UMS Concert Program, Sunday Feb. 14 To Mar. 31: University Musical Society: Winter 2010 - Sunday Feb. 14 To Mar. 31 --
Season: Winter 2010
University Of Michigan, Ann Arbor
University Musical Society of the University of Michigan Ann Arbor
university musical society
Winter 10 University of Michigan Ann Arbor
P2 Letters from the Presidents
P5 Letter from the Chair
UMSLeadership 7 UMS Corporate and Foundation Leaders
P14 UMS Board of DirectorsNational Council
P15 UMS StaffCorporate Council
Teacher Advisory Committee
UMSlnfo P17 General Information
P19 UMS Tickets
UMSAnnals 21 UMS History
P22 UMS Venues and Burton Memorial Tower
Event Program 24 Your event program content follows page 24
UMSExperience 25 UMS Education and Audience Development
UMSSupport 33 Corporate Sponsorship and Advertising
33 Individual Donations
35 UMS Advisory Committee
P37 Annual Fund Support
44 Endowment Fund Support
48 UMS Advertisers
Coven Cyro Baptista, Bill T. JonesArnie Zane Dance Company (photo: Paul B. Goode),
Bela Fleck, Maly Drama Theater of St. Petersburg (photo: Viktor Vassiliev)
FROM THE U-M PRESIDENT
Welcome to this University Musical Society (UMS) performance. At the University of Michigan we are proud of UMS and of the world-class artists and ensembles it brings each season to the University and southeast Michigan.
We are also proud of the outstanding educational programs UMS offers to people of all ages and of the new works in dance, theater, and music it com?missions and premieres. Through the U-MUMS
Partnership Program, the University is pleased to pro?vide support to UMS as it car?ries out its commitment to education, creation, and pres?entation, paralleling the University's commitment to teaching, research, and public engagement.
UMS offers a variety of pro?grams designed to engage
U-M students in the arts. These include programs that provide academic context and background for arts performances, or combine arts performances with social activities; initiatives to make ticket pur?chases more affordable and convenient; and opportunities for students to gain direct experience in arts administration.
UMS is a member of the University's Public Goods Council (PGC), a cluster of campus organizations dedicated to advancing scholarship and culture through music, works of art, special collections, historical archives, natural science resources, per?formance programs, coursework, and experiential learning. The PGC promotes collaboration in ways that enrich the educational and cultural experience on campus and in the community.
I encourage you to attend more UMS events and those offered by the other many outstanding arts and cultural organizations of the University. To learn more about these activities, visit the University's website at www.umich.edu.
Mary Sue Coleman
President, University of Michigan
Photo: Lu Huang
FROM THE UMS PRESIDENT
Welcome to this UMS performance. All of us associated with UMS are grateful that you're here. We hope you will enjoy the experience and attend more UMS events during our 131st season. You will find a listing of events on page 2 of this program book.
The UMS Fall 2009 Season. Many thanks to those of you who attended some of the out?standing events of the UMS Fall 2009 Season. Whether it was embracing a young artist making her UMS debut (cellist Alisa Weilerstein), laughing riotously at the behavior of the actors on and off the stage (Shakespeare's Globe Theatre's Love's Labour's Lost), or being totally captivated by the glorious sounds in the reverberant St. Francis sanctuary (Stile Antico), you demonstrated once again why artists like to come to Ann Arbor. You were totally engaged with them, listening intent?ly, absorbing their performances, and then letting them know how much you appreciate them. When I visited Sir Simon Rattle in his dressing room before his Ann Arbor debut as conductor of the Berliner Philharmoniker, the first words out of his mouth were, "There was no way Ann Arbor would be left off this tour. The orchestra members insisted we return here." When I visited with him after the concert, he picked up where he left off, saying, "And now I know why. What a glorious hall--and what a remarkable audience! I could hear them listening."
UMS Strategic Plan. In January 2009, UMS began a strategic planning process with the assis?tance of external consultant Stephen Y. Nose of SYN Associates in Ann Arbor. Many members of the UMS community took part in gathering data through focus groups, personal interviews, sur?veys, and other means in assessing competition, trends, products, and our partnerships. The UMS Board approved key goals and objectives in the fall, and the UMS staff is working on the develop?ment of implementation strategies to achieve them. Many of the goals and objectives deal with internal matters related to staff development, board and staff succession, the UMS brand, and our relationship with key partners including the University of Michigan. The most important objectives are those that deal most directly with
our mission, which is "To inspire individuals and enrich communities by connecting audiences and artists in uncommon and engaging experiences." These include enabling UMS to take greater artis?tic and programmatic risks on an ongoing basis, increasing participation of emerging and new audiences in UMS programs, and creating deeper UMS experiences by providing new and renewed connection points for audiences and artists in both virtual and physical spaces. Stay tuned for
more information as we complete the strategies.
Ford Honors Program.
The 15th Ford Honors Program occurs on Saturday, March 20 during the residency of the San Francisco Symphony when we honor both the SFS and its music director, Michael Tilson Thomas, with the UMS Distinguished Artist
Award. The format takes a different approach this year. The gala dinner precedes the performance, and a champagne reception follows, both planned and organized by our dynamic Advisory Committee. A very brief awards presentation on the Hill stage precedes the performance of Mahler's Symphony No. 2 featuring the SFS and the UMS Choral Union. Look for more informa?tion on our website at www.ums.org.
Feel free to get in touch with me if you have any questions, comments, or problems. If you don't see me in the lobby, send me an e-mail message at firstname.lastname@example.org or call me at 734.647.1174.
Thanks again for coming to this event. Very best wishes,
Kenneth C. Fischer UMS President
The UMS Lobby
In June 2009, UMS was one of four organizations awarded an "Innovation Lab" grant by EMCArts, with support from the Doris Duke Charitable Foundation, to develop an idea that could have a profound impact on how they do business. UMS will launch a beta version of the project in February.
The UMS Lobby will expand and redefine what we mean by "the UMS experience." By combining online and live components in everything UMS does, we will enable a wide range of participants to engage more continuously and more deeply with each other, with the extraordinary history of UMS, with the artists we now present, and with the life of UMS in Ann Arbor and throughout the region.
The UMS Lobby is both a virtual and physical space where people meet, exchange ideas, and build relation?ships -a bridge between daily life and the special places we devote to artistic experiences. The UMS Lobby will include:
-Live preand post-performance events that extend the UMS experience
-A digitized historical archive that includes access to UMS's extraordinary 131-year history, including the opportunity to submit your own comments, memories, and observations about events that you've attended
-A multimedia blog with articles, video, audio, photos, and links
-Stories from patrons and others about the impact of UMS -in essence, a "living archive" that will grow with time and supplement the historical archive
-Conversation areas that include feeds from our facebook, twitter, and other networks, but that also provide a place to listen and to be heard
FROM UMS CHAIRMAN, JIM STANLEY
How fortunate we are to be part of a UMS audience experiencing artistic performanc?es that have the potential to transform lives. That is of little surprise given the role UMS has in inspiring us, enriching our community, and broadening our understandings of each other. Be it the sound of music, the movement of dance, or the voice of theater, UMS has brought extraordi?nary performances and new experiences from some of the world's most distinctive artists to us for 131 years. UMS is regarded as one of the country's most respected organizations bringing artists and audiences together. UMS makes a dif?ference.
UMS events are presented in many diverse venues, all of which are chosen to create an unusual bond between the performers and the audience. Both the seasoned attendee and the newcomer quickly grasp this unique connection. Lasting ovations and knowledgeable chatter of those leaving the hall let the artists know they have been deeply appreciated and understood. That atmosphere has established a special rela?tionship between UMS audiences and artists. It's been that way for generations.
But there is more than simply a few hours of respite from our busy lives. Our forbearers knew the importance of sustaining their emotional and intellectual spirit by revisiting the many cultural roots that surround them. And so do we. In today's times of world conflict and economic stress, UMS plays a most valuable role in sustain?ing our global community's well being. The 0910 season is a testament to that role. As a starter, the first half of the year witnessed the likes of the Berlin Philharmonic, Shakespeare's Globe Theatre of London, The Suzanne Farrell Ballet, and the Vienna Boys Choir The second half offers the classical music of the Chicago Symphony Orchestra and the San Francisco Symphony, Lang Lang at the piano and Julia Fischer on the violin, the moods of Wynton
Marsalis and the Jazz at Lincoln Center Orchestra, the singing of Ladysmith Black Mambazo, the voices of St. Petersburg's Maly Drama Theater, the motion of Hubbard Street Dance Chicago, and the wit of The New Yorker music critic Alex Ross. These performances are a small bit of what UMS is doing for us now. It just doesn't get any better anywhere.
The UMS Board and I encourage you to engage yourself in the many experiences afford-
ed by UMS. Dare yourself to be exposed to the different sounds and colors that are part of our ever-shrinking planet. They are all here. Enjoy the pride in being among our individual and corporate donors whose contributions fund more than half the expenses of bringing worldwide artists to our doors each year. The
back of this program documents the wonderful support, both large and small, from our benefac?tors. Join them and participate as advocates for the cultural contributions that UMS offers to our greater community. Do it for yourself and for those who follow. Learn about us and talk to us at www.ums.org. We like to listen. And remem?ber how very fortunate you are to be part of the UMS difference.
James C. Stanley I
Chair, UMS Board of Directors
CORPORATE AND FOUNDATION LEADERS
James G. Vella
President, Ford Motor Company Fund $ and Community Services Through music and the arts, we are inspired to broaden our horizons, bridge differences among cultures, and set our spirits free. We are proud to support the University Musical Society and acknowledge the important role it plays in our community."
Dr. Ora Hirsch Pescovitz
Executive Vice President for Medical Affairs, University of Michigan, and CEO, University of Michigan Health System 'When I was young, I contemplated becoming a concert pianist. Though I didn't pursue that career path, the arts have remained a prominent fixture in my life, both personally and professionally. Music and the arts feed our imaginations, heal our spirits, and inspire us to evolve and grow. We are very fortunate to have the University Musical Society as part of our community, and the University of Michigan Health System is privileged to sponsor such a creative, vibrant part of our culture. Here's to a great year!"
Douglass R. Fox
President, Ann Arbor Automotive "We at Ann Arbor Automotive are pleased to support the artistic variety and program excellence given to us by the University Musical Society."
Timothy G. Marshall
President and CEO, Bank of Ann Arbor "Bank of Ann Arbor is pleased to continue its longstanding tradition of supporting the arts and cultural organizations in our town and region. The University Musical Society provides all of us a wonderful and unique opportunity to enjoy first-class performances covering a wide range of artists from around the world. We are proud to continue our support of UMS for the 0910 season."
Manager, Blue Nile Restaurant "At the Blue Nile, we believe in giving back to the community that sustains our business. We are proud to support an organization that provides such an important service to Ann Arbor."
Chairman, CFI Group, Inc.
"The University Musical Society is a marvelous magnet for attracting the world's finest in the performing arts. There are many good things in Ann Arbor, but UMS is a jewel. We are all richer because of it, and CFI is proud to lend its support."
Ann Arbor Regional Bank President, Comerica Bank 'Comerica is proud to support the University Musical Society. UMS continues to enrich the local community by bringing the finest performing arts to Ann Arbor, and we're pleased to continue to support this long-standing tradition."
Wee President, Corporate and Government Affairs, DTE Energy
"The DTE Energy Foundation is pleased to support exemplary organizations like UMS that inspire the soul, instruct the mind, and enrich the community."
President, Edward Surovell Realtors
"Edward Surovell Realtors and its 300 employees and sales asso?ciates are proud of our 21-year relationship with the University Musical Society. We honor its tradition of bringing the world's leading performers to the people of Michigan and setting a standard of artistic leadership recognized internationally."
President, Elastizell Corporation of America "Elastizell is pleased to be involved with UMS. UMS's strengths are its programming--innovative, experimental, and pioneering--and its education and outreach programs in the schools and the community."
Joseph A. Maffesoli
Branch ManagerVice President, Ann Arbor Investor Center "The Fidelity Investments Ann Arbor Investor Center is proud to support the University Musical Society and the continued effort to inspire our community through the arts. We look forward to another season of great performances!"
Carl W. Herstein _
Partner, Honigman Miller Schwartz and Cohn LLP --
"Honigman is proud to support non-profit organizations in the communities where our partners and employees live and work. We are thrilled to support the University Musical Society and commend UMS for its extraordinary programming, com?missioning of new work, and educational outreach programs."
Mark A. Davis
President and CEO, Howard & Howard '
"At Howard & Howard, we are as committed to enriching the communities in which we live and work as we are to providing sophisticated legal services to businesses in the Ann Arbor area. The performing arts benefit us all, and we are proud that our employees have chosen to support the cultural enrichment provided by the University Musical Society."
Director, Issa Foundation
"The Issa Foundation is sponsored by the Issa family, which has been established in Ann Arbor for the last 30 years, and is involved in local property management as well as area pub?lic schools. The Issa Foundation is devoted to the sharing and acceptance of culture in an effort to change stereotypes and promote peace. UMS has done an outstanding job bringing diversity into the music and talent of its performers."
Owner, Kerby's Kurb Service
"Kerby's Kurb Service has been a part of the University Musical Society for over a decade. It has been a pleasure working with the UMS staff and an organization that has brought world-renowned artists to the local area for the cultural benefit of many, especially the Ann Arbor community."
Market President, KeyBank
"KeyBank remains a committed supporter of the performing arts in Ann Arbor and we commend the University Musical Society for bringing another season of great performances to the community. Thank you, UMS, for continuing the tradition."
Owner, Mainstreet Ventures, Inc. 'As restaurant and catering service owners, we consider ourselves fortunate that our business provides so many opportunities for supporting the University Musical Society and its continuing success in bringing internationally acclaimed talent to the Ann Arbor community."
Sharon J. Rothwell
Wee President, Corporate Affairs and Chair, Masco Corporation Foundation 'Masco recognizes and appreciates the value the performing arts bring to the region and to our young people. We applaud the efforts of the University Musical Society for its diverse learning opportunities and the impact its programs have on our communities and the cultural leaders of tomorrow."
CEO, Michigan Critical Care Consultants, Inc. (MC3) "MC3 is proud to support UMS in recognition of its success in creating a center of cultural richness in Michigan."
Erik H. Serr
Principal, Miller, Canfield, Paddock and Stone, P.L.C. 'Miller Canfield proudly supports the University Musical Society for bringing internationally-recognized artists from a broad spectrum of the performing arts to our community, and applauds UMS for offering another year of music, dance, and theater to inspire and enrich our lives."
John W. McManus
Market President, South Central Michigan, National City "National City Bank is proud to support the efforts of the University Musical Society and the Ann Arbor community."
Michael B. Staebler
Senior Partner, Pepper Hamilton LLP The University Musical Society is an essential part of the great quality of life in southeastern Michigan. We at Pepper Hamilton support UMS with enthusiasm."
President, Sesi Lincoln Mercury Volvo Mazda
'The University Musical Society is an important cultural
asset for our community. The Sesi Lincoln Mercury
Volvo Mazda team is delighted to sponsor such a fine
Thomas B. McMullen
President, Thomas B. McMullen Co., Inc. "I used to feel that a U-M-Ohio State football ticket was the best ticket in Ann Arbor. Not anymore. UMS provides the best in educational and artistic entertainment."
Owner, Tom Thompson Flowers
"Judy and I are enthusiastic participants in the UMS family. We appreciate how our lives have been elevated by this relationship."
President, Toyota Technical Center "Toyota Technical Center is proud to support UMS, an organization with a long and rich history of serving diverse audiences through a wide variety of arts programming."
President, University of Michigan Credit Union "Thank you to the University Musical Society for enriching our lives. The University of Michigan Credit Union is proud to be a part of another great season of performing arts."
FOUNDATION AND GOVERNMENT SUPPORT
UMS gratefully acknowledges the support of the following foundations and government agencies:
$100,000 and above
Doris Duke Charitable Foundation W.K. Kellogg Foundation National Endowment for the Arts
Community Foundation for Southeast Michigan Doris Duke Foundation for Islamic Art Esperance Family Foundation
DTE Energy Foundation
Maxine and Stuart Frankel Foundation
Charles H. Gershenson Trust
Masco Corporation Foundation
The Mosaic Foundation, Washington DC
Arts Midwest's Performing Arts Fund Eugene and Emily Grant Foundation Martin Family Foundation Michigan Council for Arts and Cultural Affairs THE MOSAIC FOUNDATION (of R. & P. Heydon)
Consulate General of The Netherlands in New York
Mohamad and Hayat Issalssa Foundation
National Dance Project of the New England Foundation
for the Arts Sarns Ann Arbor Fund Target
UNIVERSITY MUSICAL S 0 C I E T Y of the University of Michigan UMS BOARD OF DIRECTORS
James C. Stanley,
Chair David J. Herzig,
Wee Chair Martha Darling,
Secretary Robert C. Macek,
Treasurer Carl W. Herstein,
Wadad Abed Carol L. Amster
Kathleen Benton Lynda W. Berg DJ Boehm
Charles W. Borgsdorf Robert Buckler David Canter Mary Sue Coleman Julia Donovan Darlow Junia Doan Maxine J. Frankel Patricia M. Garcia Chris Genteel Anne Glendon
Joel D. Howell Christopher Kendall S. Rani Kotha Melvin A. Lester Joetta Mial Lester P. Monts Roger Newton Stephen G. Palms Todd Roberts Sharon Rothwell Edward R. Schulak John J.H. Schwarz Ellie Serras
Joseph A. Sesi Anthony L. Smith Cheryl L. Soper
Clayton E. Wilhite,
Council A. Douglas Rothwell,
Council Janet Callaway,
UMS NATIONAL COUNCIL
Clayton E. Wilhite, Chair Marylene Delbourg-Delphis John Edman Janet Eilber
Eugene Grant Charles Hamlen Katherine Hein David Heleniak
Toni Hoover Judith Istock Wallis Klein Zarin Mehta
Herbert Ruben Russell Willis Taylor Carl W. Herstein, Ex-officio James C. Stanley, Ex-officio
UMS SENATE (former members of the UMS Board of Directors)
Robert G. Aldrich Michael C. Allemang Herbert S. Amster Gail Davis Barnes Richard S. Berger Maurice S. Binkow Lee C. Bellinger Janice Stevens
Botsford Paul C. Boylan Carl A. Brauer William M. Broucek Barbara Everitt Bryant Letitia J. Byrd Kathleen G. Charla Leon S. Cohan Jill A. Corr Peter B. Corr Ronald M. Cresswell
Sally Stegeman DiCarto Robert F. DiRomualdo Cynthia Dodd Al Dodds
James J. Duderstadt Aaron P. Dworkin David Featherman Robben W. Fleming David J. Flowers George V. Fornero Beverley B. Geltner William S. Hann Randy J. Harris Walter L. Harrison Deborah S. Herbert Norman G. Herbert Carl W. Herstein Peter N. Heydon
Toni Hoover Kay Hunt Alice Davis Irani Stuart A. Isaac Thomas E. Kauper David B. Kennedy Gloria James Kerry Thomas C. Kinnear Marvin Krislov F. Bruce Kulp Leo A. Legatski Earl Lewis Patrick B. Long Helen B. Love Judythe H. Maugh Paul W. McCracken Rebecca McGowan Barbara Meadows Alberto Nacif
Shirley C. Neuman Jan Barney Newman Len Niehoff Gilbert S. Omenn Joe E. O'Neal John D. Paul Randall Pittman Philip H. Power John Psarouthakis Rossi Ray-Taylor John W. Reed Richard H. Rogel Prudence L. Rosenthal A. Douglas Rothwell Judy Dow Rumelhart Maya Savarino Ann Schriber Erik H. Serr Harold T. Shapiro
George I. Shirley John O. Simpson Herbert Sloan Timothy P. Slottow Carol Shalita Smokier Jorge A. Solis Peter Sparling Lois U. Stegeman Edward D. Surovell James L. Telfer Susan B. Ullrich Michael D. VanHemert Eileen Lappin Weiser B. Joseph White Marina v.N. Whitman Clayton E. Wilhite Iva M. Wilson Karen Wolff
UMS ADVISORY COMMITTEE
Janet Callaway, Chair Betty Palms, Wee Chair Karen Stutz, Secretary Sarah Nicoli, Treasurer Phyllis Herzig, Past Chair
Ricky Agra no H MariAnn Apley Sandy Aquino Lone Arbour Barbara Bach Pat Bantle Francine Bomar
Luciana Borbely Dennis J. Carter Stefani Carter Cheryl Cassidy Patricia Chapman Cheryl Clarkson Wendy Comstock Sheila Crowley Doug Czinder Norma Davis Mary Dempsey Mary Ann Faeth Michaelene Farrell Sara Fink
Susan A. Fisher Susan R. Fisher Rosamund Forrest Kathy Goldberg Walter Graves Linda Grekm Nickt Griffith Joe Grimley Susan Gross Susan Gutow Charlene Hancock Shelia Harden Alice Han Meg Kennedy Shaw
Pam Krogness Marci Raver Lash Mary LeDuc Joan Levitsky Jean Long Eleanor Lord Jane Maehr Jennifer J. Maisch Melanie Mandell Ann Martin Fran Martin Joanna McNamara Deborah Meadows Liz Messiter
Robin Miese! Natalie Mobley Bonita Davis Neighbors Kay Ness Thomas Ogar Liz Othman Allison Poggi Lisa Psarouthakis Agnes Moy Sarns Penny Schreiber 8ev Seiford Aliza Shevrin Alida Silverman
Loretta Skewes Andrea Smith Becki Spangler Nancy Stanley Carlin C. Stockson Gail Ferguson Stout Eileen Thacker Janet Torno Louise Townley Amanda Uhle Enid Wasserman Kirsten Williams Ellen Woodman
Kenneth C. Fischer, President Kathy M. Brown, Executive Assistant John B. Kennard, Jr.,
Director of Administration Beth Gilliland,
Gift ProcessorIT Assistant Patricia Hayes, Senior Accountant John Peckham,
Information Systems Manager
Conductor and Music Director Jason Harris, Assistant Conductor Kathleen Operhall, Chorus Manager Nancy K. Paul, Librarian Jean Schneider, Accompanist Scott VanOrnum, Accompanist Donald Bryant, Conductor Emeritus
Susan McClanahan, Director Susan Bozell Craig, Senior Manager
for Marketing and Corporate
Partnerships Rachelle Lesko, Development
Administrative Assistant Lisa Michiko Murray,
Manager of Foundation and
Government Grants M. Joanne Navarre, Manager of
Annual Giving Marnie Reid, Manager of
Individual Support Cynthia Straub, Advisory Committee
and Events Coordinator
Claire C. Rice, Interim Director Mary Roeder,
Residency Coordinator Omari Rush, Education Manager
Sara Billmann, Director
Susan Bozell Craig, Senior Manager
for Marketing and Corporate
Partnerships James P. Leija, Public Relations
Manager Stephanie Normann, Marketing
Michael I. Kondziolka, Director Jeffrey Beyersdorf,
Technical Director Mark Jacobson,
Programming Manager Carlos Palomares,
Production Manager Liz Stover, Programming
Jennifer Graf, Ticket Services
Manager Sally A. Cushing, Ticket Office
Associate Suzanne Davidson, Assistant Ticket
Services Manager Adrienne Escamilla,
Ticket Office Associate Sara Sanders, Front-of-House
Coordinator Sarah Wilber, Group Sales
Coordinator Dennis Carter, Bruce Oshaben,
Brian Roddy, Head Ushers
Emily Barkakati Adam Bichir Greg Briley Tyler Brunsman Allison Carron Shannon Deasy Michelle Dimuzio Kelsy Durkin Carrie Fisk Dana Harlan Tim Hausler Jasmine Hentschel Jennifer Howard Harsh Jhaveri Mark Johnson Andy Jones Neal Kelley Olivia Lloyd Rachel Lum Brooke Lundin Mary Martin Michael Matlock
Michael Mauskapf Bryan McGivern Michael Michelon Paula Muldoon Leonard Navarro Scott Padden Steven Rish Michael Rochelle Andrew Smith Cahill Smith David Jones Sparks Trevor Sponseller Bennett Stein Maureen Stych Catherine Tippman Julie Wallace
UMS CORPORATE COUNCIL
Rothwell, Chair Albert Berriz
Bruce Brownlee Robert Buckler James Garavaglia
Steven K. Hamp Mary Kramer David Parsigian
Sharon Rothwell Michael B. Staebler James G. Vella
James C. Stanley, Ex-officio
UMS TEACHER ADVISORY COMMITTEE
Abby Alwin Fran Ampey Robin Bailey Greta Barfield Joey Barker Alana Barter Judy Barthwell Rob Bauman Suzanne Bayer Eli Bleiler Ann Marie Borders
David Borgsdorf Signd Bower Marie Brooks Susan Buchan Deb Clancy Carl Clark Ben Cohen Julie Cohen Leslie Criscenti Orelia Dann Saundra Dunn
Johanna Epstein Susan Filipiak Katy Filhon Delores Flagg Joey Fukuchi Jeff Gaynor Joyce Gerber Barb Grabbe Joan Gnssing Linda Jones Jeff Kass
Rosalie Koenig Sue Kohfeldt Laura Machida Jose Mejia Kim Mobley Eunice Moore Michelle Peel Anne Perigo Rebeca Pietrzak Cathy Reischl Jessica Rizor
Vicki Shields Sandra Smith Gretchen Suhre Julie Taylor Cayla Tchalo Dan Tolty Alex Wagner Barbara Wallgren Kimberley Wright Kathryn Young
For persons with disabilities, all venues have barrier-free entrances. Wheelchair locations vary by venue; visit www.ums.orgtickets or call 734.764.2538 for details. Ushers are available for assistance.
For hearing-impaired persons, Hill Auditorium, Power Center, and Rackham Auditorium are equipped with assistive listening devices. Earphones may be obtained upon arrival. Please ask an usher for assistance.
Lost and Found
For items lost at Hill Auditorium, Lydia Mendelssohn Theatre, Power Center, or Rackham Auditorium, please call University Productions at 734.763.5213. For the Michigan Theater, call 734.668.8397. For St. Francis of Assisi, call 734.821.2111.
Please allow plenty of time for parking as the campus area may be congested.
Parking is available in the Church Street, Maynard Street, Thayer Street, Fletcher Street, and Fourth Avenue structures for a minimal fee. Please allow enough time to park before the performance begins. UMS donors at the Patron level and above ($1,000) receive 10 complimentary parking passes for use at the Thayer Street or Fletcher Street structures in Ann Arbor.
UMS offers valet parking service for Hill Auditorium performances in the 0910 Choral Union series. Cars may be dropped off in front of Hill Auditorium beginning one
hour before each performance. There is a $20 fee for this service. UMS donors at the Concertmaster level ($7,500) and above are invited to use this service at no charge.
Other recommended parking that may not be as crowded as on-campus structures: Liberty Square structure (formerly Tally Hall), entrance off of Washington Street between Division and State; about a two-block walk from most performance venues, $2 after 3 pm weekdays and all day SaturdaySunday. Maynard Street structure, entrances off Maynard and Thompson between Willliam and Liberty, $.45half-hour, free on Sunday.
For up-to-date parking information, please visit www.ums.orgparking.
Refreshments are available in the lobby during intermissions at events in the Power Center, in the lower lobby of Hill Auditorium (beginning 75 minutes prior to concerts--enter through the west lobby doors), and in the Michigan Theater. Refreshments are not allowed in the seating areas.
University of Michigan policy forbids smoking in any public area, including the lobbies and restrooms.
UMS makes every effort to begin concerts at the published time. Most of our events take place in the heart of central campus, which does have limited parking and may have several events occurring simultaneously in different theaters. Please allow plenty of extra time to park and find your seats.
Latecomers will be asked to wait in the lobby until seated by ushers. Most lobbies have been outfitted with monitors andor speakers so that latecomers will not miss the performance.
The late-seating break is determined by the artist and will generally occur during a suitable repertory break in the program (e.g., after the first entire piece, not after individual movements of classical works). There may be occasions where latecomers are not seated until intermission, as determined by the artist. UMS makes every effort to alert patrons in advance when we know that there will be no late seating. Please be sure the Ticket Office has your e-mail address on file.
UMS works with artists to allow a flexible late-seating policy for family performances.
Treat 10 or more friends, co-workers, or family members to an unforgettable performance of live music, dance, or theater. Whether you have a group of students, a business gathering, a college reunion, or just you and a group of friends, the UMS Group Sales Office can help you plan the perfect outing. You can make it formal or casual, a special celebration, or just friends enjoying each other's company. The many advantages to booking as a group include:
Reserving tickets before tickets go on sale to the general public
Discounts of 15-25 for most performances
No-risk reservations that are fully refundable up to 14 days before the performance, unless the group order is completed
1-3 complimentary tickets for the group organizer (depending on size of group). Complimentary tickets are not offered for performances without a group discount.
For more information, please contact 734.763.3100 or email@example.com.
Classical Kids Club
Parents can introduce their children to world-renowned classical music artists through the Classical Kids Club. The Classical Kids Club allows students in grades 1-8 to purchase tick?ets to all classical music concerts at significantly discounted rates. Parents can purchase up to two children's tickets for $10 each with the purchase of a $20 adult ticket beginning two weeks before the concert. Seating is subject to availability. For information, call 734.764.2538 or sign-up for UMS E-News and check the box for Classical Kids Club.
If you are unable to attend a concert for which you have purchased tickets, you may turn in your tickets until curtain time by calling the Ticket Office. Refunds are not available; how?ever, you will be given a receipt for an income tax deduction. Please note: ticket retums do not count towards UMS giving levels.
Subscribers may exchange tickets free of charge up until 48 hours prior to the perform?ance. Non-subscribers may exchange tickets for a $6 per ticket exchange fee up until 48 hours prior to the performance. Exchanged tickets must be received by the Ticket Office (by mail or in person) at least 48 hours prior to the per?formance. The value of the tickets may be applied to another performance or will be held as UMS Credit until the end of the season. You may also fax a copy of your torn tickets to 734.647.1171. Lost or misplaced tickets cannot be exchanged. UMS Credit must be redeemed by Sunday, April 25, 2010.
New this year! UMS now accepts ticket exchanges within 48 hours of the performance for a $10 per ticket exchange fee (applies to both subscribers and single ticket buyers). Tickets must be exchanged at least one hour before the published performance time. Tickets received less than one hour before the per?formance will be returned as a tax-deductible contribution.
A variety of discounted ticket programs are available for University students and teenagers.
Half-Price Student Ticket Sales
At the beginning of each semester, UMS offers half-price tickets to college students. A limited number of tickets are available for each event in select seating areas. Simply visit www.ums.orgstudents, log-in using your U-M uniqname and Kerberos password, and fill out your form. Orders will be processed in the order they are received. You will pay for and pick up your tickets at a later date at the Michigan League Ticket Office.
Winter Semester Sale: Begins Sunday, January 10 at 8pm and ends Tuesday, January 12 at 5pm.
Sponsored by UMSJniON
UMS Rush Bucks
Worried about finding yourself strapped for cash in the middle of the semester UMS Rush Bucks provide online access to Rush Tickets two weeks before most performances. UMS Rush Bucks are available in $60 and $100 increments. Please visit www.ums.orgstudents for more information.
Teens can attend UMS performances at signifi?cant discounts. Tickets are available to teens for $10 the day of the performance (or on the Friday before weekend events) at the Michigan League Ticket Office and $15 beginning 90 minutes before the performance at the venue. One ticket per student ID, subject to availability.
Available in any amount and redeemable for any events throughout our season, delivered with your personal message, the UMS Gift Certificate is ideal for weddings, birthdays, Christmas, Hanukkah, Mother's and Father's
Days, or even as a housewarming present when new friends move to town.
UMS Gift Certificates are valid for five years from the date of purchase. For more information, please visit www.ums.org.
Through a commitment to presentation, education, and the creation of new work, the University Musical Society (UMS) serves Michigan audiences by bringing to our community an ongo?ing series of world-class artists, who represent the diverse spectrum of today's vigorous and exciting live performing arts world. Over the past 131 years, strong leadership coupled with a devoted community has placed UMS in a league of internationally recognized performing arts presenters. Today, the UMS seasonal program is a reflection of a thoughtful respect for this rich and varied history, balanced by a commit?ment to dynamic and creative visions of where the performing arts will take us in this new mil?lennium. Every day UMS seeks to cultivate, nur?ture, and stimulate public interest and participation in every facet of the live arts.
UMS grew from a group of local university and townspeople who gathered together for the study of Handel's Messiah. Led by Professor Henry Simmons Frieze and conducted by Professor Calvin Cady, the group assumed the name The Choral Union. Their first performance of Handel's Messiah was in December of 1879 and this glorious oratorio has since been per?formed by the UMS Choral Union annually.
Many Choral Union members also belonged to the University, and the University Musical Society was established in December 1880. UMS included the Choral Union and University Orchestra, and throughout the year presented a series of concerts featuring local and visiting artists and ensembles.
Since that first season in 1879, UMS has expanded greatly and now presents the very best from the full spectrum of the performing arts--internationally renowned recitalists and orchestras, dance and chamber ensembles, jazz and world music performers, and opera and theater. Through educational endeavors, commissioning of new works, youth programs, artist residencies, and other collaborative projects, UMS has maintained its reputation for quality, artistic distinction, and innovation. UMS now hosts over 60 performances and more than 125 educational events each season. UMS has flourished with the support of a generous community that this year gathers in seven different Ann Arbor venues.
The UMS Choral Union has likewise expanded its charge over its 131-year history. Recent collaborations have included the Grammy Award-winning recording of William Bolcom's Songs of Innocence and of Experience (2004), Shostakovich's Symphony No. 13 ("Babi Yar") with the Kirov Orchestra of St. Petersburg (2006), John Adams's On the Transmigration of Souls with the Detroit Symphony Orchestra (2007), and Orff's Carmina Burana during Maestro Leonard Slatkin's opening weekend as Music Director of the Detroit Symphony Orchestra (2008).
While proudly affiliated with the University of Michigan, housed on the Ann Arbor campus, and a regular collaborator with many University units, UMS is a separate not-for-profit organiza?tion that supports itself from ticket sales, corpo?rate and individual contributions, foundation and government grants, special project support from U-M, and endowment income.
UMS VENUES AND BURTON MEMORIAL TOWER
Originally built in 1913, a $38.6-million dollar renovation overseen by Albert Kahn Associates, Inc. and historic preservation architects Quinn EvansArchitects has updated Hill's infrastructure and restored much of the interior to its original splendor. Exterior renovations include the reworking of brick paving and stone retaining wall areas, restoration of the south entrance plaza, the reworking of the west barrier-free ramp and loading dock, and improvements to landscaping. Hill Auditorium re-opened to the public in January 2004.
Interior renovations included the demolition of lower-level spaces to ready the area for future improvements, the creation of additional rest-rooms, the improvement of barrier-free circula?tion by providing elevators and an addition with ramps, the replacement of seating to increase patron comfort, introduction of barrier-free seating and stage access, the replacement of theatrical performance and audio-visual sys?tems, and the complete replacement of mechanical and electrical infrastructure systems for heating, ventilation, and air conditioning.
Hill Auditorium seats 3,575.
Lydia Mendelssohn Theatre
Notwithstanding an isolated effort to establish a chamber music series by faculty and students in 1938, UMS began presenting artists in Lydia Mendelssohn Theatre in 1993 when Eartha Kitt and Barbara Cook graced the stage of the inti?mate 658-seat theater as part of the 100th May Festival's Cabaret Ball. This season the superla?tive Mendelssohn Theatre hosts UMS's Jazz Series concert presentations of the Bill Charlap Trio and The Bad Plus.
The historic Michigan Theater opened January 5, 1928 at the peak of the vaudevillemovie palace era. Designed by Maurice Finkel, the 1,710-seat theater cost around $600,000 when it was first built. As was the custom of the day, the theater was equipped to host both film and live stage events, with a full-size stage, dressing rooms, an orchestra pit, and the Barton Theater Organ. At its opening, the theater was acclaimed as the best of its kind in the country. Since 1979, the theater has been operated by the not-for-profit Michigan Theater Foundation. With broad community support, the Foundation has raised over $8 million to restore and improve the Michigan Theater. The beautiful interior of the theater was restored in 1986.
In the fall of 1999, the Michigan Theater opened a new 200-seat screening room addi?tion, which also included expanded restroom facilities for the historic theater. The gracious facade and entry vestibule was restored in 2000.
The Power Center for the Performing Arts grew out of a realization that the University of Michigan had no adequate proscenium-stage theater for the performing arts. Hill Auditorium was too massive and technically limited for most productions, and the Lydia Mendelssohn Theatre was too small. The Power Center was built to supply this missing link in design and seating capacity.
In 1963, Eugene and Sadye Power, together with their son Philip, wished to make a major gift to the University. The Powers were immediately interested in supporting the University's desire to build a new theater, realizing that state and fed?eral governments were unlikely to provide finan?cial support for the construction of a theater.
Opening in 1971 with the world premiere of The Grass Harp (based on the novel by Truman Capote), the Power Center achieved the seemingly contradictory combination of provid?ing a soaring interior space with a unique level of intimacy. Architectural features include two
large spiral staircases leading from the orchestra level to the balcony and the well-known mirrored glass panels on the exterior. The lobby of the Power Center presently features two hand-woven tapestries: Modern Tapestry by Roy Lichtenstein and Volutes (Arabesque) by Pablo Picasso.
The Power Center seats approximately 1,400 people.
Seventy years ago, chamber music concerts in Ann Arbor were a relative rarity, presented in an assortment of venues including University Hall (the precursor to Hill Auditorium), Hill Auditorium, and Newberry Hall, the current home of the Kelsey Museum. When Horace H. Rackham, a Detroit lawyer who believed strong?ly in the importance of the study of human his?tory and human thought, died in 1933, his will awarded the University of Michigan the funds not only to build the Horace H. Rackham Graduate School, which houses Rackham Auditorium, but also to establish a $4 million endowment to further the development of graduate studies. Even more remarkable than the size of the gift is the fact that neither he nor his wife ever attended the University of Michigan.
Designed by architect William Kapp and architectural sculptor Corrado Parducci, Rackham Auditorium was quickly recognized as the ideal venue for chamber music. In 1941, UMS presented its first chamber music festival with the Musical Art Quartet of New York per?forming three concerts in as many days, and the current Chamber Arts Series was born in 1963. Chamber music audiences and artists alike appreciate the intimacy, beauty, and fine acoustics of the 1,129-seat auditorium, which has been the location for hundreds of chamber music concerts throughout the years.
St. Francis of Assisi Catholic Church
Dedicated in 1969, St. Francis of Assisi Catholic Church has grown from 248 families when it
first started to more than 2,800 today. The pres?ent church seats 1,000 people and has ample free parking. In 1994, St. Francis purchased a splendid three manual "mechanical action" organ with 34 stops and 45 ranks, built and installed by Orgues Letourneau from Saint Hyacinthe, Quebec. Through dedication, a commitment to superb liturgical music, and a vision to the future, the parish improved the acoustics of the church building, and the rever?berant sanctuary has made the church a gather?ing place for the enjoyment and contemplation of sacred a cappella choral music and early music ensembles.
University of Michigan Museum of Art
The University of Michigan Museum of Art (UMMA) is a dynamic meeting place for the arts that bridges visual art and contemporary cul?ture, scholarship and accessibility, and tradition and innovation. With the addition in March 2009 of the 53,000-square-foot Maxine and Stuart Frankel and the Frankel Family Wing and the restoration of historic Alumni Memorial Hall, UMMA ushered in a new era, a reimagining of the university art museum as a "town square" for the 21st century. With dramatically expand?ed galleries, special exhibition spaces that soar with new life, "open storage" galleries, and a range of lively educational and event spaces, UMS periodically presents events in multiple spaces throughout the museum.
Burton Memorial Tower
Seen from miles away, Burton Memorial Tower is one of the most well-known University of Michigan and Ann Arbor landmarks. Designed by Albert Kahn in 1935 as a memorial to U-M President Marion Leroy Burton, the 10-story tower is built of Indiana limestone with a height of 212 feet. The carillon, one of only 23 in the world, is the world's fourth heaviest containing 55 bells and weighing a total of 43 tons. UMS has occupied administrative offices in this building since its opening.
Winter 2010 Season 131st Annual Season
On-site ticket offices at performance venues open 90 minutes before each performance.
Children of all ages are welcome at UMS Family and Youth Performances. Children under the age of three will not be admitted to regular, full-length UMS performances. All children must be able to sit quietly in their own seats without disturbing other patrons. Children unable to do so. along with the adult accompanying them, will be asked by an usher to leave the audito?rium. Please use discretion in choosing to bring a child.
Remember, everyone must have a ticket, regardless of age.
While in the Auditorium
Starting Time Every attempt is made to begin concerts on time. Latecomers are asked to wait in the lobby until seated by ushers at a predetermined time in the program.
Cameras and recording equipment
are prohibited in the auditorium.
If you have a question, ask your usher. They are here to help.
Please turn off your cellular phones and other digital devices so that everyone may enjoy this UMS event disturbance-free.
In the interests of saving both dollars and the environment, please either retain this program book and return with it when you attend other UMS performances included in this edition or return it to your usher when leaving the venue.
Event Program Book
Sunday, February 14 through Saturday, March 13, 2010
Schubert Piano Trios 5
David Finckel, Wu Han, Philip Setzer
Sunday, February 14, 4:00 pm Rackham Auditorium
Bela Fleck: The Africa Project 11
Wednesday, February 17, 8:00 pm Hill Auditorium
Swedish Radio Choir 15
Sunday, February 21, 4:00 pm Hill Auditorium
Cyro Baptista's Beat the Donkey 19
Saturday, March 13, 1:00 pm (Family Performance) Saturday, March 13, 4:00 pm (Family Performance) Power Center
THE 131St UMS SEASON
13 Itzhak Perlman, violin with
Rohan De Silva, piano
26 Grizzly Bear with Beach House
2 Bill Charlap Trio
7 Punch Brothers featuring Chris Thile
8 Alisa Weilerstein, cello with
Inon Barnatan, piano
9-10 The Suzanne Farrell Ballet
11 NT Live: All's Well That Ends Well
15 Ravi Shankar and Anoushka Shankar
20-25 Shakespeare's Globe Theatre of London:
Love's Labour's Lost
27 Stile Antico: Heavenly Harmonies
29 Michigan Chamber Players
30 Belcea Quartet
1 Christine Brewer, soprano with
Craig Rutenberg, piano
6 Keith Terry and the SLAMMIN
7 Gal Costa and Romero Lubambo
8 St. Lawrence String Quartet
14 Yasmin Levy
17 Berliner Philharmoniker
20 Patti LuPone: Coulda, Woulda, Shoulda
29 Vienna Boys Choir: Christmas in Vienna
5-6 Handel's Messiah
12 Jean-Yves Thibaudet, piano
22-23 Bill T. JonesArnie Zane Dance Company: Fondly Do We Hope... Fervently Do We Pray
27 j Chicago Symphony Orchestra 31 I Ladysmith Black Mambazo
4 ! The Bad Plus
6 So Percussion
7 ! NT Live: Nation
10 i Angela Hewitt, piano
11 j Luciana Souza Trio
14 i Schubert Piano Trios
17 Bela Fleck: The Africa Project 21 Swedish Radio Choir
13 j Cyro Baptista's Beat the Donkey
15 Takacs Quartet
17 Jazz at Lincoln Center Orchestra with Wynton Marsalis
19 San Francisco Symphony
i with Christian Tetzlaff, violin
20 ; San Francisco Symphony ! with UMS Choral Union:
15th Ford Honors Program 24-25 Julia Fischer, violin:
Solo Violin Works of J.S. Bach 25-28 Maly Drama Theater of
St. Petersburg: Anton Chekhov's
! Uncle Vanya
7 Schleswig-Holstein Festival Orchestra I with Lang Lang, piano
8 Danilo Perez & Friends: 21st-century Dizzy 10 Baaba Maal with NOMO
12 Michigan Chamber Players 20 Trio Mediaeval
22-24 Hubbard Street Dance Chicago 25 ! The Rest is Noise in Performance: ] Alex Ross and Ethan Iverson, piano
9 NT Live: The Habit of Art 15 I Breakin' Curfew
UMS Educational and Community Events ,
A UMS educational activities are free, open to the public, and take place in Ann Arbor unless otherwise noted. For complete details and updates, please visit www.ums.org or contact the UMS Education Department at 734.615.4077 or firstname.lastname@example.org.
Bela Fleck: The Africa Project
Film Screening: Throw Down Your Heart
Monday, February 15, 7:00 pm
U-M Biomedical Science Research Building
Auditorium, 109Zina Pitcher Place
Throw Down Your Heart follows American banjo virtuoso Bela Fleck on his journey to Africa to explore the little known African roots of the banjo and record an album. It's a boundary-breaking musical adventure that celebrates the beauty and complexity of Africa--an Africa that is very different from what is often seen in the media today.
A collaboration with the U-M African Studies Center, the U-M Center for Afroamerican and African Studies, and the U-M Institute for the Humanities.
"The Music Man" of Africa
Tuesday, February 76, 4:00 pm
U-M Hatcher Graduate Library Gallery,
913 South University Avenue
Leo Sarkisian is known in Africa as "The Music Man" for his music programs on Voice of America (VOA) Radio, which have aired twice weekly for over 40 years. Comprising thousands of reels, cassettes, and vinyl records, his collection of recordings is being digitized by the university, with copies to be housed at the U-M, VOA, and National Archives. Join Mr. Sarkisian to celebrate the stories and songs from this vast archive!
A collaboration with the U-M African Studies Center, the U-M Center for Afroamerican and African Studies, and the U-M Steams Collection of Musical Instruments.
African String Origins Exhibit
Wednesday, February 17, 7:00 pm Hill Auditorium Lower Lobby, 825 North University Avenue
The U-M Stearns Collection of Musical Instruments exhibits a collection of African and string instruments featuring recent acquisitions from U-M visiting scholar and renowned ethnomusicologist Leo Sarkisian's personal collection. Patrons must have a ticket to the Bela Fleck performance to attend.
A collaboration with the U-M African Studies Center, the U-M Center for Afroamerican and African Studies, and the U-M Stearns Collection of Musical Instruments.
Swedish Radio Choir
Choral Workshop: U-M Chamber Choir and Swedish Radio Choir
Monday, February 22, 1:00-2:30 pm Mclntosh Theatre, U-M School of Music Moore Building, 1100 Baits
The Swedish Radio Choir and the U-M Chamber Choir perform for one another and participate in a collaborative workshop with guest conductor Ragnar Bohlin. Open to the public for observation.
A collaboration with the U-M School of Music, Theatre & Dance.
UMS Educational Events continue on the following page...
and Gilbert Omenn and Martha Darling present Wu Han piano David Finckel ceib Philip Setzer vioim
Program Franz Schubert Schubert Sunday Afternoon, February 14, 2010 at 4:00 Rackham Auditorium Ann Arbor Piano Trio in B-flat Major, Op. 99, D. 898 Allegro moderato Andante un poco mosso Scherzo: Allegro--Trio Rondo: Allegro vivace--Presto INTERMISSION Piano Trio in E-flat Major, Op. 100, D. 929 Allegro Andante con moto Scherzando: Allegro moderato--Trio Allegro moderato
41st Performance of the 131st Annual Season 47th Annual Chamber Arts Series The photographing or sound and video recording of this concert or possession of any device for such recording is prohibited. This afternoon's performance is sponsored by Gilbert Omenn and Martha Darling. Media partnership for this performance is provided by WGTE 91.3 FM. Special thanks to Steven Ball for coordinating the pre-concert music on the Charles Baird Carillon. Wu Han, David Finckel, and Philip Setzer appear by arrangement with David Rowe Artists and are represented by Milina Barry PR. David Finckel and Wu Han recordings are available exclusively on ArtistLed: www.ArtistLed.com. Wu Han is a Steinway Performing Artist. Large print programs are available upon request.
Now that you're in your seat...
Wu Han, Mr. Finckel, and Mr. Setzer couldn't have picked a program bringing more musical joy than the one you're about to hear. This joy has less to do with rambunctious, side?splitting laughter than with the profound happiness that results from the contemplation of flawless beauty. To hear both of Schubert's piano trios in a single evening is a rare treat. The magic of these two masterpieces derives, at least in part, from a perfect balance of "heart" and "brain." Thanks to a classically clear structure, we can always feel "safe," knowing exactly where we are coming from and where we are going. At the same time, the journey is full of surprises. Schubert's melodic and harmonic imagination is boundless, and every measure holds some unexpected discovery in store, even after 100 hearings.
Piano Trio in B-flat Major, Op. 99, D. 898
(1828) Piano Trio in E-flat Major, Op. 100, D. 929
Born January 31, 1797 in Vienna Died November 19, 1828 in Vienna
Snapshots of History... In 1828:
Andrew Jackson is elected President of the United States
London's Marble Arch is built
Sir Walter Scott writes his novel The Fair Maid of Perth
Spanish painter Francisco Goya dies at the age of 82
Noah Webster publishes his first dictionary of the English language
Beethoven dies on March 26, and Schubert is one of the pallbearers at the funeral
German physicist G. S. Ohm discovers his famous law
German poet Heinrich Heine publishes his Such derLieder, from which Schubert will set six poems to music
The Freeman's Journal, the first African-American newspaper, is published in New York
The French government patents the invention of the fountain pen
According to what evidence we have in lieu of Schubert's manuscript, the Piano Trio in B-flat Major was composed within weeks prior to the Op. 100 Piano Trio in E-flat Major, whose autograph is dated November 1827. Like many of Schubert's works, the B-flat Trio was not published until after the composer's death. It appeared in print only in 1836 as the composer's Op. 99. The E-flat Trio--which Schubert seems to have more actively peddled--was published in 1828 by Probst, in Leipzig.
In January 1828, Schubert wrote in a letter to a friend about the recent performance of a "new trio," given on December 26, 1827 under the auspices of the Gesellschaft der Musikfreunde (Society of Friends of Music). While the said trio is widely assumed to have been the E-flat Trio, the presentation of this same work as a "new" (which typically meant "never before heard") trio on a concert program three months later leaves open the possibility that the work premiered in December may in fact have been the B-flat.
Otherwise, the earlier B-flat Trio would have received only a private performance during Schubert's lifetime on January 28, 1828, courtesy of three of Vienna's top chamber musicians: pianist Carl Maria von Bocklet, violinist Ignaz Schuppanzigh (who, as the leader of 19th-century Vienna's finest string quartet, first gave voice to Beethoven's middle and late quartets), and cellist Josef Linke (Schuppanzigh's quartet colleague, and the first interpreter of Beethoven's Opp. 69 and 102 Cello Sonatas). The same three musicians had given the performance on December 26, whether this was of the first or second piano trio.
Schubert's particular pride in the E-flat Trio is evidenced by his inclusion of it as the centerpiece
on a program of his own music on March 26, 1828, commemorating the first anniversary of Beethoven's death. The shadow of Beethoven is significant, not only for Beethoven's profound influence on Schubert, but also for his own granite essays on the piano trio genre. Indeed, there may be no higher compliment than Robert Schumann's regard for Schubert's Op. 100 as equal to Beethoven's formidable "Ghost" (Op. 70, No. 1) and "Archduke" (Op. 97) Trios.
Despite his great physical suffering and psychological anguish at the end of his life, Schubert did not go quietly. His final year was staggeringly productive. Between mid-1827 and November 1828, Schubert completed, in addition to the two piano trios, the Fantasies in C Major for violin and piano, and in f minor, for four-hand piano; the "Great" Symphony No. 9 in C Major, the Cello Quintet; more than two dozen songs, including the presciently titled "Schwanengesang" (Swan Song); and the last three Piano Sonatas, in addition to numerous other piano, vocal, and orchestral works--an imposing set of masterpieces, miraculously concentrated within a deeply trying 12 months or so, unequaled by many composers over entire lifetimes. Schumann's reflection on the E-flat Trio poetically captures the meteoric luminosity of the end of Schubert's life: "Some years ago, a trio by Schubert passed across the ordinary musical life of the day like some angry manifestation in the heavens. It was his 100th opus, and shortly afterward, in November 1828, he died."
Program note by Patrick Castillo.
Wu Han ranks among the most esteemed and influential classical musicians in the world today. Leading an unusually multifaceted artistic career, she has risen to international prominence through her wide-ranging activities as a concert performer, recording artist, educator, arts administrator, and cultural entrepreneur.
In high demand as a recitalist, concerto soloist, and chamber musician, Wu Han has appeared at many of the world's most prestigious concert series and venues across the US and around the world. She is a frequent collaborator with many of today's finest musicians and ensembles, and appears extensively each season as duo pianist with cellist David Finckel. London's Musical Opinion said of the duo's Wigmore Hall debut: "They enthralled both me and the audience with performances whose idiomatic command, technical mastery, and unsullied integrity of vision made me think right back to the days of Schnabel and Fournier, Solomon and Piatigorsky."
In addition to her distinction as one of classical music's most accomplished performers, Wu Han has established a reputation for her dynamic and innovative approach to the recording studio. In 1997, Wu Han and Mr. Finckel launched ArtistLed, classical music's first musician-directed and Internet-based recording company, whose catalog of 11 albums has won widespread critical acclaim. The duo's recording for the ArtistLed label of the Rachmaninoff, Shostakovich, and Prokofiev sonatas for cello and piano received BBC Music Magazine's coveted "Editor's Choice" Award. This season, ArtistLed releases its 12th album, featuring contemporary works for cello and piano composed for David Finckel and Wu Han, by Bruce Adolphe, Lera Auerbach, Pierre Jalbert, and George Tsontakis.
Schumann's reflection on the E-flat Trio poetically captures the meteoric luminosity of the end of Schubert's life: "Some years ago, a trio by Schubert passed across the ordinary musical life of the day like some angry manifestation in the heavens. It was his 1OOth opus, and shortly afterward, in November 1828, he died."
Wu Han and Mr. Finckel have served as Artistic Directors of the Chamber Music Society of Lincoln Center since 2004. They are also the founding Artistic Directors of MusicOMenlo, a chamber music festival and institute in Silicon Valley that has garnered international acclaim since its inception in 2003.
Wu Han has achieved universal renown for her passionate commitment to nurturing the careers of countless young artists through a wide array of education initiatives. For many years, she taught alongside the late Isaac Stern at Carnegie Hall and the Jerusalem Music Center. This season, under the auspices of the Chamber Music Society of Lincoln Center, Wu Han and Mr. Finckel have established chamber music training workshops for young artists in Korea and Taiwan, intensive residency programs designed to bring student musicians into contact with an elite artist-faculty.
For more information, please visit www.davidfinckelandwuhan.com and www.artistled.com.
David Finckel's multifaceted career as concert performer, recording artist, educator, arts administrator, and cultural entrepreneur places him in the ranks of today's most influential classical musicians.
He has been hailed as a "world class soloist" (Denver Post) and "one of the top 10, if not top five, cellists in the world today" [Nordwest Zeitung, Germany). In high demand as a chamber musician, Mr. Finckel appears in over 100 concerts each season in recital with pianist Wu Han and as cellist of the Grammy Award-winning Emerson String Quartet at the most prestigious venues and concert series across the US and around the world. His activities as a concerto soloist include performances and recordings of the Dvorak Cello Concerto in b minor, John Harbison Cello Concerto, and Augusta Read Thomas's Ritual Incantations.
In addition to his distinction as one of classical music's most accomplished performers, Mr. Finckel has established a reputation for his dynamic and innovative approach to the recording studio. In 1997, Mr. Finckel and Wu Han launched ArtistLed, classical music's first musician-directed and Internet-based recording company, whose catalog of 11 albums has won widespread critical acclaim. Mr. Finckel's recording for the ArtistLed label of
the Rachmaninoff, Shostakovich, and Prokofiev sonatas received SBC Music Magazine's coveted "Editor's Choice" Award. This season, ArtistLed releases its 12th album, featuring contemporary works for cello and piano composed for David Finckel and Wu Han, by Bruce Adolphe, Lera Auerbach, Pierre Jalbert, and George Tsontakis.
Mr. Finckel and Wu Han have served as Artistic Directors of The Chamber Music Society of Lincoln Center since 2004. They are also the founders and Artistic Directors of MusicOMenlo, a chamber music festival and institute in Silicon Valley that has garnered international acclaim since its inception in 2003.
Mr. Finckel has achieved universal renown for his passionate commitment to nurturing the careers of countless young artists through a wide array of education initiatives. For many years, he taught alongside the late Isaac Stern at Carnegie Hall and the Jerusalem Music Center. This season, under the auspices of the Chamber Music Society of Lincoln Center, Mr. Finckel and Wu Han have established chamber music training workshops for young artists in Korea and Taiwan, intensive residency programs designed to bring student musicians into contact with an elite artist-faculty.
For more information, please visit www.davidfinckelandwuhan.com and www.artistled.com.
Philip Setzer is a founding member of the Emerson String Quartet, which has received eight Grammy Awards, three Gramophone Awards, and the coveted Avery Fisher Prize; and has performed cycles of the complete Beethoven, Bartok, and Shostakovich string quartets in the world's musical capitals from New York to Vienna. The Noise of Time, a groundbreaking theater collaboration between the Emerson String Quartet and Simon McBurney about the life of Shostakovich, was based on an original idea of Mr. Setzer's.
As a soloist, he has appeared on several occasions with the Cleveland Orchestra, with the Aspen Chamber Orchestra, and also with the National, Memphis, New Mexico, Puerto Rico, Omaha, and Anchorage Symphonies. In 1976, Mr. Setzer won a bronze medal at the Queen Elisabeth International Competition in Brussels. He has also participated in the Marlboro Music Festival.
David Finckel, Wu Han. and Philip Setzer
Mr. Setzer is a tenured Professor of Violin and Chamber Music at Stony Brook University and has given master classes at schools around the world. He has been a regular faculty member of the Isaac Stern Chamber Music Workshops at Carnegie Hall and the Jerusalem Music Center. His article about those workshops appeared in The New York Times on the occasion of Isaac Stern's 80th birthday celebration in 2001.
Mr. Setzer studied violin with Josef Gingold and Rafael Druian, at The Juilliard School with Oscar Shumsky, and also studied chamber music with Robert Mann and Felix Galimir.
This afternoon's performance marks Wu Han's third UMS appearance following her UMS debut in September 2006 at Rackham Auditorium with members of the Emerson String Quartet. Wu Han most recently appeared under UMS auspices in February 2008 at Hill Auditorium with the Chamber Music Society of Lincoln Center's "A Celebration of the Keyboard," which also featured pianists Inon Barnatan, Gilbert Kalish, Anne-Marie McDermott, Andre-Michel Schub, and Gilles Vonsattel.
This afternoon's performance marks the 14th UMS appearance of both David Finckel and Philip Setzer. Mr. Finckel and Mr. Setzer made their UMS debuts in March 1989 at Rackham Auditorium as members of the Emerson String Quartet. They most recently appeared under UMS auspices with the Quartet in January 2008 at Rackham Auditorium.
Photo: Christian Steiner
and Dennis and Ellie Serras present Bela Fleck: The Africa Project Bela Fleck Banjo featuring Bassekou Kouyate and Ngoni Ba (Mali) Ngoni Bassekou Kouyate, Ngoni Fousseyni Kouyate, Ngoni Ba Barou Kouyate, Ngoni Moussa Bah, Bass Ngoni Amy Sacko, Lead Vocal Ma Soumano, ChorusLead Alou Coulibaly, Calebasse Moussa Sissoko, Percussion Anania Ngoliga (Tanzania) Ilimba and John Kitime (Tanzania) Guitar
Program Wednesday Evening, February 17, 2010 at 8:00 Hill Auditorium Ann Arbor This evening's program will be announced by the artists from the stage.
42nd Performance of the 131st Annual Season UMS Global: Africa Festival The photographing or sound and video recording of this concert or possession of any device for such recording is prohibited. This evening's performance is co-sponsored by Dennis and Ellie Serras. Funded in part by the Community Foundation for Southeast Michigan and the National Endowment for the Arts. Media partnership is provided by Metro Times, Michigan Chronicle, Ann Arbor's 107one, and WEMU 89.1 FM. Special thanks to Kelly Askew, Sandra Schulze, and the U-M African Studies Center; Elizabeth James and the U-M Center for Afroamerican and African Studies; and Daniel Herwitz and the U-M Institute for the Humanities for their support of and participation in events surrounding tonight's performance. Special thanks to Steven Ball for coordinating the pre-concert music on the Charles Baird Carillon. Bela Fleck: The Africa Project appears by arrangement with Ted Kurland Associates. Large print programs are available upon request.
Bela Fleck is often considered the premiere banjo player in the world. A New York na?tive, he picked up the banjo at age 15 af?ter being awed by the bluegrass music of Flatt & Scruggs. While still in high school he experimented with playing be-bop jazz on his banjo, mentored by fellow banjo renegade Tony Trischka. In 1980, he released his first solo album Crossing the Tracks. In 1982, Mr. Fleck joined the progressive bluegrass band New Grass Revival, making a name for him?self on countless solo and ensemble projects. In 1989, he formed the genre-busting Flecktones, with members equally talented and adventurous as himself.
Throughout his performing and recording ca?reer, Mr. Fleck has gained a reputation for virtually reinventing the image and sound of the banjo. He has been nominated for Grammy Awards in jazz, bluegrass, pop, country, spoken word, Christian, composition, and world music categories--more categories than anyone in Grammy history. Since 1998, Mr. Fleck has garnered 11 Grammy Awards and 27 Grammy Award nominations.
Throw Down Your Heart, the third volume in Mr. Fleck's renowned Tales From the Acoustic Plan?et series, is his most ambitious project to date. The album is a companion to the award-winning film
of the same name, which Mr. Fleck and director Sascha Paladino are currently premiering at festi?vals nationwide. Transcending barriers of language and culture, Mr. Fleck finds common ground with musicians ranging from local villagers to interna?tional superstars. In on-location collaborations with musicians from Uganda, Tanzania, Senegal, Mali, South Africa, and Madagascar, he explores the Af?rican origins of the banjo, the prototype of which was brought to American shores by African slaves. As to the origins of the banjo, Mr. Fleck comments,
When I went to Africa I found instruments and players that gave me a better sense of where the thing started. In Gambia and Mali in particular, I found what I was looking for! Huge numbers of slaves came west from this area. We were told that the musicians were allowed to play these instruments on the slave ships, and that many lives were saved due to it.
As will be demonstrated tonight, Bela Fleck has revealed subtle facets of African music, from the fully modern to the deeply traditional.
Bela Fleck and Bassekou Kouyate
Bassekou Kouyate is one of the true masters of the ngoni, an ancient traditional lute found throughout West Africa. The ngoni has been the main instrument in griot storytelling since the 13th century during the days of Soundiata Keita, the founder of the Mali Empire. (Oriots are West African wandering musicians, considered a repository of oral tradition.)
The sensational Segu Blue, which was released in 2007, is Mr. Kouyate's first solo album and fea?tures the first and only ngoni quartet. Mr. Kouy?ate has collaborated with both musicians from his homeland in Mali and international artists. He was one of the key musicians on AN Farka Toure's post?humous album Savane, stunning audiences world?wide as the band's solo ngoni player. Mr. Kouyate is a member of the Symmetric Trio alongside Toumani Diabate (kora) and Keletigui Diabate (balafon); par?ticipated in Taj Mahal's and Toumani Diabate's Ku-lanjan project; and features prominently on both Youssou N'Dour's latest album Rokku mi Rokka and Dee Dee Bridgwater's Red Earth.
Mr. Kouyate was born in Garana, a village almost 40 miles from Segu, in the remote coun?tryside on the banks of the Niger River. He was raised in a traditional musical environment, his mother a praise singer and his father and broth?ers exceptional ngoni players. Mr. Kouyate married the singer Amy Sacko, (the so-called "Tina Turner of Mali"), and they have been in high demand for the traditional wedding parties that happen in the streets of Bamako. Mr. Kouyate has assembled his own band, Ngoni Ba (The Big Ngoni), Mali's first ngoni quartet. The ensemble's repertoire is Bam-bara music, pentatonic in nature and as close to the blues as you can get in Africa, originating from the Segu region. As Taj Mahal said, "Bassekou is a genius, a living proof that the blues comes from the region of Segu."
Anania Ngoglia is a multi-instrumentalist and vocalist from Tanzania. For the Africa Project, he plays the Wagogo thumb pia?no, also called the ilimba. a square-ish instrument about the size of a small laptop. In Tanzania, herds?men play its distinct, percussive sound in the fields. The Wagogo--a Bantu ethnic group based in cen?tral Tanzania--are known for having a distinctively mysterious scale in their traditional music. When Bela Fleck first heard Mr. Ngoglia play, he recog?nized a kindred spirit. Mr. Ngoglia proved himself to be an astonishing improvising artist with incred?ible range. His performances with Mr. Fleck were called "the spiritual high point of the program" by Afropop Worldwide.
John Kitime is an accomplished guitarist and vocalist with a deep knowledge of the history of Tanzanian music. For over 30 years, he has led the acclaimed Kilimanjaro Band. He has com?posed award-winning songs, including a theme song for the South African Development Commu?nity (SADC), and holds a certificate on Intellectual Property from World Intellectual Property Organi?zation (WIPO). Mr. Kitime is the Interim President of the Tanzania Musicians Network, a position that led him to Bela Fleck and the role of field producer for the award-winning film, Throw Down Your Heart. The film is the inspiration for the current US tour.
Tonight's concert marks the UMS debuts of Bela Fleck, Bassekou Kouyate and Ngoni Ba, Anania Ngoliga, and John Kitime.
and CFI Group present Swedish Radio Choir Ragnar Bohlin, Guest Conductor
Program Hugo Alfven Ned Rorem Gustav Mahler Sven David Sandstrom Johann Sebastian Bach Anders Hillborg Frank Martin Sunday Afternoon, February 21, 2010 at 4:00 Hill Auditorium Ann Arbor Aftonen In Time of Pestilence Ich bin der Welt abhanden gekommen Lobet den Herrn Singet dem Herrn ein neues Lied, BWV 225 INTERMISSION Mouyayoum Mass for Double Chorus Kyrie Gloria Credo Sanctus Benedictus Agnus Dei
43rd Performance of the 131st Annual Season 131st Annual Choral Union Series The photographing or sound and video recording of this concert or possession of any device for such recording is prohibited. This afternoon's performance is sponsored by CFI Group. Media partnership is provided by WGTE 91.3 FM and WRCJ 90.9 FM. Special thanks to Jerry Blackstone from the U-M School of Music, Theatre & Dance for his support of and participation in the Swedish Radio Choir residency. Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of lobby floral art for this afternoon's performance. Special thanks to Steven Ball for coordinating the pre-concert music on the Charles Baird Carillon. Swedish Radio Choir appears by arrangement with California Artists Management. Large print programs are available upon request.
Thirty-two professional singers form the Swedish Radio Choir--recognized since the 1960s as one of the great a capella choirs of the world, and frequently engaged by the foremost international conductors such as Claudio Abbado, Riccardo Muti, and Valery Gergiev for concerts, tours, and recordings.
Founded in 1925, the world took note of the Swedish Radio Choir in 1952 when Eric Ericson became its principal conductor, molding it into the flexible choral instrument that it remains today. Maestro Ericson transformed the Choir into an ensemble capable of performing advanced choral repertoire--works by Richard Strauss and Max Reger as well as music of its own day. Arthur Honegger heard his own choral music sung for the first time the way he had imagined it, and began spreading word that the Choir could sing practically anything. The Ericson sound became legendary. Many composers found the Swedish Radio Choir to be the ideal instrument for their music: composers such as Ingvar Lidholm, Sven-Erik Back, Lars Edlund, Gyorgy Ligeti, and Krzysztof Penderecki. The works they wrote specifically for the Choir count among the classics of choral repertoire in Sweden and internationally. Maestro Ericson retired after more than 30 years of service, but has been welcomed back many times as Conductor Emeritus.
Each successive Music Director since Maestro Ericson has impressed his individual stamp on the Choir and brought new colors and skills. In the 1980s, Anders Ohrwall shared his specialist understanding of Baroque music. Gustaf Sjokvist premiered works by Sven-David Sandstrom, Tomas Jennefelt, and Hans Gefors, while also presenting programs with Lill Lindfors, songwriter Olle Adolphson, and other guest artists from the popular sphere. Tonu Kaljuste, the first non-Swedish director, brought repertoire from Eastern Europe including the music of Arvo Part and Alfred Schnittke, while Stefan Parkman presented a series comprising all of Bach's major works. Peter Dijkstra was named Music Director of the Choir in 2007.
Since its first sensational tours to Berlin and Venice, the Swedish Radio Choir has carried on a rich and varied schedule of international activities, and is regularly invited to participate in international festivals and concerts. The Choir's work with Riccardo Muti and Claudio Abbado in the 1980s resulted in a series of acclaimed concerts and recordings. In 2009 the Choir toured the
Netherlands and Nordic countries and took part in a festival in Rotterdam and The Hague, joining forces with the Rotterdam Philharmonic Orchestra and Valery Gergiev and other important ensembles and conductors. Last year also brought an Italian tour with Claudio Abbado and the Mahler Chamber Orchestra, and five concerts in Brussels in recognition of the Swedish EU presidency, including performances of the Verdi Requiem with Daniel Harding. In 2010, in addition to their tour of North America under the direction of Ragnar Bohlin, the Swedish Radio Choir will tour to St. Petersburg to sing Brahms's Ein deutsches Requiem under Valery Gergiev, and to Milan to sing Mahler's Symphony No. 2 "Resurrection" under Claudio Abbado, and to Japan.
The Choir is well represented on CD and DVD with performances of both a cappella and major symphonic works on such labels as Deutsche Grammophon, EMI, SONY, and Virgin Classics. A past American Grammy nominee, they were nominated this year for a 2010 Grammis Award, the Swedish Grammy Award, for their recording Satyhcon. The Swedish Radio Choir's vision is to deploy its exceptional sonic range to place its own special imprint on the a cappella and symphonic choral repertoires. It is an ensemble in which each individual voice finds its place in a unified artistic expression.
Ragnar Bohlin was named Director of the San Francisco Symphony Chorus in 2007, preparing them for performances under internationally renowned conductors and conducting them regularly in such pieces as Carmina Burana, Handel's Messiah, and Bach's Christmas Oratorio. His outstanding work has been recognized throughout the world most recently with three 2010 Grammy nominations for Mahler's Symphony No. 8 with Michael Tilson Thomas and the San Francisco Symphony. Maestro Bohlin studied conducting with Jorma Panula and the legendary choir director Eric Ericson, piano with Peter Feuchtwanger in London on a British Council scholarship, and singing with the great Swedish tenor Nicolai Gedda. He holds a MM in Church Music and a postgraduate degree in Conducting from the Royal Academy of Music in Stockholm. Through a Sweden-America Foundation scholarship, he visited choruses throughout the US. With his Swedish Choirs,
the KFUM Chamber Choir, the Maria Magdalena Motet Choir, and the Maria Vocal Ensemble, Maestro Bohlin toured internationally earning prizes in international competitions and many distinctions including the prestigious Johannes Norrby Medal in 2006, for expanding the frontiers of Swedish choral music making. In June 2009 he made his Carnegie Hall debut conducting Brahms's Ein deutsches Requiem. In the spring of 2010, he will appear as guest conductor of the Sao Paolo Symphony Chorus.
Maestro Bohlin is heard frequently on radio with the Swedish Radio Choir, the Maria Vocal Ensemble, and the Maria Magdalena Motet Choir. He has worked regularly with the Ericson Chamber Choir, the Royal Philharmonic Choir, and the Royal Opera Choir of Stockholm, and in October 2007 he conducted the world premiere of a new requiem by Fredrik Sixten, broadcast on Swedish Public Radio. His recordings of the Saint Mark Passion by Sixten and another recording, Mysterium, of a cappella music, were released in Sweden in spring 2008. He has also recorded a CD of new jazz music by composerpianist Elise Einarsdotter with the Maria Vocal Ensemble and special guests Rigmor Gustafsson and Lena Willemark, and a CD with trombonistcomposer Christian Lindberg and the Swedish Radio Choir.
Maestro Bohlin has taught at the Royal Academy in Stockholm and was Visiting Professor at Indiana University in Bloomington in 2008.
This afternoon's performance marks the Swedish Radio Choir's third appearance under UMS auspices. The Choir made its UMS debut in February 2001 at Hill Auditorium in a performance of Verdi's Requiem with the Swedish Radio Symphony Orchestra and the Eric Ericson Chamber Choir under the baton of Maestro Manfred Honeck. The Choir's debut was followed that weekend by an a cappella performance with the Eric Ericson Chamber Choir and Maestro Eric Ericson at St. Francis of Assisi Catholic Church.
UMS welcomes Ragnar Bohlin, who makes his UMS debut this afternoon.
Swedish Radio Choir
Marie Alexis Jessica Backlund Susanne Carlstrom Pernilla Ingvarsdotter Jenny Ohlson Helena Olsson Ulla Sjoblom Lena Soderstrom
Ingrid Aareskjold Helena Bjarnle Annika Hudak Christiane Hojlund Inger Kindlund-Stark Ulrika Kyhle-Hagg Tove Nilsson Eva Wedin
Magnus Alstrom Per Bjorsund Niklas Engquist Love Enstrom Mattias Lilliehorn Fredrik Mattsson Jon Nilsson Gunnar Sundberg
Staffan Alveteg Lars Johansson
Brissman Mathias Brorson Rickard Collin Bengt Eklund Stefan Nymark Johan Pejler Joakim Schuster
Cyro Baptista's Beat the Donkey
Cyro Baptista, Percussion and Vocals
Brian Marsella, Keyboards, Percussion, and Vocals
Lisette Santiago, Percussion and Vocals
Chikako Iwahori, Percussion, Tap Dance, and Vocals
Ze Mauricio, Percussion and Vocals
Gil Oliveira, Drum Set
Saturday Afternoon, March 13, 2010 at 1:00 (Family Performance) Saturday Afternoon, March 13, 2010 at 4:00 (Family Performance) Power Center Ann Arbor
This afternoon's programs will be announced by the artists from the stage.
44th and 45th Performances of the 131st Annual Season
The photographing or sound and video recording of these performances or possession of any device for such recording is prohibited.
The 0910 Family Series is sponsored by Toyota.
Media partnership is provided by WEMU 89.1 FM.
Cyro Baptista's Beat the Donkey appears by arrangement with Unlimited Myles, Inc.
Large print programs are available upon request.
Time Out New York sums up Cyro Baptista's musical gravity: "The man the stars call when they want that otherworldly flavor in the mix..." Since arriving in the US in 1980 from his native Brazil, Mr. Baptista emerged as one of the premiere percussionists in the country. Coinciding with the rise in the public's interest of world music, Mr. Baptista has managed to record and tour with some of music's most popular names. His mastery of Brazilian percussion and the many instruments he creates himself have catapulted him to world renown.
With his own project, the percussion and dance ensemble known as Beat the Donkey, Mr. Baptista gives free-reign to his imagination, mixing his tremendous musical skills, his natural humor, and theatrical ways with instruments from Brazil, the Middle East, Indonesia, Africa, and the US. Mr. Baptista's credits read like a "Who's Who" of modern music. He has toured extensively with Yo-Yo Ma's Brazil Project, Trey Anastasio's Band (of Phish), John Zorn's Electric Masada, Herbie Hancock's Grammy Award-winning Gershwin's World, Sting, and Paul Simon's Rhythm of the Saints. He has also performed with many respected Brazilian artists such as Milton Nascimento, Caetano Veloso, Ivan Lins, Marisa Monte, and Nana Vasconcelos.
Mr. Baptista has performed on five Grammy Award-winning albums: Yo-Yo Ma's Obrigado Brasil, Cassandra Wilson's Blue Light 'til Dawn, The Chieftains' Santiago, Ivan Lins' A Love Affair, and Herbie Hancock's Gershwin's World. Adocumentary on Beat the Donkey was recorded for the WGBH-TV Boston and continues to air on PBS stations nationwide. Additionally, he has collaborated with the Lincoln Center Jazz Orchestra with Wynton Marsalis for a Brazilian Carnaval concert.
The first Beat the Donkey recording (Tzadik) was picked by The New York Times as one of the 10 best alternative albums of 2002. Mr. Baptista has also been composing music for the children's television station Nickelodeon.
Beat the Donkey is more than just a band. It is a multicultural, polyphonic, highly creative, and entertaining group that takes rhythms beyond their natural frontiers and creates a brand of music too innovative and varied to be labeled. The ensemble's name comes from the Brazilian expression "Pau Na Mula" meaning "Let's go, let's do it!"
There is an undeniable aura of fun and humor whenever Cyro Baptista takes the stage; this is particularly true with Beat the Donkey. It is a wild, unstoppable, and torrid world beat percussive ensemble that blends and beats a bewitching stage stew of untamed percussion, tap dance, martial arts, samba, jazz, rock, and funk. They accomplish this by mixing instrumentation from all over the globe and unusual percussion inventions of Mr. Baptista's own creation. The musicians hail from all over the world, wear wild, elaborate costumes, and frequently leave their instruments to break into spontaneous dance, making the group fascinating to watch as well as listen to.
This afternoon's performances mark Cyro Baptista's third and fourth appearances under UMS auspices. Mr. Baptista made his UMS debut in performance with soprano Kathleen Battle in December 1996 and most recently performed in Ann Arbor alongside vocalist Luciana Souza and guitarist Romero Lubambo this past February at Rackham Auditorium.
UMS welcomes Beat the Donkey, who make their UMS debut this afternoon.
UMS EDUCATION AND AUDIENCE DEVELOPMENT PROGRAMS
0910 Season: Breaking Down Walls
UMS's Education Program deepens the relation?ship between audiences and art, while efforts in Audience Development raise awareness of the positive impact the performing arts and educa?tion can have on the quality of life in our com?munity. The program creates and presents the highest quality arts education and community engagement experiences to a broad spectrum of constituencies, proceeding in the spirit of part?nership and collaboration.
Both literally and figuratively, the 0910 UMS Education season celebrates the breaking down of walls: literally in the celebration of the 20th anniversary of the fall of the Berlin Wall and events surrounding the presentation of the Berlin Philharmonic; and figuratively, in the attempt to break down walls that impede personal and intellectual growth, participation in the arts, and connections to community. Each event chal?lenges participants to expand the way they think about art, culture, and creativity, and encourages a greater investment in UMS and the arts as a whole.
In this time of economic challenge, the UMS 0910 education programs "go deeper" with projects that encourage sustained engagement over time, allow a variety of entry points for a wide range of interests and audiences, and explore the diversity of artists, art forms, ideas, and cultures featured in the current UMS season.
WinterSpring 2010 Special ProjectsNew Initiatives
Global focus on music from Africa: educational, social, and participatory performance events
"Innovation Lab" grant from EmcArtsDoris Duke Charitable Foundation to pursue social media as a tool for communication and connection to audiences
Artist residencies with Bill T. JonesArnie Zane Dance Company, San Francisco Symphony, and Maly Drama Theater of St. Petersburg
Artist interviews with Bill T. Jones, Pierre Boulez, and Lev Dodin
American Orchestras Summit preceding the Chicago Symphony Orchestra concert
U40, U40! Ticket discounts and special opportunities for UMS patrons under 40
Guerilla Chamber Music events: Help take music to the streets!
Details about all educational and residency events are posted approximately one month before the performance date. Join the UMS E-mail Club to have updated event information sent directly to you. For immediate event info, please e-mail email@example.com, or call the numbers listed on the following pages.
ADULT, COMMUNITY, & UNIVERSITY
Please call 734.615.4077 or e-mail firstname.lastname@example.org for more information.
Public Events: Extending the Experience
UMS hosts a wide variety of educational and community events to inform the public about arts and culture and to provide forums for dis?cussion and celebration of the performing arts. These events include:
Artist Interactions: Public interviews, inter?active workshops with artists, master classes, and meet-and-greet opportunities for visiting and local artists to share their craft and process while getting to know the Ann Arbor community.
LecturesRound-Table DiscussionsBook Clubs: In-depth adult education related to specific artists, art forms, cultures, films, books, or ideas connected to the UMS season.
Audience as Artist: Opportunities for the public to participate in the performing arts: dance parties, jam sessions, staged readings.
Community Receptions: Relaxed events for audiences to network and socialize with each other and with artists.
Building Community Around the Arts
UMS works with 57 academic units and 175 faculty members at U-M, along with many part?ners at other regional colleges, bringing together visiting artists, faculty, students, and the broader southeastern Michigan community. UMS appre-dates the generosity of the many faculty members who share time and talent to enrich the per?formance-going experience for UMS audiences. With the aim of educating and inspiring stu?dents to participate more fully in the performing arts, UMS student programs range from pre-con-:ert pizza to post-concert dance parties; in-class isits with artists to internships and jobs at UMS. JMS also provides various opportunities for stu-
dents to attend UMS performances at significant?ly discounted rates (see ticket discount informa?tion on page P20). Each year, 18,000 students attend UMS events and collectively save $375,000 on tickets through our discount programs.
Arts & Eats
Arts & Eats combines two things you can't live without--great music and free pizza--all in one night. For just $15, you get great seats to a UMS event (at least a 50 savings) and a free pizza dinner before the concert, along with a brief talk about the performance. Tickets go on sale approximately two weeks before the concert.
Winter 2010 Arts & Eats Events:
Bill I JonesArnie Zane Dance Company, Fri 122
Bela Fleck: The Africa Project, Wed 217
Takacs Quartet, Mon 315
Schleswig-Holstein Festival Orchestra with Lang Lang, Wed 47
Danilo Perez & Friends, Thu 48
Sponsored by UMTOS
With support from the U-M Alumni Association
Internships and College Work-Study
Internships and College Work-Study with UMS provide experience in performing arts adminis?tration, marketing, ticket sales, programming, production, fundraising, and arts education. Semesterand year-long unpaid internships are available in many of UMS's departments. If you are a U-M student interested in working at UMS, please e-mail email@example.com or visit www.ums.org.
As an independent council drawing on the diverse membership of the U-M community, the UMS Student Committee works to increase stu?dent interest and involvement in various UMS programs by fostering increased communication between UMS and the student community, promoting awareness and accessibility of stu-
dent programs, and promoting the value of live performance. For more information or to join, please call 734.615.6590 or email firstname.lastname@example.org.
YOUTH, TEEN, AND FAMILY
Please call 734.615.0122 or e-mail email@example.com for more information.
UMS Youth: Arts for the Next Generation
UMS has one of the largest K--12 education ini?tiatives in Michigan. Designated as a "Best Practice" program by ArtServe Michigan and the Dana Foundation, UMS is dedicated to mak?ing world-class performance opportunities and professional development activities available to K--12 students and educators.
0910 Youth Performance Series
These daytime performances give pre-K through high school students the opportunity to see the same internationally renowned performances as the general public. The Fall 2009 season fea?tured special youth presentations of Shakespeare's Globe Theatre and Keith Terry and the SLAMMIN All-Body Band. In WinterSpring 2010, UMS will present Bill T. JonesArnie Zane Dance Company, Ladysmith Black Mambazo, the Sphinx Jr. Division Finals Concert, The Bad Plus, and Hubbard Street Dance Chicago. All youth performances have accompanying curricular materials, available for free at www.ums.org, to connect the perform?ance to state curricular standards via the Michigan Grade Level Content Expectations.
Teacher Workshop Series
UMS is part of the Kennedy Center Partners in Education Program, offering educators mean?ingful professional development opportunities. Workshops, cultural immersions, and book clubs bring the best in local and national arts education to our community, through presenta-
tions by Kennedy Center teaching artists, UMS performing artists, and local arts and culture experts. This series focuses on arts integration, giving teachers techniques for incorporating the arts into everyday classroom instruction.
Whenever possible, UMS brings its artists into schools to conduct workshops and interactive performances directly with students, creating an intimate and special experience in students' own environment.
Teacher Advisory Committee
This group of regional educators, school admin?istrators, and K--12 arts education advocates advises and assists UMS in determining K-12 programming, policy, and professional develop?ment. If you would like to participate, please contact firstname.lastname@example.org.
Teacher Appreciation Month! March 2010 is Teacher Appreciation Month. Visit www.ums.orgeducation for special ticket discount information.
UMS is in partnership with the Ann Arbor Public Schools and the Washtenaw Immediate School District as part of the Kennedy Center: Partners in Education Program. UMS also participates in the Ann Arbor Public Schools' "Partners in Excellence" program.
UMS nurtures the development of young artists and audiences with a yearlong collabo?rative performance, ticket discounts (see page P20), and occasional internship opportunities for outstanding high school students.
In a special collaboration with the Neutral Zone, Ann Arbor's teen center, UMS presents this annual performance on Saturday, May 15, 2010 at the Power Center, highlighting the area's best teen performers. This show is curated, designed, marketed, and produced by teens under the mentorship of UMS staff.
UMS Family Series
The UMS Family Series was created to allow families to experience the magic of the per?forming arts together, irrespective of age. Most family performances feature shorter program lengths, a more relaxed performance-going environment, and special interactive opportuni?ties for kids with the artist or art form. Fall 2009 family performances included The Suzanne Farrell Ballet, Keith Terry's SLAMMIN All-Body Band, and the Vienna Boys Choir. Please join us for Cyro Baptista's Beat the Donkey, the final family presentation of the 0910 season, on March 13, 2010 at 1pm and 4pm.
Education Program Supporters
Reflects gifts received between July 1, 2008 and November 7, 2009.
University of Michigan
Michigan Council for Arts and Cultural Affairs
Arts at Michigan
Arts Midwest's Performing
Arts Fund Bank of Ann Arbor The Dan Cameron Family
Swanna Saltiel Community Foundation for
Southeast Michigan Doris Duke Charitable
Foundation Doris Duke Foundation for
DTE Energy Foundation The Esperance Family Foundation David and Phyllis Herzig
Endowment Fund Honigman Miller Schwartz
and Cohn LLP JazzNet Endowment WK Kellogg Foundation Masco Corporation
Miller. Canfield, Paddock and
Stone, P.L.C. THE MOSAIC FOUNDATION
(of R. & P. Heydon) The Mosaic Foundation,
Washington DC National Dance Project of the
New England Foundation
for the Arts
National Endowment for the Arts Prudence and Amnon
Rosenthal K-12 Education
Endowment Fund Rick and Sue Snyder TCF Bank
UMS Advisory Committee University of Michigan Credit Union University of Michigan
Health System U-M Office of the Senior Vice
Provost for Academic Affairs U-M Office of the Vice
President for Research Wallace Endowment Fund
There are many ways to support the efforts of UMS, all of which are critical to the success of our season. We would like to welcome you to the UMS family and involve you more closely in our exciting programming and activities. This can happen through corporate sponsorships, business advertising, individual donations, or through volunteering. Your financial investment andor gift of time to UMS allows us to continue connecting artists and audiences, now and into the future.
CORPORATE SPONSORSHIP AND ADVERTISING
When you advertise in the UMS program book you gain season-long visibility among ticket buyers while enabling an important tradition of providing audiences with the detailed program notes, artist biographies, and program descrip?tions that are so important to the performance experience. Call 734.764.6833 to learn how your business can benefit from advertising in the UMS program book.
As a UMS corporate sponsor, your organization comes to the attention of an educated, diverse, and growing segment not only of Ann Arbor, but all of southeastern Michigan. You make possible one of our community's cultural treas?ures and also receive numerous benefits from your investment. For example, UMS offers you a range of programs that, depending on your level of support, provide a unique venue for:
Developing business-to-business relationships
Targeting messages to specific demographic groups
Enhancing corporate image
Making highly visible links with arts and education programs
Showing appreciation for loyal customers
For more information, please call 734.647.1176.
We could not present our season without the invaluable financial support of individual donors. Ticket revenue only covers half of the cost of our performances and educational events. UMS donors help make up the differ?ence. If you would like to make a gift, please fill out and mail the form on page P36 or call 734.647.1175.
UMS ADVISORY COMMITTEE
The UMS Advisory Committee is an organization of over 80 volunteers who contribute approxi?mately 7,000 hours of service to UMS each year. The Advisory Committee champions the mission and advances UMS's goals through community engagement, financial support, and other volun?teer service.
Advisory Committee members work to increase awareness of and participation in UMS programs through the Education Ambassador Committee, a new Community Ambassador proj?ect, ushering at UMS youth performances, and a partnership with the U-M Museum of Art (UMMA) Friends Board.
Meetings are held every other month and membership tenure is three years. Please call 734.647.8009 to request more information.
Raising money to support UMS Education Programs is another major goal of the Advisory Committee. The major fundraising events are:
Ford Honors Program and Gala: San Francisco Symphony Saturday, March 20, 2010
This year's program will honor the San Francisco Symphony (SFS) and Michael Tilson Thomas (MTT), Music Director. Founded in 1911, the SFS is widely considered to be among the country's most artistically adventurous arts institutions. Michael Tilson Thomas assumed his post as the Symphony's 11th Music Director in 1995. MTT's 13 seasons with SFS have been praised by crit?ics for innovative programming, for bringing the works of American composers to the fore, developing new audiences, and for an innova?tive and comprehensive education and commu?nity program.
The evening will begin with a Gala Dinner at the Michigan League, followed by the SFS's performance of Mahler's Symphony No. 2. After the performance, guests can meet SFS musicians and MTT at a Champagne Afterglow. Please call 734.764.8489 to make a reservation for the Gala Dinner and Champagne Afterglow.
These special events are hosted by friends of UMS. The hosts determine the theme for the evening, the menu, and the number of guests they would like to entertain. All proceeds sup?port UMS Education programs.
Our winter Delicious Experience will be Fish & Chips at Monahan's Seafood Market on Friday, February 12, 2010. Please join us! For more information, call 734.647.8009.
Fifth Annual On the Road with UMS
On September 11, 2009 at Barton Hills Country Club, approximately 280 people enjoyed an evening of food, music, and silent and live auc?tions, netting more than $55,000 to support UMS Education programs.
UMS is proud to be a member of the following organizations:
Ann Arbor Area Convention & Visitors Bureau
Ann Arbor Chamber of Commerce
Arts Alliance of the Ann Arbor Area
Association of Performing Arts Presenters
Chamber Music America
Cultural Alliance of Southeastern Michigan
International Society for the Performing Arts
Main Street Area Association
Michigan Association of
Community Arts Agencies National Center for Nonprofit Boards State Street Association Think Local First
The exciting presentations described in this pro?gram book are made possible by the generous support of UMS donors--dedicated friends who value the arts in our community and step forward each year to provide financial support. Ticket rev?enue covers only 47 of the costs associated with presenting our season of vibrant performances and educational programs. UMS donors--through their generous annual contributions--help make up the difference. In return, they receive a wide variety of benefits, including the opportunity to purchase tickets prior to public sale.
For more information, please call the Development Office at 734.647.1175 or visit www.ums.org.
Contact us for details on the specific benefits of each level
2 $100,000 or more Director _) 550,000 Soloist
_l $20,000 Maestro
? $10,000 Virtuoso
_l $7,500 Concertmaster J S5,000 Producer
? $3,500 Leader
3 $2,500 Principal
? S1.000 Patron
J $500 Benefactor
? $250 Associate J $100 Advocate
Please check your desired giving level above and complete the form below or visit us online at www.ums.org.
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Send gifts to: University Musical Society, 881 N. University, Ann Arbor, Ml 48109-1011
ANNUAL FUND SUPPORT
July 1, 2008-November 1, 2009
Thank you to those who make UMS programs and presentations possible. The cost of presenting world-class performances and education programs exceeds the revenue UMS receives from ticket sales. The difference is made up through the generous sup?port of individuals, corporations, foundations, and government agencies. We are grateful to those who have chosen to make a difference for UMS! This list includes donors who made an annual gift to UMS between July 1, 2008 and November 1, 2009. Due to space constraints, we can only list those who donated $250 or more. Every effort has been made to ensure the accuracy of this list. Please call 734.647.1175 with any errors or omissions. Listing of donors to endowment funds. Listing of donors to endowment funds begins on page P44.
$100,000 or more
Doris Duke Charitable Foundation
Ford Motor Company Fund and
Community Services Forest Health Services Michigan Council for Arts and
National Endowment for the Arts Randall and Mary Pittman University of Michigan Health System
Emily W. Bandera MD
Brian and Mary Campbell
Community Foundation for Southeast
Doris Duke Foundation for Islamic Art The Esperance Family Foundation W.K. Kellogg Foundation TAQA New World, Inc. University of Michigan Office of the Provost
Linda and Maurice Binkow
Philanthropic Fund Cairn Foundation DTE Energy Foundation EmcArts Innovation Lab for the
Maxine and Stuart Frankel Foundation David and Phyllis Herzig KeyBank
Robert and Pearson Macek Masco Corporation Foundation Mrs. Robert E. Meredith THE MOSAIC FOUNDATION (of R. & P.
Mosaic Foundation, Washington, DC National Dance Project of the New
England Foundation for the Arts Gilbert Omenn and Martha Darling Laurence and Beverly Price Jane and Edward Schulak Dennis and Ellie Serras Toyota University of Michigan Office of the
Vice President for Research
$10,000-$ 19,999 Jerry and Gloria Abrams Michael Allemang and
Janis Bobrin Herb and Carol Amster Anonymous Arts at Michigan Arts Midwest's Performing Arts
Bank of Ann Arbor Carl and Isabelle Brauer Fund Marilou and Tom Capo Alice B. Dobson Paul and Anne Glendon Eugene and Emily Grant
Frank Legacki and Alicia Torres Natalie Matovinovic Miller, Canfield, Paddock and
Stone, P.L.C. Donald L Morelock Pfizer Foundation Prue and Ami Rosenthal Rick and Sue Snyder James and Nancy Stanley University of Michigan Credit
Marina and Robert Whitman Ann and Clayton Wilhite
Bernard and Raquel Agranoff
Rachel Bendit and Mark Bernstein
Ken and Penny Fischer
Susan and Richard Gutow
Debbie and Norman Herbert
Carl and Charlene Herstein
Honigman Miller Schwartz and
Leo and Kathy Legatski Doug and Sharon Rothwell Herbert and Ernestine Ruben Linda Samuelson and Joel Howell
Sesi Motors Loretta Skewes Barbara Furin Sloat
American Syrian Arab Cultural
Ann Arbor Automotive Anonymous
Essel and Menakka Bailey Beverly Franzblau Baker Kathy Benton and Robert Brown Charlevoix County Community
Mary Sue and Kenneth Coleman Creative Campus Innovations
Grant Program Dennis Dahlmann and
Sophie and Marylene Delphis The Herbert and Junia Doan
Jim and Patsy Donahey Dallas C. Dort
John Dryden and Diana Raimi Fidelity Investments llene H. Forsyth
Howard & Howard Attorneys, PC Mohamad and Hayat Issalssa
Foundation Judy and Verne Istock David and Sally Kennedy Wally and Robert Klein John S. and James L. Knight
Foundation Ms. Rani Kotha and
Dr. Howard Hu Gay and Doug Lane Jill Latta and David Bach Richard and Carolyn Lineback Martin Family Foundation Susan McClanahan and
Bill Zimmerman Michigan Critical Care
Consultants, Inc. National City M. Haskell and Jan Barney
Pepper Hamilton LLP
Phil and Kathy Power
Don and Judy Dow Rumelhart
Alan and Swanna Saltiel
Frances U. and Scott K. Simonds
Lois A. Theis
Thomas B. McMullen Company
Robert O. and
Darragh H. Weisman Max Wicha and Sheila Crowley Marion T. Wirick and
James N. Morgan Keith and Karlene Yohn Jay and Mary Kate Zelenock
$3,500-$4,999 Jim and Barbara Adams Barbara A. Anderson and
John H. Romani Anonymous
Jim and Stephany Austin Raymond and Janet Bernreuter Gary Boren
Edward and Mary Cady Carolyn Carty and Thomas Haug Julia Donovan Darlow and John
Corbett O'Meara Stephen and Rosamund Forrest Tom and Katherine Goldberg Keki and Alice Irani Donald Lewis and
Carolyn Dana Lewis Ernest and Adele McCarus Virginia and Gordon Nordby Eleanor and Peter Pollack John and Dot Reed Craig and Sue Sincock Susan M. Smith and
Robert H. Gray
$2,500-$3,499 Janet and Arnold Aronoff Bob and Martha Ause Bradford and Lydia Bates Suzanne A. and Frederick J. Beutler Blue Nile Restaurant Charles and Linda Borgsdorf Dave and Pat Clyde
Elizabeth Brien and
Bruce Conybeare Barbara Everitt Bryant Jeannine and Robert Buchanan Valerie and David Canter Bruce and Jean Carlson Jean and Ken Casey Anne and Howard Cooper Mr. and Mrs. George W. Ford Michael and Sara Frank Sid Gilman and Carol Barbour Linda and Richard Greene John and Helen Griffith Diane S. Hoff
Robert L. and Beatrice H. Kahn Shirley Y. and Thomas E. Kauper Robert and Jeri Kelch Jim and Patti Kennedy Samuel and Marilyn Krimm Jeffrey Mason and Janet Netz Mohammad and
J. Elizabeth Othman Peter and Carol Polverini Jim and Bonnie Reece Malverne Reinhart Duane and Katie Renken Corliss and Jerry Rosenberg Dr. and Mrs. Nathaniel H. Rowe Muaiad and Aida Shihadeh Edward and Natalie Surovell
Edward Surovell Realtors Target
TCP Bank Foundation Jim Toy
Karl and Karen Weick Elise Weisbach Ronald and Eileen Weiser
$1,000-$2,499 Wadad Abed
Roger Albin and Nili Tannenbaum Robert and Katherine Aldrich Michael and Suzan Alexander David G. and Joan M. Anderson Anonymous
Dr. and Mrs. Rudi Ansbacher Charles and Tina Avsharian Jonathan Ayers and Teresa Gallagher
Eric and Becky Bakker
Dr. Lesli and Mr. Christopher
John and Ginny Bareham Norman E. Barnett Anne Beaubien and Philip Berry Ralph P. Beebe Linda and Ronald Benson Stuart and Ruth Ann Bergstein Joan A. Binkow
John Blankley and Maureen Foley Dr. DJ and Dieter Boehm Ron and Mimi Bogdasarian Margaret and Howard Bond Laurence and Grace Boxer Dale E. and Nancy M. Briggs Edalene and Ed Brown Family
Foundation Beth Bruce
Robert and Victoria Buckler Lawrence and Valerie Bullen Joan and Charley Burleigh Letitia J. Byrd Amy and Jim Byrne Betty Byrne Barbara and Al Cain H.D. Cameron Jean W. Campbell John Carver
Janet and Bill Cassebaum Tsun and Siu Ying Chang Pat and George Chatas Hubert and Ellen Cohen Cynthia and Jeffrey Colton Consulate General of The
Netherlands in New York Jane Wilson Coon and
A. Rees Midgley, Jr. Paul N. Courant and
Marta A. Manildi Connie D'Amato Susan Tuttle Darrow Charles and Kathleen Davenport Hal and Ann Davis Leslie Desmond and Phil Stoffregen Sally and Larry DiCarlo Andrzej and Cynthia Dlugosz Molly Dobson Steve and Judy Dobson Robert J. and Kathleen Dolan
Stuart and Heather Dombey
Ivo Drury and Sun Hwa Kim
John R. Edman and Betty B. Edman
Emil and Joan Engel
Stefan and Ruth Fajans
Eric Fearon and Kathy Cho
David and Jo-Anna Featherman
Dede and Oscar Feldman
John E. Fetzer Institute, Inc.
Yi-Tsi M. and Albert Feuerwerker
Clare M. Fingerle
Susan Fisher and John Waidley
James W. and Phyllis Ford
Jill and Dan Francis
Leon and Marcia Friedman
Otto and Lourdes Gago
Enid H. Galler
Lois Kennedy Gamble
Prof. David M. Gates
Thomas and Barbara Gelehrter
Beverley and Gerson Geltner
William and Ruth Gilkey
Karl and Karen Gotting
Cozette T. Grabb
Elizabeth Needham Graham
Robert A. Green MD
Leslie and Mary Ellen Guinn
Helen C. Hall
Steven and Sheila Hamp
Alice and Clifford Hart
Martin and Connie Harris
David W. Heleniak
Carolyn B. Houston
Robert M. and Joan F. Howe
Eileen and Saul Hymans
Wallie and Janet Jeffries
Timothy and Jo Wiese Johnson
David and Gretchen Kennard
Connie and Tom Kinnear
Philip and Kathryn Klintworth
Carolyn and Jim Knake
Regan Knapp and John Scudder
Charles and Linda Koopmann David Lampe and Susan Rosegrant Ted and Wendy Lawrence Carolyn and Paul Lichter Jean E. Long
John and Cheryl MacKrell Cathy and Edwin Marcus Ann W. Martin and Russ Larson Marilyn Mason and
William Steinhoff Mary and Chandler Matthews Carole J. Mayer W. Joseph McCune and
Georgiana Sanders Griff and Pat McDonald Bernice and Herman Merte James M. Miller and
Rebecca H. Lehto Bert and Kathy Moberg Lester and Jeanne Monts Paul Morel and Linda Woodworth Alan and Sheila Morgan Cyril Moscow Terence Murphy Randolph and Margaret Nesse Susan and Mark Orringer William Nolting and
Donna Parmelee Marylen S. Oberman Judith Ann Pavitt Elaine and Bertram Pitt Stephen and Tina Pollock Thomas Porter and
Kathleen Crispell Richard and Mary Price Mrs. Gardner C. Quartan Anthony L. Reffells Donald Regan and
Elizabeth Axelson Ginny and Ray Reilly Constance Rinehart Rosalie EdwardsVibrant
Ann Arbor Fund
Jeffrey and Huda Karaman Rosen Doris E. Rowan Karem and Lena Sakallah Dick and Norma Sarns Maya Savarino
Dr. Lynn T. Schachinger and
Dr. Sheryl S. Ulin John J.H. Schwarz MD Erik and Carol Serr Richard H. Shackson Janet and Michael Shatusky Carl Simon and Bobbi Low Sandy and Dick Simon Nancy and Brooks Sitterley Dr. Rodney Smith Lloyd and Ted St. Antoine Michael B. Staebler Lois and John Stegeman Virginia and Eric Stein Victor and Marlene Stoeffler Dr. and Mrs. Stanley Strasius Karen and David Stutz Charlotte Sundelson Lewis and Judy Tann Jan Svejnar and Katherine Terrell Ted and Eileen Thacker Fr. Lewis W. Towler Louise Townley Jeff and Lisa Tulin-Silver Jack and Marilyn van der Velde Florence S. Wagner Shaomeng Wang and Ju-Yun Li Harvey and Robin Wax W. Scott Westerman, Jr. Roy and JoAn Wetzel Dianne Widzinski and
James Skupski, MD Dr. and Mrs. Max V. Wisgerhof II Charles Witke and Aileen Gatten
Alan and Susan Aldworth
Richard and Mona Alonzo Family Fund
Fahd Al-Saghir and Family
Helen and David Aminoff
Harlene and Henry Appelman
Frank J. Ascione
Penny and Arthur Ashe
Susan and Michael Babinec
J. Albert and Mary P. Bailey
Laurence R. and Barbara K. Baker
Lisa and Jim Baker
Reg and Pat Baker
Paulett M. Banks
Nancy Barbas and Jonathan Sugar
David and Monika Barera
Frank and Lindsay Tyas Bateman
Dr. Astrid B. Beck
Erling and Merete Blondal Bengtsson
James K. and Lynda W. Berg
Ramon and Peggyann Nowak Berguer
Sara Billmann and Jeffrey Kuras
William and llene Birge
Jerry and Dody Blackstone
Rebecca S. Bonnell
Bob and Sharon Bordeau
Sharon and David Brooks
Donald and June Brown
Morton B. and Raya Brown
Trudy and Jonathan Bulkley
Lou and Janet Callaway
Brent and Valerie Carey
Dennis J. Carter
A. Craig Cattell
Samuel and Roberta Chappell
John and Camilla Chiapuris
Dr. Kyung and Young Cho
Janice A. Clark
Brian and Cheryl Clarkson
George Collins and Paula Hencken
Wayne and Melinda Colquitt
Mary Pat and Joe Conen
Phelps and Jean Connell
Jean and Philip Converse
Connie and Jim Cook
Arnold and Susan Coran
Malcolm and Juanita Cox
Mary C. Crichton
Roderick and Mary Ann Daane
Alice and Ken Davis
Linda Dintenfass and Ken Wisinski
Eva and Wolf Duvernoy
Dr. and Mrs. Kim A. Eagle
Ernst & Young Foundation
Mary Ann Faeth
Harvey and Elly Falit
Margaret and John Faulkner
Phil and Phyllis Fellin
C. Peter and Beverly A. Fischer
John and Karen Fischer
Dr. Lydia Fischer
Susan A. Fisher
Ray and Patricia Fitzgerald
Esther M. Floyd
Scott and Janet Fogler
Howard and Margaret Fox
Betsy Foxman and Michael Boehnke
Jerrold A. and Nancy M. Frost
Sandro Galea and Margaret Kruk
James M. and Barbara H. Garavaglia
Richard L. Garner
Dr. Paul W. Gikas and Suzanne Gikas
Zita and Wayne Gillis
William and Jean Gosling
Amy and Glenn Gottfried
James and Maria Gousseff
Christopher and Elaine Graham
Martha and Larry Gray
Dr. John and Renee M. Greden
Robin and Stephen Gruber
Don Haefner and Cynthia Stewart
Robert and Elizabeth Hamel
Walt and Charlene Hancock
Susan R. Harris
Dan and Jane Hayes
Dr. and Mrs. Michael Hertz
Herb and Dee Hildebrandt
Ruth and Harry Huff
Ralph M. Hulett
Ann D. Hungerman
Maria Hussain and Sal Jafar
Stuart and Maureen Isaac
Mark and Madolyn Kaminski
Alfred and Susan Kellam
Christopher Kendall and
Susan Schilperoort Nouman and Iman Khagani Elie R. and Farideh Khoury James and Jane Kister Hermine Roby Klingler Dr. and Mrs. Jerry Kolins Melvyn and Linda Korobkin Rebecca and Adam Kozma Barbara and Ronald Kramer Barbara and Michael Kratchman Bert and Geraldine Kruse Bud and Justine Kulka Donald J. and Jeanne L. Kunz
LaVonne L. Lang
Dale and Marilyn Larson
Ruth L. Leder
Paula and Paul Lee
Mark Lindley and Sandy Talbott
Don and Erica Lindow
Daniel Little and Bernadette Lintz
Rod and Robin Little
Lawrence and Rebecca Lohr
E. Daniel and Kay Long
Brigitte and Paul Maassen
Jane and Martin Maehr
Scott and Kris Maly
Prof. Milan Marich
W. Harry Marsden
Irwin and Fran Martin
Susan E. Martin
Judythe and Roger Maugh
Margaret E. McCarthy
Warren and Hilda Merchant
Robert C. Metcalf
Don and Lee Meyer
Mrs. J. Jefferson Miller
Myrna and Newell Miller
Andrew and Candice Mitchell
Lewis and Kara Morgenstern
Thomas and Hedi Mulford
Gayl and Kay Ness
Susan and Richard Nisbett
Kathleen I. Operhall
Constance L. and David W. Osier
Steve and Betty Palms
Shirley and Ara Paul
Zoe and Joe Pearson
Jean and Jack Peirce
Margaret and Jack Petersen
Wallace and Barbara Prince
Elisabeth and Michael Psarouthakis
Peter Railton and Rebecca Scott
Patricia L. Randle and James R. Eng
Timothy and Teresa Rhoades
Stephen J. Rogers
Doug and Nancy Roosa
Richard and Edie Rosenfeld
Margaret and Haskell Rothstein
Craig and Jan Ruff
David Sarns and Agnes Moy-Sarns
Ann and Thomas J. Schriber
Julie and Mike Shea
Howard and Aliza Shevrin
Hollis and Martha A. Showalter
Edward and Kathy Silver
Elaine and Robert Sims
Don and Sue Sinta
Irma J. Sklenar
Andrea and William Smith
Gretchen Y. Sopcak
Becki Spangler and Peyton Bland
Doris and Larry Sperling
Mr. and Mrs. Gary R. Stahle
Naomi and James Starr
Lia and Rick Stevens
James Christen Steward
Eric and Ines Storhok
Kate and Don Sullivan
Timothy W. Sweeney
Elizabeth C. Teeter
Claire and Jerry Turcotte
Marianne Udow-Phillips and Bill
Phillips Fawwaz Ulaby and Jean
Members of the UMS Choral Union Doug and Andrea Van Houweling Shirley Verrett
Harue and Tsuguyasu Wada Elizabeth A. and David C. Walker Liina and Bob Wallin Jo Ann Ward Gary Wasserman Zachary B. Wasserman Angela and Lyndon Welch Katherine E. White Iris and Fred Whitehouse Father Francis E. Williams Robert J. and Anne Marie Willis Margaret W. Winkelman and Robert
I.W. and Beth Winsten Lawrence and Mary Wise Drs. Douglas and Margo Woll James H. and Gail Woods Stan and Pris Woollams Frances A. Wright Bryant Wu and Theresa Chang
Judith Abrams Dorit Adler Martha Agnew and
Webster Smith Dr. Diane M. Agresta Mr. and Mrs.
W. Dean Alseth Catherine M. Andrea Anonymous Dan and Vicki Arbour Rosemary and John Austgen Drs. John and Lillian Back Robert L. Baird Bruce Baker and Genie Wolfson Barbara and Daniel Balbach Barnes & Noble Booksellers Frank and Gail Beaver Gary M. Beckman and
Ken and Eileen Behmer Harry and Kathryn Benford Dr. Rosemary R. Berardi Andrew H. Berry Naren and Nishta Bhatia Jack Bill! and Sheryl Hirsch Horace and Francine Bomar Mark D. Bomia Victoria C. Botek and William M. Edwards Dr. R.M. Bradley and Dr. CM. Mistretta William R. Brashear
Joel Bregman and Elaine Pomerantz
Christie Brown and Jerry Davis
Pamela I. Brown
Richard and Karen Brown
Anthony and Jane Burton
Susan and Oliver Cameron
Thomas and Colleen Carey
Jack and Wendy Carman
Jim and Lou Carras
Margaret W. and Dennis B. Carroll
Jack Cederquist and Meg Kennedy Shaw
Prof, and Mrs. James A. Chaffers
J.W. and Patricia Chapman
Kwang and Soon Cho
Beverly Ciokajlo Mark Clague and
Laura Jackson Coffee Express Co. Anne and Edward Comeau Gordon and
Marjorie Comfort Kevin and Judy Compton Nancy Connell Jud Coon
Dr. Hugh and Elly Cooper Katharine Cosovich Kathy and Clifford Cox Lois Crabtree Clifford and Laura Craig Susie Bozell Craig Merle and
Mary Ann Crawford Mr. Michael and
Dr. Joan Crawford George and
Constance Cress John and Mary Curtis Timothy and Robin
Damschroder Sunil and Merial Das Ed and Ellie Davidson Linda Davis and Robert Richter Mr. and Mrs.
William J. Davis Dawda, Mann, Mulcahy &
Sadler, PLC Michelle Deatrick and
Steven Przybylski Jean and John Debbink Elena and Nicholas Delbanco Elizabeth Dexter Michael DiPietro Michael and Elizabeth Drake Elizabeth Duell Bill and Marg Dunifon Peter and Grace Duren Theodore and Susan Dushane Swati Dutta
J. Dutton and L. Sandelands Gavin Eadie and
Barbara Murphy Morgan and Sally Edwards Dr. Alan S. Eiser Charles and Julie Ellis Johanna Epstein and
Steven Katz The Equisport Agency Karen and Mark Falahee Afaf Vicky Farah Dr. and Mrs. S.M. Farhat
James and Flora Ferrara
Herschel and Adrienne Fink
Sara and Bill Fink
David Fox and
Paula Bockenstedt Shari and Ben Fox Willard G. Fraumann Susan L. Froelich and
Richard E. Ingram Philip and Renee Frost Carol Gagliardi and
David Flesher Martin Garber and
Beth German Sandra Gast and
Gregory Kolecki Michael Gatti and
Deborah and Henry Gerst Elmer G. Gilbert and Lois
M. Verbrugge J. Martin Gillespie and
Tara M. Gillespie Maureen and David
Ginsburg Edie Goldenberg Irwin Goldstein and
Mitch and Barb Goodkin Enid Gosling Mr. and Mrs. Charles and
Janet Goss Michael L. Gowing Phyllis Gracie Jeffrey B. Green Nancy Green and
William Robinson Raymond and Daphne Grew Susan and Mark Griffin Nicki Griffith Werner H. Grilk Milton and Susan Gross Bob and Jane Graver Anna Grzymala-Busse and
Joshua Berke Susan Guszynski and
Gregory Mazure Jan and Talbot Hack George and Mary Haddad M. Peter and Anne Hagiwara Tom Hammond Jeff Hannah and Nur Akcasu Abdelkader and
Huda Hawasli Rose and John Henderson
I. Lawrence Henkel and Jacqueline Stearns
3aul and Erin Hickman
lames C. Hitchcock
lohn Hogikyan and Barbara Kaye
Richard and Cathy Hollingsworth
Ronald and Ann Holz
Cyrus C. Hopkins
lames and Wendy Fisher House
Sun-Chien and Betty Hsiao
Robert B. Ingling
Mr. and Mrs. Eugene O. Ingram
John H. and Joan L. Jackson
Harold R. Johnson
Mark and Linda Johnson
Mary and Kent Johnson
Paul and Olga Johnson
John and Linda Jonides
The Jonna Companies
Profs. Monica and Fritz Kaenzig
Jack and Sharon Kalbfleisch
Helen and Irving Kao
Carol and H. Peter Kappus
Arthur Kaselemas MD Morris and Evelyn Katz
John B. Kennard, Jr. Nancy Keppelman and
Michael Smerza Drs. Nabil and
Mouna Khoury Roland and Jeanette Kibler Don and Mary Kiel Paul and Leah Kileny Kirkland & Ellis Foundation Dana and Paul Kissner Jean and Arnold Kluge Aric Knuth and Jim Leija Michael Koen Rosalie and Ron Koenig Joseph and
Marilynn Kokoszka Michael J. Kondziolka and Mathias-Philippe Florent Badin
Alan and Sandra Kortesoja Charles and Mary Krieger Vejayan Krishnan Ken and Maria Laberteaux Donald John Lachowicz
Lucy and Kenneth Langa Neal and Anne Laurance Jean Lawton and James Ellis Doug Laycock and
Teresa A. Sullivan Bob and Laurie Lazebnik Leslie Meyer Lazzerin John and Theresa Lee Sue Leong
Joan and Melvyn Levitsky David Baker Lewis Jacqueline H. Lewis Ken and Jane Lieberthal Michael and Debra Lisull Michael Litt Dr. and Mrs.
Lennart Lofstrom Julie M. Loftin Bruce W. Loughry William and Lois Lovejoy Joan Lowenstein and
Jonathan Trobe Charles and Judy Lucas Marjory S. Luther Ormond and
Annie MacDougald Claire and Richard Malvin Melvin and Jean Manis Manpower, Inc. of
Southeastern Michigan Michael and
Pamela Marcovitz Nancy and Philip Margolis Betsy Yvonne Mark Stacy and David Markel Howard L. Mason Laurie McCauley and
Jessy Grizzle Margaret and
Harris McClamroch Peggy McCracken and
Doug Anderson James H. Mclntosh and
Elaine K. Gazda Bill and Ginny McKeachie Joanna McNamara and
Mel Guyer Frances McSparran Russ and Brigitte Merz Gabrielle Meyer Shirley and Bill Meyers Eugene and Lois Miller George Miller and
Deborah Webster Jack and Carmen Miller Patricia Mooradian Arnold and Gail Morawa Michael and Patricia Morgan Melinda Morris
Sean Morrison and
Theodora Ross Ronald 5. Mucha Drs. Louis and
Julie Jaffee Nagel Sabine Nakouzi and
Scott Phillips '
Gerry and Joanne Navarre Sharon and Chuck Newman Dan and Sarah Nicoli Eugene W. Nissen Laura Nitzberg Carolyn and Edward Norton Arthur S. Nusbaum Norm and Charlotte Otto David and Andrea Page Hedda and William Panzer Donna D. Park Katherine Pattridge Julianne Pinsak David and Renee Pinsky Don and Evonne Plantinga Susan Pollans and Alan Levy Pomeroy Financial Services,
Inc. Garrod S. Post and
Robert A. Hill Helen S. Post Bill and Diana Pratt Ann Preuss
Karen and Berislav Primorac The Produce Station Marci Raver and Robert Lash Maxwell and Marjorie Reade Mr. and Mrs. Stanislav Rehak Marnie Reid Alice Rhodes Claire Conley Rice Todd Roberts and
Jonathan and Anala Rodgers Jean P. Rowan Rosemarie Haag Rowney Lisa and William Rozek Carol D. Rugg and Richard
K. Montmorency Omari Rush Arnold Sameroff and
Susan McDonough Ina and Terry Sandalow Michael and Kimm Sarosi Rosalyn Sarver and
Stephen Rosenblum Nabil Sater Joseph Saul and
Lisa Leutheuser Albert and Jane Sayed David and Marcia Schmidt Harriet Selin
David and Elvera Shappirio Patrick and Carol Sherry James and Teri Shields George and Gladys Shirley Jean and Thomas Shope George and Nancy Shorney Mary A. Shulman Drs. Andrew and
Emily Shuman Bruce M. Siegan Dr. Terry M. Silver Scott and Joan Singer Jiirgen Skoppek Ken and Marcia Slotkowski Tim and Marie Slottow Carl and Jari Smith David and Renate Smith Robert W. Smith Ren and Susan Snyder Yoram and Eliana Sorokin Joseph H. Spiegel Gretta Spier and
Jonathan Rubin Jeff Spindler David and Ann Staiger James L. Stoddard John W. and
Gail Ferguson Stout Mary and Ken Stover Bashar and Hoda Succar Nancy Bielby Sudia Barbara and
Donald Sugerman Brian and Lee Talbot Sam and Eva Taylor Steve and Diane Telian Mark and Pat Tessler Textron Denise Thai and
David Scobey Mary H. Thieme Janet E. and
Randall C. Torno Alvan and Katharine Uhle Susan B. Ullrich Michael Updike Drs. Alison and
Matthew Uzieblo Hugo and Karla Vandersypen Chris and Steven Vantrease Virginia Wait Jack and Carolyn Wallace Charles R. and
Barbara H. Wallgren Tim Wang and Molly Herndon Arthur and
Renata Wasserman Enid Wasserman Jack and Jerry Weidenbach
Leslie Whitfield Nancy Wiernik Ralph G. Williams Charlotte A. Wolfe Amanda and Ira Wollner Ellen Woodman Mary Jean and John Yabbnky Richard and Kathryn Yarmain Zakhour and
Androulla Youssef Gail and David Zuk
UMS also expresses its deepest appreciation to its many donors who give less than $250 each year, enabling the ongoing success of UMS programs.
ENDOWMENT FUND SUPPORT
July 1, 2008-November 1, 2009
The University Musical Society is grateful to those have supported UMS endowment funds, which will generate income for UMS in perpetuity and benefit UMS audiences in the future.
$100,000 or more
Doris Duke Charitable Foundation
Lenore M. Delanghe Trust Estate of Lillian G. Ostrand
James and Nancy Stanley
Estate of Betty Ann Peck
Herb and Carol Amster
John R. Edman and Betty B. Edman
Susan and Richard Gutow
Gilbert Omenn and Martha Darling
Stephen and Agnes Reading
Susan B. Ullrich
Marina and Robert Whitman
Bernard and Raquel Agranoff Jean and Ken Casey Charles and Julia Eisendrath Sid Gilman and Carol Barbour Paul and Anne Glendon Debbie and Norman Herbert Diane S. Hoff Natalie Matovinovid Prue and Ami Rosenthal Jay and Mary Kate Zelenock
Jerry and Gloria Abrams
Dr. Jo Ann Aebersold
Hiroko and Michael Akiyama
Bob and Martha Ause
Emily W. Bandera
Ramon and Peggyann Nowak Berguer
Inderpal and Martha Bhatia
Malcolm and Juanita Cox
Linda Davis and Robert Richter
Stefan and Ruth Fajans
David Fink and Marina Mata
Neal R. Foster and Meredith Lois Spencer Foster
Robert and Frances Gamble Trust
Thomas and Barbara Gelehrter
Lewis and Mary Green
John and Joyce Henderson
Dr. and Mrs. Robert Hensinger
Marilyn G. Jeffs
Robert and Jeri Kelch
Dorothea Kroll and Michael Jonietz
John Lawrence and Jeanine DeLay
Joan and Melvyn Levitsky
Barbara and Michael Lott
Joan Lowenstein and Jonathan Trobe
Regent Olivia Maynard and Olof Karlstrom
Frieda H. Morgenstern
Nebraska Book Company
Robert and Elizabeth Oneal
Valerie and Tony Opipari
Zoe and Joe Pearson
Michelle Peet and Rex Robinson
Stephen R. and Ellen J. Ramsburgh
Larry and Bev Seiford
Becki Spangler and Peyton Bland
Karen and David Stutz
Carrie and Peter Throm
Richard and Madelon Weber
Mary Ann Whipple
Mary C. Crichton
Edith and Richard Croake
Enid and Richard Grauer
Jonathan and Jennifer Haft
G. Elizabeth Ong
Richard L. and Lauren G. Prager
Charles W. Ross
The future success of the University Musical Society is secured in part by income from UMS's endowment. UMS extends its deepest appreciation to the many donors who have established andor contributed to the following funds:
H. Gardner and Bonnie Ackley Endowment Fund
Herbert S. and Carol Amster Fund
Catherine S. Arcure Endowment Fund
Carl and Isabelle Brauer Endowment Fund
Frances Mauney Lohr Choral Union Endowment Fund
Hal and Ann Davis Endowment Fund
Doris Duke Charitable Foundation Endowment Fund
Ottmar Eberbach Funds
Epstein Endowment Fund
David and Phyllis Herzig Endowment Fund
JazzNet Endowment Fund
William R. Kinney Endowment Fund
Natalie Matovinovic Endowment Fund
NEA Matching Fund
Palmer Endowment Fund
Mary R. Romig-deYoung Music Appreciation Fund
Prudence and Amnon Rosenthal K-12 Education
Endowment Fund Charles A. Sink Endowment Fund Catherine S. ArcureHerbert E. Sloan Endowment Fund University Musical Society Endowment Fund The Wallace Endowment Fund
Burton Tower Society
The Burton Tower Society recognizes and honors those very special friends who have included UMS in their estate plans. UMS is grate?ful for this important support, which will continue the great tradi?tions of artistic excellence, educational opportunities, and community partnerships in future years.
Bernard and Ftaquel Agranoff
Carol and Herb Amster
Mr. Neil P. Anderson
Dr. and Mrs. David 6. Anderson
Catherine S. Arcure
Barbara K. and Laurence R. Baker
Kathy Benton and Robert Brown
Linda and Maurice Binkow
Elizabeth S. Bishop
Mr. and Mrs. W. Howard Bond
Mr. and Mrs. Pal E. Borondy
Carl and Isabelle Brauer
Barbara Everitt Bryant
Pat and George Chatas
Mr. and Mrs. John Alden Clark
Mary C. Crichton
H. Michael and Judith L. Endres
Dr. James F. Filgas
Ken and Penny Fischer
Ms. Susan Ruth Fischer
Meredith L. and Neal Foster
Beverley and Gerson Geltner
Paul and Anne Glendon
Debbie and Norman Herbert
John and Martha Hicks
Mr. and Mrs. Richard Ives
Marilyn G. Jeffs
Thomas C. and Constance M. Kinnear
Robert and Pearson Macek
Michael G. McGuire
M. Haskell and Jan Barney Newman
Dr. and Mrs. Frederick C. O'Dell
Mr. and Mrs. Dennis M. Powers
Mr. and Mrs. Michael Radock
Mr. and Mrs. Jack Ricketts
Mr. and Mrs. Willard L. Rodgers
Prue and Ami Rosenthal
Margaret and Haskell Rothstein
Irma J. Sklenar
Art and Elizabeth Solomon
Roy and JoAn Wetzel
Ann and Clayton Wilhite
Mr. and Mrs. Ronald G. Zollars
Contributions have been made in honor andor memory of the following people:
H. Gardner Ackley
Nancy L. Ascione
Linda and Maurice Binkow
Jean W. Campbell
Marie Mountain Clark
John S. Dobson
Mrs. Jane D. Douglass
Alexander Everett Fischer
Ken and Penny Fischer
Mr. Leslie Froelich
E. James Gamble
Susan and Richard Gutow
Lloyd W. Herrold
Carl W. Herstein
Dr. Julian T. Hoff
Kathleen McCree Lewis
Zelma K. Marich
Josip Matovinovic MD
Sharon Anne McAllister
Valerie D. Meyer
Amir Masud Mostaghim
Gwen and Emerson Powrie
Gail W. Rector
Margaret E. Rothstein
Eric H. Rothstein
Nona Ruth Schneider
J. Barry Sloat
George E. Smith
Edith Marie Snow
Jennifer Steiner and Patrick Tonks
Ann R. Taylor
Dr. and Mrs. E. Thurston Thieme
Charles R. Tieman
Mr. and Mrs. Leon B. Verrett
Francis V. Viola III
C. Robert Wartell
Janet F. White
Carl H. Wilmot, Class of 1919
Nancy Joan Wykes
Alumni Association of the University
Ann Arbor Cooks, Natalie Marble Ann Arbor District Library Ann Arbor Fire Department Station 1 Anonymous
Dale and MariAnn Apley Phil and Lorie Arbour Barbara Bach Kathie Barbour Barton Hills Country Club Berry Goldsmiths Bistro Renaissance Black Star Farms Francine Bomar Barbara Everitt Bryant Cafe Zola Camp Michigania Craig Capelli, The Chippewa Club Pat Chapman Cheryl Clarkson Jill Collman Wendy Comstock Flip and Jean Connell Paul Cousins Heather Dombey Downtown Home and Garden Mary Ann Faeth Sara Fink Susan A. Fisher Susan R. Fisher The Friars
James M. and Barbara H. Garavaglia Paul and Anne Glendon Kathy Goldberg Joe Grimley Susan Gutow Idelle Hammond-Sass Charlene Hancock Alice and Clifford Hart Heavenly Metal
Hotel Iroquois, Mackinac Island Chantel Jackson John Schulz Photography Christopher Kendall
Meg Kennedy Shaw
Steve and Shira Klein
Liberty Athletic Club
Martin and Jane Maehr
Kathy McKee Casting Studio
Kay and Gayl Ness
Steve and Betty Palms
Performance Network Theatre
Elisabeth and Michael Psarouthakis
Purple Rose Theatre
Dick Scheer, Village Corner
Sweet Gem Confections
Ted and Eileen Thacker
Amanda and Frank Uhle
University of Michigan Exhibit
Museum of Natural History University of Michigan
Men's Soccer Team Renee Vettorello Enid Waserman Wawashkamo Golf Club,
Mackinac Island Whole Foods Debbie Williams-Hoak Ellen Woodman Jay and Mary Kate Zelenock Zingerman's Bakehouse