Systemic Pigeonholing: "Never Free to Rest" by Rashaun Rucker at U-M's LSA Gallery
by christopherporter
Rashaun Rucker begins his artist statement for Never Free to Rest at U-M's Institute for the Humanities Gallery with a simple definition:
The Future Is NOW: "Stephanie Dinkins: On Love & Data" at U-M Stamps Gallery
by christopherporter
“Binary calculations are inadequate to assess us,” states transmedia artist Stephanie Dinkins, and she approaches AI and technology with this premise in mind.
Helicon Haus' "Into the Abyss" explores the bottomless chasm of multidisciplinary art
by christopherporter
Helicon Haus is a student-run organization associated with the History of Art Undergraduate Society at the University of Michigan. The group hosts annual pop-up art exhibits, publishes writings, and creates arts-related world travel opportunities for its members. But for Helicon Haus' annual art exhibition, anyone may enter.
This year’s call took place in April 2021 and resulted in the online exhibition Into the Abyss, which is the second year in which the submissions were presented a virtual format.
Riverside Arts Center’s "Present: An Online Exhibit" offers an egalitarian collection of creative endeavors
by christopherporter
Art is essential, whether or not it is created for public display.
WSG Gallery's "The World Turns With and Without People" and "Silence and Breezes" explore nature and, sometimes, humans
by christopherporter
The artists at WSG Gallery are experts at creating impressive responses to themed prompts. For March's exhibit, Silences and Breezes, WSG artists created selections that range from action paintings influenced by music to calming and atmospheric representations of the natural world. April's theme is The World Turns With and Without People, but like March's show, many of the selected works seem to buzz with anticipation for warm weather.
Yasmine Nasser Diaz's "For Your Eyes Only" invites viewers to wrestle with our public-private lives in the Digital Age
by christopherporter
Over the course of the past year, art spaces have shifted from in-person to primarily online, marking an enormous—and sometimes challenging—shift in the experience of an exhibition. Though many galleries and museums have now reopened at least partially, one artist’s recent exhibit bypasses concerns about whether to invite bodies into enclosed spaces. In fact, artist Yasmine Nasser Diaz created a space that's intended to be viewed from outside. Her latest exhibition, For Your Eyes Only, featured in the University of Michigan Institute for the Humanities Gallery through April 16, questions the boundaries of public and private space through the inaccessible, room-sized installation, which can be viewed from the street outside the gallery.
Catching up with WSG Gallery's "Blue," "Winter Show," and "Something About the Light" exhibits
by christopherporter
Since its launch in late May, WSG’s online gallery has hosted seven exhibits, six of which are technically “over."
A guide to the Ann Arbor Art Center's Art in Public Places murals project
by christopherporter
Ann Arbor has innumerable large- and small-scale murals already, but they have new company as the result of a crowdfunded project to bring art to walls and alleys around town.
In July, the Ann Arbor Art Center (A2AC) raised more than $50,000 to commission 10 murals around the city. The fundraiser was through Patronicity, and once the goal was met, the Michigan Economic Development Corporation (MEDC) matched the donations to double the money available to the mural artists. At the onset of the project, 10 artists paired with local business owners on the sites of their future murals. In October, two additional murals were announced, raising the total to 12. This initiative is part of the ongoing A2AC Art in Public program that aims to make art “accessible and equitable to everyone,” relying on community-based donations.
Raqs Media Collective's "The Pandemic Circle" explores how artists share and create during quarantine
by christopherporter
On December 1, Raqs Media Collective premiered two new videos as part of an ongoing project titled The Pandemic Circle. This three-part series, curated by STAMPS Gallery’s Srimoyee Mitra, was commissioned by the University of Michigan Stamps Gallery and the Penny W. Stamps School of Art & Design as part of EXPO CHICAGO’s online adaptation of its previously in-person discussions and events series. The focus this time is on ways in which those working within the arts are changing and adapting their practices to continue making and sharing art amid the pandemic.
Ordinary People: UMMA's "Take Your Pick: Collecting Found Photographs" asks us to help curate the everyday
by christopherporter
This review was originally published October 8, 2019. We're rerunning it because UMMA just launched a virtual version of this exhibit featuring 250 photographs that visitors selected to enter the museum's permanent collection. View the online exhibit and learn about the history of snap photography here.
In the University of Michigan Museum of Art’s latest photographic exhibit, Take Your Pick, viewers are asked to participate in the selection of images to be added to the permanent collection. UMMA asks us to head to the gallery and look at the 1,000 amateur photographs collected by Peter J. Cohen and decide on our 20 personal favorites. Ballots are available at the entrance of the gallery, with 20 slots to vote for your favorite photographs. On the exhibit's webpage, potential visitors are asked to “Come help build [UMMA's] collection of ‘ordinary’ American 20th-century photographs.” With an emphasis on the word ordinary, the curatorial team is asking viewers to consider how “ordinary” photographs of the 20th century may be reconsidered as objects worthy of preservation and study.