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UMS Concert Program, November 22 & 23, 2019 - Notes of a Native Song: Stew & The Negro Problem

UMS Concert Program, November 22 & 23, 2019 - Notes of a Native Song: Stew & The Negro Problem image UMS Concert Program, November 22 & 23, 2019 - Notes of a Native Song: Stew & The Negro Problem image UMS Concert Program, November 22 & 23, 2019 - Notes of a Native Song: Stew & The Negro Problem image UMS Concert Program, November 22 & 23, 2019 - Notes of a Native Song: Stew & The Negro Problem image UMS Concert Program, November 22 & 23, 2019 - Notes of a Native Song: Stew & The Negro Problem image UMS Concert Program, November 22 & 23, 2019 - Notes of a Native Song: Stew & The Negro Problem image UMS Concert Program, November 22 & 23, 2019 - Notes of a Native Song: Stew & The Negro Problem image UMS Concert Program, November 22 & 23, 2019 - Notes of a Native Song: Stew & The Negro Problem image
Day
22
Month
November
Year
2019
Rights Held By
University Musical Society
OCR Text

Notes of a Native Song

Stew &
The Negro Problem

Stew / Vocals, Guitars
Heidi Rodewald / Bass, Vocals
Joe McGinty / Keyboards, Vocals Marlon Cherry / Percussion, Vocals Fido Kennington / Percussion

with

Le Hintergrund Zingers

Under the direction of Zion Jackson

Zion Jackson / Vocals Helen Shen / Vocals Maya Sistruck / Vocals

Friday Evening, November 22, 2019 at 8:00 Saturday Evening, November 23, 2019 at 8:00 Lydia Mendelssohn Theatre
Ann Arbor

24th and 25th Performances of the 141st Annual Season UMS Song Remix

This weekend’s performances are supported by Anne and Paul Glendon. Media partnership provided by WEMU 89.1 FM.

Special thanks to Sara Ahbel-Rappe, Vincent Cardinal, Charles Ferrell, Zion Jackson, Jennifer Knapp, Jonathan Kuuskoski, Michael Lluberes, Scott Piper, DeLashea Strawder, Stephen West, The Black Student Union at U-M, Charles H. Wright Museum of African American History, Detroit School of the Arts, U-M EXCEL, Flint Repertory Theatre, Mosaic Youth Theatre, the U-M Departments of Musical Theatre and Vocal Performance, Trotter Multicultural Center, and the U-M College of Literature, Science, and the Arts for their participation in events surrounding this weekend’s performances.

In consideration of the artists and the audience, please refrain from the use of electronic devices during the performance.

The photography, sound recording, or videotaping of this performance is prohibited.

PROGRAM

Notes of a Native Song

This evening’s program is approximately 80 minutes in duration and is performed without intermission.

Image removed.

Following Friday evening’s performance, please feel free to remain in your seats and join us for a post-performance Q&A with the artists.

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ARTIST STATEMENT

Notes of a Native Song is not a musical nor a play with music.
It’s a song-cycle, a set, a concert or, put squarely, just a buncha songs with banter in between.

Please note this show is gonna be as new to us
as it will be to you.

We re-invent it every time.
We have to.
That’s what JB taught us to do.

Lots of artists subscribe to the idea of completeness, but songs, like America,
our dreams
and Baldwin’s visions,

are never really finished —
they just keep evolving, adapting, adjusting to the times.

Jazz cats and rock folk know this implicitly, musical theater people? far less so.

Image removed.

James Baldwin wrote and lived his ever-changing song.

JB is my Keith Richards.

/stew

Heidi and I are club rats who stumbled onto Broadway by accident. We developed our storytelling skills in dive bars and after parties. JB was a boy-preacher who stumbled willfully into being a badass. And he also knew a thing or two about dive bars and after parties.

And that pretty much sums up the show, in case you need to leave early.

Image removed.

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ARTISTS

Stew (vocals, guitars) co-composed and wrote the book and lyrics for Passing Strange (2008 Tony: “Best Book”; two- time 2007 Obie: “Best New Theater Piece” and “Best Ensemble”), Resisting my Resistance to the Resistance (Metropolitan Museum of Art 2017), The Total Bent (Public Theater Spring 2016), Notes of a Native Song (Spring 2015, Harlem Stage/ Fall 2015, Curran Theater), Wagner, Max! Wagner! (Kennedy Center 2015), Family Album (Oregon Shakespeare Festival 2014), Chicago Omnibus (Museum of Contemporary Art Chicago 2013), Making It (St. Ann’s Warehouse 2010), Brooklyn Omnibus (Brooklyn Academy of Music 2010), and Spike Lee’s Passing Strange (2009). Stew & The Negro Problem have released multiple critically acclaimed albums.

Heidi Rodewald (bass, vocals) is the Tony Award-nominated, Obie Award-winning co-composer of the musical Passing Strange, which transferred from The Public Theater to Broadway in 2008, and then was made into a film by director Spike

Lee. Ms. Rodewald joined the band The Negro Problem in 1997, where she began a longtime collaboration with singer/ songwriter Stew, and with him released 10 critically acclaimed albums. She is co- composer with Stew of Brooklyn Omnibus, presented in the 2010 Next Wave Festival; Making It at St. Ann’s Warehouse (2010); Family Album at Oregon Shakespeare Festival (2014); Notes of a Native Song

at Harlem Stage (2015); Wagner, Max! Wagner! at Kennedy Center (2015); and The Total Bent at The Public Theater (2016). Ms. Rodewald scored two short films for director Leigh Silverman: Over The River & Through The Woods (2017) and

Reprieve (2018). She is the composer of The Good Swimmer with librettist Donna DiNovelli, which had its world premiere at BAM’s 2018 Next Wave Festival.

Joe McGinty (keyboards, vocals) is a
New York-based keyboardist, arranger, producer, and composer. He was the keyboardist for the Psychedelic Furs from 1987–1992 and is the founder and music director of Loser’s Lounge, a tribute series that has played to sold-out crowds in New York City for over 25 years. He has worked with The Ramones, Ronnie Spector, Deborah Harry, La La Brooks of the Crystals, Nada Surf, and many others. He recently composed songs for Christopher Walken to sing for the film One More Time. In 2015, he opened Sid Gold’s Request Room, an old-school style piano bar where he can often be found tickling the ivories for enthusiastic singers. This year, Sid Gold’s Request Room opened its second location in downtown Detroit.

Marlon Cherry (percussion, vocals) is a multi-instrumentalist and composer who has performed and created for music, dance, film, and theater projects. He

was a member of the bands Afro-Jersey (featuring Terre Roche) and Mecca Bodega, and has worked with a variety of music acts, including The Roches, Pete Seeger, John S. Hall, Church of Betty, Lusterlit, and most recently, Syd Straw. He has worked with choreographers/dancers such as Wendy Perron, Bill Irwin, Gus Solomons, Jr., Amy Marshall, Alison Cook Beatty, and Caitlin Trainor; film directors Jonathan Demme, Abel Ferrara, and Alison MacLean; performance artist Penny Arcade; and poets Steve Dalachinsky,

Bob Holman, Sophie Malleret, and

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UMS ARCHIVES

This weekend’s performances mark Stew & The Negro Problem’s fifth and sixth performances under UMS auspices, following their UMS debuts in four performances in November 2010 at 523 S. Main Street in Ann Arbor.

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Serhiy Zhadan. He also has four solo releases: Life After Theatre, Pete, Elsewhere, and Ancient Sound, Modern Dance. Mr. Cherry is currently a member of the NY/LA artist collective The Secret City, and a staff accompanist for the Barnard College Dance Department. and the Paul Taylor School.

Fido Kennington (percussion) is a 34-year veteran of the vibrant Michigan music scene. As a multi-instrumentalist and singer in such bands as Great Lakes Myth Society and Super Birthday, Mr. Kennington has shared both stage and studio with artists from Patti Smith to Montgomery Gentry. He was featured in the November 2001 issue of Modern Drummer magazine. Mr. Kennington proudly hails from Flint, where he enjoys modern life with his favorite human, their small mammal, and a KISS pinball machine.

Zion Jackson (Le Hintergrund Zingers),
a U-M senior from Dewitt, Michigan, is studying voice performance with a minor in performing arts management and entrepreneurship. He is passionate about leadership and the arts. In his free time, Mr. Jackson enjoys traveling, cooking, and exploring new art.

Helen Shen (Le Hintergrund Zingers)
is a sophomore musical theater major. A favorite credit at the University of Michigan is Broadway Our Way under the direction of Michael McElroy. She is beyond excited about sharing the stage with Stew while making her UMS debut this weekend.

Maya Sistruck (Le Hintergrund Zingers)
is a sophomore in the BFA musical theater program at the University of Michigan. Originally from Charlotte, North

Carolina, she has recently performed in 3am Productions’ Daddy Long Legs and Broadway Our Way with Michael McElroy.

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THANK YOU TO SUPPORTERS OF THIS WEEKEND’S PERFORMANCES

Supporting Sponsors

Anne and Paul Glendon

MAY WE ALSO RECOMMEND...

12/14–15 Taylor Mac’s Holiday Sauce
2/6 Cécile McLorin Salvant and Aaron Diehl 3/18–21 ANTHEM

Tickets available at www.ums.org.

ON THE EDUCATION HORIZON...

12/1 12/7

12/14 & 12/15

Keeping it Jazzy: A Family Holiday Jazz Experience
(Hill Auditorium Mezzanine Lobby, 2:00 pm)
Must have a ticket to the Jazz at Lincoln Center performance to attend. Handel’s Messiah Pre-Performance Talk:
Fortunate the Eyes That See and the Ears That Hear
(Michigan League, 911 N. University Avenue, 6:00 pm)
Naughty or Nice: Photostation
(Power Center Lobby, post-performance)
Must have a ticket to the Taylor Mac performance to attend.

Educational events are free and open to the public unless otherwise noted.