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AACHM Oral History: Walter Blackwell
Walter Blackwell was born in 1930 in Petersburg, Virginia. He shares memories of growing up there as well as in Mount Vernon, New York before serving in the army during the Korean War. He worked for 30 years at the Ann Arbor VA hospital, where he enjoyed helping fellow veterans. After experiencing discrimination in housing and employment, Mr. Blackwell fought for civil rights in Ann Arbor as a member of the Congress of Racial Equality (CORE) and mentored black children in his neighborhood.
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AACHM Oral History: Audrey Monagan
Audrey Monagan was born in Ann Arbor in 1941, and grew up in a close-knit, predominantly black neighborhood on North Fifth Ave. She remembers attending Bethel AME Church with her grandparents, spending time at the Dunbar Community Center, and helping raise her younger siblings. She attended Jones School and Pioneer High School before working for General Motors, where she was an inspector for eighteen years. Mrs. Monagan has been married to her second husband, Philip, for 48 years.
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AACHM Oral History: Gerald Edwards
Gerald Edwards was born in 1950 in Cleveland, Ohio. He remembers being discriminated against as one of three African American students at his elementary school in the aftermath of Brown v. Board of Education. At Heidelberg College, he participated in sit-ins to help found a Black Student Union House. After beginning his career in automotive manufacturing with Ford Motor Company, Mr. Edwards started his own business, Engineered Plastic Products, in 1987. He and his wife Jada also started the Edwards Foundation, which was dedicated to philanthropy in Namibia.
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AACHM Oral History: Hortense Howard
Hortense Howard was born in Bloomington, Illinois in 1927. Soon afterwards, her family moved to Ann Arbor, where she and her sisters became known as the “Bacon Sisters” for their choral performances at sorority houses and other venues. Ms. Howard attended a music school in Detroit because she “wanted to sing like Sarah Vaughan,” and she met many African American singers while working at the Gotham Hotel. She ran her own daycare, Sitters Unlimited Family Day Care, in Ann Arbor for twenty years.
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AACHM Oral History: Henrietta Edwards
Henrietta Edwards was born in 1919 and grew up in Muskogee, Oklahoma before moving to Ann Arbor in 1941. She and her husband worked at the Willow Run Bomber Plant during World War II, and owned two filling stations—one downtown at N Fourth Avenue and E Ann Street, and one on Highway 23. She celebrated her hundredth birthday with family, friends, and former coworkers and patients from St. Joseph Mercy Hospital, where she worked as a pediatric nurse for 32 years.
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Martin Bandyke Under Covers for July 2019: Martin interviews John Wall, author of Streamliner: Raymond Loewy and Image-making in the Age of American Industrial Design.
Born in Paris in 1893 and trained as an engineer, Raymond Loewy revolutionized twentieth-century American industrial design. Combining salesmanship and media savvy, he created bright, smooth, and colorful logos for major corporations that included Greyhound, Exxon, and Nabisco. His designs for Studebaker automobiles, Sears Coldspot refrigerators, Lucky Strike cigarette packs, and Pennsylvania Railroad locomotives are iconic. Beyond his timeless designs, Loewy carefully built an international reputation through the assiduous courting of journalists and tastemakers to become the face of both a new profession and a consumer-driven vision of the American dream.
In Streamliner, John Wall traces the evolution of an industry through the lens of Loewy’s eclectic life, distinctive work, and invented persona. How, he asks, did Loewy build a business while transforming himself into a national brand a half century before "branding" became relevant? Placing Loewy in context with the emerging consumer culture of the latter half of the twentieth century, Wall explores how his approach to business complemented―or differed from―that of his well-known contemporaries, including industrial designers Henry Dreyfuss, Walter Teague, and Norman Bel Geddes. Wall also reveals how Loewy tailored his lifestyle to cement the image of "designer" in the public imagination, and why the self-promotion that drove Loewy to the top of his profession began to work against him at the end of his career. Streamliner is an important and engaging work on one of the longest-lived careers in industrial design.
Martin Bandyke’s interview with John Wall was originally recorded on February 6, 2019.
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Who Holds the Power: Policing in Ann Arbor
Who holds the power in Ann Arbor when it comes to law enforcement? What does that mean for those who are not in power? How has this all changed over time? A panel of local experts discuss the role of police around the city and on the University of Michigan campus.
This was the second of a series series of discussions addressing the question: Who holds the power in Ann Arbor? The series, a partnership with the Michigan Daily, was made possible by the Poynter College Media Project.
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Martin Bandyke Under Covers for June 2019: Martin interviews Ian S. Port, author of The Birth of Loud: Leo Fender, Les Paul, and the Guitar-Pioneering Rivalry That Shaped Rock 'n' Roll
“A hot-rod joy ride through mid-20th-century American history” (The New York Times Book Review), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar’s amplified sound—Leo Fender and Les Paul—and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built.
In the years after World War II, music was evolving from big-band jazz into rock ’n’ roll—and these louder styles demanded revolutionary instruments. When Leo Fender’s tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to be out-maneuvered, Gibson, the largest guitar manufacturer, raced to build a competitive product. The company designed an “axe” that would make Fender’s Esquire look cheap and convinced Les Paul—whose endorsement Leo Fender had sought—to put his name on it. Thus was born the guitar world’s most heated rivalry: Gibson versus Fender, Les versus Leo.
While Fender was a quiet, half-blind, self-taught radio repairman, Paul was a brilliant but headstrong pop star and guitarist who spent years toying with new musical technologies. Their contest turned into an arms race as the most inventive musicians of the 1950s and 1960s—including bluesman Muddy Waters, rocker Buddy Holly, the Beatles, Bob Dylan, and Eric Clapton—adopted one maker’s guitar or another. By 1969 it was clear that these new electric instruments had launched music into a radical new age, empowering artists with a vibrancy and volume never before attainable.