UMS Concert Program, March 19, 2016 - Montreal Symphony Orchestra

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UNIVERSITY OF MICHIGAN | ANN ARBOR

P R O G R A M

B O O K

W I N T E R

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BE PRESENT

Be
Present
WINTER 2016

UMS unleashes the power of the performing arts in
order to engage, educate, transform, and connect individuals
with uncommon experiences. The Winter 2016 season is full of
exceptional, world-class, and truly inspiring performances.

Welcome to the UMS experience. We’re glad you’re present.
Enjoy the performance.

1

When you attend a UMS performance,
you’re part of a larger equation:

ARTS
+ CULTURE
= ECONOMIC
PROSPERITY
nonprofit

in the greater Ann Arbor Area

$100 million annually
Together, we invest in our local community’s vibrancy.

Ann Arbor Area

Community Foundation
aaacf.org

MARK
SCHLISSEL
President,
University of Michigan

KENNETH C.
FISCHER
UMS President

WINTER 2016

delighted that you’re joining us in our 137th season, one
of the most exciting, diverse, and engaging in our history.
In addition to what you’ll see on stage, UMS has a robust
education program serving people of all ages and also
oversees the 175-voice Grammy Award-winning UMS
Choral Union. We invite you to learn more about all of
our programs at ums.org and to become engaged with
UMS, whether it’s by making a gift to our campaign,
joining us at the Ann Arbor Y for a community dance
class with a visiting dance company, or buying a ticket
to a performance. We’re always eager to hear from you,
too! Join the conversation and share your thoughts after a
performance at umslobby.org. If you have any comments,
questions, or concerns, please be in touch with UMS
President Ken Fischer at 734.647.1174 or at
kenfisch@umich.edu. We hope to see you again soon.

BE PRESENT

Welcome to this UMS performance. We’re

STEPHEN R.
FORREST
Chair,
UMS Board of Directors

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For those who leave Michigan, but for whom Michigan never leaves.

This is where you belong. Join today at umalumni.com

BE PRESENT

To reveal the age
you feel,
stay on
your toes.

Table of
Contents
7
Winter 2016
Season Calendar
8
Education
11
History

14
Corporate Champions

WINTER 2016

12
Leadership Donors

20
Foundation,
Government, &
University Support
23
People
Paul Izenberg, MD | David Hing, MD
Richard Beil, MD | Daniel Sherick, MD
Rachel Streu, MD

Art and medicine
performing in concert

31
Generous Donors
40
Ad Index

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Dentistry as
a Fine Art
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BE PRESENT

Winter 2016
Season Calendar
JANUARY
1/8

What’s in a Song?
A song recital evening
curated by Martin Katz
1/10

Jamie Barton,
mezzo-soprano
1/11

Royal Philharmonic
Orchestra
Pinchas Zukerman,
conductor and violin
1/17

1/20

Jazz at Lincoln Center
Orchestra with
Wynton Marsalis
1 / 2 1 -2 3

Young Jean Lee’s
Theater Company
Untitled Feminist Show &
Straight White Men
1/22

Chamber Music Society
of Lincoln Center
1/24

NT Live: Charlotte
Brontë’s Jane Eyre
1/27

Ms. Lisa Fischer and
Grand Baton

FEBRUARY
2/2

Tanya Tagaq in concert
with Nanook of the North

3/19

Taylor Mac
A 24-Decade History
of Popular Music:
1960s–1980s

Montreal Symphony
Kent Nagano, conductor
Daniil Trifonov, piano

2/6

Gil Shaham, violin
with original films by
David Michalek
Bach Six Solos

Igor Levit, piano
2/13

Camille A. Brown &
Dancers
2/14

UMS Choral Union and
Organ
Love is Strong as Death
Scott Hanoian, conductor
2 / 1 6 -2 0

Sir András Schiff, piano
The Last Sonatas
of Haydn, Mozart,
Beethoven, and Schubert
2/19

The Triplets of Belleville
Benoît Charest,
composer-conductor
2/24

NT Live: Christopher
Hampton’s Les Liaisons
Dangereuses

MARCH
3/5

The Chieftains
3/11-12

Nufonia Must Fall
Kid Koala, DJ, producer,
and graphic novelist
3/15

Apollo’s Fire & Apollo’s
Singers
Bach’s St. John Passion

3/26

3/31-4/3

American Ballet Theatre
The Sleeping Beauty

APRIL
4/1

Mariachi Vargas de
Tecalitlán
4/3

NT Live: Shakespeare’s
As You Like It

WINTER 2016

NT Live: Shakespeare’s
Hamlet

2/5

4/8

Jerusalem String Quartet
4/14

Mnozil Brass
4/15

Zafir: Musical Winds
from North Africa to
Andalucía
Simon Shaheen, music
director
4/16

Bavarian Radio Orchestra
Mariss Jansons, conductor
Leonidas Kavakos, violin
4/23

The Bad Plus
Joshua Redman

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Education
EDUCATIONAL
EXPERIENCES
FOR
EVERYONE

At UMS, our mission goes beyond performance. We want you to create,
to explore, and to experience extraordinary new things. That is why we
offer a fascinating lineup of artist Q&As, conversations, workshops, and
interactive experiences, each designed to bring you closer to performance
and creation, and to expand your comfort zone. If you want to experience
something new, different, highly engaging, and eye-opening, we invite you
to participate in events inside and outside of the theater.

UMS.ORG/LEARN

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Mondays 1/18–2/15, 7–8:30 pm
(U-M Alumni Center, 200 Fletcher St.)

BE PRESENT

UMS Night School: Constructing Identity

In our ongoing Night School series, UMS explores the dynamic quality
of how human and social identities are constructed and explored in this
season’s artistic program. How do artists’ personal identities inform their
work? Do audiences’ own identities shape what they see on the stage?
UMS Night School invites participants to discover the intersections of
performance and identity in music, theater, and dance, and to meet others
who share a similar interest. The Night School curriculum will include
attendance at and discussion of Young Jean Lee’s Theater Company’s
Untitled Feminist Show & Straight White Men, Tanya Tagaq, Taylor
Mac, and Camille A. Brown & Dancers Black Girl—Linguistic Play. These
90-minute classes combine conversation, interactive exercises, and lectures
with genre experts to draw you into the themes related to identity and
performance. Drop in to just one session, or attend them all. Events are free,
and no pre-registration is required.
WINTER 2016

Monday, 1/25
“Acting and Dancing Identity”
(Young Jean Lee’s Theater
Company, Tanya Tagaq, Taylor Mac)
Monday, 2/1
“Constructing Identity Onstage:
An Interview with Taylor Mac and
Tanya Tagaq”
(Tanya Tagaq, Taylor Mac)

Taylor Mac by Kevin Yatarola

Monday, 1/18
“Thinking about Identity and
Performance”
(Young Jean Lee’s Theater
Company)

Monday, 2/8
“Constructing Identity Together:
Artists and Audiences”
(Camille A. Brown & Dancers)
Monday, 2/15
“Reflection & Graduation”

9

Bravo!
The law firm of Dykema
applauds the University
Musical Society for bringing
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community with one sound
performance after another.

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APRIL 29 TO MAY 14, 2016
THEGILMORE.ORG

BE PRESENT

Tradition
Builds
the
Future

WINTER 2016

In our 137th season, we continue to showcase traditional performances
alongside contemporary artists for an offering that is unlike anything
available in the Midwest. UMS grew from a group of local members of the
University and townspeople in the 1870s who gathered together for the
study of Handel’s Messiah. Led by Professor Henry Simmons Frieze and
conducted by Professor Calvin Cady, the group assumed the name The
Choral Union. Many Choral Union members were also affiliated with the
University, and the University Musical Society was established soon after in
December 1880.
Since that first season, UMS has expanded greatly and now presents the
very best from a wide spectrum of the performing arts: internationally
renowned recitalists and orchestras, dance and chamber ensembles, jazz
and global music performers, and contemporary stagework and classical
theater. Through educational programming, the commissioning of new
works, youth programs, artist residencies, and collaborative projects, we
continue to strengthen our reputation for artistic distinction and innovation.
Photo: Hill Auditorium in 1928.

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Leadership
Donors
We recognize the donors who have made or completed multi-year
campaign commitments of $100,000 or more during the last year. In
addition, we recognize the individuals who have committed $50,000 or
more in support of the 2015–16 season.
B E RT R A M A S K W I T H ( 1 9 1 1 -2 0 1 5 )
PATTI ASK WI TH K EN N ER
“The arts have made a significant difference in my life and
my daughter’s life. I want every U-M student to have the
opportunity to experience the impact of the performing arts
at UMS. This is why I am offering every first and second year
student one free ticket — Bert’s Ticket — to introduce them to
a cultural experience at Michigan.”

E M I LY B AN DE RA
“One of the delights of living in Ann Arbor is the opportunity
to attend the many and varied programs brought to us by
UMS. We don't need to travel world-wide to experience these
'big city' events. I feel honored to help make this possible.”

DAL L AS AN D SH ARON DORT
“It could almost be said that we chose to move to Ann Arbor
post-career because of UMS. Who wouldn’t want to live in a
city that can attract such talent, and fill a 3,500-seat hall with
so many enthusiastic audiences? Now, we enjoy each season
all the more because, as donors, we’re an active part of UMS.
What a privilege!”

STE VE AN D ROS FORREST
“As students, we benefited from low-cost student tickets,
fostering a lifelong love of the performing arts. Our donation
will help to ensure that affordable tickets will be available to
today's students.”

12

BE PRESENT

I L E N E FORSY TH
“I want to help chamber music flourish in Ann Arbor. My
support for the series began with its inception in 1963 and
I continue to believe that these concerts help nurture our
intellectual life as they stimulate and refresh us.”

M AXI N E AN D STUART F RANKE L
“We are delighted to partner with UMS for the fifth
year of the Renegade Series. Supporting Renegade
programming allows UMS to provide experiences for
the curious, adventurous, and experimental audience
member — allowing us to challenge our existing beliefs
and push our own boundaries.”

“We are proud to support UMS and the many programs
they offer University students. It is great to know that
students will have access to the greatest performing
artists from around the world. The arts are an important
part of a Michigan education.”

WINTER 2016

E U GE N E AN D E M I LY GRAN T

RI C H ARD AN D SU SAN GU TOW
"We enjoy classical and contemporary music, theater,
and dance, and feel privileged to add our endowment
to that of others to help ensure that UMS continues to
present adventuresome performances to the university
and Southeast Michigan communities."

PH I L AN D K ATH Y POW E R
"Thousands and thousands of lives have been made
richer and more profoundly aware through the music,
theater, and dance offerings of UMS. It’s hard to imagine
another institution that has had such an enormous
impact on so many over such a long time. UMS’s work
is enormously valuable and deserves generous support
from anybody who believes in the liberating power of the
performing arts."
13

Corporate
Champions
We thank the following businesses for their commitments of $5,000 or more
for the 2015–16 season.
AL I C I A M . TO R R ES
Senior Vice President & Chief Financial Officer, Altarum Institute
“The Arts stimulate the mind and inspire creativity. Hence, we at
Altarum are thrilled to support UMS and provide inspiring and
enjoyable cultural opportunities for our team and our community.
Altarum Institute serves the public good by solving complex
systems problems to improve human health through objective
research, technology, analysis, and consulting leadership skills.”

DOU GL ASS R. FOX
President, Ann Arbor Automotive
“We at Ann Arbor Automotive are pleased to support the artistic
variety and program excellence given to us by UMS.”

TIM OT H Y G . M A R S H A L L
President and CEO, Bank of Ann Arbor
“We take seriously our role as a community bank. While there have
been sizable cuts in arts funding over the years by both the private
and public sectors, Bank of Ann Arbor is delighted to continue to
sponsor UMS year after year. We are firm believers that the arts are
vital to the vibrancy of our cities, both culturally and economically.”

LA R RY B RYA N T
Ann Arbor Region President, Comerica Bank
“As a company with a long-standing commitment to diversity
and our community, Comerica is proud to continue its support of
UMS. We salute UMS on its efforts to enrich our community by
showcasing the talents of performing artists from around the world.
Congratulations to the leader and best in the performing arts.”

14

“Conlin Travel has been a proud supporter of UMS for over
50 years. I will never forget attending one of my first UMS
concerts in 1975, listening to Vladimir Horowitz perform
Chopin, Rachmaninoff, Schumann, and others. UMS makes
Ann Arbor the most vibrant cultural community in Michigan
today.”

BE PRESENT

CH R I S CO N L I N
President, Conlin Travel, Inc.

FAY E A L E X A N D E R N E L S O N
President, DTE Energy Foundation
“The DTE Energy Foundation is pleased to support exemplary
organizations like UMS that inspire the soul, instruct the mind,
and enrich the community.”

N AN C Y AN D RAN DAL L FAB E R
Founders, Faber Piano Institute
WINTER 2016

“We are proud to support UMS in its tradition of program
excellence and outreach that enriches our thoughts, our
families, and our community.”

JAM ES G . V E L L A
President, Ford Motor Company Fund
“Experiencing the world through music and the arts makes
us better as individuals while bringing us together as a
community. We are proud to support UMS and the important
role it plays in enriching our lives.”
CMYK Form (preferred)

DAV I D N . PA R S I G I A N
Ann Arbor Office Managing Partner, Honigman Miller
Schwartz and Cohn LLP

Black and White Form

Ford Fund Master
6/2003

File Format: CMYK.EPS
BW.EPS

Ford Oval: CMYK
Black

“In our firm’s tradition of supporting major cultural institutions,
Honigman has been a long-time supporter of UMS. Our Ann
Arbor office is proud to carry on that tradition on behalf of all
of our attorneys, especially those who work and live in the Ann
Arbor area. We all view the exceptional cultural experiences
that UMS provides as key to the success of our community and
our firm.”
Text: Black
Black

15

MO H AM AD I SSA
Director, Issa Foundation
“The Issa Foundation is sponsored by the Issa family, which has
been established in Ann Arbor for the last 30 years, and is involved
in local property management as well as area public schools. The
Issa Foundation is devoted to the sharing and acceptance of culture
in an effort to change stereotypes and promote peace. UMS has
done an outstanding job bringing diverse and talented performers
to Ann Arbor.”
K I RK AL B E RT
Michigan Market President, KeyBank
“KeyBank remains a committed supporter of the performing arts
in Ann Arbor and we commend UMS for bringing another season
of great performances to the community. Thank you, UMS, for
continuing the tradition.”

MIC H AE L CON L I N
Director of Business Development, Level X Talent
“Level X Talent enjoys supporting UMS and its ongoing success
bringing world-class artistic talent to the community. Please join
us in congratulating UMS. As with the arts, consistently finding
and attracting exceptional talent in Advanced Technology can
be difficult. Level X Talent partners with our clients to meet that
challenge.”

KE I T H A L L M A N
President and Chief Executive Officer, Masco
“Masco is proud to support UMS and salutes its commitment to
providing excellent and diverse programs that spark a lifelong
passion for creativity. Thank you, UMS, for allowing all of us to
experience the transformative power of the performing arts!”

ALB E RT M . B E RRI Z
CEO, McKinley, Inc.
“The success of UMS is based on a commitment to present a
diverse mix of quality cultural performances. McKinley is proud
to support this tradition of excellence which enhances and
strengthens our community.”

16

“A Michigan-Ohio State football ticket is still the best ticket in
all of sport. However, a UMS ticket always provides the best in
educational and artistic entertainment.”

BE PRESENT

TH OM AS B . M C M U L L E N
President and CEO, McMullen Properties

DE N N I S SE RRAS
Owner, Mainstreet Ventures, Inc.
“As restaurant and catering service owners, we consider ourselves
fortunate that our business provides so many opportunities
for supporting UMS and its continuing success in bringing
internationally acclaimed talent to the Ann Arbor community.”

STE PH E N G. PAL M S
Principal, Miller, Canfield, Paddock and Stone, P.L.C.
WINTER 2016

“Miller Canfield proudly supports UMS for enhancing our
quality of life by bringing the unfiltered immediacy of live
performing arts to our community.”

TO DD C L ARK
Regional President, Old National Bank
“At Old National Bank, we’re committed to community
partnership. That’s why, last year alone, we funded over $5
million in grants and sponsorships and our associates donated
almost 100,000 volunteer hours. It’s also the reason we’re
pleased to once again support UMS as a corporate sponsor
for the 2015–16 season.”

RI C H ARD L . DE VORE
Detroit and Southeast Michigan Regional President,
PNC Bank
“PNC Bank is proud to support the efforts of UMS and the Ann
Arbor community.”

17

BROC K H ASTI E
Managing Partner, Retirement Income Solutions, Inc.
“With strong roots in the community for more than 30 years,
our team of investment advisors is proud to support UMS. We
recognize and appreciate UMS’s successful history and applaud
the organization’s ongoing commitment to presenting authentic,
world-renowned artists to the Ann Arbor community.”

SAVA L E LC AJ
Chief Executive Officer, Savco: Hospitality
“One of Ann Arbor’s greatest assets is UMS, which brings amazing,
best-in-class performances to our city season after season.
Savco Hospitality is honored to support UMS and its mission of
engaging, educating, transforming, and connecting the arts to our
community.”

JOE SESI
President, Sesi Lincoln Volvo Mazda
“UMS is an important cultural asset for our community. The Sesi Lincoln
Volvo Mazda team is delighted to sponsor such a fine organization.”

SesiMotors.com

JOHN W. STOU T
President, Stout Systems
“Supporting UMS is really a labor of love — love of music and the
performing arts and love of arts advocacy and education. Everyone
at Stout Systems knows we cannot truly be successful without
helping to make our community a better place. It is an honor to be
part of the UMS family.”

TO M TH O M PSO N
Owner, Tom Thompson Flowers
“Judy and I are enthusiastic participants in the UMS family. We
appreciate how our lives have been elevated by this relationship.”

18

BE PRESENT

OSAMU “SI MON” N AGATA
President, Toyota Motor Engineering & Manufacturing
North America, Inc.
“Toyota Technical Center is proud to support UMS, an
organization with a long and rich history of serving diverse
audiences through a wide variety of arts programming.”

TI F FAN Y FORD
President, University of Michigan Credit Union
“Thank you to UMS for enriching our lives. The University of
Michigan Credit Union is proud to be a part of another great
season of performing arts.”

MARK SC H L I SSE L
President, University of Michigan
WINTER 2016

“The University of Michigan is proud to support UMS as
a natural extension of our academic enterprise. UMS’s
outstanding performances and educational programs add
tremendous value for our students, faculty, alumni, and
regional community.”

MARSC H AL L RU N GE
Executive Vice President for Medical Affairs, University of
Michigan, and CEO, University of Michigan Health System
We are proud to partner with UMS for its 2015–16 season.
Music improves the quality of life for all of us, and,
increasingly, is recognized as an important ingredient for
better health.”

19

Foundation, Government,
& University Support
UMS gratefully acknowledges the support of the following private
foundations, government agencies, and University of Michigan units:

$500,000 AND ABOVE
The Andrew W. Mellon Foundation

$20,000-$499,000
Anonymous
Charles H. Gershenson Trust

$5,000-$19,999
Benard L. Maas Foundation
The Seattle Foundation
University of Michigan Third Century Initiative

20

SUPPORTING
THE ARTS
As a long-time patron of the arts,
Honigman and its Ann Arbor attorneys
are proud to support UMS.
Fernando Alberdi
Christopher A. Ballard
Maurice S. Binkow
Cynthia M. Bott
Anna M. Budde
Thomas W. Forster II
Carl W. Herstein
Richard D. Hoeg
Ann T. Hollenbeck
J. Michael Huget
Barbara A. Kaye

Tara E. Mahoney
Cyril Moscow
Leonard M. Niehoff
David N. Parsigian
Julie Kretzschmer Reitz
Eric J. Sosenko
James E. Stewart
Bea Swedlow
Sara E. Waidelich
Bill Winsten

For more information, please contact
David Parsigian at 734.418.4250 or
DParsigian@honigman.com.

WWW.HONIGMAN.COM

Montreal
Symphony
Orchestra
Kent Nagano
Conductor
Daniil Trifonov
Piano
Saturday Evening, March 19, 2016 at 8:00
Hill Auditorium
Ann Arbor

77th Performance of the 137th Annual Season
137th Annual Choral Union Series

Tonight’s performance is sponsored by the University of Michigan Health System and supported by
Diane and Gary Stahle, James and Nancy Stanley, and the Zelenock Family.
Endowed support provided by the Medical Community Endowment Fund.
Media partnership provided by WGTE 91.3 FM and WRCJ 90.9 FM.
The Steinway piano used in this evening’s concert is made possible by William and Mary Palmer.
Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution
of lobby floral art for this evening's concert.
The Montreal Symphony Orchestra (OSM) is presented by Hydro-Québec. The OSM USA BMO Harris
Bank Tour is possible thanks to the OSM Foundation, Air Canada, Tourisme Montréal, the Canada
Council for the Arts, the Conseil des arts et des lettres du Québec, and the Ville de Montréal.
The Montreal Symphony Orchestra appears by arrangement with Opus 3 Artists.
In consideration of the artists and the audience, please refrain from the use of electronic devices
during the performance.
The photography, sound recording, or videotaping of this performance is prohibited.

PROGRAM
Claude Debussy
Prélude à l’après-midi d’un faune
Sergei Prokofiev
Piano Concerto No. 3 in C Major, Op. 26
Andante — Allegro
Tema con variazioni
Allegro, ma non troppo
Mr. Trifonov
Intermission
Igor Stravinsky
The Firebird (Complete Ballet)
Introduction
Scene I
Kastchei’s Enchanted Garden
Appearance of the Firebird Pursued by Prince Ivan
Dance of the Firebird
Prince Ivan Captures the Firebird
Supplications of the Firebird
Appearance of the Thirteen Enchanted Princesses
The Princesses’ Game with the Golden Apples (Scherzo)
Sudden Appearance of Prince Ivan
The Princesses’ Round Dance (Khorovod)
Daybreak
Prince Ivan Penetrates Kastchei’s Palace
Magic Carillon: Appearance of Kastchei’s Guardian Monsters; Capture of
Prince Ivan
Arrival of Kastchei the Immortal; His Dialogue with Prince Ivan;
Intercession of the Princesses
Appearance of the Firebird
Dance of Kastchei’s Retinue under the Spell of the Firebird
Infernal Dance of All Kastchei’s Subjects
Lullaby (Firebird)
Awakening of Kastchei
Death of Kastchei; Profound Darkness
Scene II
Disappearance of the Palace and Dissolution of Kastchei’s Magical
Creations; Animation of the Petrified Warriors
General Thanksgiving
3

N O W T H AT Y O U ’ R E I N
Y O U R S E AT. . .
You are about to hear a true “Parisian”
program, even though only one of
the three composers was actually
French. But both Prokofiev and
Stravinsky lived in Paris for years.
Prokofiev’s Third Piano Concerto was
written in France, and Stravinsky’s
Firebird was premiered in Paris by the
Russian Ballet, whose director, Sergei
Diaghilev, also commissioned Debussy
and Prokofiev. The three works also
share the magic of youth — all three
composers were 30 or under when
they wrote these pieces. Their lives
and careers overlapped to a certain
extent: Stravinsky, in the middle in
terms of age, interacted with both
his older and his younger colleague.
Yet the program is far from unified
in terms of style. There is a whole
world — or more precisely, a world
war — separating the Debussy and the
Prokofiev works; in the 30 years that
elapsed between the two, Western
music had entered a whole new era in
its history, with Stravinsky as one of
the major catalysts of the change.

4

P R É L U D E À L’ A P R È S - M I D I D ’ U N F A U N E ( P R E L U D E T O T H E
A F T E R N O O N O F A FAU N ) ( 1 8 9 2 )
Claude Debussy
Born August 22, 1862 in Saint-Germain-en-Laye, France
Died March 25, 1918 in Paris
UMS premiere: Chicago Symphony Orchestra conducted by Frederick Stock;
May 1907 in Hill Auditorium.
Snapshots of History…In 1892:
· Ellis Island begins accommodating immigrants to the US
· The General Electric Company is established through the merger of the
Thomson-Houston Company and the Edison General Electric Company
· Homer Plessy (who is black) is arrested for sitting on the whites-only
car in Louisiana, leading to the landmark Plessy vs. Ferguson court case
· Women are first admitted to Yale University’s graduate school

The importance of Stéphane
Mallarmé (1842–1898) in the history
of French poetry can hardly be
overestimated. His works, which
abound in complex symbols and
images, sought to represent states
of mind rather than ideas, express
moods rather than tell stories.
Mallarmé tried to capture that elusive
line between dream and awakening
that most of us who are not poets are
well aware of but are unable to put
into words.
Mallarmé’s eclogue “L’Après-midi
d’un Faune” (The Afternoon of a Faun)
was published in 1876. Debussy first
set a poem by Mallarmé to music in
1884, at the age of 22. Three years
later, the young composer joined the
circle of poets and artists who met at
Mallarmé’s house every Tuesday night
for discussions and companionship.
Thus he was thoroughly familiar with
the poet’s style long before he began
work on his prelude to “The Afternoon
of a Faun” in 1892.

The first-person narrator in the
eclogue (the word evokes associations
with the pastoral poetry of the
great Latin poet Virgil) is a faun, a
mythological creature who is half
man and half goat. The faun lives in
the woods, near a river surrounded
by reedy marshes; he is daydreaming
about nymphs who may be real or
mere figments of his imagination.
The faun’s desire is filtered through
the vagueness of its object as he
recalls past dreams, which emerge
from the shadows only to recede into
the darkness again.
In his music, Debussy admirably
captured that delicious vagueness of
contours which is so important in the
poem. The themes do not follow any
stable metric patterns, and instead
of progressing in a certain direction,
they remain entirely unpredictable,
reflecting the unconstrained nature
of the faun’s meditations.
The faun plays a flute, which evokes
the syrinx (the Greek panpipe)*; and
5

it is quite natural that in Debussy’s
music the orchestral flute is given
a solo part throughout. The languid
opening melody, which descends,
mostly in half-steps, from C-sharp to
G-natural and rises back to C-sharp
again (thus outlining the exotic
interval of the tritone, or augmented
fourth), has become famous as
an example of a melodic style
independent from any traditional
models. As it unfolds, the orchestral
accompaniment becomes more and
more intense. After a short resting
point, a new section starts in which
the first clarinet and the first oboe
temporarily take over the lead from
the flute; the tempo increases and a
new melody is introduced, in sharp
contrast with the chromatic flute
theme that opened the piece. The new
melody moves in wide intervals, and is
played by all the woodwinds, plus the
first horn, in unison. Finally, the first
theme returns in its original tempo;
following a passage that briefly
brings back some of the agitation of
the middle section, the music settles
into a serene and peaceful idyll which
prevails to the end.
*Debussy was to write a piece for unaccompanied
flute under the title Flûte de Pan in 1913,
planned as part of an incidental music; the piece
was published as Syrinx after Debussy’s death.

6

P I A N O C O N C E R T O N O . 3 I N C M A J O R , O P. 2 6 ( 1 9 2 1 )
Sergei Prokofiev
Born April 23, 1891 in Donetsk Oblast, Ukraine
Died March 5, 1953 in Moscow
UMS premiere: Philadelphia Orchestra conducted by Thor Johnson with piano
soloist William Kapell; May 1951 in Hill Auditorium.
Snapshots of History…In 1921:
· The US formally ends World War I
· The first radio baseball game is broadcast; Harold Arlin announces the
Pirates-Phillies game from Forbes Field over Westinghouse KDKA, in
Pittsburgh
· In Atlantic City, New Jersey, the first Miss America Pageant is held
· Albert Einstein is awarded the Nobel Prize in Physics for his work with
the photoelectric effect

Six months after the October
Revolution of 1917, 27-year-old
Sergei Prokofiev left Russia for the
US. Already famous in his homeland
as the enfant terrible of modern
music, a controversial composer and a
pianist of dazzling virtuosity, he was
eager to make a name for himself in
the West as well.
His efforts to succeed in
America, however, were only half
successful. His first New York
recital, on November 20, 1918, had
positive reviews. His opera The
Love of Three Oranges got mostly
unfavorable reviews in Chicago,
with the critics treating Prokofiev
as a Bolshevist barbarian let loose
on the peaceful American shores.
As a result, Prokofiev soon decided
to make Western Europe his home
base instead of the US, although
his concert tours in this country
continued until 1938.
In the summer of 1921, Prokofiev
retreated to a small village on the

coast of Brittany in Northern France
to work on what in his autobiography
he called “a large virtuoso concerto.”
His first two concertos, written in
Russia, had been highly iconoclastic
works giving rise to heated debates.
This time, Prokofiev created a more
Classical piece, one that he hoped
would help establish him in the West.
Most of the concerto’s thematic
material derives from earlier works
and sketches that had accumulated
over a 10-year period; yet in its final
form the concerto is remarkably
unified in style and mood.
The concerto contains many
examples of that supreme musical
humor that has always been one of
Prokofiev’s hallmarks; it combines
melodic richness with a spectacular
virtuosity and interesting harmonic
innovations in a most attractive way.
The first movement opens with a
short “Andante” introduction whose
melody is stated by an unaccompanied
clarinet. The “Allegro” section is based
7

on a motif of quick 16th-notes, played
by the violins, and a quirky piano
motif (it is actually derived from the
“Andante” theme) that is elaborated
upon at some length. A new theme is
soon introduced by the oboe; all this
melodic material is then treated in a
free sonata form.
Next comes a theme with five
variations that stands as the
concerto’s slow movement, although
three of the five variations are rather
fast in tempo. These three (variations
nos. 2, 3, and 5) exploit the beautiful
lyrical theme more for its rhythmic
than for its melodic potential. The
other two, in which the piano plays
the leading role, are more delicate,
and filled with exciting chromatic
harmonies. The last variation turns
the theme into a march of sorts,
but the coda suddenly reverts to
the lyrical ambiance of the slow
variations.
The third-movement finale is brisk
and vigorous. It has an extended
middle section in a slower tempo
that abounds in special orchestration
effects (oboes doubling the clarinets
below, not above as usual; the cello
section playing the melody in an
extremely high register, etc.) The
middle section has its own middle
section where the piano, suddenly
switching from 3/4 to 4/4 time, plays
a simple melody based on a single
note. The dynamic material that
opened the movement returns for a
vivacious ending.

8

THE FIREBIRD (COMPLETE BALLET) (1910)
Igor Stravinsky
Born June 17, 1882 in Lomonosov, Russia
Died April 6, 1971 in New York City
UMS premiere: Philadelphia Orchestra conducted by Leopold Stokowski;
May 1936 in Hill Auditorium.
Snapshots of History…In 1910:
· African-American boxer Jack Johnson defeats American boxer James J.
Jeffries in a heavyweight boxing match, sparking race riots across the US
· In Brazil, Sport Club Corinthinas Paulista, the first FIFA World Club
Championship, is founded
· The first air flight for the purpose of delivering commercial freight
takes place in the US, made by Wright brothers pilot Philip Parmalee
between Dayton and Columbus, Ohio
· Henry Ford sells 10,000 automobiles

Sergei Diaghilev’s Paris-based Ballets
Russes was one of the greatest ballet
companies in history that united
many of the best dancers of its time.
Diaghilev, the director, combined the
soul of a brilliant artist with the mind
and skills of a shrewd businessman.
He was committed to exciting and
innovative productions, and he sought
out the best modern artists and
composers available. Among musicians
alone, he worked over the years with
Debussy, Ravel, Falla, Prokofiev, and
others. However, he never made a more
sensational nor a more fruitful musical
discovery than when he engaged the
27-year-old Igor Stravinsky to write the
music for Michel Fokine’s new ballet,
The Firebird. It was the start of a long
collaboration that was to give the world
Petrushka, The Rite of Spring, Les
Noces, Mavra, and Apollon Musagète,
and which ended only shortly before
Diaghilev’s death in 1929.

Since the end of the 19th century,
there had been a great affinity
between Russia and France. The
political alliance between the two
countries had brought Russia closer to
France (France had always been close
to Russia where French had long been
the language of the educated classes).
At the same time, the geographical
distance and the difference in culture
endowed things Russian with an exotic
flavor in the eyes of the French. Both
Debussy and Ravel admired, and were
influenced by, the music of the 19thcentury Russian masters Mussorgsky
and Rimsky-Korsakov.
To create a story of an appropriately
exotic flavor, Fokine used several
Russian fairy-tales in the scenario
of The Firebird. The stories of the
beneficent Firebird and the evil ogre
Kastchei the Immortal are combined
in an ingenious plot, which Eric Walter
White summarized in his standard
book on Stravinsky as follows:
9

A young Prince, Ivan Tsarevich,
wanders into Kastchei’s magic garden
at night in pursuit of the Firebird,
whom he finds fluttering round a tree
bearing golden apples. He captures it
and extracts a feather as forfeit before
agreeing to let it go. He then meets a
group of 13 maidens and falls in love
with one of them, only to find that she
and the other 12 maidens are princesses
under the spell of Kastchei.
When dawn comes and the princesses
have to return to Kastchei’s palace, he
breaks open the gates to follow them
inside; but he is captured by Kastchei’s
guardian monsters and is about to
suffer the usual penalty of petrifaction,
when he remembers the magic feather.
He waves it; and at his summons the
Firebird appears and reveals to him the
secret of Kastchei’s immortality [his
soul, in the form of an egg, is preserved
in a casket]. Opening the casket, Ivan
smashes the vital egg, and the ogre
immediately expires. His enchantments
dissolve, all the captives are freed, and
Ivan and his Tsarevna are betrothed
with due solemnity.

According to the original plans,
the music for The Firebird was to be
written by Nikolai Tcherepnin and,
after Tcherepnin’s withdrawal, by
Anatoli Lyadov or Alexander Glazunov.
However, none of these more
experienced composers delivered the
score on time, so Diaghilev approached
Stravinsky, who had already worked
for him as an orchestrator, and whose
orchestral piece Fireworks had greatly
impressed him. The young composer,
honored by the commission, put aside
the opera The Nightingale whose first
act he had just completed, and began
work on the ballet.
10

The complete ballet consists of 19
musical numbers. Eighteen of these
belong to the first tableau and the
last number alone constitutes the
second tableau. The music had to
follow the plot very closely, in a strict
descriptive style we don’t often find
in Stravinsky’s works.
To describe the magic world
of fairy-birds and evil sorcerers,
Stravinsky had a whole tradition to
build on, a tradition he had inherited
from his teacher Rimsky-Korsakov.
In the last years before his death
in 1908, Rimsky had written three
operas on fantastic subjects, one
of which was titled Kastchei the
Immortal (the two others were
the Legend of the Invisible City of
Kitezh and the Golden Cockerel). In
his fantastic operas as elsewhere,
Rimsky-Korsakov made ample use
of a special scale Russian musicians
knew as the “Rimsky scale,” which
was also adopted by the master’s most
famous pupil. (The “Rimsky” scale,
also known as the “octatonic” scale,
consists of the regular alternation
of half-steps and whole steps: C–
C-sharp–D-sharp–E–F-sharp–G–A–
B-flat.) This particular grouping of
tones, lying outside the major-minor
system, is always associated with
the evil Kastchei. The music of the
magical Firebird is also chromatic in
nature, related in part to the Kastchei
music. The motifs of the Tsarevich, on
the other hand, are purely diatonic
(using a traditional seven-note scale)
and are derived from a central type
of Russian folksong known as the
“long-drawn-out” song (protyazhnaya
pesnya). Both the story and the
musical style of the ballet seemed
highly original in the West, where the

Russian traditions that had nourished
it were largely unknown.
For all the Rimsky influence,
Stravinky’s first ballet shows a
remarkable degree of individuality.
The handling of rhythm in
particular (with already quite a
few typical Stravinskyan ostinatos,
or stubbornly” repeated figures)
is quite innovative, and the
orchestration reveals the hand of
a true master. Even at this early
age, Stravinsky knew how to draw
the most spectacular effects from
his enormous orchestra. One may
cite special items like the famous
harmonic arpeggios (broken chords)
for strings in the introduction or
the solos for the small D-clarinet
at several points. But even more
important are the many new
combinations of instrumental colors
appearing on virtually every page of
the score.
The score contains numerous
section titles that correspond to
the stage action, though there
are no actual pauses in the music.
The sections, with a brief musical
description of each, are as follows:
The Introduction begins with the
rumble of low strings, trombones, and
bassoons, with the higher-pitched
instruments entering gradually as the
curtain rises on the first tableau.
Scene I
Kastchei’s Enchanted Garden. The
motif of the introduction is taken
over by the violins, punctuated by
short figures in the woodwind, harp,
and celesta.

Appearance of the Firebird Pursued
by Prince Ivan. For the first time,
the music becomes more agitated as
the anguished fluttering of the bird
is contrasted with a simple, Russianflavored theme representing the
prince. After a measure of general
rest, the…
Dance of the Firebird begins. The
melody in this brilliantly orchestrated
dance is derived entirely from sound
color, with the piccolo flute and
piccolo clarinet taking the lead; the
harp and the strings accompany with
trills and broken chords. The pizzicati
(plucked strings) in the cello provide
the rhythmic support.
Prince Ivan Captures the Firebird.
The flourishes in the woodwinds
come to a sudden standstill, and the
repeated chords in the four horns
indicate that the bird is no longer free
to move.
Supplications of the Firebird.
A slow, expressive melody is played
by solo viola, oboe, and English horn,
later taken over by the violins. The
tempo speeds up as the Firebird’s
plea becomes more insistent (flute
and oboe solos). After a return of the
slower theme, the prince (solo horn)
lets the bird go, and the flaps of its
wings can be heard in the woodwind.
The Appearance of the Thirteen
Enchanted Princesses is announced
by a magical chord progression in the
violins. A series of expressive solos
create a tender, lyrical mood.

11

The Princesses’ Game with the
Golden Apples (Scherzo). Dominated
by fast-moving 16th-notes in
the strings, the scherzo is briefly
interrupted by a lyrical middle section
with a clarinet solo.
Sudden Appearance of Prince Ivan.
As before, the prince is represented
by the solo horn and a simple Russian
melody in the minor mode.
The Princesses’ Round Dance
(Khorovod). One of the ballet’s great
melodies is introduced by the solo
oboe in a slow tempo. The actual
dance is slightly faster; the strings
and woodwind are joined, after a
while, by the first horn.
Daybreak. A trumpet call heralds
the arrival of the dawn. A brief and
forward-thrusting theme indicates
that Prince Ivan is approaching the
place where he will meet his great
challenge.
Three measures of energetic string
scales: Prince Ivan Penetrates
Kastchei’s Castle.
Magic Carillon: Appearance of
Kastchei’s Guardian Monsters,
and Capture of Prince Ivan. The
distinctive melodic style of the evil
sorcerer appears here for the first
time. The monsters charge Prince
Ivan as we hear a massive orchestral
buildup; the motion stops abruptly
as he is captured (not unlike what
happened to the Firebird earlier).

12

The Arrival of Kastchei the Immortal
is proclaimed by austere brass chords
and frightening tremolos in strings
and percussion.
His Dialogue with Prince Ivan.
It seems that the poor prince can
hardly get a word in edgewise in this
dialogue, for the short section is
entirely dominated by the music of
the sorcerer.
Intercession of the Princesses. The
solo violin plays the princesses’ theme
from earlier in the ballet, but the
melody is cut short by Kastchei’s wild
brass and percussion sounds.
Appearance of the Firebird. This
brief Allegro section, in which the
firebird’s familiar musical style is in
evidence throughout, leads directly
into the…
Dance of Kastchei’s Retinue under
the Spell of the Firebird. More
and more of Kastchei’s minions are
swept up in the ecstatic dance, with a
gradual crescendo leading to a tutti
climax.
Infernal Dance of all Kastchei’s
Subjects. A fast timpani roll
introduces a syncopated motif arising
from the lower registers (bassoons,
horn, tuba) and gradually taken over
by the entire orchestra. There is a
lyrical countersubject symbolizing
the plight of Kastchei’s prisoners.
As a total contrast, the Lullaby
(Firebird) is a delicate song for solo
bassoon, accompanied by harps and
muted strings.

A dissonant fanfare accompanies
Kastchei’s Awakening. But the
evil sorcerer’s end is imminent:
a powerful tutti downbeat and a
rapidly descending orchestral figure
accompanied by a decrescendo on the
bass drum depict…
Death of Kastchei, followed by
Profound Darkness — a short
interlude of divided string tremolos.
The scene changes.
Scene II
Disappearance of the Palace
and Dissolution of Kastchei’s
Magical Creations; Animation of
the Petrified Warriors; General
Thanksgiving. The finale, in which
everyone celebrates the wedding of
Prince Ivan and the princess, contains
what is probably the most famous
Russian folksong in in the ballet.
This beautiful melody, first played
by the first horn (Ivan’s instrument),
grows in volume and orchestration
until the full orchestra plays it. Here
a significant rhythmic change is
introduced: the symmetrical triple
meter (3/2) is transformed into an
asymmetrical 7/4, bringing the music
to its final culmination point.
Program notes by Peter Laki.

13

ARTISTS
Kent Nagano (conductor) has established
an international reputation as one of the
most insightful and visionary interpreters
of both the operatic and symphonic
repertoire. Since 2006 he has been music
director of the Montreal Symphony
Orchestra (OSM), a contract extended
until 2020, and was general music director
of the Bayerische Staatsoper in Munich
from 2006–2013. He became principal
guest conductor and artistic advisor of the
Gothenburg Symphony Orchestra in 2013.
Since 2015, he has been general music
director and principal conductor of the
Hamburg State Opera and Philharmonic
Orchestra.
Born in California, Maestro Nagano
spent his early professional years in
Boston, working in the opera house and
as assistant conductor to Seiji Ozawa at
the Boston Symphony Orchestra. He was
music director of the Opéra national de
Lyon (1988–1998), music director of the
Hallé Orchestra (1991–2000), associate
principal guest conductor of the London
Symphony Orchestra (1990–1998), and
artistic director and chief conductor of
the Deutsches Symphonie-Orchester
Berlin from 2000–2006 and remains their
honorary conductor. Maestro Nagano
was the first music director of the Los
Angeles Opera from 2003–2006. As a
much sought-after guest conductor, he
has worked with most of the world’s
finest orchestras — the Vienna, Berlin,
and New York Philharmonics, Chicago
Symphony, Dresden Staatskapelle, and
Leipzig Gewandhaus, and at leading opera
houses including Opéra national de Paris,
Berlin State Opera, Metropolitan Opera,
and Semperoper Dresden. He has won
two Grammy Awards for his recordings
of Kaija Saariaho’s L’amour de loin with
14

the Deutsches Symphonie-Orchester and
Busoni’s Doktor Faust recorded with the
Opéra national de Lyon, among other awards.
In 2013, he was named “Great
Montrealer” by the Board of Trade of
Metropolitan Montreal, and he received
the insignia of Grand Officer of the Order
of Quebec.
Combining consummate technique with
rare sensitivity and depth, Daniil Trifonov
(piano) has made a spectacular ascent
to classical music stardom. Since taking
First Prize at both the Tchaikovsky and
Rubinstein competitions in 2011 at just age
20, the Russian pianist has appeared with
most of the world’s foremost orchestras,
including the New York, Los Angeles, and
Royal Philharmonics; the Chicago, Boston,
San Francisco, and London Symphony
Orchestras; the Cleveland, Philadelphia,
and Mariinsky Orchestras; Washington’s
National Symphony; and Rome’s Orchestra
dell’Accademia Nazionale di Santa
Cecilia. In solo recital he graces such key
international venues as Carnegie Hall, the
Kennedy Center, and Boston’s Celebrity
Series; London’s Royal Festival, Queen
Elizabeth, and Wigmore Halls; Amsterdam’s
Concertgebouw, Berlin’s Philharmonie,
Vienna’s Musikverein, Zurich’s Tonhalle,
and Barcelona’s Palau de la Musica; the
Salle Pleyel and Théâtre des Champs
Élysées in Paris; Tokyo’s Opera City and
Suntory Hall; and the Seoul Arts Center.
Following the August release of
Rachmaninoff Variations, recorded
for Deutsche Grammophon with the
Philadelphia Orchestra and Yannick
Nézet-Séguin, in the 2015–16 season,
Mr. Trifonov plays complete Rachmaninoff
cycles with the New York Philharmonic
and Philharmonia Orchestras, and single

concertos for debuts with the Berlin
Staatskapelle and Royal Stockholm
Philharmonic, where he headlines the
prestigious Nobel Prize Concert; an Asian
tour with the Czech Philharmonic; and
dates with the Philadelphia Orchestra,
Orchestre National de Lyon, and Munich
Philharmonic. Prokofiev is the vehicle for
his Montreal Symphony Orchestra debut
on a North American tour and for returns
to the Orchestre National de France and
the London Symphony. He plays Chopin
with the San Francisco Symphony,
Tchaikovsky with the La Scala Orchestra,
and Liszt with the Pittsburgh Symphony
at home and on a North European tour. An
accomplished composer, it is also with the
Pittsburgh Symphony that Mr. Trifonov
reprises his own acclaimed piano concerto.
Besides making his recital debut in Los
Angeles, he undertakes an extensive,
high-profile European recital tour and
residencies in Lugano, Switzerland, and
at London’s Wigmore Hall, where he
collaborates with pianist Sergei Babayan
and violinist Gidon Kremer.
Last season saw the release of Trifonov:
The Carnegie Recital, the pianist’s first
recording as an exclusive Deutsche
Grammophon artist; captured live at
his sold-out 2013 Carnegie Hall recital
debut. The album scored both an ECHO
Klassik Award and a Grammy nomination.
His discography also features Chopin on
Decca and Tchaikovsky’s First with Valery
Gergiev and the Mariinsky Orchestra.
Born in Nizhny Novgorod in 1991,
Mr. Trifonov studied with Tatiana
Zelikman at Moscow’s Gnessin School
of Music and Sergei Babayan at the
Cleveland Institute of Music. In 2013
he was awarded Italy’s Franco Abbiati
Prize for “Best Instrumental Soloist.”

Since its founding in 1934, the
Montreal Symphony Orchestra (OSM)
has distinguished itself as a leader in the
orchestral life of Canada and Québec. A
cultural ambassador of the highest order,
the Orchestra has earned an enviable
reputation internationally through the
quality of its many recordings and tours.
The OSM carries on that rich tradition
under the leadership of its music director,
Kent Nagano, while featuring innovative
programming aimed at updating the
orchestral repertoire and deepening
the Orchestra’s connection with the
community.
The excellence and vision of the OSM
have been shaped over the years by
its music directors: Wilfrid Pelletier, a
Montrealer by birth and first artistic
director of the Orchestra; Désiré Defauw;
Igor Markevitch; Zubin Mehta, with whom
the Orchestra toured in Europe for the
first time; Franz-Paul Decker; Rafael
Frühbeck de Burgos; Charles Dutoit,
who collaborated with the Orchestra for
close to 25 years and under whom the
OSM achieved great prominence on the
international scene; and, since September
2006, Kent Nagano.
Over the years the Orchestra has
performed on more than 40 tours and
some 30 national and international
excursions. The OSM has carried out 10
tours in Asia, 11 in Europe, and three in
South America. Under the direction of
Kent Nagano, the OSM presented a concert
at Théâtre du Châtelet in Paris (2006), did
its first cross-Canada tour (2007), and in
September 2008, Maestro Nagano and
seven musicians from the Orchestra set off
on a historic tour of Nunavik, in northern
Québec, where their program included
Stravinsky’s Soldier’s Tale narrated in
Inuktitut. Kent Nagano and the Orchestra
have appeared twice in Carnegie Hall
15

VICTORIES
START HERE.

Kojo Elenitoba-Johnson, M.D., is developing
new methods to diagnose blood cancers.

16

(2008 and 2011), where the OSM played
almost every year between 1982 and 2004
to sold-out halls. In 2011 the OSM took
part for the first time in the Edinburgh
International Festival. Kent Nagano and
the Orchestra have together done a tour
in South America (2013), two European
tours (2009 and 2014), and two Asian tours
(2008 and 2014), including the OSM’s first
concerts in China in 2014. In March 2016,
the OSM, under the direction of Maestro
Nagano, embarks for its ninth major tour
in the US.
In September 2011, the OSM and
Maestro Nagano inaugurated Maison
symphonique de Montréal, the Orchestra’s
new home. The construction of this
concert hall was made possible thanks
to the Government of Quebec. The hall’s
acoustics bear the signature of the
firm Artec Consultants Inc., while its
architecture was entrusted to Diamond
Schmitt Architects Inc. in association with
Ædifica Architects.

The OSM offers its varied audience
an increasingly rich programming, one
that consists of orchestral concerts,
recitals, chamber music, and performances
featuring the OSM Chorus and the Grand
Orgue Pierre-Béique. The OSM figures
prominently outside the concert hall thanks
to the broadcast of concerts on a variety of
platforms, enabling it to reach thousands of
music lovers around the world.
For more information, please visit
www.osm.com, or follow the Orchestra on
Facebook, Twitter, and Instagram at their
handle @OSMconcerts.

UMS ARCHIVES
This evening’s concert marks the Montreal Symphony Orchestra’s second
performance under UMS auspices. The Orchestra made its UMS debut in
January 1989 at Hill Auditorium under the baton of Charles Dutoit with Radu
Lupu as piano soloist.
UMS welcomes Maestro Kent Nagano and pianist Daniil Trifonov as they
make their UMS debuts this evening.
17

Montreal Symphony Orchestra - 2016 US tour
Kent Nagano, Music Director and Conductor
Dina Gilbert, Assistant Conductor
Andrew Megill, Chorusmaster
Chair sponsored by Mrs. F. Ann Birks, in loving memory of Barrie Drummond Birks
Simon Leclerc, Associate Conductor of the OSM Pop Concert Series
Olivier Latry, Organist Emeritus
Jean-Willy Kunz, Organist-in-Residence
Wilfrid Pelletier (1896–1982) and Zubin Mehta, Conductors Emeriti
Pierre Béique (1910–2003), General Manager Emeritus
First Violins
Richard Roberts

Violas
Neal Gripp

Andrew Wan1

Jean Fortin

Olivier Thouin2

Victor Fournelle-Blain

Marianne Dugal2

Chantale Boivin
Rosemary Box
Sofia Gentile
Anna-Belle Marcotte
Charles Meinen
David Quinn
Natalie Racine
Scott Chancey
Wilhelmina Hos
Bertrand Robin
Véronique Potvin
Megan Tam

Albert Brouwer

Cellos
Brian Manker2

Alexa Zirbel

Concertmaster
Concertmaster

Associate Concertmaster
Second Associate
Concertmaster

Ramsey Husser

Second Assistant

Marc Béliveau
Marie Doré
Sophie Dugas
Marie Lacasse3
Jean-Marc Leblanc
Ingrid Matthiessen
Myriam Pellerin
Susan Pulliam
Jean-Sébastien Roy
Claire Segal Sergi
Lauren DeRoller
Marc Djokic
Lizann Gervais
Alexander Lozowski
Second Violins
Alexander Read
Principal

Marie-André Chevrette
Associate

Brigitte Rolland
First Assistant

Ann Chow
Mary Ann Fujino
Johannes Jansonius
Jean-Marc Leclerc
Isabelle Lessard
Alison Mah-Poy
Katherine Palyga
Monique Poitras
Gratiel Robitaille
Daniel Yakymyshyn
Van Armenian
Laura D’Angelo
Soo Gyeong Lee
Katherine Manker
Viviane Roberge
18

Principal

First Assistant

Second Assistant

Marc Denis
Alec Hiller
Andrew Horton
Flutes
Timothy Hutchins
Principal

Interim Associate

Denis Bluteau
Second Flute

Danièle Bourget
Interim Piccolo

Lara Deutsch

Oboes
Theodore Baskin
Principal

Vincent Boilard
Associate

Second Oboe

Principal

Pierre-Vincent Plante

Associate

Josée Marchand

First Assistant

Clarinets
Todd Cope

Anna Burden
Pierre Djokic
Gary Russell

Second Assistant

Principal English Horn

Principal

Karen Baskin
Li-Ke Chang
Sylvie Lambert
Gerald Morin
Sylvain Murray
Peter Parthun
Alexandre Castonguay
Caroline Milot

Alain Desgagné

Double Basses
Ali Yazdanfar

Bassoons
Stéphane Lévesque

Brian Robinson

Mathieu Harel

Eric Chappell

Martin Mangrum

Jacques Beaudoin
Scott Feltham
Peter Rosenfeld
Edouard Wingell

Michael Sundell

Principal

Associate
Assistant

Associate

Michael Dumouchel

Second Clarinet and E-Flat
Clarinet

André Moisan

Bass Clarinet and Saxophone

Brent Besner

Principal

Associate

Second Bassoon
Contrabassoon

Mark Romatz

Horns
John Zirbel

Bass Trumpet
David Martin

Percussion
Serge Desgagnés

Denys Derome
Associate

Trombones
James Box

Second Horn

Vivian Lee

Hugues Tremblay
André Dufour
Sandra Joseph
John Wong

Fourth Horn

Pierre Beaudry

Principal

Catherine Turner
Jean Gaudreault
Marie-Sonja Cotineau
Xavier Fortin
Rachelle Jenkins
Jocelyn Veilleux
Trumpets
Paul Merkelo
Principal

Principal

Second Trombone
Principal Bass Trombone

David Martin

Tubas
Austin Howle
Principal
Nicholas Atkinson

Associate

Timpani
Andrei Malashenko

Second Trumpet

Hugues Tremblay

Russell De Vuyst
Jean-Luc Gagnon
Christopher P. Smith
Amy Horvey
Tazmyn Eddy

Principal

Principal

Harps
Jennifer Swartz
Principal

Robin Best
Caroline Lizotte
Piano and Celesta
Olga Gross
Music Library
Michel Léonard

Associate

Andrew Wan’s 1744 Bergonzi violin is generously loaned by philanthropist David Sela.
Marianne Dugal’s 1737 Domenico Montagnana violin and Sartory bow, Olivier Thouin’s 1754
Michele Deconet violin, Marie-André Chevrette's 1700 Carlo Tononi violin, as well as Brian
Manker’s c.1728–30 Pietro Guarneri cello and François Peccate bow are generously loaned by
Canimex.
3
Marie Lacasse’s 1771 Andreas Ferdinandus Mayr violin is generously loaned by philanthropist
Miroslav Wicha.
1
2

Tour Staff
Madeleine Careau, Chief Executive Officer
Marie-Josée Desrochers, Chief Operating Officer
Sébastien Almon, Director, Tour and Artistic Operations
Geneviève Dion, Director, Marketing and Communications
Marianne Perron, Director, Music Programming
Rachel Laplante, Director, Sponsorship Development and Strategic Alliances
Jean Gaudreault, Chief of Personnel — Musician
Marie-Hélène Forest, Coordinator, Artistic Projects
Estelle-Rose Clayon, Account Manager, Sponsorship
Marc Wieser, Personal Assistant to the Music Director
Claude Berthiaume, Head Stagehand
Carl Bluteau, Stagehand
For Opus 3 Artists
David V. Foster, President and CEO
Leonard Stein, Senior Vice President, Director, Touring Division
William Bowler, Manager, Artists & Attractions
Irene Lönnblad, Associate, Touring Division
John Pendleton, Company Manager
Don Irving, Stage Manager
John C. Gilliland III, Assistant Tour Manager
19

TONIGHT'S VICTORS FOR UMS

Diane and Gary Stahle
—
James and Nancy Stanley
—
The Zelenock Family
—
Medical Community Endowment Fund
—
University of Michigan Health System
Supporters of this evening’s performance by the Montreal
Symphony Orchestra.

M AY W E A L S O R E C O M M E N D . . .
3/26
3/31-4/3
4/16

Bach Six Solos: Gil Shaham with original films by David Michalek
American Ballet Theatre: The Sleeping Beauty
Bavarian Radio Orchestra

Tickets available at www.ums.org.
O N T H E E D U C AT I O N H O R I Z O N . . .
3/26

Tune In: Gil Shaham (must have a ticket to the performance to
attend , Hill Auditorium Mezzanine Lobby, 7:30 pm)
3/29 & 3/30 Center for Russian, East European, & Eurasian Studies Lecture
Re-Awakening Sleeping Beauty: The Lively Debate over Alexei
Ratmansky’s New Production
(3/29 at The Carr Center, 311 E. Grand River Avenue, Detroit,
7–8:30 pm)
(3/30 at 1636 International Institute, U-M School of Social Work
Building, 1080 S. University Avenue, Ann Arbor, 12 noon–1:30 pm)
4/9
You Can Dance: Kyle Abraham/Abraham.In.Motion
(Boll Family Y, 1401 Broadway Street, Detroit, 2–3:30 pm)
Educational events are free and open to the public unless otherwise noted.

Still Playing
Some of the world’s
most creative minds
suffer from one of the
most devastating
conditions…

Silver Maples Resident:

Lajos R.

Be a source of hope.
Help find a cure for bipolar disorder.
What makes a person bipolar, prone to
manic highs and depressed lows? We are
advancing research on the personalized
treatment of this illness that affects
close to 6 million Americans.

Make your donation at:
PrechterFund.org/help
1-877-UM-GENES

S

ilver Maples is an active community
of interesting and talented individuals,
like Lajos, who started playing the violin at
age 5 and still enjoys sharing his love of
classical music.
Joining our neighborhood opens the door
to a new phase of life. From the moment
you move in, residents of Silver Maples
become friends and family. Come by
for a visit and join our VIP wait list.

734.475.4111
SilverMaples.org
Locally-Owned, Non-Profit Jointly Sponsored by
the Chelsea-Area Wellness Foundation and United Methodist
Retirement Communities, Inc.

BE PRESENT

People
Those who
work to bring
you UMS
performances
each season

The UMS Board of Directors is a group of elected volunteers devoted to
the performing arts and to our community. Their hard work ensures that
UMS is able to offer outstanding performances year after year.
Stephen R. Forrest
Chair
Sarah Nicoli
Vice Chair
Rachel Bendit
Secretary
Tim Petersen
Treasurer
A. Douglas Rothwell
Chair, Corporate Council
Stephen G. Palms
Past Board Chair
Bruce Tuchman
Chair, National Council

Janet Callaway
David Canter
Mark Clague
Lisa D. Cook
Julia Donovan Darlow
Monique Deschaine
Tiffany L. Ford
Katherine Goldberg
Richard F. Gutow
Stephen Henderson
Daniel Herwitz
Joel Howell
Frank Legacki
Donald L. Morelock
Agnes Moy-Sarns
David Parsigian
Sharon Rothwell
Linh Song
Rick Sperling
Victor J. Strecher
Karen Jones Stutz

WINTER 2016

UMS Board of Directors

E X- O F F I C I O
Mark S. Schlissel
President, U-M
Martha E. Pollack
Provost, U-M
Aaron P. Dworkin
Dean, U-M School of
Music, Theatre & Dance
Jeanice Kerr Swift
Ann Arbor Public Schools
Superintendent
Louise Taylor
Chair, UMS Ambassadors

Photo: Shara Worden performs with My Brightest Diamond at the UMS Season Opening Celebration at Downtown
Home & Garden in September; ©2015 MLive and The Ann Arbor News. All rights reserved. Used with permission of
MLive and The Ann Arbor News.

23

UMS Senate
The UMS Senate is composed of former members of the Board of Directors
who dedicate time and energy to UMS and our community. Their ongoing
commitment and gracious support of UMS are greatly appreciated.
Wadad Abed
Michael C. Allemang
Carol L. Amster
Gail Davis-Barnes
Kathleen Benton
Lynda Berg
Richard S. Berger
Maurice S. Binkow
DJ Boehm
Lee C. Bollinger
Charles W. Borgsdorf
Janice Stevens-Botsford
Paul C. Boylan
William M. Broucek
Barbara Everitt Bryant
Robert Buckler
Letitia J. Byrd
Kathleen G. Charla
Mary Sue Coleman
Jill A. Corr
Peter B. Corr
Ronald M. Cresswell
Martha Darling
Hal Davis
Sally Stegeman DiCarlo
Robert F. DiRomualdo
Junia Doan
Al Dodds
James J. Duderstadt
David Featherman
David J. Flowers
George V. Fornero
Maxine J. Frankel
Patricia M. Garcia
Beverley B. Geltner
Christopher Genteel
Anne Glendon
Patricia Green
William S. Hann
Shelia M. Harden
Randy J. Harris
Walter L. Harrison
Norman G. Herbert

24

Deborah S. Herbert
Carl W. Herstein
David Herzig
Peter N. Heydon
Toni Hoover
Kay Hunt
Alice Davis Irani
Stuart A. Isaac
Thomas E. Kauper
Christopher Kendall
David B. Kennedy
Gloria James Kerry
Thomas C. Kinnear
S. Rani Kotha
Marvin Krislov
F. Bruce Kulp
Leo A. Legatski
Melvin A. Lester
Earl Lewis
Patrick B. Long
Helen B. Love
Cynthia MacDonald
Robert C. Macek
Jeffrey MacKie-Mason
Judythe H. Maugh
Rebecca McGowan
Barbara Meadows
Joetta Mial
Lester Monts
Alberto Nacif
Shirley C. Neuman
Jan Barney Newman
Roger Newton
Len Niehoff
Gilbert S. Omenn
Joe E. O’Neal
Randall Pittman
Phil Power
John D. Psarouthakis
Rossi Ray-Taylor
John W. Reed
Todd Roberts
Richard H. Rogel

Prudence L. Rosenthal
A. Douglas Rothwell
Judy Dow Rumelhart
Maya Savarino
Ann Schriber
Edward R. Schulak
John J.H. Schwarz
Erik H. Serr
Ellie Serras
Joseph A. Sesi
Harold T. Shapiro
George I. Shirley
John O. Simpson
Timothy P. Slottow
Anthony L. Smith
Carol Shalita Smokler
Jorge A. Solis
Cheryl Soper
Peter Sparling
James C. Stanley
Lois U. Stegeman
Edward D. Surovell
James L. Telfer
Susan B. Ullrich
Michael D. VanHermert
Eileen Lappin Weiser
B. Joseph White
Marina v.N. Whitman
Clayton E. Wilhite
Iva M. Wilson
Karen Wolff

The UMS National Council is comprised of U-M alumni and performing
arts enthusiasts across the country committed to supporting, promoting,
and advocating for UMS with a focus on ensuring that the performing
arts are an integral part of the student experience.
Bruce Tuchman
Chair
Andrew Bernstein
Kathleen G. Charla
Jacqueline Davis
Marylene DelbourgDelphis
John and Betty Edman
Janet Eilber
Barbara Fleischman

Maxine Frankel
Eugene Grant
Charles Hamlen
Katherine D. Hein
David Heleniak
Patti Kenner
Wallis C. Klein
Jerry and Dale Kolins
David Leichtman and
Laura McGinn

BE PRESENT

UMS National Council

Zarin Mehta
Jordan Morgan
Caroline Nussbaum
James A. Read
Herbert Ruben
James and Nancy Stanley
Christian Vesper
Ann and Clayton Wilhite
Stephen R. Forrest
Ex-Officio

UMS Corporate Council

A. Douglas Rothwell
Chair
Albert Berriz
Bruce Brownlee
Robert Buckler
Robert Casalou

Richard L. DeVore
Nolan Finley
Stephen R. Forrest
Michele Hodges
Mary Kramer
David Parsigian
Vivian Pickard

Sharon Rothwell
Frederick E. Shell
Michael B. Staebler
James G. Vella

WINTER 2016

The UMS Corporate Council is a group of regional business leaders who
serve as advocates and advisors to UMS as we seek to broaden our base
of corporate support throughout southeastern Michigan.

Stephen R. Forrest
Ex-Officio

UMS Students
Students in our volunteer internship and work-study program gain
valuable experience in all areas of arts management while contributing
greatly to UMS’s continued success.
Maryam Ahmed
Andrew Bader
Genan Bakri
Madisen Bathish
Meredith Bobber*
Sophia Brichta
Mysti Byrnes
Abigail Choi
Tahmid Chowdhury
Catherine Cypert
Kathryn DeBartolomeis
Sophia Deery
Taylor Fulton

Trevor Hoffman
Annie Jacobson
Olivia Johnson
Garret Jones
Ayantu Kebede
Meredith Kelly
Emily Kloska
Caitlyn Koester
Bridget Kojima
Jakob Lenhardt
Robert Luzynski
Manami Maxted
Christina Maxwell*

Shenell McCray
Westley Montgomery
Tsukumo Niwa*
Katie Patrick
Evan Saddler*
Heather Shen
Brice Smith
Rachel Stopchinski
Edward Sundra
Joey Velez
Justin Wong
*21st Century Artist Interns
25

Organic.
Holistic.
No Artificial Ingredients.

Psychoanalysis helps--mind, body, and soul.
Ask one of our psychoanalysts how you, or someone you love, can
work on achieving a fuller, richer life.

Michigan
Psychoanalytic
INSTITUTE
&
SOCIETY

Carol Barbour, PhD
Alex Barends, PhD
Ronald Benson, MD
Meryl Berlin, PhD
Robert Cohen, PhD
Susan Cutler, PhD
Sara Dumas, MD
Joshua Ehrlich, PhD
Harvey Falit, MD
Richard Hertel, PhD
Erika Homann, PhD
Howard Lerner, PhD
Barry Miller, MD
Christina Mueller, MD
Jack Novick, PhD
Kerry Kelly Novick
Jean-Paul Pegeron, MD
Dwarakanath Rao, MD
Ivan Sherick, PhD
Merton Shill, PhD
Michael Shulman, PhD
Michael Singer, PhD
Jonathan Sugar, MD
Dushyant Trivedi, MD
Jeffrey Urist, PhD
Gail van Langen, PhD
David Votruba, PhD
Margaret Walsh, PhD
Elisabeth Weinstein, MD
Mark Ziegler, PhD

For change that lasts.
Learn more about us. www.mpi-mps.org

Celebrating
137 Successful Seasons
proud supporter of

Join us for
cocktails and
dinner at our
two Ann Arbor
restaurants for
a spectacular
meal after the
performance.
Serving steaks cut in our own
market, Knight’s famous prime rib,
falling-off-the-bone ribs, burgers,
seafood, salads, daily specials,
“home-baked” bread and desserts.

Knight’s Steakhouse

535 W. WILLIAM STREET, SUITE 400S • ANN ARBOR, MICHIGAN 48103
P: 734.222.4776 • F: 734.222.4769

www.jaffelaw.com
ANN ARBOR • SOUTHFIELD • DETROIT • NAPLES

600 East Liberty • 734/887-6899
2324 Dexter Avenue • 734/665-8644

Open Daily 11 a.m. to Midnight - Liberty St.
Preferred Seating Available
www.Knightsrestaurants.com

As part of the UMS Mellon Initiative on Arts/Academic Integration, this
group advises UMS staff on opportunities to integrate our programming
more deeply and systematically into the academic life of the University of
Michigan.
Mark Clague
Clare Croft
Philip J. Deloria
Gillian Eaton

Linda Gregerson
Marjorie Horton
Joel Howell
Martha S. Jones

Daniel Klionsky
Lawrence
La FountainStokes

BE PRESENT

UMS Faculty Insight Group

Lester Monts
Melody Racine
Sidonie Smith
Emily Wilcox

UMS K-12 Think Tank
Through an annual think tank, UMS brings together K-12 educators and
administrators to help us stay aware of trends, changing resources,
and new opportunities for learning in the K-12 classroom. The following
individuals participated in May 2015:
Janet Callaway
Kathy Churchill
Colleen Conway
Amy Deller
Tia Farrell
Dayna Lang

Katie Mann
Naomi Norman
Michelle Peet
Yael Rothfeld
Sarena Shivers
Laura Wayne

Terra Webster
Amy Willacker

WINTER 2016

Robin Bailey
Ann Marie Borders
Deb Brzoska
Jennifer Burton
Rose Marie
Callahan

UMS Ambassadors
UMS Ambassadors advance the goals of UMS, champion the UMS
mission through community engagement, provide and secure financial
support, and assist in countless other ways.
Louise Taylor
Chair
William Shell
Vice Chair
Karen Bantel
Secretary
Wendy K. Zellers
Treasurer
Pat Bantle
Past Chair
Sassa Akervall
Arlene Barnes
Astrid Beck
Gail Bendit
Corry Berkooz
Connie Rizzolo
Brown
Richard Chang

Judy Cohen
Jon Desenberg
Susan DiStefano
Annemarie Kilburn
Dolan
Sharon Peterson
Dort
Gloria J. Edwards
Christina Ferris
Zita Gillis
Joan Grissing
Stephanie Hale
Jane Holland
Allison Jordon
Carol Kaplan
Nancy Karp
Barbara Kaye
Kendra Kerr
Freddi Kilburn
Ye Na Kim
Russell Larson

Michael Lee
Gloria Lewis
Laura Machida
Katie Malicke
Rita Malone
Valerie
Roedenbeck
Maloof
Patti McCloud
Terry Meerkov
Barbara Mulay
Magda Munteanu
Jane Nyman
Marjorie Oliver
Betty Palms
Karen Pancost
Ruth Petit
Julie Picknell
Susan Pollans
Anne Preston
Jeff Reece

Kathy Rich
Nan Richter
Audrey
Schwimmer
Carol Senneff
Arlene P. Shy
Elena Snyder
Ren Snyder
Susan Snyder
Linda Spector
Pam Tabbaa
Elaine Tetreault
Janet Torno
Martha Williams
Sarajane
Winkelman

27

millercanfield.com

The UMS Staff works hard to inspire individuals and enrich communities by
connecting audiences and artists in uncommon and engaging experiences.
A D M I N I S T R AT I O N &
FINANCE

E D U C AT I O N &
COMMUNITY
ENGAGEMENT

Saba Keramati
Programming &
Production Assistant

James P. Leija
Director of Education &
Community Engagement

Liz Stover Rosenthal
Programming Manager

Kathy Brown
Executive Assistant

Shannon Fitzsimons
Campus Engagement
Specialist

Christina Bellows
Ticket Services Manager

Jenny Graf
Tessitura Systems
Administrator

Teresa C. Park
Education Coordinator

Patricia Hayes
Financial Manager

Mary Roeder
Community Programs
Manager

John Peckham
Information Systems
Manager

MARKETING &
C O M M U N I C AT I O N S

Kenneth C. Fischer
President
John B. Kennard, Jr.
Director of Administration

Marnie Reid
Director of Development
Esther Barrett
Development Coordinator
Susan Bozell Craig
Associate Director of
Development, Corporate
Partnerships & Major Gifts
Rachelle Lesko
Annual Fund Manager
Lisa Michiko Murray
Associate Director of
Development, Foundation
& Government Relations
Cindy Straub
Manager of Volunteers &
Special Events
Mary A. Walker
Campaign Director and
Associate Director of
Development, Major Gifts

Sara Billmann
Director of Marketing &
Communications
Jesse Meria
Video Production
Specialist
Annick Odom
Marketing Coordinator
Anna Prushinskaya
Senior Manager of Digital
Media
Mallory Schirr
Marketing & Media
Relations Coordinator
PROGRAMMING &
PRODUCTION
Michael J. Kondziolka
Director of Programming
Jeffrey Beyersdorf
Production Director
Alex Gay
Production Coordinator
Anne Grove
Artist Services Manager
Mark Jacobson
Senior Programming
Manager

TICKET OFFICE

Megan Boczar
Ticket Office Assistant
Katherine McBride
Group Sales &
Promotions Coordinator
Ellen Miller
Ticket Office/Front-ofHouse Assistant
Anné Renforth
Ticket Services
Coordinator
Anna Simmons
Assistant Ticket Services
Manager

WINTER 2016

DEVELOPMENT

BE PRESENT

UMS Staff

Willie Sullivan
Front-of-House
Coordinator
Dennis Carter, Bruce
Oshaben, Brian Roddy
Head Ushers
UMS CHORAL
UNION
Scott Hanoian
Music Director &
Conductor
Arianne Abela
Assistant Conductor
Kathleen Operhall
Chorus Manager
Nancy Heaton
Chorus Librarian
Jean Schneider
Accompanist
Scott VanOrnum
Accompanist
29

Trusted financial advisors
to Ann Arbor and the
university community for
more than 30 years.

Ann Arbor | 734-769-7727 | risadvisory.com
© 2015 Retirement Income Solutions is an Independent Investment Advisor

Volunteer
for
UMS is recruiting new
volunteers! If you are
passionate about the arts
and looking for ways to
be an advocate for UMS,
we hope you’ll consider
joining us.
To learn more, please
contact Cindy Straub at
734.647.8009 or
straub@umich.edu.

BE PRESENT

Generous
Donors
Campaign Gifts and Multi-Year Pledges
To help ensure the future of UMS, the following donors have made gifts
to the Victors for Michigan campaign. We are grateful to these donors for
their commitments.
$50,0 0 0 –$74,999

Maxine Frankel and
James Stanley

Essel and Menakka Bailey
Daniel and Barbara Balbach
Penny and Ken Fischer
Beverley and Gerson Geltner
Mohamad Issa/Issa
Foundation
Miller, Canfield, Paddock
and Stone, P.L.C.
Mr. and Mrs. Donald L.
Morelock
Agnes Moy-Sarns and David
Sarns and the Sarns Family
Gil Omenn and Martha
Darling
Tim and Sally Petersen
Phil and Kathy Power
Sharon and Doug Rothwell
Linda Samuelson and Joel
Howell
Jane and Edward Schulak
Dennis and Ellie Serras
Glenn E. Watkins
Marina and Bob Whitman
Gerald B. Zelenock

$ 5 00,0 0 0 O R MO R E

Carl Cohen
Ilene H. Forsyth
Maxine and Stuart Frankel
Foundation
Eugene and Emily Grant
Family Foundation
The Andrew W. Mellon
Foundation
Candis J. and Helmut F. Stern
The Wallace Foundation
$ 1 00,00 0 –$ 4 99,9 9 9

Anonymous
Bert Askwith and Patti
Askwith Kenner
Emily W. Bandera
Dennis Dahlmann
Sharon and Dallas Dort
Stephen and Rosamund
Forrest
Susan and Richard Gutow
Wallis Cherniack Klein
David Leichtman and Laura
A. McGinn
Norma and Dick Sarns
Ron and Eileen Weiser
Max Wicha and Sheila
Crowley
Ann and Clayton Wilhite
$ 7 5 ,000 –$ 99,9 9 9

David and Phyllis Herzig
Nancy and James Stanley

$25,0 0 0 –$49,999

Carol Amster
Cheryl Cassidy
Junia Doan
John R. Edman and Betty B.
Edman
Barbara H. Garavaglia
Charles H. Gershenson Trust
Anne and Paul Glendon
Norman and Debbie Herbert
Carl and Charlene Herstein
Jerry and Dale Kolins

Jeffrey MacKie-Mason and
Janet Netz
Martin Family Foundation
M. Haskell and Jan Barney
Newman
Dan and Sarah Nicoli
Lois Stegeman
Stout Systems
John W. and Gail Ferguson
Stout
Karen and David Stutz
Dody Viola
$15,000– $ 24 , 999

Michael and Suzan
Alexander
Linda and Ronald Benson
Valerie and David Canter
Sara and Michael Frank
Wendy and Ted Lawrence
Virginia and Gordon Nordby
Eleanor Pollack

WINTER 2016

C AM PAI G N CO - C H A I R S

$5,000– $ 14 , 999

Barbara Anderson and John
Romani
John and Lillian Back
Karen Bantel and Steve
Geiringer
Suzanne A. and Frederick J.
Beutler
Conlin Travel, Inc.
Tim and Robin Damschroder
Michele Derr
Ann Martin and Russ Larson
Steve and Betty Palms
Eric and Ines Storhok

31

Classical
Music

&

Listen online at
www.wgte.org

NPR News

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radio at
WGTE FM 91.3 Toledo
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WGDE 91.9 Defiance

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The success of UMS is secured in part
by income from UMS endowment
funds. You may contribute to an
existing endowment fund or establish
a named endowment with a minimum
gift of $25,000. We extend our deepest
appreciation to the many donors who
have established and/or contributed
to the following funds:

The Zell Visiting Writers
Series offers regular
readings by some of the
finest global voices in
contemporary literature.

H. Gardner and Bonnie Ackley Endowment Fund
Herbert S. and Carol Amster Endowment Fund
Catherine S. Arcure Endowment Fund
Carl and Isabelle Brauer Endowment Fund
Dahlmann Sigma Nu Endowment UMS Fund
Hal and Ann Davis Endowment Fund
Dallas and Sharon Dort Endowment Fund
Doris Duke Charitable Foundation Endowment
Fund
John R. and Betty B. Edman Endowment Fund
Epstein Endowment Fund
Stephen and Rosamund Forrest Student Ticket
Endowment Fund
Ilene H. Forsyth Endowment Funds for Choral
Union, Chamber Arts, and Theater
James Garavaglia Theater Endowment Fund
Anne and Paul Glendon Endowment Fund
Susan and Richard Gutow Renegade Ventures
Endowment Fund
George N. and Katharine C. Hall Endowment Fund
Norman and Debbie Herbert Endowment Fund
David and Phyllis Herzig Endowment Fund
JazzNet Endowment Fund
William R. Kinney Endowment Fund
Wallis Cherniack Klein Endowment for Student
Experiences
Dr. and Mrs. Jerry Kolins Shakespearean
Endowment Fund
Frances Mauney Lohr Choral Union Endowment
Fund
Natalie Matovinović Endowment Fund
Medical Community Endowment Fund
Dr. Robert and Janet Miller Endowment Fund
NEA Matching Fund
Ottmar Eberbach Funds
Palmer Endowment Fund
Mary R. Romig-deYoung Music Appreciation Fund
Prudence and Amnon Rosenthal K-12 Education
Endowment Fund
Charles A. Sink Endowment Fund
Herbert E. and Doris Sloan Endowment Fund
James and Nancy Stanley Endowment Fund
Susan B. Ullrich Endowment Fund
UMS Endowment Fund
The Wallace Endowment Fund
The Zelenock Family Endowment Fund

Bringing the world of
literature to Ann Arbor

Details at:
lsa.umich.edu/writers
All events are free and open to the public.

WINTER 2016

ZELL VISITING
WRITERS SERIES
2016

BE PRESENT

Endowed Funds

33

SEASON

15
16

BEETHOVEN FESTIVAL with
GARRICK OHLSSON
September 19
Hill Auditorium

ROMANTIC
TCHAIKOVSKY
October 24
Michigan Theater

HOLIDAY POPS
December 11
Hill Auditorium

HARP MAGIC
March 12
Michigan Theater

MENDELSSOHN
“ITALIAN”
November 7
Michigan Theater

MOZART
BIRTHDAY BASH
January 16
Michigan Theater

THE PLANETS
April 9
Michigan Theater

Ann Arbor Symphony Orchestra
­ÇÎ{®Ê™™{‡{nä£ÊÊUÊÊ>2so.com

We are grateful to the following donors for including UMS in their
estate plans. These gifts will provide financial support to UMS for
generations to come.
Gideon and Carol Hoffer
Marilyn G. Jeffs
Thomas C. and Constance M. Kinnear
Diane Kirkpatrick
Dr. and Mrs. Jerry Kolins
Frank Legacki and Alicia Torres
Leo and Kathy Legatski
Richard LeSueur
Robert and Pearson Macek
Susan McClanahan
Griff and Pat McDonald
Joanna McNamara
M. Haskell and Jan Barney Newman
Len Niehoff
Dr. and Mrs. Frederick O’Dell
David Parsigian
Irena Politano
Eleanor Pollack
Mr. and Mrs. Dennis M. Powers
Mr. and Mrs. Michael Radock
Mr. and Mrs. Jack Ricketts
Prue and Ami Rosenthal
Irma J. Sklenar
Art and Elizabeth Solomon
Richard W. Solt
Hildreth Spencer
Eric and Ines Storhok
Louise Taylor
Roy and JoAn Wetzel
Ann and Clayton Wilhite
Max Wicha and Sheila Crowley
Marion Wirick
Mr. and Mrs. Ronald G. Zollar

WINTER 2016

Anonymous
Bernard and Raquel Agranoff
Mike Allemang
Carol and Herb Amster
Neil P. Anderson
Dr. and Mrs. David G. Anderson
Catherine S. Arcure
Barbara K. and Laurence R. Baker
Rodney and Joan Bentz
Kathy Benton and Robert Brown
Linda and Maurice Binkow
Elizabeth S. Bishop
Mr. and Mrs. W. Howard Bond
Mr. and Mrs. Pal E. Borondy
Barbara Everitt Bryant
Lou and Janet Callaway
Pat and George Chatas
Mr. and Mrs. John Alden Clark
Carl Cohen
Alan and Bette Cotzin
Mary C. Crichton
Dallas and Sharon Dort
Penny and Ken Fischer
Susan Ruth Fisher
Meredith L. and Neal Foster
Thomas and Barbara Gelehrter
Beverley and Gerson Geltner
Dr. Sid Gilman and Dr. Carol Barbour
Anne and Paul Glendon
Thea and Elliot Glicksman
Debbie and Norman Herbert
David and Phyllis Herzig
Rita and Peter Heydon
John and Martha Hicks

BE PRESENT

Planned Gifts/Bequests

How to Make a Gift
UMS excites the imagination, sparks creativity, sharpens collaboration,
inspires new ways of thinking, and connects us in ways that only the
arts can. Your gift of any size will enable UMS to deliver world-class
performances and create outstanding educational opportunities for our
community.
Please send gift to:
UMS Development
881 N. University Ave
Ann Arbor, MI 48109-1011
For more information, please call 734.764.8489 or visit ums.org/support.

35

UMS Support – July 1, 2014–December 15, 2015
The following list includes donors who made gifts to UMS between July 1, 2014
and December 15, 2015. Due to space restraints, we can only list in the UMS
program book those who donated $250 or more. Donors of $1-$249 will be
included in the online list at ums.org.
P RO D UC E R S
($5 0 0,0 0 0 OR M O R E )

Max Wicha and Sheila Crowley
Ann and Clayton Wilhite

Ilene H. Forsyth #
Eugene and Emily Grant Family
Foundation
University of Michigan

V IRTUOSOS
( $1 0,000– $1 9, 999)

D I RECTOR S
($1 0 0,0 0 0 –$ 4 9 9, 9 9 9)
Anonymous
Carl and Isabelle Brauer Fund #
Ford Motor Company Fund and
Community Services
Maxine and Stuart Frankel
Foundation
Karl V. Hauser #
The Andrew W. Mellon Foundation
University of Michigan Health System
The Wallace Foundation

S O LO I ST S
($5 0,0 0 0 –$ 9 9, 9 9 9)
Anonymous
Anonymous #
Bert Askwith and Patti Askwith
Kenner
Community Foundation for
Southeast Michigan
Dance/USA
Doris Duke Charitable Foundation
DTE Energy Foundation
Masco Corporation Foundation
National Endowment for the Arts
Linda and Stuart Nelson
in honor of Ken Fischer

MAES T ROS
($20,0 00 –$ 4 9, 9 9 9)
Anonymous
Anonymous #
Emily W. Bandera, M.D.
Noreen and Kenneth Buckfire
Sharon and Dallas Dort #
Stephen and Rosamund Forrest #
Barbara H. Garavaglia #
in memory of Jim Garavaglia
Beverley and Gerson Geltner
Charles H. Gershenson Trust, Maurice
S. Binkow, Trustee
Susan and Richard Gutow #
KeyBank
Jeffrey MacKie-Mason and Janet Netz
Michigan Council for Arts and Cultural
Affairs
Philip and Kathy Power
Norma and Dick Sarns #
Sesi Lincoln
Toyota
Bruce G. Tuchman
U-M Third Century Initiative
Ron and Eileen Weiser

36

Gerald and Gloria Abrams
includes gift in honor of John M.
Nicklas
Altarum Institute
Menakka and Essel Bailey #
Barbara and Daniel Balbach #
Bank of Ann Arbor
Joseph A. Bartush, LS&A, Class of '71
Bendit Foundation
Rachel Bendit and Mark Bernstein
Maurice and Linda Binkow
Carl Cohen
Jim and Patsy Donahey
Penny and Ken Fischer
Anne and Paul Glendon
David and Phyllis Herzig
Joel Howell and Linda Samuelson
The Japan Foundation
Frank Legacki and Alicia Torres
Natalie Matovinović
in memory of Josip Matovinović MD
McKinley Associates, Inc.
Thomas and Deborah McMullen
McMullen Properties
Ann R. Meredith
Miller, Canfield, Paddock and Stone
P.L.C.
Mr. and Mrs. Donald L. Morelock
New England Foundation for the Arts
Old National Bank
Gil Omenn and Martha Darling
Leslee and Michael Perstein
in honor of Margie McKinley
Tim and Sally Petersen #
PNC Foundation
James Read
Retirement Income Solutions
Sharon and Doug Rothwell
Agnes Moy-Sarns and David Sarns
Jane and Edward Schulak
Dennis and Ellie Serras
Gary and Diane Stahle
Nancy and James Stanley
University of Michigan Credit Union
Stanford and Sandra Warshawsky
Robert O. and Darragh H. Weisman
in honor of Jean and Sidney Silber
Robert and Marina Whitman
Fred and Judy Wilpon
Gerald B. (Jay) Zelenock #

CONCERTMASTERS
( $5,000– $9, 999)
Michael Allemang and Janis Bobrin
Carol Amster

# indicates that a donation was made to support a UMS Endowment Fund

Barbara A. Anderson
includes gift in memory of John H.
Romani
Ann Arbor Automotive
Anonymous
Linda and Ronald Benson
Andrew and Lisa Bernstein
Gary Boren
Edward and Mary Cady
Valerie and David Canter
Cheryl Cassidy
Comerica Bank
Anne and Howard Cooper
Junia Doan
Faber Piano Institute
Randall and Nancy Faber
David and Jo-Anna Featherman
Barbara G. Fleischman
George W. Ford
includes gift in memory of Steffi
Reiss
Katherine and Tom Goldberg
Lynn and Martin Halbfinger
Norman and Debbie Herbert #
Carl and Charlene Herstein
Honigman Miller Schwartz and Cohn
LLP
David and Sally Kennedy
in memory of Elizabeth Earhart
Kennedy
Jerry and Dale Kolins #
Samuel and Marilyn Krimm
Level X Talent
Richard and Carolyn Lineback
Benard L. Maas Foundation
Mardi Gras Fund
Martin Family Foundation #
Dan and Sarah Nicoli
THE MOSAIC FOUNDATION (of R. &
P. Heydon)
M. Haskell and Jan Barney Newman
Virginia and Gordon Nordby
Rob and Quincy Northrup
Eleanor Pollack
Frances Quarton
Corliss and Dr. Jerry Rosenberg
in honor of Ken Fischer
Prue and Ami Rosenthal
Lynne Rosenthal
RunSignUp
Savco Hospitality
Lois Stegeman
The Summer Fund of the Charlevoix
County Community Foundation
Stout Systems
John W. and Gail Ferguson Stout
Karen and David Stutz
includes gift in honor of Donald
and Antoinette Morelock
Dody Viola
Dr. Carl Winberg
in honor of Margie McKinley

PATRONS
( $1 ,0 0 0 – $2,499)
Katherine Aldrich
Richard and Mona Alonzo
American Title Company of
Washtenaw
Christiane Anderson
David G. and Joan M. Anderson #
John Anderson and Lyn McHie
Dave and Katie Andrea
Anonymous
Anonymous
in honor of Jean Campbell
Dr. and Mrs. Rudi Ansbacher
Harlene and Henry Appelman
Dr. Frank J. Ascione
Bob and Martha Ause
Elizabeth R. Axelson and Donald
H. Regan
Jonathan Ayers and Teresa
Gallagher
Patricia Bard
Lisa and Jim Baker
Rosalyn, Joshua and Beth Barclay
in memory of Mel L. Barclay, M.D.
John and Ginny Bareham
David and Monika Barera
Anne Beaubien and Phil Berry
Cecilia Benner
in memory of David Lebenbom
Dr. Rosemary R. Berardi and Dr.
Carolyn R. Zaleon
Sara Billmann and Jeffrey Kuras
Joan Binkow
John Blankley and Maureen Foley
Blue Nile Restaurant
Margaret and Howard Bond
Rebecca S. Bonnell
Charles and Linda Borgsdorf
Laurence and Grace Boxer
Dr. and Mrs. Ralph R. Bozell
Dale E. and Nancy M. Briggs
Bill Brinkerhoff and Kathy Sample
David and Sharon Brooks
Robert and Jeannine Buchanan
Lawrence and Valerie Bullen
Joan and Charley Burleigh
Barbara and Al Cain
Lou and Janet Callaway
Dan Cameron Family Foundation
Jean W. Campbell
Sally Camper and Bob Lyons
Thomas and Marilou Capo
Anne Chase
Patricia Chatas
Myung Choi
Brian and Cheryl Clarkson
Ellen and Hubert Cohen
Deborah Keller-Cohen and Evan
Cohen
Connie and Jim Cook

Mac and Nita Cox
Christopher Dahl and Ruth Rowse
in honor of Ken Fischer
Timothy and Robin Damschroder
Charles and Kathleen Davenport
Michele Derr
in memory of Ellwood Derr
Monique Deschaine
Molly Dobson
Jill and Doug Dunn
Peter and Grace Duren
Rosalie Edwards/Vibrant Ann
Arbor Fund of the Ann Arbor Area
Community Foundation
Johanna Epstein and Steven Katz
Harvey and Elly Falit
in honor of Carol and Norman
Schnall
Margaret and John Faulkner
Esther Floyd
Food Art
Dan and Jill Francis
Judy and Paul Freedman
Leon and Marcia Friedman
Bill and Boc Fulton
Zita and Wayne Gillis
Heather and Seth Gladstein
Barbara and Fred Goldberg #
Cozette T. Grabb
Nicki Griffith
Leslie and Mary Ellen Guinn
Kenneth and Margaret Guire #
Marlys Hamill
Jeff Hannah and Nur Akcasu
Randall L. and Nancy Caine
Harbour #
Clifford and Alice Hart
Larry Hastie
Daniel and Jane Hayes
Sivana Heller
Diane S. Hoff #
Robert M. and Joan F. Howe
Eileen and Saul Hymans
IATSE Local 395
Jean Jacobson
Janet and Wallie Jeffries
Timothy and Jo Wiese Johnson
Liz Johnson
Kent and Mary Johnson
in memory of Dr. Mel Barclay
Mark and Madolyn Kaminski
Richard and Sylvia Kaufman
in honor of Ken Fischer
James A. Kelly and Mariam C.
Noland
Carolyn and Jim Knake
Michael J. Kondziolka and MathiasPhilippe Badin
Barbara and Michael Kratchman
Donald and Jeanne Kunz
Ann Martin and Russ Larson
Jerry and Marion Lawrence
John K. Lawrence and Jeanine A.
DeLay
David Leichtman and Laura A.
McGinn
Richard LeSueur
Evie and Allen Lichter
Fran Lyman
John and Cheryl MacKrell
Edwin and Cathy Marcus

WINTER 2016

Jim and Barbara Adams
Michael and Suzan Alexander
Anonymous
Arts Midwest Touring Fund
John and Lillian Back
Karen Bantel and Steve Geiringer
Dr. Carol Barbour and Dr. Sid
Gilman
Robert and Wanda Bartlett
Bradford and Lydia Bates
Kathy Benton and Robert Brown
Suzanne A. and Frederick J.
Beutler #
DJ and Dieter Boehm
includes gift in honor of Sara
Billmann
Carolyn M. Carty and Thomas H.
Haug
Jean and Ken Casey
Conlin Travel, Inc.
Julia Donovan Darlow and John
Corbett O'Meara
Elena and Nicholas Delbanco
Marylene Delbourg-Delphis
Alice Dobson
John Dryden and Diana Raimi
Charles and Julia Eisendrath
Joan and Emil Engel
Sara and Michael Frank
Prof. David M. Gates
Thomas and Barbara Gelehrter
Bill and Ruth Gilkey
John Griffith
Robert and Dannielle Hamilton
Katherine D. Hein
David W. Heleniak #
Connie and Tom Kinnear
Diane Kirkpatrick
Philip and Kathryn Klintworth
Ted and Wendy Lawrence
Leo and Kathy Legatski
Carolyn and Paul Lichter
Lawrence and Rebecca Lohr #
E. Daniel and Kay Long #
Jean E. Long
Ernest and Adèle McCarus
Susan McClanahan and Bill
Zimmerman
includes a gift in honor of
Donald and Antoinette Morelock
Estate of Michael G. McGuire
Paul Morel and Linda Woodworth
Anthony and Vivian Mosellie
William Nolting and Donna
Parmelee
Steve and Betty Palms
Elizabeth and David Parsigian
Judith A. Pavitt
Bertram and Elaine Pitt
Rick and Mary Price
Jim and Bonnie Reece
John W. Reed
in honor of Ken Fischer
Anthony L. Reffells
Nathaniel and Melody Rowe
Herbert and Ernestine Ruben
Frankie and Scott Simonds
in honor of Candis and Helmut
Stern

Victor Strecher and Jeri Rosenberg
Ed and Natalie Surovell
Judy and Lewis Tann
Keturah Thunder Haab
Jim Toy
includes gifts in honor of Ken
Fischer and in memory of Jerry
Fischer
Elise Weisbach

BE PRESENT

L EAD ER S
($2, 5 0 0 –$ 4, 9 9 9)

37

Nancy and Philip Margolis
Betsy Yvonne Mark
W. Harry Marsden
Howard L. Mason
Mary M. Matthews
Jerry A. and Deborah Orr May #
W. Joseph McCune and Georgiana
M. Sanders
Griff and Pat McDonald
James H. McIntosh and Elaine K.
Gazda
Margaret McKinley
Michael and Terrie McLauchlan #
Scott and Julie Merz
Bert and Kathy Moberg
Lester and Jeanne Monts
Virginia Morgan
Moscow Philanthropic Fund
John and Ann Nicklas
Susan and Mark Orringer #
Elisa A. Ostafin
Lisa and John Peterson
Pfizer Foundation
Juliet S. Pierson
Susan Pollans and Alan Levy
Stephen and Bettina Pollock
Jeff Reece
Marnie Reid
Ray and Ginny Reilly
Malverne Reinhart
Richard and Susan Rogel
Huda Karaman Rosen
Craig and Jan Ruff
Karem and Lena Sakallah
Maya and Stephanie Savarino
Erik and Carol Serr
Janet Shatusky
Alyce Sigler
Carl Simon and Bobbi Low
Nancy and Brooks Sitterley
Michael Sivak and Enid Wasserman
Barbara Furin Sloat
Janet Kemink and Rodney Smith, MD
Ren and Susan Snyder
Linh and Dug Song
Cheryl Soper
Michael B. Staebler and Jennifer R.
Poteat
Ted St. Antoine
Virginia E. Stein #
Eric and Ines Storhok
Dalia and Stan Strasius
Charlotte Sundelson
Louise Taylor
Ted and Eileen Thacker
Louise Townley
Jeff and Lisa Tulin-Silver
Susan B. Ullrich #
Jack and Marilyn van der Velde
Douglas and Andrea Van Houweling
Joyce Watson and Marty Warshaw
Harvey and Robin Wax
includes a gift in honor of Penny
Fischer
Lauren and Gareth Williams
Max and Mary Wisgerhof
Charles Witke and Aileen Gatten
The Worsham Family Foundation
Thomas and Karen Zelnik
Thomas and Erin Zurbuchen #

38

BEN EFAC TORS
( $500– $999)
Tena Achen
Roger Albin and Nili Tannenbaum
Christine W. Alvey
Neil P. Anderson
Anonymous
Sandy and Charlie Aquino
Penny and Arthur Ashe
Ralph and Barbara Babb
in memory of Jim Garavaglia
Laurence R. and Barbara K. Baker
Reg and Pat Baker
Nancy Barbas and Jonathan Sugar
Astrid B. Beck
Gail M. Bendit
Rodney and Joan Bentz
James K. and Lynda W. Berg
Peggy and Ramon Berguer
in honor of Jim and Nancy Stanley
L. S. Berlin and Jean McPhail
Raymond and Janet Bernreuter
Dr. John E. Billi and Dr. Sheryl Hirsch
William and Ilene Birge
Jerry and Dody Blackstone #
Ron and Mimi Bogdasarian
R.M. Bradley and C.M. Mistretta
Joel Bregman and Elaine Pomeranz
Charles C. Bright and Susan Crowell
Susan and Oliver Cameron
Thomas and Colleen Carey
Brent and Valerie Carey
Jack and Susan Carlson
Barbara Mattison Carr
Andrew Caughey MD and
Shelly Neitzel MD
Tsun and Siu Ying Chang
Samuel and Roberta Chappell
John and Camilla Chiapuris
Reginald and Beverly Ciokajlo
Mark Clague and Laura Jackson
Judy and Malcolm Cohen
Jon Cohn and Daniela Wittmann
Arnold and Susan Coran
Paul Courant and Marta Manildi
Katherine and Clifford Cox
Clifford and Laura Craig #
John and Mary Curtis
Roderick and Mary Ann Daane
Linda Davis and Bob Richter
in honor of Ken Fischer
David Deromedi
in memory of Nancy Deromedi
Andrzej and Cynthia Dlugosz
Karen Yamada and Gary Dolce
Ed and Mary Durfee
James F. Eder
John R. Edman
Gloria Edwards
Barbara and Tony Eichmuller
Alan S. Eiser
Phil and Phyllis Fellin
Carol Finerman
Susan Fisher
Scott and Janet Fogler
David Fox and Paula Bockenstedt
Christopher Friese
in honor of Jerry Blackstone
Carol Gagliardi and David Flesher
Tom Gasloli
Renate Gerulaitis

David and Maureen Ginsburg #
Ken Gottschlich and Martha Pollack
Christopher and Elaine Graham
Martha and Larry Gray
Dr. John and Renee M. Greden
Drs. Patricia and Stephen Green
Raymond Grew
Werner H. Grilk
in memory of Warren L. Hallock
Steven and Sheila Hamp
Alan Harnik and Prof Gillian FeeleyHarnik
Martin D. and Connie D. Harris
Dr. Don P. Haefner and Dr. Cynthia
J. Stewart
Helen C. Hall
Stephen Henderson
Kay Holsinger and Douglas C. Wood
Jim and Colleen Hume
Ann D. Hungerman
Harold Ingram #
Isciences, L.L.C.
John and Gretchen Jackson
Hank and Karen Jallos
Mark and Linda Johnson
Mattias Jonsson and Johanna
Eriksson
Don and Sue Kaul
David H. and Gretchen Kennard
John Kennard and Debbi Carmody
Paul and Dana Kissner
Jean and Arnold Kluge
Barbara and Ronald Kramer
Mary L. Kramer
in honor of Ken Fischer
Gary and Barbara Krenz
Jane Fryman Laird
Joan and Melvyn Levitsky
Jennifer Lewis and Marc Bernstein
James and Jean Libs
Marty and Marilyn Lindenauer
Rod and Robin Little
Joan Lowenstein and Jonathan Trobe
Brigitte Maassen
William and Jutta Malm
Melvin and Jean Manis
Susan Martin
Judythe and Roger Maugh
Martha Mayo and Irwin Goldstein
Margaret and Harris McClamroch
Jordan McClellan
Bill and Ginny McKeachie
Semyon and Terry Meerkov
Bernice and Herman Merte
Fei Fei and John Metzler
Lee Meyer
Dr. James M. Miller and Dr. Rebecca
H. Lehto
Lewis and Kara Morgenstern
Lisa and Steve Morris
Brian and Jacqueline Morton
Drs. Louis and Julie Jaffee Nagel
John and Ann Nicklas
Marylen S. Oberman
Elizabeth Ong
M. Joseph and Zoe Pearson
Jean and Jack Peirce
Wesen and William Peterson
Diana and Bill Pratt
Wallace and Barbara Prince
Cynthia and Cass Radecki

Judith Abrams
Jan and Sassa Akervall
Gordon and Carol Allardyce
James and Catherine Allen
Catherine M. Andrea
Ann Arbor Area Community
Foundation
Anonymous
Bernard and Raquel Agranoff
Dr. Diane M. Agresta
Helen and David Aminoff
Ralph and Elaine Anthony
Lisa and Scott Armstrong
Eric and Nancy Aupperle
Rosemary and John Austgen
Robert and Mary Baird
Pat Bantle
Barbara Barclay

Susan Froelich and Richard Ingram
in memory of Eugene O. Ingram
Philip and Renée Woodten Frost
Enid Galler
Charles and Janet Garvin
Sandra Gast and Greg Kolecki
Bob and Julie Gates
Michael Gatti and Lisa Murray
Prof. Beth Genne and Prof. Allan
Gibbard
Chris Genteel and Dara Moses
J. Martin Gillespie and Tara Gillespie
Thea and Elliot Glicksman
Google Inc.
Mr. and Mrs. Charles and Janet
Goss #
Marla Gousseff
Michael L. Gowing
Jenny Graf
Jerry M. and Mary K. Gray
Richard and Linda Greene
Linda and Roger Grekin
Carl Guldberg
George and Mary Haddad
Drs. Erik and Dina Hanby
Susan R. Harris
J. Lawrence Henkel and Jacqueline
Stearns
Therese and Alfred Hero
Lorna and Mark Hildebrandt
Perry Irish Hodgson
Timothy Hofer and Valerie Kivelson
Daniel Hoffman
Jane and Thomas Holland
James S. and Wendy Fisher House #
Gaye Humphrey
Elizabeth Jahn
Joachim Janecke
Mr. Lawrence and Mrs. Ruth Jones
Janet and Jerry Joseph
Don and Nancy Kaegi
Monica and Fritz Kaenzig
Angela Kane
Mark and Carol Kaplan
E. and M. Katz
Fred and Susan Kellam
Charles Kelly
James and Patricia Kennedy
Nancy Keppelman and Michael
Smerza
Dan and Freddi Kilburn
Laurence King and Robyn FreyKing
Web and Betty Kirksey
Michael Koen
Rosalie and Ron Koenig
Joseph and Marilynn Kokoszka
Dr. and Mrs. Melvyn Korobkin
Bert and Geraldine Kruse
Frank and Kim La Marca
Donald John Lachowicz
Tim and Kathy Laing
Linda Langer
Anne-Marie and Anthony La Rocca
John and Theresa Lee
James Leija and Aric Knuth
Anne and Harvey Leo
John Lesko and Suzanne
Schluederberg
Rachelle Lesko
Gloria Kitto Lewis

WINTER 2016

ASS O CI AT ES
($25 0 – $ 4 9 9)

Frank and Lindsay Tyas Bateman
Kenneth and Eileen Behmer
Christina Bellows and Joe Alberts
Helen V. Berg
Corry and Gahl Berkooz
Dan Berland and Lisa Jevens
Barbara and Sheldon Berry
Maria Beye
Mary E. Black
Judy Bobrow and Jon Desenberg
Mr. Mark D. Bomia
Joel Bregman and Elaine Pomeranz
Les and Bonnie Bricker
Gloria D. Brooks
Morton B. and Raya Brown
Tom and Lori Buiteweg
Jonathan and Trudy Bulkley
Jim and Cyndi Burnstein
Tony and Jane Burton
Jenny and Jim Carpenter
Margaret W. (Peggy) Carroll
Dennis J. Carter
Susan Carter
Albert C. Cattell
Samuel and Roberta Chappell
Joan and Mark Chesler
Laurence Cheung
Hilary Cohen
Wayne and Melinda Colquitt
Dr. Lisa D. Cook
Katharine Cosovich
Margaret Cottrill and Jon Wolfson
Susan Bozell Craig
Jean Cunningham and Fawwaz
Ulaby
Marylee Dalton and Lynn
Drickamer
Connie D'Amato
Sunil and Merial Das
Art and Lyn Powrie Davidge #
in memory of Gwen and
Emerson Powrie
Ed and Ellie Davidson
John Debbink
David L. DeBruyn
Margaret Delaney
Kenneth Wisinski and Linda
Dintenfass
Paul and Annemarie Dolan
Robert Donia
Elizabeth Duell
Don and Kathy Duquette
Swati Dutta
Richard and Myrna Edgar
Morgan and Sally Edwards
Charles and Julie Ellis
Thomas Fabiszewski
Kay Felt
Jeff Fessler and Sue Cutler
Herschel and Adrienne Fink
Harold and Billie Fischer
Martha Fischer and William Lutes
in honor of Kenneth C. Fischer
Norman and Jeanne Fischer
in memory of Gerald B. Fischer
Catherine Fischer
in memory of Gerald B. Fischer
Frederick and Kathleen Fletcher
Peter C. Flintoft
Jessica Fogel and Lawrence Weiner
Lucia and Doug Freeth

BE PRESENT

Peter Railton and Rebecca Scott
Jessica C. Roberts, PhD #
Doug and Nancy Roosa
David Lampe and Susan Rosegrant
Stephanie Rosenbaum
Richard and Edie Rosenfeld
Nancy Rugani
Linda and Leonard Sahn
Mariam Sandweiss
in memory of Leon Cohan
Ashish and Norma Sarkar
Christopher Kendall and Susan
Schilperoort
David Schmidt and Jane Myers
Ann and Tom Schriber
Matthew Shapiro and Susan Garetz
Bruce M. Siegan
Edward and Kathy Silver
Sue and Don Sinta
Cynthia Sorensen and Henry
Rueter
Linda Spector and Peter Jacobson
Gretta Spier and Jonathan Rubin
Leslie Stainton and Steven Whiting
Allan and Marcia Stillwagon
Sandy Talbott and Mark Lindley
Stephanie Teasley and Thomas
Finholt
Doris H. Terwilliger
Claire Turcotte
Joyce Urba and David Kinsella
Erika Nelson and David Wagener
Elizabeth A. and David C. Walker
Arthur and Renata Wasserman
Richard and Madelon Weber #
Deborah Webster and George
Miller
Edward and Colleen Weiss
Lyndon Welch
in memory of Angela Welch
James B. White and Mary F. White
Kathy White #
Iris and Fred Whitehouse
Diane Widzinski
Thomas K. Wilson
Dr. Robert Winfield
Lawrence and Mary Wise
Dr. and Mrs. Robert Wolf
Drs. Margo and Douglas Woll
Mary Jean and John Yablonky
Richard and Kathryn Yarmain

39

Jacqueline Lewis
in honor of Ken Fischer
Barbara Levine
Michael and Debra Lisull
Dr. Len and Betty Lofstrom
Julie M. Loftin
Barbara and Michael Lott
Bruce Loughry
Martin and Jane Maehr
Susan C. Guszynski and Gregory F.
Mazure
Charles McCaghy
Joanna McNamara and Mel Guyer
Frances McSparran
Marilyn Meeker
Gerlinda S. Melchiori
Warren and Hilda Merchant
Dennis J. Merrick and Judith H. Mac
Louise Miller
Gene and Lois Miller
Dr. and Mrs. Josef Miller
John and Sally Mitani
Candy Mitchell
Arnold and Gail Morawa
Trevor Mudge and Janet Van
Valkenburg
Gavin Eadie and Barbara Murphy
Thomas J. Nelson
Gayl and Kay Ness
Marc Neuberger
Richard and Susan Nisbett
Eugene and Beth Nissen
Laura Nitzberg
Christer and Outi Nordman
Arthur S. Nusbaum
Constance Osler
Mohammad and J. Elizabeth Othman
Karen Pancost
William and Hedda Panzer
Donna D. Park
Karen Park and John Beranek
Lisa Payne
Sumer Pek and Mickey Katz-Pek
Melvin and Sharon Peters
Margaret and Jack Petersen
in honor of Jerry Blackstone
Sara Jane Peth
Marianne Udow-Phillips and Bill
Phillips

Donald and Evonne Plantinga
Joyce Plummer
Thomas S. Porter
Nancy Powell
Anne Preston #
Karen and Berislav Primorac
Quest Productions
Floretta Reynolds
Guy and Kathy Rich
Douglas and Robin Richstone
Dr. and Mrs. Jonathan Rodgers
Dr. Stephen Rosenblum and Dr.
Rosalyn Sarver
Rosemarie Haag Rowney
Carol Rugg and Richard
Montmorency
Jay and Sunny Sackett
Eugene Saenger, Jr.
Amy Saldinger and Robert Axelrod
Irv and Trudy Salmeen
in honor of Pat Chapman
Michael and Kimm Sarosi
Albert J. and Jane L. Sayed
Judith Scanlon
Jochen and Helga Schacht
Mark Schlissel
Betina Schlossberg
Regan Knapp and John Scudder
Larry and Bev Seiford
Suzanne Selig
Ms. Harriet Selin
Elvera Shappirio
Laurence Shear
William and Christina Shell
Patrick and Carol Sherry
George and Gladys Shirley
Jean and Thomas Shope
Andrew and Emily Shuman
Nina Silbergleit
Terry M. Silver
Robert and Elaine Sims
Scott and Joan Singer
Loretta Skewes
Carl and Jari Smith #
Dr. and Mrs. Gregory Smith
Robert W. Smith
Greg Grieco and Sidonie Smith
David and Renate Smith
Hanna Song and Peter Toogood

Becki Spangler and Peyton Bland
Doris and Larry Sperling
in memory of David Klein
Jim Spevak
Jeff Spindler
Paul and Judith Spradlin
Daniel and Susan Stepek
James L. Stoddard
Cynthia Straub
Brian and Lee Talbot
May Ling Tang
Carolyn and Frank Tarzia
Eva Taylor
Stephan Taylor and Elizabeth
Stumbo
Denise Thal and David Scobey
Nigel and Jane Thompson
John G. Topliss
Donald Tujaka
Alvan and Katharine Uhle
Karla and Hugo Vandersypen
Michael Van Tassel
James and Barbara Varani
Virginia O. Vass
Brad L. Vincent
Jack Wagoner, M.D.
Mary Walker and David Linden
Charles R. and Barbara H. Wallgren #
Bob and Liina Wallin
Jo Ann Ward
Alan and Jean Weamer
MaryLinda and Larry Webster
Mr. and Mrs. Richard Weiermiller
Jack and Carol Weigel
Lisa and Steve Weiss
Mary Ann Whipple
Nancy P. Williams
in honor of Katie Stebbins
Robert J. and Anne Marie Willis
John and Pat Wilson
Beth and I. W. Winsten
Stuart and Nancy Winston #
Steven and Helen Woghin
Charlotte A. Wolfe
Frances Wright #
Gail and David Zuk
*Due to space restraints, tribute gifts
of $1-$249 will be recognized in the
online donor list at ums.org.

Ad Index
2
34
5
6
6
6
10
10
22
21
10
26
26

Ann Arbor Area Community Foundation
Ann Arbor Symphony Orchestra
Center for Plastic and Reconstructive Surgery
Charles Reinhart Co. Realtors
Cottage Inn
Donaldson & Guenther
Dykema Gossett
Gilmore Keyboard Festival
Heinz C. Prechter Bipolar Research Fund
Honigman Miller Schwartz and Cohn LLP
Iris Dry Cleaners
Jaffe, Raitt, Heuer & Weiss PC
Knight's Downtown

26
28
28
32
30
22
32
4
IBC
32
30
33

Michigan Psychoanalytic Institute and
Society
Michigan Radio
Miller, Canfield, Paddock and Stone, P.L.C.
Red Hawk and Revive + Replenish
Retirement Income Solutions
Silver Maples
Smith Haughey Rice & Roegge
U-M Alumni Association
WEMU
WGTE
WKAR
Zell Visiting Writers Series

IBC = Inside back cover
40

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Please send your gift to:
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Burton Memorial Tower
881 North University Avenue
Ann Arbor, MI 48109-1011
or call 734.764.8489 or go to ums.org/support