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Love Is All Around: An interview with curator Andrew Thompson

by christopherporter

Adrienne Lesperance painting

Being Seen by Adrienne Lesperance

Some art must be seen and experienced in person to get the full effects of its power. This is particularly true of the exhibit Love Has a Thousand Shapes at the Ann Arbor Art Center. Every piece in the show expresses a different aspect of love. Curator Andrew Thompson says that the inspiration came from a phenomenal experience he had in an independent study that he taught at Antioch College. “We read Virginia Woolf’s To the Lighthouse and looked at the artwork of Ann Hamilton,” who created art based on this story. “The character of Lily believes that love had a thousand shapes. She believes that the making of art is an act of love. This statement, this belief, served as the inspiration for the show.”

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Ann Pearlman's "Infidelity" shares true tales of generation-spanning marital betrayals

by christopherporter

Ann Pearlman and her book Infidelity

Certain topics are so intensely personal that people tend to shy away from discussing them, but sometimes they must be talked about; sharing stories can lead to understanding, healing, a new life.

Adultery, something that is often hidden under the proverbial rug, is one of those topics. But a recently re-released book by a local author explores this topic in prodigious detail and with great empathy. 

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Big, Tall & Fashionable: Michael Anthony Spearman blogs high-style ideas for everyday people

by christopherporter

Michael Anthony Spearman

Michael Anthony Spearman is The Big Fashion Guy.

As a blogger and stylist, Spearman writes his take on style trends and guides his clients on how to be dapper. And as a budding designer, he is aiming to start a fashion line for big and tall gentlemen who are in need of stylish choices.

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Phillip Crymble’s poetry collection "Not Even Laughter" offers more questions than answers

by christopherporter

 

Phillip Crymble and his book Not Even Laughter

The word “measured” would describe poet Phillip Crymble’s poetry collection Not Even Laughter well. This far-reaching collection embraces music, film, and places around the world, while also homing in on specific instants via careful wording. Crymble’s other interests make appearances in his poems, too: vinyl records, vintage audio equipment, travel, hockey, and others. It is the sort of collection in which you notice something new or pick up on something else each time you read.

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Bloody Good Times: Neighborhood Theatre Group's "Black Cat Cabaret"

by christopherporter

Neighborhood Theatre Group's Black Cat Cabaret

Music! Dance! Drama! And a wee bit of blood!

All that and more will feature in the Neighborhood Theatre Group's annual hit Halloween show, Black Cat Cabaret, which runs October 19 and 20 at Bona Sera Underground in Ypsilanti. Not appropriate for young children, Black Cat features live musical accompaniment by the NTG “Haunted” House Band, a cash bar, costume contest, and raffle. 

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Out of Chicago: Roscoe Mitchell and the Art Ensemble anchor the 22nd Edgefest

by christopherporter

Roscoe Mitchell

The theme for the 22nd annual Edgefest (Oct. 17-20) is “Chicago - OUT Kind of Town,” celebrating the city's rich legacy of avant-garde jazz and new music, which is strongly rooted in the vision of the Association for the Advancement of Creative Musicians (AACM). One of the first members of this collective, which formed in 1965, was saxophonist/multi-instrumentalist Roscoe Mitchell, who in 1969 spun off the Art Ensemble of Chicago (ACM) from AACM along with trumpeter Lester Bowie, bassist Malachi Favors, saxophonist Joseph Jarman, and percussionist Don Moye.

Mitchell and AACM musicians are guests at Edgefest this year -- along with numerous other Chicago musicians and likeminded explorers -- and their appearances are a launching point for an anniversary celebration of the Art Ensemble.

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A Halloween Treat From the Penny Seats: “Dr. Jekyll and Mr. Hyde” at WCC

by christopherporter

Dr. Jekyll and Mr. Hyde

In the summer of 2011, Lauren London, now general counsel at Eastern Michigan University, brought together a troupe of unpretentious and fun-loving thespians who created the Penny Seats Theatre Company. The idea was to offer theater tickets that were about the price of movie tickets, affordable for all, echoing the penny seats available to Elizabethans who came to shows at Shakespeare's Globe Theatre. 

After opening its first production at the bandshell in West Park, Penny Seats performed in assorted venues, outdoors and in, including a restaurant, a church, and the rehearsal room of a theater -- but never in a theater.  They struggled with imperfect acoustics and limited equipment, becoming more technically savvy each season. And each season, Penny Seats did more and better productions.  Now, they do four-show seasons that include summers in the park. 

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Open Book: Hip-hop MC and singer Dessa reveals her life and loves in "My Own Devices"

by christopherporter

Dessa

Dessa photo by Sam Gehrke.

On the song “5 Out of 6” from her latest album, Chime, Dessa raps:

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Sense of Place: Two books by U-M professors explore Jewish culture, arts, and community

by christopherporter

How the Other Half Looks and A Rich Brew book covers

People need a place beyond home and workspace. Community, this sense of “third place” and placemaking, is featured prominently in How the Other Half Looks: The Lower East Side and the Afterlives of Images by Sara Blair and A Rich Brew: How Cafes Created Modern Jewish Culture by Shachar M. Pinsker.

The authors, both professors at the University of Michigan, say that their books began at the Frankel Institute for Judaic Studies. Both were part of a fellowship named Jews in the City, which brought together scholars from a variety of disciplines and led to publications about topics such as Tel Aviv’s Old Cemetery, the Jewish Ghetto of Turin, and the Soviet Shtetl.  

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Grantstand: The Idle Moments Project celebrates the guitar artistry of Grant Green

by christopherporter

Grant Green's Idle Moments album cover

It's not an insult to say jazz guitarist Grant Green favored feel over technique. He didn't play double-time phrases or blaze with extended chords, instead favoring a languid, minimalist style that feels more like a blues singer's phrasing transferred to the fretboard. Green's single-line-focused playing was always lyrical, melodic, and funky, which is one of the reasons he was one of the most recorded musicians in the history of Blue Note Records.

Alex Anest, leader of the Ann Arbor Guitar Trio, became so enamored with Green's playing that he decided to learn the guitarist's 1965 album Idle Moments in its entirety, which he'll present on Friday, October 12 at Kerrytown Concert House with Gayelynn McKinney (drums), Eric Nachtrab (bass), Janelle Reichman (tenor sax), Alexis Lombre (piano), and Peyton Miller (vibraphone).