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UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --

UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - 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Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image UMS Concert Program, Tuesday Dec. 05, 1995 To Jan. 11, 1996: University Musical Society: 1995-1996 Fall/winter - Tuesday Dec. 05, 1995 To Jan. 11, 1996 --  image
Day
5
Month
December
Year
1995
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Rights Held By
University Musical Society
OCR Text

Season: 1995-1996 Fall/Winter
University Of Michigan, Ann Arbor

University Musical Society
of the University of Michigan Ann Arbor
1995-1006 Fall Season
Dear UMS Patrons
Thank you very much for attending this event and for supporting the work of the University Musical Society. By the time this 199596 season comes to a close next spring, the UMS will have brought to the community per?formances featuring many of the world's finest artists and ensembles. In addition, the UMS will have sponsored more than 100 educational events aimed at enhancing the community's understand?ing and appreciation of the performing arts. Your support makes all of this possible, and we are grateful to you.
My colleagues throughout the country are continually amazed at how a Midwest community of 110,000 can support the number and quality of performances that the UMS brings to Ann Arbor. They want to know how we do it, and I'm proud to tell them. Here's what I say:
O First, and most important, the people in Ann Arbor and the surrounding region provide great support for what we do by attending events in large numbers and by providing generous financial support through gifts to the UMS. And, according to our artists, they are among the most informed, engaged and appreciative audiences in the country.
O It has been the tradition of the University Musical Society since its founding in 1879 to bring the greatest artists in the world to Ann Arbor, and that tradition continues today. Our patrons expect the best, and that's what we seek to offer them.
O Our special relationship with one of the country's leading educational institutions, the University of Michigan, has allowed us to maintain a level of independence which, in turn, affords us the ability to be creative, bold and entrepreneurial in bringing the best to Ann Arbor. While the UMS is proudly affiliated with the University of Michigan and is housed on the Ann Arbor campus, UMS is a separate not-for-profit organization which supports itself from ticket sales, other earned income, grants, and contributions.
O The quality of our concert halls means that artists love to perform here and are eager to accept return engagements. Where else in the U.S. can Cecilia Bartoli perform a recital before 4,300 people and know that her pianissimos can be heard unamplified by everyone
O Our talented, diverse, and dedicated Board of Directors drawn from both the University and the regional community provides outstanding leadership for the UMS. The 200-voice UMS Choral Union, 55-member Advisory Committee, 275-member usher corps, and hundreds of other volunteers and interns contribute thousands of hours to die UMS each year and provide critical services that we could not afford otherwise.
O Finally, I've got a wonderful group of hard-working staff colleagues who love the Musical Society and love their work. Bringing the best to you brings out the best in them.
Thanks for coming, and let me hear from you if you have any suggestions, complaints, etc. Look for me in the lobby or give me a call at 313.747.1174.
Sincerely,
Kenneth C. Fischer Executive Director
Thank You Corporate Underwriters
On behalf of the University Musical Society, I am privileged to recognize the companies whose support of UMS though their major corporate underwriting reflects their position as leaders in the Southeastern Michigan business com?munity.
Their generous support provides a solid base from which we are better able to present outstanding performances for the varied audiences of this part of the state.
We are proud to be associated with these companies. Their significant participation in our underwriting program strengthens the increasingly important partnership between business and the arts. We thank these community leaders for this vote of confidence in the University Musical Society.
Kenneth C. Fischer Executive Director University Musical Society
James W. Anderson, Jr. President, The Anderson Associates Realtors "The arts represent the bountiful fruits of our many rich
cultures, which should be shared with everyone in our community, especially our youth. The UMS is to be commend?ed for the wealth of diverse talent they bring to us each year. We arc pleased to support their significant efforts."
Howard S. Holmes President, Chelsea Milling Company "The Ann Arbor area is very fortu?nate to have the
most enjoyable and outstanding musi?cal entertainment made available by the efTorts of the University Musical Society. I am happy to do my part to keep this activity alive."
Chelsea Milling Company
Douglas D. Freeth President, First of America Bank-Ann Arbor "We are proud to be a part of this major cultural group
in our community which perpetuates wonderful events not only for Ann Arbor but for all of Michigan to enjoy."
O first?f
AMRICA
Carl A. Brauer, Jr.
Oioner,
Brauer Investment
Company
"Music is a gift from
God to enrich our
lives. Therefore, I
enthusiastically support the University Musical Society in bringing great music to our community."
Joseph Curtin and Greg Alf
Owners, Curtin &Alj "Curtin & Airs support of the University Musical Society is both a
privilege and an honor. Together we share in the joy of bringing the fine arts to our lovely city and in the pride of seeing Ann Arbor's cultural oppor?tunities set new standards of excellence across the land."V1B "V.
L Thomas Conlin Chairman of the Board and Chief Executive Officer, Conlin-Faber Travel The University Musical Societv has
always done an outstanding job of bringing a wide variety of cultural events to Ann Arbor. We are proud to support an organization that continu?ally displays such a commitment to excellence."
Conlin -Faber Travel
David G. Loesel President,
T.M.L. Ventures, Inc "Cafe Marie's support of the University Musical Society Youth
Programs is an honor and a privilege. Together we will enrich and empower our community's youth to carry for?ward into future generations this fine tradition of artistic talents."
Donald M. Vuchetich
President,
Detroit & Canada
Tunnel Corporation
The Detroit and
Canada Tunnel
Corporation is proud
to be a partner with the University of Michigan Musical Society in tlieir success of bringing such high quality performances to the Southeast Michigan region."
Alex Trotman Chairman, Chief Executive Officer, Ford Motor Company "Ford takes particu?lar pride in our longstanding associ-
ation with the University Musical Society, its concerts, and the educational programs that contribute so much to Southeastern Michigan."
William E. Odom
Chairman,
Ford Motor Credit
Company
The people of
Ford Credit are very
proud of our con-
tinning association with the University Musical Society. The Society's long-established commitment to Artistic Excellence not only benefits all of Southeast Michigan, but more impor?tantly, the countless numbers of students who have been culturally enriched by the Society's impressive accomplishments."
John Psarouthakis,
Ph.D.
Chairman and Chief
Executive Officer,
JPEinc.
"Our community is
enriched bv the
University Musical Society. We warmly support the cultural events it brings to our area."
John E. Lobbia
Chairman and Chief Executive Officer, Detroit Edison The University Musical Society is one of the organi-
zations that make the Ann Arbor com?munity a world-renowned center for the arts. The entire community shares in the countless benefits of the excel?lence of these programs."
DETROIT EDISOt
Robert J. Delonis Chairman and Chief Executive Officer, Great Lakes Bancorp "As a long-standing member of the Ann Arbor commu-
nit), Great Lakes Bancorp and the University Musical Society share tradition and pride in performance. We're pleased to continue with support of Ann Arbor's finest art showcase."
Mark K. Rosenfeld President,
Jacobson Stores Inc. "We are pleased to share a pleasant relationship with the University
Musical Society. Business and the arts have a natural affinity for community commitment."
Jacobson's
Ronald Weisor
Chairman and Chief Executive Officer, McKinley Associates, Inc.
"McKinley Associates is proud
to support the University Musical Society and the cultural contribution it makes to the community."
Frank A. Olson, Chairman and CEO The Hertz Corporation "Hertz, as a global company, supports the University of Michigan Musical
Society mission of providing program?ming that represents and involves diverse cultural groups thereby fostering greater understanding and appreciation of these cultures."
Hertz
Dennis Serras President, Mainstreet Ventures, Inc. "As restaurant and catering service owners, we consider ourselves fortunate
that our business provides so many opportunities for supporting the University Musical Society and its con?tinuing success in bringing high level talent to the Ann Arbor community."
Thomas B. McMullen President, Thomas B. McMullen Co., Inc. "I used to feel that a U of M Notre Dame football ticket
was the best ticket in Ann Arbor. Not anymore. The UMS provides the best in educational entertainment."
McMULLEN
Joe E. O'Neal
Resident,
O'Neal Construction "A commitment to quality is the main reason we are a proud supporter of
the University Musical Society's efforts to bring the finest artists and special events to our community."
itfneal
construction inc
Iva M.Wilson
President,
Philips Display
Components
Company
"Philips Display
Components
Company is proud to support the University Musical Society and the artistic value it adds to the community."
Sue S. Lee
President, Regenty Travel Agency, Inc. "It is our pleasure to work with such an outstanding
organization as the Musical Society at the University of Michigan."
P?GEN(Y TRAVELING
Larry McPherson President and COO, NSK Corporation "NSK Corporation is gralcful for the opportunity to contribute to the
University Musical Society. While we've only been in the Ann Arbor area for the past 82 years, and the UMS has been here for 116, we can still appreciate the history they have with the city -and we are glad to be part of that history."
NSK
NSK CORPORATION
George H. Cress Chairman, President, and Chief Executive Officer, Society Bank, Michigan The University Musical Society has
always done an outstanding job oi bringing a wide variety of cultural events to Ann Arbor. We are proud to support an organization that continu?ally displays such a commitment to excellence."
Society
Ronald M. Cresswcll, Ph.D. Vice President and Chairman, Pharma ceu tical Division, Warner iMmbert Company
"Warner Lambert is very proud to be associated with the University Musical Society and is grateful for the cultural enrichment it brings to our Parke-Davis Research Division employees in Ann Arbor."
Michael Staebler Managing Partner, Pepper, Hamilton & Scheetz
"Pepper, Hamilton and Scheetz con?gratulates the
University Musical Society for providing quality performances in music, dance and theater to the diverse community that makes up Southeastern Michigan. It is our pleasure to be among your supporters."
PEPPER, HAMILTON & SCHEETZ
ATTCRNETS AT LAW
Edward Surovell
President,
The Edward Suravell
Co.Realtors
"Our support of
the University
Musical Society is
based on the belief that the quality of the arts in the community reflects the quaiit)' of life in that community."
DWARD ROVELL
) REALTORS
Dr. James R. Irwin Chairman and CEO, The Irwin Group of Companies President, Wolverine Temporary Staffing Services
"Wolverine Staffing began its support of the University Musical Society in 1984, believing that a commitment to such high quality is good for all con?cerned. We extend our best wishes to UMS as it continues to culturally enrich the people of our community."
The University Musical Society of the university of Michigan
Board of Directors Herbert Amster
President Norman G. Herbert
Vice-President Carol Shalita Smokier
Secretary Richard Rogel
Treasurer
Gail Davis Barnes Maurice S. Binkow Paul C. Boylan Carl A. Braucr.Jr. LelitiaJ. Byrd Leon S. Cohan Jon Cosovich Ronald M. Cresswcll
James J. Dudcrstadt Walter M. Harrison Kay Hum
Thomas E. Kaupcr F. Bruce Kulp Rebecca McGowan Joe O'Neal George I. Shirley John O. Simpson Herbert E. Sloan Edward D. Surovell Eileen Lappin Weiser Marina v. N. Whitman Iva Wilson
Gail W. Rector President Emeritus
UMS Senate Robert G. Aldrich Richard S. Berger Allen P. Britton Douglas D. Crary John D'Arms Robbcn W. Fleming Marian H. Hatcher Peter N. Heydon Howard Holmes David B. Kennedy Richard L. Kennedy Thomas C. Kinnear Patrick I-ong Judyih Maugh
Paul W. McCracken Alan G. Mertcn John D. Paul Wilbur K. Pierpont John Psarouthakis Gail W. Rector John W. Reed Ann Schriber Daniel H. Schurz Harold T. Shapiro Lois U. Stegeman E. Thurslon Thieme Jerry A. Weisbach Gilbert Whitaker
Staff
Kenneth Fischer Executive Director
Catherine Arcure Edith Leavis Bookstein Betty Byrne Yoshi Campbell Dorothy Chang Sally A. dishing David B. Devore Erika Fischer Susan Fitzpatrick Rachel 1 i 'II.ukI Greg Former Adam Glaser Michael L. Gowing Philip Guire Jessie Halladay Elizabeth Jahn John B. Kcnnard.Jr. Michael J. Kondziolka
Ronald J. Reid R. Scott Russell Thomas Sheets Helen Siedel Anne Griffin Sloan Jane Stanton Lori Swanson
Work StudyInterns Steve Chavez Timothy Christie Grace Eng Jessica Flint Naomi Kornilakis Tansy Rodd Ritu Tutcja
Donald Bryant
Conductor Emeritus
The University Musical Society is an Equal Opportunity Employer and provides programs and services without regard to race, color, religion, national origin, age, sex, sexual orientation, or handicap.
The University Musical Society is a member of the International Society for the Performing Arts, Association of Performing Arts Presenters, Chamber Music America, Arts Action Alliance, and Washtenaw Council for the Arts.
1995-96 Advisory Committee Susan B. Ullrich, Chair Elizabeth Yhousc, Vice-Chair Kathleen Beck Maly, Secretary Peter H. deLoof, Treasurer
Gregg Alf Paulett Banks Milli Baranowski Janice Stevens Botsford Jeannine Buchanan Letitia Byrd
Betty Byrne, Staff IJason Pat Chatas Chen Oi Chin-Hsieh Phil Cole Peter deLoof Rosanne Duncan H. Michael Endres Don Faber Penny Fischer Barbara Gelehrter Bcverley Geltner Margo Halsted Esther Hcitler Deborah B. Hildebrandt Kathleen Treciak-Hill Matthew Hoffmann Maureen Isaac Mar cy Jennings Darrin Johnson
Barbara Kahn Merc)1 Knslr Steve Kasle Heidi Kerst Nat Lacy Maxinc Larrouy Barbara Lcvitan Doni Lystra Kathleen Beck Maly I toward Markel Margaret McKinley Clyde Melzger Ronald G. Miller I-cn Niehoff Karen Koykka O'Neal Marysia Ostafin Wendy Palms leva Rasmussen Maya Savarino Janet Shatusky Aliza Shcvrin Shicla Silver Rita Simpson Ellen Stross James Telfer, M.D. Susan B. Ullrich Dody Viola Jerry Weidenbach Jane Wilkinson Elizabeth Yhouse
The University Musical Society is an equal opportunityaffirmative action institution. The University Musical Society is supported by the Michigan Council for Arts and Cultural Affairs, the National Endowment for the Arts, and Arts Midwest members and friends in partnership with the National Endowment for the Arts.
General Information
University Musical Society Auditoria Directory & Information
Coat Rooms
Hill Auditorium: Coat rooms arc located on the east and
west sides of the main lobby and are open only during the
winter months.
Rackham Auditorium: Coat rooms are located on each side
of the main lobby.
Power Center: Lockers are available on both levels for a
minimal charge. Free self-serve coat racks may be found on
both levels.
Michigan Theater: Coat check is available in the lobby.
Drinking Fountains
Hill Auditorium: Drinking fountains are located throughout
the main floor lobby, as well as on the east and west sides of
the first and second balcony lobbies.
Rackham Auditorium: Drinking fountains are located at the
sides of the inner lobby.
Power Center: Drinking fountains are located on the north
side of the main lobby and on the lower level, next to the
restrooms.
Michigan Theater: Drinking fountains are located in the
center of the main floor lobby.
Handicapped Facilities
All auditoria have barrier-free entrances. Wheelchair loca?tions are available on the main floor. Ushers are available for assistance.
Lost and Found
Call the Musical Society Box Office at 3 13.764.2538.
Parking
Parking is available in the Tally Hall, Church Street, Maynard Street, Thayer Street, and Fletcher Street structures for a minimal fee. Limited street parking is also available. Please allow enough time to park before the performance begins. Free reserved parking is available to members at the Guarantor, Leader, Concertmaster, and Bravo Society levels.
Public Telephones
Hill Auditorium: A wheelchair-accessible public telephone is
located at the west side of the outer lobby.
Rackham Auditorium: Pay telephones are located on each
side of the main lobby. A campus phone is located on the
east side of the main lobby.
Power Center: Pay phones are available in the ticket office
lobby.
Michigan Theater: Pay phones are located in the lobby.
Refreshments
Refreshments are served in the lobby during intermissions of events in the Power Center for the Performing Arts, and are available in the Michigan Theater. Refreshments are not allowed in the seating areas.
Restrooms
Hill Auditorium: Men's rooms are located on the cast side of the main lobby and the west side of the second balcony lobby. Women's rooms are located on the west side of the main lobby and the east side of the first balcony lobby. Rackham Auditorium: Men's room is located on the east side of the main lobby. Women's room is located on the west side of the main lobby.
Power Center: Men's and women's rooms are located on the south side of the lower level. A wheelchair-accessible restroom is located on the north side of the main lobby and off the Green Room. A men's room is located on the south side of the balcony level. A women's room is located on the north side of the balcony level.
Michigan Theater: Men's and women's restrooms are located in the lobby on the mezzanine. Mobility-impaired accessible restrooms are located on the main floor off of aisle one.
Smoking Areas
University of Michigan policy forbids smoking in any public area, including the lobbies and restrooms.
Tours
Guided lours of the auditoria are available to groups by advance appointment only. Call 313.763.3100 for details.
UMSMember Information Table
A wealth of information about events, the UMS, restaurants, etc. is available at the information table in the lobby of each auditorium. UMS volunteers can assist you with questions and requests. The information table is open thirty minutes before each concert and during intermission.
Concert Guidelines
To make concertgoing a more convenient and pleasurable experience for all patrons, the Musical Society has implemented the following policies and practices:
Starting Time for Concerts The Musical Society will make every attempt to begin its performances on time. Please allow ample time for parking. Ushers will seat latecomers at a predetermined time in the program so as not to disturb performers or other patrons.
Children We welcome children, but very young chil?dren can be disruptive to a performance. Children should be able to sit quietly in their own seats through?out a performance. Children unable to do so, along with the adult accompanying them, may be asked by an usher to leave the auditorium. Please use discretion in choosing to bring a child. Remember, everyone must have a ticket, regardless of age.
A Modern Distraction Please turn off or suppress electronic beeping and chiming digital watches or pagers during performances.
Cameras and Recorders Cameras and recording devices are strictly prohibited in the auditoria.
Odds and Ends A silent auditorium with an expec?tant and sensitive audience creates the setting for an enriching musical experience. To that desired end, performers and patrons alike will benefit from the absence of talking, loud whispers, rustling of pro?gram pages, foot tapping, large hats (that obscure a view of the stage), and strong perfume or cologne (to which some are allergic).
Ticket Services
Phone Orders and Information
University Musical Society Box Office
Burton Memorial Tower
Ann Arbor, MI 48109-1270
on the University of Michigan campus
3i3.764.2538
From outside the 313. area code, call toll-free
1.8OO.221.1229
Weekdays 10 a.m. to 6 p.m. Saturday 10 a.m. to 1 p.m.
Fax Orders 313.747.1171
Visit Our Box Office in Person At Burton Tower ticket office on the University of Michigan campus. Performance hall box offices are open 90 minutes before the performance time.
Gift Certificates Tickets make great gifts for any occasion. The University Musical Society offers gift certificates available in any amount.
Returns If you are unable to attend a concert for which you have purchased tickets, you may turn in your tickets up to 15 minutes before curtain time. You will be given a receipt for an income tax deduc?tion as refunds are not available. Please call 313.764.2538, 1 o a.m. to 6 p.m. Monday Friday and 10 a.m. to 1 p.m. Saturday.
University Musical Society
of the University of Michigan
Now in its 117th season, the University Musical Society ranks as one of the oldest and most highly-regarded performing arts presenters in the country.
The Musical Society began in 1879 when a group of singers from Ann Arbor churches gathered together to study and perform the choruses from Handel's Messiah under the leadership of Professor Henry Simmons Frieze and Professor Calvin B. Cady. The group soon became known as the Choral Union and gave its first concert in December 1879. This tradition continues today. The UMS Choral Union performs diis beloved oratorio each December.
The Choral Union led to the formation in 1880 of the University Musical Society whose name was derived from the fact that many members were affili?ated with the University of Michigan. Professor Frieze, who at one time served as acting president of the University, became the first president of the Society. The Society comprised the Choral Union and a concert series that featured local and visiting artists and ensembles. Today, the Choral Union refers not only to the chorus but the Musical Society's acclaimed ten-concert series in Hill Auditorium. Through the Chamber Arts Series, Choral Union Series, Jazz Directions, World Tour, and Moving Truths Series, the Musical Society now hosts over 60 concerts and more than 100 educational events each season featuring the world's finest dance companies,
opera, theater, popular attractions, and presentations from diverse cultures. The University Musical Society has flourished these 117 years with the support of a generous musicand arts-loving community, which has gathered in Hill and Rackham Auditoria, Power Center, and The Michigan Theater to experience the artistry of such outstanding talents as Leonard Bernstein, the Berlin and Vienna Philharmonic Orchestras, Sweet Honey in the Rock, the Martha Graham Dance Company, Enrico Caruso, Jessye Norman, James Levine, the Philadelphia Orchestra, Urban Bush Women, Benny Goodman, Andres Segovia, The Stratford Festival, The Beaux Arts Trio, Cecilia Bartoli, and the Chicago Symphony Orchestra.
Under the leadership of only five directors in its history, die Musical Society has built a reputation of quality and tradition that is maintained and strengdi-ened through educational endeavors, commissioning of new works, programs for young people, artists' residencies such as the Martha Graham Centenary Festival and the Society Bank Cleveland Orchestra Weekend, and through other collaborative projects.
While it is proudly affiliated with the University of Michigan, is housed on the Ann Arbor campus, and collaborates regularly with many University units, the Musical Society is a separate, not-for-profit organization, which supports itself from ticket sales, corporate and individual contributions, foundation and government grants, and endowment income.
UMS Choral Union
Thomas Sheets, conductor
The University Musical Society Choral Union has performed throughout its 117-year history with many of the world's distinguished orchestras and conductors.
In recent years, the chorus has sung under the direction of Neemejarvi, Kurt Masur, Eugene Ormandy, Robert Shaw, Igor Stravinsky, Andre Previn, Michael Tilson-Thomas, Seiji Ozawa, Robert Spano and David Zinman in performances with the Detroit Smphony Orchestra, the Philadelphia Orchestra, the Los Angeles Philharmonic, the Boston Symphony Orchestra, the Orchestra of St. Luke's and other noted ensembles.
Based in Ann Arbor, under the aegis of the University Musical Society of the University of Michigan, the 180-voice Choral Union remains best known for its annual performances of Handel's Messiah each December. Two years ago, the Choral Union further enriched that tradition through its appointment as resident large chorus of the Detroit Symphony Orchestra. In January 1994 the Choral Union collaborated with Maestro Jar vi and the DSO in the chorus' first major commercial recording, Tchaikowsky's Snow Maiden, released by Chandos Records in October of that year. This past season, the ensemble joined forces with the DSO for sub?scription performances of Ravel's Daphnis el Chloe and Mahler's Symphony No. 2 (Resurrection). In ig95, the Choral Union established an artistic associ?ation with the Toledo Symphony, inaugurating the new partnership with a performance of Britten's War Requiem under the baton of Maestro Andrew Massey.
The long choral tradition of the University Musical Society reaches back to 1879, when a group of local church choir members and other interested singers came together to sing choruses from Handel's Messiah, an event that signaled the birth of the University Musical Society. Participation in the Choral Union remains open to all by audition. Representing a mixture of townspeople, students and faculty, members of the Choral Union share one common passion a love of the choral art.
Hill Auditorium
Completed in 1913, this renowned concert hall was inaugurated at the 20th Annual Ann Arbor May Festival and has since been home to thousands of University Musical Society concerts, including the annual Choral Union Series, through?out its distinguished 82-year history.
Former U-M regent Arthur Hill saw the need at tile University for a suitable auditorium for holding lectures, concerts, and other university gatherings. Mill bequested $200,000 for construction of the hall, and Charles Sink, then UMS president, raised an additional $150,000.
Upon entering the hall, concertgoers are greeted by the gilded organ pipes of the Frieze Memorial Organ above the stage. UMS obtained this organ in 1894 from the Chicago Colombian Exposition and installed it in old University Hall (which stood behind present Angell Hall). The organ was moved to Hill Auditorium for the 1913 May Festival. Over the decades, the organ pipes have undergone many changes in appearance, but were restored to their original stenciling, coloring, and layout in 1986.
Currently, Hill Auditorium is part of the U-M's capital campaign, the Campaign for Michigan. Renovation plans for Hill Auditorium have been developed by Albert Kahn and Associates to include elevators, green rooms, expanded bathroom facilities, air conditioning, artists' dressing rooms, and many other necessary improvements and patron conveniences.
Rackham Auditorium
For over 50 years, this intimate and unique con?cert hall has been the setting for hundreds of world-acclaimed chamber music ensembles pre?sented by the University Musical Society. Before 1941, chamber music concerts in Ann Arbor were few and irregular. That changed dramatically, however, when the Horace H. Rackham School of Graduate Studies came into being through the generosity of Horace H. and Mary A. Rackham.
The Rackham Building's semi-circular auditorium, with its intimacy, beauty, and fine acoustics, was quickly recognized as the ideal venue for chamber music. The Musical Society realized this potential and pre?sented its first Chamber Music Festival in 1941, the first organized event of its kind in Ann Arbor. The present-day Chamber Arts Series was launched in 1963. The Rackhams' gift of $14.2 million in 1933 is held as one of the most ambitious and liberal gifts ever given to higher education. The luxurious and comfortably appointed 1,129-seat auditorium was designed by architect William Kapp and architectural sculptor Corrado Parducci.
POWER CENTER for the Performing Arts
The dramatic mirrored glass that fronts the Power Center seems to anticipate what awaits the concertgoer inside. The Power Center's dedication occurred with the world premiere of Truman Capote's The Grass Harp in 1971. Since then, the Center has been host to hundreds of prestigious names in theater, dance, and music, including the University Musical Society's first Power Center presentation--Marcel Marceau.
The fall of 1991 marked the twentieth anniver?sary of the Power Center. The Power Family-Eugene B. Power, a former regent of the University of Michigan, his wife Sadye, and their son Philip-contributed $4 million toward the building of the theater and its subsequent improvements. The Center has seating for 1,380 in the auditorium, as well as rehearsal spaces, dressing rooms, costume and scenery shops, and an orchestra pit.
UMS hosted its annual week-long theater resi?dency in the Power Center, welcoming the esteemed Shaw Festival of Canada, November 15-20, 1994.
In October 1994, UMS, the Martha Graham Dance Company, and ten institutional partners hosted
"In the American Grain: The Martha Graham Centenary Festival" commemorating the 100th anniversary of Martha Graham's birth. The Power Center was the site of open rehearsals, exhibits, workshops, and performances, including the 50th anniversary celebration of the premiere of the Martha GrahamAaron Copland collaboration Appalachian Spring (Ballet for Martha).
The Michigan Theater
T,he historic Michigan Theater opened its doors January 5, 1928 at the peak of the vaudeville movie palace era. The gracious facade and beautiful interior were then, as now, a marvel practi?cally unrivaled in Michigan. As was the custom of the day, the Theater was equipped to host both film and live stage events, with a full-size stage, dressing rooms, an orchestra pit, and the Barton Theater Organ, acclaimed as the best of its kind in the country.
Over the years, the Theater has undergone many changes. "Talkies" replaced silent films just one year after the Theater opened, and vaudeville soon disap?peared from the stage. As Theater attendance dwindled in the '50s, both the interior and exterior of the building were remodeled in an architecturally inappropriate style.
Through the '60s and '70s the 1800-seat theater struggled against changes in the film industry and audiences until the non-profit Michigan Theater Found?ation stepped in to operate the failing movie house in 1979.
After a partial renovation which returned much of its prior glory, the Theater has become Ann Arbor's home of quality cinema as well as a popular venue for the performing arts. The Michigan Theater is also the home of the Ann Arbor Symphony Orchestra.
St. Francis of Assisi Catholic Church
In June of 1950, Edward Cardinal Mooney appointed Father Leon Kennedy pastor of a new parish in Ann Arbor. Sunday Masses were first celebrated at Pittsfield School until the first building was ready on Easter Sunday, 1951. The parish num?bered 248 families. Ground was broken in 1967 to build a permanent church building, and on March 19, 1969, John Cardinal Dearden dedicated the new St. Francis of Assisi Church. In June of 1987, Father Charles E. Irvin was appointed pastor.
Today, St. Francis of Assisi Catholic Church is composed of 2,800 families. The present church seats 800 people and has ample free parking. Since 1987 Janelle O'Malley has served as Music Director of St. Francis. Through dedication, a commitment to superb liturgical music and a vision into the future, the parish improved the acoustics of the church building. A splendid 3 manual "mechanical action" instrument of 34 stops and 45 ranks was built and installed by Orgues Letourneau from Saint-Hyacinthe, Quebec. The 1994 Letourneau Organ (Opus 38) was dedicated in December of 1994.
Burton Memorial Tower
A favorite campus and Ann Arbor landmark, Burton Memorial Tower is the familiar mail?ing address and box office location for UMS concertgoers.
In a 1921 commencement address. University president Marion LeRoy Burton suggested that a bell tower, tall enough to be seen for miles, be built in the center of campus to represent the idealism and loyalty of U-M alumni. Burton served as president of the University and as a Musical Society trustee from 1920 until his death in 1925.
In 1935 Charles M. Baird, the University's first athletic director, donated $70,000 for a carillon and clock to be installed in a tower dedicated to the memory of President Burton. Several organizations, including the Musical Society, undertook the task of procuring funds, and nearly 1,500 individuals and organizations made contributions. The gift of the UMS totalled $60,000.
Designed by Albert Kahn, Burton Memorial Tower was completed in 1940, at which time the University Musical Society took residence of the first floor and basement.
A renovation project headed by local builder Joe O'Neal began in the summer of 1991. As a result, the UMS now has refurbished offices on three floors of the tower, complete with updated heating, air conditioning, storage, lighting, and wiring. Over 230 individuals and businesses donated labor, materials, and funds to this project.
The remaining floors of Burton Tower are arranged as classrooms and offices used by the School of Music, with the top reserved for the Charles Baird Carillon. During the academic year, visitors may observe the carillon chamber and enjoy a live per?formance from noon to 12:30 p.m. weekdays when classes are in session and most Saturdays from 1 o: 15 to 10:45 a.m.
University Musical Society 1995-96 Season
Cecilia Bartoli, mezzo-soprano Steven Blier, piano Friday, September 29, 8pm Hill Auditorium
Made possible by a gift from Parke Davis, Warner-limbert.
Slide Hampton and the
Jazz Masters
Big Band Bird: A 75th
Birthday Celebration of
Charlie Parker
Thursday, October 5, 8pm
Power Center
The UMSJazz Directions Series is
presented with support from WEMU,
89.1 FM, Public Radio from Eastern
Michigan University.
Australian Chamber Orchestra Barry Tuckwell, horn Friday, October 6, 8pm Rackham Auditorium
Philips Educational Presentation: The Music Scene Down Under". An Interview with Timothy Walker, General Managrr, Australian Chamber Orchestra, Michigan league, 7pm.
Master Musicians of Jajouka featuring Bachir Attar Saturday, October 21, 8pm Rackham Auditorium
Philips Educational Presentation: Kim Hunter, ProducerHost, WDET's Radio Free Earth, "A Royal, Mystical legacy, " East Ijecturr Room, 3rd Floor Rackham Building, 7pm.
Central Ballet of China Wednesday, October 25, 8pm Thursday, October 26, 8pm Power Center
Made possible by a gift from The Hertz Corporation.
Paco de Lucia's Flamenco Master Guitar Sextet Friday, October 27, 8pm Power Center
Made possible by a gift from Thomas B. McMulleti Company.
Bolshoi Symphony Orchestra Peter Feranec, conductor Boris Berezovsky, piano Saturday, October 28, 8pm Hill Auditorium
Made possible by a gift from Conlin-Faber TravelCrystal Cruises.
Marcus Roberts Trio 8c Septet An Evening of Gershwin Saturday, November 4, 8pm Power Center
Philips Educational Presentation: Adam Closer, UMS Director of Marketing and Promotion. "The New Frontier of Jazz Piano", Michigan league, 7pm.
The UMSJazz Directions Series is pre?sented with support from WEMUr 89.1 FM, Public Radio from Eastern Michimin I'nnmihi
The Choral Music of Arvo Part Estonian Philharmonic Chamber Choir Tallinn Chamber Orchestra Tinu Kaljuste, conductor Sunday, November 5, 7pm St. Francis of Assisi Catholic Church
Philips Educational Presentation: Luke Howard, Ph.D. Student in Musicology and Sacred Music, "Is Nothing Sacred', St. Francis of Assisi Catholic Church, 6pm.
Chamber Music Society of Lincoln Center David Shifrin, Artistic Director Tuesday, November 7, 8pm Rackham Auditorium
Philips Educational Presentation: Gregg T.Alf, Partner. Curtin & Alf Violinmaken, "Violinmaking: TheState of the Art", a presentationdemonstra?tion, Michigan league, 1pm. Made possible by a gift from Curtin & Alf.
Tafelmusik
Wednesday, November 15,8pm
Rackham Audito'rium
Philips Educational Presentation: Enid Sutherland, Director of the Sutherlamt Ensemble and Member of the Atlantis Ensemble, "Early Music: What's the Difference", Michigan league, 7pm.
Faculty Artists Concert Tuesday, November 21, 8pm Rackham Auditorium
The Complete Solo Piano Music of Frederic Chopin Garrick Ohlsson, piano (Recital IV)
Sunday, November 19, 4pm Rackham Auditorium
Handel's Messiah Saturday, December 2, 8pm Sunday, December 3, 2pm Hill Auditorium
Made possible by a gift from Wolverine Temporaries Inc.
Maurice Sendak's and Carole King's Really Rosie (A Musical for Families) Tuesday, December 5, 7pm Wednesday, December 6, 7pm Michigan Theater
Gil Shaham, violin Orli Shaham, piano Saturday, December 9, 8pm Hill Auditorium
Juilliard String Quartet Thursday, January 11, 8pm
Philips Educational Presentations: Samuel Rhodes, violist with the Quartet,
will discuss wotks on this evening's pro?gram, Michigan league 7pm. Post-Performance CJwt: FoUoiving the performance, members of the Qtiartet will return to the stage for discussion with the audience.
Made possible by a gift from Jim and Betty Byrne.
Boys Choir of Harlem Sunday, January 14, 7pm Hill Auditorium
Made possible by a gift from NSK Corporation, This concert is commented with the Office of the Vice Provost for Academic and Multicultural Affairs of the University of Michigan as part of the Untventty's 1996 Rev. Dt Martin Luther King, Jr. Day Symposium.
St. Louis Symphony Leonard Slatkin, conductor Thursday, January 18, 8pm Hill Auditorium
Philips Educational Presentation: Steven Moore Whiting, Assistant Professor of Musicology, 'Gassics Reheard", first in a series in which Professor Whiting discusses the concert repertoire, Michigan League, 1pm.
St. Petersburg Philharmonic Yuri Temirkanov, conductor Pamela Frank, violin Friday, January 26, 8pm Hill Auditorium Philips Educational Presentation: Seven Moore Whiting, Assistant Professor of Musicology, "Classics Reheard", second in a series in which Professor Whiting discusses the concert repertoire, Michigan League, 7pm. Made possible by a gift from Pepper, Hamilton & Schettz.
The Guthrie Theater of Minneapolis
January 27 28, 1995
ft. (Impressions from Kafka's
The Trial)
Saturday, January 27, 8pm
Sunday, January 28, 2pm
Power Center
Harold Pinter's Old Times
Sunday, January 28, 7pm
Power Center
This project is supported by Arts Midwest members and friends in partnership with the National Endowment for the Arts.
Wynton MarsalisLincoln Center Jazz Orchestra Nonet Jazz at Lincoln Center Presents, "Monk, Morton, and Marsalis" Wednesday, January 31, 8pm Michigan Theater The UMSJaxi Directions Series is pre-senteii with support from WEMU, 89.1 FM, Public Radio from Eastern Michigan University.
Feel the Spirit --
An Evening of Gospel Music
The Blind Boys of Alabama
featuring Clarence Fountain,
The Soul Stirrers, and
Inez Andrews
Thursday, February 1, 8pm
Hill Auditorium
The King's Singers Saturday, February 3, 8pm Hill Auditorium
Made possible by a gift from First of America.
The Complete Solo Piano Music of Frederic Chopin Garrick Ohlsson, piano (Recital V)
Sunday, February 4, 4pm Rackham Auditorium
Philips Educational Presentation: Garrick OhUson, "An Afternoon With Garrick Ohlsson ", Saturday, February 3, Rackham 4th Floor Assembly Hall, 4pm.
Boston Symphony Orchestra Seiji Ozawa, conductor
Wednesday, February 7, 8pm Hill Auditorium
Philips lulucational Presentation: The BSO: All the Questions You 've Ever Wanted to Ask " an interview and audience Q&A with: Leone Buyse, UM Professor of Flute and Former Principal Flute. BSO; Daniel Gttstin, Manager of Tanglewood; Lois Schaefer, Emeritus Piccolo Principal, BSO; and Owen Young, Cellist, BSO; Michigan I-eague, 7pm. Made possible by a gift from Fisher Scientific International
Latin Jazz Summit featuring Tito Puente, Arturo Sandoval, and Jerry Gonzalez and The Fort Apache Band
Saturday, February 10, 8pm Hill Auditorium Philips Educational Presentation: Dr. Alberto Nadf, Percussionist and WEMU Radio Host, "A Lecture Demonstration ofAfnCuban Rhythms" Michigan League, 7pm. The UMSJaxz Directions Series is pre?sented with support from WEMU, 89.1 FM, Ihtblic Radio from Eastern Michigan University,
Moscow Virtuosi
Vladimir Spivakov, conductor
violin
Friday, February 16, 8pm Rackham Auditorium
Philips Educational Presentation: Post-Performance Chat: Violinist and Conductor Wadimir Spivikov will return to the stage following the performance, to accept questions from the auditnee. Made possible by a gift from The Edward Surovelt Co.Realton.
SamulNori
Saturday, February 17, 8pm Sunday, February 18, 4pm Power Center
New York City Opera National Company Verdi's La TYaviata Wednesday, February 21, 8pm Thursday, February 22, 8pm Friday, February 23, 8pm Saturday, February 24, 2pm (Family Show) Saturday, February 24, 8pm Power Center
Philips Educational Presentations: February 21 ? Helm SUdet, UMS Education Specialist, "Know Before You Go: An AudioVisual Introduction to 'Im Traviata", Michigan league, 6:45pm; February 23 Martin hut.. Accompanist-Coach-Conductot; The Specific Tnwiata " Michigan league, 7pm. Made possible by a gift from TriMas Corporation.
Sequentia
The Music of
Hildegard von Bingen
Sunday, February 25, 7pm
St. Francis of Assisi Catholic
Church
Philips Educational Presentation:
fames M. Borders, Associate Professor
of Musicology, "Medieval Music For
A Modern Age", Si. Francis of Assisi
( JtUJitt, OpUL
Tokyo String Quartet Pinchas Zukerman, violinviola
Monday, February 26, 8pm Rackham Auditorium
Philips Educational Presentation: Steven Moore Whiting, Assistant
Professor of Musicotogy, "Classics
Reheard', third in a series in irhuh Professor Whiting dinusa the concert repertoire, Michigan Ixague, 7pm.
John Williams, guitar Tuesday, February 27, 8pm Rackham Auditorium
'Mm program is made possible in part by a grant from the National Endowment for the Arts.
San Francisco Symphony Michael Tilson Thomas, conductor
Friday, March 15, 8pm Hill Auditorium
Philips Educational Presentation: Jim Ijeonard, Manager, SKR Classical, "Mahler in Ijow: the Fifth Symphony" Michigan ligur, 7pm. Made possible by a gift from McKinley Associates, Inc
The Complete Solo Piano Music of Frederic Chopin Garrick Ohlsson, piano (Grand Finale Recital VI)
Saturday, March 16, 8pm Hill Auditorium
Alvin Ailey American Dance Theatre
Tuesday, March 19, 7pm, (Family Show) Wednesday, March 20, 8pm Thursday, March 21, 8pm Friday, March 22, 8pm Power Center
This project is supported by Arts Midwest members and friends in partnership irtlii Dance on Tour.
Borodin String Quartet Ludmilla Berlinskaya, piano Friday, March 22, 8pm
K.iHi.i111 Auditorium Made possible by a gift from The Edward Surovelt Co.Realiors.
Guitar Summit II Kenny Bur re 11, jazz; Manuel Barrueco, classical; Jorma Kaukonen, acoustic blues; Stanley Jordan, modern jazz Saturday, March 23, 8pm Rackham Auditorium
Faculty Artists Concert
Tuesday, March 26, 8pm Rackham Auditorium
The Canadian Brass
Saturday, March 30, 8pm Hill Auditorium Made possible by a gift from Great Lakes Bancorp.
Bach's b-minor Mass The UMS Choral Union The Toledo Symphony Thomas Sheets, conductor Sunday, March 31, 2pm Hill Auditorium
Tallis Scholars Thursday, April 11, 8pm St. Francis of Assisi Catholic Church
Ravi Shankar, sitar Saturday, April 13, 8pm Rackham Auditorium Philips Educational Presentation: Rajan Sachdeva, Sitar Artist and Director, Institute of Indian Music, "A IjtrtureDemonstmtion of Indian Classical Music on Sitar". Michigan Uague, 6:30pm.
Israel Philharmonic Orchestra Zubin Mehta, conductor
Thursday, April 18, 8pm Hill Auditorium
Philips Educational Presentation: Steven Moore Whiting, Assistant Professor ofMusicology, "Classics Reheard", fourth in a series in which Professor Whiting discusses the concert repertoire, Michigan league, 7pm. Made possible by a gift from Dr. John Psarouthakis, thePaiedeia Foundation, andJPEinc.
Gluck's Orfeo ed Euridice Mark Morris Dance Group Handel & Haydn Society Orchestra and Chorus Christopher Hogwood, conductor April 19-20, 8pm April 21, 4pm Michigan Theater
Philips Educational Presentation: Steven Moon Whiting, Assistant Professor of Musicotogy, "Classics Reheard", fifth in a series in which Professor Whiting discusses the concert repertoire, SKR Classical, 7pm. Made possible by a gift from the KMD Foundation. This project is supported by Arts Midwest members and friends in partnership with Dance on Tour.
Ensemble Modern John Adams, conductor featuring the music of John Adams and Frank Zappa Tuesday, April 23, 8pm Rackham Auditorium
Philips Educational Presentation: James M. Borders, Associate Professor ofMusicology, "The Best Instrumental Aiusic You Never Heard In Your Life", Michigan League, 7pm.
Acknowledgements
In an effort to help reduce distracting noises and enhance the concert-going experience, the Warner-Lambert Company is providing complimentary Halls Mentho-Lyptus Cough Suppressant Tablets to patrons attending University Musical Society concerts. The tablets may be found in specially marked dispensers located in the lobbies.
Thanks to Ford Motor Company for the use of a 1996 Lincoln Town Car to provide transportation for visiting artists.
About the Cover
Included in the montage by local photographer David Smith, are images taken from the University Musical Society's 1994-95 Season. Maestro Riccardo Chailly conducting the Royal Concertgebouw Orchestra; Michigan Latin-Jazz artists Michele Ramo and Heidi Hepler; and the last bow stroke of the Cleveland String Quartet's final UMS appearance.
University
Musical
Society
of the University of Michigan 1995-1996 FallWinter Season
Event Program Book
Tuesday, December 5, 1995
through
Thursday, January 11, 1996
1 iyth Annual Choral Union Series Hill Auditorium
33rd Annual Chamber Arts Series Rackham Auditorium
25th Annual Choice Events Series
Really Rosie 3
Tuesday, December 5, 1995, 7:00pm Wednesday, December 6, 1995, 7:00pm Michigan Theater
Gil & Orli Shaham
Saturday, December 9, 1995, 8:00pm Hill Auditorium
TheJuilliard String Quartet 13
Thursday, January n, 1996, 8:00pm Rackham Auditorium
General Information
We welcome children, but very young children can be disruplivc to some performances. When required, children should be able to sit quietly in their own scats throughout a performance. Children unable to do so, along with the adult accompanying them, may be asked by an usher to leave the auditorium. Please use discre?tion in choosing to bring a child.
Remember, everyone must have a ticket, regardless of age.
While in the Auditorium
Starling Time
Every attempt is made to begin con?certs on time. Latecomers are asked to wait in the lobby until seated by ushers at a predetermined time in the program.
Cameras and recording equipment are not allowed in the auditorium.
If you have a question, ask your usher. They are here to help.
Please take this opportunity to exit the "information superhighway" while you are enjoying a UMS event:
Electronic beeping or chiming digital watches, beeping pagers, ringing cellular phones and clicking portable computers should Ix' turned off during performances. In case of emergency, advise your paging service of audito?rium and seat localion and ask them to call University Security at 703-1131.
In the interests of saving both dollars and the environment, please retain this program book and return with it when you attend other UMS per?formances included in this edition. Thank you for your help.
University
Musical
Society
presents
r
THE NlGHT KITCHEN A National Children's Theater
Maurice Sendak, Artistic Director Arthur Yorinks, Associate Artistic Director
Really Rosie
A Musical for Families by Maurice Sendak and Carole King
A
Program
Tuesday Evening, December 5, 1995 at 7:00
Wednesday Evening, December 6, 1995 at y:oo
The Michigan Theater Ann Arbor, Michigan
Book & Lyrics by Music by Directed by
Sets & Costumes designed by Assistant Director Musical Direction by Stage Manager Production Manager General Manager Project Manager Scenic Painter Assistant to Mr. Sendak
Maurice Sendak Carole King Maurice Sendak
Maurice Sendak Tom Ford [ames valcq
KlMBERLY STOWERS
David Hutson Kathleen Cuneen Susan Goldstein Michael Hagen Eric Pederson
Seventeenth and Eighteenth Concerts of the 117th Season
Family Series
Thank you to Hammell Music, Inc., Livonia, Michigan for the piano used in these performances.
The Night Kitchen is a professional company employing members of Actors' Equity Association.
Thank you to Borders Books and Music for its cooperation and support.
Taking of pictures andor making visual or sound recordings is expressly forbidden.
The Night Kitchen gratefully acknowledges the following for their generous support q"Really Rosie: George Craig and HarjierCollins Publishers, Inc. and The Sony Corf). Of America
Exclusive Tour Representation: Rena Shagan Associates, Inc., New York, New York.
Large print programs are available upon request from an usher.
Cast
Rosie
Kathy
Alligator
Johnny
Pierre
Chicken Soup
Mother
in order ofappearan
Lori Fischer
Barbara McCrane
Drew Barr
Tom Ford Jesse Means II Jonathan Powers Jennifer Hayes
Rosie's Orchestra
James Valcq, Musical Director and Conductor Andrew Burns, Paul Garment, James Jacobs, David Mecionis, Joe Matzzie
Musical Numbers
Overture
"Really Rosie"
"Simple Humble Neighborhood"
"Alligators All Around"
"One Was Johnny"
"Pierre"
"Screaming and Yelling"
'The Ballad of Chicken Soup"
The Awful Truth"
"Very Far Away"
"Such Sufferin'"
"Avenue P"
"Chicken Soup With Rice"
Rosie
Rosie & Co. Alligator & Co. Johnny & Co. Pierre & Co. Rosie & Co. Rosie & Co. Kathy & Co. Company Rosie & Kathy Rosie Company
Therk will be no intermission
In 1990, in the twentieth anniversary year of the publication of the book In The Night Kitchen, we formed The Night Kitchen, a theater company devoted entirely to the development of quality performing arts productions for children and adults. As in our books, which have crossed barriers and overcome conventional thought, we hope The Night Kitchen will contribute significantly to the world of children's theater.
We would like The Night Kitchen to create and produce material that expands the range of performing arts that reach children and adults. We both share the conviction that children deserve much more in the area of cultural enrichment.
The Night Kitchen is an extraordinary opportunity to explore many media and to extend the boundaries of what is considered suitable for children. We hope to reinvigorate all forms of live theater for children with the same passion and energy we bring to our books. The Night Kitchen commissions original material and develops new productions of existing works including plays, musicals, ballets, and operas, and collaborates in their presentations with theaters nationwide.
Maurice SendakArthur Yorinks
Who's Who
Maurice Sendak (Book and Lyrics, Sets and Costumes, Director) is generally acknowledged as the leading visionary in children's literature today. For more than forty years, the books he has written and illustrated have nurtured children and adults alike and have challenged established ideas about what children's liter?ature is and should be. His more than eighty books have sold more than seven million copies worldwide and are available in over a dozen languages.
In the performing arts, Mr. Sendak has designed many highly acclaimed productions
including Mozart's The Magic Flute and Mmn,Janacek's The Cunning Little Vixen, and Tchaikovsky's The Nutcracker ballet for both theater and film.
Really Rosie was born in 1975 when Mr. Sendak adapted his books The Sign on Rosie's Door and The Nutshell Library for an animated TV special aired on CBS. In 1980 Really Rosie became an Off-Broadway musical hit and is now brought to you redesigned and directed for the first time by Mr. Sendak.
Carole King (Composer) is a member of both the Rock & Roll Hall of Fame and the Songwriters Hall of Fame (with Gerry Goffin). A recipient of the prestigious National Academy of Songwriters' Lifetime Achieve?ment Award, she has been acclaimed as the most successful female songwriter of all time.
Ms. King's album, Tapestry, stayed on the charts for nearly six years -becoming, at the time, the biggest selling album in the history of the recording business. To this day it is the best-selling female solo album of all time.
Arthur Yorinks (Co-founder and Associate Artistic Director of The Night Kitchen) has written for opera, ballet, film and theater and is the author of many critically acclaimed children's books, including Louis the Fish and the Caldecott Medal winner Hey, AL Mr. Yorinks has been involved in the theater for more than twenty years. He wrote and performed as a member of the American Mime Theater and served as the artistic director of The Moving Theater in New York. In 1985 Mr. Yorinks was Philip Glass's librettist for the opera The Juniper Tree, which has had numerous productions in Europe and the United States. His collaboration with Philip Glass continued, in 1988 with the opera The Fall of the House of Usher. Since its premiere, this work has been seen all over the world, including Germany, Australia, Italy, and Wales. Mr. Yorinks's most recent book for children is The Miami Giant, illustrated by Maurice Sendak.
University
Musical
Society
presents
Gil Shaham, Orli Shaham,
Program
Saturday Evening, December p, 1995 at 8:00
Hill Auditorium Ann Arbor, Michigan
Ludwig van Beethoven
Sonata for Violin and Piano No. 4 in a minor, Op. 23
Presto
Andante scherzoso, piu Allegretto
Allegro molto
Antonin Dvorak
Sonata for Violin and Piano in F Major, Op. 57
Allegro ma non troppo Poco sostenuto Allegro molto
Intermission Cesar Franck
Sonata in A Major for Violin and Piano
Allegretto; Moderato
Allegro
Recitativo -Fantasia
Allegretto poco mosso
Nineteenth Concert of the nyth Season
i lyth Annual Choral Union Series
The Steinway piano used in this evening's performance is made possible by Mary and William Palmer and by Hammett Music, Inc., Livonia, Michigan.
This evening's floral art is made possible by Cherie Rehkopf and John Ozga, Fine Flowers, Ann Arbor.
Mr. Shaham records exclusively for Deutsche Grammophon. ICM Artists, New York, New York
Large print programs are available upon request from an usher.
Sonata for Violin and Piano No. 4 in a minor, Op. 23
Ludwig van Beethoven
Born c. December 15, ijjo in Bonn, Germany
Died March 26, 182J in Vienna
In 180001, Beethoven (who had recently finished his First Symphony) wrote two violin sonatas, commissioned by the Viennese banker Count Moritz von Fries. One is the beloved "Spring" Sonata (Op. 24), the other the present work, which may only be less well-known because no one has given it a nickname. The two sonatas were initially to be published together but were later separated and assigned consecutive opus numbers.
This pair of sonatas is not the only case where two Beethoven compositions, written for the same medium at the same time, are total opposites in character (see the Fifth and Sixth Symphonies, for example). While the "Spring" Sonata is gentle and lyrical throughout, the a-minor work displays the stormier side of Beethoven's personality. In many ways, it foreshadows the dramatic idiom of the "Kreutzer" Sonata, written only two years later.
Although Mozart's influence can still be felt in Op. 23, as it can in so much early Beethoven, the sonata is animated by passions that are unmistakably Beethoven's own. For proof, one need look no further than the very first measure, where an emphatic motif opens the piece in medias res ("in the middle of things"). The entire movement is agitated and full of motion; therefore, the quiet ending comes as something of a surprise.
The second movement is not the slow instrumental aria one might expect. It is, rather, in a medium tempo, half slow move?ment and half scherzo but really written in sonata form, complete with augrafo transition (a section where the voices imitate one another), a substantial development and full recapitulation. Its tone is mostly playful,
with only a few more serious moments.
The third movement is in rondo form (in a rondo, a principal theme alternates with a series of episodes). The rondo theme has the same tension and restlessness that we encountered in the first movement. Note a sudden interruption in the middle of the theme, a brief Adagio phrase played in turn by the violin and the piano. It is the first appearance of an idea that will recur in a memorable solo oboe passage in the first movement of the Fifth Symphony. There are three episodes: one consisting of short staccato notes played by the violin and the piano in alternation, the next of long legato phrases represented by both instruments together. (The harmonic progressions underlying these two episodes are actually very similar.) In the third episode, the staccato rhythms of the first are combined with vigorous rapid motion and some typical Beethovenian off-beat accents. The first two episodes are briefly recalled before a final return of the rondo theme. This movement ends softly like the first did; it is a sign of Beethoven's genius that the effect is just as surprising as it was the first time.
Sonata for Violin and Piano in F Major, Op. 57
Antonin Dvorak
Born September 8, 1841 in Miihlhausen
Died May 1, 1904 in Prague
Aside from the popular Sonatina in G, a product of Dvorak's American years, the present composition is the composer's only sonata for any instrument. It was written in the space of two weeks, between March 3 and 17, 1880. The previous year, Dvorak had composed his Violin Concerto, and sent it to Joseph Joachim, one of the greatest violinists of the time who had advised both
Max Bruch and Johannes Brahms on their violin concertos. The opportunity for Dvorak to discuss the concerto with Joachim in person came in the spring of 1880, during a visit to Berlin. By that time, Dvorak was able to show the violinist his most recent work as well. While Joachim was highly critical of the concerto (and made Dvorak work on it for another two years), he was immediately pleased with the sonata upon reading it through with the composer. It is not known, however, whether Joachim ever performed either work in public.
Dvorak had learned a great deal from Brahms, who was something of a mentor figure and did more than anyone else to help launch the younger composer's career. The development of the themes and the handling of the rhythm in the F-Major sonata are often Brahmsian. In the first movement, for instance, a group of large blocks of chords suddenly appears amidst some more fluid melodic activity. The second movement is based, to no small extent, on a subtle interplay of and meters. Brahms was especially fond of both techniques. Yet the melodies themselves are pure Dvorak -that is to say, pure Czech, as in the second subject of the first movement or in the lively dance tune in the finale. Dvorak was quite unique in his ability to use folk-like melody types to build large-scale classical forms.
The first movement opens with a group of dreamy, somewhat amorphous motifs. In the course of the movement, these motifs gradually receive a sharper profile. The soft closing chords follow an unusual type of harmonic progression called "plagal," also found at the analogous moment in the Sonatina in G (Op. 100).
The second movement is a nocturnal song, intimate and mysterious. After a brief development that adds some rhythmic excitement in the form of a characteristic dotted figure, the recapitulation brings back the pensive mood of the beginning.
The last movement's main theme is in the rhythm of the polka, the most popular Czech folk dance. A second melody moves in slower note values but still preserves the dance character. There is a brief section where the folk dance rhythms are developed using contrapuntal methods; this does not serve to weigh the music down but rather to realize its inherent potentials and, ultimately, to add to the fun.
Sonata in A Major for Violin and Piano
Cesar Franck
Born December 10, 1822 in Liege, Belgiun
Died November 8, 1890 in Paris
For many years, Cesar Franck worked as an organist at Sainte-Clotilde, which was not one of Paris's most prestigious churches. His father had destined him for the career of a traveling piano virtuoso a la Franz Liszt. These dreams, however, did not come true, and Franck had to settle for a less than glamorous existence. His first major break did not come until he was fifty; in 1872, he was appointed to the Paris Conservatoire as a professor of organ. But even that did not necessarily mean success as a composer. His large-scale oratorios and other sacred works failed to make an impression. It was only during the last decade of his life that he wrote the series of masterpieces (including the Violin Sonata, the Symphony, and the String Quartet) for which he is remembered to this day.
The Violin Sonata was written in 1886, as a wedding present for the great violinist Eugene Ysaye (1858-1931), like Franck a native of Liege, Belgium. The first public performance was given by Ysaye and pianist Leon tine Bordes-Pene in Brussels on December 16, 1886, at a concert devoted to Franck's works. The Sonata had an enormous success.
The director of the Brussels Conservatoire congratulated the composer with the words: "You have transformed chamber music: thanks to you a new vision of the future has been revealed to our eyes."
The director was not exaggerating. Franck's only contribution to the solo violin literature was also a unique achievement in that it introduced into chamber music certain techniques never previously used in that medium. Inspired by Liszt's symphonic poems, Franck linked the four movements of the Sonata together by a network of thematic recurrences. The characters of the themes are sometimes fundamentally transformed in this process. Franck also used counter?point more extensively than most Romantic composers -in part because, as an organ player, he was deeply immersed in the music of J.S. Bach. Moreover, Franck had been touched by the style of Richard Wagner, who had died in 1883 but was still the most con?troversial modern composer in Europe. In the Violin Sonata, Franck repeatedly used a variant of the famous 'Tristan" chord. He combined all these influences, however, with a boundless melodic invention all his own.
The Sonata has an unusual movement sequence. In most sonatas, the longest and weightiest movement comes at the beginning. In the Franck sonata, this movement stands in second place, preceded by a dreamy "Allegretto ben moderato." The passionate second movement is in the key of d minor that was often used to depict tempestuous emotions. The third movement is a "Recitativo-Fantasia" that, in what was an extraordinary move in 1886, entirely dispenses with the idea of a main tonal center. The key changes constantly as the violin plays two unaccompanied cadenzas, separated by a nostalgic recollection of the first movement's opening melody on the piano. The movement continues with an "aria" for violin that is in turn lyrical and dramatic, with a molto lento e mesto ("very slow and sad") ending. Finally,
the fourth movement crowns the Sonata with a real tour de force: its initial melody is played by the two instruments in canon -that is, the melodic lines are the same, with the violin starting one measure after the piano. The remaining themes come from the third movement, turning the "aria" into a major dramatic outburst. A recapitulation of the canon theme and a short, exuberant coda ends this great sonata.
Notes by Peter Laki Cleveland, Ohio, 1995.
t age 23, violinist Gil Shaham is alread) internationally recognized by noted critics and leaders of the world's most celebrated
i[ii!inii!i ensembles as a veteran virtuoso of the instrument. Since his 1981 debut with the Jerusalem Symphony conducted by the late Alexander Schneider, he has been acclaimed consistently for his performances with the New York Philharmonic, the Boston Symphony, the Cleveland Orchestra, the Philadelphia Orchestra, the Los Angeles Philharmonic, and the San Francisco, Montreal and Detroit symphonies, among other major North American orchestras. Abroad, his achievements are equally outstanding, covering concerts with the Berlin Philharmonic, l'Orchestre de Paris, the Hamburg Philharmonic, the Israel Philharmonic, the Bavarian Radio Orchestra, Japan's nhk Symphony, the Royal Philharmonic, the Philharmonia Orchestra and the London Symphony, with which, under the baton of Michael Tilson Thomas, he made two dramatic, highly praised appearances in 1989 as substitute, on a day's notice, for an ailing Itzhak Perlman. Recitals and other orchestral engagements have
taken him to music capitals worldwide, and his summer festival appearances have included the Hollywood Bowl, Ravinia, Aspen, Schleswig-Holstein, Waterloo and Lincoln Center's Mostly Mozart Festival.
Mr. Shaham's current schedule remains distinguished and wide-ranging. His summer season in 1994 included performances with the Los Angeles Philharmonic at the Hollywood Bowl, the Boston Symphony at Tanglewood and the symphony orchestras of Buenos Aires and Santiago, as well as appearances at the Mostly Mozart Festival, the Colorado Music Festival and Chicago's Grant Park. His 1994-95 season is highlighted by concerts with the Philadelphia Orchestra (including a Carnegie Hall performance), the New York Philharmonic, the Orpheus Chamber Orchestra (also at Carnegie Hall), the Minnesota Orchestra, and the symphony orchestras of Dallas, San Francisco and Toronto, among others. Abroad, his schedule includes engagements with the London Philharmonic, both in London and on a tour of France, the Dresden Staatskapelle, the Czech Philharmonic and the Lausanne Chamber Orchestra. Also planned are recital tours in both Europe and North
America, and a tour of the Far East.
An exclusive Deutsche Grammophon artist, Gil Shaham has recorded concertos by Mendelssohn, Bruch, Paganini, Saint-Saens, Tchaikovsky and Sibelius with Guiseppe Sinopoli leading the Philharmonic Orchestra and the New York Philharmonic; Wieniawski's Concertos Nos. 1 & 2 and Sarasate's Zigeunerweisen with Lawrence Foster and the London Symphony; and solo discs devoted to music by Schumann, Richard Strauss, Elgar, Ravel, Franck, Kreisler, Paganini, Saint-Saens and Sarasate. His most recent releases include the best-selling Paganini for Two album, a collaboration with guitarist Goran Sollscher, a disc pairing the Barber and Korngold concertos with Andre Previn leading the London Symphony, and a recording of Vivaldi's Four Seasons with the Orpheus Chamber Orchestra.
Gil Shaham was born in Champaign-Urbana, Illinois, in 1971. In 1973 he moved with his parents to Israel where at the age of seven he began violin studies with Samuel Bernstein of the Rubin Academy of Music and was immediately granted annual scholar?ships by the America-Israel Cultural Foundation. In 1980, while studying with Haim Taub in Jerusalem, he made debuts with the Jerusalem Symphony and the Israel Philharmonic. That same year he began his studies with Dorothy DeLay and Jens Ellerman at Aspen. In 1982, after taking first prize in Israel's Claremont Competition, he became a scholarship student at Juilliard, where he has worked widi Ms. DeLay and Hyo Kang.
Mr. Shaham was awarded the presti?gious Avery Fisher Career Grant in 1990. He is a graduate of the Horace Mann School in New York City and has also attend?ed Columbia University. He plays a 1699 Stradivarius named after Countess Polignac, who was reputedly the French mistress of Benjamin Franklin while he was America's first ambassador to France.
This evening's performance marks Mr. Shaham's second appearance under UMS auspices.
" B ineteen year-old
pianist Orli Shaham
k has been recognized
k as an exceptionally
1 gifted artisl since the B age of five, when she ? was awarded her first
scholarship for musical study from the America-Israel Cultural Foundation. At that time, she was a student of Luisa Yoffe at the Rubin Academy of Music in Jerusalem, and two of her performances were soon broadcast on Israeli Radio. At age seven, she came to New York with her family and began to study with Nancy Stessin. One year later, she was accepted at The Juilliard School as a scholar?ship student of Herbert Stessin.
During the 1993-94 season, Ms. Shaham appeared with the Orpheus Chamber Orchestra at Avery Fisher Hall, with the Albany Symphony, and in recital at Boston's Gardner Museum and at Caramoor, among others. During the summer of 1994, she performed at both the Spoleto Festival in Italy and the Davos Chamber Music Festival in Switzerland. Her current season began with her first tour of Japan, and is also high?lighted by concerts with the San Diego Symphony and several American recitals, among them her Chicago debut at Ravinia. She also returns to the Gardner Museum for a performance of Mozart's Concerto in A Major, K. 488.
Previous recital appearances have taken her to the Herkulessaal in Munich, the Alte Oper in Frankfurt, Thejuilliard School, the Mannes College of Music and the home of the Israeli Ambassador in Washington, D.C.
Ms. Shaham is a graduate of the Horace Mann School in New York, and Juilliard's Pre-College Division. She is currently con?tinuing her studies at Columbia University and Thejuilliard School. She spends part of each summer at the Aspen Music Festival and School, where she has given several per?formances in the Music Tent.
This evening's performance marks Ms. Shaham's UMS debut.
University
Musical
Society
and
Jim and Betty Byrne
present
The Juilliard String Quartet
50th Anniversary Season
Robert Mann, violin Joel Smirnoff, violin Samuel Rhodes, viola Joel Krosnick, cello
Program
Thursday Evening, January n, 1996 at 8:00
Rackham Auditorium Ann Arbor, Michigan
Wolfgang Amadeus Mozart
Quartet in G Major, K. 387
Allegro vivace assai Menuetto: Allegretto Andante cantabile Molto allegro
Roger Sessions
Quartet No. 2
Lento
Allegro appassionato
Andante tranquillo
Presto
Adagio
Intermission
Ludwig van Beethoven
Quartet in c-sharp minor, Op. 131
Adagio ma non troppo e molto espressivo
Allegro molto vivace
Allegro moderato
Andante ma non troppo e molto cantabile
Presto
Adagio quasi un poco andante
Allegro
Twentieth Concert oflhe njlh Season
33rd Annual Chamber Arts Series
Special thanks lojim and Belly Byrne for helping to make this concert possible.
Thank you to Samuel IViodes, violist with tlie Quartet, speaker for this evening's Philips Educational Presentation.
Following the performance, members of the Quartet will return to the stage for a discussion with the audience.
Colbert Artists Management, Inc., New York, New York
Large print programs are available upon request from an usher.
Quartet in G Major, K. 387
Wolfgang Amadeus Mozart
Born January 27, IJ56 in Salzburg
Died December 5, iygi in Vienna
The Quartet in G Major (K. 387) is the first in the series of six quartets dedicated to Mozart's friend and teacher, Joseph Haydn, hence their somewhat confusing title: 1 4 Mozart's "Haydn Quartets." It is apparent from the opening phrase that Mozart had attained the rarefied realm of pure quartet writing. As Dunhill notes, "It is not a har?monized melody: the thought itself is a four-part thought." This is the essence of what Mozart learned from Haydn, but as a master from a master, not merely as an imitator. Nowhere in this flawless quartet is there any evidence of the "long and laborious study" Mozart spoke of in the letter in which he dedicated these works to Haydn. However, examination of the manuscript now in the British Museum has shown that in all of Mozart's "Haydn" quartets there are far more changes, revisions, and new beginnings that in most of his other works.
The development section of the first movement is so filled with felicitous ideas there is no need for any novelty in their recapitulation, nor for any coda. As in the A-Major Quartet, the middle movements are transposed. The minuet is a miniature sonata allegro form, delicious in its wittiness, the first theme containing a bizarre dynamic treatment of ascending and descending chromatic lines. The finale, a remarkable achievement in musical architecture, opens fugally with a four-note subject closely akin to the one used in the finale of the Jupiter Symphony. The simply-harmonized lilting dance that follows provides an ideal foil.
Quartet No. 2
Roger Sessions
Born December 28, 1896 in Brooklyn, New York
Died March 16, 1985 in Princeton, New Jersey
Roger H. Sessions was born in Brooklyn in 1896. Educated at Harvard and Yale, he received a decisive stimulus as composer from his study with Ernest Bloch. It was under Bloch that he taught for four years at the Cleveland Institute of Music. Some years of residence in Europe followed. In 1925, he joined the faculty of Princeton University. A decade later, he went to the University of California at Berkeley, to serve as head of the music department there. In 1953 he moved again to Princeton, where he served as Conant Professor of Music until his death. As composer, teacher, author, Roger Sessions was one of the most important and respected American figures in the contemporary international music scene. Among his many achievements and honors is his service for some years as the president of the United States section of the International Society for Contemporary Music.
Roger Sessions' powerful and moving ? Second String Quartet (1951) was written sixteen years after his memorable first com?position in the quartet form. The Second Quartet consists of five movements, played without pause. The first, marked "Lento," is a double fugue which employs a multi?tude of contrapuntal devices, and yet is so personal and expressive that it is profoundly moving. The rigor of the fugal form and Sessions's expressive intent perfectly comple?ment each other. The second movement is a serious and dramatic "Allegro appassionato." The lyrical "Andante tranquillo" that follows is a theme and five variations. The fourth movement is a swift scherzo with trio; and the quartet concludes with a reflective "Adagio."
Each movement, even though it is a complete form, flows into the next move?ment. In the last measures of the second movement, for instance, a three-note group appears repeatedly which subsequently begins the theme of the third movement. In other words, the movement endings have a half-cadential character. There are also similarities between the themes of the different movements. Even though the casual listener may not be aware of them, they contribute to the unity of style of this extraordinary work.
Quartet in c-sharp minor, Op. 131
Ludwig van Beethoven
Born c. December 15, ijyo in Bonn, Germany
Died March 26, 182J in Vienna
The five quartets written in the years 1824 to 1826, which have come to be known as the "late quartets," were the last works Beethoven wrote. It was felt for many years that because of Beethoven's alienation from the world due to his deafness and illness, these works were too difficult technically and emotionally to be either played or understood. There has, fortunately, been a great change of attitude and they are now widely performed and greatly appreciated.
In these quartets, the writing for each of the four instruments is even more indepen?dent than elsewhere om Beethoven's earlier works. There are many changes of speed, meter and mood. The classical quartet form as it was previously known is enlarged in two important ways: by the frequent use of important and extended slow introductions to the first and last movements, and by the use of an immensely expanded variation form in the slow movements.
In the c-sharp minor quartet Beethoven stretched the boundaries of conventional form to their farthest point. The work is divided into seven sections, rather than sepa?rate movements, each one following its predecessor without pause. Two of the sections serve only as a bridge or an introduction to the next section. Only the last is in sonata form, the bulwark of traditional quartet structure.
The first section is a free fugue which appears to come to a full stop. This final chord resolves, however, directly into the second section, a free fantasy with fragments of its theme developed between the state?ments. The recitative section which follows serves as an interlude and introduction to the "Andante," a long theme with seven variations. A series of cadenzas leads to an elaborate coda.
The fifth section is a Scherzo, Beethoven's most complex yet highly organized use of this form. There is no full slow movement in this quartet -the "Adagio" which follows is merely the "ghost" of a slow movement, serving as a brief respite and a bridge into the seventh and final section. This finale is indeed in sonata form, but the succession and treatment of the themes make it appear more akin to an extended rondo. The rhythm of one secondary theme parallels that of die opening fugue. The entire work is brought to a close with three fortissimo c-sharp minor chords.
". n October 11, 1946
M k a string quartet was
M A formed at the behesl
I of William Schumann, H m the president of The
k W [uilliard School, who
envisioned the benefits of a resident quartet serving in both teaching and performing capacities. The group was led by a Juilliard graduate named Robert Mann. The ensemble stepped onto the
stage of the auditorium of the old Juilliard School to perform a program of works by Beethoven, Bartok, and Walter Piston. In the audience that evening were such esteemed musicians as Yehudi Menuhin and Zoltan Kodaly.
During the nearly five decades since its inaugural concert, The Juilliard String Quartet has established and maintained a reputation as one of history's great string quartets through performances, recordings, the fostering of new works, and the training of young musicians. Its renditions of the standard string quartet literature are widely regarded as definitive. Its performances are renowned for interpretive insight and vitality. The Quartet has been acclaimed in concerts throughout the United States, Europe, Asia, South America, and the Pacific and has been a guest at virtually all of the world's-major music festivals, in addition to appearing with symphony orchestras in performances of concertos for string quartets by Schoenberg and other composers.
In 1961, it became the first American string quartet to visit the Soviet Union. A year later, it established a continuing resi?dency at the Library of Congress, where for over three decades, The Juilliard String Quartet has enjoyed a phenomenal reputa?tion as quartet-in-residence. Its concerts from the Library of Congress have been
broadcast nationwide. The Juilliard String Quartet has been seen in televised concerts as part of the PBS Great Performances Series.
The Juilliard String Quartet's recent activities include their three-concert series this season of works by Hindemith, Bartok and Beethoven presented at the Recital Hall of the Ford Center and Alice Tully Hall at Lincoln Center in New York. Other high?lights include the world premiere of John Harbison's The Remaking for soprano and string quartet, appearances with the Seattle Symphony in concertos for string quartet by Piston and Spohr, all-Mozart programs in Alice Tully Hall (part of Lincoln Center's Mozart bicentennial celebration), annual concerts under the auspices of the Library of Congress, and the world premiere of Billy Taylor's Homage, a work for string quartet and jazz trio.
No less impressive than its playing of the standard string quartet literature has been the Quartet's commitment to contemporary composers. Over the years, the ensemble has performed more than one hundred and fifty works written in the twentieth century. It has been particularly devoted to American composers, having given the premiere per?formances of more than sixty scores by Milton Babbitt, Elliott Carter, Aaron Copland, Lukas Foss, Peter Mennin, Walter Piston, William Schuman, Roger Sessions, Morton Subotnick, Richard Wernick and many others.
The Juilliard String Quartet continues on-going residencies at The Library of Congress in Washington, D.C. and at The Juilliard School. As faculty at Juilliard, the Quartet has helped train a number of other prominent string quartets, including the Emerson, Tokyo, Shanghai, Lark, Essex, and St. Lawrence String Quartets.
This evening's performance marks the fifth appearance of The Juilliard String Quartet under UMS auspices.
Youth Program
Thousands of school children annually attend UMS concerts as part of the UMS Youth Program, which began in the 19891990 season with special one-hour performances for local fourth graders of Puccini's La Boheme by the New York City Opera National Company.
Now in its seventh year under the Education and Audience Development Department, the UMS Youth Program continues to expand, with performances by the Alvin Ailey American Dance Theater for middle and high school students, two opera performances for fourth graders by the New York City Opera National Company, a performance by Wynton Marsalis and the Lincoln Center Jazz Orchestra Nonet, in-school workshops with a variety of other artists, as well as discounted tickets to every concert in the UMS season.
As part of its Ann Arbor residency, the Alvin Ailey American Dance Theater will present a special youth program to middle and high school students, and a family performance, both on March 19, 1996.
On Friday February 24, 1996, 2700 fourth-graders will visit the Power Center for abbreviated one-hour performances of Verdi's La Traviata. These performances allow children to experience
opera that is fully-staged and fully-costumed with the same orchestra and singers that appear in the full-length performances.
On January 31, igg6, Wynton Marsalis and the Lincoln Center Jazz Orchestra Nonet will perform a special youth performance at the Michigan Theater.
Discounted tickets are also available for UMS concerts as part of the Youth Program to encourage students to attend concerts with their teachers as a part of the regular curriculum. Parents and teachers are encouraged to organize student groups to attend any UMS events, and the UMS Youth Program Coordinator will work with you to personalize the students' concert experience, which often includes meeting the artists after the performance. Many teachers have used UMS performances to enhance their classroom curriculums.
The UMS Youth Program has been widely praised for its innovative programs and continued success in bringing students to the performing arts at affordable prices. To learn more about how you can take advantage of the various programs offered, call the Education and Audience Development Director at 3 13.747.1 1 74-
Volunteers & Interns
Volunteers are always welcome and needed to assist the UMS staff with many projects and events during the concert season. Projects include helping with mailings, ushering for the Philips Educational Presentations, staffing the Information Table in the lobbies of concert halls, distributing publicity materials, assisting with the Youth Program by compiling educational materials for teachers, greeting and escorting students to seats at performances, and serving as good-will representatives for UMS as a whole.
If you would like to become part of the University Musical Society volunteer corps, please call (313) 747-1175 or pick up a volunteer applica?tion form from the Information Table in the lobby. Internships with the University Musical Society provide experience in performing arts management, marketing, journalism, publicity, promotion, and production. Semesterand year-long internships are available in many aspects of the University Musical Society's operations. Those interested in serving as a UMS Marketing Intern should call (3l3) 764-6199, and those interested in a UMS Production Internship should call (313) 747-1173 for more information.
College Work-Study
Students working for the University Musical Society as part of the College Work-Study pro?gram gain valuable experience in all facets of arts management including concert promotion and marketing, fundraising, and event planning and pro?duction. If you are a college student who receives work-study financial aid and who is interested in working for the University Musical Society, please call 764-2538 or 764-6199.
UMS Ushers
Absolute chaos. That is what would ensue without ushers to help concertgoers find their seats at UMS performances. Ushers serve the essential function in assisting patrons with seating and distributing program books. With their help, concerts begin peacefully and pleasantly.
The UMS Usher Corps comprises 275 individuals who volunteer their time to make concertgoing easier. Music lovers from the community and the university constitute this valued group. The all-volunteer group attends an orientation and training session each fall. Ushers are responsible for working at every UMS performance in a specific hall (Hill, Power, or Rackham) for the entire concert season.
The ushers must enjoy their work, because 85 of them return to volunteer each year. In fact some ushers have served for 30 years or longer. Bravi Ushers!
For more information about joining the UMS usher corps, call 313.913.9696
Dining Experiences To Savor: The Second Annual "Delicious Experiences"
Enjoy memorable meals hosted by friends of the University Musical Society, with all proceeds going to benefit UMS programs. Following last year's resounding success, won?derful friends and supporters of the University Musical Society are again offering a unique donation, by hosting a delectable variety of dining events. Throughout the year there will be elegant candlelight dinners, cocktail parties, teas, tailgates and brunches to tantalize your tastebuds. And thanks to the generosity
of the hosts, all proceeds will go directly to UMS__
to continue the fabulous music, dance, drama and educational programs that add so much to the life of our community.
Treat yourself, give a gift of tickets, purchase an entire event or come alone meet new people and join in the fun while supporting UMS! Among your choices are Autumn at the Mill (October 14, 1995), A Taste of Tuscany (November 11, 1995), English Afternoon Teas (December 10, 1995)1 Dinner at Cousins Heritage Inn (January 13, igg6), A Valentine Brunch (February 11, 1996), Mardi Gras Madness (February 24, 1996), An Elegant Dinner for Eight (March 2, 1996), Great Lakes Dinner (March 3, igg6), Great Wines and Many Courses (April 5, igg6), Lazy Day Sunday Brunch (April 7, igg6), Burmese Feast (April 27, 1996), A Taste of Spring" Garden Dinner (June 1, 1996), and La Fiesta Mexicana (June 8, igg6).
For the most delicious experience of your life, call us at 936-6837 for more information!
UMS Card
Subscribers who purchase at least $100 worth of tickets and supporters at the $ 100 level and above receive the UMSCard. The UMSCard is your ticket to savings all season for discounts on pur?chases. Participants for the 19951996 season include the following fine stores and restaurants: Amadeus Cafe Cafe Marie Gandy Dancer Kerrytown Bistro Maude's SKR Classical The Earle
The UMS Gift Certificate
What could be easier than a University Musical Society gift certificate The perfect gift for every occasion worth celebrating. Give the experience of a lifetime--a live performance-wrapped and delivered with your personal message.
Available in any amount, just visit or call the UMS box office in Burton Tower, 313.764.2538.
Advertising
with the University Musical Society
Five years ago, UMS began publishing expanded program books that included advertising and detailed information about UMS programs and services. As a result, advertising revenue now pays for all printing and design costs.
UMS advertisers have written to tell us how much they appreciate advertising in the UMS pro?gram books to reach you, our world-class audience. We hope that you will patronize the businesses who advertise with UMS and tell them that you saw their ad in the UMS program book so that we can continue to bring you the program notes, artists' biographies, and general information that illuminate each UMS presentation. For information about how your business can become a UMS advertiser, call (313) 747-4020.
Group Tickets
Event planning is simple and enjoyable at UMS! Organize the perfect outing for your group of friends or coworkers, religious congregation or conference participants, family or guests, by calling
313-763-3lo?-
Start by saving big! When you purchase your tickets through the UMS Group Sales Office your group can earn discounts of 15 to 25 off the price of every ticket, along with 1-2 complimentary tickets to thank you for bringing your group to a UMS event:
20 or more Adults earn a 15 discount, and
1 complimentary ticket;
47 or more Adults earn a 20 discount, and
2 complimentary tickets;
10 or more Students earn a 20 discount, and 1 complimentary ticket.
io or more Senior Citizens earn a 20 discount, and 1 complimentary ticket
For selected events, earn a 25 discount and 1 complimentary ticket.
Next, sit back and relax. Let the UMS Group Sales Coordinator provide you with complimentary promotional materials for the event, FREE bus park?ing, reserved block seating in the best seats available, and assistance with dining arrangements at a facility that meets your group's culinary criteria.
UMS provides all the ingredients for a success?ful event. All you need to supply are the partici?pants! Put UMS Group Sales to work for you by call?ing 3l3-73.3ioo.
Advisory Committee of the University Musical Society
The Advisory Committee is an integral part of the University Musical Society. It's role is a major one not only in providing the volun?teer corps to support the Society but also as a fund-raising component as well. The Advisory Committee is a 55-member organization which raises funds for UMS through a variety of events held throughout the concert season: an annual auction, the creative "Delicious Experience" dinners, gala dinners and dances, season opening and preand post-concert events. The Advisory Committee has pledged to donate $110,000 this current season. In addition to fund raising, this hard-working group generously donates valuable and innumerable hours in assisting with the educational programs of UMS and the behind-the-scenes tasks associated with every event UMS presents.
If you would like to become involved with this dynamic group, please give us at call at 936-6837 for information.
Thank You!
Great performances -the best in music, theater and dance -brought to you by the University Musical Society, would not be possible without the much-needed gifts of UMS supporters. The Society appreciates these members for their generosity.
The list below represents names of current contributors as of August 15, 1995-If there has been an error or omission, we sincerely apologize and would appreciate a call to correct this at your earliest convenience. (313-747-1178).
The University Musical Society would also like to thank those generous donors who wish to remain anonymous.
The Charles A. Sink Society
Honoring members with cumulative giving totals over $15,000.
Individuals
Dr. and Mrs. Robert G. Aldrich Herb and Carol Amster Jim Botsford and
Janice Stevens Botsford Carl and Isabelle Brauer Mr. Ralph Conger Margaret and Douglas Crary Mr. and Mrs. Thomas C. Evans Ken, Penny and Matt Fischer Dale and Marilyn Fosdick Sue and Carl Gingles Mr. and Mrs. Peter N. Heydon Mr. and Mrs. Howard S. Holmes Elizabeth E. Kennedy Mr. and Mrs. William C. Martin Judythe and Roger Maugh Charlotte McGeoch Mr. and Mrs. William B. Palmer John Psarouthakis Richard and Susan Rogel Maya Savarino and Raymond Tanter Dr. Herbert Sloan Carol and Irving Smokier Mr. Helmut F. Stern Dr. and Mrs. E. Thurston Thieme Estelle Titiev
CorporationsFoundations
The Edward Surovell Co.Realtors The Ann Arbor Area
Community Foundation Dahlmann Properties McKinley Associates Wolverine Temporaries, Inc. The Bernard L. Maas Foundation Warner-LambertParke-Davis Philips Display Components
Company
KMS Industries, Inc. First of America Bank
Great Lakes Bankcorp
Ford Motor Company
Ford Credit
The Grayling Fund
Michigan Council for Arts and
Cultural Affairs Jacobson Stores, Inc. National Endowment for the Arts Society Bank Mainstreet Ventures Lila Wallace-Reader's Digest Fund Arts Midwest
Burton Tower Society
The Burton Tower Society is a very special group of University Musical Society friends. These people have included the University Musical Society in their estate planning. We are grateful for this important sup?port to continue the great traditions of the Society in the future.
Mr. Neil P. Anderson
Mr. and Mrs. Pal E. Barondy
Mr. Hilbert Beyer
Mr. and Mrs. John Alden Clark
The Graham H. Conger Estate
Dr. and Mrs. Michael S. Frank
Mr. Edwin Goldring
Mr. Seymour Greenstone
Marilyn Jeffs
Dr. Eva Mueller
Mr. and Mrs. Dennis Powers
Mr. and Mrs. Michael Radock
The Estate of Marie Schlesinger
Dr. Herbert Sloan
Helen Ziegler
Mr. and Mrs. Ronald G. Zollars
Bravo Society
Individuals
Mr. Ralph Conger F. Bruce Kulp
Mr. and Mrs. William B. Palmer John Psarouthakis Richard and Susan Rogel Herbert Sloan Carol and Irving Smokier and several anonymous donors
Corporations
Chelsea Milling Company First of America Bank Ford Motor Company Great Lakes Bancorp JPEinc.The Paideia Foundation Main Street Ventures Society Bank Michigan TriMas Corporation Warner-LambertParke-Davis Research Division
FoundationsAgencies
Arts Midwest
Detroit Edison Foundation
Ford Motor Company Fund
Grayling Fund
KMD Foundation
Lila Wallace Reader's Digest Fund
Bernard L. Maas Foundation
Michigan Council for Arts and
Cultural Affairs National Endowment for the Arts
Concert Masters
Individuals
Herb and Carol Amster Maurice and Linda Binkow Mary Steffek Blaske and
Thomas Blaske Carl and Isabelle Brauer Dr. and Mrs. James P. Byrne David and Pat Clyde Margaret and Douglas Crary Harold and Anne Haugh Sun-Chien and Betty Hsiao James and Millie Irwin Mr. David G. and Mrs.
Tina M. LoeselCafe Marie Karen Koykka O'Neal and
Joe O'Neal Maya Savarino and
Raymond Tanter Lois and Jack Stegeman Edward Surovell and Natalie Lacy Mrs. M. Titiev
Dr. and Mrs. John F. Ullrich Ronald and Eileen Weiser Paul and Elizabeth Yhouse and several anonymous donors
Corporations
The Anderson Associates Brauer Investment Company Environmental Research Institute
of Michigan Ford Electronics Ford Motor Credit Company The Hertz Corporation The Thomas B. McMullen
Company NSK Corporation O'Neal Construction Philips Display Components
Company
The Edward Surovell Co.Realtors Wolverine Temporaries, Inc.
FoundationsAgencies
Chamber Music America
The Estate of Graham H. Conger
Leaders
Individuals
Bradford and Lydia Bates Kathleen G. Charla Katharine and Jon Cosovich Ronnie and Sheila Cresswell Gregg Alf and Joseph Curtin Mr. and Mrs. Thomas C. Evans Ken, Penny and Matt Fischer Charles and Mary Fisher Dale and Marilyn Fosdick Mr. and Mrs. Edward P. Frohlich Sue and Carl Gingles Keki and Alice Irani Robert and Gloria Kerry Judythe and Roger Maugh Paul and Rudi McCracken Dr. and Mrs. Joe D. Morris John M. Paulson John W. and Dorothy F. Reed Prudence and Amnon Rosenthal John Wagner
Mr. and Mrs. Conrad Walburger Elisc and Jerry Weisbach Marina and Robert Whitman and several anonymous donors
Corporations
Dahlmann Properties Detroit and Canada Tunnel
Corporation First of America Bank Gclman Sciences, Inc. Huron Valley Travel, Inc. Jacobson's Masco Corporation Pepper, Hamilton & Scheetz
Guarantors
Individuals
Dr. and Mrs. Gerald Abrams
Professor and Mrs. Gardner Ackley
Jerry and Barbara Albrecht
Dr. and Mrs. Robert G. Aldrich
Mr. and Mrs. Max K. Aupperlc
Robert and Martha Ausc
John and Betty Barfield
Howard and Margaret Bond
Tom and Carmel Borders
Jim Botsford and Janice Stevens Botsford
Thomas R. Bower and
Karen F. Stapleton-Bower
Drs. Barbara Everitt and John H. Bryant Mr. and Mrs. Richard J. Burstcin Jean M. and Kenneth L. Casey Mr. and Mrs. John Aldcn Clark Leon and Heidi Cohan Maurice and Margo Cohen Roland J. Cole and Elsa Kircher Cole Pedro and Carol Cualrecasas Robert and Janice DiRomualdo Jack and Alice Dobson Martin and Rosalie Edwards Dr. Stewart Epstein Richard and Marie Flanagan Robben and Sally Fleming John and Esther Floyd Sara and Michael Frank Judy and Richard Fry William C. and Ruth Gilkey Vivian Sosna Gottlieb and Norm Gotdieb Mr. and Mrs. Robert C. Graham Jester Hairston Debbie and Norman Herbert Janet Bowe Hocschler Robert M. and Joan F. Howe Stuart and Maureen Isaac Chuck and Heidi Jacobus Mercy and Stephen Kasle Thomas E. and Shirley Y. Kauper Bud and Justine Kulka David Lebenbom Carolyn and Paul LJchter Patrick B. and Kathy Ixmg Joseph McCune and Georgiana Sanders Rebecca McGowan and
Michael B. Staebler H. Dean and Dolores H. Millard Dr. and Mrs. Andrew and
Candice Mitchell Ginny and Cruse Moss George and Barbara Mrkonic William A. Newman Bill and Marguerite Oliver Mark and Susan Orringer Dory and John Paul Maxine and Wilbur K. Pierpont Christine Price Tom and Mary Princing Bonnie and Jim Reece Elisabeth J. Rees Mr. and Mrs. Raymond Reilly Glenda Rcnwick Katherine and William Ribbcns Jack and Margaret Rickclts Richard and Norma Sarns Genie and Reid Sherard Victor and Marlcne Stoeffler Dr. and Mrs. E. Thurston Thieme Jerrold G. Utsler Mary and Ron Vanden Belt Dr. and Mrs. Francis V. Viola III John and Maureen Voorhces Martha Wallace and Dennis White
Guarantors, continued
Dr. and Mrs. Andrew S. Watson Mr. and Mrs. Robert O. Weisman Roy and JoAn Wetzel Brymer and Ruth Williams Len and Maggie Wolin Nancy and Martin Zimmerman and several anonymous donors
Corporations
American Title Company of Washtenaw
The ll.ti Ii] 1 CompanyBartech
Borders Books and Music
Comerica Bank
Creditanstalt-Bankverein
Kitch, Drutchas, Wagner, & Kenney, P.C.
M.O.R.-Pace
Matthew C. Hoffmann Jewelry Design
NBD Ann Arbor N.A.
Norsk Hydro a.s Oslo
Scientific Brake and
Equipment Company Shar Music Company
FoundationsAgencies
Chrysler Corporation Fund
Sponsors
Individuals
Bernard and Raquel Agranoff
M. Bernard Aidinoff
Catherine S. Arcure
Mr. and Mrs. Essel Bailey
Jim and Lisa Baker
Emily W. Bandera, M.D.
M. A. Baranowski
Ralph P. Becbe
Mrs. L.P. Benua
Dr. and Mrs. Raymond Bernreuter
Mr. and Mrs. Philip C. Berry
Robert Hunt Berry
Joan Binkow
Charles and Linda Borgsdorf
Mr. and Mrs. Robert S. Bradley
Allen and Veronica Britton
David and Sharon Brooks
Jeanninc and Robert Buchanan
Lawrence and Valerie Bullen
LetitiaJ. Byrd
Jean W. Campbell
Bruce and Jean Carlson
Edwin F. Carlson
Mrs. Raymond S. Chase
Pat and Ccorge Chatas
Arnold and Susan Coran
H. Richard Crane
Peter and Susan Darrow
Kenneth and Judith DcWoskin
Molly and Bill Dobson
Jim and Patsy Donahey
Jan and Gil Dorer
I.iiuInn Farrand and Daniel Moerman
Dr. and Mrs. William L. Fox
Victor and Marilyn G. Gallatin
Bevcrley and Gerson Geltner
Margaret G. Gilbert
Grace M. Girvan
Paul and Anne Glendon
Dr. and Mrs. William Grade
Linda and Richard Greene
Seymour D. Greenstone
John and Helen Griffith
Mr. and Mrs. Robert Grijalva
Mr. and Mrs. Elmer F. Hamel
Walter and Dianne Harrison
Jay and Maureen Hartford
Harlan and Anne Hatcher
Dr. and Mrs. Sanford Herman
Bertram Herzog
Kathleen and Timothy Hill
Julian and Diane Hoff
Matthew C. Hoffmann and
Kerry McNulty Janet Woods Hoobler Che C. Huang and
Teresa Dar-Kuan L. Huang Patricia and John Huntington Gretchen and John Jackson Susan and Stevo Julius Robert L. and Beatrice H. Kahn Wilhelm and Sigrun Kast Barbara and Charles Krause Helen and Arnold Kuethe Barbara and Michael Kusisto Suzanne and Lee E. Landes Mr. and Mrs. David Larrouy Mr. Richard G. LeFauve and
Mary F. Rabaut-LeFauve Leo A. Legatski
Mr. and Mrs. Fernando S. Leon Dean S. Louis, M.D. Mr. and Mrs. CarlJ. Lutkehaus Brigitte and Paul Maassen John and Cheryl MacKrell Peggy and Chuck Maitland Kathleen Beck and Frank Maly Marilyn Mason and William Steinhoff Kenneth and Martha McClatchey John F. McCuen
Kevin McDonagh and Leslie Crofford Charlotte McGeoch Hattie and Ted McOmber Robert and Ann Meredith Barry Miller and Gloria Garcia Ronald Miller
Grant Moore and Douglas Weaver Mr. Erivan R. Morales and
Mr. Seigo Nakao
M. Haskell and Jan Barney Newman Mr. and Mrs. William J. Pierce
Eleanor and Peter Pollack Mrs. Gardner C. Quarton Stephen and Agnes Reading Mr. Donald H. Regan and Ms. Elizabeth Axelson Dr. and Mrs. Rudolph E. Rcichert Maria and Rusty Rcstuccia Mrs. Bernard J. Rowan Mr. and Mrs. Charles H. Rubin Peter Schaberg and Norma Amrhein Mrs. Richard C. Schneider Rosalie and David Schottenfeld Professor Thomas J. and
Ann Sneed Schriber George and Mary Sexton Julianne and Michael Shea Constance Sherman Mr. and Mrs. George Shirley Edward and Marilyn Sichler George and Helen Siedel Lloyd and Ted St. Antoine Mrs. John D. Stoner Dr. and Mrs. Jeoffrey K. Slross Nicholas Sudia and Nancy Bielby Sudia Mr. and Mrs. Robert M. Teeter Mr. and Mrs. Terril O. Tompkins Herbert and Anne Upton Joyce A. Urba and David J. Kinsella Charlotte Van Curler Don and Carol Van Curler Jerry Waldcn and Julia Tiplady-Walden Bruce and Raven Wallace Karl and Karen Weick Angela and Lyndon Welch Brymer and Ruth Williams Walter P. and Elizabeth B. Work, Jr. and several anonymous donors
Corporations
Michigan National Bank Sarns, 3M Health Care
FoundationsAgencies
The Power Foundation Shiftman Foundation Trust
Benefactors
Individuals
Marilyn and Armand Abramson
Jim and Barbara Adams
Dr. and Mrs. David G. Anderson
Hugh and Margaret Anderson
David and Katie Andrea
Tim Andresen
Harlcne and Henry Appclnmn
Mr. and Mrs. Arthur J. Ashe
Eric M. and Nancy Aupperlc
Erik W. and Linda Lee Austin
Robert L. Baird
Paulett and Peter Banks
Cyril and Anne Barnes
Gail Davis Barnes
Dr. and Mrs. Mason Barr.Jr.
Dr. and Mrs. Robert Barllett
Dr. David Noel Freedman,
Dr. Astrid Beck Neal Bedford and
Gerlinda Melchiori Harry and Betty Benford Ruth Ann and
Stuart J. Bcrgsiein Mr. and Mrs. S.E. Berki Abraham and Thelma Berman Suzanne A. and
Frederick J. Beutler Maureen Foley and
John Blankley George and Joyce Blum Ronald and Mimi Bogdasarian Roger and Polly Bookwalter Robert and Sharon Bordeau Dean Paul C. Boylan Paul and Anna Bradley William R. Brashear Betsy and Ernest Brater Professor and Mrs. Dale E. Brings Gerald and Marceline Bright June and Donald Brown Morton B. and Raya Brown Arthur and Alice Burks Eugene and Martha Burnstein Phoebe R. Burl Rosemarie and Jurg Caduff Mrs. Theodore Cage Freddie Caldwell H. D. Cameron Charles and Martha Canncll Jim and Prise ilia Carlson Shelly and Andrew Caughey Tsun and Siu Ying Chang Dr. Kyung and Young Cho Nancy Cilley Janice A. Clark John and Nancy Clark Wayne and Melinda Colquitt Edward J. and Anne M. Comcau Gordon and Marjorie Comfort Sandra S. Connellan Maria and Carl Constant Jim and Connie Cook Lolagene C. Coombs Gage R. Cooper Mary K. Cordes Alan and Belle Cotzin Clifford and Laura Craig Merle and Mary Ann Crawford W.P. Cupples
Dr. and Mrs. Charles Davenport Ed and Ellic Davidson Jean and John Debbink Laurence and Penny Deitch Elena and Nicholas Delbanco Raymond A. Dctter Benning and Elizabeth Dexter Macdonald and Carolin Dick Tom Doanc and
Palti Marsh all-Doane Dr. and Mrs. Edward F. Domino Dr. Steven M. and Paula R. Donn
William G. and Katherine K. Dow Allan and Cecilia Dreyfuss Nancy Griffin DuBois Sally and Morgan Edwards Dr. Alan S. Eiser Emil and Joan Engel Mark and Patricia Enns Jerome and Carolync Epstein Ellen C. Wagner and
Richard Epstein Don Faber Elly and Harvey Falit Dr. and Mrs. John A. Faulkner I pi .1 and David Felbeck Reno and Nancy Feldkamp Sidney and Jean Fine Hcrschel and Annette Fink Mrs. Belli J. Fischer Susan Fisher and John Waidley Ray and Patricia Fitzgerald Stephen and Suzanne Fleming Jennifer and Guillermo Flores Ernest and Margot Fontheim Mr. and Mrs. George W. Ford James and Anne Ford Ilene H. Forsyth Phyllis W. Foster Paula L. Bockenstedt and
David A. Fox
Deborah and Ronald Freedman .David Fugenschuh and
Karcy Leach
Harriet and Daniel Fusfeld Gwyn and Jay Gardner Del and Louise Garrison Professor and Mrs. David Gates Wood and Rosemary Geist Henry and Beverly Gershowitz Elmer G. Gilbert and
Lois M. Verbrugge Drs. Sid Gilman and
Carol Barbour Fred and Joyce Ginsberg J. Richard Goulet, M.D. Mrs. William C. Grabb Ruth B. and Edward M. Gramlich Jerry and Mary K. Gray Dr. John and Rencc M. Greden Daphne and Raymond Grew Leslie and Mary Ellen Guinn Ken and Margaret Guire George N. Hall Marcia and John Hall Mary C. Harms Susan R. Harris Clifford and Alice Hart Theodore Hefley and
Eleanor Banyai
Kenneth and Jeanne Hcininger Margaret and Walter Helmreich John L. and
Jacqueline Stearns Henkcl Herb and Dee Hildebrandt John and Maurita Holland Mary Jean and Graham Hovcy Drs. Linda Samuclson and
Joel Howell Mrs. V. C. Hubbs David and Dolores Humes Ronald R. and
Gaye H. Humphrey
Mrs. George R. Hunsche
Mr. and Mrs. David Hunting, Jr.
Robert B. and Virginia AIngling
Ann K. Irish
John and Joan Jackson
Mr. and Mrs. Donald E.Jahnckc
Wallie and Janet Jeffries
Mr. and Mrs. James W.Jensen
Donald and Janice Johnson
Mrs. Ellen C.Johnson
Stephen G.Josephson and
Sally C. Fink
Dr. and Mrs. Mark S. Kaminski Professor and
Mrs. Wilfred Kaplan Herb Katz Anna M. Kauper Mr. and Mrs. Jacob Kellman Don and Mary Kiel Paul and Leah Kileny Mr. and Mrs. Thomas C. Kinnear RIir.i and Leslie Kish Dana and Paul Kissner Hermine R. Klingler Philip and Kathryn Klintworth Joseph and Marilynn Kokoszka Dimitri and Suzanne Kosacheff Samuel and Marilyn Krimm William G. Kring Alan and Jean Krisch Mae and Arthur Lanski Mr. and Mrs. Henry M. Lapeza John K. Lawrence Ann M. Leidy Bobbie and Myron Levine Evie and Allen Lichter Jody and Leo Lighthammcr Mark Lindley Vi-Cheng and Hsi-Yen Liu Dean and Betty Lockwood Jane Lombard Dan and Kay Long Robert G. Lovell Charles and Judy B. Lucas Barbara and Edward Lynn Doni and Donald Lystra Frederick C. and
Pamela J. Mackintosh Sadie C. Maggio Steve and Ginger Maggio Virginia Mahle Alan and Carla Mandel Melvin and Jean Manis Eddie and Cathy Marcus Geraldine and Sheldon Market Rhoda and William Martcl Dr. and Mrs. Josip Matovinovic Mary and Chandler Matthews Margaret and
Harris McClamroch Bruce and Mary McCuaig Griff and Pat McDonald Elaine J. McFaddcn Bill and Ginny McKeachic Margaret McKinley Daniel and Madelyn McMurtrie Jerry and Rhona Meislik Walter and Ruth Metzger Charles and Helen Melzner Piotr and
Deanna Relyea Michalowski
Leo and Sally Micdler Myrna and Newell Miller Lester and Jeanne Moms James N. Morgan Dr. and Mrs. George W. Morley Cyril and Rona Moscow Dr. Eva L. Mueller Hillary Murt and
Bruce A. Friedman Dr. and Mrs. Gunder A. Myran Geri Chipault and
Fred Neidhardt Sharon and Chuck Newman Mr. and Mrs. Marvin L. Niehuss Virginia and Gordon Nordby Richard S. Nottingham Marylen and Harold Oberman Patricia O'Connor Judith S. Olson
Constance L and David W. Osier Richard and Miranda Pao William C. Parkinson Randolph Paschke Ara and Shirley Paul Dr. Owen Z. and
Barbara A. Pcrlman Frank and Nelly Petrock Lorraine B. Phillips Sharon McKay Pignanclli Barry and Jane Pitt Randall and Mary Pittman Donald and Evonne Plantinga Maj. Gen. and Mrs.
Robert R. Ploger USA (ret.) Cynthia and Roger Postmus Mrs.J.D. Prendergast Larry and Ann Preuss Charleen Price Richard H. and Mary B. Price Jerry and Millard Pryor David and Stephanie Pyne Mrs. Joseph S. Radom Homayoon Rahbari, M.D. Jim and leva Rasmussen Katherine R. Reebel Mr. and Mrs. H. Robert Reynolds Dave and Joan Robinson Dr. John Roman i and
Ms. Barbara Anderson Gay and George Roscnwald Elva M. Rosenzweig Dr. Nathaniel H. Rowe Dr. Glenn RuihU-v Jerome M. and Lee Ann Salle Ina and Terry Sandalow Dr. and Mrs. Michael G. Sarosi Dr. Albert J. and Jane K. Sayed Mary A. Schieve and
Andy Achenbaum David and Marcia Schmidt Elizabeth L. Schmitt Dr. and Mrs.
Charles R. Schmitter.Jr. David E. and
Monica N. Schteingart Art and Mary Schuman Suzanne Selig Marvin and Harriet Selin Joseph and Patricia Settimi Mr. Thomas Sheets Dr. and Ms. Howard and
Aliza Shevrin
Benefactors, continued
I lull is and Martha Showalter Dr. Bruce M. Sicgan Scott and Joan Singer Alene M. Smith Carl .uhI .m Smith George and Mary Elizabeth Smith Dr. and Mrs. Michael W. Smith Mr. and Mrs. Robert W. Smith Virginia B. Smith Cynthia J. Sorensen Juanita and Joseph Spallina Allen and Mary Spivey David and Ann Staiger Mrs. Ralph L. Steffek Dr. and Mrs. Alan Steiss Thorn and Ann Sterling Professor Louis and
Glennis Stout
Dr. and Mrs. Stanley Strasius Aileen and Clinton Stroebel Charlotte Sundelson Ronald and Ruth Sutlon Dr. Jean K. Takeuchi Jerry and Susan Tarpley E-a and Sam Taylor Mary D. Teal
James L. and Ann S. Telfer Edwin J.Thomas Tom and Judy Thompson Ted and Marge Thrasher Hugo and Karla Vandersypen Jack and Marilyn van der Velde Rebecca Van Dyke Michael L. Van Tassel William C. Vassell Carolyn and Jerry Voight Mr. and Mrs. Timothy Wadhams Warren H. and
Florence S. Wagner Mr. and Mrs. Norman C. Wait Charles and Barbara Wallgren Robert D. and Liina M. Wallin Dr. and Mrs. Jon M. Wardner Ruth and Chuck Watts Robin and Harvey Wax Mrs. Charles F. Weber illcs and Kathleen Weber Deborah Webster and
George Miller Lawrence A. Weis and
Sheila Johnson Raoul Weisman and
Ann Friedman Walter L. Wells Dr. Steven W. Werns Marcy and Scotl Westerman Ruth and Gilbert Whitaker B. Joseph and Mary White William and Cristina Wilcox Mrs. Elizabeth Wilson Mr. and Mrs. William Wilson Beth and I.W. Winsten Marion T. Wirick Aileen Gatten and Charles Witke Charlotte Wolfe Frank E. Wolk Dr. and Mrs. Ira Wollner Mr. and Mrs. A. C. Wooll Charles R. and Jean L. Wright Phyllis B. Wright Don and Charlotte Wyche Ryuzo Yamamoto
Mr. and Mrs. Edwin H. Young R. Roger and Bettc F. Zauel Mr. and Mrs. Martin Zcile and snirral anonymous donors
Corporations
Briarwood Shopping Center (Iheltea Flower Shop Dough Boys Bakery Edwards Brothers, Inc. Gandy Dancer King's Keyboard House Miller, Canfield, Paddock,
and Stone Republic Bank Urban Jewelers The Witte Museum
Foundations Agencies
The Richard and Meryl Place Fund
Patrons
Individuals
Tim and Leah Adams
Ronald and Judith Adler
Anastasios Alexiou
Mr. and Mrs. Gordon E. Allardyce
Margaret and Wickham Allen
Augustine and Kathleen Amaru
Mr. and Mrs. David Aminoff
Mr. and Mrs. (Charles T. Anderson
Bert and Pat Armstrong
Mr. and Mrs, Lawrence E. Arnett
Michael Avsharian
Charlene and Eugene Axelrod
Jonathan and Marlene Ayers
Joseph C. Bagnasco
Richard and Julia Bailey
Jean and Gaylord Baker
Dr. and Mrs. Daniel R. Balbach
Chris and Lesli Ballard
John R. Bareham
Norman E. Barnett
Donald C. Barnette.Jr.
Margo Barron
Leslie and Anita Bassctt
Dr. and Mrs. Jere M. Bauer
Mr. and Mrs. Steven R. Beckert
Robert M. Beckley and
Judy Dinesen
David and Mary Anne Beltzman Ronald and Linda Benson Mr. and Mrs. Ib Bentzen-Bilkvist Helen V. Berg Reuben and
Barbara Levin Bergman Marie and Gerald Berlin Lawrence S. Berlin Gene and Kay Berrodin Andrew H. Berry, D.O. R. Bczak and R. Halsiead Naren and Nishta Bhatia
Illi.u.it C Bhushan Eric and Doris Billes Richard and Roswitha Bird William and Ilciie Birgc Elizabeth S. Bishop Mr. and Mrs. H. Harlan Bloomer Beverly J. Bole
Mr. and Mrs. Mark D. Bomia Harold and Rebecca Bonncll Drs. Laurence and Grace Boxer Dr. and Mrs. Ralph Bozcll Richard Brandt and
Karina Niemeyer Representative Liz and
Professor Enoch Brater Mr. and Mrs. Patrice Brion William and Sandra Broucek Mrs. Joseph Brough Mr. Olin L. Browder Mr. and Mrs. Addison Brown Mr. Charles C. Brown Linda Brown and Joel Goldberg Mr. and Mrs. John M. Brueger Mrs. Webster Brumbaugh Dr. and Mrs. Donald T. Bryant William and Cynthia Burmeister Waneta Byrnes and
Sherry A. Byrnes Edward and Mary Cady Mrs. Darrell A. Campbell Jan and Steve Carpman Jeanette and Robert I. Carr Daniel Carroll and
Julie A.C. Virgo Mr. and Mrs. Dennis Carroll John and Patricia Carver Mr. George Casey Dr. and Mrs. James T. Cassidy Kathran M. Chan Mr. and Mrs.
Nicholas G. Chapckis, Sr. Mr. James S. Chen Robert and Eileen Choale Edward and Rebecca ChudacofT Robert J. Cierzniewski Pat Clapper
Brian and Cheryl Clarkson John and Kay Clifford Roger and Mary Coe Ed and Cathy Colone Mr. and Mrs. Craig Common Marjorie A. Cramer Kathleen J. Crispell and Thomas S. Porter Lawrence Crochier Mr. and Mrs. James I. Crump Mr. and Mrs. John R. Dale Mr. William H. Damon HI Millie and Lee Danielson Jane and Gawaine Dart Mr. and Mrs. Arthur W. Davidge Laning R. Davidson, M.D. Ruth and Bruce P. Davis James Davis and
Elizabeth Waggoner Mr. and Mrs. R.C. Davis Mr. and Mrs. Ronald G. Dawson Robert and
Barbara Ream Debrodt Dr. and Mrs. Raymond F. Decker Rossanna and George DeGrood Elizabeth and Edmond DeVine Meg Diamond Martha and Ron DiCecco Gordon and Elaine Didier
A. Nelson Dingle Dr. Edward R. Doezcma Thomas and Esther Donahue Mr. Thomas Downs Roland and Diane Drayson Mr. and Mrs. Harry Dreffs John Dryden and Diana K.iiuii President and Mrs.
James Dudcrstadt Dr. and Mrs. Cameron B. Duncan Rosanne and Sandy Duncan Robert and Connie Dunlap Edmund H. and Mary B. Durfec John V. Durstine George C. and Roberta R. Earl Mr. and Mrs. William G. Earle Jacquclynne S. Ecclcs Mr. and Mrs. John R. Ed man David A. Eklund Judge and Mrs. S.J. Elden Ethel and Sheldon Ellis Gcncvicvc I K
Mackenzie and Marcia Endo kaihlyn F. Engel Bill and Karen Ensminger Mr. and Mrs. Frederick A. Erb Dorothy and Donidd F. Eschman Adele Ewell
Mr. and Mrs. Robert B. Fair, Jr. Dr. and Mrs. Cyrus Farrehi David and Joanna Fcatherman Dr. and Mrs. Irving Feller Phil and Phyllis Fcllin Carol I imm in mi Clay Finkbeiner C Peter and Bev A. Fischer Dr. and Mrs, John Fischer Jon Fischer
Barbara and James Fitzgerald Dr. and Mrs. Mehin Flainenbaum Jon Flicgel Doris E. Foss
Mr. and Mrs. Howard P. Fox Lucia and Doug Frceth Linda and Larry French Richard and Joanna Friedman Gail Fromcs LelaJ. Fuester
Carol Gagliardi and David Flesher Jane Galantowicz Bernard and Enid Galler Joyce A. Gamm Mrs. Don Gargaro Stanley and Priscilla Garn Drs. Steve Geiringer and
Karen Bantel
Beth Genne and Allan Gibbard Bruce and Anne Genovese Michael Gerstenberger W. Scott Gerstenberger and
Elizabeth A. Sweet David and Maureen Ginsberg Albert and Almcda Girod Robert and Barbara Gockel Dr. and Mrs. Howard S. Goldberg Mary L. Golden Ed and Mona Goldman Irwin J. Goldstein and Marty Mayo Steve and Nancy Goldstein Mrs. Eszter Gombosi Elizabeth N. Goodenough and
James G. Leaf Mitch and Barb Goodkin Mr. and Mrs. Jon L. Gordon Don Gordus
Scima and Albert Gorlin
Naomi Gottlieb
Michael L. Gowing
Christopher and Elaine
Graham
Elizabeth Needham Graham
Whit and Svea Gray
Lila and Bob Green
Harry Green berg and
Anne Brockman Dr. and Mrs. I-azar J. Greenfield
Bill and Iouise Gregory Linda and Roger Grekin Susan and Mark Griffin Werner H. Grilk Robert M. Grover Mr. Philip Guire Arthur W. Gulick, M.D. Margaret Gutowski and
Michael Marietta Don P. Haefner and
Cynthia J. Stewart Helen C Hall Claribel Halslead Margo Halsted
Mr. and Mrs. Herbert R. Harjes Stephen G. and
Mary Anna Harper Antonio and Dolores Harris Susan P. Harris Jean Harter Elizabeth C. Hassinen James B. and Roberta T. Hause Mr. and Mrs. George Hawkins Rose and John Henderson Mr. and Mrs. Richard Henderson Mr. and Mrs. Karl P. Henkel Jeanne Hernandez Ramon and Fern Hernandez Tatiana Herrero Bernstein Fred and Joyce Hershcnson ElfridaH. Hiebertand
Charles W. Fisher Lorn a and Mark Hildebrandt Mr. and Mrs. Jerry Leigh Hill Joanne and Charles Hocking Louise Hodgson Jane and Dick Hoerner Carol and Dieter Hohnke Ken and Joyce Holmes John F. and Mary H. Holt Dr. and Mrs. Frederic B. House Helga Hover
Drs. Richard and Diane Howlin Charles T. Hudson Harry and Ruth Huff Joanne W. Hulce Ken and Esther Hulsing Ann D. Hungerman Mr. and Mrs. Russell L. Hurst Eileen and Saul Hymans Edward C. Ingraham Perry Elizabeth Irish Edgar F. and M.Janice Jacobi Harold and Jean Jacobson Jim and Dale Jerome Paul and Olga Johnson Tom and Marie Juster Mary B. and Douglas Kahn Mary Kalmes and
Larry Friedman Steven R. Kalt Paul Kantor and Virginia Weckstrom Kantor
Mr. and Mrs. Irving Kao Deborah and Ralph K.u Kuri and Marilee Kaufman Mr. and Mrs. N. Kazan Frank and Patricia Kennedy Iinda Atkins and Thomas Kenney Benjamin Kcrner Heidi and josh Kerst William and Betsy Kincaid Howard King and
Elizabeth Sayre-King Esther Kirshbaum James andJamKistci Shira and Steve KJein Gerald and Eileen Klos Mr. and Mrs. Edward Klum Jolene and Gregory Knapp Seymour Kocnigsberg Mclvyn and Linda Korobkin Rebecca Kott
Mr. and Mrs. Jerome R. Koupal Mr. and Mrs. E. J. Kowalcski Jean and Dick Kraft Robert Krasny David and Martha Krehbiel William J. Bucci and
Janet Kreiling Alexander Krezel John A. andjustine Krsul Danielle and George Kuper Dr. and Mrs. Richard A. Kutcipal Mr. and Mrs. Seymour Lamport Henry and Alice Landau Marjoric Lansing Beth and George Lavoie Ted and Wendy Lawrence Laurie and Bob LaZebnik Leslie and Robert Lazzerin, Jr. Sue Leong Margaret E. Leslie Richard LeSueur Don and Carolyn Dana Lewis Jacqueline H. Lewis Daniel E. and Susan S. Lipschutz Nathan and Eleanor Lipson Rod and Robin LitUe Dr. Jackie Livesay Peter Lo Naomi E. Lohr Diane and Dolph Ixjhwasser Ronald Longhofer Leslie and Susan Loomans Luisa Lopez-Grigera Mr. and Mrs. Richard S. Lord Bruce and Pat Loughry Ross E. Lucke Lynn Luckenbach Robert and Pearson Macek Susan E. Macias Charlene and
William MacRitchie Ghun I. Mah
Geoffrey and Janet Maher Deborah Malamud and
Neal Plotkin Dr. Karl D. Malcolm Claire and Richard Malvin Mr. and Mrs. Kazuhiko Manabe Pearl Manning Paul and Shari Mansky Mr. and Mrs.
Anthony E. Mansueto Marcovitz Family Mr. and Mrs. Damon L. Mark Dr. Howard Markel
Marjorie and Robert Marshall
Dr. and Mrs.J.E. Martin Margaret Massialas Tamolsu Matsumoto Marilyn Mazancc Benedict Margaret E. McCarthy Ernest and Adclc McCarus Cathryn S. and
Ronald G. McCready Dores M. McCree Mary and Norman Mclver Robert E. and
Nancy A. Mcader Mr. and Mrs. John Merrifield Henry D. Messcr and
Carl A. House Robert and Bettie Metcalf Professor and Mrs.
Donald Meyer
Dr. and Mrs. Robert A. Meyers Jack and Carmen Miller Bob and Carol Milstein Thomas and Doris Miree Mr. and Mrs.
William G. Moller.Jr. Arnold and Gail Morawa Sophie and Robert Mordis Kenneth and Jane Moriarty John and Michelle Morris Brian and Jacqueline Morton Mrs. Erwin Muchlig Janet Muhleman Gavin Eadie and
Barbara Murphy Rosemarie Nagel Tatsuyoshi Nakamura Dr. andMrs.J.V. Neel Martin Neuliep and
Patricia Pancioli Jack and Kerry Kclly-Novick Lois and Michael Okscnberg Robert and Elizabeth Oneal Annekc dc Bruyn Ovcrseth Julie and Dave Owens Mrs. John Panchuk Dr. and Mrs. Sujit K. Pandit James and Bella Parker Evans and Charlene Parrott Mr. and Mrs. Brian P. Patchcn Eszthcr T. Pattantyus Nancy K. Paul Ruth and Joe Payne Agnes and Raymond Pearson F.Johanna Peltier Roy Penchansky and Elizabeth Bates Bradford Perkins Susan A. Perry Robert and Mary Ann Pierce Dr. and Mrs. James Pikulski Mr. and Mrs.
Robert H. Plummcr Martin A. Podolsky Drs. Edward and
Rhoda Powsner Ernst Pulgram Michael and Helen Radock Dr. and Mrs. Robert Rapp Mr. and Mrs.
Robert Rasmussen Gabriel Rebeiz Jim and Toni Reese Anthony I.. Reffells and Elaine A. Bennett
Dorothy and Stanislav Rehak JoAiine C Reuss David RcMinltls John and Nancy Reynolds Jesse Richards Elizabeth G. Richart Constance Rinehart Joe Roberson Peter and Shirley Roberts Richard C. Rockwell Willard and Mary Ann Rodgers Mr. and Mrs. Stephen J. Roger Mrs. Irving Rose Elizabeth A. Rose Dr. Susan M. Rose Drs. Stephen Rosenblum and
Rosalyn Sarver
Gustave and Jacqueline Rosseels Dr. and Mrs.
Raymond W. Ruddon.Jr. Kenneth Rule John Paul Rutherford Tom and Dolores Ryan Mitchell and Carole Rycus James and Ellen Saalberg Theodore and Joan Sachs Arnold Sameroffand
Susan McDonough Howard and Lili Sandier John and Reda Santinga Dr. and Mrs. Edward G. Sarkisian Cxnirtland and Inga Schmidt Charlene and Carl Schmult Gerald and Sharon Schreiber Albert and Susan Schullz Michelle Schultz, M.D. Sheila and Ed Schwartz Jane and Fred Schwarz Ruth Scodel Jonathan Bromberg and
Barbara Scott
Douglas and Carole B. Scott Joanna and Douglas Scott Mary and John Sedlander John and Carole Segall Janet Sell
Louis and Sherry Senunas Richard Shackson Dr. and Mrs. J. N. Shanberge Brahm and I-orraine Shapiro David and Elvera Shappirio Ingrid and Clifford Sheldon Dr. and Mrs. Ivan Sherick Cynthia Shevel Jean and Thomas Shope John and Arlene Shy Milton and Gloria Siegel Ken Silk and Peggy Buttenheim Frances and Scott Simonds Donald and Susan Sinta Drs. Peter Smith and Diane Czuk-Smith Susan M. Smith Judy Z. Somers Victor and Laura Sonnino Katharine B. Soper Dr. Voram Sorokin Mr. and Mrs. Robert E. Spence Anne L. Spendlovc James P. Spica JeffSpindler Joan and Ralph Siahman Betty and Harold Stark Dr. and Mrs. William ('?. Stibium Mr. and Mrs. John C. Stegeman
Patrons, continued
Ed Stein and Pat McCune
Virginia and Eric Stein
Dr. and Mrs. Michael Steinberg
Frank D. Stella
James L. Stoddard
Robert and Shelly Stoler
Wolfgang F. Stolper
Anjanelle M. Stoltz, M.D.
Mrs. William H. Stubbins
Jenny G. Su
Mr. and Mrs. Earl G. Swain
Brian and Lee Talbot
Lois A. Theis
Carol and Jim Thiry
Mr. and Mrs. James W. Thomson
Charles and Peggy Tieman
Thelma and Richard Tolbert
Donna K. Tope
Dr. and Mrs. Merlin C. Townley
Wtkiko Tsunoda
William H. and Gerilyn K. Turner
Taro Ueki
Katharine and Alvan Uhle
Gaylord E. and
Kathryn W. Underwood Dr. Samuel C. Ursu Madeleine Vallier Carl and Sue Van Appledorn Robert and Barbara Van Ess Marie B. and Theodore R. Vogt Sally Wacker
Delia DiPietro and Jack Wagoner Gregory and Annette Walker Eric and Sherry Warden Joan M. Weber Jack and Jerry Weidenbach Donna G. Weisman Barbara Weiss Mrs. Stanfield M. Wells, Jr. Ken and Cherry Westerman Susan and Peter Westerman Marjorie Westphal Marilyn L. Wheaton and
Paul Duffy Esther Redmount and
Harry While Janet F. White
Mr. and Mrs. Nathaniel Whiteside Mrs. Clara G. Whiting Douglas Wickens John Troy Williams Shelly F. Williams Dr. and Mrs. S. B. Winslow David and Lia Wiss Jeff and Linda Witzburg Noreen Ferris and Mark Wolcott Dr. Joyce Guior Wolf David and April Wright Dr. and Mrs. Clyde Wu Carl and Mary Ida Yost Mr. John G. Young and Mrs. Elizabeth French Young Shirley Young Ann and Ralph Youngren Frederic and Patricia Zeisler Mr. and Mrs. David Zuk David S. and Susan H. Zurvalec and several anonymous donors
Corporations
Adistra Corporation Coffee Beanery -Briarwood Mall ConCep
Cousins Heritage Inn Development Strategies Plus Garris, Garris, Garris & Garris, P.C Great Lakes Cycling & Fitness Jeffrey Michael Powers
Beauty Spa
Junior League of Ann Arbor Michigan Opera Theatre SKR Classical University Microfilms
International Van Bovcn Inc.
Donors
Individuals
Sue and Michael Abbott Jim and Jamie Abelson Philip M. Abruzzi Chris and Tena Achen Michihiko and Hiroko Akiyama Roger Albin and
Nili Tannenbaum Gregg T. Alf Harold and Phyllis Allen Forrest Alter
Nicholas and Marcia Alter Jim Anderson and Lisa Walsh Drs. James and Cathleen Culotta-Andonian Mary C. Arbour Thomas J. and Jill B. Archambeau Eduardo and Nancy Arciniegas Thomas J. and
Mary E. Armstrong Margaret S. Athay Mr. and Mrs. Dan E. Atkins III John and Rosemary Austgen Doris I. Bailo Drs. John and 1i11i.hi Back Bill andjoann Baker Mr. and Mrs. Richard P. Baks Ann Barden
David and Monika Barera Maria Kardas Barna Laurie and Jeffrey Barnett Joan W. Barth Beverley M. Baskins Ms. Maria do Carno Bastos Dorothy Bauer Harold F. Baut Mary T. Bcckcrman Robert B. Beers Dr. and Mrs. Richard Beil Dr. and Mrs. Walter Benenson Walter and Antje Beneson Merete and
Erling Blondal Bcngtsson Alice R. Bensen Dr. Rosemary R. Berardi James K. and Lynda W. Berg TJ. and M.R. Betlcy Ralph and Mary Beuhler Maria T. Beye
John and Marguerite Biancke Jack and Anne Birchfield Drs. Ronald C. and
Nancy V. Bishop Bill and Sue Black
Donald and Roberta Blitz
Dr. and Mrs. Frank Bongiorno
Robert and Shirley Boone
Edward G. and Luciana Borbely
LolaJ. Borchardt
Paul D. Boriium
Re-a and Morris Bornstein
John D. and M. Lcora Bowden
Jan and Bob Bower
Sally and Bill Bowers
David G. Bowman and
Sara M. Rutter William F. and
Joyce E. Braeuninger Cy and Luan Briefer AmyJ. and Clifford L. Broman Razellc and George Brooks Mr. and Mrs.
Edward W. Browning Phil Bucksbaum and
Roberta Morris Trudy and Jonathan Bulkley Miss Frances Bull Carolyn and Robert Burack Mrs. Sibyl Burling Mrs. Betty M. Bust Dr. and Mrs. Robert S. Butsch Barbara and Albert Cain Louis and Janet Callaway, Jr. Father Roland Calvert Susan and Oliver Cameron Dr. Ruth Cantieny Dennis and Kathleen Cantwell Susan Cares George R. Carignan Jack Cederquist David and Ilene Chait Mary Chambers Bill and Susan Chandler Ida K Chapin and
Joseph Spindel Belle H. Chen Joan and Mark Chesler Edward and Rebecca Chudacoff Ching-wei Chung Sallie R. Churchill Joan F. Cipelle Gary and Bonnie Clark Shirley A. Coc Arthur and Alice Cofer Dorothy Burke Coffey Alice S. Cohen Howard and Vivian Cole Nan and Bill Conlin Dr. and Mrs. William W. Coon Herbert Couf Joan and Roger Craig Mary Crawford Mary C. Crichton Thomas A. Crumm Ms. Carolyn Rundell Culotta Ms. Carolyn Cummisky RichardJ. Cunningham Frank and Lynn Curlin Suzanne Curtis Dr. and Mrs. Harold J. Daitch Ms. Marcia Dalbey Marylee Dalton Joanne Danto Honhart John H. D'Arms Mr. and Mrs. William B. Darnton DarLinda and Robert Dascola Ruth E. Datz Ed andjudi Davidson Jennifer Davidson
Morris and May Davidson
Nancy Davis
Elizabeth Delaney
Ms. Margaret H. Demant
Michael T. DePlonty
Mr. David Digirolamo
Linda Dintenfass
Douglas and Ruth Doane
Dick and Jane Dorr
Ruth P. Dorr
Dr. and Mrs. Charles H. Duncan
Michael R. Dungan
Elsie J. Dyke
John Ebenhoeh
Dwight and Mary Ellen Eckler
Ruth Eckstein
Sol and Judith Klkin
Dr. and Mrs. Charles Ellis
James H. Ellis and Jean A. Lawton
Dick and Helen Emmons
Mr. and Mrs. H. Michael Endres
Jim and Sandy Eng
Mr. and Mrs. C.E. Evans
Paul and Mary Fancher
Dr. Cheryl C. Farmer,
Mayor of Ypsilanii 11.mil,in and Katharine Farrell Dorothy Gittleman Feldman GeorgeJ. and Benita Feldman Yi-tsi M. Feuerwerker Ruth Fiegel Howard G. Finkel Mrs. Carl H. Fischer Eileen Fisher Winifred Fisher Dawn Foerg Jessica Fogel and
Lawrence Weiner George and Kathryn Folu Bill and Wanita Forgacs Ms. Julia Freer Mr. and Mrs. Otto W. Freitag Bart and Fran Fruch Rebecca and Bruce Gaffney Arthur Gallagher Edward Gamachc and
Robin Baker
Leonard and Mary Alice Gay Mr. and Mrs.
Matthew J. Germane Mr. and Mrs. Ralph J. Gerson Stephen and Lauran Gilbreath Beverly Jeanne Giltrow Il.ui Gittlen
Drs. Gary and Rachel Click Peter and Roberta Gluck Dr. Ben Gold Mr. and Mrs. Robert Gold Albert L. Goldberg Dr. and Mrs. Edward Goldberg Edie Goldenberg Anita and Albert Goldstein C Ellen Gonter M. Sarah Gonzalez Graham Good ing Enid M. Gosling Siri Gottlieb Larry and Martha Gray Elizabeth A.H. Green G. Robinson and Ann Gregory Sally Greve and Walter Fisher Jim and Lauretta Gribble Mrs. Atlee L. Grillot Lawrence and Esta Grossman Cyril Grum and Cathy Strachan
Dr. CarolJ. Guardo
Ms. Kay Gugala
Cheryl Gumpcr
Mr. and Mrs. Lionel Guregian
Joseph and Gloria Gurt
Dcbra Haas
Gary L. Hahn and
Deborah IHahn J.M. Hahn Marga S. Hampel Mr. and Mrs. Carl T. Hanks David and Patricia Hanna Mr. and Mrs. Glenn A. Harder R.J. Harmon Jane A. Harrell Connie Harris Laurelynne Daniels and
George P. Harris Robert Glen Harris Mr. and Mrs. Robert B. Harris Caroll and Beth Hart Jerome P. Hartwcg Mr. and Mrs.
Eugene Heffelfinger Dr. John D. Heidke Miriam Heins Jeff and Karen Helmick Gary L. Henderson Mr. and Mrs. Ralph Herbert Mr. and Mrs. Albert Hermah.i Emily F. Hicks Ms. Betty Hicks Jozwick Mark and Debbie Hildebrandt Mrs. Leonard E. Himler Peter G. Hinman
Elizabeth A. Young Hiroyake Hirata Melvin and Verna Holley Hisato and Yukiko Honda Mr. and Mrs. Harry Hopkins Jack and Davetta Homer Dr. Nancy Houk Jim and Wendy Fisher House Kenneth and Carol Hovey Mr. .mil Mis. William Huflord Ling Hung Diane Hunter Earl Jackson Marilyn G.Jeffs JoannJ. Jeromin Wilma M.Johnson Helen Johnstone Dean and Marika Jones Elizabeth M.Jones Phillip S.Jones Chris and Sandy Jung Professor and Mrs. Friu Kacnzig William and Ellen Kahn Lorec K, KalHainen Alan and Cheryl Kaplan Bob N. Kashino Franklin and Judith Kasle Alex and Phyllis Kato Maxine and David Katz Martin and Helen Katz Julia and Philip Kearney Janice Keller
Mr. and Mrs. Charles Kellerman Mary Kemme Robert and Lois Ketrow Jeanne Kin
Robert and Vicki Kiningham Klair H. Kissel Jim Klimer Alexander Klos
John and Marcia Knapp
Dr. and Mrs. William L. Knapp
Dr. Barbel Knaupcr
Sharon L. Knight
Lester Kobylak
Charles and Linda Koopmann
Michael and Paula Koppisch
Alan A. and Sandra L. Kortesoja
Ann Marie Kotre
Ethel and Sidney Krause
Doris and Donald Kraushaar
Kenneth C. Kreger
Syma and Phil Kroll
Jane Kulpinski
Eli and Lily Ladin
Ccle and Martin Landay
Patricia M. Lang
Walter and Lisa Langlois
Carl and Ann LaRue
Ms. Olya K. Lash
Sue C. Lawson
Fred and Ethel Lee
Paul and Ruth Lehman
Mr. and Mrs. C. F. Lchmann
Dr. and Mrs. Morton B. Lesser
Carolyn Dana Lewis
Thomas and Judy Lewis
Dr. David J. Lieberman
Ken and Jane Lieberthal
Ying-Chu Lin
Dr. and Mrs. Richard H. Lineback
Andi Lipson and Jerry Fishman
Barbara R. Lou
Donna and Paul Lowry
Jeannette Luton
JohnJ. Lynch, Atty.
Gregg and Merilee Magnuson
Ronald Majcwski and Mary Wolf
Donna and Parke Malcolm
Nancy and Philip Margolis
Erica and Harry Marsden
Yasuko Matsudo
Debra Mattison
Robert and Betsy Maxwell
John M. Allen and
Edith A. Maynard James and Kathleen McGauley Scott McGlynn James M. Beck and
Robert J. McGranaghan Louise E. McKinney Donald and Elizabeth McNair Anthony and Barbara Medeiros Samuel and Alice Meisels Norman and Laura Meluch Helen F. Meranda Rev. Harold L. Merchant Valerie D. Meyer Mr. and Mrs. Herbert M. Meyers Dick and Georgia Meyerson Steve and Elaine Mickel Dr. and Mrs. William Mikkelsen Ms. Virginia A. Mikola John Milford Gerald A. Miller Dr. and Mrs. Josef M. Miller Mr. and Mrs. Murray H. Miller Charles and Elizabeth Mitchell Wakaki Miyaji Ruth M. Monahan Kent and Roni Moncur P. Montgomery Ellyne and Arnold Monto Rosalie E. Moore Kiltie Berger Morelock
Mr. and Mrs. Thomas D. Morrow
Lora Myers
Vbshiko Nagamatsu
Louis and Julie Nagcl
R. andj. Ncedleman
Nancy Nelson
Mr. and Mrs. Cecil Nesbiu
Nikki E. Ncusiadt
Martha K. Niland
Gene and Pat Nissen
Laura Niuberg
Joan and John Nixon
Thomas P. OConnor
Michael and Jan O'Donnell
Nels and Mary Olson
Kaoru Onishi
Mr. JamesJ. Oscbold
Heiju Oak and James Packard
George Palty
Michael P. Parin
Janet Parkes
Evans and Charlene Parrotl
Roger Paul]
Vassiliki and Dimiiris Pavlidis
Edward J. Pawlack
Edwin and Sue Pear
Zoe and Joe Pearson
Donald and Edith Pelz
Mr. William A. Penner.Jr.
C. Anihony and Marie Phillips
Nancy S. Pickus
Daniel G. Piesko
Mr. and Mrs. John R. Politzer
Mr. and Mrs. Gerald Powrozek
Mary and Robert Pratt
Jerry Preston
John and Nancy Prince
Julian and Evelyn Prince
Ruth S. Putnam
G. Robina Quale
Dr. Leslie Quint
Susan M. and Farbod Raam
Mr. and Mrs.
Alfred C. Raphaelson Dr. and Mrs. Mark Rayport Maxwell and Marjorie Reade Russ and Nancy Reed Caroline Rehberg Mr. and Mrs. Frederick Rcmley.Jr. Ms. Molly Resnik M. Laurel Reynolds Alice Rhodes Lou and Sheila Rice Judy Ripple
William and Kayc Rittingcr Lisa E. Rives and Jason I. Collcns Janet K. Robinson, Ph.D. Margaret Deardcn Robinson Edith and Raymond Rose Bernard and Barbara Rosen Marilynn M. Rosen thai Charles W. Ross Jennifer Ross and Charles Daval Dr. and Mrs. David W. Roush Mr. and Mrs. John P. Rowc George and Matilda Rubin Mabel E. Rugen Sandra and Doyle Samons Harry W. and Elaine Sargous Elizabeth M. Savage Ms. Sara Savarino June and Richard Saxe Jochen and Helga Schacht Michael Joseph Schaetzlc Bonnie R. Schafer
Mr. and Mrs. Alan Schall Mr. and Mrs. F. Allan Schcnck Jeannettc C. Schnccbcrgcr Dr. and Mrs. DirkJ. Scholien Thomas H. Schopmeyer Katharine Collier and
Vizhak Schottcn Sue Schrocdcr Ailccn M. Schulze Syhia and Leonard Scgcl Richard A. Scid Elliot A. and
Barbara M. Scrafin Kiiiikam and Sudha Shah Anonymous Matthew D. Shapiro and
Susan L. Garctz Laurence Shear and
George Killoran Kathleen A. Shcchy William J. Sherzer Ms. Joan D. Showaller Mary A. Shulman Janet E. Shultz Riiy and Marylin Shusler Enrique Signori Fran Simek Bob and Elaine Sims Alan and Eleanor Singer Jane Singer Nora G. Singer Jack and Shirley Sirotkin Nancy Skinner-Oclander IrmaJ. Sklenar Mr. Jurgen Skoppek Beverly N. Slater Haldon and Tina Smith Joanne and Laurence Smith Richard and Jo-Ann Socha Arthur and Elizabeth Solomon James A. Somers R. Thomas and
Elinor M. Sommerfcld Mina Diver Sonda Barbara Spencer Jim Spcvak and Leslie Bruch L.G. Sprankle Bob and Joyce Squires Mary Stadcl Irving M. Stahl and
Pamela M. Rider David Sieinhoff and
Jayc Schlesingcr Robin Stephenson and
Terry Drent Steve and Gayle Stewart Ms. Lynette Stindt and
Mr, Craig S. Ross Mr. and Mrs. James Stokoe Judy and Sam Stulbcrg Anant Sundaram Valeric Y. Suslow Alfred and Selma Sussman Richard and June Swartz Yorozu Tabata K, Boyer and S. Tainter Junko Takahashi Larry and Roberta Tankanow Professor and Mrs.
Robert C. Taylor Kenneth and Benita Tcschendorf Brian and Mary Ann Thelen Catherine and Norman Thoburn Neal Tolchin Jack, Nancy and Lesley Tomion
Donors, continued
Egons and Susannc Tons Jim Toy
Paul and Barbara Trudgen Roger and Barbara Trunsky Jeffrey and Lisa Tulin-Silver Mr. and Mrs. Marshall Tymn Nikolas Tzannetakia Greg Upstair Arthur and Judith Vandcr Brain and Lia Van Leer Phyllis Vegter Km1. Bridges and
David Velleman Ingrid Vcrhamme Brent Wagner Wendy L. Wahl and
William R. Lee Mr. and Mrs. David C. Walker Patricia Walsh Margaret Walter Karen and Orson Wang Margaret Warrick Lorraine Nadelman and Sidney Warschausky Alice Warsinski Edward C. Weber Michael Webster and
Leone Buyse Steven P. Weikal Gcranc Wcinreich Drs. Bernard and Sharon Weiss Lisa and Steve Weiss Elizabeth A. Wentzien Mr. and Mrs. Peter H. Wilcox
James Williams
John and Christa Williams
Raymond C. Williams
Diane M. Willis
Robert and Mary Wind
Dr. and Mrs. Lawrence D. Wise
Don Wismer
Mr. C. Christopher Wolfe and
Ms. Linda Kiddcr Barbara H. Wooding Stewart and Carolyn Work Israel and Fay Woronoff Robert E. Wray, III Ernst Wuckert Patricia Wulp Fran and Ben Wylie Mrs. Antonette Zadrozny Dr. Stephen C. Zambilo Robert and Charlene R. Zand George and Nana Zissis
and several anonymous donors
Corporations
ApplausePerfect Ten
Bally's Vic Tanny
Callinetics by Diane
Courtney and Lovcll
Gallery Von Glahn
Great Harvest Bread Company
Paesano's Restaurant
Pastabilities
Sweet Lorraine's Cafe & Bar
Whole Foods Market
Memorials
Gigi Andresen
Chase and Delphi Baromes
Dean Bodley
A.A. (Bud) Bronson
Graham Conger
Pauline M. Conger
Joanna Cornell
Horace Dewey
Alice Kelsey Dunn
Robert S. Feldman
Isabclle M. Garrison
Ed Gilbert
Florence Griffin
Eleanor Groves
Charles W. Hills
George R. Hunsche
Hazel Hill Hunt
Virginia Ann Hunt
Virginia Elinor Hunt
Brian E. Kellcy
Earl Meredith Kempf
Idull Staebler Kempf
R. Hudson I a.I.I
John Lewis
Robert Lewis
Carol Lighthal!
Lorene Crank Lloyd
Katharine Mabarak
Frederick C. Matlhaei, Sr.
Arthur Mayday, Jr.
Earl Meredith
Mr. and Mrs. Merle Elliot Myers
Martha P. Pally
Elizabeth Peebler
Gwen and Emerson Powrie
Steffi Reiss
Percy Richardson
James H. and
Cornelia M. Spencer Ralph L. Steffek Charlene Parker Stern Jewel B. Slockard Mark Von Wyss Barbara Woods Peter H. Woods
Giving Levels
The Charles Sink Society cumulative giving totals of more than $15,000.
Bravo Society $10,000 or more Concertmaster $5,000 g,ooo Leader $2,000 4,999 Guarantor $1,000 1,999 Sponsor J500 999 Benefactor $200 499 Patron $100 -199 Donor $;o 99
Inkind Gifts
Sue and Michael Abboti
Ricky Agranofl
Catherine Arcurc
Ms. Janice Stevens BoLsford
John Bowdcn Partners in Wine
Mr. and Mrs. Jonathan Bulklcy
James and Betty Byrne
Chelsea Flower Shop
Mr. Phil Cole
Courtney and Lovell
Cousins Heritage Inn
Curtin and Alf Violinmakcrs
Ken Fischer
Susan Fitzpatrick
Judy and Richard Fry
The Candy Dancer
Bob Grijalva
Margo Halsted
Matthew C. Hoffman and
Kerry McNulty Stuart and Maureen Isaac Bob and Gloria Kerry Heidi and Josh Kcrsl Howard King and
Elizabeth Sayre-King Mr. and Mrs. Edward Klum Maggie Long
Perfectly Seasoned Catering Main Street Ventures Mr. and Mrs. Donald Lystra
Dough Boys Bakery Steve and Ginger Maggio Jerry and Rhona Mcislik The Michigan Theater Hillary Murt and
Bruce Friedman Ms. Karen O'Neal Regency Travel Jesse Richards Richard and Susan Rogel Maya Savarino Ms. Sara Savarino Professor and Mrs.
Thomas Schriber Thomas Sheets SKR Classical David Smith Photography Nesta Spink
Lois and Jack Stegeman Edward Surovell and Natalie Lacy Tom and Judy Thompson Janice Torno
Dr. and Mrs. John F. Ullrich Charlotte Van Curler Ron and Eileen Weiser Paul and Elizabeth Yhousc
Advertiser's Index
21 After Words, Inc. 18 Alexa Lee Gallery 28 Anderson and
Associates
11 Ann Arbor Acura 11 Ann Arbor Art
Association 25 Ann Arbor Reproductive
Medicine 36 Ann Arbor Symphony
Orchestra 33 Arbor Hospice
9 Argiero's Restaurant
14 ATY5
51 Beacon Investment Company
17 Benefit Source
15 Bodman, Longley and
Dahling 50 Butzel Long
10 Cafe Marie
18 Charles Reinhart
Company 13 Chelsea Community
Hospital
31 Chris Triola Gallery 35 DeBoer Gallery 21 Detroit Edison 20 Dickinson, Wright, Moon
VanDusen and Freeman 17 Dobson-McOmber
Agency
19 Dough Boys Bakery 31 Emerson School
17 ERIM
30 First Martin Corporation
27 First of America Bank 1$ Ford Motor Company 48 Fraleigh's Landscape
28 General Motors
Corporation 30 Glacier Hills 13 Hagopian World of Rugs 50 Harmony House
32 Hill Auditorium
Campaign and Seat Sale 35 Interior Development, Inc. 2 Jacobson's 20 Jet-Away Travel
35 John Leidy Shops 13 Katherine's Catering
and Special Events
36 King's Keyboard House
15 Lewis Jewelers 12 M-Care
52 Matthew C. Hoffmann
16 Maude's
38 Miller, Canfield,
Paddock, and Stone
25 Mundus and Mundus, Inc. 8 NBD Bank, Trust Division
38 Overture Audio
17 Plymouth Guitar Gallery
30 Professional Automotive
Technicians
31 Red Hawk Bar and Grill 12 Schlanderer Jewelry
26 SKR Classical
23 Society Bank
29 Sweet Lorraine's 20 Sweetwaters Cafe 4 The Edward Surovell
Company
50 Toledo Museum of Art 20 Top Drawer 29 Ufer and Company
Insurance 35 University of Michigan
Matthaei Botanical
Gardens
33 University Productions
24 WDET
34 WEMU
39 Whole Foods Market 29 WQRS
37 WUOM

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