Valery Jung Estabrook's hand-sewn exhibit at U-M's LSA Humanities Gallery re-creates an uncomfortable snapshot of a rural American interior
by christopherporter
The LSA Humanities Gallery is known for exhibits that raise uncomfortable questions and featuring provocative artworks that cut to the heart of American culture. With its most recent exhibit, *Hometown Hero (Chink): An American Interior, viewers are invited to explore an installation designed by multidisciplinary artist and Paula and Edwin Sidman Fellow in the Arts recipient Valery Jung Estabrook.
A Thread of Jewels: The 6X collective's "Mistaken for Strangers" fills the A2 Art Center's Gallery 117 with wearable art
by christopherporter
The contemporary jewelry-making collective 6X makes interconnected, wearable artworks. The six-member group of Midwesterners explained their approach as part of its February exhibition at the Ann Arbor Art Center: “Ties, which may not consciously be acknowledged at a simple glance, are visible upon further consideration of approaches to concept, material, and process.” Thus, the title of the A2AC exhibit, Mistaken for Strangers, in its Gallery 117 space references the connectedness of their creative processes, which may not be immediately recognized by viewers.
Riverside Arts Center's exhibit "Embrace: The Black Experience" explores the spectrum
by christopherporter
The artists in Riverside Arts Center's Embrace: The Black Experience grapple with what that multifaceted experience means. They respond with artwork just as varied, from metalworks to photographs and digitally rendered multimedia.
U-M Gifts of Art's winter edition offers meditative, inspirational works in a variety of mediums
by christopherporter
Every new season the University of Michigan Medicine’s Gifts of Art brings patients and visitors new exhibits of inspirational, meditative, and thought-provoking works by local and regional artists. For the winter edition, the eight gallery spaces provide uplifting and diverse works, executed in a wide range of media: straight photography, digitally altered photography, oil paintings, oil and chalk pastels, designer hats, multimedia sculptures, and paper sculpture.
Unity of Purpose: "Taking a Stand" at Stamps Gallery features a range of multimedia works under a common theme of inclusivity
by christopherporter
Stamps Gallery's Taking a Stand offers audiences a glimpse at the works of five artists who engage with themes of solidarity and comment on social and cultural issues at the forefront of contemporary dialogues. They grapple with science fiction, environmentalism, social activism, and the history and continuing impact of colonialism.
Riverside Arts Center's "Insecurity: Not Enough Again" exhibit explores personal and social uncertainties
by christopherporter
Insecurity takes many forms and shapes: visually, culturally, personally, and within communities. But what is insecurity and how can it be cultivated to produce change?
UMMA's "Reflections: An Ordinary Day" explores quotidian moments in Inuit life
by christopherporter
What one person might consider an ordinary, everyday scene, another might see as unusual and unique. It all depends on where you live, since cultures evolve in different ways that fit their environments. So, a person from the Caribbean might not recognize something from the Arctic as commonplace and vice versa.
This Is America: Tylonn J. Sawyer's "WHITE HISTORY MONTH VOL. 1" at LSA Humanities Gallery
by christopherporter
Tylonn J. Sawyer's exhibition WHITE HISTORY MONTH VOL. 1 might not seem to be made for people who ask, “Why don’t we have a White History Month when we have Black History Month?”
Interactive Empathy: "Way Opens (Disability Arts and Culture)" at Riverside Arts Center
by christopherporter
In its juried exhibition Way Opens (Disability Arts and Culture), Riverside Arts Center asks, “What does ‘disabled’ mean to such a broad range of people who identify as such?”
Never-Ending Greatness: Bob Dylan and His Band at Hill Auditorium
by christopherporter
On November 6, Bob Dylan visited Hill Auditorium for the 7th time as part of his Never Ending Tour -- 57.5 years after his initial performance in Ann Arbor on April 22, 1962.