsed@umich.edu.
John Williams
PREP: Classical Guitar
Wednesday, April 1, 7:00 pm 202 South Thayer Building, Room 2022 915 E. Washington (the corner of Thayer and Washington)
Classical guitar performer and teacher Matthew Ardizzone conducts a lecturedemonstration focusing on John Williams, his sound, and legacy in the world of classic guitar. Mr. Ardizzone has performed and taught master classes at schools throughout the country. The first guitarist to receive a doctorate in performance from the Eastman School of Music, his other accolades include First Prize in the 1995 Rantucci Guitar Competition and fifth place in the 1997 Stotsenberg International Guitar Competition.
Chick Corea and John McLaughlin: Five Peace Band
VinylCD Exchange
Saturday, April 4, 6:45-8:00 pm
Hill Auditorium Lower Lobby, 825 N. University Ave.
Looking for fresh, new music Come meet and mingle with other jazz lovers while discovering new artists and albums. Bring your favorite jazz vinyl and CDs to share and exchange while picking up a few new titles of your own. You must have a ticket to the performance to attend.
Virtual Photo Exhibit
Then and Now: Community and Cultural
Change from the Fusion Era to Today
Online
The University Musical Society and the Ann Arbor District Library invite you to participate in "Then and Now: Community and Cultural Change from the Fusion Era to Today," in celebration of Ann Arbor's community heritage from 1968-1975 and the return of Chick Corea and John McLaughlin to UMS on April 4. Both of these musicians have continually re-invented themselves over the years while maintaining an exceptional level of artistry and commitment to their music. Help us to show Ann Arbor's parallel evolution in its cultural, mu?sical, and community landscape. Do you have a photograph from that era or the present day that you'd like to share We'd love to include it online. Visit www.aadl.org for more details.
and
Frank Legacki and
Alicia Torres
present
John Williams
Guitar
Program
Antonio Vivaldi I 7.5. Bach, Arr. John Williams
Domenico Scarlatti, Arr. Williams
Enrique Granados, Arr. Williams
Isaac Albeniz, Arr. Williams
Williams
Agustin Barrios Mangore
Peter Sculthorpe
John T. Williams, Arr. Williams Ennio Morricone, Arr. Williams Stanley Myers, Arr. Williams Williams
Traditional, Arr. Williams
Wednesday Evening, April 1, 2009 at 8:00 Rackham Auditorium Ann Arbor
Concerto in D Major, Op. 3, No. 9
Allegro
Larghetto
Allegro
Two Sonatas
Valses poeticos, H. 147
12 Piezas caracteristicas. Op. 92, No. 12 (excerpt) Torre Bermeja (Serenata)
Notes in the Margin
INTERMISSION
La Catedral
Lento (Preludio saudade) Andante religioso Allegro solemne
Djilile
Theme from Schindler's List Theme from Cinema Paradiso Cavatina from The Deer Hunter
Prelude to a Song Open End
Song without Words Hello Francis
Carolan's Concerto and Irish Tunes
54th Performance of the 130th Annual Season
46th Annual Chamber Arts Series
The photographing or sound and video recording of this concert or possession of any device for such recording is prohibited.
Tonight's performance is sponsored by Frank Legacki and Alicia Torres.
Media partnership provided by WGTE 91.3 FM and Observer & Eccentric Newspapers.
Special thanks to Matthew Ardizzone for his participation in this residency.
Special thanks to Steven Ball for coordinating the pre-concert music on the Charles Baird Carillon.
John Williams appears by arrangement with Arts Management Group, Inc., New York, NY.
Large print programs are available upon request.
Born in Melbourne, Australia, John Williams can be regarded as a foremost ambassador of the guitar. He was taught by his father and later attended summer courses with Segovia at the Academia Musicale Chigiana in Siena, Italy and the Royal College of Music in London. By the early 1960s he had performed in London, Paris, Madrid, Japan, Russia, and the US; he has since toured the world playing both solo and with orchestra, and regularly on radio and television.
Amongst his collaborations with other musicians, those with Julian Bream, Itzhak Perlman, Andre Previn, Cleo Laine, and John Dankworth are particularly important. His other musical activities have included the groups SKY, John Williams and Friends, Attacca, collaborations with The National Youth Jazz Orchestra with Paul Hart, Paco Pefia, the Chilean group Inti-lllimani, Richard Harvey, and jazz guitarist John Etheridge, with whom he teamed up for a highly successful duo tour in the UK and US in 0607. The duo's program "Places Between" was also recorded by Sony BMG and released in 2006.
Mr. Williams maintains a wide-ranging interest in contemporary music. Examples include his recording of music by the Japanese composer Toru Takemitsu with the London Sinfonietta, From Australia featuring the music of Peter Sculthorpe and Nigel Westlake, and The Black Decameron with music by the Cuban composer Leo Brouwer which includes Brouwer's Concerto No. 4.
In 2001 Sony Classical released his CD entitled The Magic Box in which his group John Williams and Friends presented adaptations of African music. Sony also recently released a solo CD entitled El Diablo Suelto, a collection of Venezuelan music.
Mr. Williams plays often for films, which have included The Deerhunter (Cavatina) and A Fish Called Wanda. Mr. Williams also plays tennis (badly), badminton (average), chess (quite well), table tennis (better), and likes talking (about anything). He lives in London.
John Williams
UMS Archives
This evening's performance marks John Williams' sixth appearance under UMS auspices. Mr. Williams made his UMS debut at Hill Auditorium in October 1978 with guitarist Julian Bream. He most recently appeared in April 2007 at Rackham Auditorium with guitarist John Etheridge.
Photo: Janusz Kawa
presents
Saint Louis Symphony Orchestra
David Robertson, Conductor Anssi Karttunen, Cello
Program
Richard Wagner John Adams
Bernd Alois Zimmermann
Jean Sibelius
Thursday Evening, April 2, 2009 at 8:00 Hill Auditorium Ann Arbor
Parsifal (excerpt) Good Friday Music
Guide to Strange Places
INTERMISSION
Canto di speranza
Andante teneramente
Alia breve; a tempo giusto; Larghetto molto; Sostenuto; Piu mosso;
Cadenza Andante teneramente
All movements played attacca (without pause) Mr. Karttunen
Symphony No. 5 in E-flat Major, Op. 82
Tempo molto moderato; Allegro moderato; Presto Andante mosso, quasi allegretto Allegro molto; Largamente assai
55th Performance of the 130th Annual Season
130th Annual Choral Union Series
The photographing or sound and video recording of this concert or possession of any device for such recording is prohibited.
Tonight's performance is supported by the William R. Kinney Endowment Fund.
Special thanks to David Robertson, Saint Louis Symphony Orchestra Music Director and Conductor, for his participation in tonight's Prelude Dinner.
Media partnership provided by WGTE 91.3 FM and Observer S Eccentric Newspapers.
The Steinway piano used in tonight's concert is made possible by William and Mary Palmer and by the Steinway Piano Gallery of Detroit.
Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of lobby floral art for this evening's performance.
Special thanks to Steven Ball for coordinating the pre-concert music on the Charles Baird Carillon.
The Saint Louis Symphony Orchestra appears by arrangement with Opus 3 Artists, New York, NY.
Large print programs are available upon request.
Good Friday Music from Parsifal (1882) Richard Wagner
Born May 22, 1813 in Leipzig, Germany Died February 13, 1883 in Venice, Italy
Snapshot of history... In 1882:
Igor Stravinsky, Virginia Woolf, James Joyce, and FDR are born
Electric light illuminates parts of London and New York
Robert Koch discovers the tuberculosis bacillus
Carlo Collodi publishes his children's book Pinocchio and Mark Twain publishes The Prince and the Pauper
Second Anglo-Egyptian War
Buhnenweihfestspiel--this mouthful of a German word (really four words in one) is what Wagner called Parsifal, his final opera. The word translates as "stage-consecration-festival-play," or "festival play to consecrate a theater." The Bayreuth Festspielhaus, the theater especially constructed for the performance of Wagner's works, had opened in 1876 with the Ring cycle (the first two operas of which had been previously given in Munich), but it was Parsifal that had been conceived entirely with the festival atmosphere in Bayreuth in mind. Based on the medieval poems of Chretien de Troyes and Wolfram von Eschenbach, the opera's action is much more spiritual and symbolic than that of any of the earlier Wagner works. It is all about the inner evolution of a hero, a wild and ignorant youth when we first see him, who experiences illumination by learning to feel empathy with the suffering of others. Durch Mitleid wissend, der reine Tor (wise through compassion, the pure-hearted fool) eventually makes himself worthy of the Holy Grail of which he becomes the ruler at the end of the opera.
Parsifal, in other words, presents a rite of passage. The Nordic pagan mythology whose characters populated the Ring gave way to Christian imagery here; Parsifal's spiritual awakening is set against the background of nature's awakening in springtime and the religious renewal of the Easter season. Therefore, the Good Friday music from Act III is the very heart of the opera; the mystery of Christ's death and resurrection inspires Parsifal's conversion and symbolizes the transition
from darkness to light that is the real meaning of Wagner's work.
In the opera, the "Good Friday Spell" is not a purely orchestral excerpt but includes singing parts. The stage is set in the forest near the castle of Montsalvat, where the Holy Grail (the chalice in which Joseph of Arimathea had gathered Christ's blood) is preserved. Gurnemanz, an old knight of the Grail and Parsifal's mentor, anoints the younger man as King of the holy brotherhood. Parsifal's first action as a ruler of the Grail is to baptize Kundry, a mysterious sorceress who, formerly in the service of the evil magician Klingsor, has long craved after the light and truth of the Grail.
Parsifal is enraptured by the beauty of the forests and meadows that stand in bloom as the day begins to dawn. He does not understand how nature can exult on this, the most tragic of all days. Gurnemanz explains to him how the magic of Good Friday tums the sinners' tears into holy dew and makes all the wonders of nature possible. The world rejoices because through the Salvation it has become free from sin, and celebrates its Unschuldstag, its day of innocence.
Guide to Strange Places (2001)
John Adams
Bom February 15, 1947 in Worcester, Massachusetts
Snapshot of history... In 2001:
George W. Bush becomes President of the US
World Trade Center is destroyed on September 11
W.G. Sebald publishes Austerlitz and is killed in a car accident the same year
The films Harry Potter and the Sorcerer's Stone and The Lord of the Rings are released
Composer lannis Xenakis dies
Journeys have played a recurrent role in the works of John Adams. The composer has often spoken about his road trips across the Nevada desert which, he claims, have had an important effect on his music. Among his works, we find titles such as Short Ride in a Fast Machine or Road Movies. His Chamber Symphony was inspired in part by the "zipping" of the Roadrunner, the famous cartoon character. These associations give a deeper meaning to the high motoric energy which has always been
at the center of Adams's music, ever since his early minimalist period. Yet Adams has traveled very far during his 40-year career as a composer. The repetitive techniques derived from minimalism have been combined with a sophisticated and virtuosic instrumental writing in the works of the last two decades. Without betraying his former stance as a member of the opposition against the serial and neo-Romantic trends of the 1970s, Adams, the composer-conductor, has conquered the genres and institutions of today's symphonic mainstream.
The commission for Guide to Strange Places came from Holland, and Adams led the world premiere at the Amsterdam Concertgebouw with the Netherlands Philharmonic on October 6, 2001.
In the words of one critic: "The score begins in the motoric open-top vein of Fearful Symmetries or Road Movies, but soon drives us towards darker and more ambivalent territory. Mountainous landscapes rear up as barriers against progress, and frightening chasms interrupt the journey, which becomes progressively more nightmarish until motion is halted by a threatening bass melody."
Charles Ives.oneof Adams's favorite composers, had previously portrayed a merry journey gone awry in the scherzo of his Symphony No. 4, based on Nathaniel Hawthorne's short story "The Celestial Railroad." Of course, Adams takes his listener through completely different landscapes than did his great American predecessor. The sports car races through the provinces of Bart6k, Stravinsky, and Copland, with a quick visit to Jazzland as well. Yet the transitions are as gradual as in a print by MC Escher, so that we never notice when we cross a border. Everything is seen through the eyes of an extraordinary guide, thanks to whom every minute brings a new discovery.
Canto di speranza (Song of Hope) (1957)
Bernd Alois Zimmermann
Born March 20, 1918 in Bliesheim, near
Cologne, Germany Died August 10, 1970 in Grosskonigsdorf, Austria
Snapshot of history... In 1957:
Jean Sibelius dies
Dwight Eisenhower begins his second term as US President
The Soviet Union launches the first Sputnik
Boris Pasternak's novel Doctor Zhivago and Jack Kerouac's On the Road are published
Leonard Bernstein's West Side Story premiered
Shostakovich's Symphony No. 17 premiered
B.A. Zimmermann's best-known work is his monumental opera Die Soldaten ("The Soldiers," 1965), which takes atonal expressionism to its extreme and is probably the most difficult piece of music in the world. In spite of the success of the opera at its 1965 premiere, Zimmermann seems to have "fallen through the cracks" in some sense. A committed modernist, he nevertheless refused to go along with the radicalism of his younger contemporary Karlheinz Stockhausen, who came to dominate the new-music scene in Germany in the 1950s and 1960s. In recent years, the music of Zimmermann (who committed suicide in 1970) has enjoyed a major renaissance, and his large non-operatic oeuvre is becoming increasingly well known.
Canto di speranza is the completely revised version of a cello concerto Zimmermann had written in 1953. The composer re-scored the work for a smaller orchestra and reduced its original length, "tightening the dramatic structure" (in the words of commentator Michael Struck-Schloen). He also added a programmatic title in Italian (he had just spent time at the Villa Massimo in Rome on a scholarship), and in this new form, the concerto was introduced at the 1958 Darmstadt Festival, the mecca of contemporary music. The outstanding cellist and champion of new music Siegfried Palm played the solo part. In a 1985 article, musicologist Clemens Kuhn described this premiere a "disaster": "the singing cello lines were laughed at and booed as late Romantic anachronisms."
To be sure, Canto di speranza is anything but
a backward-looking work. It follows the 12-tone technique and even makes moves towards total serialism, arranging durations and dynamics in pre-conceived sequences as well. Even the use of the word canto is not meant to refer to a Romantic song: Zimmermann was inspired by the Cantos of Ezra Pound, one of the monuments of 20th-century modernist poetry, and the Pisan Cantos in particular, which he took, as he himself explained, as a symbol of human hope, devoid of any interpretation. Only the voice of hope, entrusted to the cello as a sort of vox humana, sings its canto di speranza, just as it speaks at once ardently and tenderly from the Cantos.
What Zimmermann could not and would not relinquish was musical narrative, or a form based on linear development, which was dismissed by the avant-garde at the time. In Canto di speranza, the cello (itself frowned upon in those days on account of its inherent lyricism) does sing ardently and tenderly. The composer showed that modernistic techniques are not only compatible with expressivity but even heighten it to a considerable degree. The serialized material follows a traditional form with an audible recapitulation at the end, resulting in what Struck-Schloen calls "a large-scale arch or 'arcade'" and creating a reassuring balance between turmoil and repose.
Symphony No. 5 in E-flat Major, Op. 82
(1915-19) Jean Sibelius
Born December 8, 1865 in Hameenlinna, Finland Died September 20, 1957 in Jarvenpaa, Finland
Snapshot of history... In 1919:
Versailles Peace Conference opens
Claude Monet paints Nympheas (Water Lilies)
Sherwood Anderson publishes Winesburg, Ohio
Richard Strauss's Die Frau ohne Schatten premiered
The Spanish influenza pandemic rages around the world
During the one meeting Jean Sibelius had with Gustav Mahler, the latter spoke about the need for the symphony to be all-embracing, to be a world unto itself. Sibelius, for his part, insisted on "the
profound logic that created an inner connection between all the motifs." The use of the word "logic" does not necessarily imply something overly cerebral or rational. It merely means that for Sibelius, structural considerations were all-important. For Mahler, the germ out of which a symphony grew was often a metaphysical idea, and structural concerns could become secondary to the expression of his personal emotions. On the other hand, Sibelius, who was extremely reticent when it came to private matters, would take simple musical motifs as his points of departure and use them to build edifices of surpassing grandeur and majesty. Expressivity is a direct result of this imposing musical architecture. In other words, structural coherence was the Finnish master's way of "embracing the entire world."
Sibelius had inherited from Beethoven and Brahms the idea that everything in a symphonic work had to grow organically from a small number of basic elements. Yet he implemented this classical principle in entirely new ways, modifying and expanding upon the traditional notions of exposition, development, and recapitulation.
In Beethoven and Brahms, short motifs (three or four notes) were usually organized into larger units such as periods, which are typically eight-measure segments with symmetrical inner divisions. These segments were in their turn incorporated into the even larger framework of the exposition, itself part of the architecture of the entire movement. Sibelius, in his Symphony No. 5, skipped the middle level of the musical period almost completely, and built his large-scale architecture directly from the smallest elements. Therefore, the growth of the music we perceive is not small to medium to large, but proceeds, instead, from a soft opening to a great climactic moment so gradually that the intermediary stages are almost impossible to distinguish.
The opening may strike some listeners as a slow introduction. It is somewhat tentative and hesitant, and emphasizes single intervals repeated in different instrumentations. It seems that the music does not immediately "get going." Yet it eventually becomes clear that this is not an introduction at all but the main body of the movement. The opening motif is developed in two successive surges: the volume and the density of the music go through two cycles of gradual increase and decrease. Then a new section begins with a highly chromatic passage (that is, one
that uses many half-steps not part of the main key). This passage, played by the solo bassoon, is marked lugubre and patetico; it leads, again very gradually, into the next tempo ("Allegro moderato"). Some commentators interpret this as the beginning of a new movement, bringing the number of the symphony's movements from three to four. Others prefer to regard it as part of the first movement. The very possibility of such a disagreement is a sign of the typically Sibelian blurring of the boundaries.
The "Allegro moderato" section has the character of a scherzo (the traditionally playful middle movement in many classical symphonies). Its thematic material, however, is derived from the horn theme with which the symphony opened. The scherzo begins as a gentle dance with a tender melody played by the woodwind in parallel thirds. A new theme is then introduced by the trumpet, but as it is developed it becomes increasingly clear that it, too, is a variation of the symphony's first two measures. This second theme is developed contrapuntally in the last section of the movement, dominated by the short and well-separated notes in the strings and the soft strokes of the timpani.
Next comes an "Andante mosso, quasi allegretto" (a somewhat brisk walking tempo), which takes the place of the slow movement. It is a set of variations in the key of G Major (an audible contrast to the E-flat of the preceding movement). The theme is first introduced by pizzicato (plucked) violas and cellos, answered by a pair of flutes. The variations become less and less predictable as the movement wears on. First the tempo broadens to "Tranquillo" and the E-flat Major tonality is temporarily resumed; then the music speeds up again, settling once more in G Major. (That key is usually considered, and treated, as lighter and more jovial than E-flat Major.) It is at this point that a new motif, made up of wide leaps, appears in the bass.
This motif, easy to overlook here, plays an important part in the finale. It is what the famous British music analyst, Sir Donald Francis Tovey, described with the words "Thor swinging his hammer," referring to the Nordic thunder god after whom Thursday has been named. (Thor is also well known to Wagnerians as Donner from Das Rheingold.) Listening to this melody, which moves rather slowly with wide melodic leaps, it is not hard to visualize a supernatural being displaying his enormous strength.
In Sibelius's finale, the "Thor" theme is combined with another idea in perpetual motion, but this is eventually phased out and Thor takes over completely. The tempo becomes slower and slower, the hammer blows stronger and stronger, until the last six widely-spaced strokes that provide one of the most original endings in the entire symphonic literature.
Symphony No. 5 seems to have given Sibelius more trouble than any of his symphonies. He mentioned it in his diaries as early as 1912, but progress on the new work was slow at first. In September 1914, the composer wrote in his diary: "In a deep dell again. But I already begin to see dimly the mountain that I shall certainly ascend...God opens His door for a moment and His orchestra plays the Fifth Symphony."
After the first performance on Sibelius's 50th birthday, the composer withdrew the score and presented a revised version the following year. Still dissatisfied, he made more changes and finally introduced the definitive version in 1919. The intermediate version has not survived but the 1915 original has; it has received some performances lately, but it has remained a curiosity. Sibelius's final version has of course remained the standard form in which the symphony is known.
In January 1918, while Sibelius was still revising his symphony, a civil war broke out in Finland. The country had been under Russian domination until the year before; now it became a battleground between the Red Army and the Finnish nationalist forces, known as the Whites. Sibelius's sympathies were with the latter, and as the Red troops advanced, he and his family were forced to leave their villa at Jarvenpaa and take refuge at the Lapinlahti Asylum in Helsinki where the composer's brother Christian was senior psychiatrist. Sibelius reportedly lost 40 pounds as a result of wartime food shortages. However, by May 1918, he had resumed his creative work and was able to report in a letter that he had "practically composed anew" his Symphony No. 5. But the premiere had to wait until the war was over. It took place, finally, in the new Finnish Republic, established on June 17, 1919. National independence, a cause that had inspired so much of Sibelius's early music, had at last become a reality; and the mature Sibelius-long a legend in his native country--was among the first to celebrate this great event with the final version of one of his most grandiose works.
Program notes by Peter Laki.
American conductor David Robertson is highly acclaimed worldwide for his impeccable musicianship, exhilarating presence, and innovative programming, which continue to inspire and enthrall audiences and fellow musicians alike. Equally at home in both orchestral and operatic realms, Mr. Robertson's combination of passion and intellect have established him as a leading interpreter of both the standard classical repertoire as well as less traditional works of our time. In the fall of 2008 Mr. Robertson began his fourth season as Music Director of the 129-year-old Saint Louis Symphony Orchestra (SLSO), while continuing as Principal Guest Conductor of the BBC Symphony Orchestra, a post to which he was appointed in 2005.
In addition to his commitments with the SLSO, Mr. Robertson continues toguest conduct nationally and internationally throughout the 0809 season. Highlights of the season include several world premieres of works by composers such as Miroslav Srnka with the Ensemble Intercontemporain, Sam Hayden with the BBC Symphony, and Ivan Fedele with the Filarmonica della Scala. In April 2009, Mr. Robertson brings his orchestra to New York's Carnegie Hall for two consecutive concerts featuring works by Wagner and Sibelius, as well as the New York premiere of Saariaho's Mirage with soprano Karita Manila and cellist Anssi Karttunen. In addition, Mr. Robertson conducted The Juilliard Orchestra as part of the inaugural concert of the much-anticipated Alice Tully Hall Opening Nights Festival on February 22, and in a second concert on February 26. Additional guest appearances in the US include performances with the New York Philharmonic, Boston Symphony, Philadelphia Orchestra, San Francisco Symphony, and Seattle Symphony. International conducting relationships include the Edinburgh Festival, La Scala, Royal Concertgebouw Orchestra, Staatskapelle Dresden, Berlin Philharmonic, and Bayerischer Rundfunk Symphonieorchester.
Born in Santa Monica, California, Mr. Robertson was educated at London's Royal Academy of Music, where he studied French horn and composition before turning to orchestral conducting. Mr. Robertson is the recipient of Columbia University's 2006 Ditson Conductor's Award, and he and the SLSO received the ASCAP Morton Gould Award for Innovative Programming for the 0506 season from the League of American Orchestras. Musical America named him "Conductor of the Year" for
2000. In 1997, Mr. Robertson received the Seaver National Endowment for the Arts Conductors Award, the premier prize of its kind given to exceptionally gifted American conductors. In May 2007, he was granted an honorary doctorate from Maryville University. Mr. Robertson and his wife, pianist Orli Shaham, are parents of twin boys. Mr. Robertson also has two teenage sons.
The Finnish cellist Anssi Karttunen is one of the most renowned and versatile musicians in the classical music world today and enjoys a busy career as a soloist and chamber music player. He performs on modern cello, classical and baroque cellos, and on violoncello piccolo. Mr. Karttunen performs all the standard cello works, but has also discovered many forgotten masterpieces and arranged a number of pieces for cello.
Mr. Karttunen is a passionate advocate for contemporary music and has given over 50 world premieres of works by composers such as
David Robertson
Photo: Michael Tammaro
Magnus Lindberg, Kaija Saariaho, Rolf Wallin, Luca Francesconi, and Tan Dun. He gave the world premieres of Lindberg's Cello Concerto in 1999 with Orchestre de Paris, Esa-Pekka Salonen's Mania in 2000 with Avantil, Martin Matalon's Cello Concerto in 2001 with Orchestre National de France, and Francesconi's Cello Concerto in 2004 with RAI Torino. The Boston Symphony Orchestra commissioned a concerto from Saariaho for Mr. Karttunen, which received its premiere in February 2007. The European premiere took place in March 2007 with the Finnish Radio Symphony Orchestra.
Mr. Karttunen has worked with outstanding orchestras such as the Philadelphia Orchestra, Los Angeles Philharmonic, Philharmonia Orchestra, BBC Symphony, London Sinfonietta, NHK Orchestra, Munich Philharmonic, Ensemble Modern, Rotterdam Philharmonic, Swedish Radio Orchestra, Danish Radio Orchestra, Oslo Philharmonic, RAI Torino, Finnish Radio Orchestra, and the Helsinki Philharmonic.
Mr. Karttunen was born in 1960. His teachers included Erkki Rautio, William Pleeth, Jacqueline du Pre, and Tibor de Machula. Between 1994-1998, he was artistic director of the Avanti! Chamber Orchestra. He was also artistic director of the 1995 Helsinki Biennale and the Suvisoitto-Festival in Porvoo, Finland from 1994-1997. From December 1999-June 2005, Mr. Karttunen was principal cellist of the London Sinfonietta. He has also appeared as conductor: in February 2000 he conducted Lindberg's Kraft in Antwerp, and in January 2003 he led the Los Angeles Philharmonic Cello Ensemble. Mr. Karttunen plays a cello by Francesco Rugged
UMS Archives
This evening's performance marks the Saint Louis Symphony Orchestra's fourth UMS appearance. The Orchestra made its UMS debut in January 1936 conducted by Maestro Vladimir Golschmann, and last appeared at Hill Auditorium in January 1996 under the baton of Maestro Leonard Slatkin.
UMS welcomes Maestro David Robertson and cellist Anssi Karttunen who make their UMS debuts this evening.
Founded in 1880, the Saint Louis Symphony Orchestra (SLSO) is recognized interna?tionally as an ensemble of the highest caliber, performing a broad musical repertoire with skill and spirit. In the 0809 season, the SLSO continues to build upon its reputation for musical excellence while maintaining its commitment to local education and community activities.
In December 2003, the SLSO announced the appointment of its 12th and second American-born Music Director, David Robertson. He began his inaugural season in September 2005, joining the SLSO after an 18-month international search. Prior to his SLSO appointment, Mr. Robertson was Music Director of the Orchestre National de Lyon and Artistic Director of Lyon's auditorium.
The SLSO expanded its audience through frequent tours of the Midwest and the East and West Coasts in the 1980s and 1990s. Tours to Europe in 1985, 1993, and 1998 and to the Far East in 1986, 1990, and 1995 spread the reputation of the Orchestra throughout the world. Appearances at New York's Carnegie Hall continue to garner critical acclaim. Recordings by the SLSO have been honored with six Grammy Awards and 56 Grammy nominations.
The SLSO was founded on the belief that great music should be available to everyone. Through a series of innovative and nationally recognized community-oriented activities, including many education and outreach programs, the musicians of the SLSO have shared their love for music with millions and introduced classical music to those who otherwise might not have been exposed to it. Each year, SLSO musicians participate in more than
Anssi Karttunen
Photo: Irmeli Jung
250 free performances and events throughout the greater St. Louis area.
As part of this effort, the SLSO participates in the E. Desmond Lee Fine Arts Education Collaborative, a partnership between the SLSO, the University of Missouri-St. Louis, Opera Theatre of Saint Louis, the Saint Louis Art Museum, Young Audiences of Saint Louis, the Pulitzer Foundation for the Arts, and more than 90 schools in 12 area school districts. The Collaborative enhances the music curricula of member schools through various initiatives, including classroom interaction with musicians, faculty, and artists from the participating institutions.
Saint Louis Symphony Orchestra
20082009 Season
David Robertson
Music Director
Violin I
David Halen, Concertmaster
Eloise and Oscar Johnson, Jr. Chair Heidi Harris, Associate Concertmaster
Louis D. Beaumont Chair Silvian Iticovici, Second Associate Concertmaster Erin Schreiber, Assistant Concertmaster Dana Edson Myers
Justice Joseph H. and Maxine Goldenhersh Chair Manuel Ramos Darwyn Apple Charlene Clark Emily Ho Jenny Lind Jones Joo Kim Jooyeon Kong
Margaret B. Grigg Chair Angie Smart
Mary and Oliver Langenberg Chair Takaoki Sugitani Haruka Watanabe
Jane and Whitney Harris Chair Hiroko Yoshida Celeste Golden
Violin II
Alison Harney, Principal
Dr. Frederick Eno Woodruff Chair Kristin Ahlstrom, Associate Principal
Virginia V. Weldon, M.D. Chair Eva Kozma, Assistant Principal Rebecca Boyer Hall Nicolae Bica Deborah Bloom Lisa Chong Elizabeth Dziekonski Lorraine Glass-Harris Ling Ling Guan Asako Kuboki Wendy Plank Rosen Shawn Weil Cecilia Weinkauff
Viola
Jonathan Vinocour, Principal
Ben H. and Katherine G. Wells Chair Kathleen Mattis, Associate Principal Christian Woehr, Assistant Principal Mike Chen Gerald Fleminger Susan Gordon
Ned O. Lemkemeier
Chairman of the Board of Trustees
Fred Bronstein
President and Executive Director
Ward Stare, Resident Conductor, Director of the Saint Louis Symphony Youth Orchestra
Amy Kaiser, Director of Saint Louis Symphony Chorus AT&T Foundation Chair
Robert Ray, Director of the IN UNISONO Chorus
Leonid Gotman Lynn Hague Morris Jacob Shannon Farrell Williams Chris Tantillo
Violoncello Daniel Lee, Principal
Frank Y. and Katherine G.
Gladney Chair Melissa Brooks, Associate Principal
Ruth and Bernard
Fischlowitz Chair
Catherine Lehr, Assistant Principal Anne Fagerburg Richard Brewer James Czyzewski Sebastien Gingras David Kim Alvin McCall Bjorn Ranheim
Double Bass
Erik Harris, Principal
Henry Loew Chair Carolyn White, Associate Principal Christopher Carson, Assistant
Principal David DeRiso Warren Goldberg Sarah Hogan Donald Martin Ronald Moberly
Harp
Frances Tietov, Principal Elizabeth Eliot Mallinckrodt Chair
Flute
Mark Sparks, Principal
Herbert C. and Estelle Claus Chair Andrea Kaplan, Assistant Principal Justin Berrie Jennifer Nitchman
Piccolo
Chair Vacant
Oboe
Peter Bowman, Principal Morton D. May Chair Barbara Orland, Assistant Principal Philip Ross Carolyn Banham
English Horn
Carolyn Banham
Clarinet
Scott Andrews, Principal
Walter Susskind Chair Diana Haskell, Assistant Principal
Wilfred and Ann Lee
Konneker Chair Tina Ward James Meyer
E-flat Clarinet
Diana Haskell
Bass Clarinet
James Meyer
Bassoon
George Berry, Principal Molly Sverdrup Chair Andrew Gott, Assistant Principal Felicia Foland Bradford Buckley
Contrabassoon
Bradford Buckley
Horn
Chair Vacant
W.L Hadley and Phoebe P. Griffin
Chair Tod Bowermaster, Acting Assistant
Principal James Wehrman Gregory Roosa Lawrence Strieby Brian Blanchard
Trumpet
Susan Slaughter, Principal
Symphony Women's Association Chair Thomas Drake, Assistant Principal Joshua MacCluer Michael Walk
David J. Hyslop Chair
Trombone
Timothy Myers, Principal
Mr. and Mrs. William R. Orthwein,
Jr. Chair
Stephen Lange, Assistant Principal Jonathan Reycraft Gerard Pagano
Bass Trombone
Gerard Pagano
Tuba
Michael Sanders, Principal Lesley A. Waldheim Chair
Timpani
Richard Holmes, Principal
Symphony Women's Association
Chair Thomas Stubbs, Assistant Principal
Paul A. and Ann S. Lux Chair
Percussion
William James, Principal
St. Louis Post-Dispatch Foundation
Chair John Kasica
Distinguished Percussion Chair Thomas Stubbs
Keyboard Instruments
Principal Florence G. and Morton J. May Chair
Music Library
John Tafoya, Librarian
Elsbeth Brugger, Associate Librarian
Roberta Gardner, Library Assistant
Stage Staff
Michael Lynch, Stage Manager Joseph Clapper, Assistant Stage
Manager Joshua Riggs, Stage Technician
Chair vacant
"Replacement
"Leave of Absence
and
University of Michigan
Health System
present
Chick Corea and John McLaughlin Five Peace Band
Chick Corea, Piano and Keyboards John McLaughlin, Guitar Christian McBride, Bass Kenny Garrett, Alto Saxophone Brian Blade, Drums
Program
Saturday Evening, April 4, 2009 at 8:00 Hill Auditorium Ann Arbor
Tonight's program will be announced from the stage by the artists and will be performed with one intermission.
56th Performance of the 130th Annual Season
15th Annual Jazz Series
The photographing or sound and video recording of this concert or possession of any device for such recording is prohibited.
Tonight's performance is sponsored by University of Michigan Health System.
Special thanks to Robert Kelch, Executive Vice President for Medical Affairs, for his continued and generous support of the University Musical Society.
Additional support for tonight's performance provided by Jane and Edward Schulak.
Special thanks to Linda Yohn, WEMU 89.1 FM Music Director, for participating in tonight's Prelude Dinner.
Media partnership provided by WEMU 89.1 FM and Metro Times.
The Yamaha piano used in this evening's concert is made possible by King's Keyboard, Ann Arbor, Michigan.
Chick Corea and John McLaughlin: Five Peace Band appear by arrangement with Ted Kurland Associates, Boston, MA.
Large print programs are available upon request.
Photo: C Taylor Crother
Chick Corea and John McLaughlin are truly kindred spirits. Both are brave musical explorers and singular virtuosos on their respective instruments. As young jazz artists, they both did stints with the legendary Miles Davis and appeared together on the groundbreaking jazzrockfunk classic Bitches Brew. Each later ventured out to form his own revolutionary band: McLaughlin's Mahavishnu Orchestra and Corea's Return to Forever. The innovative music played by these two groups attracted huge audiences in the 1970s and helped shape a new genre of music, turning multitudes of rock fans on to a new form of jazz. Since then they have both had extraordinarily prolific careers, with continual creative output spanning many genres of music and in a host of different musical settings, while maintaining unparalleled artistic integrity--and becoming legends in their own right. Now, along with a group featuring some of the greatest musicians on the planet--Kenny Garrett on sax, Christian McBride on bass, and Brian Blade on drums--you can expect an eclectic night of highly creative music. From a nod to Miles to intimate duets, intricate acoustic jazz to burning jazz rockfunk, and, of course, Corea and McLaughlin classics, this musical pairing is one of the most important collaborations for jazz in our times-and an evening not to be missed.
One of the most creatively restless and indefatigably imaginative artists in jazz. Chick Corea defies categorization. He is equally at home in acoustic settings as in electric formats. He performs sublime solo concerts and welcomes richly arranged collaborations with orchestras. In recent years, he has explored new collaborations (including one with banjo virtuoso Bela Fleck on their duo album The Enchantment). revisited old bands (including an extensive tour with a quartet featuring Hubert Laws, Eddie Gomez, and Airto Moreira) and celebrated the 35th anniversary of his chamber jazz duo partnership with Gary Burton that resulted in 2007's remarkable two-CD set The New Crystal Silence.
Mr. Corea broke onto the jazz scene in the early 1960s, working with bands led by such stars as Mongo Santamaria, Willie Bobo, Blue Mitchell, Herbie Mann, and Stan Getz. One of his most significant sideman gigs was with Miles Davis'
seminal electric fusion bands from 1968-70, when he participated in the classic album Bitches Brew. It was there that Mr. Corea first met and worked with John McLaughlin. As a solo artist, he recorded his debut in 1966, Tones for Joan's Bones, followed by what has come to be known as a classic jazz recording, 1968's Now He Sings, Now He Sobs with Miroslav Vitous and Roy Haynes. While Mr. Corea's musical career teems with significant explorations and advances, one of his highlight moments came in 1971 when he created the legendary jazz-rock fusion band Return to Forever. While it lasted just seven years in three different editions, RTF is heralded as one of the most important and forward-looking bands in jazz history.
Veteran guitar grandmaster John McLaughlin has earned a place in the top echelon of the six-string pantheon. His virtuosity has been on display in a number of divergent settings throughout his celebrated career, beginning in the early 1960s as the electric guitarist for Georgie Fame's rocking Blue Flames. From there he covered a wide swath of musical
UMS Archives
This evening's performance marks Chick Corea's fourth appearance under UMS auspices following his UMS debut at the Power Center with the Chick Corea Quartet in October 1994. He last appeared at Hill Auditorium in April 2008.
Tonight marks John McLaughlin's second UMS appearance. Mr. McLaughlin made his UMS debut in November 1996 at the Michigan Theater with Paco de Lucia and Al Di Meola.
Christian McBride makes his fourth UMS appearance tonight following his UMS debut in December 1996 at Hill Auditorium with Kathleen Battle.
Brian Blade makes his third appearance under UMS auspices following his UMS debut in April 2002 with the Wayne Shorter Quartet. He most recently appeared this season with the Wayne Shorter Quartet in September 2008.
This evening's performance marks saxophonist Kenny Garrett's UMS debut.
NEVER U POV
ESTIMATE F MUSIC.
MusiC and the ArtS are powerful tools in the healing process. That's why we created programs ranging from our Gifts of Art, which include bedside music and art galleries, to our harmonica class for pulmonary rehab patients. It's also why we support the University Musical Society. Because we value the arts and all they bring to our patients. That's the Michigan Difference, michigandifference.org
University of Michigan Health System
territory. In the late 1960s and early 1970s, he explored electric guitar jazz-rock fusion with Tony Williams's Lifetime and Miles Davis' Bitches Brew, On the Corner, and Live at the Cellar Door bands. (It was through Mr. McLaughlin's tenure with Davis that he got to work with Chick Corea.) Mr. McLaughlin also formed his own seminal fusion group, Mahavishnu Orchestra, which burst onto the scene with two artistic and commercial blockbusters: 1971's The Inner Mounting Flame and 1972's Birds of Fire.
While a fusion superhero, Mr. McLaughlin proved to be a master guitarist not content to dwell in predictable territory for too long a spell. He delved into acoustic guitar playing, working with Indian percussionist Trilok Gurtu as well as recording Time Remembered, a gorgeous acoustic
homage to Bill Evans. Mr. McLaughlin also toured with Spanish flamenco guitarist Paco de Lucia, composed two critically acclaimed concertos for classical guitar and orchestra, and played jazz-infused Indian classical music with his band Shakti. In 2005 McLaughlin recorded Thieves and Poets, his first new studio album in six years. It featured his buoyant, classical-tinged three-part suite for acoustic guitar and orchestra performed by him and The Deutsche Kammerphilharmonie conducted by Renalto Rivolta. His most recent album. Floating Point, another electric date with a band of Indian musicians, was praised by DownBeat as "a landmark recording, marked by detail, subtlety, and extraordinary moving performances."
presents
Andras Schiff
Piano
Program
Thursday Evening, April 9, 2009 at 8:00 Hill Auditorium Ann Arbor
Beethoven Piano ?onatas
Concert VII
Sonata No. 27 in e minor. Op. 90
Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck Nicht zu geschwind und sehr singbar vorgetragen
Sonata No. 28 in A Major, Op. 101
Etwas lebhaft und mit der innigsten Empfindung.
Allegretto, ma non troppo Lebhaft. MarschmaBig. Vivace alia Marcia Langsam und sehnsuchtvoll. Adagio, ma non troppo, con affetto Geschwinde, doch nicht zu sehr, mit Entschlossenheit. Allegro
Sonata No. 29 in B-flat Major, Op. 106 ("Hammerklavier") Allegro
Scherzo. Assai vivace Adagio sostenuto Largo--Allegro risoluto
This evening's program will be performed without intermission. Please refer to page 24 in your program book for a biography of Mr. Schiff.
57th Performance of the 130th Annual Season
130th Annual Choral Union Series
The photographing or sound and video recording of this recital or possession of any device for such recording is prohibited.
Media partnership provided by WRCJ 90.9 FM, WGTE 91.3 FM, and Observer & Eccentric Newspapers.
The Steinway piano used in this evening's recital is made possible by Steinway & Sons, New York, NY.
Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of floral art for this evening's recital.
Mr. Schiff appears by exclusive arrangement with Kirshbaum Demler & Associates, Inc., New York, NY.
Mr. Schiff's recordings are available on the DeccaLondon, TeldecWarner, and ECM labels.
Large print programs are available upon request.
and the
Medical Community
Endowment Fund
present
Andras Schiff
Piano
Saturday Evening, April 11, 2009 at 8:00 Hill Auditorium Ann Arbor
Beethoven Piano ?onatas
Concert VIII
Sonata No. 30 in E Major, Op. 109
Vivace ma non troppo--Adagio espressivo Prestissimo
Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
Sonata No. 31 in A-flat Major, Op. 110
Moderato cantabile molto espressivo
Allegro molto
Adagio ma non troppo--Fuga. Allegro ma non troppo
Sonata No. 32 in c minor. Op. 111
Maestoso--Allegro con brio ed appassionato Arietta. Adagio molto semplice e cantabile
This evening's program will be performed without intermission.
58th Performance of the 130th Annual Season
Piano Series
The photographing or sound and video recording of this recital or possession of any device for such recording is prohibited.
Tonight's recital is sponsored by the Medical Community Endowment Fund. Media partnership provided by WRCJ 90.9 FM.
The Steinway piano used in this evening's recital is made possible by Steinway & Sons, New York, NY.
Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of floral art for this evening's recital.
Special thanks to Steven Ball for coordinating the pre-concert music on the Charles Baird Carillon.
Mr. Schiff appears by exclusive arrangement with Kirshbaum Dernier & Associates, Inc., New York, NY.
Mr. Schiff's recordings are available on the DeccaLondon, TeldecWarner, and ECM labels.
Large print programs are available upon request.
Andras Schiff was born in Budapest, Hungary, in 1953 and started piano lessons at the age of five with Elisabeth Vadsz. He later studied with PSI Kadosa, Gybrgy KurtSg, and Ferenc Rados at the Franz Liszt Academy in Budapest and with George Malcolm in London.
Recitals and special cycles such as the major keyboard works of J.S. Bach, Haydn, Mozart, Beethoven, Schubert, Chopin, Schumann, and Bartok form an important part of Mr. Schiff's activities. In 2004, he began a series of performances in Europe exploring the 32 Beethoven piano sonatas in chronological order--a project recorded live for ECM New Series and released in eight volumes through 2008.
The Beethoven Sonata Project in its entirety continues this season at New York's Carnegie Hall, Los Angeles's Disney Hall, San Francisco's Symphony Hall, and Ann Arbor's Hill Auditorium. Individual recitals are also slated for Chicago, North Carolina, Ottawa, Philadelphia, Princeton, and Washington DC.
Mr. Schiff has annual engagements with the Philharmonia Orchestra of London and the Chamber Orchestra of Europe as conductor and soloist. He is a regular visitor as conductor and soloist with the Philadelphia Orchestra, Los Angeles Philharmonic, National Symphony Orchestra, Staatskapelle Dresden, Budapest Festival Orchestra, and City of
Birmingham Symphony Orchestra.
Since childhood, Mr. Schiff has enjoyed playing chamber music and from 1989-1998 he was Artistic Director of the internationally highly praised Musiktage Mondsee chamber music festival near Salzburg. In 1995, together with Heinz Holliger, he founded the Ittinger Pfingstkonzerte in Kartause Ittingen, Switzerland. In 1998, Mr. Schiff started a similar series entitled Hommage to Palladio at the Teatro Olimpico in Vicenza. From 2004-2007 he was Artist in Residence of the Kunstfest Weimar.
Mr. Schiff has established a prolific discography, including recordings for Teldec (1994-1997), LondonDecca (1981-1994), and, since 1997, ECM New Series. Recordings for ECM include the complete solo piano music of Beethoven and Janacek, a solo disc of Schumann piano pieces, and his second recording of the Bach Goldberg Variations. He has received several international recording awards, including two Grammy Awards for "Best Classical Instrumental Soloist (Without Orchestra)" and "Best Vocal Recording" with tenor Peter Schreier. Mr. Schiff was honored by the Royal Academy of Music with the institution's prestigious Bach Prize, sponsored by the Kohn Foundation. In 2006, Mr. Schiff and the music publisher G. Henle began an important Mozart and Bach edition project. Mr. Schiff resides in Florence and London.
Andras Schiff
UMSExperience

UMS EDUCATION AND AUDIENCE DEVELOPMENT PROGRAMS
www.ums.orgeducation
UMS's Education Program deepens the relation?ship between audiences and art, while efforts in Audience Development raise awareness of the positive impact the performing arts and education can have on the quality of life in our community. The program creates and presents the highest quality arts education and community engagement experiences to a broad spectrum of community constituencies, proceeding in the spirit of partnership and collaboration. Details about all educational and residency events are posted online at www.ums.org approximately one month before the performance date. Join the UMS Email Club to have updated event information sent directly to you. For immediate event info, please email umsed@umich.edu, or call the numbers listed below.
ADULT & COMMUNITY ENGAGEMENT
Please call 734.647.6712 or email umsed@umich.edu for more information.
The UMS Adult and Community Engagement Program serves many different audiences through a variety of educational events. With lover 100 unique regional, local, and university-based partnerships, UMS has launched initiatives for the area's Arab American, African,
MexicanLatino, AsianChinese, and African American audiences. UMS has earned national acclaim for its work with diverse cultural groups, thanks to its proactive stance on part?nering with and responding to individual com?munities. Though based in Ann Arbor, UMS Audience Development programs reach the entire southeastern Michigan region.
Public Programs
UMS hosts a wide variety of educational and community events to both inform the public about arts and culture and provide forums for discussion and celebration of the performing arts. These events include:
PREPs Pre-performance lectures
Meet the Artists Post-performance Q&A with the artists
Artist Interviews Public dialogues with performing artists
Master Classes Interactive workshops
PanelsRound Tables In-depth adult edu?cation related to a specific artist or art form
Artist-in-Residence Artists teach, create, and meet with community groups, university units, and schools
Book Clubs Discussions on UMS-related literature
Community Receptions Opportunities for audiences to network and socialize with each other and with artists
UlVl!
UMS is grateful to the University of Michigan for its support through the U-MAJMS Partner?ship Program of many educational activities scheduled in the 0809 season. These activities provide opportunities for students, faculty, and other members of the University and southeast Michigan communities to deepen their connection with the artists on the UMS series.
The NETWORK: UMS African American Arts Advocacy Committee Celebrate. Socialize. Connect.
734.615.0122 I www.ums.orgnetwork
The NETWORK was launched during the 0405 season to create an opportunity for African-Americans and the broader community to cele?brate the world-class artistry of today's leading African and African-American performers and creative artists. NETWORK members connect, socialize, and unite with the African-American community through attendance at UMS events and free preor post-concert receptions. NET?WORK members receive ticket discounts for selected UMS events; membership is free.
WINTER 2009 NETWORK PERFORMANCES
Rubberbandance Group
Lawrence Brownlee Martin Katz
Sweet Honey In The Rock
Jazz at Lincoln Center Orchestra with Wynton Marsalis
UMS YOUTH, TEEN, AND FAMILY EDUCATION
Please call 734.615.0122 or email umsyouth@umich.edu for more information.
UMS has one of the largest K-12 education ini?tiatives in the state of Michigan. Designated as a "Best Practice" program by ArtServe Michigan and the Dana Foundation, UMS is dedicated to making world-class performance opportunities and professional development activities available ko K-12 students and educators.
UMS Youth
0809 Youth Performance Series
These daytime performances give pre-K through high school students the opportunity to see the same internationally renowned per?formances as the general public. The Winter 2009 season features special youth presenta?tions of Rubberbandance Group, Sweet Honey
In The Rock, Jazz at Lincoln Center Orchestra, Aswat: Celebrating the Golden Age of Arab Music, and Dan Zanes & Friends. Tickets range from $3-6 depending on the performance; each school receives free curriculum materials.
Teacher Workshop Series
UMS is part of the Kennedy Center Partners in Education Program, offering educators mean?ingful professional development opportunities. Workshops, cultural immersions, and book clubs bring the best in local and national arts education to our community, through presen?tations by Kennedy Center teaching artists, UMS performing artists, and local arts and cul?ture experts. This series focuses on arts integra?tion, giving teachers techniques for incorporating the arts into everyday classroom instruction.
Some think anticipation.
We think track record.
New York Philharmonic W
Private Banking Investment Banking Asset Management
We look at things from a different perspective for the benefit of our clients. An approach we share with the New York Philharmonic. As Global Sponsor we are proud to support a renowned institution that continuously sets new standards in innovation redefining classical music. This mutual tradition of challenging conventional thinking helps us to realize new opportunities for our clients. This has been our ambition since 1856. www.credit-suisse.comsponsorship
Thinking New Perspectives. V_REDIT oUISSE
K-12 Arts Curriculum Materials
UMS creates teacher curriculum packets, CDs, and DVDs for all of the schools participating in UMS's Youth Education Program. Further, the UMS curricular materials are available online at no charge to the general public. All materials are designed to connect to the curricular stan?dards via the Michigan Grade Level Content Expectations.
Teacher Appreciation Month!
March 2009 has been designated UMS Teacher Appreciation Month. All teachers will be able to purchase tickets for 50 off at the venue on the night of the performance (subject to availability). Limit of two tickets per teacher, per event. Teachers must present their official school ID when purchasing tickets. Check out www.ums.org for March events!
School FundraisersGroup Sales
Raise money for your school and support the arts. UMS offers a wide range of fundraising opportunities and discount programs for schools. It is one of the easiest and most rewarding ways to raise money. For information contact UMS Group Sales at umsgroupsales@umich.edu or 734.763.3100.
Teacher Advisory Committee
This group of regional educators, school administrators, and K-12 arts education advo?cates advises and assists UMS in determining K-12 programming, policy, and professional development. If you would like to participate, please contact umsyouth@umich.edu.
UMS is in partnership with the Ann Arbor Public Schools and the Washtenaw Intermediate School District as part of the Kennedy Center: Partners in Education Program. UMS also participates in the Ann Arbor Public Schools' "Partners in Excellence" program.
UMS Teen Teen Tickets
Teens can attend UMS performances at signifi?cant discounts. Tickets are available to teens for $10 the day of the performance (or on the Friday before weekend events) at the Michigan League Ticket Office and $15 beginning 90 minutes before the performance at the venue. One ticket per student ID, subject to availability.
Breakin' Curfew
In a special collaboration with the Neutral Zone, Ann Arbor's teen center, UMS presents this yearly performance highlighting the area's best teen performers. This show is curated, designed, marketed, and produced by teens under the mentorship of UMS staff. This year's Breakin' Curfew takes place on Friday, May 8, 2009.
UMS Family
The Winter 2009 season features family per?formances of Rubberbandance Group and Dan Zanes & Friends. Family-friendly performances also include the Silk Road Ensemble and Kodo. Please visit www.ums.org for a complete list of family-friendly performances.
The 0809 Family Series is sponsored by TOYOTA
Classical Kids Club
Parents can introduce their children to world-renowned classical music artists through the Classical Kids Club. Designed to nurture and cre?ate the next generation of musicians and music lovers, the Classical Kids Club allows students in grades 1-8 to purchase tickets to all classical music concerts at a significantly discounted rate. Parents can purchase up to two children's tickets for $10 each with the purchase of a $20 adult ticket beginning two weeks before the concert. Seating is subject to availability. UMS reserves a limited number of Classical Kids Club tickets to each eligible performance--even those that sell out! For information, call 734.764.2538 or visit www.ums.org and sign up for UMS E-News and check the box for Classical Kids Club.
Education Program Supporters
4ffi4foj Ford Motor Company Fund "lit'" ancj Community Services
Michigan Council for Arts and Cultural Affairs University of Michigan
Anonymous Arts at Michigan Bank of Ann Arbor Bustan al-Funun Foundation
for Arab Arts The Dan Cameron Family
FoundationAlan and
Swanna Saltiel CFI Group Community Foundation for
Southeast Michigan Doris Duke Charitable
Foundation
DTE Energy Foundation The Esperance Family Foundation GM Powertrain
Willow Run Site David and Phyllis Herzig
Endowment Fund Honigman Miller Schwartz
and Cohn UP JazzNet Endowment WK Kellogg Foundation Masco Corporation
Foundation
Miller, Canfield. Paddock and
Stone, P.L.C. The Mosaic Foundation,
Washington DC THE MOSAIC FOUNDATION
(of R. & P. Heydon) National Dance Project of the
New England Foundation
for the Arts
National Endowment for the Arts Performing Arts Fund Prudence and Amnon
Rosenthal K-12 Education
Endowment Fund Rick and Sue Snyder Target
UMS Advisory Committee University of Michigan Credit Union University of Michigan
Health System U-M Office of the Senior Vice
Provost for Academic Affairs U-M Office of the Vice
President for Research Wallace Endowment Fund
UMS STUDENT PROGRAMS
www.ums.orgstudents
UMS offers four programs designed to fit stu?dents' lifestyles and save students money. Each year, 18,000 students attend UMS events and collectively save over $350,000 on tickets through these programs. UMS offers students additional ways to get involved in UMS, with internship and workstudy programs, as well as a UMS student advisory committee.
Half-Price Student Ticket Sales
At the beginning of each semester, UMS offers half-price tickets to college students. A limited number of tickets are available for each event in select seating areas. Simply visit www.ums.orgstudents, log in using your U-M unique name and Kerberos password, and fill out your form. Orders will be processed in the order they are received. You will pay for and pick up your tickets at a later date at the Michigan League Ticket Office.
Winter Semester: Begins Sunday, January 11, 2009 at 8 pm and ends Tuesday. January 13 at 5 pm.
Sponsored by
Rush Tickets
Sometimes it pays to procrastinate! UMS Rush Tickets are sold to college students for $10 the day of the performance (or on the Friday before weekend events) and $15 beginning 90 minutes before the event. Rush Ticket availability and seating are subject to Ticket Office discretion. Tickets must be purchased in person at the Michigan League Ticket Office or at the per?formance venue ticket office. Just bring your valid college ID. Limit two tickets per student.
UMS Student Card
Worried about finding yourself strapped for cash in the middle of the semester The UMS Student Card is a pre-paid system for Rush Tickets. The Card is valid for any event for
which Rush Tickets are available, and can be used up to two weeks prior to the perform?ance. The UMS Student Card is available for $50 for five performances or $100 for 10 per?formances. Please visit www.ums.orgstudents to order online.
Arts & Eats
Arts & Eats combines two things you can't live without--great music and free pizza--all in one night. For just $15, you get great seats to a UMS event (at least a 50 savings) and a free pizza dinner before the concert, along with a brief talk by someone knowledgeable about the performance. Tickets go on sale approximately two weeks before the concert.
Winter 2009 Arts & Eats Events:
Rubberbandance Group, Sun. 111
Sweet Honey In The Rock, Thurs. 212
Silk Road Ensemble with Yo-Yo Ma, Fri. 313
St. Louis Symphony Orchestra, Thurs. 42
Sponsored by UMM5
art j umich edu?-
With support from the U-M Alumni Association
Internships and College Work-Study
Internships with UMS provide experience in performing arts administration, marketing, ticket sales, programming, production, and arts education. Semesterand year-long unpaid internships are available in many of UMS's departments. For more information, please call 734.615.1444.
Students working for UMS as part of the College Work-Study program gain valuable experience in all facets of arts management including concert promotion and marketing, ticket sales, fundraising, arts education, arts programming, and production. If you are a University of Michigan student who receives work-study financial aid and are interested in working at UMS, please call 734.615.1444.
Student Advisory Committee
As an independent council drawing on the diverse membership of the University of Michigan community, the UMS Student Advisory Committee works to increase student interest and involvement in the various pro?grams offered by UMS by fostering increased communication between UMS and the student community, promoting awareness and accessi?bility of student programs, and promoting the student value of live performance. For more information or to participate on the Committee, please call 734.615.6590.
Support
There are many ways to support the efforts of UMS, all of which are critical to the success of our season. We would like to welcome you to the UMS family and involve you more closely in our exciting programming and activities. This can happen through corporate sponsorships, business advertising, individual donations, or through volunteering. Your financial investment andor gift of time to UMS allows us to continue connecting artists and audiences, now and into the future.
CORPORATE SPONSORSHIP AND ADVERTISING
Advertising
When you advertise in the UMS program book you gain season-long visibility among ticket buyers while enabling an important tradition of providing audiences with the detailed program notes, artist biographies, and program descrip?tions that are so important to the performance experience. Call 734.764.6833 to learn how your business can benefit from advertising in the UMS program book.
Sponsorship
As a UMS corporate sponsor, your organization comes to the attention of an educated, diverse, and growing segment not only of Ann Arbor, but all of southeastern Michigan. You make possible one of our community's cultural treas?ures and also receive numerous benefits from your investment. For example, UMS offers you a range of programs that, depending on your level of support, provide a unique venue for:
Enhancing corporate image
Cultivating clients
Developing business-to-business relationships
Targeting messages to specific demographic groups
Making highly visible links with arts and education programs
Recognizing employees
Showing appreciation for loyal customers
For more information, please call 734.647.1176.
INDIVIDUAL DONATIONS
We could not present our season without the invaluable financial support of individual donors. Ticket revenue only covers half of the cost of our performances and educational events. UMS donors help make up the differ?ence. If you would like to make a gift, please fill out and mail the form on page P40 or call 734.647.1175.
UMS VOLUNTEERS
UMS Advisory Committee
The UMS Advisory Committee is an organization of 70 volunteers who contribute approximately 7,000 hours of service to UMS each year. The purpose of the UMS Advisory Committee is to raise community awareness and funds for UMS's nationally acclaimed arts education program. Members contribute their time and talents in a wide variety of ways consistent with their interests.
Fundraising projects include the Ford Honors Program Gala, On the Road Auction, and Delicious Experiences Advisory Ambassadors and Youth Performance Ushering are two projects that involve direct contact with local school?children, teachers, and community groups.
All Advisory Committee members serve as UMS advocates to the greater community by encouraging attendance at UMS performances and participation in UMS and Advisory Committee programs and events.
Two upcoming events include:
Ford Honors Program and Gala January 24, 2009
This year's program will honor the Royal Shakespeare Company, RSC Artistic Director Michael Boyd, and U-M Professor Ralph Williams with UMS Distinguished Artists awards. Following the program and award presenta?tions, the UMS Advisory Committee will host a Gala reception and dinner to benefit UMS Education Programs.
On the Road Auction
For each of the last three years, approximately 300 people have enjoyed an evening of food, music, and silent and live auctions, netting more than $70,000 each year to support UMS Education Programs. On the Road 2009 will be held on September 11, 2009.
Please call 734.764.8489 for more information.
UMS Ushers
Without the dedicated service of UMS's Usher Corps, our events would not run as smoothly as they do. Ushers serve the essential functions of assisting patrons with seating, distributing pro?gram books, and providing that personal touch which sets UMS events apart from others.
The UMS Usher Corps is comprised of over 500 individuals who volunteer their time to make your concert-going experience more pleasant and efficient. Orientation and training sessions are held each fall and winter, and are open to anyone 18 years of age or older. Ushers may commit to work all UMS perform?ances in a specific venue or sign up to substi?tute for various performances throughout the concert season.
If you would like information about becoming a UMS volunteer usher, contact our UMS Front-of-House Coordinator at 734.615.9398 or e-mail fohums@umich.edu.
ANNUAL FUND SUPPORT
July 1, 2007-November 1, 2008
Thank you to those who make UMS programs and presentations possible. The cost of presenting world-class performances and education programs exceeds the revenue UMS receives from ticket sales. The difference is made up through the generous support of individuals, corporations, foundations, and government agencies. We are grateful to those who have chosen to make a difference for UMS! This list includes donors who made an annual gift to UMS between July 1, 2007 and November 1, 2008. Due to space constraints, we can only list those who donated $250 or more. Every effort has been made to ensure the accuracy of this list. Please call 734.647.1175 with any errors or omissions. Listing of donors to endowment funds begins on page P45.
DIRECTOR
$100,000 or more
Anonymous
Maurice S. and Linda G. Binkow
Leonore M. Delanghe Trust
Doris Duke Charitable Foundation
Ford Motor Company Fund and
Community Services W.K. Kellogg Foundation Michigan Council for Arts and Cultural Affairs Pfizer Global Research & Development:
Ann Arbor Laboratories University of Michigan Health System
SOLOIST
$50,000-$99,999 Doris Duke Foundation for Islamic Art Esperance Family Foundation National Endowment for the Arts TAQA New World, Inc.
MAESTRO
$20,000-$49,999
Anonymous
Brian and Mary Campbell
Cairn Foundation
Charles H. Gershenson Trust
DTE Energy Foundation
Maxine and Stuart Frankel Foundation
Lillian A. Ives
KeyBank
Robert and Pearson Macek
Masco Corporation Foundation
Natalie Matovinovic
THE MOSAIC FOUNDATION (of R. & P. Heydon)
Mosaic Foundation, Washington, DC
National Dance Project of New England
Foundation For The Arts National Endowment for the Arts Gilbert Omenn and Martha Darling Laurence and Beverly Price Jane and Edward Schulak Dennis and Ellie Serras Toyota University of Michigan Office of the
Vice President for Research
VIRTUOSO
$10,000-$ 19,999
Michael Allemang and Janis Bobrin
Arts at Michigan
Beverly Franzblau Baker
Emily Bandera and Richard Shackson
Bank of Ann Arbor
Linda and Maurice Binkow Philanthropic Fund
Borders
Carl and Isabelle Brauer Fund
Bustan al-Funun Foundation for Arab Arts
Mary Sue and Kenneth Coleman
Community Foundation for Southeast Michigan
Alice B. Dobson
Eugene and Emily Grant
David W. and Kathryn Moore Heleniak
David and Phyllis Herzig
Honigman Miller Schwartz and Cohn
Frank Legacki and Alicia Torres
Lawrence and Rebecca Lohr
Charlotte McGeoch Mrs. Robert E. Meredith Donald L. Morelock Performing Arts Fund A. Douglas and Sharon J. Rothwell University of Michigan Credit Union Marina and Robert Whitman Ann and Clayton Wilhite
CONCERTMASTER
$7,500-$9,999
Amgen Foundation
Rachel Bendit and Mark Bernstein
Comerica Bank
Carl and Charlene Herstein
Miller, Canfield, Paddock and
Stone, P.L.C. Pfizer Foundation Herbert and Ernestine Ruben Loretta M. Skewes Barbara Furin Sloat
PRODUCER
$5,000-$7,499 American Syrian Arab
Cultural Association Herb and Carol Amster Ann Arbor Automotive Anonymous
Essel and Menakka Bailey Blue Nile Restaurant Marilou and Tom Capo Dennis Dahlmann and Patricia Garcia Marylene Delbourg-Delphis The Doan Family Foundation Jim and Patsy Donahey Ken and Penny Fischer llene H. Forsyth General Motors Powertrain--
Willow Run
Paul and Anne Glendon Debbie and Norman Herbert Howard & Howard Attorneys, PC Keki and Alice Irani ISSA Foundation Judy and Verne Istock David and Sally Kennedy Gay and Doug Lane Jill Latta and David Bach Leo and Kathy LegatskiElastizell
Corporation of America Richard and Carolyn Lineback Mainstreet Ventures Martin Family Foundation Masco Corporation Susan McClanahan and
Bill Zimmerman Marion T. Wirick and
James N. Morgan National City Pepper Hamilton LLP Prue and Ami Rosenthal
Don and Judy Dow Rumelhart Alan and Swanna Saltiel Sesi Investment Nancy and Brooks Sitterley Rick and Sue Snyder James and Nancy Stanley Ed and Natalie Surovell
Edward Surovell Realtors Thomas B. McMullen Company Tisch Investment Advisory United Bank & Trust Max Wicha and Sheila Crowley Jay and Mary Kate Zelenock
LEADER
$3,500-$4,999
Jerry and Gloria Abrams Bernard and Raquel Agranoff Anonymous
Kathy Benton and Robert Brown Raymond and Janet Bernreuter Suzanne A. and Frederick J. Beutler Edward and Mary Cady Sara and Michael Frank Susan and Richard Gutow H. David and Dolores Humes Martin Neuliep and Patricia Pancioli M. Haskell and Jan Barney Newman Virginia and Gordon Nordby Eleanor and Peter Pollack Duane and Katie Renken Kenneth J. Robinson and
Marcia Gershenson John J. H. Schwarz MD Craig and Sue Sincock Rick and Sue Snyder Lois A. Theis Dody Viola
Robert 0. and Darragh H. Weisman Keith and Karlene Yohn
PRINCIPAL
$2,500-$3,499
Jim and Barbara Adams Barbara A. Anderson and
John H. Romani Janet and Arnold Aronoff Bob and Martha Ause Paulett Banks DJ and Dieter Boehm Gary Boren
Charles and Linda Borgsdorf Jeannine and Robert Buchanan Robert and Victoria Buckler Barbara and Al Cain Bruce and Jean Carlson Jean and Ken Casey Pat and Dave Clyde Anne and Howard Cooper Stuart and Heather Dombey John Dryden and Diana Raimi David and Jo-Anna Featherman Fidelity Investments Stephen and Rosamund Forrest William and Ruth Gilkey Sid Gilman and Carol Barbour Tom and Katherine Goldberg Linda and Richard Greene John and Helen Griffith Janet Woods Hoobler
Robert L. and Beatrice H. Kahn
Robert and Jeri Kelch
Jim and Patti Kennedy
Samuel and Marilyn Krimm
Donald and Carolyn Dana Lewis
Jeffrey Mason and Janet Netz
Ernest and Adele McCarus
William C. Parkinson
Jim and Bonnie Reece
John and Dot Reed
Dr. and Mrs. Nathaniel H. Rowe
Frances U. and Scott K. Simonds
Muaiad and Aida Shihadeh
Lewis and Judy Tann
Target
Jim Toy
Don and Carol Van Curler
Don and Toni Walker
Elise Weisbach
PATRON
$1,000-$2,499
Roger Albin and Nili Tannenbaum
Robert and Katherine Aldrich
Susan and Alan Aldworth
Michael and Suzan Alexander
Anastasios Alexiou
Dr. and Mrs. David G. Anderson
Anonymous
Dr. and Mrs. Rudi Ansbacher
Harlene and Henry Appelman
Jonathan Ayers and Teresa Gallagher
Laurence R. and Barbara K Baker
Dr. Lesli and Mr. Christopher Ballard
Norman E. Barnett
Robert H. and Wanda Bartlett
Bradford and Lydia Bates
Dr. Astrid B. Beck
Linda and Ronald Benson
Ruth Ann and Stuart Bergstein
Anne Beaubien and Philip Berry
Naren and Nishta Bhatia
John Blankley and Maureen Foley
Howard and Margaret Bond
Laurence and Grace Boxer
Dr. and Mrs. Ralph R. Bozell
Dale E. and Nancy M. Briggs
Barbara Everitt Bryant
Lawrence and Valerie Bullen
Charles and Joan Burleigh
Letitia J. Byrd
Amy and Jim Byrne
Betty Byrne
Jean W. Campbell
David and Valerie Canter
Carolyn M. Carty and Thomas H. Haug
John and Patricia Carver
Janet and Bill Cassebaum
Tsun and Siu Ying Chang
Anne Chase
Pat and George Chatas
Leon S. Cohan
Hubert and Ellen Cohen
Cynthia and Jeffrey Colton
Consulate General of The Netherlands
in New York
Jane Wilson Coon and A. Rees Midgley, Jr. Paul N. Courant and Marta A. Manildi Connie D'Amato Julia Donovan Darlow and
John Corbett O'Meara Susan Tuttle Darrow Dr. and Mrs. Charles Davenport Hal and Ann Davis Andrzej and Cynthia Dlugosz Molly Dobson
Robert J. and Kathleen Dolan Domino's Pizza
Dallas Don
Ivo Drury and Sun Hwa Kim
Jack and Betty Edman
Emil and Joan Engel
Irene Fast
Dede and Oscar Feldman
Yi-Tsi M. and Albert Feuerwerker
Clare M. Fingerle
Susan A. Fisher
Susan R. Fisher and
John W. Waidley Robben Fleming Food Art
Mr. and Mrs. George W. Ford James W. and Phyllis Ford Dan and Jill Francis Leon and Marcia Friedman Enid H. Galler Tom Gasloli Prof. David M. Gates Thomas and Barbara Gelehrter Beverley and Gerson Geltner Sue Gingles Karl and Karen Gotting Cozette T. Grabb Elizabeth Needham Graham Robert A. Green MD Leslie and Mary Ellen Guinn Helen C. Hall Alice and Clifford Hart Sivana Heller Diane S. Hoff Carolyn B. Houston Cheryl and Kevin Hurley Eileen and Saul Hymans Perry Irish Jean Jacobson Wallie and Janet Jeffries John E. Fetzer Institute Timothy and Jo Wiese Johnson Shirley Y. and Thomas E. Kauper David and Gretchen Kennard Gloria and Bob Kerry Tom and Connie Kinnear Diane Kirkpatrick Drs. Paul and Dana Kissner Philip and Kathryn Klintworth Carolyn and Jim Knake Michael J. Kondziolka and
Mathias-Philippe Florent
Badin
Melvyn and Linda Korobkin Bud and Justine Kulka Scott and Martha Larsen Wendy and Ted Lawrence Melvin A. Lester MD Richard LeSueur Myron and Bobbie Levine Carolyn and Paul Lichter Jean E. Long
John and Cheryl MacKrell Cathy and Edwin Marcus Ann W. Martin and
Russ Larson
Claude and Marie Martin Marilyn Mason and
William Steinhoff Mary and Chandler Matthews Judythe and Roger Maugh Raven McCrory Griff and Pat McDonald Bernice and Herman Merte Lester and Jeanne Monts Alan and Sheila Morgan Melinda Morris Cyril Moscow Susan and Richard Nisbett William Nolting and
Donna Parmelee NuStep, Inc. Marylen S. Oberman
Mohammad and
J. Elizabeth Othman Marie L Panchuk Judith Ann Pavitt Elaine and Bertram Pitt Stephen and Bettina Pollock Peter and Carol Polverini Richard and Lauren Prager Mrs. Gardner C. Quarton Mr. Donald Regan and
Ms. Elizabeth Axelson Ray and Ginny Reilly Malverne Reinhart Doug and Nancy Roosa Rosalie Edwards
Vibrant Ann Arbor Fund Jeffrey and
Huda Karaman Rosen Corliss and Dr. J. C. Rosenberg Doris E. Rowan David and Agnes Sams Norma and Dick Sams Maya Savarino Erik and Carol Serr Janet and Michael Shatusky Carl Simon and Bobbi Low Elaine and Robert Sims Rodney W. Smith MD Susan M. Smith and
Robert H. Gray Kate and Philip Soper Joseph H. Spiegel Michael B. Staebler Lloyd and Ted St. Antoine Lois and John Stegeman Victor and Marlene Stoeffler Dr. and Mrs. Stanley Strasius David and Karen Stutz Charlotte Sundelson Jan Svejnar and Katherine Terrell Brad and Karen Thompson Jeff and Lisa Tulin-Silver Susan B. Ullrich
Jack and Marilyn van der Velde Florence S. Wagner Harvey and Robin Wax W. Scott Westerman, Jr. Roy and JoAn Wetzel Dianne Widzinski and
James Skupski MD Dr. and Mrs. Max V. Wisgerhof II Charles Witke and
Aileen Gatten
BENEFACTOR
$500-$999
3Point Machine, Inc. Fahd Al-Saghir and Family Richard and Mona Alonzo
Family Fund
Helen and David Aminoff Anonymous Penny and Arthur Ashe J. Albert and Mary P Bailey Reg and Pat Baker Nancy Barbas and Jonathan Sugar David and Monika Barera Frank and Lindsay Tyas Bateman James K. and Lynda W. Berg Ramon Berguer MD L.S. Berlin
Jack Bilh and Sheryl Hirsch William and llene Birge Jerry and Dody Blackstone Paul and Anna Bradley Jane Bridges
Davtd and Sharon Brooks Morton B. and Raya Brown Trudy and Jonathan Bulkley Frances E. Bull, MD Louis and Janet Callaway H.D. Cameron
Nathan and Laura Caplan
Jack and Wendy Carman
J. W. and Patricia Chapman
John and Camilla Chiapuris
Dr. Kyung and Young Cho
Janice Clark
Cheryl and Brian Clarkson
Alice S. Cohen
Jonathan Cohn
Wayne and Melinda Colquitt
Jean and Philip Converse
Jim and Connie Cook
Arnold and Susan Coran
Malcolm and Juanita Cox
Mr. Michael and Dr. Joan Crawford
MaryC. Crichton
Jean Cunningham and Fawwaz Ulaby
Roderick and Mary Ann Daane
Mr. and Mrs. Robert L. Damschroder
Timothy and Robin Damschroder
Norma and Peter Davis
Jean and John Debbink
Ellwood and Michele Derr
Linda Dintenfass and Ken Wisinski
Steve and Judy Dobson
Cynthia M. Dodd
Bill and Marg Dunifon
Eva and Wolf Duvernoy
Dr. Alan 5. Eiser
Stefan and Ruth Fajans
Harvey and Elly Falit
Margaret and John Faulkner
Carol Finerman
David Fink and Marina Mata John and Karen Fischer Ray and Patricia Fitzgerald Howard P. and Margaret W. Fox Jerrold A. and Nancy M. Frost Tavi Fulkerson James M. and
Barbara H. Garavagha Beverly Gershowitz Dr. and Mrs. Paul W. Gikas Zita and Wayne Gillis Jean and William Gosling Amy and Glenn Gottfried James and Maria Gousseff Dr. John and Renee M. Greden Arthur W. Gulick MD Don P. Haefner and
Cynthia JStewart Martin and Connie Harris Susan R. Harris
Jeanne Harrison and Paul Hysen Dan and Jane Hayes Alfred and Therese Hero Herb and Dee Hildebrandt Nina Howard Harry and Ruth Huff Jane Hughes Ann D. Hungerman John and Patricia Huntington Thomas and Kathryn Huntzicker Maha Hussain and Sal Jafar Eugene and Margaret Ingram Invia Medical Imaging Solutions Stuart and Maureen Isaac Rebecca S. Jahn Jim and Dale Jerome Drs. Kent and Mary Johnson Paul and Olga Johnson Mark and Madolyn Kaminski Christopher Kendall and
Susan Schilperoort Nouman and Iman Khagani Ehe R. and Farideh Khoury Rhea Kish
Hermine Roby Klingler Anne Kloack
Charles and Linda Koopmann Rebecca and Adam Kozma Barbara and Michael Kratchman Donald J. and Jeanne L. Kunz Donald John Lachowicz Jane F. Laird LaVonne L. Lang
John K. Lawrence and
Jeanine A. De Lay David Lebenbom Richard LeSueur Ken and Jane Lieberthal Marilyn and Martin Lindenauer Mark Lindley and Sandy Talbott Rod and Robin Little Julie M. Loftin E. Daniel and Kay Long Frances Lyman Brigitte and Paul Maassen Pamela MacKintosh Martin and Jane Maehr Manpower, Inc. of Southeastern
Michigan Carole J. Mayer Margaret E. McCarthy James H. Mclntosh and
Elaine K. Gazda Merrill Lynch
Henry D. Messer and Carl A House Fei Fei and John Metzler Don and Lee Meyer Joetta Mial James M. Miller and
Rebecca H. Lehto Myrna and Newell Miller Bert and Kathy Moberg Lewis and Kara Morgenstern Kay and Gayl Ness Randolph and Margaret Nesse Eugene W. Nissen Elizabeth Ong Susan and Mark Of ringer Constance and David Osier Marysia Ostafin and George Smillie Donna D. Park Shirley and Ara Paul Zoe and Joe Pearson Evelyn Pickard
Dr. Steven and Paula Poplawski Wallace and Barbara Prince Patricia L. Randle and James R. Eng Anthony L. Reffells and
Elaine A. Bennett RE. Reichert
Richard and Edie Rosenfeld Margaret and Haskell Rothstein Samuel H. Kress Foundation Linda Samuelson and Joel Howell Miriam Sandweiss Dr. Lynn Schachinger and
Dr. Sheryl Ulin
Ann and Thomas J. Schriber David E. and Monica Schteingart Harriet Selin Julie and Mike Shea Howard and Aliza Shevrrn Johnson Shiue Edward and Kathy Silver Sandy and Dick Simon Irma J. Sklenar Andrea and William Smith Gregory and Margaret Smith Shelly Soenen and Michael Sprague Mrs. Gretchen Sopcak Gus and Andrea Stager Gary and Diane Stahle Naomi and James Starr Virginia and Eric Stein James Christen Steward Eric and Ines Storhok Timothy W. Sweeney Manuel Tancer John and Geraldine Topliss Fr. Lewis W. Towler Louise Townley Claire and Jerry Turcotte Doug and Andrea Van Houwelmg Steven and Christina Vantrease Drs. Bill Lee and Wendy Wahl David C. and Elizabeth A. Walker Liina and Bob Wallm Shaomeng Wang and Ju-Yun Li Jo Ann Ward
Arthur and Renata Wasserman Gary Wasserman
Zachary B. Wasserman
Angela and Lyndon Welch
Iris and Fred Whitehouse
Leslie C. Whitfield
Nancy Wiernik
Rev. Francis E. Williams
Robert J. and Anne Marie Willis
I.W. and Beth Winsten
Dr. Lawrence and Mary Wise
Frances A. Wright
Jeanne and Paul Yhouse
ASSOCIATES
$250-$499
Judith Abrams
Chris and Tena Achen
Dont Adler
Thomas and Joann Adler Family
Foundation
Martha Agnew and Webster Smith Or. Diane M Agresta James and Catherine Allen Doug Anderson and Peggy McCracken Catherine M Andrea Anonymous Arboretum Ventures Bert and Pat Armstrong Frank Ascione James and Doris August Susan and Michael Babinec Robert L Baird
Bruce Baker and Genie Wolfson Daniel and Barbara Balbach John and Ginny Bareham Cheryl Barget and Tom Darnton Frank and Gail Beaver Gary M. Beckman and Karla Taylor Harry and Kathryn Benford Erlmg and Merete Blondal Bengtsson Linda Bennett and Bob Bagramian Dr. Rosemary R. Berardi Marc Bernstein and Jennifer Lewis Beverly J Bole Mark D. Bomia Luciana Borbely Bob and Sharon Bordeau Amanda and Stephen Borgsdorf Victoria C. Botek and
William M. Edwards Susie Bozell Robert M. Bradley and
Charlotte M Mistretta William R Brashear Joel Bregman and Elaine Pomerantz Alexander and Constance Bridges Donald R. and June G. Brown Pamela Brown Richard and Karen Brown Tony and Jane Burton Heather Byrne Doris Caddell Brent and Valerie Carey Jim and Lou Carras Dennis J. Carter Albert C.Cattell
Andrew Caughey and Shelly Neitzel Samuel and Roberta C happen Charles Stewart Mott Foundation Joan and Mark Chesler Andy and Dawn Chien Kwang and Soon Cho Reginald and Beverly Ciokajto Donald and Astrid Cleveland Coffee Express Co. Anne and Edward Comeau Nancy Connell Phelps and Jean Connell M.J. Coon Dr. Hugh Cooper and
Elry Rose-Cooper Celia and Peter Copeiand Katharine Cosovich Cliff and Kathy Cox Lloyd and Lois Crabtree Clifford and Laura Craig Merle and Mary Ann Crawford Jean C. Crump Sunil and Merial Das Arthur and Lyn Powne Davidge Ed and Elite Davidson Alice and Ken Davis Dale and Gretchen Davis Mr. and Mrs. William J. Davis
Oawda. Mann. Mulcahy & Sadler, PLC
Elena and Nicholas Delbanco
Sophie and Marylene Delphis
Judith and Kenneth DeWoskin
Elizabeth Dexter
Sally and Larry DiCarto
Mark and Beth Dixon
Elizabeth A. Doman
Michael and Elizabeth Drake
Elizabeth Duel!
Peter and Grace Duren
Swati Dutta
Jane E. Dutton
Kim and Darlene Eagle
Morgan and Salty Edwards
The Equisport Agency
Mary Ann Faeth
Dr. and Mrs. S.M. Farhat
Inka and David Felbeck
Phil and Phyllis Fellin
James and Flora Ferrara
Sidney and Jean Fine
Herschel and Adrienne Fink
C. Peter and Beverly A Fischef
Dr. Lydia Fischer
Jessica Fogel and Lawrence Werner
Scott and Janet Fogler
David Fox and Paula Bockenstedt
Howard and Margaret Fox
Philip and Renee Frost
Carol Gagliardi and Dave Flesher
Sandra Gast and Greg Kolecki
Martin Garber and Beth German
Richard L Garner
Michael Gatti and Lisa Murray
Beth Genne and Allan Gibbard
Deborah and Henry Gerst
Walter Z Graves
Ronald Gibala and Janice Grichor
Milton and Susan Gross
Elmer G. Gilbert and
Lois M. Verbrugge J. Martin Gillespie and
Tara Gillespie Beverly Jeanne Giltrow Maureen and David Ginsburg Edie Goldenberg Richard Gonzalez and
Carrie Berkley Mitch and Barb Goodkin Enid Gosling and Wendy Comstock William and Jean Gosling Mr. and Mrs. Charles and Janet Goss Michael L. Gowing Steve and Carol Grafton Christopher and Elaine Graham Walter Z. Graves Martha and Larry Gray Jeffrey B. Green
Nancy Green and William Robinson Raymond and Daphne Grew Mark and Susan Griffin Werner H. Grilk Dick and Marion Gross Milton and Susan Gross Bob and Jane Grover Robin and Stephen Gruber Anna Grzymala-Busse and
Joshua Berke Ken and Margaret Guire George and Mary Haddad M. Peter and Anne Hagiwara Yoshiko Hamano Marlys Hamill Tom Hammond Walt and Charlene Hancock Martin and Connie Harris Abdelkader and Huda Hawasli Anne M. Heacock Rose and John Henderson J. Lawrence Henkel and
Jacqueline Stearns Keith and Marcelle Henley Dr. and Mrs. Michael Hertz Paul and Erin Hickman Peter Hinman and Elizabeth Young John Hogikyan and Barbara Kaye Ronald and Ann Holz Mabelle Hsueh
Dr. Howard Hu and Ms. Rani Kotha Hubert and Helen Huebl Robert B. Ingling Mr. and Mrs. Eugene 0. Ingram (SCIENCES. LL.C. John H. and Joan L. Jackson Mel and Myra Jacobs
Beverly P. Jahn Elizabeth Jahn Jerome Jelinek Harold R. Johnson Mark and Linda Johnson Mary and Kent Johnson The Jonna Companies Jack and Sharon Kalbfleisch Irving and Helen Kao Arthur A. Kaselemas MD Morris and Everyn Katz Nancy Keppelman and
Michael Smerza Alfred Kellam
Drs Nabil and Mouna Khoury Robert and Bonnie Kidd Don and Mary Kiel Fred and Sara King Richard and Patricia King James and Jane Kister Shira and Steve Klein Laura Klem
Rosalie and Ron Koenig Joseph and Marirynn Kokoszka Alan and Sandra Kortesoja Barbara and Ronald Kramer Donald and Doris Kraushaar Mary and Charles Krieger Dorothea Kroell and
Michael Jometz Bert and Geraldine Kruse Kathy and Timothy Laing Lucy and Kenneth Langa Neal and Anne Laurance Jean Lawton and James Ellis Bob and Laurie Lazebnik Cyril and Ruth Leder John and Theresa Lee Sue Leong
Melvyn and Joan Levitsky David Baker Lewis Jacqueline H Lewis Michael and Debra Lisull Dr. Daniel Little and
Dr. Bernadette Liniz Gail Sorway Little Dr. and Mrs. Lennart Lofstrom Bill and Lois Lovejoy Charles and Judy Lucas Claire and Richard Matvin Melvin and Jean Manis Michael and Pamela Marcovitz Nancy and Philip Margolis Milan Marich W. Harry Marsden Irwin and Fran Martin H L Mason Regent Olivia Maynard and
Olof Karlstrom
Martha Mayo and Irwin Goldstein Laurie McCauley and Jessy Grizzle Margaret and Harris McClamroch James and Mary E. McConville Uam T. McDonald Eileen Mclntosh and
Charles Schaldenbrand Bill and Ginny McKeachie Sylvia M. Meloche Mercantile Bank of Michigan Warren and Hilda Merchant Russ and Brigitte Merz Liz and Art Messiter Walter and Ruth Metzger Gabnelle M. Meyer Shirley and Bill Meyers Leo and Sally Miedler George Miller and Deborah Webster Kitty and Bill Moeller Olga Moir
William G. and Edith 0. Moller Mr. and Mrs. Michael Morgan Frieda H. Morgenstern Sean Morrison and Theodora Ross Mark and Lesley Mozola Thomas and Hedi Mutford Douglas Mullkoff and Kathy Evaldson Drs. Louis and Julie Jaffee Nagel Gerry and Joanne Navarre Laura Nitzberg Christer and Outi Nordman Arthur S. Nusbaum Kathleen I. Operhall David and Andrea Page Betty and Steve Palms Karen Park and John Beranek John and Mary Pedley
Jean and Jack Peirce
David and Renee Pinsky
Donald and Evonne Piantinga
Allison and Gregory Poggi
Pomeroy Financial Services, Inc.
Bill and Diana Pratt
Ann Preuss
Richard and Mary Price
The Produce Station
Peter Railton and Rebecca Scott
Stephen and Agnes Reading
Mamie Reid
Marc Renouf
Timothy and Teresa Rhoades
Alice Rhodes
Jack and Aviva Robinson
Jonathan and Anala Rodgers
Stephen J. Rogers
Dr. Susan M. Rose
Stephen Rosenblum and
Rosalyn Sarver Steve Rosoff and Tanis Allen Rosemarie Rowney Lisa and William Rozek Carol Rugg and Richard Montmorency Arnold Sameroff and
Susan McDonough Ina and Terry Sandalow Jamie Saville
Stephen J. and Kim Rosner Saxe Albert and Jane Saved Betina Schlossberg David and Marcia Schmidt Matthew Shapiro and Susan Garetz David and Elvera Shappirio Patrick and Carol Sherry James Shields George and Gladys Shirley Jean and Thomas Shope George and Nancy Shorney Holhs and Martha A. Showalter Bruce M. Siegan Dr. Terry M. Silver Gene and Alida Silver man Scott and Joan Singer Tim and Marie Slottow Carl and Jari Smith David and Renate Smith Robert W Smith Doris and Larry Sperling Jim Spevak Jeff Spindler Judy and Paul Spradlin David and Ann Staiger Rick and Lia Stevens James L. Stoddard Cynthia Straub Bashar and Hoda Succar Barbara and Donald Sugerman Brian and Lee Talbot Peg Talburtt and Jim Peggs Louise Taylor Sam and Eva Taylor Steve and Diane Telian Mark and Patricia Tessler Mary H. Thieme Edwin J. Thomas Nigel and Jane Thompson Dr. Hazel M. and Victor C. Turner, Jr. AJvan and Katharine Uhle Drs. Matthew and Alison Uzieblo Hugo and Karla Vandersypen Marie Vogt
Drs. Harue and Tsuguyasu Wada Virginia Wait
Charles R. and Barbara H. Wallgren Enid Wasserman Carol Weber
Jack and Jerry Weidenbach Connie Witt and John Glynn Charlotte A. Wolfe Bryant Wu and Theresa Chang Betty and Bob Wurtz Don and Charlotte Wyche Mary Jean and John Yablonky Richard and Kathryn Yarmain MaryGrace and Tom York Zakhour and Androulla Youssef Erik and Lineke Zuiderweg Gail and David Zuk
ENDOWMENT FUND SUPPORT July 1, 2007-November 1, 2008
The University Musical Society is grateful to those have supported UMS endowment funds, which will generate income for UMS in perpetuity and benefit UMS audiences in the future.
S 100,000 or more
Doris Duke Charitable
Foundation Estate of Eva Mueller The Power Foundation
S50.000-S99.999
Anonymous
llene H. Forsyth
Estate of Lillian G. Ostrand
$20,000-549,999
Anonymous
Bernard and Raquel Agranoff Ralph G. Conger Trust Susan and Richard Gutow David and Phyllis Herzig
S 10,000-519,999
Maxine and Stuart Frankel
Foundation Toni Hoover
Richard and Carolyn Lineback Robert and Pearson Macek Dr. Robert J. and Janet M. Miller Estate of Betty Ann Peck James and Nancy Stanley
S5,000-S9,999
Herb and Carol Amster
Joan Akers Binkow
John R. Edman and Betty B. Edman
Robert and Frances Gamble Trust
Mrs. Robert E. Meredith
Stephen and Agnes Reading
Susan B. Ullrich
Marina and Robert Whitman
Ann and Clayton Wilhite
$1,000-54,999
Michael Allemang and
Janis Bobrin
Essel and Menakka Bailey Robert H. and Wanda Bartlett DJ and Dieter Boehm Jean W. Campbell Jean and Ken Casey Kathleen Crispell and Tom Porter Molly Dobson Jack and Betty Edman Charles and Julia Eisendrath Dede and Oscar Feldman Sid Gilman and Carol Barbour Paul and Anne Glendon David W. and
Kathryn Moore Heleniak Debbie and Norman Herbert Carl and Charlene Herstein Robert M. and Joan F. Howe Jim Irwin
Robert L. and Beatrice H. Kahn Gloria and Bob Kerry Richard and Stephanie Lord Natalie Matovinovic Jerry A. and Deborah Orr May Melinda Morris Susan and Mark Orringer Mrs. Charles Overberger (Betty) Richard N. Peterson and
Wayne T. Bradley Stephen and Bettina Pollock Jeffrey and Huda Karaman Rosen Corliss and Dr. J. C. Rosenberg Prue and Ami Rosenthal Nancy W. Rugani Norma and Dick Sarns Frances U. and Scott K. Simonds Herbert Sloan Lewis and Judy Tann Karl and Karen Weick Ronald and Eileen Weiser Jeanne and Paul Yhouse Jay and Mary Kate Zelenock
$100-5999
Jerry and Gloria Abrams Mrs. Bonnie Ackley Dr. Joann Aebersold Barbara A. Anderson and
John H. Romani Anonymous
Arts League of Michigan Lynne Aspnes Bob and Martha Ause John U. Bacon Daniel and Barbara Balbach Emily Bandera and Richard Shackson Harvey Berman and
Rochelle Kovacs Berman Inderpal and Martha Bhatia Stan and Sandra Bies Sara Billmann and Jeffrey Kuras Maurice and Linda Binkow Martha and David Bloom Blue Nile Restaurant Paul Boylan Carl A. Brauer, Jr. Dale E. and Nancy M. Briggs Jeannine and Robert Buchanan Andrew and Emily Buchholz John and Janis Burkhardt David Bury and Marianne Lockwood Letitia J. Byrd
Carolyn Carty and Thomas Haug Sue and Bill Chandler Shana Meehan Chase Dr. Kyung and Young Cho Edward M. and Rebecca Chudacoff Toby Citrin and Phyllis Blumenfeld Astrid and Donald Cleveland Hilary and Michael Cohen Sandra and Ted Cole Phelps and Jean Connell Katharine Cosovich Malcolm and Juanita Cox George and Connie Cress Mary C. Crichton Dana Foundation Linda Davis and Robert Richter Neeta Delaney and Ken Stevens Macdonald and Carolin Dick Steve and Lori Director Steve and Judy Dobson Cynthia M. Dodd Robert J. and Kathleen Dolan
Hal and Ann Doster Janet Eilber
Cheryl and Bruce Elliott Beth B. Fischer Gerald B. and
Catherine L. Fischer Harold and Billie Fischer Jeanne and Norman Fischer Esther M. Floyd Bob and Terry Foster Neal and Meredith Foster Lucia and Doug Freeth Marilyn L. Friedman Bart and Cheryl Frueh Tavi Fulkerson Luis and L. April Gago Otto and Lourdes Gago Michael Gatti and
Lisa Murray
Beverley and Gerson Geltner Gail Gentes and
Phil Hanlon
Joyce and Steve Gerber Heather and Seth Gladstein Kathleen and Jack Glezen Tom and
Katherine Goldberg William and Jean Gosling Mr. and Mrs. Charles and
Janet Goss
Lewis and Mary Green Robert A. Green MD Larry and Sandy Grisham Charles Hamlen Walt and Charlene Hancock Alice and Clifford Hart Daniel and Jane Hayes Joyce and John Henderson Dr. John and
Mrs. Donna Henke J. Lawrence Henkel and
Jacqueline Stearns John and Martha Hicks Lorna and
Mark Hildebrandt Diane S. Hoff Jerry and Helga Hover Ralph M. Hulett Joyce M. Hunter Judith Hurtig
IATSE Local 395 Stagehands Richard Ingram and
Susan Froelich Keki and Alice Irani Mel and Myra Jacobs Dolores R. Jacobson Beverly P. Jahn Ellen Janke and Ian Lewis Marilyn G. Jeffs Ben Johnson Christopher Kendall and
Susan Schilperoort John B. Kennard, Jr. David and Sally Kennedy Paul and Leah Kileny Diane Kirkpatrick
Dr. David E. and
Heidi Castleman Klein Anne Kloack Mary L. Kramer Gary and Barbara Krenz Daniel H. Krichbaum Amy Sheon and
Marvin Krislov Edna LandauIMG Artists Wendy and Ted Lawrence Leslie Lazzerin Cyril and Ruth Leder Mary LeDuc Leo and Kathy Legatski
Elastizell Corporation
of America Melvin A. Lester MD Lewis & Company Marketing
Communications, Inc. David Baker Lewis Donald and
Carolyn Dana Lewis David Lieberman Ken and Jane Lieberthal Marilyn and
Martin Lindenauer Barbara and Michael Lott Jimena Loveluck and
Timothy Veeser Jonathan Trobe and
Joan Lowenstein Dale Schatzlein and
Emily Maltz Fund Shirley Dorsey Martin Mary and
Chandler Matthews Regent Olivia Maynard
and Olof Karlstrom Jon McBride Laurie McCauley and
Jessy Grizzle Susan McClanahan and
Bill Zimmerman Dores McCree Joe McCune and
Gigi Sanders
Bill and Ginny McKeachie Joanna McNamara and
Mel Guyer Barbara Meadows Joetta Mial Patricia E. Mooradian Jean M. Moran Mary Morse
Gerry and Joanne Navarre Fred Neidhardt Kay and Gayl Ness M. Haskell and
Jan Barney Newman Susan and Richard Nisbett Patricia and
Max Noordhoorn Jan Onder
Constance and David Osier Anne Parsons and
Donald Diet
Frances and Arlene Pasley Michelle Peet and
Rex Robinson Steven and Janet Pepe Man Peterson John and Dot Reed Marnie Reid Theresa Reid and
Marc Hershenson Kenneth J. Robinson and
Marcia Gershenson Doris E. Rowan Bill and Lisa Rozek Herbert and
Ernestine Ruben Harry and Elaine Sargous Maya Savarino Ann and Thomas J. Schriber Ingrid and Cliff Sheldon Mikki Shepard Don and Sue Sinta Carl and Jari Smith Rhonda SmithStanding
Ovation Productions Lois and John Stegeman Victor and
Marlene Stoeffler Ronald Stowe and
Donna Power Stowe David and Karen Stutz Teresa A. Sullivan and
Douglas Laycock Charlotte Sundelson Mark and Patricia Tessler Norman and
Marcia Thompson Carrie and Peter Throm Claire and Jerry Turcotte Frank and Amanda Uhle Elizabeth and
Stephen Upton Richard and
Madelon Weber W. Scott Westerman, Jr. Mary Ann Whipple Max Wicha and
Sheila Crowley Dianne Widzinski and
James Skupski MD Phyllis B. Wright
S1-S99
Joseph Ajlouny Friends at Alverno Arts Alliance of the
Ann Arbor Area Barbara Bach Jenny Bilfield-Friedman and
Joel Friedman Ed and Luciana Borbely Barbara Everitt Bryant Ruth Carey Simon Carrington Mark Clague
Edward S. and Ruth P. Cogen Guy L. Cooper Richard and Edith Croake
Sally Cushing Diana R. Engel Madeleine Faith Stefan and Ruth Fajans Martha Fischer and Bill Lutes Kristin Fontichiaro John N. Gardner Enid and Richard Grauer Walter Helmreich Kenneth and Joyce Holmes John and Patricia Huntington Judie and Jerry Lax Shelley MacMillan and
Gary Decker
Jaclin L. and David H. Marlin Janice Mayer Ronald G. Miller Shelley and Dan Morhaim Warren and Shelley Perlove Julianne Pinsak Eileen Pollack Michael and
Lisa Psarouthakis Thomas and
Sue Ann Reisdorph Omari Rush Liz Silverstein Charles E. Sproger Lloyd and Ted St. Antoine Peg Talburtt and Jim Peggs Denise Thai and
David Scobey
Christina and Tom Thoburn Linda Tubbs Harvey and Robin Wax Zelma Weisfeld Warren Williams
Endowed Funds
The future success of the University Musical Society is secured in part by income from UMS's endowment. UMS extends its deepest apprecia?tion to the many donors who have established andor con?tributed to the following funds:
H. Gardner and Bonnie
Ackley Endowment Fund Herbert S. and
Carol Amster Fund Catherine S. Arcure
Endowment Fund Carl and Isabelle Brauer
Endowment Fund Frances Mauney Lohr Choral
Union Endowment Fund Hal and Ann Davis
Endowment Fund Doris Duke Charitable
Foundation Endowment
Fund
Ottmar Eberbach Funds Epstein Endowment Fund David and Phyllis Herzig
Endowment Fund
JazzNet Endowment Fund William R. Kinney
Endowment Fund Natalie Matovinovic
Endowment Fund NEA Matching Fund Palmer Endowment Fund Mary R. Romig-deYoung
Music Appreciation Fund Prudence and Amnon
Rosenthal K-12 Education
Endowment Fund Charles A. Sink Endowment
Fund Catherine S. Arcure
Herbert E. Sloan
Endowment Fund University Musical Society
Endowment Fund The Wallace Endowment Fund
Burton Tower Society
7ie Burton Tower Society recognizes and honors those very special friends who have included UMS in their estate plans. UMS is grateful for this important support, which will continue the great traditions of artistic excellence, educational opportunities, and community partnerships in future years.
Bernard and Raquel Agranoff Carol and Herb Amster Mr. Neil P. Anderson Dr. and Mrs.
David G. Anderson Catherine S. Arcure Barbara K. and
Laurence R. Baker Kathy Benton and
Robert Brown Linda and Maurice Binkow Elizabeth S. Bishop Mr. and Mrs.
W. Howard Bond Mr. and Mrs. Pal E. Borondy Carl and Isabelle Brauer Barbara Everitt Bryant Pat and George Chatas Mr. and Mrs.
John Alden Clark Mary C. Crichton H. Michael and
Judith L. Endres Dr. James F. Filgas Ken and Penny Fischer Ms. Susan Ruth Fischer Meredith L. and Neal Foster Beverley and Gerson Geltner Paul and Anne Glendon Debbie and Norman Herbert John and Martha Hicks Mr. and Mrs. Richard Ives Marilyn G. Jeffs
Thomas C. and
Constance M. Kinnear Diane Kirkpatrick Richard LeSueur Pearson and Robert Macek Susan McClanahan Charlotte McGeoch Michael G. McGuire M. Haskell and
Jan Barney Newman Len Niehoff Dr. and Mrs.
Frederick C. O'Dell Mr. and Mrs.
Dennis M. Powers Mr. and Mrs. Michael Radock Mr. and Mrs. Jack Ricketts Mr. and Mrs.
Willard L. Rodgers Prudence and
Amnon Rosenthal Margaret and
Haskell Rothstein Irma J. Sklenar Herbert Sloan Art and Elizabeth Solomon Roy and JoAn Wetzel Ann and Clayton Wilhite Mr. and Mrs.
Ronald G. Zollars
Tribute Gifts
Contributions have been made in honor andor memory of the following people:
H. Gardner Ackley
Matthew Arcure
Nancy L. Ascione
Naren and Nishta Bhatia
Linda and Maurice Binkow
llene Birge
Isabella Brauer
Jean W. Campbell
Charles and Evelyn Carver
Jean Burnett Cassidy
Douglas D. Crary
Ellwood Derr
Benning Dexter
Angela S. Dobson
John S. Dobson
Mrs. Jane D. Douglass
Ken Fischer
Betty Fisher
Sally Fleming
Maxine and Stuart Frankel
Mary Carol Fromes
E. James Gamble
Boris Gankin
Fred M. Ginsberg
Carl Herstein
Dr. Sidney S. Hertz
David and Phyllis Herzig
Dr. Julian T. HoH
Ben Johnson
Doug Kelbaugh and Kat Nolan
Francis W. Kelsey
Elizabeth Earhart Kennedy
Marilyn Krimm
Robert Lazzenn
Charles Lovelace
Zelma K Marich
Sharon Anne McAllister
Susan McClanahan
Bettie Metcalf
Valerie D. Meyer
Masud Mostaghim
Ella Baker Munger
Sophia Nanos
Holmes E. and Susan E. Newton
Betty Overberger
Brian Patchen
James Pattridge
Gwen and Emerson Powrie
Gail W. Rector
Steffi Reiss
Margaret E. Rothstein
Eric H. Rothstein
Nona Schneider
Barry Sloat
George E. Smith
Edith Marie Snow
James Stanley
Robert Strozier
Virginia W. Stuart
Sonja Astrid Stutz
Dr. and Mrs. E. Ttiurston Thieme
Charles R. Tieman
Francis V. Viola III
Elea C. and Alexandra Vlisides
Martha J. Whitney
Clayton Wilhite
Carl H. Wilmot '19
Maria Wolter
Peter Holderness Woods
Stanley Wrobel
Gifts In-Kind
16 Hands
4 Seasons Perfume and
LingerieAllure Boutique Wadad Abed Abracadabra Jewelry
Gem Gallery Acme Mercantile Benjamin Acosta-Hughes Bernie and Ricky Agranoff Alice Lloyd Residence Hall Carol and Herb Amster Blair Anderson Ann Arbor Art Center Ann Arbor Art Center
Gallery Shop
Ann Arbor Aviation Center Ann Arbor District Library Ann Arbor Framing Ann Arbor Hands-On Museum Ann Arbor Public Schools Ann Arbor Tango Club Ann Arbor's 107one Arbor Brewing Company Avanti Hair Designers Ayla & Company John U. Bacon Bailey, Banks & Biddle Bana Salon and Spa Bob and Wanda Bartlett Joseph W. Becker Gary Beckman Bellanina Day Spa Kathy Benton and Robert Brown Yehonatan Berick Lynda Berg
Berry Goldsmiths
The Betty Brigade
Nishta Bhatia
Maurice and Linda Binkow
Jerry Blackstone
Bloomfield Gourmet Shoppe
Blue Nile
Boychoir of Ann Arbor
Enoch Brater
Beth BruceThe Carlisle Collection
Bob Buckler
Jim Bumstein
Patty BuukeOrbit Hair Design
Cafe Zola
Cake Nouveau
Lou and Janet Callaway
Camp Michigania
Mary CampbellEveryday Wines
Nathan and Laura Caplan
Casey's Tavern
Cass Technical High School
Cesar Chavez High School
Mignonette Cheng
Cherry Republic
The Chippewa Club
Mark Clague
Deb Clancy
Coach Me Fit
Cole Street Salon & Spa
The Common Grill
Community High School
Community High School
Dance Program Complete Chiropractic and
Bodywork Therapy Howard CooperHoward
Cooper Import Center Liz Copeland James Corbett and
Mary Dempsey Curves Habte Dadi Gary Decker Judith DeWoskin Sally and Larry DiCarlo Andrew S. DixonPersonal
Computer Advisor Heather Dombey Downtown Home & Garden DTE Energy
Duggan Place Bed and Breakfast Aaron Dworkin The Earle Restaurant Eastern Michigan University
Dance Department Eastern Michigan University
Department of Theater
Education Gillian Eaton Jack and Betty Edman Lisa and Jim Edwards El Bustan Funoun Anthony Elliott Julie Ellison Equilibrium Espresso Royale Mary Ann Faeth Fantasy Forest
Jo-Anna and David Featherman Susan Filipiak Ucal Finley
Susan Fisher and John Waidley Kristin Fontichiaro Frame Factory Fran Coy Salon Sara Frank
Maxine and Stuart Franke! Traianos Gagos Deborah Gabrion
Zvi Gitelman
Glass Academy LLC
Anne Glendon
Kathy and Tom Goldberg
The Golden Apple
Larry Greene
Greenstone's Fine Jewelry
Linda Gregerson
Tim Grimes
Groom & Go
Susan Guiheen
Susan and Richard Gutow
Walt and Charlene Hancock
Lavinia Hart
Heather's Place
David W. and
Kathryn Moore Heleniak Carl and Charlene Herstein Hill Top Greenhouse and Farms Barbara Hodgdon The Homestead Bed
and Breakfast Hong Hua
Howell Nature Center Carol and Dan Huntsbarger
The Moveable Feast Iguanaworks Integrated Architecture Inward Bound Yoga Julie's Music Imagining America Mohammad Issa Andrew Jennings Mercy and Stephen Kasle Meg Kennedy Shaw Ken's Flower Shops Kerrytown Concert House Patty and David Kersch Iman Khagani Kenneth Kiesler Tom and Liz Knight Knit A Round Yarn Shop Knit Pickers Joan Knoertzer Gayle LaVictoire Lynnae Lehfeldt Lori Lentini-Wilbur Richard LeSueur Bobbie and Myron Levine Lewis Jewelers Karen Lindenberg Logan An American Restaurant Eleanor Lord Stephanie Lord Martin and Jane Maehr
Mariachi Especial de Alma Martha Cook Residence Hall Marygrove College Dance
Department Masri Sweets
Chandler and Mary Matthews Marilyn McCormick Zarin Mehta Kate Mendeloff The Metro Cafe MFit Culinary Team MFit Fitness Center Michigan Theater Carla Milarch Miles of Golf
Jeff MoreAshley's Restaurant Morgan and York Mosaic Youth Theater Motawi Tileworks Vince Mountain Louis Nagel The Neutral Zone John Neville-Andrews M. Haskell and
Jan Barney Newman Sarah and Dan Nicoli Tom OgarMerrill Lynch Jane Onder and Pat Shure Opus One Marysia Ostafin Pacific Rim by Kana Paesano's Restaurant Kimberly Pearsall Penny Stamps Visiting
Distinguished Visitors Series Performance Network Peter's Palate Pleaser Pierre Paul Art Gallery Gregory and Allison Poggi The Polo Fields Golf and
Country Club David Potter Phil and Kathy Power Yopie Prins Purple Rose Theater Putterz Golf & Games The Quarter Bistro and Tavern Ingrid Racine
Paula RandJuliana Collezione Marnie Reid Huda Rosen Steve Rosoff Ellen Rowe Russell S. Bashaw Faux Finish
Studio, LLC
Afa Sadykhly
Sam's Clothing Store
Agnes and David Sams
Jamie Saville and Rusty Fuller
Schakolad Chocolate Factory
Michael Schoenfeldt
Penny Schreiber
Ruth Scodel
SeloShevel Gallery
Sesi Lincoln Mercury Volvo Mazda
Seva Restaurant
Rabia Shafie
Shaman Drum Bookshop
Nelson Shantz Piano Service
Bright Sheng
George Shirley
John Shultz Photography
Silkmoons
Susan Silver-Fink
Loretta Skewes
Tim and Marie Slottow
Andrea Smith
Mandisa Smith
Elizabeth Southwick
Cynthia Sowers
The Spa at Liberty
Peter Sparling
Rick Sperling
Sphinx Organization
Jim and Nancy Stanley
St. Anne's Church in Detroit
Bennett Stein
Stonebridge Golf Club
Cindy Straub
Ed and Natalie Surovell
Edward Surovell Realtors Sweet Gem Confections Swing City Dance Studio Ten Thousand Villages Tom Thompson Flowers Liz Toman Trader Joe's
Travis Pointe Country Club Sue Ullrich
U-M Alumni Association U-M Arts of Citizenship U-M Arts on Earth U-M Arts at Michigan U-M Black Arts Council U-M Center for Afroamerican
and African Studies U-M Center for Chinese Studies U-M Center for Latin American
and Caribbean Studies
U-M Center for Middle Eastern
and North African Studies U-M Center for Russian and
East European Studies U-M Department of Dance U-M Department of Internal
Medicine U-M Department of Musical
Theatre
U-M Gifts of Art U-M Golf Course U-M Hatcher Graduate Library U-M Honors Program U-M Institute for the
Humanities
U-M International Institute U-M Museum of Art U-M Office of New Student
Programs
U-M Residential College U-M School of Art and Design U-M School of Education U-M School of Law U-M School of Music,
Theatre and Dance Urban Jewelers Van Boven Shoes Arthur Verhoogt Vie Fitness and Spa Viking Sewing Center VOLUME Youth Poetry Project Martin Walsh
Washtenaw Community College Washtenaw Intermediate
School District Enid Wasserman Waterscape Wayne State University Dance
Department Weber's Inn and Hotel The West End Grill Steven Whiting Ann and Clayton Wilhite Cassie Williams Ralph Williams Debbie Williams-Hoak Yolles-Samrah Wealth
Management, LLC Yotsuba Japanese
Restaurant & Bar Tom Zimmerman Zingerman's Bakehouse Zingerman's Delicatessen
UMS ADVERTISERS
Alumni Association of U-M 28
Ann Arbor City Club 33
Ann Arbor Public Schools Ed. Found. 31
Ann Arbor Symphony Orchestra 38
Bank of Ann Arbor 24
Cardea Construction 18
Center for Plastic and Reconstructive
Surgery 26 Charles Reinhart 29 Credit Suisse 30 Detroit Jazz Festival 39 Donaldson and Gunther, DDS 25 Edward Surovell Realtors 18 Edwards Brothers 36 Honigman Miller Schwartz and
Cohn UP 4
Howard Cooper Imports 16 IATSE 38 Iris Cleaners 35
Jaffe Raitt Heuer and Weiss 26 Kellogg Eye Center 6 Kensington Court inside front cover Measure For Measure 36 Michigan RadioWUOM 26 Paul and Charlie HickmanThe
Collaboration 18 Performance Network 25 Red Hawk 32 Schakolad16
Stacey M. Washington, Attorney 16 Tisch Investments 38 Totoro Japanese Restaurant 18 United Bank and Trust 4 U-M Museum of Art 20 WEMU inside back cover WGTE 35 WKAR 32
Wright Griffen Davis 24 Zanzibar 32
MEMBER ORGANIZATIONS
UMS is proud to be a member of the following organizations:
Ann Arbor Area Convention & Visitors Bureau
Ann Arbor Chamber of Commerce
Arts Alliance of the Ann Arbor Area
ArtServe Michigan
Association of Performing Arts Presenters
Chamber Music America
DanceUSA
International Society for the Performing Arts
Main Street Area Association
Michigan Association of Community
Arts Agencies
National Center for Nonprofit Boards State Street Association Think Local First

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