AADL Talks To: John Gutoskey, Artist, Designer, Printmaker & Collector

Sun, 10/13/2024 - 1:26pm

In this episode, AADL talks to John Gutoskey. John talks to us about his career as a visual artist from his early years in costume design to his work in massage therapy and eventually owning a printmaking studio. John recalls the galleries he has shown at, the theatrical and dance companies he collaborated with, how his career path has followed his varied interests, and reflects on the changes in Ann Arbor's art scene.

Local Movement: Five Decades of Dance in Ann Arbor - Directors' Cut

Sat, 09/21/2024 - 5:06pm

"The national 'dance boom' of the late 1950's through the 1980's expanded audiences and support for dance. Federal grants supported the development of college dance programs and touring dance companies. The University Musical Society brought dance to the University of Michigan’s Power Center for the Performing Arts, built in Ann Arbor in 1971. Both at the University and in the community, Ann Arbor became a destination for dance. Low-cost performance and rehearsal spaces, community support, and grants helped create and nurture a vital dance scene, and Ann Arbor became home to numerous modern and jazz dance companies including Dance Theater 2, Hydra, Whitley Setrakian’s People Dancing, The J. Parker Copley Dance Company, Jazz Dance Theater, and The Peter Sparling Dance Company. Recurring community dance showcases, such as Spring Dances, Fall Dances, Dancing in Summer, and others took place throughout the year, allowing many choreographers to share their work. The film Local Movement, by Aimee McDonald and Terri Sarris, explores modern dance in Ann Arbor from the 1970's through today." - Terri Sarris

This is the directors' cut of Sarris and McDonald's 24-minute original created for Ann Arbor 200.

Local Movement: Five Decades of Dance in Ann Arbor

Sat, 09/21/2024 - 4:34pm

"The national 'dance boom' of the late 1950's through the 1980's expanded audiences and support for dance. Federal grants supported the development of college dance programs and touring dance companies. The University Musical Society brought dance to the University of Michigan’s Power Center for the Performing Arts, built in Ann Arbor in 1971. Both at the University and in the community, Ann Arbor became a destination for dance. Low-cost performance and rehearsal spaces, community support, and grants helped create and nurture a vital dance scene, and Ann Arbor became home to numerous modern and jazz dance companies including Dance Theater 2, Hydra, Whitley Setrakian’s People Dancing, The J. Parker Copley Dance Company, Jazz Dance Theater, and The Peter Sparling Dance Company. Recurring community dance showcases, such as Spring Dances, Fall Dances, Dancing in Summer, and others took place throughout the year, allowing many choreographers to share their work. The film Local Movement, by Aimee McDonald and Terri Sarris, explores modern dance in Ann Arbor from the 1970's through today." - Terri Sarris

And for more stories from the film, check out the 46-minute directors' cut.

AADL Talks To: Peter Sparling, Lecturer, Poet, Essayist, Dancer, and Filmmaker

Fri, 08/09/2024 - 10:00am

In this episode, AADL Talks To Peter Sparling. Peter is a lecturer, poet, essayist, dancer, and filmmaker. He is the Rudolf Arnheim Distinguished University Professor Emeritus of Dance at the University of Michigan. Peter talks with us about his career, from his start as a member of the José Limón Dance Company and principal dancer with Martha Graham Dance Company through his time in Ann Arbor as director of his own Peter Sparling Dance Company. Peter talks about his activism, the changes in the Ann Arbor dance community over the years, and his current work after retiring from the university 6 years ago.

AADL Talks To: Michael Kondziolka, former Director of Artistic Programming at University Musical Society

Sun, 07/28/2024 - 3:59pm

In this episode AADL Talks to Michael Kondziolka. Michael, who retired in 2023, served for 30 years as the director of artistic programming and production for the University Musical Society. Michael talks with us about the thrill of bringing performers to Ann Arbor; how he and the UMS team responded to the changes and challenges of the late 1990s and how he helped reshape UMS’s aesthetic and took programming in different directions.