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Martin Bandyke Under Covers for December 2021: Martin interviews Michael Spitzer, author of The Musical Human: A History of Life on Earth
165 million years ago saw the birth of rhythm.
66 million years ago was the first melody.
40 thousand years ago Homo sapiens created the first musical instrument.
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Martin Bandyke Under Covers for November 2021: Martin interviews Ana Araujo, author of No Compromise: The Work of Florence Knoll.
Florence Knoll (1917–2019) was a leading force of modern design. She worked from 1945 to 1965 at Knoll Associates, first as business partner with her husband Hans Knoll, later as president after his death, and, finally, as design director. Her commissions became hallmarks of the modern era, including the Barcelona Chair by Mies van der Rohe, the Diamond Chair by Harry Bertoia, and the Platner Collection by Warren Platner. She created classics like the Parallel Bar Collection, still in production today.
Knoll invented the visual language of the modern office through her groundbreaking interiors and the creation of the acclaimed "Knoll look," which remains a standard for interior design today. She reinvigorated the International Style through humanizing textiles, lighting, and accessories. Although Knoll's motto was "no compromise, ever," as a woman in a white, upper-middle-class, male-dominated environment, she often had to make accommodations to gain respect from her colleagues, clients, and collaborators. No Compromise looks at Knoll's extraordinary career in close-up, from her student days to her professional accomplishments.
Martin’s interview with Ana Araujo was recorded on July 22, 2021.
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Martin Bandyke Under Covers for October 2021: Martin interviews Charles Casillo, author of Elizabeth and Monty: The Untold Story of Their Intimate Friendship.
Violet-eyed siren Elizabeth Taylor and classically handsome Montgomery Clift were the most gorgeous screen couple of their time. Over two decades of friendship they made, separately and together, some of the era's defining movies--including Cat on a Hot Tin Roof, The Misfits, Suddenly, Last Summer, and Cleopatra. Yet the relationship between these two figures--one a dazzling, larger-than-life star, the other hugely talented yet fatally troubled--has never truly been explored until Elizabeth and Monty: The Untold Story of their Intimate Friendship.
When Elizabeth Taylor was cast opposite Montgomery Clift in A Place in the Sun, he was already a movie idol, with a natural sensitivity that set him apart. At seventeen, Elizabeth was known for her ravishing beauty rather than her talent. Directors treated her like a glamorous prop. But Monty took her seriously, inspiring and encouraging her. In her words, "That's when I began to act."
To Monty, she was "Bessie Mae," a name he coined for her earthy, private side. The press clamored for a wedding, convinced this was more than friendship. The truth was even more complex. Monty was drawn to women but sexually attracted to men--a fact that, if made public, would destroy his career. But he found acceptance and kinship with Elizabeth. Her devotion was never clearer than after his devastating car crash near her Hollywood home when she crawled into the wreckage and saved him from choking.
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Martin Bandyke Under Covers for September 2021: Martin interviews Jonathan Taplin, author of The Magic Years: Scenes from a Rock-and-Roll Life
Martin Bandyke Under Covers for September 2021: Martin interviews Jonathan Taplin, author of The Magic Years: Scenes from a Rock-and-Roll Life.
Jonathan Taplin’s extraordinary journey has put him at the crest of every major cultural wave in the past half century: he was tour manager for Bob Dylan and the Band in the ’60s, producer of major films in the ’70s, an executive at Merrill Lynch in the ’80s, creator of the Internet’s first video-on-demand service in the ’90s, and a cultural critic and author writing about technology in the new millennium. His is a lifetime marked not only by good timing but by impeccable instincts―from the folk scene to Woodstock, Hollywood’s rebellious film movement, and beyond. Taplin is not just a witness but a lifelong producer, the right-hand man to some of the greatest talents of both pop culture and the underground.
With cameos by Janis Joplin, Jimi Hendrix, Eric Clapton, Martin Scorsese, and countless other icons, The Magic Years is both a rock memoir and a work of cultural criticism from a key player who watched a nation turn from idealism to nihilism. Taplin offers a clear-eyed roadmap of how we got here and makes a convincing case for art’s power to deliver us from “passionless detachment” and rekindle our humanism.
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Martin Bandyke Under Covers for August 2021: Martin interviews Richard Thompson, author of Beeswing: Losing My Way and Finding My Voice 1967 – 1975.
In this moving and immersive memoir, Richard Thompson, the brilliant and beloved music legend, recreates the spirit of the 1960s, where he found, and then lost, and then found his way again.
Known for his brilliant songwriting, his extraordinary guitar playing, and his haunting voice, Thompson is considered one of the top twenty guitarists of all time, in the songwriting pantheon alongside Bob Dylan, Paul Simon, and Randy Newman. Now, in his long-awaited memoir, the British folk musician takes us back to the late 1960s, a period of great change and creativity—both for him and for the world at large.
Thompson packed more than a lifetime of experiences into his late teens and twenties. During the pivotal years of 1967 to 1975, just as he was discovering his passion for music, he formed the band Fairport Convention with some schoolmates and helped establish the genre of British folk rock. That led to a heady period of songwriting and massive tours, where Thompson was on the road both in the UK and the US, and where he crossed paths with the likes of Led Zeppelin, Pink Floyd, and Jimi Hendrix. But those eight years were also marked by change, upheaval, and tragedy. Then, at the height of the band’s popularity, Thompson left to form a duo act with his wife Linda. And as he writes revealingly here, his discovery and ultimate embrace of Sufism dramatically reshaped his approach to music—and of course everything else.
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Martin Bandyke Under Covers for July 2021: Martin interviews Glenn Frankel, author of Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic.
Director John Schlesinger’s Darling was nominated for five Academy Awards, and introduced the world to the transcendently talented Julie Christie. Suddenly the toast of Hollywood, Schlesinger used his newfound clout to film an expensive, Panavision adaptation of Far from the Madding Crowd. Expectations were huge, making the movie’s complete critical and commercial failure even more devastating, and Schlesinger suddenly found himself persona non grata in the Hollywood circles he had hoped to conquer.
Given his recent travails, Schlesinger’s next project seemed doubly daring, bordering on foolish. James Leo Herlihy’s novel Midnight Cowboy, about a Texas hustler trying to survive on the mean streets of 1960’s New York, was dark and transgressive.
His decision to film it began one of the unlikelier convergences in cinematic history, centered around a city that seemed, at first glance, as unwelcoming as Herlihy’s novel itself.
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Martin Bandyke Under Covers for June 2021: Martin interviews Scott Eyman, author of Cary Grant: A Brilliant Disguise.
Film historian and acclaimed New York Times bestselling biographer Scott Eyman has written the definitive, “captivating” (Associated Press) biography of Hollywood legend Cary Grant, one of the most accomplished—and beloved—actors of his generation, who remains as popular as ever today.
Born Archibald Leach in 1904, he came to America as a teenaged acrobat to find fame and fortune, but he was always haunted by his past. His father was a feckless alcoholic, and his mother was committed to an asylum when Archie was eleven years old. He believed her to be dead until he was informed she was alive when he was thirty-one years old. Because of this experience Grant would have difficulty forming close attachments throughout his life. He married five times and had numerous affairs.
Despite a remarkable degree of success, Grant remained deeply conflicted about his past, his present, his basic identity, and even the public that worshipped him in movies such as Gunga Din, Notorious, and North by Northwest.
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Martin Bandyke Under Covers for May 2021: Martin interviews Harvey Ovshinsky, author of Scratching the Surface: Adventures in Storytelling.
Scratching the Surface: Adventures in Storytelling is a deeply personal and intimate memoir told through the lens of Harvey Ovshinsky's lifetime of adventures as an urban enthusiast. He was only seventeen when he started The Fifth Estate, one of the country's oldest underground newspapers. Five years later, he became one of the country's youngest news directors in commercial radio at WABX-FM, Detroit's notorious progressive rock station. Both jobs placed Ovshinsky directly in the bullseye of the nation's tumultuous counterculture of the 1960s and 70s. When he became a documentary director, Ovshinsky's dispatches from his hometown were awarded broadcasting's highest honors, including a national Emmy, a Peabody, and the American Film Institute's Robert M. Bennett Award for Excellence.
But this memoir is more than a boastful trip down memory lane. It also doubles as a survival guide and an instruction manual that speaks not only to the nature of and need for storytelling but also and equally important, the pivotal role the twin powers of endurance and resilience play in the creative process. You don't have to be a writer, an artist, or even especially creative to take the plunge, Ovshinsky reminds his readers. "You just have to feel strongly about something or have something you need to get off your chest. And then find the courage to scratch your own surface and share your good stuff with others."
Martin’s interview with Harvey Ovshinsky was recorded on March 10, 2021.
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Martin Bandyke Under Covers for April 2021: Martin interviews Michael Hurtt, co-author of Mind Over Matter: The Myths and Mysteries of Detroit’s Fortune Records.
The wife and husband team of Devora and Jack Brown formed Fortune Records in 1946. Much like Sam Phillips did with Sun Records in Memphis, the fiercely independent Browns did everything in-house in Detroit.
The now legendary label self-recorded and released stacks of brilliant records. From its early days of pressing big-band and polka records, through its transition into R&B, blues, gospel, rockabilly and country, Fortune laid the groundwork for Motown and other more prominent Detroit imprints. While its releases sputtered out by the early ‘70s, and the company completely folded in the 1980s, record collectors from across the globe still seek out Fortune’s impressive and wildly eclectic discography of vinyl.
A hefty new book, Mind Over Matter: The Myths & Mysteries of Detroit's Fortune Records, by Michael Hurtt and the late Billy Miller, chronicles the entire history of this blue-collar label and humble storefront studio. Over 576 pages, this deluxe, full-color hardcover tome is essential for anyone interested in obscure but astounding records.
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Martin Bandyke Under Covers for March 2021: Martin interviews Reuben Jonathan Miller, author of Halfway Home: Race, Punishment, and the Afterlife of Mass Incarceration.
Each year, more than half a million Americans are released from prison and join a population of twenty million people who live with a felony record.
Reuben Miller, a chaplain at the Cook County Jail in Chicago and now a sociologist studying mass incarceration, spent years alongside prisoners, ex-prisoners, their friends, and their families to understand the lifelong burden that even a single arrest can entail. What his work revealed is a simple, if overlooked truth: life after incarceration is its own form of prison. The idea that one can serve their debt and return to life as a full-fledge member of society is one of America’s most nefarious myths. Recently released individuals are faced with jobs that are off-limits, apartments that cannot be occupied and votes that cannot be cast.
Halfway Home shows that the American justice system was not created to rehabilitate, and that parole is structured to keep classes of Americans impoverished, unstable, and disenfranchised long after they’ve paid their debt to society.