Martin Bandyke Under Covers for December 2018: Martin Bandyke interviews Christopher Bonanos, author of Flash: The Making of Weegee the Famous.
Tue, 12/04/2018 - 11:47am
Arthur Fellig’s ability to arrive at a crime scene just as the cops did was so uncanny that he renamed himself “Weegee,” claiming that he functioned as a human Ouija board. Weegee documented better than any other photographer the crime, grit, and complex humanity of midcentury New York City. In Flash, we get a portrait not only of the man (both flawed and deeply talented, with generous appetites for publicity, women, and hot pastrami) but also of the fascinating time and place that he occupied.
From self-taught immigrant kid to newshound to art-world darling to latter-day caricature―moving from the dangerous streets of New York City to the celebrity culture of Los Angeles and then to Europe for a quixotic late phase of experimental photography and filmmaking―Weegee lived a life just as worthy of documentation as the scenes he captured. With Flash, we have an unprecedented and ultimately moving view of the man now regarded as an innovator and a pioneer, an artist as well as a newsman, whose photographs are among most powerful images of urban existence ever made.
Martin’s interview with Christopher Bonanos was recorded on July 17, 2018.
Martin Bandyke Under Covers for November 2018: Martin Bandyke interviews Jorma Kaukonen, author of Been So Long: My Life and Music.
Thu, 11/08/2018 - 1:47pm
From the man who made a name for himself as a founding member and lead guitarist of Jefferson Airplane comes a memoir that offers a rare glimpse into the heart and soul of a musical genius―and a vivid journey through the psychedelic era in America.
“Music is the reward for being alive,” writes Jorma Kaukonen in this candid and emotional account of his life and work. “It stirs memory in a singular way that is unmatched.” In a career that has already spanned a half century―one that has earned him induction into the Rock & Roll Hall of Fame and a Grammy Lifetime Achievement Award, among other honors―Jorma is best known for his legendary bands Jefferson Airplane and the still-touring Hot Tuna. But before he won worldwide recognition he was just a young man with a passion and a dream.
Martin Bandyke Under Covers for October 2018: Martin Bandyke interviews Wayne Kramer, author of The Hard Stuff: Dope, Crime, the MC5, and My Life of Impossibilities.
Tue, 10/02/2018 - 12:49pm
The Hard Stuff is the first memoir by Wayne Kramer, legendary guitarist and cofounder of quintessential Detroit proto-punk legends the MC5.
In January 1969, before the world heard a note of their music, the MC5 was on the cover of Rolling Stone. The missing link between free jazz and punk rock, they were raw, primal, and, when things were clicking, absolutely unstoppable.
The MC5 was a reflection of the times: exciting, sexy, violent, chaotic, and out of control, all but assuring their time in the spotlight would be short-lived. They toured the country, played with music legends, and had a rabid following, their music acting as the soundtrack to the blue collar youth movement springing up across the nation. Kramer wanted to redefine what a rock 'n' roll group was capable of, and there was power in reaching for that, but it was also a recipe for disaster, both personally and professionally. The band recorded three major label albums but, by 1972, it was all over.
Martin Bandyke Under Covers for September 2018: Martin Bandyke interviews Robert Hilburn, author of Paul Simon: The Life.
Fri, 09/07/2018 - 10:47am
For more than fifty years, Paul Simon has spoken to us in songs about alienation, doubt, resilience, and empathy in ways that have established him as one of the most beloved artists in American pop music history. Songs like “The Sound of Silence,” “Bridge Over Troubled Water,” “Still Crazy After All These Years,” and “Graceland” have moved beyond the sales charts and into our cultural consciousness. But Simon is a deeply private person who has resisted speaking to us outside of his music. He has said he will not write an autobiography or memoir, and he has refused to talk to previous biographers.
Finally, Simon has opened up—for more than one hundred hours of interviews—to Robert Hilburn, whose biography of Johnny Cash was named by Michiko Kakutani of the New York Times as one of her ten favorite books of 2013. The result is a landmark book that will take its place as the defining biography of one of America’s greatest artists.
Over the past three years, Hilburn has conducted in-depth interviews with scores of Paul Simon’s friends, family, colleagues, and others—including ex-wives Carrie Fisher and Peggy Harper, who spoke for the first time—and even penetrated the inner circle of Simon’s long-reclusive muse, Kathy Chitty. The result is a deeply human account of the challenges and sacrifices of a life in music at the highest level. In the process, Hilburn documents Simon’s search for artistry and his constant struggle to protect that artistry against distractions—fame, marriage, divorce, drugs, record company interference, rejection, and insecurity—that have derailed so many great pop figures.
Martin Bandyke Under Covers for August 2018: Martin Bandyke interviews Robert Gordon, author of Memphis Rent Party: The Blues, Rock & Soul in Music’s Hometown.
Tue, 07/31/2018 - 11:38am
From the publisher of Memphis Rent Party - "The fabled city of Memphis has been essential to American music--home of the blues, the birthplace of rock and roll, a soul music capital. We know the greatest hits, but celebrated author Robert Gordon takes us to the people and places history has yet to record. A Memphis native, he whiles away time in a crumbling duplex with blues legend Furry Lewis, stays up late with barrelhouse piano player Mose Vinson, and sips homemade whiskey at Junior Kimbrough's churning house parties. A passionate listener, he hears modern times deep in the grooves of old records by Lead Belly and Robert Johnson.
The interconnected profiles and stories in Memphis Rent Party convey more than a region. Like mint seeping into bourbon, Gordon gets into the wider world. He beholds the beauty of mistakes with producer Jim Dickinson (Replacements, Rolling Stones), charts the stars with Alex Chilton (Box Tops, Big Star), and mulls the tragedy of Jeff Buckley's fatal swim. Gordon's Memphis inspires Cat Power, attracts Townes Van Zandt, and finds James Carr always singing at the dark end of the street.
A rent party is when friends come together to hear music, dance, and help a pal through hard times; it's a celebration in the face of looming tragedy, an optimism when the wolf is at the door. Robert Gordon finds mystery in the mundane, inspiration in the bleakness, and revels in the individualism that connects these diverse encounters."
Martin Bandyke Under Covers for July 2018: Martin talks to author Ryan H. Walsh about Astral Weeks: A Secret History of 1968.
Mon, 07/02/2018 - 9:15am
Van Morrison's Astral Weeks is an iconic rock album shrouded in legend, a masterpiece that has touched generations of listeners and influenced everyone from Bruce Springsteen to Martin Scorsese. In his first book, acclaimed musician and journalist Ryan H. Walsh unearths the album's fascinating backstory--along with the untold secrets of the time and place that birthed it: Boston 1968.
On the 50th anniversary of that tumultuous year, Walsh's book follows a criss-crossing cast of musicians and visionaries, artists and hippie entrepreneurs, from a young Tufts English professor who walks into a job as a host for TV's wildest show (one episode required two sets, each tuned to a different channel) to the mystically inclined owner of radio station WBCN, who believed he was the reincarnation of a scientist from Atlantis. Most penetratingly powerful of all is Mel Lyman, the folk-music star who decided he was God, then controlled the lives of his many followers via acid, astrology, and an underground newspaper called Avatar.
A mesmerizing group of boldface names pops to life in Astral Weeks: James Brown quells tensions the night after Martin Luther King, Jr. is assassinated; the real-life crimes of the Boston Strangler come to the movie screen via Tony Curtis; Howard Zinn testifies for Avatar in the courtroom. From life-changing concerts and chilling crimes, to acid experiments and film shoots, Astral Weeks is the secret, wild history of a unique time and place.
Martin Bandyke Under Covers for June 2018: Martin Bandyke interviews Michael Benson, author of Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece.
Wed, 06/06/2018 - 11:06am
Celebrating the fiftieth anniversary of the film’s release, this is the definitive story of the making of 2001: A Space Odyssey, acclaimed today as one of the greatest films ever made, including the inside account of how director Stanley Kubrick and writer Arthur C. Clarke created this cinematic masterpiece.
Regarded as a masterpiece today, 2001: A Space Odyssey received mixed reviews on its 1968 release. Despite the success of Dr. Strangelove, director Stanley Kubrick wasn’t yet recognized as a great filmmaker, and 2001 was radically innovative, with little dialogue and no strong central character. Although some leading critics slammed the film as incomprehensible and self-indulgent, the public lined up to see it. 2001’s resounding commercial success launched the genre of big-budget science fiction spectaculars. Such directors as George Lucas, Steven Spielberg, Ridley Scott, and James Cameron have acknowledged its profound influence.
Author Michael Benson explains how 2001 was made, telling the story primarily through the two people most responsible for the film, Kubrick and science fiction legend Arthur C. Clarke. Benson interviewed Clarke many times, and has also spoken at length with Kubrick’s widow, Christiane; with visual effects supervisor Doug Trumbull; with Dan Richter, who played 2001’s leading man-ape; and many others.
Martin Bandyke Under Covers for May 2018: Martin Bandyke interviews RJ Smith, author of American Witness: The Art and Life of Robert Frank.
Mon, 04/30/2018 - 10:34am
From the author of the acclaimed James Brown biography The One comes the first in-depth biography of renowned photographer and filmmaker Robert Frank, best known for his landmark book The Americans.
As well-known as Robert Frank the photographer is, few can say they really know Robert Frank the man. Born and raised in wartime Switzerland, Frank discovered the power and allure of photography at an early age and quickly learned that the art meant significantly more to him than the money, success, or fame. The art was all, and he intended to spend a lifetime pursuing it.
American Witness is the first comprehensive look at the life of a man who's as mysterious and evasive as he is prolific and gifted. Leaving his rigid Switzerland for the more fluid United States in 1947, Frank found himself at the red-hot social center of bohemian New York in the '50s and '60s, becoming friends with everyone from Jack Kerouac, Allen Ginsberg, and Peter Orlovsky to photographer Walker Evans, actor Zero Mostel, painter Willem de Kooning, filmmaker Jonas Mekas, Bob Dylan, writer Rudy Wirlitzer, jazz musicians Ornette Coleman and Charles Mingus, and more. Frank roamed the country with his young family, taking roughly 27,000 photographs and collecting 83 of them into what is still his most famous work: The Americans. His was an America nobody had seen before, and if it was harshly criticized upon publication for its portrait of a divided country, the collection gradually grew to be recognized as a transformative American vision.
Martin Bandyke Under Covers for April 2018: Martin Bandyke interviews Anthony DeCurtis, author of Lou Reed: A Life
Wed, 04/04/2018 - 12:12pm
From the publisher of Lou Reed: A Life:
As lead singer and songwriter for the Velvet Underground and a renowned solo artist, Lou Reed invented alternative rock. His music, at once a source of transcendent beauty and coruscating noise, violated all definitions of genre while speaking to millions of fans and inspiring generations of musicians.
But while his iconic status may be fixed, the man himself was anything but. Lou Reed's life was a transformer's odyssey. Eternally restless and endlessly hungry for new experiences, Reed reinvented his persona, his sound, even his sexuality time and again. A man of contradictions and extremes, he was fiercely independent yet afraid of being alone, artistically fearless yet deeply paranoid, eager for commercial success yet disdainful of his own triumphs. Channeling his jagged energy and literary sensibility into classic songs - like "Walk on the Wild Side" and "Sweet Jane" - and radically experimental albums alike, Reed remained desperately true to his artistic vision, wherever it led him.
Martin Bandyke Under Covers: Martin Bandyke interviews Joe Hagan, author of Sticky Fingers: The Life and Times of Jann Wenner and Rolling Stone Magazine
Thu, 03/08/2018 - 12:42pm
The story of Jann Wenner, Rolling Stone's founder, editor, and publisher, and the pioneering era he helped curate, is told here for the first time in glittering, glorious detail. Joe Hagan provides readers with a backstage pass to storied concert venues and rock-star hotel rooms; he tells never before heard stories about the lives of rock stars and their handlers; he details the daring journalism (Tom Wolfe, Hunter S. Thompson, P.J. O’Rourke) and internecine office politics that accompanied the start-up; he animates the drug and sexual appetites of the era; and he reports on the politics of the last fifty years that were often chronicled in the pages of Rolling Stone magazine.
Supplemented by a cache of extraordinary documents and letters from Wenner's personal archives, Sticky Fingers depicts an ambitious, mercurial, wide-eyed rock and roll fan of who exalts in youth and beauty and learns how to package it, marketing late sixties counterculture as a testament to the power of American youth. The result is a fascinating and complex portrait of man and era, and an irresistible biography of popular culture, celebrity, music, and politics in America.
Martin’s interview with Joe Hagan was recorded on November 16, 2017.