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Art in the Time of Coronavirus: Washtenaw galleries and museums offer virtual visits

Thu, 03/19/2020 - 1:30pm by christopherporter

Miriam Brysk's Twilight and Vanished Culture

Miriam Brysk's Twilight (left) and Vanished Culture.

If you'e looking to indulge your quarantined senses with virtual art, Google has collaborated with more than 500 galleries and museums to digitize their collections through the megacorp's Arts & Culture’s collection. The only Washtenaw space to partner with Google is the University of Michigan Museum of Art, leaving smaller galleries and museums to figure out if they have the bandwidth -- human resources and digitally -- to post virtual exhibits of their permanent collections or canceled exhibits.

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Valery Jung Estabrook's hand-sewn exhibit at U-M's LSA Humanities Gallery re-creates an uncomfortable snapshot of a rural American interior

Wed, 03/04/2020 - 12:00pm by christopherporter

Hometown Hero installation element

Installation components, *Hometown Hero (Chink): An American Interior by Valery Jung Estabrook at U-M's LSA Humanities Gallery. 

The LSA Humanities Gallery is known for exhibits that raise uncomfortable questions and featuring provocative artworks that cut to the heart of American culture. With its most recent exhibit, *Hometown Hero (Chink): An American Interior, viewers are invited to explore an installation designed by multidisciplinary artist and Paula and Edwin Sidman Fellow in the Arts recipient Valery Jung Estabrook

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The Sound of Abstract Expressionism: “Ted Ramsay: Visual Symphony Series” at WSG Gallery

Fri, 02/28/2020 - 10:15am by christopherporter

Ted Ramsey, three paintings from his Visual Symphony Series

Three acrylic paintings from Ted Ramsay's Visual Symphony Series (left to right): Johann Strauss II - "Thunder and Lightning," Mozart - "Sinfonia Concertante" K349 and "Symphony 40 in G minor" K 550, and Tchaikovsky - "Festival Overture 1812" op. 49. Images courtesy of WSG Gallery.

Ted Ramsay, a professor emeritus at the University of Michigan’s School of Art and Design, has long made expressionism in its many guises the focus of his painting. His last WSG exhibit, March 2013’s Spatial Narratives in Paint, was marked by expressive figuration, which Ramsay explained as, "In my figure paintings I strive for an aura of magic and mystery tempered with a subjective, but believable dose of reality." I wrote at that time that Ramsay’s “whose homage to silence is so complete, you can almost hear a pin drop.”

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A Thread of Jewels: The 6X collective's "Mistaken for Strangers" fills the A2 Art Center's Gallery 117 with wearable art

Mon, 02/24/2020 - 12:00pm by christopherporter

Brooke Marks-Swanson, Yellow Furrow

Brooke Marks-Swanson, Yellow Furrow, knit leather, oxidized silver 

The contemporary jewelry-making collective 6X makes interconnected, wearable artworks. The six-member group of Midwesterners explained their approach as part of its February exhibition at the Ann Arbor Art Center: “Ties, which may not consciously be acknowledged at a simple glance, are visible upon further consideration of approaches to concept, material, and process.” Thus, the title of the A2AC exhibit, Mistaken for Strangers, in its Gallery 117 space references the connectedness of their creative processes, which may not be immediately recognized by viewers. 

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The Guild of Artists & Artisans' new Gutman Gallery opens with an exhibit filled with love (and hearts)

Tue, 02/18/2020 - 1:00pm by christopherporter

Ruth Crowe

Ruth Crowe, She Counted Her Regrets Two at a Time. Photo courtesy of the Guild of Artists & Artisans.

On a standardly gray February evening I made my way through the dark and cold toward Kerrytown. The block of Fourth Street between Ann and Huron is not a particularly active space after five, but tonight was different. Brightly lit, and with condensation beginning to form, glances of color slipped out the storefront windows of the newly opened Gutman Gallery

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Riverside Arts Center's exhibit "Embrace: The Black Experience" explores the spectrum

Mon, 02/17/2020 - 12:00pm by christopherporter

Azya Moore, Blue Black

Azya Moore, photo from her BLUE BLACK series.

The artists in Riverside Arts Center's Embrace: The Black Experience grapple with what that multifaceted experience means. They respond with artwork just as varied, from metalworks to photographs and digitally rendered multimedia.

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U-M Gifts of Art's winter edition offers meditative, inspirational works in a variety of mediums

Mon, 02/10/2020 - 10:00am by christopherporter

Allison Svoboda, Healing Power

From Allison Svoboda's Healing Power of Nature: Mixed Media.

Every new season the University of Michigan Medicine’s Gifts of Art brings patients and visitors new exhibits of inspirational, meditative, and thought-provoking works by local and regional artists. For the winter edition, the eight gallery spaces provide uplifting and diverse works, executed in a wide range of media: straight photography, digitally altered photography, oil paintings, oil and chalk pastels, designer hats, multimedia sculptures, and paper sculpture.

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Unity of Purpose: "Taking a Stand" at Stamps Gallery features a range of multimedia works under a common theme of inclusivity

Tue, 01/28/2020 - 11:30am by christopherporter

Elizabeth LaPensée, Bitwork Beadwork Mega Man

Elizabeth LaPensée, Bitwork Beadwork Mega Man, 2019, 20” x 16”

Stamps Gallery's Taking a Stand offers audiences a glimpse at the works of five artists who engage with themes of solidarity and comment on social and cultural issues at the forefront of contemporary dialogues. They grapple with science fiction, environmentalism, social activismand the history and continuing impact of colonialism.

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Augmented Realities: Stamps Gallery's "Taking a Stand" features multimedia, 3D, and interactive installations

Tue, 01/21/2020 - 12:00pm by christopherporter

Taking a Stand

micha cárdenas, Redshift Portalmetal, 2015 (installation view)

The Stamps Gallery's Taking a Stand exhibition opened on January 17 with a reception that featured a performance by Detroit artist Sacramento Knoxx along with Bianca Millar and White Feather Woman.

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Riverside Arts Center's "Insecurity: Not Enough Again" exhibit explores personal and social uncertainties

Fri, 01/17/2020 - 7:15pm by christopherporter

Detail from RckBny's collage at Riverside Art Center

Detail from RckBny's collage at Riverside Art Center's Insecurity: Not Enough, Again. Image courtesy of the gallery.

Insecurity takes many forms and shapes: visually, culturally, personally, and within communities. But what is insecurity and how can it be cultivated to produce change?