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Knowledge Rules: KRS-One at the Blind Pig

by christopherporter

KRS-One
    
KRS-One is a hip-hop legend. The man born Lawrence Parker left home at 16 to start making music and experienced a lot of hardships, including homelessness and the death of his friend and Boogie Down Productions cohort DJ Scott La Rock. After La Rock died, KRS-One stopped rapping about drugs and violence in favor of more politically conscious material, and he also led the Stop the Violence Movement. KRS-One persevered through the adversity and has released more than 20 albums and three books. 

The crowd was buzzing as early as 9 pm before Knowledge Reigns Supreme Over Nearly Everyone's May 23 show at The Blind Pig. KRS-One didn’t play until around 11 pm, but several hip-hop artists took the stage for the first couple hours. My favorite was Ann Arbor's own Nickie P, who rapped about love and loss and the importance of respect and honesty in relationships. Another Ann Arbor MC, Duke Newcomb, took the stage and immediately connected with the audience, saying 15 years ago he was one of us, one of the audience members at a KRS-One show, thinking he was too old to start rapping. "Remember that tonight I am you," he said. "You are me."

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Rocking the Roots: Jim Manheim spins polka, country & bluegrass on WCBN

by christopherporter

Jim Manheim by Doug Coombe

Jim Manheim by Doug Coombe.

Jim Manheim has the unique distinction of hosting both one of WCBN's most popular shows -- and, arguably, one of its most obscure. Since 1989 Manheim has co-hosted The Down Home Show, a classic country music program that often raises the most or second-most money during station fundraisers (WCBN's closest equivalent to more traditional listenership metrics). He also co-hosts a popular bluegrass program, Bill Monroe for Breakfast. But in three stints from 1996 to 1999, 2008 to 2011, and 2014 to the present, Manheim has also regularly graced WCBN's airwaves with the Drivetime Polka Party

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Endless Time: Chris Smither at The Ark

by christopherporter

Chris Smither by Jeff Fasano

Chris Smither by Jeff Fasano.

The first time I heard Chris Smither I was on a road trip from Ann Arbor to Alabama, helping my cousin move so she could begin her master’s in creative writing. It was late at night and we were somewhere in Kentucky or Tennessee. There were no other cars around and the road kept curving and curving. The windows in the car were down and the muggy air was streaming in. We were feeling slow and sleepy, so my cousin put in Chris Smither’s CD #Leave the Light On#. I heard Chris Smither’s voice for the first time: low and rough, singing, “If I were young again / I’d pay attention / To that little-known dimension / a taste of endless time / it’s just like water / it runs right through our fingers / but the flavor of it lingers / like rich, red wine.” 

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Overpowered by Funk: Disaster Relief lift you up by gettin' down

by christopherporter

Disaster Relief

Check it out now: Darrin James, Ross Huff, Rob Avsharian, Molly Jones, Brennan Andes, and Tim Haldeman (not pictured) are the funk-soul brothers and sister who provide Disaster Relief.

Since 1967, The Meters have created ultra-greasy syncopated grooves that induce spontaneous boogie. The New Orleans funk legends' catalog is stuffed with influential jams, such as "Cissy Strut" and "Look-Ka Py Py," that are the very definition of rump shakers.

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At the Crossroads: Dave Sharp Worlds Quartet bridges the East and West on its debut

by christopherporter

Dave Sharp Worlds Quartet

Around the Worlds Quartet: Mike List, Igor Houwat, Dr. Henrik Karapetyan, and Dave Sharp.

The Dave Sharp Worlds Quartet is like Istanbul’s Bosphorus Bridge: a sturdy gateway between the East and West.

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Michigan favorites Steppin’ In It celebrate 20 years at The Ark

by christopherporter

Steppin' In It

Photo by JDC Photography.

Years ago in Lansing, a group of guys got together and formed a roots-music band that combined vintage sounds and modern sensibilities. Called Steppin’ In It, the band built up a devoted audience and critical respect in Michigan and beyond as its sound and its songs deepened and matured.

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Liner Notes: Track by track through Ann Arbor Guitar Trio's debut album, "Tides"

by christopherporter

Ann Arbor Guitar Trio

Three's company: Evan Veasey, Adam Kahana, and Alex Anest are the Ann Arbor Guitar Trio. Photo by Pink Moon Photography.

Alex Anest, leader of the Ann Arbor Guitar Trio (A2G3), enjoys the puzzle of arranging for three axes. No rhythmic accompaniment. No additional instruments. Just 18 amplified strings.

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They're Bringing "Camelbak": Scissor Now!'s latest video visits tiny houses in Atlanta

by christopherporter

The quirky, punk-funk threesome Scissor Now! released its most recent album, Now That's What I Call Scissor Now!, nearly three years ago. But the Ann Arbor trio of Jessica Bratus (vocals/saxophone), Kevin Sanchez (drums), and Jef Porkins (bass/vocals) keeps mining treasure from its avant-grooves by producing music videos, including the brand new "Camelbak," the fifth vid made in support of the LP.

Scissor Now! describes the song on its Bandcamp page thusly: "A lot of people seem to move from Ann Arbor to Portland, OR. Thankfully, most of them move back."

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Annual Bloom: A guide to the 2018 Water Hill Music Fest

by christopherporter

The Water Hill Music Fest is the crocus flower of Ann Arbor street parties.

Whether the weather is warm or chilly, sunny or drizzly, crocuses emerge every spring. So does this neighborhood-centric celebration of creativity, which bursts to life annually the first Sunday in May.

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João Luiz & Danilo Brito strip down Brazilian choro to its essence

by christopherporter

Joao Luiz & Danilo Brito by Sascha von Oertzen

João Luiz and Danilo Brito by Sascha von Oertzen

When Brazilian mandolinist Danilo Brito played Kerrytown Concert House on April 1, 2017, he brought a traditional choro quartet with him: 7-string guitar, guitar, cavaquinho, and percussion.