Film Festival '79: Mother Goose, 2,000 dots and women
Mother Goose, 2,000 dots and women
"Mother Goose" — hilarious
animation of bloody Mother Goose
The 16 nun festival,
through Sunday, is cun
oldest and the inosi .
nith amateur and
i ho are interested in
1'iLn as art, said George Manupel-
li, the festival's founder.
The prize-winning films, though
- ' "',nked first, second and third,
shown Sunday at 7. 9, and
after a jury previews them
Berman Aw;i. iust
promising filmr.
FILMS RANGED from the
tour-minute "Mother Goose" to
'men-
Sur-
reat-
n .Ligged
•iian tribe
.•lit David
that
i the
he
"MANDARIN ORANGES" by
John Brister is a slick two-and-
one-half minute animation. Tradi-
tional Chinese mandarin oranges,
!h fireworks. Humorously, the
, inning beauty queen turns away
in shyness to reveal her orange
bottom.
Women's liberation from men
and human liberation for all are
common themes.
In "Women's Answer," Agnes
Varda, a well-known [''much di-
rector, places 15 wi.
old and young, pn"
witlrand without clothes, (or a lec-
ture to 15 men - fathers, brothers,
husbands and misogynists. Wo-
men teach and men learn what it
means to be a woman. The mes-
sage is that wn
FAR MOR' but
slightly flawed technically is Mi-
chelle Brager's "I Can Breathe
Under Water." Combining real
footage of an underwater swim-
mer with brightly colored anima-
tions of a diver and woman fight-
er, Brager aims for the poetic and
commands "breathe the tides," as
colorful animated yaves crest and
subside over a woman's face.
"Alabama Departure" by Peter
Bundy and Bryan Eilson finds so-
lace in the words and song of an
aged and t-shirted Southern crack-
er. A 10-minute essay on lazy Ala-
bama swamps, plants and bugs,
the film intersperse.; tii(it;i"r nn
the Southern phi! i
with his takeoft
home to die no in in
Though the film pri/.r-winnfr;,
are not designated first, second
and third, the three judges are al-
toted equal portions of tin
awards, which they divi<.
multiple winners, said V.i
FOLLOWING THE awards in
Ann Arbor, the jury reduces the
winning Festival dims to nine
hours, or approximali! -- "",
which tour the coun!'
five institutions, a
;n the
i audi-
torii! .i.Win-'
ner-; at 7, 9
and l , . : Arclu-
" lire and Design building and in
;it.orium A of Angell Hall, also
"cU-M campus.
ic festival is sponsored b "
l Cinema Guild and th.
••irDramaticArts ('
.'ivards are givrn hv rhf 1.1
cal theaters
nesses.
. me "mree tilinci
i s the case is when
THIS YEAR, more than 350
films were submitted for Festival
exhibitir:. .11; . : 1'iew-
ers arc ;iong
the 12;) .wing
arethelunuwiiiy.
"Foregrounds," a 14-minute
visual feat and feast by Pat 0'-
artisti
metal-:.
and mas
film. The film contain;
art forms — cloud '
from day to sunset to n
unknown modern art ti '•
"3/78," a sclntill.-i
state animation of 2,01"
on a
;ip to
true-
••erie
Peter Strauss stars a-
convict who trains to h
world's fastest miler ;'•
chance to compete for the Olym-
pics in the ABC movie "Jericho
Mile" airing on Sunday, March 18.
The movie was shot cni.rcil :.i
'Folsom State Prison.
Article
Subjects
Ann Arbor Film Festival
Richard Vander Veen
University of Michigan Cinema Guild (Film Group)
Films
Filmmakers
Awards Honors Prizes
Ann Arbor Film Festival
Ann Arbor Dramatic Arts Center
Ann Arbor News
Old News
Vickie Honeyman
Samuel Van Deusen
Peter Strauss
Peter Bundy
Pat O'Neill
Michelle Brager
Larry Cuba
John Brister
George Manupelli
David Bishop
Bryan Elsor
Agnes Varda
Old Architecture and Design Auditorium
Folsom State Prison
Angell Hall