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EMU's "King Kong at Ninety: Visualization in the Art of Stop-Motion Animation" celebrates the creativity behind the film that helped launch the Creature Feature

by christopherporter

King Kong at Ninety exhibition image

While spending an hour-plus perusing Eastern Michigan University’s exhibit King Kong at Ninety: Visualization in the Art of Stop-Motion Animation, I was struck by how, in some ways, it’s probably harder for young film buffs to stumble upon the old classics.

Admittedly, nearly all movies that survived are available to us at any moment now, but that tsunami of choices also means viewers must specifically seek out a film like King Kong (1933) instead of merely tumbling out of bed before your parents get up on a Sunday morning, turning on the TV, and sampling that week’s “Creature Feature”—a genre largely spawned by the runaway blockbuster success of King Kong.

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The Ark’s Ann Arbor Folk Festival Makes Welcome Return to U-M’s Hill Auditorium

by strattonl

Ani DiFranco performs at the 46th annual Ann Arbor Folk Festival.

Ani DiFranco performs the closing set at the Ann Arbor Folk Festival. Photo by Lori Stratton.

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Open the Vaults: Tania El Khoury's multimedia installation “Cultural Exchange Rate” immerses you in the artist's family history

by christopherporter

Tania El Khoury's art installation "Cultural Exchange Rate," which is an L-shaped wall of vault boxes; a long desk is in front of the wall.

Tania El Khoury's Cultural Exchange Rate as shown in its October 2019 debut at SPIELART Das Theaterfestival in München. Photo by Judith Buss.

If you could unearth all the secrets of your family’s past, would you?

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"Are we not drawn onward to new erA" Encourages Understanding the Climate Crisis From an Unconventional Perspective

by strattonl

UMS' "Are we not drawn onward to new erA" addresses the climate crisis in unconventional ways.

UMS' Are we not drawn onward to new erA examines the possibility of undoing the damage people have done to earth in one night. Photo taken from UMS's Facebook page.

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“The Plastic Bag Store” Uses Art to Raise Awareness About The Pervasive Problem of Plastic Packaging

by strattonl

Brooklyn, New York artist Robin Frohardt at The Plastic Bag Store exhibit in Ann Arbor, Michigan

Brooklyn, New York artist Robin Frohardt employs humor, craft, and a critical lens to question our continual use of plastic packaging. Photo courtesy of UMS.

It’s an unnervingly perfect coincidence that when you emerge from the installation/play The Plastic Bag Store (TPBS) presented by University Musical Society (as part of its No Safety Net series), you see a cafeteria space with boxes of individually packaged snacks for sale on a rack.

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Selina Thompson's “salt: dispersed” is a powerful document of her monologue retracing the transatlantic slave route forced on her ancestors

by christopherporter

Writer and performer Selina Thompson sits on a stage in a white dress with a large rock of salt next to her.

Selina Thompson's monologue salt and its filmed adaptation salt: dispersed document her story of taking a cargo ship across the ocean to retrace the journey of her enslaved ancestors. Photo courtesy of UMS. 

In 2016, Selina Thompson, an interdisciplinary artist based in Birmingham, England, went on a journey to retrace the path of her ancestors. That path was that of the transatlantic slave trade.

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Fraught reunions with old friends are at the core of Penny Seat's "First Snow"

by christopherporter

The cast of Penny Seats's First Snow sit on stage steps in front of the play's set.

Reunited and it feels so weird: Nora (Celah Convis), Bob (Jonathan Jones), Natalie (Patrice Linman), Lisa (Josie Eli Herman), and Evan (Michael Alan Herman) are old high school buddies who reunite after a long time apart in Joseph Zettelmaier’s new play, First Snow, produced by The Penny Seats Theatre Company. Photo courtesy of Penny Seats.

The prospect of seeing friends from high school, after a years-long separation, always feels fraught. Will it be awkward? Will they judge you? Will you judge them? What will you talk about? Will you somehow ruin perfectly contained, long-packed-away memories?

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Encore Theatre's “A Christmas Story: The Musical" sings the praises of the classic film

by christopherporter

The scene from A Christmas Story where the excited dad pulls the leg lamp out of the shipping box as the family looks on in confusion.

The musical version of A Christmas Story has a dogged loyalty to the 1983 movie’s script—but with good reason since it's a charming and funny childhood tale. Photo courtesy of Encore Theatre.

A stage musical based on a beloved film classic—like, say, A Christmas Story: The Musical, now being staged at Dexter’s Encore Theatre—can be a double-edged sword. 

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Andrea Carlson's "Future Cache" exhibit at UMMA imagines decolonized landscapes for the native peoples violently removed from their land

by christopherporter

Andrea Carlson, Sky in the Morning Hours of "Binaakwiiwi-giizis 15, 1900", 2022, gouache on paper. Courtesy of the artist © Andrea Carlson.

Andrea Carlson, Sky in the Morning Hours of "Binaakwiiwi-giizis 15, 1900", 2022, gouache on paper. Courtesy of the artist © Andrea Carlson.

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​​"Conversations on Mortality" at 22 North looks to transcend the silence about the dying side of living

by christopherporter

Marta Carvajal, Blending With Nature, multimedia

Marta Carvajal, Blending With Nature, multimedia

Conversations on mortality are difficult, often avoided, and in America, they are traditionally taboo. The 22 North gallery in Ypsilanti welcomes the thought-provoking exhibit ​​Conversations on Mortality, which confronts our impermanence, the inevitability of death.