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EMU's "King Kong at Ninety: Visualization in the Art of Stop-Motion Animation" celebrates the creativity behind the film that helped launch the Creature Feature

by christopherporter

King Kong at Ninety exhibition image

While spending an hour-plus perusing Eastern Michigan University’s exhibit King Kong at Ninety: Visualization in the Art of Stop-Motion Animation, I was struck by how, in some ways, it’s probably harder for young film buffs to stumble upon the old classics.

Admittedly, nearly all movies that survived are available to us at any moment now, but that tsunami of choices also means viewers must specifically seek out a film like King Kong (1933) instead of merely tumbling out of bed before your parents get up on a Sunday morning, turning on the TV, and sampling that week’s “Creature Feature”—a genre largely spawned by the runaway blockbuster success of King Kong.

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"Are we not drawn onward to new erA" Encourages Understanding the Climate Crisis From an Unconventional Perspective

by strattonl

UMS' "Are we not drawn onward to new erA" addresses the climate crisis in unconventional ways.

UMS' Are we not drawn onward to new erA examines the possibility of undoing the damage people have done to earth in one night. Photo taken from UMS's Facebook page.

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“The Plastic Bag Store” Uses Art to Raise Awareness About The Pervasive Problem of Plastic Packaging

by strattonl

Brooklyn, New York artist Robin Frohardt at The Plastic Bag Store exhibit in Ann Arbor, Michigan

Brooklyn, New York artist Robin Frohardt employs humor, craft, and a critical lens to question our continual use of plastic packaging. Photo courtesy of UMS.

It’s an unnervingly perfect coincidence that when you emerge from the installation/play The Plastic Bag Store (TPBS) presented by University Musical Society (as part of its No Safety Net series), you see a cafeteria space with boxes of individually packaged snacks for sale on a rack.

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Fraught reunions with old friends are at the core of Penny Seat's "First Snow"

by christopherporter

The cast of Penny Seats's First Snow sit on stage steps in front of the play's set.

Reunited and it feels so weird: Nora (Celah Convis), Bob (Jonathan Jones), Natalie (Patrice Linman), Lisa (Josie Eli Herman), and Evan (Michael Alan Herman) are old high school buddies who reunite after a long time apart in Joseph Zettelmaier’s new play, First Snow, produced by The Penny Seats Theatre Company. Photo courtesy of Penny Seats.

The prospect of seeing friends from high school, after a years-long separation, always feels fraught. Will it be awkward? Will they judge you? Will you judge them? What will you talk about? Will you somehow ruin perfectly contained, long-packed-away memories?

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Encore Theatre's “A Christmas Story: The Musical" sings the praises of the classic film

by christopherporter

The scene from A Christmas Story where the excited dad pulls the leg lamp out of the shipping box as the family looks on in confusion.

The musical version of A Christmas Story has a dogged loyalty to the 1983 movie’s script—but with good reason since it's a charming and funny childhood tale. Photo courtesy of Encore Theatre.

A stage musical based on a beloved film classic—like, say, A Christmas Story: The Musical, now being staged at Dexter’s Encore Theatre—can be a double-edged sword. 

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Jeff Daniels' “Pickleball” serves up intense characters and a faulty narrative

by strattonl

Jonathan West and Kate Thomsen in Pickleball at The Purple Rose Theatre Company

Jonathan West and Kate Thomsen star in The Purple Rose Theatre Company's production of Jeff Daniels' Pickleball. Photo courtesy of The Purple Rose Theatre Company.

When I was 8, I performed at a dance recital with my tap classmates. As the girls around me on stage made a few mistakes, I glared at them (according to my amused parents), furious that they were ruining my moment.

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The musical "Hands on a Hardbody" explores class empathy, big personalities, and personal connections

by christopherporter

Actors Alexander Hernandez and Leah Gittlen stand side by side with one hand each placed on a red truck inin Penny Seat Theatre's production of Hards on a Hardbody

Alexander Hernandez as Jesus and Leah Gittlen as Heather in Penny Seats Theatre's production of Hands on a Hardbody. Photo courtesy of Penny Seats Theatre.

Some narrative setups just prove too irresistible to pass up.

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Let's Go Boo: Ben Mathis-Lilley’s witty "The Hot Seat" looks at U-M's 2021 football season from a fan's perspective

by christopherporter

Ben Mathis-Lilley and his book The Hot Seat: A Year of Outrage, Pride, and Occasional Games of College Football

Ben Mathis-Lilley author photo by Christopher Beattie.

One of my favorite parts of Slate senior writer (and rabid longtime Michigan fan) Ben Mathis-Lilley’s new book, The Hot Seat: A Year of Outrage, Pride, and Occasional Games of College Football is a list of fan site comments during U-M’s second game of the 2021 season.

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An Ode for the Anthem: Mark Clague’s “O Say Can You Hear? A Cultural Biography of the Star-Spangled Banner”

by christopherporter

Mark Clague and his book “O Say Can You Hear? A Cultural Biography of The Star Spangled Banner”

It seemed a little on the nose to be reading U-M associate professor Mark Clague’s new book, O Say Can You Hear? A Cultural Biography of the Star-Spangled Banner, on the 4th of July—at U-M’s Camp Michigania, no less—but that’s nonetheless when and where I absorbed enough national anthem-themed information to sweep an entire Jeopardy! category.

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Wherever You Are: Geoff Sobelle’s experimental theater piece explores what it means to be "Home"

by christopherporter

Full stage of actors on stage in a production of Home

Photo courtesy of UMS

Among the many, many things that have changed over the last two years is our sense of “home.”