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UMS Concert Program, February 28,1917: Choral Union Series -- Harold Bauer

UMS Concert Program, February 28,1917: Choral Union Series -- Harold Bauer image UMS Concert Program, February 28,1917: Choral Union Series -- Harold Bauer image
Day
28
Month
February
Year
1917
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Rights Held By
University Musical Society
OCR Text

Season: 1916-1917
Concert: FIFTH
Complete Series: CCCI
Hill Auditorium

F. W. KELSEY. President A. A. STANLEY, Director
111 8=1 ii
THIRTY-EIGHTH SEASON FIFTH CONCERT
No. CCCI COMPLETE SERIES
MUD Wk
AND
Sonata, A major ......
Allegro
Scherzo
Adagio--Allegro molto
mr. bauer and casals
Scenes from Childhood ....
Beethoven (1770-1827)
Schumann (1810-1856).
From Foreign Lands Funny Story Blind Man's Buff Entreating Child Perfect Contentment Important Event Dreaming (Traumerei)
At the Fireside The Rocking Horse Almost too serious Frightening Child falling asleep The Poet speaks
Ballade, A flat . Chopin (1810-1849).
MR. BAUER
Suite, G major.........Bach (1685-1750).
Prelude Sarabande
Allemande Minuet
Courante Gigue
MR. CASALS
Sonata, A minor, Op. 36.....Grieg (1843-1907).
MR. BAUER AND MR. CASALS THE PIANO USED IS A MASON AND HAMLIN
THE NEXT CONCERT IN THIS SERIES WILL BE THE
Traffic Regulation.--By order of the Police Department, on the nights of the Choral Union Concerts, vehicles of all kinds will be prohibited on North University Avenue between Thayer and Ingalls Streets; Taxi-cabs must park on the West side of Thayer Street, facing South between North University Avenue and Washington Street; Private autos may be Parked on Ingalls and Washington Streets. Persons on foot are requested to refrain from leaving from the Taxi-cab entrance at the Thayer Street side of the auditorium.
Special Interurban Cars.--East for Detroit and West for Jackson and intervening points will leave from in front of the Auditorium immediately after the concert.
Hereafter special cars will leave the Jackson Station at 6:15 (central time) stopping at intervening points and reaching the auditorium at 7 150. Special cars will also leave Ypsilanti at 7:15 (central time) reaching the auditorium at 7:45.
Lost Articles should be enquired for at the office of Shirley W. Smith, Secretary of the University, in University Hall, where articles found should also be left.
Twenty Fourth Annual
MAY FESTIVAL
HILL AUDITORIUM ANN ARBOR, MICH. May 2, 3, 4, 5, 1917
FIRST CONCERT Wednesday Evening
Soloist: Mme. Louise Homer, Contralto
The Chicago Symphony Orchestra
Conductor: Mr. Frederick Stock
Overture--"Othello," Opus, 93........Dvorak
Aria--"Che Faro Senza Euridice"......Gluck
Mme. Louise Homer
Symphony No. 3, F major, Op. 00.....Brahms
Allegor con brio; Andante; Poco allegretto; Allegro
Intermission
Aria--"Nobil Signor," from "The Prophet,"
.............................. Meyerbeer
Mme. Homer
A Dance Rhapsody....................Delius
"II est doux" from "Herodiade".....Massenet
Symphonic Poem--"Finlandia," Opus 26, No. 7 ...........................Sibelius
SECOND CONCERT Thursday Evening
"The Dream of Gerontius"..............Blgar
? CAST
Soul of Gerontius......Mr. Morgan Kingston
Angel .................Miss Christine Miller
Angel of the Agony___Mr. Gustaf Holmquist
Demons, Angelicals, Souls................
............The University Choral Union
The Chicago Symphony Orchestra
Mr. Albert A. Stanley, Conductor
Mr. Earl V. Moore, Organist
THIRD CONCERT Friday Afternoon
Soloist: Miss Ethel Leginska, Pianist Children's Chorus
The Chicago Symphony Orchestra
Mr. Albert A. Stanley and Mr. Frederick
Stock; Conductors
National Anthem
"The Walrus and The Carpenter"... .Fletcher
Symphony C major, "Jupiter" (Kochel 551)
................................. Mozart
Allegro vivace; Andante cantabile; Menuetto; Molto allegro
Concerto for Pianoforte, No. 4, D minor,
Opus 70 ......................Rubinstein
Moderato; moderato assai; Allegro assai
FOURTH CONCERT Friday Evening
Soloist: Mme. Amelita Galli-Curd, Soprano
The Chicago Symphony Orchestra Conductor: Mr. Frederick Stock
Overture--"Fingal's Cave" ......Mendelssohn
Aria from "The Magic Flute".........Mozart
Mme. Amelita Galli-Curci
Symphony No. 3, E major.............Alfven
Allegro con brio; Andante; Presto; Allegro con brio
Intermission Aria--"Caro Nome," from "Rigoletto".. Verdi
Mme. Galli-Curci Molly on the Shore )
Mock Morris ...............Grainger
Shepherd's Hey )
Aria---"Bell Song," from "Lakme"... .Delibes
Mme. Galli-Curci
"Siegfried's Rhine Journey," from "Die
Gotterdammerung" ..............Wagner
FIFTH CONCERT Saturday Afternoon
Soloist: Richard Keys Biggs, Organist
Sonata in G minor.....................Piutti
Allegro Moderato Allegro pesante
Andante grazioso;
Finale Meditation from 1st Symphony........Widor
Scherzo .............................Dethier
Fantasia in C minor....................Bach
Chant de Printemps...................Bonnet
Elfes.................................Bonnet
Liebestod from "Tristan" ............Wagner
Sakuntala, Overture ...............Goldmark
SIXTH CONCERT
Saturday Evening
"Aida" (Opera in Four Acts)..........Verdi
CAST
Aida ............................Maude Fay
Amneris ..............Margarete Matzenauer
High Priestess.............---------------------
Radames ................Giovonni Martinelli
Amonasro ................Giuseppe De Luca
Ramphis ............William Wade Hinshaw
The King .................Gustaf Holmquist
The Messenger ............ ---------------------
Priests, Priestesses, Soldiers, Ministers, and Captains, The People, Slave Prisoners..
............The University Choral Union
The Chicago Symphony Orchestra Conductor: Mr. Albert A. Stanley
THE ANN ARBOR PRESS

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