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Carnal Letters: UMS's No Safety Net series closed with two Rachel Mars plays that explore the expression of desire

by strattonl

Rachel Mars of Our Carnal Hearts and Your Sexts Are Shit: Older Better Letters

Rachel Mars explores the concept of desire and how it's expressed in her two productions, Our Carnal Hearts and Your Sexts Are Shit: Older Better Letters. Photo taken from Rachel Mars' website.

If there’s one common thematic thread between British theater artist Rachel Mars’ two shows, Our Carnal Hearts and Your Sexts Are Shit: Older Better Letters, it’s desire and the ways in which it’s expressed.

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Searching for the Right Words: Julia Cho's award-winning "The Language Archive" makes its Michigan debut at Theatre Nova

by christopherporter

A photo of Rick Sperling and Monica Spencer on stage for The Language Archive.

Rick Sperling and Monica Spencer star in the Michigan premiere of The Language Archive, which is at Theatre Nova through February 26. Photo by Sean Carter.

When Julia Cho read about dying languages, she wondered if losing a language meant something larger—losing a whole way of looking at the world.

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"Are we not drawn onward to new erA" Encourages Understanding the Climate Crisis From an Unconventional Perspective

by strattonl

UMS' "Are we not drawn onward to new erA" addresses the climate crisis in unconventional ways.

UMS' Are we not drawn onward to new erA examines the possibility of undoing the damage people have done to earth in one night. Photo taken from UMS's Facebook page.

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Selina Thompson's “salt: dispersed” is a powerful document of her monologue retracing the transatlantic slave route forced on her ancestors

by christopherporter

Writer and performer Selina Thompson sits on a stage in a white dress with a large rock of salt next to her.

Selina Thompson's monologue salt and its filmed adaptation salt: dispersed document her story of taking a cargo ship across the ocean to retrace the journey of her enslaved ancestors. Photo courtesy of UMS. 

In 2016, Selina Thompson, an interdisciplinary artist based in Birmingham, England, went on a journey to retrace the path of her ancestors. That path was that of the transatlantic slave trade.

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Ann Arbor Civic Theatre's take on "The Curious Incident of the Dog in the Night-Time" is a mystery that explores a spectrum of emotions and relationships

by christopherporter

Christopher (played by Drew Shaw) feeds his dog while sitting on a couch in the Ann Arbor Civic Theatre's production of The Curious Incident of the Dog in the Night-Time.

Drew Shaw (along with Rosie the dog) stars as Christopher in the Ann Arbor Civic Theatre's production of The Curious Incident of the Dog in the Night-Time. Photo by Tom Steppe.

Cassie Mann was a fan of Mark Haddon’s best-selling novel The Curious Incident of the Dog in the Night-Time and was excited when Simon Stephens' stage version became a hit in London and New York.

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AADL 2022 Staff Picks: Homepage

by christopherporter

AADL's 2022 staff picks

Don't ever write a year-in-review intro before you've had lunch. See below for reasons:

2022 is Pulp’s sixth year of compiling a delectable list of Ann Arbor District Library staff picks, featuring a smorgasbord of media to review and devour. With an insatiable hunger for books, films, TV shows, podcasts, music, and more, our AADL staffer suggestions will whet your appetite for anything you may have missed in 2022—or from previous years.

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Fraught reunions with old friends are at the core of Penny Seat's "First Snow"

by christopherporter

The cast of Penny Seats's First Snow sit on stage steps in front of the play's set.

Reunited and it feels so weird: Nora (Celah Convis), Bob (Jonathan Jones), Natalie (Patrice Linman), Lisa (Josie Eli Herman), and Evan (Michael Alan Herman) are old high school buddies who reunite after a long time apart in Joseph Zettelmaier’s new play, First Snow, produced by The Penny Seats Theatre Company. Photo courtesy of Penny Seats.

The prospect of seeing friends from high school, after a years-long separation, always feels fraught. Will it be awkward? Will they judge you? Will you judge them? What will you talk about? Will you somehow ruin perfectly contained, long-packed-away memories?

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A modern Marion takes the lead in U-M’s "The Heart of Robin Hood"

by christopherporter

The Heart of Robin Hood

Erik Dagoberg (Robin Hood) and Stefania Gonzalez (Marion) practice swashbuckling on a ramp during rehearsals for U-M's production of The Heart of Robin Hood. Photo by Chris Boyes.

The legend of Robin Hood has been told for centuries. In the usual version, he is a nobleman who has been forced from his estate. He gathers a band of “merry men” who are dedicated to robbing from the rich and giving to the desperately poor.

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U-M Gilbert and Sullivan Society celebrates its 75th anniversary with pirates, policemen, and paleontologists

by christopherporter

UMGASS's 2022 production of The Pirates of Penzance

Left to right: Craig Rettew as The Pirate King and Matthew Grace as Major-General Stanley in costumes for UMGASS's 2022 production of The Pirates of Penzance. Photo courtesy of UMGASS.

With cat-like tread, a rollicking band of pirates will step upon the stage from December 8-11 as they have done about every four years since 1949 when the two-year-old University of Michigan Gilbert and Sullivan Society (UMGASS) gave its first performance of The Pirates of Penzance.

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Encore Theatre's “A Christmas Story: The Musical" sings the praises of the classic film

by christopherporter

The scene from A Christmas Story where the excited dad pulls the leg lamp out of the shipping box as the family looks on in confusion.

The musical version of A Christmas Story has a dogged loyalty to the 1983 movie’s script—but with good reason since it's a charming and funny childhood tale. Photo courtesy of Encore Theatre.

A stage musical based on a beloved film classic—like, say, A Christmas Story: The Musical, now being staged at Dexter’s Encore Theatre—can be a double-edged sword.